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Paasteewitoon Kaapooskaysing Tageespichit: Dry Lips Oughta Move to Kapuskasing in its original version: Cree
Format: Paperback
Text Content Territories: Indigenous Canadian; First Nations; Cree (Nehiyawak);

Paasteewitoon Kaapooskaysing Tageespichit (Dry Lips Oughta Move to Kapuskasing) tells another story of the mythical Wasaychigan Hill Indian Reserve, also the setting for Tomson Highway's award winning play The Rez Sisters. In The Rez Sisters the focus was on seven "Wasy" women and the game of bingo, Dry Lips Oughta Move to Kapuskasing features seven "Wasy" men and the game of hockey. It is a fast-paced story of tragedy, comedy, and hope.

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$12.95

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Page As Bone Ink As Blood
Text Content Territories: Indigenous Canadian; Métis;

Death, desire, and divination are the threads running through Jonina Kirton's debut collection of poems and lyric prose. Delicate and dark, the pieces are like whispers in the night - a haunted, quiet telling of truths the mind has locked away but the body remembers. Loosely autobiographical, these are the weavings of a wagon-goddess who ventures into the double-world existence as a mixed-race woman. In her struggle for footing in this in-between space, she moves from the disco days oftrance dance to contemplations in her dream kitchen as a mother and wife.

With this collection, Kirton adds her voice to the call for the kind of fierce honesty referred to by Muriel Rukeyser when she asked, What would happen if one woman told the truth about her life? The world would split open. Kirton tells her truth with gentleness and patience, splitting the world open one line at a time.

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$16.95

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Paint
Authors:
Format: Paperback
Text Content Territories: Indigenous American; Native American; Sioux; Lakota;

CCBC's Best Books for Kids & Teens (Fall 2015) - Commended

The life story of a painted mustang set against the backdrop of America’s Great Plains in the late 1800s.

It’s the late 1800s. A Lakota boy finds an orphaned mustang foal and brings her back to his family’s camp, naming her Paint for her black-and-white markings. Boy and horse soon become inseparable. Together they learn to hunt buffalo, their fear of the massive beasts tempered by a growing trust in each other.

When the U.S. Cavalry attacks the camp, the pair is forced onto separate paths. Paint’s fate becomes entwined with that of settlers, who bring irreversible change to the grassland, setting the stage for environmental disaster. Bought and sold several times, Paint finally finds a home with English pioneers on the Canadian Prairie.

With a great dust storm looming on the horizon, man and horse will need to work together if they hope to survive.

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$12.99

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Papiyahtak
Format: Paperback

Through the healing medicine of language, Rita Bouvier leads the reader into the world of the Métis and Cree to experience first hand the wisdom and generosity that she inherited in her birthright. Some of these poems are steeped in the tradition of the dramatic monologue; others are used as dialogue anchors to the rich oral traditions of First Nations people. Throughout all, though, is the subtle but confident voice of Rita Bouvier who, like a spirit guide, leads the reader into a cultural place where wisdom comes from children, and laughter from elders. In papîyâhtak poetry is used to “forge a vision that many can embrace”.

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$12.95

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Passage
Format: Paperback
Text Content Territories: Indigenous Canadian;
Grade Levels: 12; University/College;

In her second collection of poetry, Passage, Gwen Benaway examines what it means to experience violence and speaks to the burden of survival. Traveling to Northern Ontario and across the Great Lakes, Passage is a poetic voyage through divorce, family violence, legacy of colonization, and the affirmation of a new sexuality and gender. Previously published as a man, Passage is the poet's first collection written as a transwoman. Striking and raw in sparse lines, the collection showcases a vital Two Spirited identity that transects borders of race, gender, and experience. In Passage, the poet seeks to reconcile herself to the land, the history of her ancestors, and her separation from her partner and family by invoking the beauty and power of her ancestral waterways. Building on the legacy of other ground-breaking Indigenous poets like Gregory Scofield and Queer poets like Tim Dlugos, Benaway's work is deeply personal and devastating in sharp, clear lines. Passage is a book burning with a beautiful intensity and reveals Benaway as one of the most powerful emerging poets writing in Indigenous poetics today.

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$16.00

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Pauline: A Biography of Pauline Johnson
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Format: Paperback

Brought up in a strict and sheltered household, the daughter of a Mohawk chief and a non-native woman, Pauline Johnson struggled to make an independent life for herself.

She found it as a poet and performer whose dramatic recitals skirted the boundaries of what was acceptable to "respectable" Canadian society. Her performances took her from the backwoods of British Columbia's gold country to the drawing rooms of England. Onstage she assumed the role of an Indian princess, while in her personal life she observed Victorian moral strictures, all the while falling regularly and desperately into unrequited love.

Pauline is the fascinating story of a charismatic woman whose struggles with culture and identity still engage us today.

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$9.95

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Peace Dancer
Grade Levels: Kindergarten; 1; 2; 3;

The children of the Tsimshian village of Kitkatla love to play at being hunters, eager for their turn to join the grown-ups. But when they capture and mistreat a crow, the Chief of the Heavens, angered at their disrespect, brings down a powerful storm.

The rain floods the Earth and villagers have no choice but to abandon their homes and flee to their canoes. As the seas rise, the villagers tie themselves to the top of Anchor Mountain, where they pray for days on end and promise to teach their children to value all life. The storm stops and the waters recede. From that point on, the villagers appoint a chief to perform the Peace Dance at every potlatch and, with it, pass on the story of the flood and the importance of respect.

With eighteen new illustrations from Roy Henry Vickers and exceptional narrative, Peace Dancer will delight readers of all ages and add to the collection of global flood stories.

Reviews
"Parents and teachers will enjoy sharing Peace Dancer with children. Highly recommended." — Dr. Gregory Bryan, CM Magazine, October 2016 

 
Series Information
This book is part of the Northwest Coast Legends series.

Additional Information
40 pages | 12.00" x 8.25"

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$19.95

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Peace Pipe Dreams
Format: Paperback
Text Content Territories: Indigenous Canadian; Métis; Inuit; First Nations;
Grade Levels: 8; 9; 10; 11; 12; University/College;

In 2015-2016, Peace Pipe Dreams was the award recipient for First Nation Communities Read.

Darrell Dennis is a stereotype-busting, politically incorrect Native American/Aboriginal/Shuswap (Only he's allowed to call himself an "Indian." Maybe. Under some circumstances). With a large dose of humour and irreverence, he untangles some of the truths and myths about First Nations: Why do people think Natives get free trucks, and why didn't he ever get one? Why does the length of your hair determine whether you’re good or bad? By what ratio does the amount of rain in a year depend on the amount of cactus liquor you consume?

In addition to answering these burning questions, Dennis tackles some tougher subjects. He looks at European-Native interactions in North America from the moment of first contact, discussing the fur trade, treaty-signing and the implementation of residential schools. Addressing misconceptions still widely believed today, Dennis explains why Native people aren't genetically any more predisposed to become alcoholics than Caucasians; that Native religion doesn't consist of worshipping rocks, disappearing into thin air, or conversing with animals; and that tax exemptions are so limited and confusing that many people don't even bother.

Employing pop culture examples, personal anecdote and a cutting wit, Darrell Dennis deftly weaves history with current events to entertain, inform and provide a convincing, readable overview of First Nations issues and why they matter today.

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$22.95

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Pegahmagabow: Life-Long Warrior
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Format: Paperback
Text Content Territories: Indigenous Canadian; First Nations; Anishinaabeg; Ojibway;

Francis Pegahmagabow was a remarkable aboriginal leader who served his nation in time of war and his people in time of peace, fighting all the way. In wartime he volunteered to be a warrior. In peacetime he had no option. His life reveals how uncaring Canada was about those to whom this land had always been home. A member of the Parry Island band (now Wasauksing First Nation) near Parry Sound, Ontario, Francis served with the Canadian Expeditionary Force in Belgium and France for almost the entire duration of the First World War, primarily as a scout and sniper. Through the horrific battles and inhuman conditions of trench warfare, his actions earned him three decorations for bravery, the most ever received by a Canadian aboriginal soldier. More recently, they inspired the central fictional character in Joseph Boyden's highly acclaimed novel Three Day Road. Physically and emotionally scarred by his wartime ordeals, Francis returned to Parry Island to try to rebuild his life. He had been treated as an equal in the army, but quickly discovered things hadn't changed back in Canada. As a status Indian his life was regulated by the infamous Indian Act and by local Indian agents who seemed bent on thwarting his every effort to improve his lot. So, Francis became a warrior once more, this time in the even longer battle to achieve the right of aboriginal Canadians to control their own destiny. In compiling this account of Francis Pegahmagabow's remarkable life, Adrian Hayes conducted extensive research in newspapers, archives, and military records, and spoke with members of Pegahmagabow's family and others who remembered the plight and the perseverance of this warrior. Originally published by Fox Meadow Creations, Pegahmagabow emerges again in this new Blue Butterfly Books edition, which incorporates additional material and updates some aspects of this unforgettable story, and the confusion that still surrounds it.

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$19.95

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People Among the People: The Public Art of Susan Point
Authors:
Format: Hardcover
Grade Levels: 11; 12; University/College;

“I feel that it is important to re-establish our Salish footprint upon our lands, to create a visual expression of the link between the past and present that is both accessible and people-friendly. . . . I create unique, ‘original’ artwork that honours both my people and the diverse group of peoples from around the world who have come to live upon our lands on the Northwest Coast. My hope is that my art leaves a lasting impression on visitors, locals, and the surrounding communities.” — Susan Point

This beautifully designed book is the first to explore Susan Point's publicly commissioned artworks from coast to coast.

Susan Point’s unique artworks have been credited with almost single-handedly reviving the traditional Coast Salish art style. Once nearly lost to the effects of colonization, the crescents, wedges, and human and animal forms characteristic of the art of First Nations peoples living around the Salish Sea can now be seen around the world, reinvigorated with modern materials and techniques, in her serigraphs and public art installations—and in the works of a new generation of artists that she’s inspired.

People Among the People beautifully displays the breadth of Susan Point’s public art, from cast-iron manhole covers to massive carved cedar spindle whorls, installed in locations from Vancouver to Zurich. Through extensive interviews and access to her archives, Robert D. Watt tells the story of each piece, whether it’s the evolution from sketch to carving to casting, or the significance of the images and symbolism, which is informed by surviving traditional Salish works Point has studied and the Oral Traditions of her Musqueam family and elders.

In her long quest to re-establish a Coast Salish footprint in Southwest British Columbia and the Pacific Northwest of the US, Point has received many honours, including the Order of Canada and the Audain Lifetime Achievement Award. This gorgeous and illuminating book makes it clear they are all richly deserved.

Additional Information
208 pages | 10.17" x 12.39"

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$50.00

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People of the Lakes: Stories of Our Van Tat Gwich'in Elders / Googwandak Nakhwach'anjoo Van Tat Gwich'in
Format: Paperback

Many people have a mental picture of the Canadian north that juxtaposes beauty with harshness. For the Van Tat Gwich'in, the northern Yukon is home, with a living history passed on from elders to youth. This book consists of oral accounts that the Elders have been recording for 50 years, representing more than 150 years of their history, all meticulously translated from Gwich'in. Yet this is more than a gathering of history; collaborator Shirleen Smith provides context for the stories, whether they are focused on an individual or international politics. Anthropologists, folklorists, ethnohistorians, political scientists, economists, members of First Nations, and readers interested in Canada's northernmost regions will find much to fascinate them.

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$34.95

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People of the Land Legends of the Four Host First Nations
Format: Hardcover
Grade Levels: 4; 5; 6; 7; 8; 9;

Contributions by: Aaron Nelson-Moody, Debbie Sparrow, Deborah Jacobs, Gary Fiegehen, Johnny Abraham, and Zach George

The sacred legends of the four host First Nations, the Lil'wat, Musqueam, Squamish and Tsleil-Waututh, have been passed down from generation to generation through the Elders and are integral to the teachings and oral traditions of First Nations peoples. These stories link people to the land and to each other and pass on traditional knowledge and history. For the first time, these sacred teachings are collected in an anthology of stories willingly shared by the respected storytellers of each nation. These legends,which range from creation stories to naming stories,add to our knowledge of ourselves and each other.

Four maps accompany numerous photos of the lands of the Lil'Wat, Tsleil-Waututh, Musqueam and Squamish nations. In addition, works of art by four First Nations artists, Johnny Abraham, Glenn George, Zach George and Aaron Nelson-Moody, appear in this collection. The art, which is beautifully rendered in wood, acrylic, and oil, captures the ancestral voices of these legends and pays tribute to each nation.

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$36.95

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Perception: A Photo Series
Format: Hardcover
Text Content Territories: Indigenous Canadian; First Nations; Inuit; Métis;
Grade Levels: 9; 10; 11; 12;

Social action art in book form, Perception: A Photo Series encourages readers to look and then look again.

Tired of reading negative and disparaging remarks directed at Indigenous people of Winnipeg in the press and social media, artist KC Adams created a photo series that presented another perspective. Called “Perception Photo Series,” it confronted common stereotypes of First Nation, Inuit and Metis people to illustrate a more contemporary truthful story.

First appearing on billboards, in storefronts, in bus shelters, and projected onto Winnipeg’s downtown buildings, Adam’s stunning photographs now appear in her new book, Perception: A Photo Series. Meant to challenge the culture of apathy and willful ignorance about Indigenous issues, Adams hopes to unite readers in the fight against prejudice of all kinds.

Reviews
"Indeed, the potential lasting impact of this collection can’t be underestimated; this is socially engaged art at its best." — Kirkus Reviews, March 2019

"KC Adams' Perception series challenges us to bridge thought and reality; emerging on the other side better having challenged ourselves to see Indigenous peoples for what they really are. We are grandparents, parents, children - and everything in between. As Adams shows through this incredible exhibition of faces and feelings, we are beautiful, whole, and complex peoples irreducible to stereotypes and slander." — Romeo Saganash (Cree, father, activist, and dreamer)

"KC Adams's Perception series absolutely captured the most devastating perceptions from the colonial mind, and the accompanying lack of knowledge about the truth of Canada's historical relationship to Indigenous Peoples. Succinctly and beautifully, KC transformed that narrative in this series. It is a prolific piece which will always be a source of inspiration for truth and reconciliation. It is unforgettable. Kichi miigwetch KC Adams!." — Tina Keeper, March 2019

"We hear the saying, “A picture can say a thousand words” quite often, but sometimes we don’t take the time to actually look at what we are seeing and what it is saying. Sometimes photographs are taken for fun, with no real meaning behind them. But there are times when a photograph is taken for a purpose, taken to deliver a message. KC Adams, with Perception, is doing just that. She is not only delivering a message, she is also making a statement in order to break down the racial prejudices and stereotypes towards the indigenous community in Canada.... From looking at the first picture that shows their reaction to what people think of them to looking at their second picture that shows their look of pure happiness coupled with their name, their tribes, and the words they would use to describe themselves is what is causing people to think twice, think differently, and spark conversation." — Leslie Trotter, NetGalley, March 2019

"I admire what KC Adams did when she kept hearing disparaging remarks and slurs against the Native peoples of Canada. As an indigenous person herself, she too, had been subjected to mistreatment and prejudice just be being someone who looks different. She was determined to find a way to get people's perceptions to change. The Native/indigenous people and their cultures were here to stay and non-Native people had to come to terms with and accept that. Adams choose to use her skill as a photographer as a catalyst to address the racism and prejudice head on.... She took a series of two photographs of the same person; one as she said a racist remark, the other as she said something positive about the person. She then put up these pictures as posters around municipal areas. The first picture was headlined with the slur said while filming it, the bottom said "Think again". The second picture (taken when she invoked a positive response in them) told who they were and some things about them. This photography series (now captured in her book Perceptions) helped people recognize their own reactions to Native peoples and realize that they were unfair and untrue.... I love when art is not only creative, but an agent for social change! Kudos, Ms. Adams! Well done!" — Kathy Fuchs, NetGalley, February 2019

"Perception is an impressive collection...an inside look into a living legend’s photography practice (I say this in no uncertain terms) and, more importantly, as Adams intended, a reminder to look past the hurt in search of a love that can bring us all home." — Lindsay Nixon, Editor-at-Large Canadian Art, author nîtisânak, Metonymy Press, March 2019

"This is an amazing portrayal of the indigenous community. The emotions displayed by each individual are clearly defined. I highly recommend this resource be placed in all libraries and used to dispel racism and discriminatory ideas." — Shelley Stefanowich, NetGalley, April 2019

Educator Information
For Grades 9-12 / Young Adults

Caution: Mature subject matter/language in some instances as this book is dealing with stereotypes and prejudice.

Additional Information
120 pages | 6.75" x 9.00" | Hardcover | Foreward from Katherena Vermette

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$34.00

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Performing Turtle Island: Indigenous Theatre on the World Stage
Format: Paperback
Text Content Territories: Indigenous Canadian;
Grade Levels: University/College;

Following the Final Report on Truth and Reconciliation, Performing Turtle Island investigates theatre as a tool for community engagement, education, and resistance.

Comprised of multidisciplinary and diverse perspectives, Performing Turtle Island considers theatre as a tool for community engagement, education, and resistance, and examines how communities in turn influence the construction of Indigenous identities through theatre.

Contributors:
Megan Davies (York University)
Spy Dénommé-Welch (Brock University)
Floyd Favel (Poundmaker First Nation)
Carol Greyeyes (University of Saskatchewan)
Michael Greyeyes (Muskeg Lake First Nation)
Kahente Horn-Miller (Carleton University)
Dione Joseph (Onehunga, New Zealand)
Catherine Magowan (Hamilton, ON)
Daniel David Moses (Queen's University)
Yvette Nolan (University of Saskatchewan)
Armand Ruffo (Sagamok Ojibway and Chapleau Cree Fox Lake First Nations, Queen's University)
Annie Smith (Grand Prairie Regional College)

Reviews
“Brilliantly introduces pedagogies that jump scale; a bundling project for future ancestors revealing knowledges for flight into kinstillatory relationships. ” —Karyn Recollet, co-author of In This Together: Blackness, Indigeneity, and Hip Hop

“An important resource for those who want to introduce or incorporate Indigenous artistic perspectives in their course or work. ” —Heather Davis-Fisch, author of Loss and Cultural Remains in Performance

“A very significant and welcome contribution to the growing body of work on Indigenous theatre and performance in the land now called Canada. ” —Ric Knowles, author of Performing the Intercultural City

Educator Information
Understanding Indigenous cultures as critical sources of knowledge and meaning, each essay addresses issues that remind us that the way to reconciliation between Canadians and Indigenous peoples is neither straightforward nor easily achieved. Comprised of multidisciplinary and diverse perspectives, Performing Turtle Island considers performance as both a means to self-empowerment and self-determination, and a way of placing Indigenous performance in dialogue with other nations, both on the lands of Turtle Island and on the world stage.

Additional Information
256 pages | 6.00" x 9.00" | 5 photos, 1 table

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$29.95

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Picking Up the Pieces: Residential School Memories and the Making of the Witness Blanket
Format: Hardcover
Grade Levels: 10; 11; 12; University/College;

Every object tells a story.

Picking Up the Pieces tells the story of the making of the Witness Blanket, a living work of art conceived and created by Indigenous artist Carey Newman. It includes hundreds of items collected from residential schools across Canada, everything from bricks, photos and letters to hockey skates, dolls and braids. Every object tells a story.

Carey takes the reader on a journey from the initial idea behind the Witness Blanket to the challenges in making it work to its completion. The story is told through the objects and the Survivors who donated them to the project. At every step in this important journey for children and adults alike, Carey is a guide, sharing his process and motivation behind the art. It's a very personal project. Carey's father is a residential school Survivor. Like the Blanket itself, Picking Up the Pieces calls on readers of all ages to bear witness to the residential school experience, a tragic piece of Canada’s history.

"In the traditions of my Salish ancestors, a blanket is gifted to uplight the spirit, protect the vulnerable or honour the strong. I made this blanket for the Survivors, and for the children who never came home; for the dispossessed, the displaced and the forgotten. I made this blanket so that I will never forget -- so that we will never forget." - Carey Newman

Reviews
"Picking Up the Pieces is both a crucial record of history and an outstanding assertion of love and community. The story behind the creation of the powerful Witness Blanket project is one of great care and consideration, with residential school Survivors and their families at the centre. By sharing his own family's connection to a brutal and shameful part of Canadian history, renowned artist Carey Newman brilliantly guides us through the meticulous and thoughtful process of creating one of the most important pieces of art to exist in this country. I had the privilege of experiencing the Witness Blanket on its tour, and it was a poignant moment that will stay with me for the rest of my life. Reading how it all came together is yet another vital experience. Like the Witness Blanket itself, Picking Up the Pieces will educate and enlighten Canadians for generations to come. It's a must-read for anyone seeking to understand Canada's residential-school saga. Most importantly, it's a touchstone of community for those survivors and their families still on the path to healing." — Waubgeshig Rice, journalist and author of Moon of the Crusted Snow, March 2019

Educator Information
Themes: Indigenous Art, Reconciliation, Residential Schools, Survivor Stories, Intergenerational Trauma

Suitable for most ages (about 12 years+).  A useful social studies or Indigenous studies resource for pre-teens and teens.

Additional Information
180 pages | 10.75" x 10.00"

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$39.95

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