Browse Books for Teens

An irreverent and playful novella of Metis voices that reflects the complexities of contemporary prairie life

Conor Kerr's 2024 novel Prairie Edge was a finalist for both the Giller Prize and the Atwood Gibson Writers' Trust of Canada Fiction Prize. His latest book, Beaver Hills Forever, takes a riotous, uncompromising look at the intertwined lives of four characters, each an abstract expression of the few paths available to Metis people on the Prairies. In alternating poetic verses, Buddy, Baby Momma, Fancy University Boy, and Aunty Prof share their inner dreams, hardships, delusions of grandeur, and existential plights. While the messy day-to-day is created by their own doing, the lives of these four individuals are doubly compromised by Canada's colonial education system and resource extraction industries.

A beguiling and genre-bending work, Beaver Hills Forever offers a moving, necessary exploration of education, labour, and the dynamic, ever-changing bonds that bring us back to each other. Here is a diverse, funny, pitch-perfect chorus of voices that rings loud and true over the wide prairie landscape.

Reviews
"Not every Metis kid / Needs a sad story," says a character in Conor Kerr's propulsive and deeply entertaining new work, where each bone-clean sentence holds a galaxy of stories in its marrow. Kerr is part of a vital contemporary movement that is reimagining what our literatures can be and what they can do. Beaver Hills Forever is a reminder that laughter and passion are as much a part of the narrative as struggle. In these pages, you'll find voices that demand to be heard, felt, and remembered." — Carleigh Baker, author of Last Woman and Bad Endings

"Much like his prose, Conor Kerr's Beaver Hills Forever imbues the language of everyday Indigenous life with a poetic charm that is just incredibly readable and relatable. This book is truly multitudinous: a love story, an anti-love story, a critique of neoliberalism, an ode to the Prairies, and, above all, proof that even our smallest desires are worthy of sustained poetic consideration." — Billy-Ray Belcourt, author of Coexistence

"Beaver Hills Forever is full of raunch and riot. Conor Kerr's ability to gravitate around the embodied truths of institutional whiteness, class, settler colonization, and the Indigenous (Metis) experience in the moraine of amiskwaciy is rebellious in its desire to not pathologize or rationalize the violent backdrops of its animate setting. With his skilled hand, Kerr makes sure there is "room for [all] in the digital economy of the Future." — Joshua Whitehead, author of Jonny Appleseed

"Aho, fancy reader! Welcome to Conor Kerr's Beaver Hills Forever. We'll laugh, we'll cry. We'll smoke, we'll die. Etc, etc. Beaver Hills Forever is funny, heartfelt, poetic, badass. It's Bald Boy, Goodbye, Sad Story, Indigenous Canon. Etc, etc. Magpie cackles, Metis literatures, Aunty Prof wonders, realizes, smudges, feel-good energy. Fuck all the ongoing bullshit internal politics and academic distortion and just hear the truth, etc, etc." — Jordan Abel, author of Empty Spaces and NISHGA

Additional Information
88 pages | 6.00" x 9.00" | Paperback

Behind Closed Doors features written testimonials from thirty-two individuals who attended the Kamloops Indian Residential School. The school was one of many infamous residential schools that operated from 1893 to 1979. These storytellers give voice to the thousands as they remember and share with us their stolen time at the school; many stories are told through courageous tears.

Additional Information
202 pages | 11.50" x 8.00" | Paperback

Chief Stacey Laforme, an esteemed Indigenous leader and storyteller, breathes life into every poem and story, drawing upon his deep cultural roots. Rich with the essence of his soul, the poems in Beneath the Surface capture the moments and emotions that have shaped him, offering a poignant exploration of identity, resilience, and hope. Through humour and pain, Laforme invites readers to not just read, but to truly feel the weight and wisdom carried within each verse.

This collection goes beyond poetry, providing rich backstories and leadership insights that contextualize the verses. As in his earlier collections, Living in the Tall Grass and Love, Life, Loss and a little bit of hope, Laforme once again extends an invitation to readers, encouraging them to see the world through Indigenous eyes. Themes of peace, humanity, grief, and trauma are woven throughout the book, creating a tapestry of reflection, healing, and ultimately, hope.

Beneath the Surface serves as both a deeply personal reflection and a call for greater understanding and connection, illuminating the complexities of life through the lens of Indigenous wisdom and storytelling.

At the end of this book, this journey, Laforme seeks to help you better answer the following questions. Who was I, Who am I, and Who do I want to be? As a person, a people, a country, a world, who do we want to be?

Additional Information
192 pages | 8.50" x 5.50" | Paperback 

From adventures in Indigenous futurism to tales of first love, the stories and poems of Beyond the Glittering World proclaim and celebrate a rising generation of Native American storytellers.

Beyond the Glittering World brings together twenty emerging and established Native women writers and writers of marginalized genders, including Moniquill Blackgoose, Heid E. Erdrich, A.J. Eversole, Chelesa Hicks, and D. Daye Hunter. Immersing readers in worlds as varied as their authors, this collection presents an array of singular voices at their genre-bending, boundary-breaking, devastating, and joyous best.

Reviews
"An evocative compilation of voices pondering Indigenous futures and the shape of Indigenous love. Beyond the Glittering World holds a healthy dose of gender-bending, genre-challenging, future-hoping might. This anthology is a welcome addition to the field of Indigenous anthologies.”—DEBORAH JACKSON TAFFA, Whiskey Tender

Additional Information
240 pages | 5.25" x 8.00" | Paperback

Teammates, champions, Survivors

In 1951, after winning the Thunder Bay district championship, the Sioux Lookout Black Hawks hockey team from Pelican Lake Indian Residential School embarked on a whirlwind promotional tour through Ottawa and Toronto. They were accompanied by a professional photographer from the National Film Board who documented the experience. The tour was intended to demonstrate the success of the residential school system and introduce the Black Hawks to "civilizing" activities and the "benefits" of assimilating into Canadian society. For some of the boys, it was the beginning of a lifelong love of hockey; for others, it was an escape from the brutal living conditions and abuse at the residential school. 

In Beyond the Rink, Alexandra Giancarlo, Janice Forsyth, and Braden Te Hiwi collaborate with three surviving team members-Kelly Bull, Chris Cromarty, and David Wesley-to share the complex legacy behind the 1951 tour photos. This book reveals the complicated role of sports in residential school histories, commemorating the team's stellar hockey record and athletic prowess while exposing important truths about "Canada's Game" and how it shaped ideas about the nation. By considering their past, these Survivors imagine a better way forward not just for themselves, their families, and their communities, but for Canada as a whole.

Reviews
"These three survivors-Kelly, David, and Chris-inspire us not only for what they have done for their communities in the aftermath of the residential school system but also for how crucial hockey and sports are in bringing Indigenous communities together, like we see in the Little NHL Tournament. Our history and the lessons we've learned are vital, and Beyond the Rink does an excellent job of highlighting this." — Ted Nolan, former NHL Player & Coach, Olympic Coach, and author of Life in Two Worlds: A Coach's Journey from the Reserve to the NHL and Back

"On its face, Beyond the Rink is a compelling story of a residential school hockey team from northern Ontario touring Ottawa and Toronto in the 1950s. But it is much more than that: with a National Film Board photographer accompanying them every step of the way, the players are props in a public relations exercise meant to obscure the true conditions in residential schools.

This is an unflinching and nuanced look behind the PR veil, a story of loss, triumph, perseverance, tragedy, and memory. It is also a detailed account of the machinery of residential schools and the trauma they inflicted. And it is a revealing look at the power of photographs, which can be used to both illuminate and mislead.

At its heart, Beyond the Rink is the story of twelve Indigenous hockey players, who, like their white counterparts, loved the game for the thrill of competition, but also as an escape from the relentless control and exploitation they faced on a daily basis, even if they were being exploited while doing it. This is the story of twelve boys, told through the lens of three of them, trapped in a world they barely understood, a world that was not the least bit interested in understanding them, and in many ways still isn't." — Gord Miller

"The authors have spent decades working with the Survivors whose stories they share and centre in this book. Beyond the Rink, Behind the Image does not simply tell the story of a hockey team; it demonstrates how sport within the context of residential schools was a tool of colonization." — Karen Froman

"It is difficult to overstate the significance of this book. The scholarship is sound as well as original in context and content, and Survivor testimony is respected and communicated in a theoretically sophisticated way." — Travis Hay

Additional Information
184 pages | 6.00" x 8.50" | 36 b&w illustrations, bibliography | Paperback 

There There meets The Night Watchman in this gripping literary debut about power and corruption, family, and facing the ghosts of the past.

Mitch Caddo, a young law school graduate and aspiring political fixer, is an outsider in the homeland of his Anishinaabe ancestors. But alongside his childhood friend, Tribal President Mack Beck, he runs the government of the Passage Rouge Nation, and with it, the tribe’s Golden Eagle Casino and Hotel. On the eve of Mack’s reelection, their tenuous grip on power is threatened by a nationally known activist and politician, Gloria Hawkins, and her young aide, Layla Beck, none other than Mack’s estranged sister and Mitch’s former love. In their struggle for control over Passage Rouge, the campaigns resort to bare-knuckle political gamesmanship, testing the limits of how far they will go—and what they will sacrifice—to win it all.

But when an accident claims the life of Mitch’s mentor, a power broker in the reservation’s political scene, the election slides into chaos and pits Mitch against the only family he has. As relationships strain to their breaking points and a peaceful protest threatens to become an all-consuming riot, Mitch and Layla must work together to stop the reservation’s descent into violence.

Thrilling and timely, Big Chief is an unforgettable story about the search for belonging—to an ancestral and spiritual home, to a family, and to a sovereign people at a moment of great historical importance.

Reviews
“A compelling and strong Native American novel about politics and power and how far some people will go to hold on to what they have.”—Brandon Hobson, author of National Book Award finalist Where the Dead Sit Talking

"Deliciously ruthless and absolutely huge, Big Chief unleashes the Shakespearean realities of Passage Rouge with seismic ambition and brilliance. Prepare to relish every dice roll, partisan jab, and monkey wrench thrown in this all-out showdown from maestro Jon Hickey—a colossal novel of and for our time." —Cody Caetano, author of Half-Bads in White Regalia

"Jon Hickey throws the reader in the backseat of a tricked out F350 and takes them for a wild ride across the Rez following a J. Crew NDN, a Chief who's in over his head, and their crew. This is a must read as Hickey brings us into the chaos and catastrophes that the colonial imposed electoral system creates in Indigenous communities but also shows the reader how community, a sense of belonging, and family is what really matters in the end. This is a book that you won't put down until the last ballot is counted."—Conor Kerr, author of Prairie Edge

“Taut, timely, and brimming with suspense, Big Chief questions our notions of power and morality, holding a mirror to our crooked, calculating world. This is a monumental debut."—Kirstin Chen, New York Times bestselling author of Counterfeit

“Big Chief features all the twisty chessmanship—the familial feuds, the financial games, the political maneuvering—of Succession and sets it against the backdrop of Indian country. Jon Hickey has written one hell of an addictive and important debut novel.”—Benjamin Percy, author of The Ninth Metal and Red Moon

Additional Information
320 pages | 5.50" x 8.25" | Hardcover

From the award-winning, bestselling author of All the Quiet Places, comes Brian Thomas Isaac's highly anticipated, haunting and tender return to the Okanagan Indian Reserve and a teenager's struggle to become a man in a world of racism and hardship.

Summer, 1968. For the first time since his big brother, Eddie, disappeared two years earlier—either a runaway or dead by his own hand—sixteen-year-old Lewis Toma has shaken off some of his grief. His mother, Grace, and her friend Isabel have gone south to the United States to pick fruit to earn the cash Grace needs to put a bathroom and running water into the three-room shack they share on the reserve, leaving Lewis to spend the summer with his cousins, his Uncle Ned and his Aunt Jean in the new house they’ve built on their farm along the Salmon River. Their warm family life is almost enough to counter the pressures he feels as a boy trying to become a man in a place where responsible adult men like his uncle are largely absent, broken by residential school and racism. Everywhere he looks, women are left to carry the load, sometimes with kindness, but often with the bitterness, anger and ferocity of his own mother, who kicked Lewis’s lowlife father, Jimmy, to the curb long ago.

Lewis has vowed never to be like his father—but an encounter with a predatory older woman tests him and he suffers the consequences. Worse, his dad is back in town and scheming on how to use the Indian Act to steal the land Lewis and his mom have been living on. And then, at summer's end, more shocking revelations shake the family, unleashing a deadly force of anger and frustration.

With so many traps laid around him, how will Lewis find a path to a different future?

Reviews
"A compelling novel, honest and compassionate, haunted by the past. Towards the end of the book, I tried to slow down, not wanting the story to end, but it wasn’t possible."—Mary Lawson, bestselling author of A Town Called Solace

"Brian Thomas Isaac reinforces his place as one of Canada’s most engaging novelists with the tender troubling coming-of-age story of Lewis, a 16-year-old growing up on the Okanagan Reserve. He’s a boy who sees and feels everything with intensity—the joy of swimming in a river, the cruelty of a racist neighbour, the complexity of his mother’s love, the sensations of his first deep kiss, the injustices of the Indian Act, which keeps turning his family’s life upside down. I couldn’t put Bones of a Giant down, wondering to the end if Lewis is just too sweet and vulnerable for the mean world around him."—Carol Off, award-winning author of At a Loss for Words

"Bones of a Giant has good bones. Isaac is a masterful storyteller with an observant eye for nature and a deep compassion for his characters. I loved this book."—Thomas Wharton, bestselling author of The Book of Rain

"A clear-eyed love story to both a people and a place. Brian Thomas Isaac is a vital voice."—David Bergen, award-winning author of Here the Dark

Additional Information
320 pages | 6.25" x 9.00" | Hardcover 

“Because you believed me, I began to believe myself. Because of you, I am here.”

[Trigger Warning] Please note this book addresses sensitive topics including suicide, substance abuse, and family violence. While these emotionally challenging realities are held thoughtfully, and with love, this story may be triggering.

Jessica has contemplated suicide for a while now. Grappling with the reverberating grief of losing her beloved grandmother and the trauma of a broken home, young Jessica is reaching a place so far from herself, her community, and the traditional Indigenous teachings she once lived by, it is frightening.

When it all becomes too much, Jessica attempts to take the final step over the ledge. What follows is a journey through the sacred spaces within memory, song, and the spirit world, guided by two playful tricksters—eagles, who happen to have lifetimes of wisdom to share.

With a love of riddles and soaring beyond the edges of possibility, they turn and twist Jessica’s reality until she can finally ground herself in what she has known all along, and allow the love, strength and voice of her beloved grandmother to once again be remembered and heard. The trajectory of Jessica’s life will be changed forever.

From Hopi Elder, Pershlie "Perci" Ami, and Street Outreach Worker, Anthony Goulet, comes a creative, sensitive, and thoughtful approach to the topic of suicide. Combined, they have over forty years of experience in youth development and suicide prevention.

Educator Information
Recommended for ages 14+ 

Trigger Warning: Please note this book addresses sensitive topics including suicide, substance abuse, and family violence. While these emotionally challenging realities are held thoughtfully, and with love, this story may be triggering.

Additional Information
109 pages | 5.50" x 7.50" | Paperback

Human Stories series by Jason Bone Oshkaabewis (Helper/Writer) and Midewid (One Who Works With the Sound of the Drum), Ron Indian-Mandamin. Baagak (The Flying Skeleton) is a Being known by many. With Tellings of Baagak by Keith Berens, Isaac Murdoch, and more.

Educator & Series Information
Recommended for grades 10 to 12.

This book is Volume 1 in the Human Stories series.

Additional Information
96 Pages | Paperback

Sewing new understandings.

Indigenous beadwork has taken the art world by storm, but it is still sometimes misunderstood as static, anthropological artifact. Today’s prairie artists defy this categorization, demonstrating how beads tell stories and reclaim cultural identity. Whether artists seek out and share techniques through YouTube videos or in-person gatherings, beading fosters traditional methods of teaching and learning and enables intergenerational transmissions of pattern and skill.

In Bead Talk, editors Carmen Robertson, Judy Anderson, and Katherine Boyer gather conversations, interviews, essays, and full-colour reproductions of beadwork from expert and emerging artists, academics, and curators to illustrate the importance of beading in contemporary Indigenous arts. Taken together, the book poses and responds to philosophical questions about beading on the prairies: How do the practices and processes of beading embody reciprocity, respect, and storytelling? How is beading related to Indigenous ways of knowing? How does beading help individuals reconnect with the land? Why do we bead?

Showcasing beaded tumplines, text, masks, regalia, and more, Bead Talk emphasizes that there is no one way to engage with this art. The contributors to this collection invite us all into the beading circle as they reshape how beads are understood and stitch together generations of artists.

Reviews
“An evocative, aesthetically gorgeous book that is rich in knowledge, relationality, and experience. Curated with care, rooted in artistic practice and lived experience, and embodying a polyvocal, collaborative spirit, it immerses the reader in the world of Indigenous beadwork on the prairies. Bead Talk carries teachings about decolonial love, healing and medicine, cultural knowledges, political and theoretical modes of action, gendered experience, and more. I can’t think of any other book like this—it is a gift!” — Aubrey Hanson

Educator Information
Contributors: Ruth Cuthand, Dayna Danger, Sherry Farrell Racette, Marcy Friesen, Felicia Gay, Franchesca [Fran] Hebert-Spence, Audie Murray, Cathy Mattes.

Table of Contents

Foreword – Brenda Macdougall

Who We Are

Introduction – Carmen Robertson, Judy Anderson, and Katherine Boyer

Part I: Conversations

1. Mentoring/Beading – Ruth Cuthand and Marcy Friesen

2. mîkisistahêwin (bead medicine) – Judy Anderson and Audie Murray

3. Parallel Lines Move Along Together: A Beaded Line that Connects Me to You – Katherine Boyer and Dayna Danger

4. The Power of Gathering: Revisiting the Seeds of Ziigimineshin – Franchesca Hebert-Spence and Carmen Robertson

5. Beads, Blood, and Curating Ruth Cuthand’s Art – Felicia Gay and Carmen Robertson

Part II: Essays

6. “Until We Bead Again”: The BU Beading Babe and Embodying Lateral Love and Generous Reciprocity – Cathy Mattes

7. Visiting Kin: Indigenous Flatland Beading Aesthetics – Carmen Robertson

8. If the Needles Don’t Break and the Thread Doesn’t Tangle: Beading Utopia – Sherry Farrell Racette

Afterword: Spreading the Bead Love Far and Wide

Additional Information
240 pages | 6.00" x 8.50" | 62 colour illustrations | Paperback 

Returning to his favourite setting of Fort Simmer, Northwest Territories, Richard Van Camp brings his exuberant style to a captivating teen novel that blends the supernatural with 1980s-era nostalgia to reflect on friendship, tradition and forgiveness.

For as long as Lawson can remember, his life in a small Northwest Territories town has revolved around “the Treaty” between the Dogrib and the Chipewyan, set down centuries ago to prevent the return of bloody warfare between the two peoples.

On the Dogrib side, Lawson and his family have done their best to keep the pact alive with the neighbouring Cranes, a family with ancestral ties to a revered Chipewyan war chief. But even as Lawson and his father dutifully tidy the Cranes’ property as an act of respect, their counterparts offer little more than scowls and derision in return, despite the fact that both families are responsible for protecting the treaty.

Worse still, it seems that one of the Cranes’ boys is doing all he can to revive the old conflict: Silver, fresh out of jail, has placed himself in the service of a cruel, ghoulish spirit bent on destroying the peace. Now it's up to Isaiah Valentine, a Cree Grass Dancer, Shari Burns, a Metis psychic, and Lawson Sauron, a Dogrib Yabati—or protector—to face what Silver Cranes has called back.

This latest feat of storytelling magic by celebrated author Richard Van Camp blends sharply observed realism and hair-raising horror as it plays out against a 1980s-era backdrop replete with Platinum Blonde songs and episodes of Degrassi Junior High. Unfolding in the fictional town of Fort Simmer—the setting of previous Van Camp stories—Beast delivers a gripping, spirited tale that pits the powers of tradition against the pull of a vengeful past.

Educator Information
Young adult fiction.

Additional Information
312 pages | 5.50" x 8.50" | Paperback

When matriarchs begin to disappear, there is a choice to either step into the places they left behind, or to craft a new space.

Helen Knott’s bestselling debut memoir, In My Own Moccasins, wowed reviewers, award juries, and readers alike with its profoundly honest and moving account of addiction, intergenerational trauma, resilience, and survival. Now, with her highly anticipated second book, Knott exceeds the highest of expectations with a chronicle of grief, love, and legacy. Having lost both her mom and grandmother in just over six months, forced to navigate the fine lines between matriarchy, martyrdom, and codependency, Knott realizes she must let go, not just of them, but of who she thought she was.

Woven into the pages are themes of mourning, sobriety through loss, and generational dreaming. Becoming a Matriarch is charted with poetic insights, sass, humour, and heart, taking the reader over the rivers and mountains of Dane Zaa territory in Northeastern British Columbia, along the cobbled streets of Antigua, Guatemala, and straight to the heart of what matriarchy truly means. This is a journey through pain, on the way to becoming.

Through writing, reflecting, and dreaming I found my way to the real lessons.
I found permission to become whoever I needed to be.
I found permission to live a life and not just endure it.
I found permission to belong deeply to myself.
I found permission to lay to rest the sorrow of the women before me and to cultivate joy for us in its place.

Awards

• 2024 BC Book Awards - The George Ryga Award for Social Awareness in Literature winner

Reviews
“In enchantingly vivid language and with a compelling narrative arc, Helen Knott’s new masterpiece is a memoir of grief and joy, loss and rediscovery, flight and return and, above all, a paean to the beautiful, eternal, soothing and all-encompassing power of matriarchy.” —Gabor Maté MD, author of The Myth of Normal: Trauma, Illness and Healing in a Toxic Culture

“Knott lays out that which all Indigenous women know and feel on a cellular level—we are only here because of the women, the matriarchs, the warriors, the survivors, the courageous ones, the fierce ones, the loving ones who came before us. Beautifully, tenderly Knott maps out for the reader the intrinsic way Indigenous women lift up, celebrate and support one another. Even when no one else does. We always have each other. We see each other. We are each other’s medicine. And there is no greater gift. These are the stories Indigenous women must tell—the journeys, reclamation and place of matriarchs. Present in Knott’s words are paths to reconciliation for everyone.” —Nahanni Fontaine, Member of the Legislative Assembly of Manitoba

“Becoming a Matriarch is a vivid, lyrical exploration of womanhood, loss, grief, and eventually, self-love, braided together with radiance and wisdom. Knott brilliantly uses memory as a tool for self-exploration and growth. The land, dreams and body are in constant communication: ‘My body knows the mountains and rivers and berry bushes that it comes from.’ Throughout the book you can’t help but ask yourself, what does it mean to come from strong women and still allow yourself space to be loved? Becoming a Matriarch teaches us that joy can exist inside the cracks of the most tumultuous times in our lives and love can still bloom if we let it.” —Chelene Knight, author of Dear Current Occupant and Junie

“Becoming a Matriarch is a feast of remarkable, colourful, deep and profoundly raw storytelling. Helen Knott is one of the greatest Indigenous literary artists of our time.” —Brandi Morin, author of Our Voice of Fire: A Memoir of a Warrior Rising

Additional Information
224 pages | 5.18" x 8.00" | Paperback

Growing up in Montana, Chris La Tray always identified as Indian. Despite the fact that his father fiercely denied any connection, he found Indigenous people alluring, often recalling his grandmother’s consistent mention of their Chippewa heritage.

When La Tray attended his grandfather’s funeral as a young man, he finally found himself surrounded by relatives who obviously were Indigenous. “Who were they?” he wondered, and “Why was I never allowed to know them?” Combining diligent research and compelling conversations with authors, activists, elders, and historians, La Tray embarks on a journey into his family’s past, discovering along the way a larger story of the complicated history of Indigenous communities—as well as the devastating effects of colonialism that continue to ripple through surviving generations. And as he comes to embrace his full identity, he eventually seeks enrollment with the Little Shell Tribe of Chippewa Indians, joining their 158-year-long struggle for federal recognition.

Both personal and historical, Becoming Little Shell is a testament to the power of storytelling, to family and legacy, and to finding home. Infused with candor, heart, wisdom, and an abiding love for a place and a people, Chris La Tray’s remarkable journey is both revelatory and redemptive.

Reviews
“La Tray’s pride and conviction will have readers eager not only to learn more, but to take action. A brilliant contribution to the canon of Native American literature.”—Kirkus Reviews, starred review

“[A] gripping debut memoir. [. . .]  La Tray’s crystalline prose and palpable passion for spreading Indigenous history bolster his account. Readers will be fascinated.”—Publishers Weekly

"Heartbreaking, infuriating, and remarkable, Becoming Little Shell is a memoir that’s packed with historical details,transcending and amplifying a personal quest to understand a family’s past."—Foreword Reviews, starred review 

“Smart, emotional, and bracingly honest, La Tray is a powerful storyteller who should have significant appeal.”—Booklist

“I’m in awe of Chris La Tray’s storytelling. Becoming Little Shell creates a multilayered narrative from threads of personal, family, community, tribal, and national histories. Together they make a story as strong and beautiful as a Metis sash—a story of identity, kinship, and the journey toward justice.”—Robin Wall Kimmerer, author of Braiding Sweetgrass

“Chris La Tray is a powerful voice—a force of nature, really—to guide us through the swirling confluence of Native and white worlds, both past and present. Becoming Little Shell is the American story of our era—tracing the arc of its author brought up in the white world before discovering his roots as an original inhabitant of this continent.”—Peter Stark, author of Gallop Toward the Sun

“Indigenous identity can be complicated, and Becoming Little Shell compels us into the thick of it—Native people dispossessed of not just land but recognition; blood quantum laws originally crafted to complete a genocide and still wreaking havoc in identity debates today; racism that drove many Native people to disassociate from their families; and descendants, like La Tray, who have found their way back, fighting for the reconnection of their communities and for the observance of their very existence. La Tray is a loving, discerning, curious, funny, and generous guide. This is a beautiful, big-hearted book.”—Sierra Crane Murdoch, author of Yellow Bird

“Becoming Little Shell is a moving, deeply felt, and incredibly detailed account of Chris La Tray’s search for his origins among the Métis, Pembina, and Little Shell Tribe of Chippewa Indians. Combining memoir, history, interviews, and travel, La Tray gives us nothing less than the history of a people in the form of an absorbing and emotionally searing memoir. This book will, without a doubt, become a classic in Native American literature. Must read.”—David Treuer, author of The Heartbeat of Wounded Knee

“What I appreciate so much about Chris La Tray’s writing on Indigenous identity and history is the wit, clarity, and integrity embodied in every word. Becoming Little Shell beautifully encompasses a journey that we can all learn from, a journey toward asking better questions about land, belonging, and connection, and through this book La Tray epitomizes historian, poet, and teacher. Full of Indigenous history, personal stories, and the complex dance between the two, La Tray reminds us that the journey of finding ourselves and making sense of the way colonialism plays out around us is an essential part of being human. Please read this book. You’ll be so glad you did.”—Kaitlin B. Curtice, author of Living Resistance

Additional Information
320 pages | 6.00" x 9.00" | Hardcover

In this engrossing graphic novel, teen hockey player Chase learns more about himself and his identity in the face of prejudice and homophobia.

Thirteen-year-old Chase’s life and identity should be simple. He’s the goalie for his hockey team, the Eagles. He’s a friend to Kevin and Jade. He's Kookum's youngest grandchild. He’s a boy. He should like girls.

But it’s not that simple. Chase doesn’t like girls the way that the other boys do. It’s scary being so different from his peers. Scarier still is the feeling that his teammates can tell who he is—and that they hate him for it. If he pretends hard enough, maybe he can hide the truth.

Real strength and change can’t come from a place of shame. Chase’s dreams are troubled by visions of a bear spirit, and the more he tries to hide, the more everything falls apart. With the help of an Elder, and a Two-Spirit mentor, can Chase find the strength to be proud of who he is?

Between the Pipes explores toxic masculinity in hockey through the experiences of an Indigenous teen.

Reviews
“Highlights the importance of community and cultural connection as roots for embracing one’s identity.” — Kirkus Reviews

“The authors deftly confront multiple layers of intolerance exacerbated by toxic masculinity. Ojibwe artist RL uses saturated full color (with well-placed, empowering rainbows) to capture Chase’s self-empowering journey. The result is a compelling, hope-giving antidote against potential at-risk suicide among 2-Spirit/Indigenous LGBTQQIA+ youth.” — Booklist

“This hopeful...story offers valuable insight into Chase’s experience as a gay, Indigenous teen. Hockey and identity collide in this affirming graphic novel about recognizing and valuing one’s authentic self.” — School Library Journal

Educator Information
Recommended for ages 12 - 18.

Reading Level: Fountas & Pinnell Y

Additional Information
56 pages | 6.50" x 10.00" | Paperback

Cherokee teen Billy Buckhorn had no idea what was in store for him when Osage teen Lisa Lookout and her family showed up on his doorstep. A tribal prophecy, carried by their family for a thousand years, indicates Billy is the long-awaited Chosen One, and that he is destined to battle dark ancient forces that are planning to retake control of the Middleworld. As Billy comes to accept his prophesied new role, he must also learn to accept that he and his loved ones are now targets of the most powerful shape-shifting Native American witches and sorcerers on Turtle Island. Known as the Night Seers of the Owl Clan, Billy must use old Indigenous ways, intertwined with new technology, to fight and defeat this evil force.

Billy Buckhorn and the Rise of the Night Seers is the second thrilling installment of the Thunder Child Prophecy Series.

Educator & Series Information
Recommended for grades 10 to 12.

This is the second book in the Thunder Child Prophecy, following Billy Buckhorn and the Book of Spells.

Additional Information
304 pages | 5.50" x 8.50" | b&w illustrations, 1 bibliography | Paperback