Browse Books for Teens

Join the dance of North American Indigenous interpretations of Christian Scripture

In Reading the Bible on Turtle Island, Indigenous scholars Chris Hoklotubbe and Danny Zacharias explore what it means to read the Bible from the lens of Indigenous peoples in North America. Exploring the intersection of Scripture, Cultural Traditions, Hearts and Minds, and Creation, they affirm Creator's presence with Indigenous people since the beginning. By recovering these rich histories, this book offers a fresh reading of Scripture that celebrates the assets, blessings, and insights of Indigenous interpretation.

Indigenous culture has often been dismissed or deemed problematic within Western Christian circles, and historical practices have often communicated that Indigenous worldviews have little to offer the church or its understanding of Scripture. Hoklotubbe and Zacharias challenge this perspective, reasserting the dignity of these cultures that were condemned through colonial practices and showing how Indigenous interpretations bring invaluable insights to all of God’s people.

In Reading the Bible on Turtle Island, Hoklotubbe and Zacharias

• Affirm the dignity and value of Indigenous cultures and their contributions to hermeneutics.
• Explore the intersection of the Bible with Indigenous traditions.
• Delve deeply into the stories of Scripture alongside the complex histories of Indigenous communities in North America.
• Celebrate the unique blessings and insights of Indigenous interpretation.
• Offer a fresh, transformative reading of the Bible that speaks to all of God’s people.

Reading the Bible on Turtle Island is a vital resource for scholars who are interested in the intersection of biblical studies and social location, who are seeking to explore Scripture through an Indigenous hermeneutic, or who desire to learn more about the contributions of Indigenous worldviews to Biblical interpretation. 

Reviews
"We have been waiting for a book like this—one that presents indigenous biblical interpretation. T. Christopher Hoklotubbe and Daniel Zacharias call their approach to biblical interpretation Turtle Island Hermeneutics. I call it groundbreaking, urgent, and necessary at this present moment. Now students studying the Bible in seminary or college will have a text that will help them do what few books on interpretation can do—take the dirt, the water, the air, our animal kin, and of course, indigenous thought and life seriously. We are now in a new day for biblical scholarship." — William James Jennings, Andrew W. Mellon Professor of Systematic Theology and Africana Studies at Yale University Divinity School

"Some years ago, I was told that Indigenous contributions to biblical scholarship would, at best, be superficial. The real work, after all, had already been done by European scholars. Reading the Bible on Turtle Island justifies my contention that this was not so. T. Christopher Hoklotubbe and Daniel Zacharias unpack Indigenous understandings of the biblical narrative for us in profoundly earthy and culturally complex ways. For the first time ever, many Indigenous people have read themselves into the biblical story and, together with the authors, have answered Lamin Sanneh's 2003 question, 'Whose religion is Christianity?' 'It's ours,' they have said!"— Terry LeBlanc, director emeritus and elder in residence of NAIITS: An Indigenous Learning Community

"Reading the Bible on Turtle Island introduces us to the riches of Indigenous interpretation of Scripture and invites us to gather around the council fire and learn from the ongoing discussion Indigenous disciples of Jesus are having about how to 'seek Creator in the Good Medicine Way of Jesus.' T. Christopher Hoklotubbe and H. Daniel Zacharias not only create a dialogue between biblical scholarship, Indigenous history and wisdom, and ongoing debates about how to relate the gospel to culture, they do so in a way that is simultaneously accessible, deeply moving, gracious enough to create room for disagreement and ongoing debate, and occasionally laugh-out-loud funny. Yet the book also offers a challenge, that the path to the healing of the nations and the Western church includes learning from Indigenous disciples who bear witness to the good word of Creator-made-flesh."— Michael J. Rhodes, author of Just Discipleship and lecturer in Old Testament at Carey Baptist College

"How we read ourselves into the Bible shapes the theology we develop. This book offers all Christians another reading, a reading that takes our stories seriously and provides an opportunity to develop an Indigenous theology rather than simply reconciling ourselves to a theology rooted in European priorities." — Patty Krawec, author of Becoming Kin: An Indigenous Call to Unforgetting the Past and Reimagining Our Future and Bad Indians Book Club: Reading at the Edge of a Thousand Worlds

Additional Information
240 pages | 6.00" x 9.00" | Paperback

For thousands of years, Inuit practiced the traditional art of tattooing. Created the ancient way, with bone needles and caribou sinew soaked in seal oil, sod, or soot, these tattoos were an important tradition for many Inuit women, symbols etched on their skin that connected them to their families and communities. But with the rise of missionaries and residential schools in the North, the tradition of tattooing was almost lost. In 2005, when Angela Hovak Johnston heard that the last Inuk woman tattooed in the old way had died, she set out to tattoo herself in tribute to this ancient custom and learn how to tattoo others. What was at first a personal quest became a project to bring the art of traditional tattooing back to Inuit women across Nunavut, starting with Johnston’s home community of Kugluktuk. Collected in this beautiful book are moving photos and stories from more than two dozen women who participated in Johnston’s project. Together, these women have united to bring to life an ancient tradition, reawakening their ancestors’ lines and sharing this knowledge with future generations.

Awards

• 2018 NorthWords Book Prize Winner 

Reviews
"This gorgeous photographic essay on the Inuit Tattoo Revitalization Project is a deeply personal and affirming work about learning and preserving traditions-and reclaiming what residential schools tried to destroy."-School Library Journal

Additional Information
72 pages | 10.00" x 10.00" | Paperback 

A powerful anthology uniting the voices of Indigenous women, Elders, grassroots community activists, artists, academics, and family members affected by the tragedy of Missing and Murdered Indigenous Women, Girls, and Two-Spirit people from across Turtle Island.

In 2010, Métis artist Jaime Black-Morsette created the REDress Project—an art installation consisting of placing red dresses in public spaces as a call for justice for Missing and Murdered Indigenous Women, Girls, and Two-Spirit people (MMIWG2S). Symbolizing both absence and presence, the red dresses ignite a reclamation of voice and place for MMIWG2S. Fifteen years later, the symbol of the empty red dress endures as families continue to call for action.

In this anthology, Jaime Black-Morsette shares her own intimate stories and memories of the REDress Project along with the voices of Indigenous women, Elders, grassroots community activists, artists, academics, and family members affected by this tragedy. Together they use the power of their collective voice to not only call for justice for MMIWG2S, but honour Indigenous women as keepers and protectors of land, culture, and community across Turtle Island.

Reviews
“REDress is a must-read for anyone who seeks to truly understand the hearts of those most impacted by MMIWG2S. For allies and interested citizens, this anthology shows how Canada emboldened and fostered a society to inflict genocide against Indigenous women, girls, and Two-Spirited and transgendered relatives.”—Sheila North, Former Grand Chief, Creator of hashtag #MMIW, Mother and Kookom

“REDress is a love offering to MMIWG2S and those who are intimately impacted by this epidemic.”—Cathy Mattes, curator, writer, and Associate Professor in History of Art at the University of Winnipeg

"This is a moving look at how women in indigenous communities are using art and activism to keep the the issue at the forefront, despite the lack of progress in solving or preventing the crimes.... A content warning signals that the book contains language concerning violence against women. I’d offer this to activist artists or anyone interested in justice for indigenous communities, in high school and up." - Youth Services Book Review - Stephanie Tournas, Retired librarian, Cambridge, MA 

Educator Information
Content Warning: This book's content deals with violence against Indigenous women, girls, and Two-Spirit people; genocide; death; intergenerational trauma; suicide; and residential schools. 

Big Ideas: Diverse and Inclusive Representation: Identity; Land-Based or Place-Based Learning; Social-Emotional Learning: Death, Grief, Bereavement; Social-Emotional Learning: Self Expression, Creative Writing, Art; Social Justice: Citizenship and Social Responsibility; Social Justice: Impacts of Colonization and Colonialism; Social Justice: MMIWG2S; Social Justice: Prejudice and Racism.

Edited by: Jaime Black-Morsette

Contributions by: KC Adams, Mackenzie Anderson Linklater, Marjorie Beaucage, Christi Belcourt, Judy Da Silva,  Karine Duhamel, Deantha Edmunds, Cambria Harris, Jaimie Isaac, Casey Koyczan, Crystal Lepscier, Lee-Ann Martin, Diane Maytwayashing, Cathy Merrick, Sherry Farrell Racette, Gladys Radek, Zoey Roy, Jennifer Lee Smith, and Patti Beardy.

Additional Information
168 pages | 7.00" x 10.00" | Paperback

The award-winning Righting Canada's Wrongs series is now available in French for Immersion classrooms.

In a highly visual and appealing format for young readers, this book explores the many forced relocation of Inuit families and communities in the Canadian Arctic from the 1950s to the 1990s. Governments promoted and forced relocation based on misinformation and racist attitudes. These actions changed Inuit lives forever. This book documents the Inuit experience and the resilience and strength they displayed in the face of these measures. Years afterwards, there have been multiple apologies by the Canadian government for its actions, and some measure of restitution for the harms caused.

Included in the book are accounts of a community forced to move to the High Arctic where they found themselves with little food and almost no shelter, of children suddenly taken away from their families and communities to be transported to hospitals for treatment for tuberculosis, and of the notorious slaughter by RCMP officers of hundreds of sled dogs in Arctic settlements.

Though apologies have been made, Inuit in northern Canada still face conditions of inadequate housing, schools that fail to teach their language, and epidemics of infectious diseases like TB. Yet still, the Inuit have achieved a measure of self-government, control over resource development, while they enrich cultural life through music, film, art and literature.

This book enables readers to understand the colonialism and racism that remain embedded in Canadian society today, and the successful resistance of Inuit to assimilation and loss of cultural identity.

Like other volumes in the Righting Canada’s Wrongs series, this book uses a variety of visuals, first-person accounts, short texts and extracts from documents to appeal to a wide range of young readers.

Educator & Series Information
This French book is part of the series Redresser les torts du Canada (Righting Canada's Wrongs series).

Recommended for ages 13 to 18.

This book is available in English: Righting Canada's Wrongs: Inuit Relocations: Colonial Policies and Practices, Inuit Resilience and Resistance.

Additional Information
8.50" x 11.69" | Paperback 

With Indigenous Métis herbalist LoriAnn Bird as your guide, connect with the ancestral wisdom of over 90 wild edible and medicinal plants from across North America.

A purposeful and powerful reference to the lessons, nourishment, healing, and history of our “plant teachers,” Revered Roots shares guidance on exploring, gathering, and reclaiming these long-revered plants as food and medicine. Separated into two sections, LoriAnn first reveals her own journey to understanding and respecting our plant elders. She offers teachings and lessons about remembering our relationship to the plants around us and our responsibility to the earth that sustains us.

The second part of the book is filled with insightful illustrated plant profiles detailing the identification, uses, and Indigenous folklore of some of the continent’s most treasured ancestral plants. Included are edible and medicinal bark, berries, and buds from trees and shrubs, as well as foliage, flowers, and fronds from herbs, “weeds,” and wildflowers; some native to the continent, others introduced generations ago.

Learn about the gifts our Rooted Nation of plants has to offer, including:

• Evergreen tips from spruces, pines, and firs
• Hawthorn berries, leaves, and flowers
• Plantain seeds and foliage
• Oswego tea leaves and blooms
• Slippery elm bark
• Motherwort flowers, stems, and leaves
• Black cohosh roots and rhizomes
• Marshmallow root
• Cottonwood buds and bark
• Plus dozens more

Reclaiming our natural rhythms and connections to the earth we walk on is essential to our health and well-being, both as individuals and as a community. One simple way to do that is by appreciating, respecting, and seeking to understand the plants around us.

Reviews
“With elegant reverence, LoriAnn Bird weaves connections among ancestral herbalist teachings from several lineages. She invites us into our own personal journey with plant medicine, giving us lessons on how to respect and honor the power of plants and their human knowledge keepers. She carefully and lovingly attributes each piece of teaching to its source. This book is a powerful legacy that we need more than ever at this time of healing and reconciliation. May its words fly into the world and land softly in the hearts of all who need them.”—Lori Weidenhammer, author of Victory Gardens for Bees: A DIY Guide to Saving the Bees

“Revered Roots is truly an essential work of art that imparts the sacredness of each plant, in each harvesting step and in the interspecies relationships with all of life. The authentic and grounded nature of LoriAnn Bird comes through the pages to connect us with a sense of belonging and reverence.”—Katrina Blair, founder of Turtle Lake Refuge; author of The Wild Wisdom of Weeds

“LoriAnn Bird, in her book Revered Roots, creates a beautiful story about our plant relatives with our history woven between the leaves of each page. She highlights each being and allows them to tell their story, including who they are, their benefits, uses, ways to eat, look-alikes, and what makes them unique. It's like looking at an old family album and finally knowing who each person is and what their spirit has to offer the world. The book, complete with information about our relatives, wrapped its warm arms around me as I nestled in to read each page, excited to learn more about family. LoriAnn’s voice provides a continuous honoring of our ancestors, our brilliance, and our resilience.”—Jenna Jasek, Shuswap (Kenpesq't) Band member, Director of Indigenous Learning, The Outdoor Learning School

“LoriAnn Bird weaves stories of plants into a tapestry of vivid imagery and teachings, allowing us to experience earth medicine in a way we never have before. Like a family gathered around the table exchanging stories of cherished ones, Lori Ann’s plant musings draw us into an intimate connection with our More-Than-Human Kin. From a small moment in a back alley in East Vancouver to hundreds of years of history from around the world, Revered Roots feels like an equal blend of encyclopedia, history book, and love letter. Get to know plants in a truly profound way through the words of a master storyteller, sister, friend, mother, and plant protector.”—Stephanie Rose, founder of Garden Therapy; author of Garden Alchemy and The Regenerative Garden

“This is a beautiful book on every level; the gorgeous drawings and painting of plants, the photography and images throughout, but also the words and the feelings on each page. Intensely moving and remarkably practical, deeply personal and filled with worldly wisdom, this book offers the reader a glimpse into a whole new way of seeing the nature. With a plant centered focus, through a biophilia lens, the author invites us to re-evaluate and re-vision our own relationships with plants and the natural world. This book is destined to be a classic.”—Chanchal Cabrera MSc, FNIMH, Medical Herbalist; Horticulture Therapist; author of Holistic Cancer Care

“LoriAnn has put a lifetime of collected knowledge into a work that connects people to plants in ways both honorable and honest. Revered Roots extols both the practical and sacred uses of the plants we see around us, while also nurturing our respect for our More-Than-Human Kin and our responsibility to the greater world. It has been a pleasure to be a teacher and herbal mentor to LoriAnn for many years.”—Don Ollsin, Master Herbalist; Conscious Spiritual Elder, Alchemy of Aging; author of Pathways to Healing

Additional Information
240 pages | 8.00" x 9.55" | Hardcover 

Next Level Chef winner Pyet De Spain celebrates her Mexican and Native American heritage in this collection of mouthwatering recipes, a vibrant fusion that ties us to the land and to one another.

Star chef Pyet DeSpain rose to prominence as the first winner of Gordon Ramsey’s Fox television show Next Level Chef. Now, in her debut cookbook, she shares the joy of cooking fueled by her burning passion for Native American and Mexican American cuisine. Rooted in Fire: A Celebration of Native American and Mexican Cooking is a tribute to her dual heritage—a gorgeously crafted celebration of the diversity of food and the stories, traditions, culture, and profound philosophies of Indigenous people that season each meal.

Pyet shows you how to incorporate a delicious range of key ingredients—from venison, dandelion greens, to sunchokes, bison, and native berries—into more than sixty fusion dishes. Family and friends will be excited to gather around the table to enjoy sweet and savory food such as:

• Three Sisters Salad
• Bison and Sweet Corn Soup
• Fry Bread
• Mexican Chocolate & Mezcal Cake
• Corn Silk and Honey Tea
• Wojapi BBQ Sauce

In addition to her inventive and palate pleasing recipes, Pyet invites home cooks to honor the seasons on our beautiful Earth and connect with essential foodways. “This is more than just a cookbook,” Pyet writes. “It’s giving a voice to Indigenous people, while also highlighting the fusion of my two cultures with fire and purpose.”

Reviews
"Pyet's talent is evident in every recipe in this book. The way she weaves her heritage into her dishes is extraordinary and I've seen it every day since the first time I tasted her work on Next Level Chef. Trust me, you're in for an absolute treat." — Gordon Ramsay

Pyet’s Rooted in Fire beautifully honors her Prairie Band of Potawatomi and Mexican heritage through food storytelling that is both personal and powerful. Her voice is heartfelt, her vision and dedication are clear, and her talent within the Indigenous food movement is undeniable. I’m so proud to see her shining as a modern-day Indigenous food warrior—this book marks an important chapter in her growing legacy." — Sean Sherman, Founder of The Sioux Chef/NATIFS.org and Author of The Sioux Chef’s Indigenous Kitchen and Turtle Island

Additional Information
288 pages | 7.38" x 9.12" | 128 four color food photographs | Hardcover 

A fiery second collection of poetry from the acclaimed Indigenous New Zealand writer that U.S. Poet Laureate Joy Harjo calls, “One of the most startling and original poets of her generation.”

Tayi Tibble returns on the heels of her incendiary debut with a bold new follow-up. Barbed and erotic, vulnerable and searching, Rangikura asks readers to think about our relationship to desire and exploitation. Moving between hotel lobbies and all-night clubs, these poems chronicle life spent in spaces that are stalked by transaction and reward. “I grew up tacky and hungry and dazzling,” Tibble writes. “Mum you should have tied me/to the ground./Instead I was given/to this city freely.”

Here is a poet staking out a sense of freedom on her own terms in times that very often feel like end times. Tibble’s range of forms and sounds are dazzling. Written with Māori moteatea, purakau, and karakia (chants, legends, and prayers) in mind, Rangikura explores the way the past comes back, even when she tries to turn her back on it. “I was forced to remember that,/wherever I go,/even if I go nowhere at all,/I am still a descendent of mountains.”

At once a coming-of-age and an elegy to the traumas born from colonization, especially the violence enacted against indigenous women, Rangikura interrogates not only the poets’ pain, but also that of her ancestors. The intimacy of these poems will move readers to laughter and tears. Speaking to herself, sometimes to the reader, these poems arc away from and return to their ancestral roots to imagine the end of the world and a new day. They invite us into the swirl of nostalgia and exhaustion produced in the pursuit of an endless summer. (“My heart goes out like an abandoned swan boat/ghosting along a lake”). They are a new highpoint from a writer of endless talent. 

Reviews
"When Tayi Tibble was eight, she decided she’d be a writer...Despite a slew of accomplishment at just 28—including, but not limited to, being the first Māori writer published in The New Yorker and an appearance in in Lorde’s Solar Power music video—she remains miraculously humble....Rangikura, her incendiary second collection, hits bookshelves this week in the States...[In it] Tibble nimbly zig zags from comedic lines about the Kardashians to reflections on ancestral trauma, colonization and love affairs." —Eloise King-Clements, Interview Magazine

Additional Information
96 pages | 6.19" x 8.66" | Hardcover 

From the author of the nationally bestselling Strangers saga comes a heartrending story of two Michif sisters who must face their past trauma when their mother is called out for false claims to Indigenous identity.

June and her sister, lyn, are NDNs—real ones.

Lyn has her pottery artwork, her precocious kid, Willow, and the uncertain terrain of her midlife to keep her mind, heart and hands busy. June, a Métis Studies professor, yearns to uproot from Vancouver and move. With her loving partner, Sigh, and their faithful pup, June decides to buy a house in the last place on earth she imagined she’d end up: back home in Winnipeg with her family.

But then into lyn and June’s busy lives a bomb drops: their estranged and very white mother, Renee, is called out as a “pretendian.” Under the name (get this) Raven Bearclaw, Renee had topped the charts in the Canadian art world for winning awards and recognition for her Indigenous-style work.

The news is quickly picked up by the media and sparks an enraged online backlash. As the sisters are pulled into the painful tangle of lies their mother has told and the hurt she has caused, searing memories from their unresolved childhood trauma, which still manages to spill into their well-curated adult worlds, come rippling to the surface.

In prose so powerful it could strike a match, real ones is written with the same signature wit and heart on display in The Break, The Strangers and The Circle. An energetic, probing and ultimately hopeful story, real ones pays homage to the long-fought, hard-won battles of Michif (Métis) people to regain ownership of their identity and the right to say who is and isn’t Métis.

Reviews
“With the same artistry and open heart that vermette’s character lyn practices in throwing and displaying her pottery, vermette has crafted real ones to explore—in real time—the traumatic outward rippling effect of a mother’s ethnic fraud on all her relations.” —Michelle Good, author of Five Little Indians and Truth Telling

“A brilliant novel, infused with anger and rich with empathy. In real ones, katherena vermette holds a mirror up to an issue that Indigenous and non-Indigenous communities are all grappling with—the rise of false claims to Indigenous identity. Vermette tells this story like no one else can. By focusing on the relationship between sisters June and lyn (who are Métis on their father’s side) following the public discovery of their own mother’s false claims, vermette offers up an understanding of the way the phenomenon reverberates at the personal and political levels. A healing and eye-opening story, real ones is a must-read.”—Michelle Porter, author of A Grandmother Begins the Story

“With conviction and compassion, vermette shines a light on pretendianism—motivations, tangled emotions, far-reaching consequences—and re-centres collective Métis identity and sovereignty.”—Chantal Fiola, author of Returning to Ceremony: Spirituality in Manitoba Métis Communities

Additional Information
320 pages | 5.50" x 8.25" | Hardcover 

From the #1 national bestselling author of 'Indian' in the Cabinet and True Reconciliation, a truly unique history of our land—powerful, devastating, remarkable—as told through the voices of both Indigenous and non-Indigenous peoples.

The totem pole forms the foundation for this unique and important oral history of Canada. Its goal is both toweringly ambitious and beautifully direct: To tell the story of this country in a way that prompts readers to look from different angles, to see its dimensions, its curves, and its cuts. To see that history has an arc, just as the totem pole rises, but to realize that it is also in the details along the way that important meanings are to be found. To recognize that the story of the past is always there to be retold and recast, and must be conveyed to generations to come. That in the act of re-telling, meaning is found, and strength is built.

When it comes to telling the history of Canada, and in particular the history of the relationship between Indigenous and non-Indigenous peoples, we need to accept that the way in which our history has traditionally been told has not been a common or shared enterprise. In many ways, it has been an exclusive and siloed one. Among the countless peoples and groups that make up this vast country, the voices and experiences of a few have too often dominated those of many others.

Reconciling History shares voices that have seldom been heard, and in this ground-breaking book they are telling and re-telling history from their perspectives. Born out of the oral history in True Reconciliation, and complemented throughout with stunning photography and art, Reconciling History takes this approach to telling our collective story to an entirely different level.

Additional Information
304 pages | 6.25" x 8.75" | Hardcover

Designed to be used with any deck, Red Tarot is a radical praxis and decolonized oracle that moves beyond self-help and divination to reclaim tarot for liberation, self-determination, and collective healing.

Red Tarot speaks to anyone othered for their identity or ways of being or thinking—LGBTQIA2S+ and BIPOC folks in particular—presenting the tarot as a radical epistemology that shifts the authority of knowing into the hands of the people themselves.

Author Christopher Marmolejo frames literacy as key to liberation, and explores an understanding of tarot as critical literacy. They show how the cards can be read to subvert the dynamics of white supremacist-capitalist-imperialist-patriarchy, weaving historical context and spiritual practice into a comprehensive overview of tarot.

Situating tarot imagery within cosmologies outside the Hellenistic frame—Death as interpreted through the lens of Hindu goddess Chhinnamasta, the High Priestess through Aztec goddess Coyolxauhqui—Marmolejo’s Red Tarot is a profound act of native reclamation and liberation. Each card’s interpretation is further bolstered by the teachings of Toni Morrison, bell hooks, Paulo Freire, José Esteban Muñoz, and others, in an offering that integrates intersectional wisdom with the author’s divination practice—and reveals tarot as an essential language for liberation.

Reviews
“Red Tarot passionately reindigenizes the symbolism of each tarot card and demonstrates the importance of this reclamation. Along with illuminating bold interpretations of the tarot, it pulls the reader into each tarot narrative in a brilliant and poetic manner. I loved this book!”—Erika Buenaflor, MA, JD, author of Cleansing Rites of Curanderismo and Veneration Rites of Curanderismo

“Red Tarot is a volume that truly, as in its own words, readies its reader to come as ‘part prophet, part poet, part political participant.’ This is a generous book. Marmolejo has done something truly wonderful here. They have made a book that makes it possible for you to engage with the future in the best way possible which is with the feeling of blowing your brain hole open. Anyone who hungers for more possibility when faced with the prospect of reading the future should keep Red Tarot with them. I know that it will be very dear to me. Red Tarot shows you how to find a sense of almost unnerving freedom in the future. This book treats reading as a medicine.”—Alice Sparkly Kat, author of Postcolonial Astrology

“After a pandemic’s collective deadness, I’m looking for resources that help us all claim collective aliveness. You’re holding one of the finest contributions to help find a portal to Eros; the rapture of aliveness, and the transcendent support of red reading. Christopher Marmolejo’s Red Tarot is an invaluable, extensively researched tool that helps you remember the language, symbols, and fields of somatic and intuitive knowledge acquisition. It’s a highly integrative work; successfully, accessibly merging the best of Christopher’s teachers in the decolonial and divinatory fields. Red Tarot achieves the work’s goal of Indigenous reclamation, reimagining, and regeneration in this pivotal time.”—Colin Bedell, astrologer and founder of QueerCosmos

Additional Information
448 pages | 5.98" x 8.96" | Paperback

An exploration of Indigenous cosmology and history in North America

• Examines the complexities of Indigenous legends and creation myths and reveals common oral traditions across much of North America

• Explores the history of Cahokia, the Mississippian Mound Builder Empire of 1050-1300 CE, told through the voice of Honga, a Native leader of the time

• Presents an Indigenous revisionist history regarding Thomas Jefferson, expansionist doctrine, and Manifest Destiny

While Western accounts of North American history traditionally start with European colonization, Indigenous histories of North America—or Turtle Island—stretch back millennia. Drawing on comparative analysis, firsthand Indigenous accounts, extensive historical writings, and his own experience, Omaha Tribal member, Cherokee citizen, and teacher Taylor Keen presents a comprehensive re-imagining of the ancient and more recent history of this continent’s oldest cultures. Keen reveals shared oral traditions across much of North America, including among the Algonquin, Athabascan, Sioux, Omaha, Ponca, Osage, Quapaw, and Kaw tribes. He explores the history of Cahokia, the Mississippian Mound Builder Empire of 1050–1300 CE. And he examines ancient earthen works and ceremonial sites of Turtle Island, revealing the Indigenous cosmology, sacred mathematics, and archaeoastronomy encoded in these places that artfully blend the movements of the sun, moon, and stars into the physical landscape.

Challenging the mainstream historical consensus, Keen presents an Indigenous revisionist history regarding Thomas Jefferson, expansionist doctrine, and Manifest Destiny. He reveals how, despite being displaced as the United States colonized westward, the Native peoples maintained their vision of an intrinsically shared humanity and the environmental responsibility found at the core of Indigenous mythology.

Building off a deep personal connection to the history and mythology of the First Peoples of the Americas, Taylor Keen gives renewed voice to the cultures of Turtle Island, revealing an alternative vision of the significance of our past and future presence here.

Reviews
“Brother Keen, with his infinite Indigenous and academic knowledge, brings forth amazing truths about ancient North American cultures the modern world was unaware of. Not only are the ancient earthworks extensive and scientifically and astronomically complex but Keen unveils they are all connected across the entire continent, mirroring the heavens. Simply incredible research.” — Scott Wolter, host of History 2 (H2) Channel’s America Unearthed, world-renowned forensic geol

“Careful analysis by Taylor Keen of the placement and designs of earthworks of the Indigenous people of North America reveals far more complex planning and design was involved than just random location selection of mounds for burials, as we were taught to think. His geographical analysis reveals the sacred earthworks designs were far more advanced and esoteric in nature, something he is uniquely qualified to understand as Indigenous himself and a member of several esoteric orders. He proves definitively the intricate level of knowledge of astronomy, heavenly body movements, mathematics, and cosmology involved in the creation of these earthworks, not only at a local level, but incredibly as long-range alignments as well. This revelation, Keen explains, was something that was dismissed and suppressed by early nineteenth-century archaeologists who breached and destroyed the sacred earthworks and burial mounds as part of the promotion of ‘manifest destiny,’ with the intent being justification of taking tribal lands for settlement. Keen’s incredibly important work gives a whole new perspective on the history of North America.” — Janet Wolter, coauthor of America: Nation of the Goddess

“The official history of the United States begins with Spanish contact in the late fifteenth century. The oral traditions and legends of the various Native peoples of North America, however, stretch back much earlier, into the opaque mists of preliterate times. With a member of the Earthen Bison Clan of the Omaha Tribe to serve as our guide, Rediscovering Turtle Island leads the reader along near-forgotten, overgrown paths that twist and turn throughout a resacralized landscape, decorated with ancient landmarks, populated with whispering ghosts and supernatural beings. The sacred geography of America will never again appear the same.” — P. D. Newman, author of Native American Shamanism and the Afterlife Journey in the Mississippi Valle

“What could be more fascinating than the origin of mankind itself? The premise is staggering and the consequences far-reaching. Keen’s hard work pays off immensely in Rediscovering Turtle Island, and readers will be gripped by that experience on every page.” — Sidian M.S. Jones, coauthor of The Voice of Rolling Thunder

Additional Information
208 pages | 6.00" x 9.00" | 70 b&w illustrations | Paperback 

This compelling debut novel by new talent Byron Graves tells the relatable, high-stakes story of a young athlete determined to play like the hero his Ojibwe community needs him to be.

These days, Tre Brun is happiest when he is playing basketball on the Red Lake Reservation high school team—even though he can’t help but be constantly gut-punched with memories of his big brother, Jaxon, who died in an accident.

When Jaxon's former teammates on the varsity team offer to take Tre under their wing, he sees this as his shot to represent his Ojibwe rez all the way to their first state championship. This is the first step toward his dream of playing in the NBA, no matter how much the odds are stacked against him.

But stepping into his brother’s shoes as a star player means that Tre can’t mess up. Not on the court, not at school, and not with his new friend, gamer Khiana, who he is definitely not falling in love with.

After decades of rez teams almost making it, Tre needs to take his team to state. Because if he can live up to Jaxon's dreams, their story isn’t over yet.

Awards

• American Indian Youth Literature Award Winner
• Book Riot’s Best Children’s Books
• William C. Morris Award

Reviews
"Debut author Graves (Ojibwe) presents a deeply personal look at grief, the weight of expectations, and the ways we find connections with those we have lost... This one shoots and scores." — Kirkus Reviews

"Debut author Graves, who is Ojibwe like Tre, doesn’t shirk from showing his community’s ugly experiences, but he never languishes in them. Well-paced and exciting—the action of the basketball games is exceptionally well written—this is a solid piece of sports fiction." — Booklist

"Influenced by Byron’s own experiences, the challenges Tre faces are realistically difficult, including a team-wide drinking habit that nearly derails everything and Tre’s crush and best friend hooking up behind his back. That realism is nicely balanced, however, by a story that dutifully follows the beats of great sports movies with motivational speeches, unbelievable comebacks, raucous crowds, heartbreaking losses, and a lot of heart up to the final buzzer." — Bulletin of the Center for Children’s Books

Educator Information
Recommended for ages 13+ 

This book is published by Heartdrum, an imprint that publishes high-quality, contemporary stories about Indigenous young people in the United States and Canada.

Additional Information
368 pages | 5.31" x 8.00" | Paperback 

A resource guide for the Righting Canada’s Wrongs Indigenous Studies set that provides lessons in historical thinking.

The Righting Canada's Wrongs Indigenous Studies set series is devoted to the exploration of racist and discriminatory government policies and actions against Indigenous peoples through our history, the fight for acknowledgement and justice and the eventual apologies and restitution of subsequent governments. The books in this series make a valuable addition to any classroom or library looking for kid-friendly and appealing resources on Indigenous Studies and equal rights in Canada. The engaging and curriculum-based lessons in this Resource Guide will help students to further understand some of the important events in Canada's history that helped shape our current multicultural society. Educators will find support for teaching about Canada's past and ongoing treatment of Indigenous Peoples and how to approach the topic of, colonization, racism and discrimination. As well, students will learn about the important cultures and traditions that have continued in the face of colonization.

Educator Information
Recommended for use with ages 13+

This resource guide provides lessons in historical thinking for the Righting Canada’s Wrongs Indigenous Studies set: 

• Righting Canada's Wrongs: Inuit Relocations: Colonial Policies and Practices, Inuit Resilience and Resistance
• Righting Canada's Wrongs: Residential Schools: The Devastating Impact on Canada's Indigenous Peoples and the Truth and Reconciliation Commission's Findings and Calls for Action (PB) - 2nd Edition
• Righting Canada's Wrongs: The Sixties Scoop and the Stolen Lives of Indigenous Children

Additional Information
120 Pages | 8.5" x 11" | Paperback

Unless there is snow on the ground, never speak their name aloud.

The more they eat the hungrier they become, and they are starving.

They were meant to stay undisturbed, their dismembered limbs scattered, frozen under the permafrost, but as is always the way, the greed of industry has unburied them once more. Now, the most feared, the Wheetago, have returned, using their powers to call back the Na acho, cannibalistic giants once banished by Dene deities.

The revered hero known as the Child Finder who is fighting to cling to his humanity after a Wheetago attack, a mother and her young son, and a desperate band of convicts, form an uneasy alliance to survive the Wheetago horrors now awakened.

ROTH, from award-winning, bestselling Tlicho Dene author Richard Van Camp, and visionary illustrator Christopher Shy is the first graphic novel in the Wheetago War series.

Reviews
"A storyteller is what Richard Van Camp is—a storyteller par excellence. He tells us of family and traditions, of past and present spirits. Through Roth, he weaves his magic yet again, entwined with the richly atmospheric and terrestrial palette of Christopher Shy. With the Wheetago War series, kind-hearted and horrifically evil come together to hold you fully embraced, page after page."– Kent Williams artist & illustrator X-Men, Batman

"This spectacular, boundary-pushing book will change the way you look at graphic novels.Rooted in ancient and powerful narratives, this captivating saga will have you holding your breath until it releases you from its grip at the end, only to want more.”- Waubgeshig Rice, author Moon of the Turning Leaves

Educator & Series Information
Recommended for ages 15+.

This book is the first book in the Wheetago War series.

Additional Information
192 pages | 6.62" x 10.25" | Paperback

In stunning full color and accessible text, a graphic adaptation of the American Book Award winning history of the United States as told from the perspective of Indigenous peoples—perfect for readers of all ages

Roxanne Dunbar-Ortiz’s influential New York Times bestseller exposed the brutality of this nation’s founding and its legacy of settler-colonialism and genocide. Through evocative full color artwork, renowned cartoonist Paul Peart-Smith brings this watershed book to life, centering the perspective of the peoples displaced by Europeans and their white descendants to trace Indigenous perseverance over four centuries against policies intended to obliterate them.

Recognized for his adaptation of W.E.B. DuBois’ The Souls of Black Folk and his extensive expertise in the comics industry, Peart-Smith collaborates with experienced graphic novel editor Paul Buhle to provide an accessible introduction to a complex history that will attract new generations of readers of all ages. This striking graphic adaptation will rekindle crucial conversations about the centuries-long genocidal program of the US settler-colonial regime that has largely been omitted from history.

Reviews
“Adapting a work of history as dense and as vital as Dunbar-Ortiz’s An Indigenous Peoples’ History of the United States (2014) to comics form is no easy feat, but Peart-Smith is up for the task . . . A thoughtful, radically hopeful work that is sure to resonate with readers of all ages.” - Booklist

Educator Information
The publisher does not provide a recommended age range, but notes in the description that this graphic interpretation "will attract new generations of readers of all ages".

Table of Contents 

Additional Information
120 pages | 8.22" x 10.28" | Hardcover