Anishinaabeg
Synopsis:
Next Level Chef winner Pyet De Spain celebrates her Mexican and Native American heritage in this collection of mouthwatering recipes, a vibrant fusion that ties us to the land and to one another.
Star chef Pyet DeSpain rose to prominence as the first winner of Gordon Ramsey’s Fox television show Next Level Chef. Now, in her debut cookbook, she shares the joy of cooking fueled by her burning passion for Native American and Mexican American cuisine. Rooted in Fire: A Celebration of Native American and Mexican Cooking is a tribute to her dual heritage—a gorgeously crafted celebration of the diversity of food and the stories, traditions, culture, and profound philosophies of Indigenous people that season each meal.
Pyet shows you how to incorporate a delicious range of key ingredients—from venison, dandelion greens, to sunchokes, bison, and native berries—into more than sixty fusion dishes. Family and friends will be excited to gather around the table to enjoy sweet and savory food such as:
- Three Sisters Salad
- Bison and Sweet Corn Soup
- Fry Bread
- Mexican Chocolate & Mezcal Cake
- Corn Silk and Honey Tea
- Wojapi BBQ Sauce
In addition to her inventive and palate pleasing recipes, Pyet invites home cooks to honor the seasons on our beautiful Earth and connect with essential foodways. “This is more than just a cookbook,” Pyet writes. “It’s giving a voice to Indigenous people, while also highlighting the fusion of my two cultures with fire and purpose.”
Reviews
"Pyet's talent is evident in every recipe in this book. The way she weaves her heritage into her dishes is extraordinary and I've seen it every day since the first time I tasted her work on Next Level Chef. Trust me, you're in for an absolute treat." — Gordon Ramsay
Pyet’s Rooted in Fire beautifully honors her Prairie Band of Potawatomi and Mexican heritage through food storytelling that is both personal and powerful. Her voice is heartfelt, her vision and dedication are clear, and her talent within the Indigenous food movement is undeniable. I’m so proud to see her shining as a modern-day Indigenous food warrior—this book marks an important chapter in her growing legacy." — Sean Sherman, Founder of The Sioux Chef/NATIFS.org and Author of The Sioux Chef’s Indigenous Kitchen and Turtle Island
Additional Information
288 pages | 7.38" x 9.12" | 128 four color food photographs | Hardcover
Synopsis:
Discover the rich tapestry of human emotion and divine wisdom with the First Nations Version Psalms and Proverbs. The latest volume from the critically acclaimed First Nations Version translation brings the ancient Sacred Songs and Wise Sayings of the Hebrew Scriptures to life through the vibrant, poetic imagery of Native American oral storytelling.
Discover Psalms and Proverbs Reimagined Through the Poetic Language of Native Storytellers:
Father Sky is telling us the story of the shining-greatness of the One Above Us All. The starry tent above us shows the beauty that Creator’s hands have made. Day after day, the story is told, and night after night, their wisdom fills the sky. Even though the skies above have no spoken words, all creation has heard their message.Psalm 19:1-3
From the strength of your heart, put all your trust in Grandfather, and do not hold yourself up with weak human thinking. As you walk the road of life, make every step a prayer. Grandfather will then make your eyes straight and your paths safe.Proverbs 3:5-6
Whether you're seeking solace, strength, or spiritual insight, the First Nations Version Psalms and Proverbs will guide you with its profound expressions of praise and trust in the Creator. Step into the harmonious blend of ancient wisdom and indigenous tradition to discover a spiritual experience that speaks directly to your heart.
Reviews
"The First Nations Version is far and away the most creative Bible translation I've ever read. It's an exciting alternative to the boring, stodgy renderings that have dominated the English market for centuries. All readers can open the FNV and experience old passages in new lights. Talk about it with your kids. Study it in churches and classrooms. Use it in worship. The Bible becomes alive!"— Matthew Schlimm, professor of Old Testament at the University of Dubuque Theological Seminary
Additional Information
192 pages | 6.00" x 9.00" | Paperback
Synopsis:
Mary Siisip Geniusz has spent more than thirty years working with, living with, and using the Anishinaabe teachings, recipes, and botanical information she shares in Plants Have So Much to Give Us, All We Have to Do Is Ask. Geniusz gained much of the knowledge she writes about from her years as an oshkaabewis, a traditionally trained apprentice, and as friend to the late Keewaydinoquay, an Anishinaabe medicine woman from the Leelanau Peninsula in Michigan and a scholar, teacher, and practitioner in the field of native ethnobotany. Keewaydinoquay published little in her lifetime, yet Geniusz has carried on her legacy by making this body of knowledge accessible to a broader audience.
Geniusz teaches the ways she was taught—through stories. Sharing the traditional stories she learned at Keewaydinoquay’s side as well as stories from other American Indian traditions and her own experiences, Geniusz brings the plants to life with narratives that explain their uses, meaning, and history. Stories such as “Naanabozho and the Squeaky-Voice Plant” place the plants in cultural context and illustrate the belief in plants as cognizant beings. Covering a wide range of plants, from conifers to cattails to medicinal uses of yarrow, mullein, and dandelion, she explains how we can work with those beings to create food, simple medicines, and practical botanical tools.
Plants Have So Much to Give Us, All We Have to Do Is Ask makes this botanical information useful to native and nonnative healers and educators and places it in the context of the Anishinaabe culture that developed the knowledge and practice.
Additional Information
344 pages | 7.00" x 10.00" | Paperback
Synopsis:
With four starred reviews, Angeline Boulley's debut novel, Firekeeper's Daughter, is a groundbreaking YA thriller about a Native teen who must root out the corruption in her community, perfect for readers of Angie Thomas and Tommy Orange.
Eighteen-year-old Daunis Fontaine has never quite fit in, both in her hometown and on the nearby Ojibwe reservation. She dreams of a fresh start at college, but when family tragedy strikes, Daunis puts her future on hold to look after her fragile mother. The only bright spot is meeting Jamie, the charming new recruit on her brother Levi’s hockey team.
Yet even as Daunis falls for Jamie, she senses the dashing hockey star is hiding something. Everything comes to light when Daunis witnesses a shocking murder, thrusting her into an FBI investigation of a lethal new drug.
Reluctantly, Daunis agrees to go undercover, drawing on her knowledge of chemistry and Ojibwe traditional medicine to track down the source. But the search for truth is more complicated than Daunis imagined, exposing secrets and old scars. At the same time, she grows concerned with an investigation that seems more focused on punishing the offenders than protecting the victims.
Now, as the deceptions—and deaths—keep growing, Daunis must learn what it means to be a strong Anishinaabe kwe (Ojibwe woman) and how far she’ll go for her community, even if it tears apart the only world she’s ever known.
Awards
- 2021 Goodreads Choice Awards winner
- 2022 YALSA William C. Morris finalist winner
Reviews
"Firekeeper's Daughter is a gripping and unforgettable story of family, community and identity told through the eyes of a protagonist so powerfully realized on the page, you'll swear you can hear her heart beat. Daunis Fontaine is a force to be reckoned with—and so is Angeline Boulley. This is one bold, uncompromising and elegantly crafted debut." —Courtney Summers, New York Times-bestselling author of Sadie
"Intricate and moving. Boulley takes the reader on an incredible journey with the assurance of a veteran novelist." —Tochi Onyebuchi, award-winning author of Beasts Made of Night and Riot Baby
“A rare and mesmerizing work that blends the power of a vibrant tradition with the aches and energy of today’s America. This book will leave you breathless!” —Francisco X. Stork, acclaimed author of Marcelo in the Real World and Illegal
Educator Information
Recommended for ages 14 to 18.
This book is available in French: Une dose de rage
If you enjoyed this book, you can return to Sugar Island in Warrior Girl Unearthed.
Additional Information
512 pages | 5.77" x 8.27" | Paperback
Synopsis:
From the instant New York Times bestselling author of Firekeeper’s Daughter and Warrior Girl Unearthed comes a daring new mystery about a foster teen claiming her heritage on her own terms.
Ever since Lucy Smith’s father died five years ago, “home” has been more of an idea than a place. She knows being on the run is better than anything waiting for her as a “ward of the state”. But when the sharp-eyed and kind Mr. Jameson with an interest in her case comes looking for her, Lucy wonders if hiding from her past will ever truly keep her safe.
Five years in the foster system has taught her to be cautious and smart. But she wants to believe Mr. Jameson and his “friend-not-friend”, a tall and fierce-looking woman who say they want to look after her.
They also tell Lucy the truth her father hid from her: She is Ojibwe; she has – had – a sister, and more siblings; a grandmother who’d look after her and a home where she would be loved.
But Lucy is being followed. The past has destroyed any chance of normal she has had, and now the secrets she’s hiding will swallow her whole and take away the future she always dreamed of.
From the internationally-acclaimed and bestselling author Angeline Boulley comes an explosive story about seeking vindication from a past that won't let you go.
Educator Information
Recommended for ages 14 to 18.
Angeline Boulley's award-winning canon of books puts compelling characters and fast-paced action at the center of narratives rich in historical context. Read Firekeeper's Daughter; Warrior Girl Unearthed; and Sisters of the Wind in any order; but like the world itself; there are echoes within each for the other stories.
Pick this up if you love:
- quiet girls with dark pasts
- explosive opening scenes
- wolves in sheeps’ clothing
Additional Information
352 pages | 6.00" x 9.00" | Hardcover
Synopsis:
Cash Blackbear, a young Ojibwe woman and occasional sleuth, is back on the case after a man is found dead on a rural Minnesota farm in the next installment of the acclaimed Native crime series.
Minnesota, 1970s: It’s spring in the Red River Valley and Cash Blackbear is doing fieldwork for a local farmer—until she finds him dead on the kitchen floor of the property’s rented farmhouse. The tenant, a Native field laborer, and his wife are nowhere to be found, but Cash discovers their young daughter, Shawnee, cowering under a bed. The girl, a possible witness to the killing, is too terrified to speak.
In the wake of the murder, Cash can’t deny her intuitive abilities: she is suspicious of the farmer’s grieving widow, who offers to take in Shawnee temporarily. While Cash is scouring White Earth Reservation for Shawnee’s missing mother—whom Cash wants to find before the girl is put in the foster system—another body turns up. Concerned by the escalating threat, Cash races against the clock to figure out the truth of what happened in the farmhouse.
Broken Fields is a compelling, atmospheric read woven with details of American Indian life in northern Minnesota, abusive farm labor practices and women’s liberation.
Reviews
“A tragic, unforgiving crime novel that emphasizes the perils of the foster care system for Indigenous children.”—Library Journal, Starred Review
“Peyton Place meets Fargo in this clipped tale of misdoings in the Red River Valley . . . Rendon explor[es] the ways the deck is stacked against Cash because she’s a woman, an Ojibwe, and a maverick with limited respect for white men’s rules.”—Kirkus Reviews
“Rendon excels at balancing plot and character, taking time to probe Cash’s psychology while orchestrating a deliciously complicated mystery for her to solve. Readers will be rapt.”—Publishers Weekly
“Outstanding . . . Rendon delivers lots of suspense; a resourceful, rural community-smart heroine in Cash; and wrenching insights into the overt and covert racism endured by Indigenous people.”—Booklist
Series Information
This is the fourth book in the Cash Blackbear Mystery series from author Marcie Rendon.
Additional Information
272 pages | 5.83" x 8.60" | Hardcover
Synopsis:
Discover the profound wisdom of the Anishinaabe/Ojibwe people in The Seven Generations and The Seven Grandfather Teachings. In this captivating journey, you will immerse yourself in timeless teachings that illuminate the way to interconnectedness and interdependence. As the spiritual translation of the sacred laws, the Seven Grandfather teachings guide us towards Mino-bimaadiziwin, 'the good life' - a life of harmony, free from contradiction or conflict. Prepare to embark on a transformative path of peace and balance, where ancestral knowledge offers invaluable lessons for a fulfilling existence.
Additional Information
90 pages | 5.00" x 8.00" | Paperback
Synopsis:
There There meets The Night Watchman in this gripping literary debut about power and corruption, family, and facing the ghosts of the past.
Mitch Caddo, a young law school graduate and aspiring political fixer, is an outsider in the homeland of his Anishinaabe ancestors. But alongside his childhood friend, Tribal President Mack Beck, he runs the government of the Passage Rouge Nation, and with it, the tribe’s Golden Eagle Casino and Hotel. On the eve of Mack’s reelection, their tenuous grip on power is threatened by a nationally known activist and politician, Gloria Hawkins, and her young aide, Layla Beck, none other than Mack’s estranged sister and Mitch’s former love. In their struggle for control over Passage Rouge, the campaigns resort to bare-knuckle political gamesmanship, testing the limits of how far they will go—and what they will sacrifice—to win it all.
But when an accident claims the life of Mitch’s mentor, a power broker in the reservation’s political scene, the election slides into chaos and pits Mitch against the only family he has. As relationships strain to their breaking points and a peaceful protest threatens to become an all-consuming riot, Mitch and Layla must work together to stop the reservation’s descent into violence.
Thrilling and timely, Big Chief is an unforgettable story about the search for belonging—to an ancestral and spiritual home, to a family, and to a sovereign people at a moment of great historical importance.
Reviews
“A compelling and strong Native American novel about politics and power and how far some people will go to hold on to what they have.”—Brandon Hobson, author of National Book Award finalist Where the Dead Sit Talking
"Deliciously ruthless and absolutely huge, Big Chief unleashes the Shakespearean realities of Passage Rouge with seismic ambition and brilliance. Prepare to relish every dice roll, partisan jab, and monkey wrench thrown in this all-out showdown from maestro Jon Hickey—a colossal novel of and for our time." —Cody Caetano, author of Half-Bads in White Regalia
"Jon Hickey throws the reader in the backseat of a tricked out F350 and takes them for a wild ride across the Rez following a J. Crew NDN, a Chief who's in over his head, and their crew. This is a must read as Hickey brings us into the chaos and catastrophes that the colonial imposed electoral system creates in Indigenous communities but also shows the reader how community, a sense of belonging, and family is what really matters in the end. This is a book that you won't put down until the last ballot is counted."—Conor Kerr, author of Prairie Edge
“Taut, timely, and brimming with suspense, Big Chief questions our notions of power and morality, holding a mirror to our crooked, calculating world. This is a monumental debut."—Kirstin Chen, New York Times bestselling author of Counterfeit
“Big Chief features all the twisty chessmanship—the familial feuds, the financial games, the political maneuvering—of Succession and sets it against the backdrop of Indian country. Jon Hickey has written one hell of an addictive and important debut novel.”—Benjamin Percy, author of The Ninth Metal and Red Moon
Additional Information
320 pages | 5.50" x 8.25" | Hardcover
Synopsis:
A transformational guide to getting yourself right in order to accomplish the work you were meant to do, from speaker, former U.S. Air Force officer, and member of the Ottawa tribe D.J. Vanas.
When faced with an important job, and people depending on you to do it, most of us will give and give until there’s nothing left. But running on empty, even for a worthy cause, only sets you up for failure in the long run. To persevere on the path to success requires more than sheer fearlessness and willpower. It requires what D.J. Vanas calls the warrior spirit, the kind of strength that looks outward but comes from deep within.
Drawing inspiration from Native American philosophy and tradition, The Warrior Within outlines a new model for personal power in the face of overwhelming chaos. A true warrior is not the toughest or bravest person in the room. A true warrior is committed to self-mastery, knows how to navigate change and disruption, transforms setbacks into opportunities for achievement, refuses to quit, and most importantly, always fights for something bigger than the self. With a vast array of stories and examples, from vision quests to treacherous hikes to veterans and service providers at the front lines, Vanas shows how to apply these principles to transform how you show up both for yourself and those around you.
More than an empowerment manual, The Warrior Within is a call to accomplish the world-changing work you were meant for by tapping into the power of the warrior spirit.
Reviews
"The powerful lessons imparted in these chapters will inspire strength, confidence and motivation, so that you can deliver your best in the worst of circumstances—while keeping your sanity and health! I encourage every healthcare giver to read The Warrior Within, for they truly serve, fight, protect and heal every day, often at their own expense."--LeAnn Thieman, author of the Chicken Soup for Nurse’s Soul series and founder of SelfCare for HealthCare®
"I highly recommend The Warrior Within! Through great storytelling, D.J. Vanas shares an often overlooked element of leadership ... taking care of yourself. Our beautiful Anishinaabe teachings emphasize balance in all things. Being a warrior means recognizing your needs and honoring your gifts. Way to go, D.J.!"--Angeline Boulley (Sault Ste. Marie Tribe of Chippewa Indians) New York Times bestselling author of Firekeeper's Daughter
"D.J. Vanas inspires us to find our ‘warrior spirit’ of courage, perseverance, resilience, and teamwork in life’s most fearful times. Your heart will soar like an eagle as you read how ordinary heroes use this inner strength to serve others—and how we can learn to do the same.”--Joseph Pfeifer, FDNY Assistant Chief, retired, author of Ordinary Heroes
“This is it: the book I’ve been waiting for! There isn’t another on the market that applies indigenous principles and ideas in order to expose the warrior in you. A comprehensive, compelling, emotional and amazingly insightful book. I couldn’t put it down. I wish I had this book years ago!"--Juanita Mullen (Seneca), AI/AN Veterans Liaison, Department of Veterans Affairs
“DJ Vanas describes a life of leading and doing through Indigenous identity and values. Combining his personal story with advice, The Warrior Within is more than a leadership book. It is a story of living a life of abundance and rich relationships, with DJ as your terrific guide.”-Cheryl Crazy Bull, President & CEO, American Indian College Fund
Additional Information
256 pages | 5.72" x 8.57" | Hardcover
Synopsis:
A powerful anthology uniting the voices of Indigenous women, Elders, grassroots community activists, artists, academics, and family members affected by the tragedy of Missing and Murdered Indigenous Women, Girls, and Two-Spirit people from across Turtle Island.
In 2010, Métis artist Jaime Black-Morsette created the REDress Project—an art installation consisting of placing red dresses in public spaces as a call for justice for Missing and Murdered Indigenous Women, Girls, and Two-Spirit people (MMIWG2S). Symbolizing both absence and presence, the red dresses ignite a reclamation of voice and place for MMIWG2S. Fifteen years later, the symbol of the empty red dress endures as families continue to call for action.
In this anthology, Jaime Black-Morsette shares her own intimate stories and memories of the REDress Project along with the voices of Indigenous women, Elders, grassroots community activists, artists, academics, and family members affected by this tragedy. Together they use the power of their collective voice to not only call for justice for MMIWG2S, but honour Indigenous women as keepers and protectors of land, culture, and community across Turtle Island.
Reviews
“REDress is a must-read for anyone who seeks to truly understand the hearts of those most impacted by MMIWG2S. For allies and interested citizens, this anthology shows how Canada emboldened and fostered a society to inflict genocide against Indigenous women, girls, and Two-Spirited and transgendered relatives.”—Sheila North, Former Grand Chief, Creator of hashtag #MMIW, Mother and Kookom
“REDress is a love offering to MMIWG2S and those who are intimately impacted by this epidemic.”—Cathy Mattes, curator, writer, and Associate Professor in History of Art at the University of Winnipeg
"This is a moving look at how women in indigenous communities are using art and activism to keep the the issue at the forefront, despite the lack of progress in solving or preventing the crimes.... A content warning signals that the book contains language concerning violence against women. I’d offer this to activist artists or anyone interested in justice for indigenous communities, in high school and up." - Youth Services Book Review - Stephanie Tournas, Retired librarian, Cambridge, MA
Educator Information
Content Warning: This book's content deals with violence against Indigenous women, girls, and Two-Spirit people; genocide; death; intergenerational trauma; suicide; and residential schools.
Big Ideas: Diverse and Inclusive Representation: Identity; Land-Based or Place-Based Learning; Social-Emotional Learning: Death, Grief, Bereavement; Social-Emotional Learning: Self Expression, Creative Writing, Art; Social Justice: Citizenship and Social Responsibility; Social Justice: Impacts of Colonization and Colonialism; Social Justice: MMIWG2S; Social Justice: Prejudice and Racism.
Edited by: Jaime Black-Morsette
Contributions by: KC Adams, Mackenzie Anderson Linklater, Marjorie Beaucage, Christi Belcourt, Judy Da Silva, Karine Duhamel, Deantha Edmunds, Cambria Harris, Jaimie Isaac, Casey Koyczan, Crystal Lepscier, Lee-Ann Martin, Diane Maytwayashing, Cathy Merrick, Sherry Farrell Racette, Gladys Radek, Zoey Roy, Jennifer Lee Smith, and Patti Beardy.
Additional Information
168 pages | 7.00" x 10.00" | Paperback
Synopsis:
We clothed the royals. We fed the worker. We guided the traveler. We abetted the soldier. We are not afraid to love. So begins Carl Gawboy's groundbreaking graphic history of the Fur Trade Era. From 1650 to 1850, the Ojibwe Nation was the epicenter of the first global trading network. Trade goods from Africa, Asia, Europe, and South America flowed into the Great Lakes region, floating along Ojibwe waterways in birchbark canoes paddled by mixed-race Voyageurs. Gawboy offers a fresh perspective on the fur trade era, placing Ojibwe technology, kinship systems, cultural paradigms, and women at the heart of this remarkable era, where they have always belonged.
Additional Information
202 pages | 8.25" x 11.00" | Hardcover
Synopsis:
An exploration of Indigenous cosmology and history in North America
• Examines the complexities of Indigenous legends and creation myths and reveals common oral traditions across much of North America
• Explores the history of Cahokia, the Mississippian Mound Builder Empire of 1050-1300 CE, told through the voice of Honga, a Native leader of the time
• Presents an Indigenous revisionist history regarding Thomas Jefferson, expansionist doctrine, and Manifest Destiny
While Western accounts of North American history traditionally start with European colonization, Indigenous histories of North America—or Turtle Island—stretch back millennia. Drawing on comparative analysis, firsthand Indigenous accounts, extensive historical writings, and his own experience, Omaha Tribal member, Cherokee citizen, and teacher Taylor Keen presents a comprehensive re-imagining of the ancient and more recent history of this continent’s oldest cultures. Keen reveals shared oral traditions across much of North America, including among the Algonquin, Athabascan, Sioux, Omaha, Ponca, Osage, Quapaw, and Kaw tribes. He explores the history of Cahokia, the Mississippian Mound Builder Empire of 1050–1300 CE. And he examines ancient earthen works and ceremonial sites of Turtle Island, revealing the Indigenous cosmology, sacred mathematics, and archaeoastronomy encoded in these places that artfully blend the movements of the sun, moon, and stars into the physical landscape.
Challenging the mainstream historical consensus, Keen presents an Indigenous revisionist history regarding Thomas Jefferson, expansionist doctrine, and Manifest Destiny. He reveals how, despite being displaced as the United States colonized westward, the Native peoples maintained their vision of an intrinsically shared humanity and the environmental responsibility found at the core of Indigenous mythology.
Building off a deep personal connection to the history and mythology of the First Peoples of the Americas, Taylor Keen gives renewed voice to the cultures of Turtle Island, revealing an alternative vision of the significance of our past and future presence here.
Reviews
“Brother Keen, with his infinite Indigenous and academic knowledge, brings forth amazing truths about ancient North American cultures the modern world was unaware of. Not only are the ancient earthworks extensive and scientifically and astronomically complex but Keen unveils they are all connected across the entire continent, mirroring the heavens. Simply incredible research.” — Scott Wolter, host of History 2 (H2) Channel’s America Unearthed, world-renowned forensic geol
“Careful analysis by Taylor Keen of the placement and designs of earthworks of the Indigenous people of North America reveals far more complex planning and design was involved than just random location selection of mounds for burials, as we were taught to think. His geographical analysis reveals the sacred earthworks designs were far more advanced and esoteric in nature, something he is uniquely qualified to understand as Indigenous himself and a member of several esoteric orders. He proves definitively the intricate level of knowledge of astronomy, heavenly body movements, mathematics, and cosmology involved in the creation of these earthworks, not only at a local level, but incredibly as long-range alignments as well. This revelation, Keen explains, was something that was dismissed and suppressed by early nineteenth-century archaeologists who breached and destroyed the sacred earthworks and burial mounds as part of the promotion of ‘manifest destiny,’ with the intent being justification of taking tribal lands for settlement. Keen’s incredibly important work gives a whole new perspective on the history of North America.” — Janet Wolter, coauthor of America: Nation of the Goddess
“The official history of the United States begins with Spanish contact in the late fifteenth century. The oral traditions and legends of the various Native peoples of North America, however, stretch back much earlier, into the opaque mists of preliterate times. With a member of the Earthen Bison Clan of the Omaha Tribe to serve as our guide, Rediscovering Turtle Island leads the reader along near-forgotten, overgrown paths that twist and turn throughout a resacralized landscape, decorated with ancient landmarks, populated with whispering ghosts and supernatural beings. The sacred geography of America will never again appear the same.” — P. D. Newman, author of Native American Shamanism and the Afterlife Journey in the Mississippi Valle
“What could be more fascinating than the origin of mankind itself? The premise is staggering and the consequences far-reaching. Keen’s hard work pays off immensely in Rediscovering Turtle Island, and readers will be gripped by that experience on every page.” — Sidian M.S. Jones, coauthor of The Voice of Rolling Thunder
Additional Information
208 pages | 6.00" x 9.00" | 70 b&w illustrations | Paperback
Synopsis:
This compelling debut novel by new talent Byron Graves tells the relatable, high-stakes story of a young athlete determined to play like the hero his Ojibwe community needs him to be.
These days, Tre Brun is happiest when he is playing basketball on the Red Lake Reservation high school team—even though he can’t help but be constantly gut-punched with memories of his big brother, Jaxon, who died in an accident.
When Jaxon's former teammates on the varsity team offer to take Tre under their wing, he sees this as his shot to represent his Ojibwe rez all the way to their first state championship. This is the first step toward his dream of playing in the NBA, no matter how much the odds are stacked against him.
But stepping into his brother’s shoes as a star player means that Tre can’t mess up. Not on the court, not at school, and not with his new friend, gamer Khiana, who he is definitely not falling in love with.
After decades of rez teams almost making it, Tre needs to take his team to state. Because if he can live up to Jaxon's dreams, their story isn’t over yet.
Awards
- American Indian Youth Literature Award Winner
- Book Riot’s Best Children’s Books
- William C. Morris Award
Reviews
"Debut author Graves (Ojibwe) presents a deeply personal look at grief, the weight of expectations, and the ways we find connections with those we have lost... This one shoots and scores." — Kirkus Reviews
"Debut author Graves, who is Ojibwe like Tre, doesn’t shirk from showing his community’s ugly experiences, but he never languishes in them. Well-paced and exciting—the action of the basketball games is exceptionally well written—this is a solid piece of sports fiction." — Booklist
"Influenced by Byron’s own experiences, the challenges Tre faces are realistically difficult, including a team-wide drinking habit that nearly derails everything and Tre’s crush and best friend hooking up behind his back. That realism is nicely balanced, however, by a story that dutifully follows the beats of great sports movies with motivational speeches, unbelievable comebacks, raucous crowds, heartbreaking losses, and a lot of heart up to the final buzzer." — Bulletin of the Center for Children’s Books
Educator Information
Recommended for ages 13+
This book is published by Heartdrum, an imprint that publishes high-quality, contemporary stories about Indigenous young people in the United States and Canada.
Additional Information
368 pages | 5.31" x 8.00" | Paperback
Synopsis:
In this stunning novel, Pulitzer Prize and National Book Award–winning author Louise Erdrich tells a story of love, natural forces, spiritual yearnings, and the tragic impact of uncontrollable circumstances on ordinary people’s lives.
History is a flood. The mighty red . . .
In Argus, North Dakota, a collection of people revolve around a fraught wedding.
Gary Geist, a terrified young man set to inherit two farms, is desperate to marry Kismet Poe, an impulsive, lapsed Goth who can't read her future but seems to resolve his.
Hugo, a gentle red-haired, home-schooled giant, is also in love with Kismet. He’s determined to steal her and is eager to be a home wrecker.
Kismet's mother, Crystal, hauls sugar beets for Gary's family, and on her nightly runs, tunes into the darkness of late-night radio, sees visions of guardian angels, and worries for the future, her daughter’s and her own.
Human time, deep time, Red River time, the half-life of herbicides and pesticides, and the elegance of time represented in fracking core samples from unimaginable depths, is set against the speed of climate change, the depletion of natural resources, and the sudden economic meltdown of 2008-2009. How much does a dress cost? A used car? A package of cinnamon rolls? Can you see the shape of your soul in the everchanging clouds? Your personal salvation in the giant expanse of sky? These are the questions the people of the Red River Valley of the North wrestle with every day.
The Mighty Red is a novel of tender humor, disturbance, and hallucinatory mourning. It is about on-the-job pains and immeasurable satisfactions, a turbulent landscape, and eating the native weeds growing in your backyard. It is about ordinary people who dream, grow up, fall in love, struggle, endure tragedy, carry bitter secrets; men and women both complicated and contradictory, flawed and decent, lonely and hopeful. It is about a starkly beautiful prairie community whose members must cope with devastating consequences as powerful forces upend them. As with every book this great modern master writes, The Mighty Red is about our tattered bond with the earth, and about love in all of its absurdity and splendor.
A new novel by Louise Erdrich is a major literary event; gorgeous and heartrending, The Mighty Red is a triumph.
Reviews
"A love triangle is at the heart of this novel, set against the backdrop of a beet farm in North Dakota during the economic meltdown of 2008-2009. It's as much about the financial crash and environmental destruction as it is about the people most impacted by and vulnerable to these devastations." — New York Times
"While the novel touches on tragedy, it also includes scenes of sheer comedic delight. No one describes a book-group meeting better than Erdrich. Pulitzer Price and National Book Award winner Erdrich (The Sentence) yet again displays her storytelling skills." — Library Journal (starred review)
"[A] finely woven tale of anguish and desire, crimes and healing. With irresistible characters, dramatic predicaments, crisp wit, gorgeously rendered settings, striking ecological facts, and a cosmic dimension, Erdrich’s latest tale of the plains reverberates with arresting revelations." — Booklist
Educator Information
The Mighty Red is a standalone novel, but it's also a sequel to Louise's 1986 novel The Beet Queen. It takes place in Argus, North Dakota, the same fictional town where many of her other novels are set.
Additional Information
384 pages | 6.00" x 9.00" | Paperback
Synopsis:
Growing up in Montana, Chris La Tray always identified as Indian. Despite the fact that his father fiercely denied any connection, he found Indigenous people alluring, often recalling his grandmother’s consistent mention of their Chippewa heritage.
When La Tray attended his grandfather’s funeral as a young man, he finally found himself surrounded by relatives who obviously were Indigenous. “Who were they?” he wondered, and “Why was I never allowed to know them?” Combining diligent research and compelling conversations with authors, activists, elders, and historians, La Tray embarks on a journey into his family’s past, discovering along the way a larger story of the complicated history of Indigenous communities—as well as the devastating effects of colonialism that continue to ripple through surviving generations. And as he comes to embrace his full identity, he eventually seeks enrollment with the Little Shell Tribe of Chippewa Indians, joining their 158-year-long struggle for federal recognition.
Both personal and historical, Becoming Little Shell is a testament to the power of storytelling, to family and legacy, and to finding home. Infused with candor, heart, wisdom, and an abiding love for a place and a people, Chris La Tray’s remarkable journey is both revelatory and redemptive.
Reviews
“La Tray’s pride and conviction will have readers eager not only to learn more, but to take action. A brilliant contribution to the canon of Native American literature.”—Kirkus Reviews, starred review
“[A] gripping debut memoir. [. . .] La Tray’s crystalline prose and palpable passion for spreading Indigenous history bolster his account. Readers will be fascinated.”—Publishers Weekly
"Heartbreaking, infuriating, and remarkable, Becoming Little Shell is a memoir that’s packed with historical details,transcending and amplifying a personal quest to understand a family’s past."—Foreword Reviews, starred review
“Smart, emotional, and bracingly honest, La Tray is a powerful storyteller who should have significant appeal.”—Booklist
“I’m in awe of Chris La Tray’s storytelling. Becoming Little Shell creates a multilayered narrative from threads of personal, family, community, tribal, and national histories. Together they make a story as strong and beautiful as a Metis sash—a story of identity, kinship, and the journey toward justice.”—Robin Wall Kimmerer, author of Braiding Sweetgrass
“Chris La Tray is a powerful voice—a force of nature, really—to guide us through the swirling confluence of Native and white worlds, both past and present. Becoming Little Shell is the American story of our era—tracing the arc of its author brought up in the white world before discovering his roots as an original inhabitant of this continent.”—Peter Stark, author of Gallop Toward the Sun
“Indigenous identity can be complicated, and Becoming Little Shell compels us into the thick of it—Native people dispossessed of not just land but recognition; blood quantum laws originally crafted to complete a genocide and still wreaking havoc in identity debates today; racism that drove many Native people to disassociate from their families; and descendants, like La Tray, who have found their way back, fighting for the reconnection of their communities and for the observance of their very existence. La Tray is a loving, discerning, curious, funny, and generous guide. This is a beautiful, big-hearted book.”—Sierra Crane Murdoch, author of Yellow Bird
“Becoming Little Shell is a moving, deeply felt, and incredibly detailed account of Chris La Tray’s search for his origins among the Métis, Pembina, and Little Shell Tribe of Chippewa Indians. Combining memoir, history, interviews, and travel, La Tray gives us nothing less than the history of a people in the form of an absorbing and emotionally searing memoir. This book will, without a doubt, become a classic in Native American literature. Must read.”—David Treuer, author of The Heartbeat of Wounded Knee
“What I appreciate so much about Chris La Tray’s writing on Indigenous identity and history is the wit, clarity, and integrity embodied in every word. Becoming Little Shell beautifully encompasses a journey that we can all learn from, a journey toward asking better questions about land, belonging, and connection, and through this book La Tray epitomizes historian, poet, and teacher. Full of Indigenous history, personal stories, and the complex dance between the two, La Tray reminds us that the journey of finding ourselves and making sense of the way colonialism plays out around us is an essential part of being human. Please read this book. You’ll be so glad you did.”—Kaitlin B. Curtice, author of Living Resistance
Additional Information
320 pages | 6.00" x 9.00" | Hardcover
Synopsis:
Anishinaabe author Lois Beardslee shares how a life is lived within two cultures, revealing a worldview shaped by language and customs and expressed through verse both playful and somber. This collection of poems is a lattice of traditional wisdom, wordplay, and cunning modernity that forms a distinctive creative voice. Experiences of duality overlay an Anishinaabe annual cycle, emphasizing the practical nature of traditions and their dependence upon the landscape in which they develop over time. Poems like "Waatebagaagiizis" and "Gidanimibiisaa na" reveal the fortitude that maintains traditions against the encroaching backdrop of modernity. Others such as "Namegosag" and "Minowichige" playfully connect a moment's experience to the everyday practices that have endured, many through the author's own eyes, and others through kin spanning generations and cultures. These poems not only evoke a sense of spirit that transcends boundaries but they also bear traditional knowledge, notions of the seasons, and conceptions of how the spirit is shaped by nature.
Educator Information
Young Adult Nonfiction
Additional Information
80 pages | 6.00" x 9.00" | Paperback
Synopsis:
From the #1 New York Times bestselling author of Braiding Sweetgrass, a bold and inspiring vision for how to orient our lives around gratitude, reciprocity, and community, based on the lessons of the natural world.
As Indigenous scientist and author of Braiding Sweetgrass Robin Wall Kimmerer harvests serviceberries alongside the birds, she considers the ethic of reciprocity that lies at the heart of the gift economy. How, she asks, can we learn from Indigenous wisdom and the plant world to reimagine what we value most? Our economy is rooted in scarcity, competition, and the hoarding of resources, and we have surrendered our values to a system that actively harms what we love. Meanwhile, the serviceberry’s relationship with the natural world is an embodiment of reciprocity, interconnectedness, and gratitude. The tree distributes its wealth—its abundance of sweet, juicy berries—to meet the needs of its natural community. And this distribution insures its own survival. As Kimmerer explains, “Serviceberries show us another model, one based upon reciprocity, where wealth comes from the quality of your relationships, not from the illusion of self-sufficiency.”
As Elizabeth Gilbert writes, Robin Wall Kimmerer is “a great teacher, and her words are a hymn of love to the world.” The Serviceberry is an antidote to the broken relationships and misguided goals of our times, and a reminder that “hoarding won’t save us, all flourishing is mutual.”
Reviews
“Robin Wall Kimmerer is writer of rare grace. She writes about the natural world from a place of such abundant passion that one can never quite see the world the same way after having seen it through Kimmerer’s eyes. In Braiding Sweetgrass, she takes us on a journey that is every bit as mythic as it is scientific, as sacred as it is historical, as clever as it is wise. She is a great teacher, and her words are a hymn of love to the world.” —Elizabeth Gilbert
“Robin Wall Kimmerer has written an extraordinary book, showing how the factual, objective approach of science can be enriched by the ancient knowledge of the indigenous people. It is the way she captures beauty that I love the most—the images of giant cedars and wild strawberries, a forest in the rain and a meadow of fragrant sweetgrass will stay with you long after you read the last page.” —Jane Goodall
“I give daily thanks for Robin Wall Kimmerer for being a font of endless knowledge, both mental and spiritual.”—Richard Powers, The New York Times
“Robin Wall Kimmerer opens a sense of wonder and humility for the intelligence in all kinds of life we are used to naming and imagining as inanimate.” —Krista Tippett, host of On Being
Additional Information
112 pages | 5.00" x 7.00" | Hardcover
Synopsis:
A middle-grade novel by James Bird about homelessness and hope.
When home is a car, life is unpredictable. School, friends, and three meals a day aren't guaranteed. Not every town has a shelter where a family can sleep for a night or two, and places with parking lots don't welcome overnight stays.
Opin, his brother Emjay, and their mother are trying to get to Los Angeles, where they hope an uncle and a new life are waiting. Emjay has taken to disappearing for days, slowing down the family's progress and adding to their worry.
Then Opin finds a stray dog who needs him as much as he needs her, and his longing for a stable home intensifies, as his brother's reckless ways hit a new high. Opin makes a new friend in the shelter, but shelters don’t allow dogs…
Will anything other than a real home ever be enough?
Reviews
"Author Bird crafts this deeply felt ode to familial love with authoritative prose.... Opin's palpable fears, joys, and unrelenting hope buoy this tale of resilience." -- Publishers Weekly, starred review
"James Bird, who has been homeless and is of Ojibwe descent, writes with rare authority, insight, and compassion that invites deep empathy from readers. He has done a beautiful job of creating an unforgettable family, who, as Inde says, “may be broke, but we’re not broken.” -- Booklist, starred review
"Bird seamlessly weaves in historical events, like the government’s distribution of smallpox-infested blankets to kill Native people, while telling a story of admirable resilience. A thought-provoking story of one boy playing his own game of life. (song list, Ojibwe glossary, author’s note)." - Kirkus Reviews
Educator Information
Recommended for ages 10 to 14.
Subjects / Themes: Poverty, Homelessness, Pets, Pet Adoption, Ojibwe.
Includes some Ojibwe words and a glossary.
Additional Information
320 pages | 5.13" x 7.62" | Paperback
Synopsis:
Ezra Cloud hates living in Northeast Minneapolis. His father is a professor of their language, Ojibwe, at a local college, so they have to be there. But Ezra hates the dirty, polluted snow around them. He hates being away from the rez at Nigigoonsiminikaaning First Nation. And he hates the local bully in his neighborhood, Matt Schroeder, who terrorizes Ezra and his friend Nora George.
Ezra gets into a terrible fight with Matt at school defending Nora, and that same night, Matt’s house burns down. Instantly, Ezra becomes a prime suspect. Knowing he won’t get a fair deal, and knowing his innocence, Ezra’s family sends him away to run traplines with his grandfather in a remote part of Canada, while the investigation is ongoing. But the Schroeders are looking for him…
From acclaimed author Anton Treuer comes a novel that’s both taut thriller and a raw, tender coming-of-age story, about one Ojibwe boy learning to love himself through the love of his family around him.
Reviews
“Where Wolves Don't Die will lift you up and not let you down. Anton Treuer knows how to tell a gripping story and the suspense doesn't let up for a single page. Along the way you'll learn about Ojibwe lifeways, languages, sharp jokes, gentle humor, and how to keep romantic love alive from youth to old age. I couldn't put this book down until I'd finished it, and then, I could not forget it.”—Louise Erdrich, Pulitzer Prize winner and owner of Birchbark Books
“I am in awe, crying and smiling at the same time. Where Wolves Don’t Die is a love letter to our Ancestors.”—Angeline Boulley
“Treuer immerses the reader in Ojibwe culture in this suspenseful novel of wilderness survival… An essential illumination of contemporary Indigenous life.”—Booklist
Educator Information
Recommended for ages 12 to 18.
Set in the Canadian wilderness, Where Wolves Don't Die is a thrilling YA coming-of-age novel that has garnered praise from Angeline Boulley, Booklist, and more. A suspenseful adventure tale for teens.
Additional Information
256 pages | 5.50" x 8.25" | Hardcover
Synopsis:
Le thriller événement qui a secoué l'Amérique
Daunis, 18 ans, vit sur la réserve ojibwée de Sault-Sainte-Marie, dans le Michigan. Blanche par sa mère, autochtone par son père, elle n'a jamais vraiment trouvé sa place et rêve d'un nouveau départ à l'université.
Mais un soir de fin d'été, son monde s'écroule. Sa meilleure amie Lily est assassinée sous ses yeux, et Jamie, le nouvel élève du lycée, dont Daunis s'était rapprochée, lui révèle qu'il est agent fédéral sous couverture, chargé d'enquêter sur le trafic d'une nouvelle drogue mortelle. En quête de justice pour son amie, et pour protéger sa communauté, Daunis accepte de devenir informatrice du FBI?: elle plonge ainsi dans le mensonge pour mieux mettre au jour la vérité…
Educator Information
For ages 14+
This book is available in English: Firekeeper's Daughter
Additional Information
496 Pages | Paperback
Synopsis:
A fifty-year-old mystery converges with a present-day struggle over family, land, and history.
When a rock is dislodged from its slope by mischievous ancestors, the past rises to meet the present, and Half-Dime Hill gives up a gruesome secret it has kept for half a century. Some people of Mozhay Point have theories about what happened; others know—and the discovery stirs memories long buried, reviving a terrible story yet to be told.
Returning to the fictional Ojibwe reservation in northern Minnesota she has so deftly mapped in her award-winning books, Linda LeGarde Grover reveals traumas old and new as Margie Robineau, in the midst of a fight to keep her family’s long-held allotment land, uncovers events connected to a long-ago escape plan across the Canadian border, and the burial—at once figurative and painfully real—of not one crime but two. While Margie is piecing the facts together, Dale Ann is confronted by her own long-held secrets and the truth that the long ago and the now, the vital and the departed are all indelibly linked, no matter how much we try to forget.
As the past returns to haunt those involved, Margie prepares her statement for the tribal government, defending her family’s land from a casino development and sorting the truths of Half-Dime Hill from the facts that remain there. Throughout the narrative, a chorus of spirit women gather in lawn chairs with coffee and cookies to reminisce, reflect, and speculate, spinning the threads of family, myth, history, and humor—much as Grover spins another tale of Mozhay Point, weaving together an intimate and complex novel of a place and its people.
Reviews
"A sprawling, poignant chronicle of struggle and survivance."—Kirkus Reviews
"With its powerful, atmospheric descriptions of the natural world, A Song over Miskwaa Rapids resembles an Indigenous family saga in miniature, couching memory and mystery in a potent spirit world."—Foreword Reviews
Additional Information
128 pages | 5.50" x 8.25" | Hardcover
Synopsis:
A New Testament in English by Native North Americans for Native North Americans and All English-Speaking Peoples
Many First Nations tribes communicate with the cultural and linguistic thought patterns found in their original tongues. The First Nations Version (FNV) recounts the Creator's Story—the Christian Scriptures—following the tradition of Native storytellers' oral cultures. This way of speaking, with its simple yet profound beauty and rich cultural idioms, still resonates in the hearts of First Nations people.
The FNV is a dynamic equivalence translation of the New Testament that captures the simplicity, clarity, and beauty of Native storytellers in English, while remaining faithful to the original language of the Bible. The culmination of a rigorous five-year translation process, this new Bible translation is a collaboration between organizations like OneBook and Wycliffe Associates, Indigenous North Americans from over twenty-five different tribes, and a translation council that consisted of twelve Native North American elders, pastors, young adults, and men and women from different tribes and diverse geographic locations. Whether you are Native or not, you will experience the Scriptures in a fresh and new way.
Read these sample passages to get a taste of what you'll find inside:
"The Great Spirit loves this world of human beings so deeply he gave us his Son—the only Son who fully represents him. All who trust in him and his way will not come to a bad end, but will have the life of the world to come that never fades—full of beauty and harmony. Creator did not send his Son to decide against the people of this world, but to set them free from the worthless ways of the world." John 3:16-17
"Love is patient and kind. Love is never jealous. It does not brag or boast. It is not puffed up or big-headed. Love does not act in shameful ways, nor does it care only about itself. It is not hot-headed, nor does it keep track of wrongs done to it. Love is not happy with lies and injustice, but truth makes its heart glad. Love keeps walking even when carrying a heavy load. Love keeps trusting, never loses hope, and stands firm in hard times. The road of love has no end." 1 Corinthians 13:4-8
Reviews
"While Wildman recasts the New Testament in a distinctly Indigenous image, he remains faithful to evangelical interpretations of Christian scripture, typified in the many italicized explanations that appear throughout and are meant to add 'reasonably implied' clarifications and cultural notes, such as explication on ancient festivals like the Pentecost. This remarkable retelling offers plenty of rewards and will especially pique those open to a novel interpretation of the religious text." — Publishers Weekly starred review, August 2021
"Reading the First Nations Version of the New Testament is like listening to a wise elder pass down ancient teachings. Its oral cadences give the Scriptures new room to breathe. While contemporary translations focus on updating language in a modern mode, the FNV recaptures the sense of tradition that binds faithful readers to our past and to the story that tells us who we are. It is a good gift to everyone who walks the Jesus Way." — L. Daniel Hawk, professor of Old Testament and Hebrew at Ashland Theological Seminary
"From the beginning, the story of Jesus has been a translated story. Jesus spoke in Aramaic, but Matthew, Mark, Luke, and John wrote their Gospels in Greek. The story of Jesus is intended to be translated to every tribe, tongue, people, and nation. That translation is intended, not just permitted, serves to show how we must resist any cultural domination of the gospel. Terry Wildman has done a masterful job of rendering the New Testament into the storytelling motif characteristic of Native Americans. It should tell us something important when we realize how beautifully the story of Jesus can be adapted to the style and vocabulary of indigenous people. I deeply appreciate Terry Wildman's retelling of the story of Jesus for First Nations people. I believe the Great Spirit is pleased." — Brian Zahnd, pastor of Word of Life Church in St. Joseph, Missouri, and author of Beauty Will Save the World
"I've often wondered what it might look like if Jesus incarnated within another culture. Jesus, a first-century Jewish teacher in a corner of Rome's empire, lived, died, and rose as a human being within a specific time and place. What I love about the First Nations Version is how it translates this gospel story into a language of another context: First Nations! So get swept away into the story of the Great Spirit as he invites us to the blessing way of the good road. Read this beautiful retelling of the Scriptures that is not only beneficial for First Nations communities but for all who desire to allow the Great Spirit to transform their imaginations!" — Kurt Willems, pastor and auth
Educator Information
The First Nations Version (FNV) Translation Council consists of twelve First Nations individuals representing a cross-section of Native North Americans—elders, pastors, young adults, and men and women from differing tribes and diverse geographic locations. This council also represents a diversity of church and denominational traditions to minimize bias. The council determined the style and method of translation to be used and continues to be involved in ongoing translation, review, and cultural consultation. The FNV is a dynamic equivalence translation produced in partnership with Rain Ministries and OneBook Canada, with help from Wycliffe Associates.
AdditionalInformation
512 pages | 6.00" x 9.00" | Paperback
Synopsis:
A bold, clever, and sublimely sinister collection that dares to ask the question: “Are you ready to be un-settled?” Featuring stories by:
Norris Black • Amber Blaeser-Wardzala • Phoenix Boudreau • Cherie Dimaline • Carson Faust • Kelli Jo Ford • Kate Hart • Shane Hawk • Brandon Hobson • Darcie Little Badger • Conley Lyons • Nick Medina • Tiffany Morris • Tommy Orange • Mona Susan Power • Marcie R. Rendon • Waubgeshig Rice • Rebecca Roanhorse • Andrea L. Rogers • Morgan Talty • D.H. Trujillo • Theodore C. Van Alst Jr. • Richard Van Camp • David Heska Wanbli Weiden • Royce Young Wolf • Mathilda Zeller
Many Indigenous people believe that one should never whistle at night. This belief takes many forms: for instance, Native Hawaiians believe it summons the Hukai’po, the spirits of ancient warriors, and Native Mexicans say it calls Lechuza, a witch that can transform into an owl. But what all these legends hold in common is the certainty that whistling at night can cause evil spirits to appear—and even follow you home.
These wholly original and shiver-inducing tales introduce readers to ghosts, curses, hauntings, monstrous creatures, complex family legacies, desperate deeds, and chilling acts of revenge. Introduced and contextualized by bestselling author Stephen Graham Jones, these stories are a celebration of Indigenous peoples’ survival and imagination, and a glorious reveling in all the things an ill-advised whistle might summon.
Reviews
“All combined, these powerful pages use fantastical elements to create very human characters who suffer very real horrors, like oppression, poverty, abuse, mental illness and the erasure of long-existing cultures and traditions. This volume is a must for any library collection and will be devoured by speculative fiction fans who enjoy a sprinkle of social commentary within their scary books.” —Booklist
“Never Whistle at Night is all I’ve ever wanted in an Indigenous horror anthology. From doubles, to Empty People, to story theft, to zombies, this anthology explores the horror that lives in colonial violence, generational love and trauma, and our everyday lives. It’s a joy to see such a diverse representation of experience, background, and style in this carefully curated and terrifying collection.”—Jessica Johns, author of Bad Cree
“Story to story, Never Whistle at Night never failed to surprise, delight, and shock me. I’m a big fan of stories that make you feel like you’re standing at the edge of a cliff with a stranger’s fingers on the tip of your spine—and this anthology has that ungoverned, go-for-broke aesthetic that I love.”—Nick Cutter, author of Little Heaven
“An extensive collection of Indigenous stories ranging from the humorous to the terrifying, this anthology is a must-read for everyone. Your new favorite author is absolutely in this book.”—Amina Akhtar, author of Kismet
“Melodious, haunting, and visceral, Never Whistle at Night enchants from the very start with fiery confidence and merciless ghosts. These are stories that dig their fingers inside you and carve something truly special. An absolute must-read.”—Hailey Piper, Bram Stoker Award-winning author of Queen of Teeth
"Can you draw power from the spirit of a story? If the twenty-six tales in the essential Never Whistle at Night anthology are any indication, the answer is an emphatic yes. The title itself provides its own warning, but I'll go one step further: Never read this collection of spine-chilling stories alone at night. You just might not make it to morning."—Clay McLeod Chapman, author of Ghost Eaters
Additional Information
416 pages | 5.19" x 8.00" | Paperback
Synopsis:
In this final book of the hi-lo Sydney's Journey series, Sydney has at last come to terms with the anguish of being a bully and being bullied herself. But when her boyfriend reveals that he is looking forward to going away to college, another issue arises: Sydney finds herself dealing with deep separation anxiety. She believes he is deserting her--just like her father did. Sydney retreats into herself and pushes her boyfriend and others away. When her best friend points out that her response is not healthy, Sydney decides to attend a Native women's sharing circle with her mother. Here Sydney realizes that the quiet storm troubling her heart can finally be healed.
Reviews
"A well-grounded reluctant reader title exploring the power of relationships." - Kirkus Reviews
Educator & Series Information
The publisher recommends this book for ages 12 to 18.
This book is part of the PathFinders Collection of Indigenous Hi-Lo- novels. Interest level is pre-teen on up.
The PathFinders series of Hi-Lo (high interest, low readability) novels offers the following features:
• Indigenous teen protagonists
• Age-appropriate plots
• 2.5 – 4.5 Reading Level
• Contemporary and historical fiction
• Indigenous authors
The PathFinders series is from an American publisher. Therefore, Indigenous terminology in the PathFinders books is not the same as Canadian Indigenous terminology. This prompts a useful teaching moment for educators in discussing appropriate terminology use in Canada.
This book is Book 3 in the Sydney's Journey series.
Additional Information
110 pages | 4.70" x 7.20" | Paperback
Synopsis:
Set in 1970s Minnesota on the White Earth Reservation, Pinckley Prize–winner Marcie R. Rendon’s gripping new mystery follows Cash Blackbear, a young Ojibwe woman, as she attempts to discover the truth about the disappearances of Native girls and their newborns.
A snowmelt has sent floodwaters down to the fields of the Red River Valley, dragging the body of an unidentified Native woman into the town of Ada. The only evidence the medical examiner recovers is a torn piece of paper inside her bra: a hymn written in English and Ojibwe.
Cash Blackbear, a 19-year-old, tough-as-nails Ojibwe woman, sometimes uses her special abilities to help Sheriff Wheaton, her guardian, with his investigations. When Cash sees the hymn, she knows her search for justice for this anonymous victim will lead her somewhere she hasn’t been in over a decade: the White Earth Reservation, a place she once called home.
When Cash happens upon two small graves in the yard of a rural, “speak-in-tongues kinda church,” she is pulled into the lives of the pastor and his wife while yet another Native woman turns up dead and her newborn is nowhere to be found.
Reviews
“Marcie Rendon is writing an addictive and authentically Native crime series propelled by the irresistible Cash Blackbear—a warm, sad, sharp, funny and intuitive young Ojibwe woman. I want a shelf of Cash Blackbear novels! To my delight I have a feeling that Rendon is only getting started.”—Louise Erdrich, author of the Pulitzer Prize-winning novel The Night Watchman
Series Information
This is the third book in the Cash Blackbear Mystery series from author Marcie Rendon.
Additional Information
240 pages | 5.50" x 8.23" | Paperback
Synopsis:
In this first-ever anthology of Indigenous science fiction, Grace Dillon collects some of the finest examples of the craft with contributions by Native American, Canadian First Nations, Aboriginal Australian, and New Zealand Maori authors. The collection includes seminal authors such as Gerald Vizenor and Eden Robinson, historically important contributions often categorized as “magical realism” by authors like Leslie Marmon Silko and Sherman Alexie, and authors more recognizable to science fiction fans like William Sanders and Stephen Graham Jones. Dillon’s engaging introduction situates the pieces in the larger context of science fiction and its conventions.
Additional Information
272 pages | 6.00" x 9.00"
Synopsis:
Yesterday's Rain is the second book in the Sydney's Journey Series. Sydney is still working through her guilt over being a bully at her previous school on the White Earth Reservation. When she accidently takes a punch in the face that was aimed at her gay friend, everyone expects her to fight back, but her response is totally unexpected. Bullies can change, as Sydney proves at her new school. Can Sydney help her best friend heal an old friendship by demonstrating forgiveness?
Educator & Series Information
Recommended for grades 7 to 9.
Fry Reading Level: 4
This book is part of the PathFinders Collection of Indigenous Hi-Lo- novels. Interest level is pre-teen on up.
The PathFinders series of Hi-Lo (high interest, low readability) novels offers the following features:
• Indigenous teen protagonists
• Age-appropriate plots
• 2.5 – 4.5 Reading Level
• Contemporary and historical fiction
• Indigenous authors
The PathFinders series is from an American publisher. Therefore, Indigenous terminology in the PathFinders books is not the same as Canadian Indigenous terminology. This prompts a useful teaching moment for educators in discussing appropriate terminology use in Canada.
This book is Book 2 in the Sydney's Journey series.
Additional Information
118 pages | 4.50" x 6.75" | Paperback
Synopsis:
Saints of the Household is a haunting contemporary YA about an act of violence in a small-town--beautifully told by a debut Indigenous Costa Rican-American writer--that will take your breath away.
Max and Jay have always depended on one another for their survival. Growing up with a physically abusive father, the two Bribri American brothers have learned that the only way to protect themselves and their mother is to stick to a schedule and keep their heads down.
But when they hear a classmate in trouble in the woods, instinct takes over and they intervene, breaking up a fight and beating their high school's star soccer player to a pulp. This act of violence threatens the brothers' dreams for the future and their beliefs about who they are. As the true details of that fateful afternoon unfold over the course of the novel, Max and Jay grapple with the weight of their actions, their shifting relationship as brothers, and the realization that they may be more like their father than they thought. They'll have to reach back to their Bribri roots to find their way forward.
Told in alternating points of view using vignettes and poems, debut author Ari Tison crafts an emotional, slow-burning drama about brotherhood, abuse, recovery, and doing the right thing.
Reviews
"In this striking, assured debut exhibiting a measured pace and delicate writing, Tison (Bribri) probes the ties of adolescent brotherhood and ways the effects of violence can stall self-directed growth... Remarkably compelling." —Kirkus Reviews, starred review
"Tison’s writing is staggering... Structurally and substantively, this book is an elegiac triumph that puts the human heart in the reader’s hands." —The Bulletin of the Center for Children's Books, starred review
"A heartrending, contemporary debut novel about the repercussions of trauma and the healing power of family and art. ... Violence can be inherited but so can love and forgiveness. This vulnerable and magnetic tale of brotherhood belongs on every shelf." —School Library Journal, starred review
"The story itself is a quiet, soulful exploration of how young men process the often-stark realities they live in. The character notes are subtle and nuanced." —Booklist
Educator Information
Recommended for ages 14 to 18.
Like the boys in the story, author Ari Tison is also Bribri and has included her. culture's traditional lore in the manuscript. She has also included Ojibwe characters, as the story is set in Minnesota.
Keywords / Themes: Contemporary YA Novel, Violence, Brothers, Indigenous Costa Rican, Bribri, Ojibwe, Drama, Abuse, Family, Family Dysfunction, First Love, Doing the Right Thing.
Additional Information
320 pages | 5.37" x 8.25" | Hardcover
Synopsis:
In an era in which "resistance" has become tokenized, popular Indigenous author Kaitlin Curtice reclaims it as a basic human calling. Resistance is for every human who longs to see their neighbors' holistic flourishing. We each have a role to play in the world right where we are, and our everyday acts of resistance hold us all together.
Curtice shows that we can learn to practice embodied ways of belonging and connection to ourselves and one another through everyday practices, such as getting more in touch with our bodies, resting, and remembering our ancestors. She explores four "realms of resistance"--the personal, the communal, the ancestral, and the integral--and shows how these realms overlap and why all are needed for our liberation. Readers will be empowered to seek wholeness in whatever spheres of influence they inhabit.
Reviews
"Readers will find abundant wisdom in this accessible guide."--Publishers Weekly
"Curtice is a fresh and intelligent voice."--Library Journal
Educator Information
Table of Contents
Introduction
Part 1: The Personal Realm
1. What Is Resistance?
2. Art as Resistance
3. Presence as Resistance
4. Embodiment as Resistance
5. Radical Self-Love as Resistance
Part 2: The Communal Realm
6. Childcare as Resistance
7. Ethical Practices as Resistance
8. Solidarity Work as Resistance
9. Protecting the Land as Resistance
10. Kinship as Resistance
Part 3: The Ancestral Realm
11. Decolonizing as Resistance
12. Generosity as Resistance
13. Intergenerational Healing as Resistance
14. Liminality as Resistance
15. Facing History as Resistance
Part 4: The Integral Realm
16. Integration as Resistance
17. Interspiritual Relationship as Resistance
18. Prayer as Resistance
19. Dreaming as Resistance
20. Lifelong Resistance
Includes Acknowledgements, Notes, and an Author Bio at the end of the work.
Additional Information
208 pages | 5.50" x 8.50" | Hardcover
Synopsis:
Hopeful, irreverent, and deeply moving, Winona LaDuke’s Last Standing Woman chronicles the stories and struggles of an Anishinaabe community across seven generations.
Born at the turn of the 21st century, The Storyteller, also known as Ishkwegaabawiikwe (Last Standing Woman), carries her people’s past within her memories. The White Earth Anishinaabe people have lived on the same land since time immemorial. Among the towering white pines and rolling hills, each generation is born, lives out their lives, and is buried.
The arrival of European missionaries changes the community forever. Piece by piece, government policies rob the people of their land. Missionaries and Indian agents work to outlaw ceremonies the Anishinaabeg have practised for centuries. Grave-robbing anthropologists dig up ancestors and whisk them away to museums as artifacts. Logging operations destroy traditional sources of food, pushing the White Earth people to the brink of starvation.
Battling addiction, violence, and corruption, each member of White Earth must find their own path of resistance as they struggle to reclaim stewardship of their land, bring their ancestors home, and stay connected to their culture and to each other.
In this highly anticipated 25th anniversary edition of her debut novel, Winona LaDuke weaves a nonlinear narrative of struggle and triumph, resistance and resilience, spanning seven generations from the 1800s to the early 2000s.
Reviews
"Humor and compassion are ever present, and at its best, Last Standing Woman is a dignified and powerful retelling of one reservation's struggle for survival."— Booklist, quote from review of previous edition
"Rooted in LaDuke's own Anishinaabe heritage, the novel skillfully intertwines social history, oral myth and character study in ways reminiscent of Leslie Marmon Silko and Louise Erdrich." — Publishers Weekly, quote from review of previous edition
"LaDuke's characters are as vital and fully realized as any in a Louise Erdrich novel...Recommended for both public and academic libraries." — Library Journal, quote from review of previous edition
"The Anishinaabe culture leaps off the page and you can practically smell the fry bread cooking on the stove and hear the drums beating in the distance."— Book Snob, quote from review of previous edition
Additional Information
360 pages | 5.50" x 8.50" | Paperback | 25th Anniversary Edition
Synopsis:
#1 New York Times bestselling author of Firekeeper's Daughter Angeline Boulley takes us back to Sugar Island in this high-stakes thriller about the power of discovering your stolen history.
Perry Firekeeper-Birch has always known who she is - the laidback twin, the troublemaker, the best fisher on Sugar Island. Her aspirations won't ever take her far from home, and she wouldn't have it any other way. But as the rising number of missing Indigenous women starts circling closer to home, as her family becomes embroiled in a high-profile murder investigation, and as greedy grave robbers seek to profit off of what belongs to her Anishinaabe tribe, Perry begins to question everything.
In order to reclaim this inheritance for her people, Perry has no choice but to take matters into her own hands. She can only count on her friends and allies, including her overachieving twin and a charming new boy in town with unwavering morals. Old rivalries, sister secrets, and botched heists cannot - will not - stop her from uncovering the mystery before the ancestors and missing women are lost forever.
Sometimes, the truth shouldn't stay buried.
Educator Information
Recommended for ages 14 to 18.
Warrior Girl Unearthed is set in the same community as Firekeeper's Daughter and includes many of the same characters.
Additional Information
400 pages | 6.00" x 9.00" | Hardcover
Synopsis:
1970s, Red River Valley between North Dakota and Minnesota: Renee “Cash” Blackbear is 19 years old and tough as nails. She lives in Fargo, North Dakota, where she drives truck for local farmers, drinks beer, plays pool, and helps solve criminal investigations through the power of her visions. She has one friend, Sheriff Wheaton, her guardian, who helped her out of the broken foster care system.
One Saturday morning, Sheriff Wheaton is called to investigate a pile of rags in a field and finds the body of an Indian man. When Cash dreams about the dead man’s weathered house on the Red Lake Reservation, she knows that’s the place to start looking for answers. Together, Cash and Wheaton work to solve a murder that stretches across cultures in a rural community traumatized by racism, genocide, and oppression.
Reviews
“More of a coming of age story than a mystery … the spare prose-poetry of her descriptions and dialogue is a lot more interesting than anything she has to say about crime or detection.”—Kirkus Reviews
“An appealing 19-year-old heroine, Renee 'Cash' Blackbear, lifts [Marcie] Rendon’s first mystery.”—Publishers Weekly
“[Rendon] is one heck of a mystery novelist. Rendon’s Cash Blackbear books are gripping vehicles that tell broader stories about the historical persecution of American Indians.”—Oprah Daily
Series Information
This is the first book in the Cash Blackbear Mystery series from author Marcie Rendon.
Additional Information
320 pages | 5.52" x 8.22" | Paperback
Synopsis:
In this revolutionary self-help guide, two beloved Native American wellness activists offer wisdom for achieving spiritual, physical, and emotional wellbeing rooted in Indigenous ancestral knowledge.
When wellness teachers and husband-wife duo Chelsey Luger and Thosh Collins founded their Indigenous wellness initiative, Well for Culture, they extended an invitation to all to honor their whole self through Native wellness philosophies and practices. In reclaiming this ancient wisdom for health and wellbeing—drawing from traditions spanning multiple tribes—they developed the Seven Circles, a holistic model for modern living rooted in timeless teachings from their ancestors. Luger and Collins have introduced this universally adaptable template for living well to Ivy league universities and corporations like Nike, Adidas, and Google, and now make it available to everyone in this wise guide.
The Seven Circles model comprises interconnected circles that keep all aspects of our lives in balance, functioning in harmony with one another. They are:
- Food
- Movement
- Sleep
- Ceremony
- Sacred Space
- Land
- Community
In The Seven Circles, Luger and Collins share intimate stories from their life journeys growing up in tribal communities, from the Indigenous tradition of staying active and spiritually centered through running and dance, to the universal Indigenous emphasis on a light-filled, minimalist home to create sacred space. Along the way, Luger and Collins invite readers to both adapt these teachings to their lives as well as do so without appropriating and erasing the original context, representing a critical new ethos for the wellness space. Each chapter closes with practical advice on how to engage with the teachings, as well as wisdom for keeping that particular circle in harmony with the others.
With warmth and generosity—and 75 atmospheric photographs by Collins throughout—The Seven Circles teaches us how to connect with nature, with our community, and with ourselves, and to integrate ancient Indigenous philosophies of health and wellbeing into our own lives to find healing and balance.
Reviews
“A life-changing holistic guide to wellness rooted in empowerment, resiliency, and ‘good medicine.’ This book is for any human being searching for wellness solutions in a chaotic world, a true antidote to colonization.” — Vina Brown, Indigenous Scholar, Entrepreneur, Artist, and Professor of Indigenous Studies at Northwest Indian College
“The Seven Circles is a true innovation in Indigenous thought; it brings our shared heritage and traditional teachings to life. Truly inspiring. Readers will find their journey to be a motivating guide for self-transformation.” — Taiaiake Alfred, Mohawk Philosopher
“While the term ‘wellness’ has been co-opted and diluted by (primarily white) social media influencers in recent years, Luger and Collins are recentering the conversation around how to use Indigenous cultural values, foods, and modalities of movement as tools for spiritual, mental, physical, and emotional healing.” — Vanity Fair
“[Two of the] faces in the health and wellness scene that are pushing for inclusivity, justice, and kindness, toppling old conventions to make their own…Luger and Collins rewrite modern narratives regarding Native health while addressing complex histories and ongoing disparities.” — Outside magazine
“Spellbinding. This may be the first book I’ve ever read that made me stop and decide, “I’m making this change now!” Seven Circles opened my eyes to a way of life that is tested by time, guided by nature, and urgently needed today." — Christopher McDougall, author of Born to Run, Natural Born Heroes, and Running with Sherman
“Wisdom abounds in this stimulating offering.” — Publishers Weekly
“Luger and Collins provide a range of sensible, informed, accessible guidance for both small- and large-scale lifestyle changes. An appealing manual for healing the self through Indigenous traditions.” — Kirkus Reviews
Additional Information
256 pages | 7.00" x 9.00" | 75 Colour Photos | Hardcover
Synopsis:
In this unusual and forceful novel, Pulitzer Prize and National Book Award–winning author Louise Erdrich creates a wickedly funny ghost story, a tale of passion, of a complex marriage, and of a woman's relentless errors.
The Sentence asks what we owe to the living, the dead, to the reader and to the book. A small independent bookstore in Minneapolis is haunted from November 2019 to November 2020 by the store's most annoying customer. Flora dies on All Soul's Day, but she simply won't leave the store. Tookie, who has landed a job selling books after years of incarceration that she survived by reading "with murderous attention," must solve the mystery of this haunting while at the same time trying to understand all that occurs in Minneapolis during a year of grief, astonishment, isolation, and furious reckoning.
The Sentence begins on All Soul’s Day 2019 and ends on All Soul’s Day 2020. Its mystery and proliferating ghost stories during this one year propel a narrative as rich, emotional, and profound as anything Louise Erdrich has written.
Additional Information
400 pages | 5.31" x 8.00" | Paperback
Synopsis:
After a school year of dealing with personal issues, Autumn Dawn is happy that summer is finally here. Autumn plans on visiting her aunt Jessie in Minneapolis before heading back home for the class she needs to attend in order to pass to the next grade.
On the first day of class, Autumn finds herself face-to-face with Sydney, the bully who thinks it is fun to pick on her. What could be worse than that? They are paired together and will be tutoring each other!
Between dealing with Sydney and trying not to notice the new guy in school, who has definitely noticed her, Autumn struggles to accept and embrace the fresh challenges she faces as she learns to believe in herself.
Educator & Series Information
Recommended for ages 12+.
Fry Reading Level: 4
This book is part of the PathFinders series. The PathFinders series of Hi-Lo (high interest, low readability) novels offers the following features:
• Indigenous teen protagonists
• Age-appropriate plots
• 2.5 – 4.5 Reading Level
• Contemporary and historical fiction
• Indigenous authors
The PathFinders series is from an American publisher. Therefore, Indigenous terminology in the PathFinders books is not the same as Canadian Indigenous terminology. This prompts a useful teaching moment for educators in discussing appropriate terminology use in Canada.
This book is part of the Autumn Dawn Series, a subseries of the PathFinders series.
Additional Information
120 pages | 4.50" x 7.00" | Paperback
Synopsis:
Autumn Dawn has learned to deal with her dyslexia and her life is starting to look better, but a horrible accident threatens to change everything. When her mother and brother are crossing a street, they are accidentally hit by a car. Autumn's little brother is okay, but her mother ends up in intensive care. Autumn's father, who had walked away from his family awhile ago, leaving them to fend for themselves, is now back in their lives and trying to make amends. When Autumn's mom is released from the hospital, she still needs help, so Autumn's dad moves back home.
Can Autumn ever forgive her father for leaving his family in the first place, or will she continue to be angry and resentful? Is it possible to trust any male, including her devoted boyfriend?
Educator & Series Information
Recommended for ages 12+.
Fry Reading Level: 4.5
This book is part of the PathFinders Collection of Indigenous Hi-Lo- novels. Interest level is pre-teen on up.
The PathFinders series of Hi-Lo (high interest, low readability) novels offers the following features:
• Indigenous teen protagonists
• Age-appropriate plots
• 2.5 – 4.5 Reading Level
• Contemporary and historical fiction
• Indigenous authors
The PathFinders series is from an American publisher. Therefore, Indigenous terminology in the PathFinders books is not the same as Canadian Indigenous terminology. This prompts a useful teaching moment for educators in discussing appropriate terminology use in Canada.
This book is also part of the Autumn Dawn Series, a subseries of the PathFinders.
Additional Information
120 pages | 4.50" x 7.00" | Paperback
Synopsis:
Drawing from her experiences as an Indigenous scientist, botanist Robin Wall Kimmerer demonstrated how all living things—from strawberries and witch hazel to water lilies and lichen—provide us with gifts and lessons every day in her best-selling book Braiding Sweetgrass. Adapted for young adults by Monique Gray Smith, this new edition reinforces how wider ecological understanding stems from listening to the earth’s oldest teachers: the plants around us. With informative sidebars, reflection questions, and art from illustrator Nicole Neidhardt, Braiding Sweetgrass for Young Adults brings Indigenous wisdom, scientific knowledge, and the lessons of plant life to a new generation.
Awards
- 2022 Publishers Weekly Best Book of the Year winner
- 2023 NSTA/CBC Outstanding Science Trade Books for Students K-12 winner
- 2023 Nautilus Book Awards winner
- 2023 The Canadian Children's Book Centre Best Books for Kids and Teens winner
- 2022 Kirkus Best Teen Books of the Year winner
- 2023 NSTA/CBC Outstanding Science Trade Books for Students K-12 winner
- 2023 Riverby Award winner
- 2024 Texas Topaz Nonfiction Reading List winner
Reviews
"Braiding Sweetgrass for Young Adults is my new favorite book! What a great way for young people (and anyone, really) to learn about our healing medicines. So many teachings within the pages. I love the mix of photos, illustrations, and text boxes filled with reflective questions and translations. I will be purchasing boxes of this incredible book to share with loved ones! Chii miigwech!"—Angeline Boulley, #1 NYT Bestselling author of Firekeeper's Daughter
Educator Information
Recommended for ages 12 to 18.
“The themes that are interwoven throughout Braiding Sweetgrass align beautifully with both middle school and high school curriculum around social and emotional learning and environmental science. This new edition will help affirm the identities and beliefs of Indigenous teens while also introducing non-Indigenous teens to Indigenous teachings and ways of understanding the natural world.” - Shaina Olmanson, Editorial Director for Young Adult Nonfiction at Lerner Publishing Group
Additional Information
304 pages | 5.50" x 8.25" | Paperback
Synopsis:
Living at the limits of our ordinary perception, mosses are a common but largely unnoticed element of the natural world. Gathering Moss is a beautifully written mix of science and personal reflection that invites readers to explore and learn from the elegantly simple lives of mosses.
In this series of linked personal essays, Robin Wall Kimmerer leads general readers and scientists alike to an understanding of how mosses live and how their lives are intertwined with the lives of countless other beings. Kimmerer explains the biology of mosses clearly and artfully, while at the same time reflecting on what these fascinating organisms have to teach us.
Drawing on her diverse experiences as a scientist, mother, teacher, and writer of Native American heritage, Kimmerer explains the stories of mosses in scientific terms as well as in the framework of indigenous ways of knowing. In her book, the natural history and cultural relationships of mosses become a powerful metaphor for ways of living in the world.
Reviews
"Robin Kimmerer . . . has written as good a book as you will find on a natural history subject. You will want to go outside and get on your knees with a hand lens and begin to probe this Lilliputian world she describes so beautifully." — Seattle Times
"It takes a certain kind of courage and passion to write an entire book on mosses . . . Kimmerer admirably rises to the challenge in her first book, Gathering Moss, opening up a world of rich surprises in the process. What we learn about mosses is breathtaking." — Orion
"An interesting account, both personal and exact, of an area of the vegetable kingdom that I often do not even notice . . . [a] passionate emphasis on something often most successfully appreciated by viewing through a microscope." — Jamaica Kincaid, The New York Times Book Review
"Bryologist Robin Wall Kimmerer may well be the next Annie Dillard. She is a wonderful wordsmith as well as a scientist, teacher, mother, and daughter of the Potawatomi tribe. Kimmerer brings all these levels of perception to the miniature landscapes she describes in this collection of essays." — The Olympian
Additional Information
176 pages | 6.25" x 9.00" | Line Drawings, Index | Paperback
Synopsis:
A middle-grade novel by James Bird about a boy sent to his Ojibwe family to straighten out his life.
Benjamin Waterfalls comes from a broken home, and the quickest fix he’s found for his life is to fill that emptiness with stuff he steals and then sells. But he’s been caught one too many times, and when he appears before a tough judge, his mother proposes sending him to “boot camp” at the Ojibwe reservation where they used to live.
Soon he is on his way to Grand Portage, Minnesota, to live with his father – the man Benny hasn’t seen in years. Not only is “boot camp” not what he expects, but his rehabilitation seems to be in the hands of the tribal leader’s daughter, who wears a mask. Why? Finding the answer to this and so many other questions prove tougher than any military-style boot camp. Will answers be enough for Benny to turn his life around and embrace his second chance?
Reviews
"Bird's strengths include his multidimensional characters (each of whom has flaws that they struggle to overcome) as well as the vivid descriptions of Grand Portage, Minnesota, home of the Gitchi Onigaming Ojibwe. Of equal importance is the more understated message that Indigenous ways of knowing and approaches to problems can be extremely effective, despite the dominant culture's insistence on discounting them. ... Benny's progress is heartening and sure to encourage readers."— Booklist
Educator Information
Recommended for ages 10 to 14.
Additional Information
288 pages | 5.37" x 8.25" | Hardcover
Synopsis:
Sydney never thought she would be the new girl at school, but when she moves to Minneapolis, everything changes. At her old school on the reservation, almost all the kids were Native, and she was a tough bully. Now, at her new school, which has only a few Native kids, she wonders if she will fit in.
Sydney is a teenage girl who has always gone to a school with other Native students on her reservation. She has friends who support her when she bullies a fellow student, but life takes an unexpected turn when her mother moves the family to Minneapolis so she can take a new job. Her mother is excited about the move, but Sydney feels just the opposite. She does not want to become an urban Indian, and she especially does not want to leave her friends.
On the first day of school, Sydney tries to fit in, but it doesn’t take her long to realize that her Native looks make her stand out like a sore thumb. After Sydney accidentally bumps into a classmate in the hall, she becomes the target of bullying. Although she was used to being a bully, the tables are now turned.
When her life becomes almost unbearable, Sydney is approached by a boy in the lunchroom, who asks if he can join her. Not knowing what to think, she agrees, and the chance encounter initiates a close friendship. Her new friend, Finn, who is gay, is also a target of bullying. Sydney’s experience with being bullied, and seeing her friend bullied as well, makes her feel bad about herself and regret who she used to be. She realizes she must make amends with the girl she had bullied at her old school before she can feel better about herself and begin the journey to self-forgiveness.
Reviews
“Sigafus (Ojibwa) has written a brief and accessible novel that will engage readers and help them understand that we all make mistakes…. A compassionate story for reluctant readers.”— Kirkus Reviews
Educator & Series Information
Recommended for grades 7 to 9.
Fry Reading Level: 4
This book is part of the PathFinders Collection of Indigenous Hi-Lo- novels. Interest level is pre-teen on up.
The PathFinders series of Hi-Lo (high interest, low readability) novels offers the following features:
• Indigenous teen protagonists
• Age-appropriate plots
• 2.5 – 4.5 Reading Level
• Contemporary and historical fiction
• Indigenous authors
The PathFinders series is from an American publisher. Therefore, Indigenous terminology in the PathFinders books is not the same as Canadian Indigenous terminology. This prompts a useful teaching moment for educators in discussing appropriate terminology use in Canada.
This book is Book 1 in the Sydney's Journey series.
The story examines the effects of bullying on teens, which continues to be a huge social problem.
Additional Information
118 pages | 4.50" x 7.00" | Paperback
Synopsis:
Marcie R. Rendon’s follow-up to Murder on the Red River finds Cash helping Sheriff Wheaton solve a murder that has likeness to the cases of missing and murdered Native women.
Cash is off to a local college with the help of Wheaton, who wants her to take hold of her life and aspire to better things. At Moorhead State she sees that people talk a lot but mostly about nothing, not like the men in the fields she’s known all her life, who hold the rich topsoil in their hands, talk fertilizer and weather and prices on the Grain Exchange.
In between classes and hauling beets, drinking beer and shooting pool, she begins to dream of the Cities and blonde Scandinavian girls calling for help.
Reviews
"Rendon is a natural storyteller and a consummate writer, and we’re indebted to Cinco Puntos Press in El Paso for bringing the unforgettable Cash Blackbear to life. There isn’t a protagonist in recent fiction with the bearing of Rendon’s creation, and we’re the better for knowing her."—Jeffrey Mannix
"I won’t recount the terror, the drama, and the bravery of what follows. You can read the book yourself. The ending, I’ll just say, is deeply satisfying. Rendon has been working for years in the prisons with women who are incarcerated for prostitution, soliciting, and other offenses. Teaching them to tell their stories and access their inner writing voice. She’s able to convey the savagery of the system, what it does to women and their families, how deeply it is connected to poverty, and how it reaches into white rural and suburban areas as well as communities of color." —Ann Markusen, Grand Rapids Herald-Review
"Darn that Marcie Rendon but she did it again. She wrote another book featuring Renee “Cash” Blackbear which invariably led to non-stop, compulsive reading and thoughts about the 19-year-old protagonist...This is a good book. If you read it, block out uninterrupted time. It’s hard to put down."—Deborah Locke,The Circle News: Native American News and Arts
"The vivid writing and keen eye keep the pages turning and readers hoping for another book in this series."—Wendy J. Fox, Buzzfeed
"Rendon's refreshing sequel to 2017's Murder on the Red River...When [Cash] hears about a missing coed, she contacts [Sheriff] Wheaton. Since they previously worked together successfully on a murder, Wheaton trusts Cash’s sharp instincts and asks for her help in solving the case...Rendon, herself a member of the White Earth Anishinabe Nation, highlights the plight of Native Americans who were forcibly adopted by whites and Cash’s discomfort in a land that is and is not hers. Readers will look forward to Cash’s next outing."—Publishers Weekly
"In her second outing, Cash Blackbear goes off to college and finds herself embroiled in the mystery of a missing classmate. 'I'm not used to folks treating me like I'm stupid,' says Cash. But Moorhead State is another world, one slow to disclose the secrets of its initiated."—Kirkus Reviews
Series Information
This is the second book in the Cash Blackbear Mystery series from author Marcie Rendon.
Additional Information
336 pages | 5.51" x 8.26" | Paperback
Synopsis:
We live in an astounding world of relations. We share these ties that bind with our fellow humans—and we share these relations with nonhuman beings as well. From the bacterium swimming in your belly to the trees exhaling the breath you breathe, this community of life is our kin—and, for many cultures around the world, being human is based upon this extended sense of kinship.
Kinship: Belonging in a World of Relations is a lively series that explores our deep interconnections with the living world. These five Kinship volumes—Planet, Place, Partners, Persons, Practice—offer essays, interviews, poetry, and stories of solidarity, highlighting the interdependence that exists between humans and nonhuman beings. More than 70 contributors—including Robin Wall Kimmerer, Richard Powers, David Abram, J. Drew Lanham, and Sharon Blackie—invite readers into cosmologies, narratives, and everyday interactions that embrace a more-than-human world as worthy of our response and responsibility. These diverse voices render a wide range of possibilities for becoming better kin.
From the perspective of kinship as a recognition of nonhuman personhood, of kincentric ethics, and of kinship as a verb involving active and ongoing participation, how are we to live? “Practice,” Volume 5 of the Kinship series, turns to the relations that we nurture and cultivate as part of our lived ethics. The essayists and poets in this volume explore how we make kin and strengthen kin relationships through respectful participation—from creative writer and dance teacher Maya Ward’s weave of landscape, story, song, and body, to Lakota peace activist Tiokasin Ghosthorse’s reflections on language as a key way of knowing and practicing kinship, to cultural geographer Amba Sepie’s wrestling with how to become kin when ancestral connections have frayed. The volume concludes with an amazing and spirited conversation between John Hausdoerffer, Robin Wall Kimmerer, Sharon Blackie, Enrique Salmon, Orrin Williams, and Maria Isabel Morales on the breadth and qualities of kinship practices.
Proceeds from sales of Kinship benefit the nonprofit, non-partisan Center for Humans and Nature, which partners with some of the brightest minds to explore human responsibilities to each other and the more-than-human world. The Center brings together philosophers, ecologists, artists, political scientists, anthropologists, poets and economists, among others, to think creatively about a resilient future for the whole community of life.
Contributors are both Indigenous and non-Indigenous.
Additional Information
194 pages | 5.27" x 7.75" | Paperback
Synopsis:
We live in an astounding world of relations. We share these ties that bind with our fellow humans—and we share these relations with nonhuman beings as well. From the bacterium swimming in your belly to the trees exhaling the breath you breathe, this community of life is our kin—and, for many cultures around the world, being human is based upon this extended sense of kinship.
Kinship: Belonging in a World of Relations is a lively series that explores our deep interconnections with the living world. The five Kinship volumes—Planet, Place, Partners, Persons, Practice—offer essays, interviews, poetry, and stories of solidarity, highlighting the interdependence that exists between humans and nonhuman beings. More than 70 contributors—including Robin Wall Kimmerer, Richard Powers, David Abram, J. Drew Lanham, and Sharon Blackie—invite readers into cosmologies, narratives, and everyday interactions that embrace a more-than-human world as worthy of our response and responsibility.
Kinship spans the cosmos, but it is perhaps most life-changing when experienced directly and personally. “Persons,” Volume 4 of the Kinship series, attends to the personal—our unique experiences with particular creatures and landscapes. This includes nonhuman kin that become our allies, familiars, and teachers as we navigate a “world as full of persons, human and otherwise, all more-or-less close kin, all deserving respect,” as religious studies scholar Graham Harvey puts it. The essayists and poets in the volume share a wide variety of kinship-based experiences—from Australian ecophilosopher Freya Mathews’s perspective on climate-related devastation on her country’s koalas, to English professor and forest therapy guide Kimberly Ruffin’s reclamation of her “inner animal,” to German biologist and philosopher Andreas Weber’s absorption with and by lichen. Our kinships are interpersonal, and being “pried open with curiosity,” as poet and hip-hop emcee Manon Voice notes in this volume, “Stir the first of many magicks.”
Proceeds from sales of Kinship benefit the nonprofit, non-partisan Center for Humans and Nature, which partners with some of the brightest minds to explore human responsibilities to each other and the more-than-human world. The Center brings together philosophers, ecologists, artists, political scientists, anthropologists, poets and economists, among others, to think creatively about a resilient future for the whole community of life.
One of the editors of this work is Indigenous. And, throughout the series, various Indigenous contributions (stories, poems, etc.) can be found.
Additional Information
194 pages | 5.27" x 7.75" | Paperback
Synopsis:
We live in an astounding world of relations. We share these ties that bind with our fellow humans—and we share these relations with nonhuman beings as well. From the bacterium swimming in your belly to the trees exhaling the breath you breathe, this community of life is our kin—and, for many cultures around the world, being human is based upon this extended sense of kinship.
Kinship: Belonging in a World of Relations is a lively series that explores our deep interconnections with the living world. The five Kinship volumes—Planet, Place, Partners, Persons, Practice—offer essays, interviews, poetry, and stories of solidarity, highlighting the interdependence that exists between humans and nonhuman beings. More than 70 contributors—including Robin Wall Kimmerer, Richard Powers, David Abram, J. Drew Lanham, and Sharon Blackie—invite readers into cosmologies, narratives, and everyday interactions that embrace a more-than-human world as worthy of our response and responsibility.
How do cultural traditions, narratives, and mythologies shape the ways we relate, or not, to other beings as kin? “Partners,” Volume 3 of the Kinship series, looks to the intimate relationships of respect and reverence we share with nonhuman species. The essayists and poets in this volume explore the stunning diversity of our relations to nonhuman persons—from biologist Merlin Sheldrake’s reflections on microscopic fungal networks, to writer Julian Hoffman’s moving stories about elephant emotions and communication, to Indigenous seed activist Rowen White’s deep care for plant relatives and ancestors. Our relationships to other creatures are not merely important; they make us possible. As poet Brenda Cárdenas, inspired by her cultural connections to the monarch butterfly, notes in this volume: “We are— / one life passing through the prism / of all others, gathering color and song.”
Proceeds from sales of Kinship benefit the nonprofit, non-partisan Center for Humans and Nature, which partners with some of the brightest minds to explore human responsibilities to each other and the more-than-human world. The Center brings together philosophers, ecologists, artists, political scientists, anthropologists, poets and economists, among others, to think creatively about a resilient future for the whole community of life.
Contributors are both Indigenous and non-Indigenous.
Additional Information
170 pages | 5.27" x 7.75" | Paperback
Synopsis:
We live in an astounding world of relations. We share these ties that bind with our fellow humans—and we share these relations with nonhuman beings as well. From the bacterium swimming in your belly to the trees exhaling the breath you breathe, this community of life is our kin—and, for many cultures around the world, being human is based upon this extended sense of kinship.
Kinship: Belonging in a World of Relations is a lively series that explores our deep interconnections with the living world. The five Kinship volumes—Planet, Place, Partners, Persons, Practice—offer essays, interviews, poetry, and stories of solidarity, highlighting the interdependence that exists between humans and nonhuman beings. More than 70 contributors—including Robin Wall Kimmerer, Richard Powers, David Abram, J. Drew Lanham, and Sharon Blackie—invite readers into cosmologies, narratives, and everyday interactions that embrace a more-than-human world as worthy of our response and responsibility.
Given the place-based circumstances of human evolution and culture, global consciousness may be too broad a scale of care. “Place,” Volume 2 of the Kinship series, addresses the bioregional, multispecies communities and landscapes within which we dwell. The essayists and poets in this volume take us around the world to a variety of distinctive places—from ethnobiologist Gary Paul Nabhan’s beloved and beleaguered sacred U.S.-Mexico borderlands, to Pacific islander and poet Craig Santos Perez’s ancestral shores, to writer Lisa María Madera’s “vibrant flow of kinship” in the equatorial Andes expressed in Pacha Mama’s constitutional rights in Ecuador. As Chippewa scholar-activist Melissa Nelson observes about kinning with place in her conversation with John Hausdoerffer: “Whether a desert mesa, a forested mountain, a windswept plain, or a crowded city—those places also participate in this serious play with raven cries, northern winds, car traffic, or coyote howls.” This volume reveals the ways in which playing in, tending to, and caring for place wraps us into a world of kinship.
Proceeds from sales of Kinship benefit the nonprofit, non-partisan Center for Humans and Nature, which partners with some of the brightest minds to explore human responsibilities to each other and the more-than-human world. The Center brings together philosophers, ecologists, artists, political scientists, anthropologists, poets and economists, among others, to think creatively about a resilient future for the whole community of life.
Contributors are both Indigenous and non-Indigenous.
Additional Information
204 pages | 5.27" x 7.75" | Paperback
Synopsis:
We live in an astounding world of relations. We share these ties that bind with our fellow humans—and we share these relations with nonhuman beings as well. From the bacterium swimming in your belly to the trees exhaling the breath you breathe, this community of life is our kin—and, for many cultures around the world, being human is based upon this extended sense of kinship.
Kinship: Belonging in a World of Relations is a lively series that explores our deep interconnections with the living world. The five Kinship volumes—Planet, Place, Partners, Persons, Practice—offer essays, interviews, poetry, and stories of solidarity, highlighting the interdependence that exists between humans and nonhuman beings. More than 70 contributors—including Robin Wall Kimmerer, Richard Powers, David Abram, J. Drew Lanham, and Sharon Blackie—invite readers into cosmologies, narratives, and everyday interactions that embrace a more-than-human world as worthy of our response and responsibility.
With every breath, every sip of water, every meal, we are reminded that our lives are inseparable from the life of the world—and the cosmos—in ways both material and spiritual. “Planet,” Volume 1 of the Kinship series, focuses on our Earthen home and the cosmos within which our “pale blue dot” of a planet nestles. National poet laureate Joy Harjo opens up the volume asking us to “Remember the sky you were born under.” The essayists and poets that follow—such as geologist Marcia Bjornerud who takes readers on a Deep Time journey, geophilosopher David Abram who imagines the Earth’s breathing through animal migrations, and theoretical physicist Marcelo Gleiser who contemplates the relations between mystery and science—offer perspectives from around the world and from various cultures about what it means to be an Earthling, and all that we share in common with our planetary kin. “Remember,” Harjo implores, “all is in motion, is growing, is you.”
Proceeds from sales of Kinship benefit the nonprofit, non-partisan Center for Humans and Nature, which partners with some of the brightest minds to explore human responsibilities to each other and the more-than-human world. The Center brings together philosophers, ecologists, artists, political scientists, anthropologists, poets and economists, among others, to think creatively about a resilient future for the whole community of life.
Contributors are both Indigenous and non-Indigenous.
Additional Information
180 pages | 5.27" x 7.75" | Paperback
Synopsis:
Updated with a new introduction from Robin Wall Kimmerer, the special edition of Braiding Sweetgrass celebrates the book as an object of meaning that will last the ages. Beautifully bound with a new cover featuring an engraving by Tony Drehfal, this edition includes a bookmark ribbon, a deckled edge, and five brilliantly colored illustrations by artist Nate Christopherson. In increasingly dark times, we honor the experience that more than 350,000 readers in North America have cherished about the book—gentle, simple, tactile, beautiful, even sacred—and offer an edition that will inspire readers to gift it again and again, spreading the word about scientific knowledge, indigenous wisdom, and the teachings of plants.
As a botanist, Robin Wall Kimmerer has been trained to ask questions of nature with the tools of science. As a member of the Citizen Potawatomi Nation, she embraces the notion that plants and animals are our oldest teachers. In Braiding Sweetgrass, Kimmerer brings these two lenses of knowledge together to take us on “a journey that is every bit as mythic as it is scientific, as sacred as it is historical, as clever as it is wise” (Elizabeth Gilbert).
Drawing on her life as an indigenous scientist, and as a woman, Kimmerer shows how other living beings—asters and goldenrod, strawberries and squash, salamanders, algae, and sweetgrass—offer us gifts and lessons, even if we've forgotten how to hear their voices. In reflections that range from the creation of Turtle Island to the forces that threaten its flourishing today, she circles toward a central argument: that the awakening of ecological consciousness requires the acknowledgment and celebration of our reciprocal relationship with the rest of the living world. For only when we can hear the languages of other beings will we be capable of understanding the generosity of the earth, and learn to give our own gifts in return.
Educator Information
Includes an updated introduction from the author.
Additional Information
456 pages | 5.50" x 8.50" | Hardcover
Synopsis:
Based on the extraordinary life of National Book Award-winning author Louise Erdrich’s grandfather who worked as a night watchman and carried the fight against Native dispossession from rural North Dakota all the way to Washington, D.C., this powerful novel explores themes of love and death with lightness and gravity and unfolds with the elegant prose, sly humor, and depth of feeling of a master craftsman.
Thomas Wazhashk is the night watchman at the jewel bearing plant, the first factory located near the Turtle Mountain Reservation in rural North Dakota. He is also a Chippewa Council member who is trying to understand the consequences of a new “emancipation” bill on its way to the floor of the United States Congress. It is 1953 and he and the other council members know the bill isn’t about freedom; Congress is fed up with Indians. The bill is a “termination” that threatens the rights of Native Americans to their land and their very identity. How can the government abandon treaties made in good faith with Native Americans “for as long as the grasses shall grow, and the rivers run”?
Since graduating high school, Pixie Paranteau has insisted that everyone call her Patrice. Unlike most of the girls on the reservation, Patrice, the class valedictorian, has no desire to wear herself down with a husband and kids. She makes jewel bearings at the plant, a job that barely pays her enough to support her mother and brother. Patrice’s shameful alcoholic father returns home sporadically to terrorize his wife and children and bully her for money. But Patrice needs every penny to follow her beloved older sister, Vera, who moved to the big city of Minneapolis. Vera may have disappeared; she hasn’t been in touch in months, and is rumored to have had a baby. Determined to find Vera and her child, Patrice makes a fateful trip to Minnesota that introduces her to unexpected forms of exploitation and violence, and endangers her life.
Thomas and Patrice live in this impoverished reservation community along with young Chippewa boxer Wood Mountain and his mother Juggie Blue, her niece and Patrice’s best friend Valentine, and Stack Barnes, the white high school math teacher and boxing coach who is hopelessly in love with Patrice.
In The Night Watchman, Louise Erdrich creates a fictional world populated with memorable characters who are forced to grapple with the worst and best impulses of human nature. Illuminating the loves and lives, the desires and ambitions of these characters with compassion, wit, and intelligence, The Night Watchman is a majestic work of fiction from this revered cultural treasure.
Awards
- 2021 Pulitzer Prize for Fiction
Additional Information
464 Pages | 6" x 9"
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Synopsis:
Louise Erdrich, the New York Times bestselling, National Book Award-winning author of LaRose and The Round House, paints a startling portrait of a young woman fighting for her life and her unborn child against oppressive forces that manifest in the wake of a cataclysmic event.
The world as we know it is ending. Evolution has reversed itself, affecting every living creature on earth. Science cannot stop the world from running backwards, as woman after woman gives birth to infants that appear to be primitive species of humans. Twenty-six-year-old Cedar Hawk Songmaker, adopted daughter of a pair of big-hearted, open-minded Minneapolis liberals, is as disturbed and uncertain as the rest of America around her. But for Cedar, this change is profound and deeply personal. She is four months pregnant.
Though she wants to tell the adoptive parents who raised her from infancy, Cedar first feels compelled to find her birth mother, Mary Potts, an Ojibwe living on the reservation, to understand both her and her baby’s origins. As Cedar goes back to her own biological beginnings, society around her begins to disintegrate, fueled by a swelling panic about the end of humanity.
There are rumors of martial law, of Congress confining pregnant women. Of a registry, and rewards for those who turn these wanted women in. Flickering through the chaos are signs of increasing repression: a shaken Cedar witnesses a family wrenched apart when police violently drag a mother from her husband and child in a parking lot. The streets of her neighborhood have been renamed with Bible verses. A stranger answers the phone when she calls her adoptive parents, who have vanished without a trace. It will take all Cedar has to avoid the prying eyes of potential informants and keep her baby safe.
A chilling dystopian novel both provocative and prescient, Future Home of the Living God is a startlingly original work from one of our most acclaimed writers: a moving meditation on female agency, self-determination, biology, and natural rights that speaks to the troubling changes of our time.
Reviews
“Erdrich’s inclusiveness, her expansive vision of humanity surprises and pleases on every page…Erdrich’s virtuosity reminds me of an eagle in flight…Her wisdom blossoms from multicultural sources and is always inviting the reader in, in, to deeper understanding and identity.” — Hudson Review
“A streamlined dystopian thriller…Erdrich’s tense and lyrical new work of speculative fiction stands shoulder-to-braced-shoulder right alongside The Handmaid’s Tale.”— Maureen Corrigan, NPR’s Fresh Air
“Erdrich stuns again in Future Home of The Living God…She grounds her story in a kind of sharply drawn reality that makes the standard tropes of dark futurism that much more unnerving…Erdrich is a writer whose words carry a spiritual weight far beyond science, or fiction.”— Entertainment Weekly
“Erdrich is a seer, a visionary whose politics are inextricable from her fiction…[Future Home of the Living God] is an eerie masterpiece, a novel so prescient that though it conjures an alternate reality, it often provokes the feeling that, yes this is really happening.” — O, The Oprah Magazine
“In this fast-paced novel, rapid and catastrophic changes to human reproduction make the survival of the race uncertain…Erdrich imagines an America in which winter is a casualty of climate change, borders are sealed, men are ‘militantly insecure,’ and women’s freedom is evaporating…Vivid…Compelling.”— New Yorker
Additional Information
288 pages | 5.31" x 8.00" | Paperback
Synopsis:
Autumn Dawn is sick of being bullied at school. It's not her fault that she doesn't learn as fast as the other kids or that she speaks a little differently. Her home life isn't much better. Ever since Autumn's dad left, her mother can't cope, so Autumn has to care for her baby brother and do all the housework. Her mother hasn't even noticed the problems her daughter is dealing with.
When Autumn's Ojibwa aunt comes to visit, she recognizes Autumn's dyslexia and speech problems. Can Aunt Jessie build a bridge between mother and daughter and give Autumn the confidence she needs to move past her challenges?
Educator & Series Information
Recommended Ages: 12 to 16
Fry Reading Level: 4
This book is part of the PathFinders series. The PathFinders series of Hi-Lo (high interest, low readability) novels offers the following features:
• Indigenous teen protagonists
• Age-appropriate plots
• 2.5 – 4.5 Reading Level
• Contemporary and historical fiction
• Indigenous authors
The PathFinders series is from an American publisher. Therefore, Indigenous terminology in the PathFinders books is not the same as Canadian Indigenous terminology. This prompts a useful teaching moment for educators in discussing appropriate terminology use in Canada.
This book is part of the Autumn Dawn Series, a subseries of the PathFinders series.
Additional Information
120 pages | 4.50" x 7.00"