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#NotYourPrincess
Format: Paperback
Text Content Territories: Indigenous;
Grade Levels: 8; 9; 10; 11; 12; University/College;

Native women demand to be heard in this stunning anthology.

Whether looking back to a troubled past or welcoming a hopeful future, the powerful voices of Indigenous girls and women across North America resound in this book. In the same visual style as the bestselling Dreaming in Indian, #NotYourPrincess presents an eclectic collection of poems, essays, interviews, and art that combine to express the experience of being a Native woman. Stories of abuse, intergenerational trauma, and stereotyping are countered by the voices of passionate women demanding change and realizing their dreams. Sometimes outraged, often reflective, but always strong, the women in this book will give teen readers insight into the lives of women who, for so long, have had their history hidden and whose modern lives have been virtually invisible.

Reviews
“A stunning anthology of creative writing and art . . . All YA collections will want this."— Alicia Abdul, School Library Journal

Educator Information
Themes: First Nations; Native Peoples; Indigenous; girls and women; biography; multicultural; stereotyping; acceptance; community; prejudice; self-esteem; tolerance

Interest Age 14+ | Grade 9+

The Canadian Indigenous Books for Schools list recommends this resource for Grades 8-12 for these subjects: English Language Arts, Social Justice, Social Studies.

Additional Information
8.5 x 11 | 112 Pages

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Authentic Indigenous Text
$14.95

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As I Remember It
Format: Paperback
Text Content Territories: Indigenous Canadian; First Nations;

Taken from her Native birth mother as a baby. Removed from her adoptive parents’ home at 5 and caught shoplifting at 11. On the streets prostituting herself at 14. This is the stark childhood and adolescence of Tara Lee, the protagonist of As I Remember It. But she triumphs over rejection and abuse, thanks to her indomitable spirit and the efforts of a pair of unique foster parents.

Breakdowns in the fostering system make the headlines, but what is day-to-day life really like for foster children and teens? What struggles do they face, and what resources do they draw on? Why are kids in care more liable to get involved in crime?

As I Remember It yields first-person insight into these issues, but beyond that, it will draw you in with its unblinking portrait of a young girl who discovers that she possesses a core of strength equal to that of her storybook heroines.

Awards

  • 2013 Burt Award - Second Place Winner
Authentic Canadian Content
Authentic Indigenous Text
$18.95

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As Long as the Rivers Flow: A Novel
Format: Paperback
Text Content Territories: Indigenous Canadian; First Nations; Anishinaabeg; Ojibway;

From the accomplished memoirist and former Lieutenant-Governor of Ontario comes a first novel of incredible heart and spirit for every Canadian.

The novel follows one girl, Martha, from the Cat Lake First Nation in Northern Ontario who is "stolen" from her family at the age of six and flown far away to residential school. She doesn't speak English but is punished for speaking her native language; most terrifying and bewildering, she is also "fed" to the school's attendant priest with an attraction to little girls.

Ten long years later, Martha finds her way home again, barely able to speak her native tongue. The memories of abuse at the residential school are so strong that she tries to drown her feelings in drink, and when she gives birth to her beloved son, Spider, he is taken away by Children's Aid to Toronto. In time, she has a baby girl, Raven, whom she decides to leave in the care of her mother while she braves the bewildering strangeness of the big city to find her son and bring him home.

Awards

  • 2013 Burt Award - Third Place Winner
Authentic Canadian Content
Authentic Indigenous Text
$19.95

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Bearskin Diary
Format: Paperback
Text Content Territories: Indigenous Canadian; First Nations;

In 2017-2018, Bearskin Diary was the award recipient for First Nation Communities Read.

Raw and honest, Bearskin Diary gives voice to a generation of First Nations women who have always been silenced, at a time when movements like Idle No More call for a national inquiry into the missing and murdered Aboriginal women. Carol Daniels adds an important perspective to the Canadian literary landscape.

Taken from the arms of her mother as soon as she was born, Sandy was only one of over twenty thousand Aboriginal children scooped up by the federal government between the 1960s and 1980s. Sandy was adopted by a Ukrainian family and grew up as the only First Nations child in a town of white people. Ostracized by everyone around her and tired of being different, at the early age of five she tried to scrub the brown off her skin. But she was never sent back into the foster system, and for that she considers herself lucky.

From this tragic period in her personal life and in Canadian history, Sandy does not emerge unscathed, but she emerges strong--finding her way by embracing the First Nations culture that the Sixties Scoop had tried to deny. Those very roots allow Sandy to overcome the discriminations that she suffers every day from her co-workers, from strangers and sometimes even from herself.

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$21.95

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Black Sheep, White Crow and Other Windmill Tales: Stories from Navajo Country
Authors:
Format: Paperback
Text Content Territories: Indigenous American; Native American; Navajo (Diné);
Grade Levels: 4; 5; 6; 7; 8;

When Kameron moves to his grandma's sheep camp on the Navajo Reservation, he leaves behind his cell phone reception and his friends. The young boy's world becomes even stranger when Kameron takes the sheep out to the local windmill and meets an old storyteller. As the seasons turn, the old man weaves eight tales that teach the deeper story of the Diné country and the Diné people.

Reviews
“A wonderful set of stories that encompass the past, present, and future of the Navajos. It encourages [readers] to be determined, disciplined, and motivated as they move through life and make stories of their own.”—Edison Eskeets, Diné runner, artist, educator, and first Diné trader at Hubbell Trading Post National Historic Site

Awards

  • Winner of the 2018 Skipping Stones Honor Award for Multicultural and International Books

Educator Information
Recommended Ages: 9-13

Contents
Preface
Shįįgo—Summer

  • Black Sheep, White Crow
  • The Animals Who Wanted to Be What They Were Not

’Aak’eedgo—Autumn

  • The Rattling Bones
  • The Ring with Three Stones

Haigo—Winter

  • The Heart of a Rider
  • The Ugly Dog

Dąągo—Spring

  • The Boy Who Became Coyote
  • The Flint Bear

Author’s Notes
Notes on Navajo Pronunciation

Additional Information
120 pages | 6.00" x 9.00"

Authentic Indigenous Artwork
$29.95

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Fatty Legs: A True Story
Artists:
Format: Paperback
Grade Levels: 4; 5; 6; 7; 8; 9;

The moving memoir of an Inuit girl who emerges from a residential school with her spirit intact. 

Eight-year-old Margaret Pokiak has set her sights on learning to read, even though it means leaving her village in the high Arctic. Faced with unceasing pressure, her father finally agrees to let her make the five-day journey to attend school, but he warns Margaret of the terrors of residential schools. 

At school Margaret soon encounters the Raven, a black-cloaked nun with a hooked nose and bony fingers that resemble claws. She immediately dislikes the strong-willed young Margaret. Intending to humiliate her, the heartless Raven gives gray stockings to all the girls -- all except Margaret, who gets red ones. In an instant Margaret is the laughingstock of the entire school. 

In the face of such cruelty, Margaret refuses to be intimidated and bravely gets rid of the stockings. Although a sympathetic nun stands up for Margaret, in the end it is this brave young girl who gives the Raven a lesson in the power of human dignity. 

Complemented by archival photos from Margaret Pokiak-Fenton's collection and striking artwork from Liz Amini-Holmes, this inspiring first-person account of a plucky girl's determination to confront her tormentor will linger with young readers.

Awards

  • First Nation Communities Read recipient, 2011-2012

Reviews
"I highly recommend this book for the discussion it would stir with students...Makes the harrowing residential school stories accessible to youth." — Resource Links, December 2010

"Presents a unique and enlightening glimpse into the residential school experience and, most importantly, one little girl's triumph over her oppressors." — Quill & Quire, November 2010

Educator Information
Fountas and Pinnell T

Themes: biography; Inuit; Indigenous peoples; Indigenous; arctic; school; self-esteem; abuse; community; prejudice; Canadian content; courage/bravery; right vs. wrong; role reversal; secrets; society; history; bullying; memoir; character education.

Additional Information
112 pages | 6.25" x 9.00" | full-color illustrations, archival photographs, map

Authenticity Note
This illustrator of this book is not Indigenous; therefore, her artwork is not considered to be Authentic Indigenous Artwork according to Strong Nations Authenticity Guidelines. The archival photos from Margaret Pokiak-Fenton's personal collection, however, are considered to be authentic, which is why the book is labelled as containing Authentic Indigenous Artwork. It is up to readers to determine whether or not the images in this work are authentic for their purposes.

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Authentic Indigenous Artwork
$12.95

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Indian Horse (Special Edition)
Format: Paperback
Text Content Territories: Indigenous Canadian; First Nations; Anishinaabeg; Ojibway;
Grade Levels: 8; 9; 10; 11; 12; University/College;

Saul Indian Horse has hit bottom. His last binge almost killed him, and now he’s a reluctant resident in a treatment centre for alcoholics, surrounded by people he’s sure will never understand him. But Saul wants peace, and he grudgingly comes to see that he’ll find it only through telling his story. With him, readers embark on a journey back through the life he’s led as a northern Ojibway, with all its joys and sorrows. 

With compassion and insight, author Richard Wagamese traces through his fictional characters the decline of a culture and a cultural way. For Saul, taken forcibly from the land and his family when he’s sent to residential school, salvation comes for a while through his incredible gifts as a hockey player. But in the harsh realities of 1960s Canada, he battles obdurate racism and the spirit-destroying effects of cultural alienation and displacement. Indian Horse unfolds against the bleak loveliness of northern Ontario, all rock, marsh, bog and cedar. Wagamese writes with a spare beauty, penetrating the heart of a remarkable Ojibway man.

Awards

  • 2013 Burt Award for First Nations, Métis, and Inuit Literature
  • 2013 First Nation Communities Read Award

Reviews
"Richard Wagamese is a master storyteller, who blends the throb of life with spiritual links to the land, hard work, and culture to find success, his words take you into the soul of Indian Horse, to experience his pain, his growing resentments, his depression, and his fear which has to be faced if he is to regain the joy of life. This book is meant for youth, adults, and elders, to be shared, to be lived, and to be treasured for the clear message of hope and the need to go the distance." — Wawatay News

“…The hockey chapters are compelling; they evoke Sherman Alexie’s fiction that examines contemporary life on American Indian reservations through the lens of basketball. But it is as a story of reconciliation that this novel reveals Wagamese’s masterful subtly…In a single image, Wagamese complicates in blinding ways the entire narrative; in a single page, Indian Horse deepens from an enjoyable read to a gripping critique of Canada.” — Kyle Carsten Wyatt, The Walrus, 2012

Educator Information
Grades 10-12 BC English First Peoples resource for units on Lost People, Reconciliation, and Place-Conscious Learning.

Additional Information
232 pages | 5.50" x 8.50"

This special edition of Richard Wagamese’s novel Indian Horse has been released to coincide with the release of the film Indian Horse in the spring of 2018.

Authentic Canadian Content
Authentic Indigenous Text
$21.95

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Kings of the Yukon: A River Journey in Search of the Chinook
Authors:
Format: Paperback
Text Content Territories: Indigenous Canadian;
Grade Levels: 12; University/College;

A stunning new voice in nature writing makes an epic journey along the Yukon River to give us the stories of its people and its protagonist--the king salmon, or the Chinook--and the deepening threat to a singular way of life, in a lyrical, evocative and captivating narrative.

The Yukon River is 3,190 kilometres long, flowing northwest from British Columbia through the Yukon Territory and Alaska to the Bering Sea. Every summer, millions of salmon migrate the distance of this river to their spawning ground, where they go to breed and then die. The Chinook is the most highly prized among the five species of Pacific salmon for its large size and rich, healthy oils. It has long since formed the lifeblood of the economy and culture along the Yukon--there are few communities that have been so reliant on a single source. Now, as the region contends with the effects of a globalized economy, climate change, fishing quotas and the general drift towards urban life, the health and numbers of the Chinook are in question, as is the fate of the communities that depend on them.

Travelling in a canoe along the Yukon River with the migrating salmon, a three-month journey through untrammeled wilderness, Adam Weymouth traces the profound interconnectedness of the people and the Chinook through searing portraits of the individuals he encounters. He offers a powerful, nuanced glimpse into the erosion of indigenous culture, and into our ever-complicated relationship with the natural world. Weaving in the history of the salmon run and their mysterious life cycle, Kings of the Yukon is extraordinary adventure and nature writing and social history at its most compelling.

Awards

  • 2019 Lonely Planet Adventure Travel Book of the Year Winner
  • 2018 Sunday Times/Peters Fraser + Dunlop Young Writer of the Year Award 

Reviews
“Travel writing? Climate change? Here’s a book that does it all . . . He writes like Annie Dillard, Bruce Chatwin and Jack London combined: suspenseful and sensitive storytelling and sumptuous descriptions.” —National Observer

“Shift over, Pierre Berton and Farley Mowat. You, too, Robert Service. Set another place at the table for Adam Weymouth, who writes as powerfully and poetically about the Far North as any of the greats who went before him.” —Roy MacGregor, author of Original Highways: Travelling the Great Rivers of Canada

“A moving, masterful portrait of a river, the people who live on its banks, and the salmon that connect their lives to the land. It is at once travelogue, natural history, and a meditation on the sort of wildness of which we are intrinsically a part. Adam Weymouth deftly illuminates the symbiosis between humans and the natural world—a relationship so ancient, complex, and mysterious that it just might save us.” —Kate Harris, author of Lands of Lost Borders: Out of Bounds on the Silk Road

“I thoroughly enjoyed traveling the length of the Yukon River with Adam Weymouth, discovering the essential connection between the salmon and the people who rely upon them. What a joy it is to be immersed in such a remote and wondrous landscape, and what a pleasure to be in the hands of such a gifted narrator.” —Nate Blakeslee, author of The Wolf: A True Story of Survival and Obsession in the West

“Beautiful, restrained, uncompromising. The narrative pulls you eagerly downstream roaring, chuckling and shimmering just like the mighty Yukon itself.” —Ben Rawlence, author of City of Thorns

“An enthralling account of a literary and scientific quest. Adam Weymouth vividly conveys the raw grandeur and deep silences of the Yukon landscape, and endows his subject, the river’s King Salmon, with a melancholy nobility.” —Luke Jennings, author of Atlantic and Codename Villanelle

“Adam Weymouth's account of his canoe trip down the Yukon River is both stirring and heartbreaking. He ably describes a world that seems alternately untouched by human beings and teetering at the brink of ruin.” —David Owen, author of Where the Water Goes

Additional Information
288 pages | 5.18" x 8.00"

$21.00

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Lightfinder
Format: Paperback
Text Content Territories: Indigenous Canadian; First Nations; Cree (Nehiyawak);
Grade Levels: 7; 8; 9; 10; 11; 12;

Lightfinder is a Young Adult fantasy novel about Aisling, a young Cree woman who sets out into the wilderness with her Kokum (grandmother), Aunty and two young men she barely knows.

They have to find and rescue her runaway younger brother, Eric. Along the way she learns that the legends of her people might be real and that she has a growing power of her own. The story follows the paths of Aisling and Eric, siblings unwittingly thrust into a millennia-old struggle for the future of life on earth. It deals with growing up, love and loss, and the choices life puts in our path. Love and confusion are in store, as are loss and pain. Things are not always what they seem and danger surrounds them at every turn. Will Raven's mysterious purposes prevail? With darkness closing in how will they find the light to guide them? Will Aisling find Eric in time?

Set in the Alberta landscape with references to real-world challenges faced by youth today, Lightfinder has proven to be a hit with young adults and adults alike. Lightfinder spent over 60 days in Amazon's Top 100 Sci-Fi and Fantasy novels in 2014.

Awards

  • Winner of the 2015 Burt Award for First Nations, Metis and Inuit Literature!

Reviews
"With an artist's eye and a storyteller's soaring imagination, Aaron Paquette has written a page-turner. I found myself rooting hard for Aisling, Eric and their beloved Kokum. This book is a hugely engaging cautionary tale: the stakes are high if we keep giving in to our appetites. But there is great light in Lightfinder. Congratulations, Aaron, on this strong debut." - Shelagh Rogers 

Educator Information
Recommended Ages: 11-18

Additional Information
240 pages | 6.00" x 9.00"

Authentic Canadian Content
Authentic Indigenous Text
Authentic Indigenous Artwork
$22.00

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Love Beyond Body, Space, and Time: An Indigenous LGBT Sci-Fi Anthology
Editors:
Format: Paperback
Text Content Territories: Indigenous Canadian;
Grade Levels: 8; 9; 10; 11; 12; University/College;

Love Beyond Body, Space, and Time is a collection of indigenous science fiction and urban fantasy focusing on LGBT and two-spirit characters. These stories range from a transgender woman undergoing an experimental transition process to young lovers separated through decades and meeting in their own far future. These are stories of machines and magic, love and self-love.

Artists and Stories
- Grace Dillon – A foreword about Indigenous LGBT sci-fi.
- Niigaanwewidam James Sinclair – A research essay on two-spirit history.
- Richard Van Camp – Aliens – a story about a new romantic relationship on a reserve, set against the backdrop of benevolent interspatial visitors.
- Cherie Dimaline – Legends are Made not Born – a story of the power of family, blood and made alike. Auntie Dave teaches a young boy about the responsibility and power of his two-spirit identity.
- David Robertson – Perfectly You – a story about young love and indecision – and time travel.
- Daniel Heath Justice – The Boys Who Became the Butterflies – a new traditional story about the beautiful people that make life worth living and inspire others to live their true selves.
- Darcie Little Badger – Né łe – an astronaut and the in-house vet face challenges as chihuahuas in outer space run amok.
- Gwen Benaway – Transitions – a young office worker tries an experimental new medication designed to fast-track transition.
- Mari Kurisato – Imposter Syndrome – A story set in the far future of transition and cyborgs.
- Nathan Adler – Valediction at the Star View Motel – A story about the literal magic of sudden physical attraction as a rockabilly girl with spider magic woos her crush.
- Cleo Keahna – Parallax – a poem on the perpetual journey of transition.
- Jeffrey Veregge – cover

Awards
- 2013 On the Same Page winner

Reviews
"I'd like every single person working in literature, as a writer, an editor, or a reviewer, to get a copy and see what Native voice is like." - Debbie Reese, American Indians in Children's Literature

Educator Information
Audience: Primarily published for adults, but recommended for ages 14 to adult.

The Canadian Indigenous Books for Schools list recommends this resource for Grades 8-12 for English Language Arts.

Note: Stories have romantic elements and deal with mature subjects and themes, such as sexual references. Includes teen characters. Reading levels vary across the collection.

Additional Information
120 pages | 6.35" x 8.91" | Edited by Hope Nicholson.

Authenticity Note: This anthology of Indigenous LGBT Sci-Fi contains works from Indigenous contributors; therefore, it has received the Authentic Indigenous Text label.

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Authentic Indigenous Text
$15.00

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Nipimanitu: L'Esprit de l'Eau
Format: Paperback
Grade Levels: 11; 12; University/College;

Nipimanitu (L’esprit de l’eau) offre une poésie spirituelle et mystique de l’effondrement, écrite dans l’urgence de tout dire. En trois mouvements – amour intégral, chute et trahison, puis résilience et retour à la vision claire –, il livre un chant révolutionnaire, puisant aux sources de la conscience, du rêve et de la mémoire, qui appelle à une transformation radicale de notre regard sur le monde.

La poésie symboliste de Ross-Tremblay traduit une métaphysique profondément innue qui repousse les limites du langage. L’auteur y exprime une cosmogonie qui aspire à l’immanence et à l’osmose entre l’humain et ce qui fonde sa vie.

Awards

  • 2019 Indigenous Voices Award winner for Published Works in French

Educator Information
Genre: Poetry

Subjects & Themes: Indigenous Canadian; Nature

Additional Information
134 pages | 5.51" x 8.50" 

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$18.95

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No Safe Place
Authors:
Format: Paperback
Grade Levels: 7; 8; 9;

Orphaned and plagued with the grief of losing everyone he loves, fifteen-year-old Abdul has made a long, fraught journey from his war-torn home in Baghdad, only to end up in The Jungle -- the squalid, makeshift migrant community in Calais.

When an altercation at the soup kitchen ends up with him accidently stabbing a policeman, Abdul has to flee, and in desperation he takes a spot in a small boat heading to England. A sudden skirmish leaves the boat stalled in the middle of the Channel, the pilot dead, and four young people remaining -- Abdul; Rosalia, a Romani girl who has escaped from the white slave trade; Cheslav, gone AWOL from a Russian military school; and Jonah, the boat pilot's ten-year-old nephew.

The four of them end up hijacking a yacht and, despite their fear and mistrust, they form a kind of makeshift family. And as the authorities close in on them, they find refuge in an unusual place -- a child's secret cave on the English coast.

Awards

  • 2010 Resource Links' Year's Best commendation
  • 2011 CCBC Best Books for Kids & Teens commendation
  •  2010 OLA Best Bets commendation
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$12.95

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Only Drunks and Children Tell the Truth
Format: Paperback
Text Content Territories: Indigenous Canadian;
Grade Levels: 11; 12; University/College;

Only Drunks and Children Tell the Truth is the emotional story of a woman’s struggle to acknowledge her birth family. Grace, a Native girl adopted by a White family, is asked by her birth sister to return to the Reserve for their mother’s funeral. Afraid of opening old wounds, Grace must find a place where the culture of her past can feed the truth of her present. Cast  of 2 women and 2 men.

Reviews
“…this play is a very tender, engaging look at two strangers learning to be sisters…witty one-liners and snappy dialogue has crafted likeable, real characters…brings a satisfying sense of closure to the struggles of Barb and Janice/Grace. It is a welcome ending, one that reflects hope for the future – not only for these two sisters , but also for all the others who have yet to find their way home.” - Cheryl Isaacs, Aboriginal Voices.

Awards

  • James Buller Award for Playwright of the Year, 1997
  • Dora Mavor Moore Award for Outstanding New Play, Small Theatre Division, 1996.

Educator Information
Grades 11-12 BC English First Peoples resource for the units Yes, there is Funny Stuff - Humour in First Peoples Literature and What Creates Family?

Additional Information
112 pages | 6.00" x 9.00"

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$22.00

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Peace Pipe Dreams
Format: Paperback
Text Content Territories: Indigenous Canadian; Métis; Inuit; First Nations;
Grade Levels: 8; 9; 10; 11; 12; University/College;

In 2015-2016, Peace Pipe Dreams was the award recipient for First Nation Communities Read.

Darrell Dennis is a stereotype-busting, politically incorrect Native American/Aboriginal/Shuswap (Only he's allowed to call himself an "Indian." Maybe. Under some circumstances). With a large dose of humour and irreverence, he untangles some of the truths and myths about First Nations: Why do people think Natives get free trucks, and why didn't he ever get one? Why does the length of your hair determine whether you’re good or bad? By what ratio does the amount of rain in a year depend on the amount of cactus liquor you consume?

In addition to answering these burning questions, Dennis tackles some tougher subjects. He looks at European-Native interactions in North America from the moment of first contact, discussing the fur trade, treaty-signing and the implementation of residential schools. Addressing misconceptions still widely believed today, Dennis explains why Native people aren't genetically any more predisposed to become alcoholics than Caucasians; that Native religion doesn't consist of worshipping rocks, disappearing into thin air, or conversing with animals; and that tax exemptions are so limited and confusing that many people don't even bother.

Employing pop culture examples, personal anecdote and a cutting wit, Darrell Dennis deftly weaves history with current events to entertain, inform and provide a convincing, readable overview of First Nations issues and why they matter today.

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$22.95

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Seven Fallen Feathers: Racism, Death, and Hard Truths in a Northern City
Format: Paperback
Text Content Territories: Indigenous Canadian; First Nations; Anishinaabeg; Ojibway;
Grade Levels: 12; University/College;

In 2018-2019, Seven Fallen Feathers: Racism, Death, and Hard Truths in a Northern City was an award recipient for First Nation Communities Read.

In 1966, twelve-year-old Chanie Wenjack froze to death on the railway tracks after running away from residential school. An inquest was called and four recommendations were made to prevent another tragedy. None of those recommendations were applied.

More than a quarter of a century later, from 2000 to 2011, seven Indigenous high school students died in Thunder Bay, Ontario. The seven were hundreds of miles away from their families, forced to leave home and live in a foreign and unwelcoming city. Five were found dead in the rivers surrounding Lake Superior, below a sacred Indigenous site. Jordan Wabasse, a gentle boy and star hockey player, disappeared into the minus twenty degrees Celsius night. The body of celebrated artist Norval Morrisseau’s grandson, Kyle, was pulled from a river, as was Curran Strang’s. Robyn Harper died in her boarding-house hallway and Paul Panacheese inexplicably collapsed on his kitchen floor. Reggie Bushie’s death finally prompted an inquest, seven years after the discovery of Jethro Anderson, the first boy whose body was found in the water.

Using a sweeping narrative focusing on the lives of the students, award-winning investigative journalist Tanya Talaga delves into the history of this small northern city that has come to manifest Canada’s long struggle with human rights violations against Indigenous communities.

A portion of each sale of Seven Fallen Feathers will go to the Dennis Franklin Cromarty Memorial Fund, set up in 1994 to financially assist Nishnawbe Aski Nation students’ studies in Thunder Bay and at post-secondary institutions.

Awards
- 2018-2019 First Nation Communities Read
- 2018 RBC Taylor Prize

Reviews
“Talaga has written Canada’s J’Accuse, an open letter to the rest of us about the many ways we contribute — through act or inaction — to suicides and damaged existences in Canada’s Indigenous communities. Tanya Talaga’s account of teen lives and deaths in and near Thunder Bay is detailed, balanced and heart-rending. Talaga describes gaps in the system large enough for beloved children and adults to fall through, endemic indifference, casual racism and a persistent lack of resources. It is impossible to read this book and come away unchanged.” — RBC Taylor Prize Jury Citation

“In Seven Fallen Feathers, Tanya Talaga delves into the lives of seven Indigenous students who died while attending high school in Thunder Bay over the first eleven years of this century. With a narrative voice encompassing lyrical creation myth, razor-sharp reporting, and a searing critique of Canada’s ongoing colonial legacy, Talaga binds these tragedies — and the ambivalent response from police and government — into a compelling tapestry. This vivid, wrenching book shatters the air of abstraction that so often permeates news of the injustices Indigenous communities face every day. It is impossible to read Seven Fallen Feathers and not care about the lives lost, the families thrust into purgatory, while the rest of society looks away.” — Hilary Weston Writers’ Trust Prize for Nonfiction Jury Citation

“[A]n urgent and unshakable portrait of the horrors faced by Indigenous teens going to school in Thunder Bay, Ontario, far from their homes and families. . . . Talaga’s incisive research and breathtaking storytelling could bring this community one step closer to the healing it deserves.” — Booklist, STARRED REVIEW

Seven Fallen Feathers may prove to be the most important book published in Canada in 2017. Tanya Talaga offers well-researched, difficult truths that expose the systemic racism, poverty, and powerlessness that contribute to the ongoing issues facing Indigenous youth, their families, and their communities. It is a call to action that deeply honours the lives of the seven young people; our entire nation should feel their loss profoundly.” — Patti LaBoucane-Benson, author of The Outside Circle

“[W]here Seven Fallen Feathers truly shines is in Talaga’s intimate retellings of what families experience when a loved one goes missing, from filing a missing-persons report with police, to the long and brutal investigation process, to the final visit in the coroner’s office. It’s a heartbreaking portrait of an indifferent and often callous system . . . Seven Fallen Feathers is a must-read for all Canadians. It shows us where we came from, where we’re at, and what we need to do to make the country a better place for us all.” — The Walrus

Educator Information
The Canadian Indigenous Books for Schools list recommends this resource for Grade 12 English Language Arts and Social Studies.

Curriculum Connections: Indigenous Studies, History, Health

Additional Information
376 pages | 5.50" x 8.50" | 8-page colour insert and maps

Authentic Canadian Content
Authentic Indigenous Text
$22.95

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