Award-Winning

For thousands of years, Inuit practiced the traditional art of tattooing. Created the ancient way, with bone needles and caribou sinew soaked in seal oil, sod, or soot, these tattoos were an important tradition for many Inuit women, symbols etched on their skin that connected them to their families and communities. But with the rise of missionaries and residential schools in the North, the tradition of tattooing was almost lost. In 2005, when Angela Hovak Johnston heard that the last Inuk woman tattooed in the old way had died, she set out to tattoo herself in tribute to this ancient custom and learn how to tattoo others. What was at first a personal quest became a project to bring the art of traditional tattooing back to Inuit women across Nunavut, starting with Johnston’s home community of Kugluktuk. Collected in this beautiful book are moving photos and stories from more than two dozen women who participated in Johnston’s project. Together, these women have united to bring to life an ancient tradition, reawakening their ancestors’ lines and sharing this knowledge with future generations.

Awards

• 2018 NorthWords Book Prize Winner 

Reviews
"This gorgeous photographic essay on the Inuit Tattoo Revitalization Project is a deeply personal and affirming work about learning and preserving traditions-and reclaiming what residential schools tried to destroy."-School Library Journal

Additional Information
72 pages | 10.00" x 10.00" | Paperback 

In this extraordinary and inspiring debut memoir, Jesse Thistle, once a high school dropout and now a rising Indigenous scholar, chronicles his life on the streets and how he overcame trauma and addiction to discover the truth about who he is.

If I can just make it to the next minute... then I might have a chance to live; I might have a chance to be something more than just a struggling crackhead.

From the Ashes is a remarkable memoir about hope and resilience, and a revelatory look into the life of a Métis-Cree man who refused to give up.

Abandoned by his parents as a toddler, Jesse Thistle briefly found himself in the foster-care system with his two brothers, cut off from all they had known. Eventually the children landed in the home of their paternal grandparents, but their tough-love attitudes meant conflicts became commonplace. And the ghost of Jesse’s drug-addicted father haunted the halls of the house and the memories of every family member. Struggling, Jesse succumbed to a self-destructive cycle of drug and alcohol addiction and petty crime, spending more than a decade on and off the streets, often homeless. One day, he finally realized he would die unless he turned his life around.

In this heartwarming and heartbreaking memoir, Jesse Thistle writes honestly and fearlessly about his painful experiences with abuse, uncovering the truth about his parents, and how he found his way back into the circle of his Indigenous culture and family through education.

An eloquent exploration of what it means to live in a world surrounded by prejudice and racism and to be cast adrift, From the Ashes is, in the end, about how love and support can help one find happiness despite the odds.

Awards

• 2020 Indigenous Voices Awards Winner for Published Prose in English
  

Reviews
“From the Ashes hits you like a punch in the gut. It’s an unflinching, heartrending and beautifully written story of survival against seemingly impossible odds. But it’s also a book that should make you furious. Thistle paints a vivid portrait of a country seemingly incapable of doing right by Indigenous youth or by those struggling with homelessness, addiction and intergenerational trauma. That he survived to tell this story is truly a miracle. Still, one question haunts me after finishing this powerful and devastating book: How do we ensure that the next generation isn’t forced to navigate a broken system that takes their lives for granted and fails them at every turn? My greatest hope, then, is that From the Ashes will be the wakeup call Canada needs.” — IAN MOSBY, historian and author of Food Will Win the War

Educator Information
Caution: Deals with mature subject matter.

Additional Information
368 pages | 6.00" x 9.00"

With four starred reviews, Angeline Boulley's debut novel, Firekeeper's Daughter, is a groundbreaking YA thriller about a Native teen who must root out the corruption in her community, perfect for readers of Angie Thomas and Tommy Orange.

Eighteen-year-old Daunis Fontaine has never quite fit in, both in her hometown and on the nearby Ojibwe reservation. She dreams of a fresh start at college, but when family tragedy strikes, Daunis puts her future on hold to look after her fragile mother. The only bright spot is meeting Jamie, the charming new recruit on her brother Levi’s hockey team.

Yet even as Daunis falls for Jamie, she senses the dashing hockey star is hiding something. Everything comes to light when Daunis witnesses a shocking murder, thrusting her into an FBI investigation of a lethal new drug.

Reluctantly, Daunis agrees to go undercover, drawing on her knowledge of chemistry and Ojibwe traditional medicine to track down the source. But the search for truth is more complicated than Daunis imagined, exposing secrets and old scars. At the same time, she grows concerned with an investigation that seems more focused on punishing the offenders than protecting the victims.

Now, as the deceptions—and deaths—keep growing, Daunis must learn what it means to be a strong Anishinaabe kwe (Ojibwe woman) and how far she’ll go for her community, even if it tears apart the only world she’s ever known.

Awards

• 2021 Goodreads Choice Awards winner
• 2022 YALSA William C. Morris finalist winner

Reviews
"Firekeeper's Daughter is a gripping and unforgettable story of family, community and identity told through the eyes of a protagonist so powerfully realized on the page, you'll swear you can hear her heart beat. Daunis Fontaine is a force to be reckoned with—and so is Angeline Boulley. This is one bold, uncompromising and elegantly crafted debut." —Courtney Summers, New York Times-bestselling author of Sadie

"Intricate and moving. Boulley takes the reader on an incredible journey with the assurance of a veteran novelist." —Tochi Onyebuchi, award-winning author of Beasts Made of Night and Riot Baby

“A rare and mesmerizing work that blends the power of a vibrant tradition with the aches and energy of today’s America. This book will leave you breathless!” —Francisco X. Stork, acclaimed author of Marcelo in the Real World and Illegal

Educator Information
Recommended for ages 14 to 18.

This book is available in French: Une dose de rage

If you enjoyed this book, you can return to Sugar Island in Warrior Girl Unearthed.

Additional Information
512 pages | 5.77" x 8.27" | Paperback 

The political life of Dene leader Georges Erasmus - a radical Native rights crusader widely regarded as one of the most important Indigenous leaders of the past fifty years.

For decades, Georges Erasmus led the fight for Indigenous rights. From the Berger Inquiry to the Canadian constitutional talks to the Oka Crisis, Georges was a significant figure in Canada's political landscape. In the 1990s, he led the Royal Commission on Aboriginal Peoples and afterward was chair and president of the Aboriginal Healing Foundation, around the time that Canada's residential school system became an ongoing frontpage story.

Georges's five-decade battle for Indigenous rights took him around the world and saw him sitting across the table from prime ministers and premiers. In the 1980s, when Georges was the National Chief of the Assembly of First Nations, he was referred to as the "Thirteenth Premier." This book tells the personal story of his life as a leading Indigenous figure, taking the reader inside some of Canada's biggest crises and challenges.

Awards

• 2025 Indigenous Voices Awards - Prose in English Award

Additional Information
320 pages | 6.00" x 9.00" | 57 b&w illustrations | Paperback 

This compelling debut novel by new talent Byron Graves tells the relatable, high-stakes story of a young athlete determined to play like the hero his Ojibwe community needs him to be.

These days, Tre Brun is happiest when he is playing basketball on the Red Lake Reservation high school team—even though he can’t help but be constantly gut-punched with memories of his big brother, Jaxon, who died in an accident.

When Jaxon's former teammates on the varsity team offer to take Tre under their wing, he sees this as his shot to represent his Ojibwe rez all the way to their first state championship. This is the first step toward his dream of playing in the NBA, no matter how much the odds are stacked against him.

But stepping into his brother’s shoes as a star player means that Tre can’t mess up. Not on the court, not at school, and not with his new friend, gamer Khiana, who he is definitely not falling in love with.

After decades of rez teams almost making it, Tre needs to take his team to state. Because if he can live up to Jaxon's dreams, their story isn’t over yet.

Awards

• American Indian Youth Literature Award Winner
• Book Riot’s Best Children’s Books
• William C. Morris Award

Reviews
"Debut author Graves (Ojibwe) presents a deeply personal look at grief, the weight of expectations, and the ways we find connections with those we have lost... This one shoots and scores." — Kirkus Reviews

"Debut author Graves, who is Ojibwe like Tre, doesn’t shirk from showing his community’s ugly experiences, but he never languishes in them. Well-paced and exciting—the action of the basketball games is exceptionally well written—this is a solid piece of sports fiction." — Booklist

"Influenced by Byron’s own experiences, the challenges Tre faces are realistically difficult, including a team-wide drinking habit that nearly derails everything and Tre’s crush and best friend hooking up behind his back. That realism is nicely balanced, however, by a story that dutifully follows the beats of great sports movies with motivational speeches, unbelievable comebacks, raucous crowds, heartbreaking losses, and a lot of heart up to the final buzzer." — Bulletin of the Center for Children’s Books

Educator Information
Recommended for ages 13+ 

This book is published by Heartdrum, an imprint that publishes high-quality, contemporary stories about Indigenous young people in the United States and Canada.

Additional Information
368 pages | 5.31" x 8.00" | Paperback 

Matt and Masha hit it off during a theatre research trip in Ukraine. At first they seem like opposites: Masha loves the sea, Matt loves mountains. Masha is Ukrainian, Matt is Métis. But the passionate spark ignited between them cannot be denied. Despite the improbabilities of a cross-continental relationship, a few fairy-tale visits overseas solidifies their bond. But when it seems distance could be the only obstacle in their path, a series of extreme circumstances put their commitment to the ultimate test.

Based on actual events, First Métis Man of Odesa is the extraordinary true story of a whirlwind romance that withstands a global pandemic, a surprise pregnancy, and the Russian invasion of Ukraine. Transcending the usual tropes of documentary theatre, this heartwarming how-we-got-together tale turns art of the here and now into a catalyst for action and a hopeful ode for a better future.

Awards

• 2024 Dora Mavor Moore Award for Outstanding New Play winner

Reviews
“A star-crossed, windswept, war-torn romcom that waltzes back and forth across the threshold that separates dreams from nightmares.” — Ben Waldman, Winnipeg Free Press

“Many of the best tales in the show are so deeply improbable, or so straightforwardly honest, that the plot lines could never have held up as fiction; but as the true stories they are, they triumph.” — Julia Peterson, Saskatoon StarPhoenix

“For all its full-blown drama, First Métis Man of Odesa retains a dreamy charm without ever letting go of the truth.”— Liane Faulder, Edmonton Journal

Additional Information
80 pages | 5.12" x 7.62" | Paperback

The Sky Woman has returned to bring down the patriarchy!

This book is about a poet who may or may not be going crazy, who is just trying to survive in Winnipeg, where Indigenous people, especially women, are being disappeared. She is talking to a crow who may or may not be a trickster, and who brings a very important message: Sky Woman has returned, and she is ready to take down the patriarchy.

This is poetry, prose and dialogue about the rise and return of the matriarch. It’s a call to resistance, a manifesto to the female self.

Cree poet and broadcaster Rosanna Deerchild is an important voice for our time. Her poems – angry, funny, sad – demand a new world for Indigenous women.

Awards

• 2025 Indigenous Voices Awards - Poetry in English Award

Additional Information
96 pages | 5.00" x 8.00" | Paperback

There have been many things written about Canada’s violent siege of Kanehsatà:ke and Kahnawà:ke in the summer of 1990, but When the Pine Needles Fall: Indigenous Acts of Resistance is the first book from the perspective of Katsi’tsakwas Ellen Gabriel, who was the Kanien’kehá:ka (Mohawk) spokesperson during the siege. When the Pine Needles Fall, written in a conversational style by Gabriel with historian Sean Carleton, offers an intimate look at Gabriel’s life leading up to the 1990 siege, her experiences as spokesperson for her community, and her work since then as an Indigenous land defender, human rights activist, and feminist leader.

More than just the memoir of an extraordinary individual, When the Pine Needles Fall offers insight into Indigenous language, history, and philosophy, reflections on our relationship with the land, and calls to action against both colonialism and capitalism as we face the climate crisis. Gabriel’s hopes for a decolonial future make clear why protecting Indigenous homelands is vital not only for the survival of Indigenous peoples, but for all who live on this planet.

Awards

• 2025 Canadian Historical Association Indigenous History Book Prize
• 2025  Errol Sharpe Book Prize
• 2025 Wilson Institute Book Prize 

Reviews
“When the Pine Needles Fall is a profound treatise and manifesto chronicling Haudenosaunee resistance to land theft by one of the most important Land Defenders of our time. Gabriel’s work is the book on Indigenous resistance I’ve been waiting for my whole life. It is a must-read for anyone concerned with the continuation of life on this planet.”  — Leanne Betasamosake Simpson, co-author of “Rehearsals for Living”

“Katsi’tsakwas Ellen Gabriel’s words in When the Pine Needles Fall are gifts that serve as a beacon of light by igniting our hearts, minds, and spirits. Through her boundless wisdom grounded in healing work as a Land Defender on Turtle Island, she calls for fierce Indigenous resistance and radical global solidarity to put an end to root causes of oppression worldwide: capitalism, patriarchy, and settler colonialism. Gabriel reminds us that a more just, kind, and caring world—where all life is precious—is possible for the next seven generations, but only if we fight for it.” — Samir Shaheen-Hussain, MD, author of “Fighting for A Hand to Hold: Confronting Medical Colonialism against Indigenous Children in Canada”

“When the Pine Needles Fall is a remarkable and revelatory account of the 1990 siege of Kanehsatà:ke and Kahnawà:ke, when provincial, municipal, and national armed forces targeted these Mohawk communities. It is also one of the best first-hand accounts of Indigenous activism that I have ever read, relayed in moving and extraordinary form. An essential addition to contemporary First Nations history and the growing field of Indigenous Studies.” — Ned Blackhawk, Western Shoshone, author of “The Rediscovery of America: Native Peoples and the Unmaking of U.S. History”

“As a treatise on women and culture-based governance from a remarkable Haudenosaunee leader, When the Pine Needles Fall offers me hope and renewed energy. Through her life work, Ellen Gabriel demonstrates how to persevere, remain optimistic, and continue with creative and activist endeavours. The book effectively situates the ‘crisis’ within its centuries-long context, marking a tipping point for Canada while highlighting ongoing challenges. It also examines how mainstream narratives are constructed around Indigenous struggles, providing a comprehensive profile of Gabriel’s diverse contributions to Indigenous resistance and resurgence.” — Kim Anderson, author of“ Life Stages and Native Women: Memory, Teachings, and Story Medicine”

“Katsi’tsakwas Ellen Gabriel’s personal account of the 1990 siege of Kanehsatà:ke and Kahnawà:ke is a crucial contribution to our understanding of these dramatic events and of the political context of the time. Her lifetime dedication to the defence of Indigenous peoples and women’s rights is truly exemplary and constitutes an inspiration for generations to come.” — Bernard Duhaime, professor, Faculty of Political Science and Law, Université du Québec à Montréal

“In When the Pine Needles Fall, celebrated activist Katsi’tsakwas Ellen Gabriel gifts us with an expansive account of the 1990 siege of Kanehsatà:ke and Kahnawà:ke. This alone provides a captivating analysis of this seminal moment and its legacy within larger movements for Indigenous sovereignty on Turtle Island. But Gabriel, an artist, also paints the negative space, braiding her relationship to the land, Kanien’kehá:ka teachings, and the language with her tireless work against settler colonialism, extractive capitalism, and patriarchy. This essential book is an inspiring conversation reminding us that decolonization is world-building rooted in an ethics of relationality and care.” — Nazila Bettache, MD, MPH; assistant professor of medicine, Université de Montréal; social justice organizer and co-editor of “Reflections on Illness”

“I honour my sister whose words speak the truth. One of the most powerful quotes by Katsi’tsakwas is: ‘I’m a Kanien’kehá:ka woman who cares deeply about our land and I want a better future for the generations to come.’  Everything she speaks about in this book is directly connected to these words.” — Beverley Jacobs, CM, LLB, LLM, PhD; Kanien’kehá:ka, Bear Clan, Six Nations Grand River Territory; associate professor, Faculty of Law, University of Windsor

Additional Information
280 pages | 5.50" x 8.50" | Paperback

When matriarchs begin to disappear, there is a choice to either step into the places they left behind, or to craft a new space.

Helen Knott’s bestselling debut memoir, In My Own Moccasins, wowed reviewers, award juries, and readers alike with its profoundly honest and moving account of addiction, intergenerational trauma, resilience, and survival. Now, with her highly anticipated second book, Knott exceeds the highest of expectations with a chronicle of grief, love, and legacy. Having lost both her mom and grandmother in just over six months, forced to navigate the fine lines between matriarchy, martyrdom, and codependency, Knott realizes she must let go, not just of them, but of who she thought she was.

Woven into the pages are themes of mourning, sobriety through loss, and generational dreaming. Becoming a Matriarch is charted with poetic insights, sass, humour, and heart, taking the reader over the rivers and mountains of Dane Zaa territory in Northeastern British Columbia, along the cobbled streets of Antigua, Guatemala, and straight to the heart of what matriarchy truly means. This is a journey through pain, on the way to becoming.

Through writing, reflecting, and dreaming I found my way to the real lessons.
I found permission to become whoever I needed to be.
I found permission to live a life and not just endure it.
I found permission to belong deeply to myself.
I found permission to lay to rest the sorrow of the women before me and to cultivate joy for us in its place.

Awards

• 2024 BC Book Awards - The George Ryga Award for Social Awareness in Literature winner

Reviews
“In enchantingly vivid language and with a compelling narrative arc, Helen Knott’s new masterpiece is a memoir of grief and joy, loss and rediscovery, flight and return and, above all, a paean to the beautiful, eternal, soothing and all-encompassing power of matriarchy.” —Gabor Maté MD, author of The Myth of Normal: Trauma, Illness and Healing in a Toxic Culture

“Knott lays out that which all Indigenous women know and feel on a cellular level—we are only here because of the women, the matriarchs, the warriors, the survivors, the courageous ones, the fierce ones, the loving ones who came before us. Beautifully, tenderly Knott maps out for the reader the intrinsic way Indigenous women lift up, celebrate and support one another. Even when no one else does. We always have each other. We see each other. We are each other’s medicine. And there is no greater gift. These are the stories Indigenous women must tell—the journeys, reclamation and place of matriarchs. Present in Knott’s words are paths to reconciliation for everyone.” —Nahanni Fontaine, Member of the Legislative Assembly of Manitoba

“Becoming a Matriarch is a vivid, lyrical exploration of womanhood, loss, grief, and eventually, self-love, braided together with radiance and wisdom. Knott brilliantly uses memory as a tool for self-exploration and growth. The land, dreams and body are in constant communication: ‘My body knows the mountains and rivers and berry bushes that it comes from.’ Throughout the book you can’t help but ask yourself, what does it mean to come from strong women and still allow yourself space to be loved? Becoming a Matriarch teaches us that joy can exist inside the cracks of the most tumultuous times in our lives and love can still bloom if we let it.” —Chelene Knight, author of Dear Current Occupant and Junie

“Becoming a Matriarch is a feast of remarkable, colourful, deep and profoundly raw storytelling. Helen Knott is one of the greatest Indigenous literary artists of our time.” —Brandi Morin, author of Our Voice of Fire: A Memoir of a Warrior Rising

Additional Information
224 pages | 5.18" x 8.00" | Paperback

After inadvertently starting rumors of a haunted cemetery, a teen befriends a ghost in this brand-new young adult novel exploring grief and belonging by the critically acclaimed and bestselling author of The Marrow Thieves series.

Winifred has lived in the apartment above the cemetery office with her father, who works in the crematorium all her life, close to her mother's grave. With her sixteenth birthday only days away, Winifred has settled into a lazy summer schedule, lugging her obese Chihuahua around the grounds in a squeaky red wagon to visit the neglected gravesides and nursing a serious crush on her best friend, Jack.

Her habit of wandering the graveyard at all hours has started a rumor that Winterson Cemetery might be haunted. It’s welcome news since the crematorium is on the verge of closure and her father’s job being outsourced. Now that the ghost tours have started, Winifred just might be able to save her father’s job and the only home she’s ever known, not to mention being able to stay close to where her mother is buried. All she has to do is get help from her con-artist cousin to keep up the rouse and somehow manage to stop her father from believing his wife has returned from the grave. But when Phil, an actual ghost of a teen girl who lived and died in the ravine next to the cemetery, starts showing up, Winifred begins to question everything she believes about life, love and death. Especially love.

Awards

• 2023 White Pine Award
• 2024 The Crime Writers of Canada Awards of Excellence - Best Juvenile or YA Crime Book

Reviews
"Winifred is an engaging lead with an emotional and fulfilling journey. Artfully melding horror, deadpan humor, and an impossible romance, this well-crafted narrative from Dimaline follows lived-in characters who are tortured by grief. Atmospheric, intimate, and melodic; the rich storytelling sings." —STARRED REVIEW, Kirkus Reviews

"[A] story of healing. Dimaline has created a rich world of complex characters with a narrative that oscillates from love story to suspense-thriller — sometimes within the same chapter — without any tonal whiplash. Funeral Songs for Dying Girls is a complex exploration of grief, family, and love that will appeal to teens and adults alike." —STARRED REVIEW, Quill & Quire

"Contemplative prose excels in its portrayal of a reclusive protagonist longing for connection and overcoming grief while living in a neighborhood that shuns her for perceived shortcomings, presenting a textured narrative about loss and love." —Publishers Weekly

"This lyrical ghost story portrays how a bond between two girls — one living, one not — transforms the grief that roots them both in place. . . . Wrenching and poignant, Funeral Songs for Dying Girls is a haunting tale about what it means to search for home — not the place, but the feeling you carry with you." —BookPage

"Dimaline’s intense, bittersweet, and often funny novel is more than a ghost story. Extended portions about the life and death of Phil, a sympathetically rendered ghost character who becomes one of Winifred’s first loves, allude to the real-life neglected epidemic of MMIWG2S (Missing and Murdered Indigenous Women, Girls, and Two-Spirit People). Through this novel, Dimaline honors those lost." —The Horn Book

"With beautiful, biting prose, Dimaline’s tale of loss and love will challenge its readers to consider how the past can haunt the present if we let it." —CM: Canadian Review of Materials

"Winifred’s narration is startling in its honesty . . . and the result is a deep intimacy that is warm but melancholy." —Bulletin of the Center for Children's Books

Educator Information
Recommended for ages 14+

Additional Information
280 pages | 5.56" x 8.31" | Paperback

Explores the integral roles that Métis women assumed to ensure the survival of their communities during the fur trade era and onward

Métis Matriarchs examines the roles of prominent Métis women from across Western Canada from the late 19th to the mid-20th century, providing a rare glimpse into the everyday lives of these remarkable women who were recognized as Matriarchs and respected for their knowledge, expertise, and authority within their families and communities.

This edited collection provides an opportunity to learn about the significant contributions made by Métis women during a transitional period in Western Canadian history as the fur trade gave way to a more sedentary, industrialized, and agrarian economy. Challenging how we think about Western Canadian settlement processes that removed Indigenous peoples from the land, this collection of stories examines the ways Métis matriarchs responded to colonial and settler colonial interventions into their lives and livelihoods and ultimately ensured the cultural survival of their communities.

Awards

• 2025 Canadian Historical Association Indigenous History Book Prize

Reviews
“A nuanced account of the lives of Métis women and their vital roles as they helped guide their families and communities through generations of transitions.” —Michel Hogue, author of Metis and the Medicine Line

Additional Information
336 pages | 5.00" x 8.00"| Paperback

On a journey to uncover her family’s story, Spotted Fawn travels through time and space to reclaim connection to ancestors, language, and the land in this essential graphic novel.  

In the dreamworld, she bears witness to a mountain of buffalo skulls, a ghostly monument to the slaughter of the buffalo—a key tactic to starve and contain the Indigenous People onto reservations.

Spotted Fawn must travel through her own family history to confront the harsh realities of the past and reignite her connection to her people and the land. Her darkroom becomes a portal, allowing her glimpses into the lives of her relatives. Guided by her ancestors, Spotted Fawn’s travels through the past allow her to come into full face—like the moon itself.

Adapted from the acclaimed stop-motion animated film of the same name, also by Strong, Four Faces of the Moon brings the history of the Michif, Cree, Nakoda, and Anishinaabe Peoples alive on the page.

Backmatter by Dr. Sherry Farrell Racette (Michif), an associate professor of Native Studies and Women’s and Gender Studies at the University of Manitoba, provides information on Michif culture and history.

Awards

• 2023 Snow Willow Award, Saskatchewan, Young Readers' Choice Award
• 2022 Great Graphic Novels for Teens, YALSA

Reviews
“Worthwhile . . . and offers interesting perspectives on the search for Indigenous identity.” — CM Reviews, 03/05/21

“This is magnificent storytelling. This is Spotted Fawn magic.” —Richard Van Camp, author of Little You, and We Sang You Home

“Moving and intense . . . the graphic novel effectively portrays how Indigenous youth can reconnect to their ancestors through art, language, and cultural knowledge.”  — School Library Journal, 04/30/21

Educator Information
Recommended for ages 12+

Unique visuals: This is a groundbreaking project with stunning spreads adapted from award-winning stop-motion animation film of same name. Art is all manipulated and modified stills from the film, that itself uses elaborate sets and puppetry.

This is an #ownvoices story.  Amanda Strong is a member of the Michif Nation.

The book includes a note from the author. Strong did a lot of research about family and their involvement in historical events like the Red River Rebellion, discovering connections to personal and political history later in life. Additional resources at the end of the book by Dr. Sherry Farrell-Racette (Michif), an associate professor of Native Studies and Women’s and Gender Studies at the University of Manitoba, provides information on Michif culture and history and the injustices of colonialism. Includes information on:
1. Moon – cycles, symbols, cultural ties
2. What is a Michif? What is a Métis
3. Historical events
4. Timeline

Additional Information
208 pages | 7.10" x 10.10" | Hardcover 

In this complex and emotionally resonant novel about a Métis girl living on the Canadian prairies, debut author Jen Ferguson serves up a powerful story about rage, secrets, and all the spectrums that make up a person—and the sweetness that can still live alongside the bitterest truth.

Lou has enough confusion in front of her this summer. She’ll be working in her family’s ice-cream shack with her newly ex-boyfriend—whose kisses never made her feel desire, only discomfort—and her former best friend, King, who is back in their Canadian prairie town after disappearing three years ago without a word.

But when she gets a letter from her biological father—a man she hoped would stay behind bars for the rest of his life—Lou immediately knows that she cannot meet him, no matter how much he insists.

While King’s friendship makes Lou feel safer and warmer than she would have thought possible, when her family’s business comes under threat, she soon realizes that she can’t ignore her father forever.

Reviews
"Debut author Ferguson, who is Métis and White, touches on intergenerational family suffering at the hands of the state, mental health, substance abuse, racism, sexual harassment and assault, and missing and murdered Indigenous women—all with nuance and care. Heart-rending and healing; a winning blend that will leave readers satisfied."— Kirkus Reviews (starred review)

"Young adult readers can relate to the struggles Lou is facing as she navigates her transition from high school to college, and also use them as a conversation starter about race, identity, sexuality, dating, and friendship." — Horn Book (starred review)

"In a layered first-person portrayal of a young Indigenous woman navigating the edge of adulthood, Ferguson (who is Métis and white) tackles necessary issues—of identity and sexuality alongside colonialism, generational trauma, racism, physical and sexual assault, and substance reliance—through well-wrought, complicated characterizations and prose that sings with poetry." — Publishers Weekly (starred review)

"Ferguson’s frank and powerful debut opens readers’ eyes to the multiplicity of daily traumas faced by people of color, especially Indigenous women and girls. Ferguson, herself Michif/Métis and white, boldly writes on many challenging topics, including racism, physical violence, sexual identity, sexual assault, and teen alcohol use. Lou is complex, smart, and honest, and a narrator readers will trust, love, and learn from as she works to repair friendships and gain security for her treasured family." — Booklist (starred review)

Educator Information
Recommended for ages 13+

This book is part of the Heartdrum imprint centers a wide range of intertribal voices, visions, and stories while welcoming all young readers, with an emphasis on the present and future of Indian Country and on the strength of young Native heroes. In partnership with We Need Diverse Books.

Content Warnings for The Summer of Bitter and Sweet: discussion of sexual assault, instances of racism, instances of physical assault, instances of intimate partner abuse, discussions of drug use, discussions of under-aged alcohol use, instances of arson.

Additional Information
384 pages | 5.31" x 8.00" | Paperback

Exploring reconciliation and connection through a story that spans seven generations, Frozen River (nîkwatin sîpiy) tells the story of two eleven-year-olds through the eyes of Grandmother Moon. Eilidh and Wâpam are born under the same blood moon, but Eilidh was born in Scotland and Wâpam in Kihci-Manito kâ ayapit, now known as Manitoba. After sailing across the ocean in hopes of a more prosperous life, Eilidh meets Wâpam deep in the forest, and the two become instant friends. Coming from vastly different worlds, Eilidh and Wâpam decide to teach each other about their ways of life. But when a sacred promise between them is broken, the relationship among cultures becomes jeopardized for generations to come.

Frozen River (nîkwatin sîpiy) shows audiences that an openness to learn from those who have protected and honoured the waterways for centuries can lead to healing and reconciliation.

Awards

• 2021 Sharon Enkin Plays for Young People Award winner

Reviews
"The show’s script cleverly makes important issues digestible for young audiences."— Van City Vince

Educator Information
Recommended for ages 8 to 14.

Additional Information
88 pages | 5.37" x 8.38" | Paperback

Young Ryan Fox gets good grades, but he’s not sure what he wants to be when he grows up. It isn’t until he meets a Blackfoot doctor during a school assembly that he starts to dream big.

However, becoming a doctor isn’t easy. University takes Ryan away from his family and the Siksikaitsitapi community, and without their support, he begins to struggle. Faced with more stress than he’s ever experienced, he turns to partying. Distracted from his responsibilities, his grades start to slip. His bills pile up. Getting into med school feels impossible. And now his beloved uncle is in jail. Can Ryan regain his footing to walk the path he saw so clearly as a boy?

This inspiring graphic novel for young adults is based on a true story.

Awards

• NCSS-CBC Notable Social Studies Book 2025 Winner
• CBC Young Adult Favorites 2025 Winner
• 2025 Next Generation Indie Book Award (Graphic Novel) Winner

Reviews
“Readers will root for Chase as he struggles with realistic problems like failing grades, acute stress, near-alcoholism, bills, and suddenly becoming a dad….The Rez Doctor is an uplifting and realistic narrative of achieving your dreams and giving back to your community.” — Youth Services Book Review

“…this graphic novel would be a good addition to any collection.” — School Library Journal

Educator Information
Recommended for ages 12+

Themes, Subjects, and Big Ideas: YA Fiction, Graphic Novels, Coming of Age, Careers, Occupations, New Experiences.

Fountas & Pinnell (F&P) Level: Z

Additional Information
64 pages | 6.50" x 10.00" | Paperback

Nina is a Lipan girl in our world. She’s always felt there was something more out there. She still believes in the old stories.

Oli is a cottonmouth kid, from the land of spirits and monsters. Like all cottonmouths, he’s been cast from home. He's found a new one on the banks of the bottomless lake.

Nina and Oli have no idea the other exists. But a catastrophic event on Earth, and a strange sickness that befalls Oli’s best friend, will drive their worlds together in ways they haven’t been in centuries.

And there are some who will kill to keep them apart.

Darcie Little Badger introduced herself to the world with Elatsoe. In A Snake Falls to Earth, she draws on traditional Lipan Apache storytelling structure to weave another unforgettable tale of monsters, magic, and family. It is not to be missed.

Reviews
"Evokes the timeless feeling of listening to traditional oral storytelling.”—Kirkus Reviews

“If Elatsoe was a ten out of ten, then A Snake Falls to Earth is a solid 11. This book could have been twice as long and I still would have begged for more. Although aimed at a young-adult audience, it has the kind of easy appeal and heartfelt tone that will entice younger kids and older adults as well. Anyone reading or buying YA needs to add this to their shelves immediately.” — Locus

“This is a delightful and imaginative novel with alternating protagonists. One is Nina, a teenager trying to translate a story told by her great-great-grandmother in her native Athabaskan language, Lipan. The other is Oli, a cottonmouth snake with the ability to shapeshift, who is learning to find his way after being pushed from the nest. Climate change features, informed by the author’s geoscience degree and PhD in oceanography. Another theme is linguistic diversity and the crucial role of storytelling in keeping cultures alive. A Snake Falls to Earth is also very much a story of friendship.”—Five Books

Educator Information
Recommended by publisher for ages 12 to 18.

#OwnVoices Lipan Apache author.

An original work of Indigenous futurism that draws on Lipan Apache storytelling traditions.

Additional Information
384 pages | 5.50" x 8.25" | Paperback

Imagine an America very similar to our own. It's got homework, best friends, and pistachio ice cream.

There are some differences. This America been shaped dramatically by the magic, monsters, knowledge, and legends of its peoples, those Indigenous and those not. Some of these forces are charmingly everyday, like the ability to make an orb of light appear or travel across the world through rings of fungi. But other forces are less charming and should never see the light of day.

Elatsoe lives in this slightly stranger America. She can raise the ghosts of dead animals, a skill passed down through generations of her Lipan Apache family. Her beloved cousin has just been murdered, in a town that wants no prying eyes. But she is going to do more than pry. The picture-perfect facade of Willowbee masks gruesome secrets, and she will rely on her wits, skills, and friends to tear off the mask and protect her family.

Awards

• TIME's Best 100 Fantasy Books of All Time
• NPR Best of the Year
• Locus Award Winner -- Best First Novel
• Shelf-Awareness Best of the year

Reviews
"Creative and meticulously plotted...a Lipan Apache Sookie Stackhouse for the teen set." — Shelf-Awareness

"Educates about settler colonialism while also entertaining with paranormal twists.... Groundbreaking...A brilliant, engaging debut" — Kirkus Reviews, starred review

"[A] refreshing voice. Indigenous stories, modern-day technology, and the supernatural successfully blend to build a fast-paced murder mystery." — Publishers Weekly, starred review

"Little Badger's stunning, haunting debut brings to the fantasy genre a fresh voice and perspective, weaving in folktales, omens, and urban legends of the protagonist's Lipan Apache culture." -- Booklist, starred review

Educator & Series Information
Recommended for ages 12+

Darcie Little Badger is an extraordinary debut talent in the world of speculative fiction. This is a book singular in feeling and beauty.

This book is part of the Elatsoe series.

Additional Information
368 pages | 5.50" x 8.25" | Paperback

In this poignant display of the resilience of language, culture, and community in the face of the profound changes brought by settlers, Kluane First Nation Elders share stories from their lives, knowledge of their traditional territory (A si Keyi, "my grandfather's country"), and insights on the building of their self-governing First Nation.

With generosity, diligence and deep commitment to their community, Elders from Lhu'aan Man Keyi (Kluane First Nation) recorded oral histories about their lives in the southwest Yukon. They shared wisdom, stories and songs passed down from grandparents, aunties and uncles, in Dan k'e (Southern Tutchone, Kluane dialect) and English. This years-long project arose from the Elders' desire for their children and future generations to know the foundations of language, culture, skills and beliefs that will keep them proud, healthy and strong. The Elders speak of life before the Alaska Highway, when their grandparents drew on thousands of years of traditional knowledge to live on the land through seasonal rounds of hunting and gathering; the dark years after the building of the Alaska Highway, when children were taken away to residential schools and hunting grounds were removed to form the Kluane Game Preserve and National Park; and the decades since, when the community worked through the Yukon land claims process to establish today's self-governing First Nation.

Inclusivity is a key community value. The Elders' stories are accompanied by the voices of youth and citizens of all ages, along with a history of the Kluane region. The book is beautifully illustrated with Elders' photographs, historical images and art work, and photos showing breathtaking views of Kluane mountains, lakes, sites, trails, and activities in the community today. With passionate and deeply informed voices, this is a stirring portrait created by a community that has shown resilience through massive changes and remains dedicated to preserving their culture, language and lands for the generations to come.

Awards

• 2024 Indigenous History Book Prize 

Educator Information
Some of the wisdom, stories, and songs are in Dan k'e (Southern Tutchone, Kluane dialect).

Additional Information
384 pages | 11.25" x 9.00"| 150 colour and b&w photos | Hardcover 

Guileless and refreshingly honest, Terese Mailhot's debut memoir chronicles her struggle to balance the beauty of her Native heritage with the often desperate and chaotic reality of life on the reservation.

Heart Berries is a powerful, poetic memoir of a woman's coming of age on the Seabird Island Indian Reservation in British Columbia. Having survived a profoundly dysfunctional upbringing only to find herself hospitalized and facing a dual diagnosis of Post Traumatic Stress Disorder and Bipolar II, Terese Mailhot is given a notebook and begins to write her way out of trauma. The triumphant result is Heart Berries, a memorial for Mailhot's mother, a social worker and activist who had a thing for prisoners; a story of reconciliation with her father--an abusive drunk and a brilliant artist--who was murdered under mysterious circumstances; and an elegy on how difficult it is to love someone while dragging the long shadows of shame.

Mailhot "trusts the reader to understand that memory isn't exact, but melded to imagination, pain and what we can bring ourselves to accept." Her unique and at times unsettling voice graphically illustrates her mental state. As she writes, she discovers her own true voice, seizes control of her story and, in so doing, reestablishes her connection to her family, to her people and to her place in the world.

Educator Information
This book is available in French: Petite Femme Montagne 

Additional Information
144 pages | 5.00" x 7.50" | Paperback

After his snowmobile breaks down halfway across the sea ice on a trip back from a fishing camp, Serapio Ittusardjuat recounts the traditional skills and knowledge he leaned on to stay alive.

This harrowing first-person account of four nights spent on the open sea ice—with few supplies and no water—shows young readers the determination and strength necessary to survive in the harsh Arctic climate, even when the worst occurs.

Awards

• 2022 Forest of Reading—Silver Birch Express Award

Reviews
"[T]he graphic novel How I Survived is a true story of Arctic survival written by Serapio Ittusardjuat, an Inuk stone carver and former mechanic.... This beautifully designed, highly engaging graphic novel should engross both reluctant readers and those seeking adventure." - Quill & Quire

Educator Information
Recommended for ages 12+

The original hardcover version was included in the Indigenous Books for Schools 2020/2021 resource list as being useful for grades 6 to 9 for English Language Arts and Social Studies.

Additional Information
48 pages | 7.25" x 9.75"

Orange Shirt Day, observed annually on September 30th, is also known as the National Day for Truth and Reconciliation. It is an official day to honour Residential School Survivors and their families, and to remember the children who did not come home. What was initially envisioned as a way to keep the conversations going about all aspects of Residential Schools in Williams Lake and the Cariboo Region of British Columbia, Canada, has now expanded into a movement across Turtle Island and beyond. Orange Shirt Day: September 30th aims to create champions who will walk a path of reconciliation and promote the message that 'Every Child Matters'. This award-winning book explores a number of important topics including the historical, generational, and continual impacts of Residential Schools on Indigenous Peoples, the journey of the Orange Shirt Day movement, and how you can effectively participate in the National Day for Truth and Reconciliation. With end of chapter reflection questions and a series of student art submissions, readers are guided to explore how they, and others, view and participate in Residential School reconciliation.

Awards

• 2021 First Nation Communities Read 2021 Winner 

Educator Information
Recommended Ages: 10+

Orange Shirt Day was inspired by the story of a survivor named Phyllis Webstad. When Phyllis was 6 years old she went to residential school for the first time wearing a brand new shiny orange shirt. When she arrived at the school her shirt was taken away and never to be seen again. To Phyllis the colour orange was a symbol that she did not matter. Today she has learned to accept the colour and even have fun with it and now the orange shirt has become a symbol of hope and reconciliation. By wearing an orange shirt on Orange Shirt Day, you make a powerful statement that residential schools were wrong and commit to the concept that EVERY CHILD MATTERS.

The Orange Shirt Society is a non-profit organization with its home in Williams Lake, BC where Orange Shirt Day began in 2013. The society has both Indigenous and non-Indigenous board members, and one of the editors of this book, Phyllis Webstad, is Indigenous.  Therefore, the Authentic Indigenous Text label has been applied. It is up to readers to determine if this book is authentic for their purposes.

This is the Revised 2023, 2nd Edition

Additional Information
156 pages | 8.23" x 11.06" | Revised, 2nd Edition

Brandi Bird's frank, transcendent poetry explores the concepts of health, language, place, and memory in this long-anticipated debut collection.

Brandi Bird's long-anticipated debut poetry collection, The All + Flesh, explores the concepts of health, language, place, and memory that connect its author to their chosen kin, blood relatives, and ancestral lands. By examining kinship in broader contexts, these frank, transcendent poems expose binaries that exist inside those relationships, then inspect and tease them apart in the hope of moving toward decolonial future(s). Bird's work is highly concerned with how outer and inner landscapes move and change within the confines of the English language, particularly the "I" of the self, a tradition of movement that has been lost for many who don't speak their Indigenous languages or live on their homelands. By exploring the landscapes the poet does inhabit, both internally and externally, Bird's poems seek to delve into and reflect their cultural lineages-specifically Saulteaux, Cree, and Métis-and how these transformative identities shape the person they are today.

I am made of centuries & carbohydrates
the development of my molars
the hunger the teeth grew
has been with me since childhood
I can't escape the mouths of others

Awards

• 2024 Poetry in English, Indigenous Voices Awards 

Reviews
"Since hearing Brandi Bird at a reading in a park in summertime recite the lines, "I know / then that there is hope / until I die & then / there is other / people's hope," I have thought about them many times, they have merged with my own consciousness. That's the power of Bird's poems-they resonate at such a visceral and cerebral level that they become a part of you. The All + Flesh marks the arrival of an endlessly moving and astounding voice in Indigenous poetry. I, for one, will be reading these poems for the rest of my life." — Billy-Ray Belcourt, author of A MINOR CHORUS

"In The All + Flesh, Brandi Bird maps the psychic space between 'NDN compartmentalization' and split prairies, from bus depots to 'endocrine storms,' from LiveJournal to a living history of relocation under land theft. 'My body is not an empire but first contact happened at / birth' and 'I eat / until my mouth needles / the dark.' With exacting lucidity, Bird's lyrics chart the body as a reservoir for colonial malice, a site of resistance, and a conduit for a voice that is visceral, immediate, and uncompromising. An absolute triumph of a debut."— Liz Howard, author of Letters in a Bruised Cosmos

Additional Information
96 pages | 6.00" x 8.00" | Paperback

Missy’s sweet sixteenth is just around the corner, but her last three birthdays haven’t exactly been cause for celebration. Her beloved little brother died when she turned thirteen and now birthdays are just painful reminders of the void in their lives. If only she had walked him to school that morning like she was supposed to ...

To add fuel to the fire, Missy’s mom was arrested just before she could blow out the candles on her fifteenth birthday.

To escape her guilt and her father’s alcohol-induced rages, Missy volunteers at a nearby store where she busies herself to shut out the feelings that her therapist seems to be pushing her to feel.

But then Missy meets Luke — a new classmate she cannot stop thinking about. Luke understands what she is going through more than anybody, but will Missy ever be able to let him in?

Educator Information
Recommended for ages 13 - 18.

Additional Information
224 pages | 5.37" x 8.00" | Paperback

A slim but electrifying debut memoir about the preciousness and precariousness of queer Indigenous life.

Opening with a tender letter to his kokum and memories of his early life on the Driftpile First Nation, Billy-Ray Belcourt delivers a searing account of Indigenous life that’s part love letter, part rallying cry.

With the lyricism and emotional power of his award-winning poetry, Belcourt cracks apart his history and shares it with us one fragment at a time. He shines a light on Canada’s legacy of colonial violence and the joy that flourishes in spite of it. He revisits sexual encounters, ruminates on first loves and first loves lost, and navigates the racial politics of gay hookup apps. Among the hard truths he distills, the outline of a brighter future takes shape.

Bringing in influences from James Baldwin to Ocean Vuong, this book is a testament to the power of language—to devastate us, to console us, to help us grieve, to help us survive. Destined to be dog-eared, underlined, treasured, and studied for years to come, A History of My Brief Body is a stunning achievement from one of this generation’s finest young minds.

Awards

• Winner of the Hubert Evans Non-Fiction Prize

Reviews
“Bursting with all the movements of sex, riot, and repose, this book presents us with a shock of recognition and reclamation, and we are better for it―punch drunk and aching but, oh, so much better. I’m gutted by his brilliant mind.” ―Cherie Dimaline

“Displays a pervading lucidity, akin to dreaming while standing wide awake, feet firmly on the soil . . . [A] fascinating exploration of the impact of colonialism in all its ramifications.” —Quill & Quire

Additional Information
192 pages | 5.01" x 7.50" | Paperback

To celebrate the fifth anniversary of the Indigenous Voices Awards, an anthology consisting of selected works by finalists over the past five years, edited by Jordan Abel, Carleigh Baker, and Madeleine Reddon.

For five years, the Indigenous Voices Awards have nurtured the work of Indigenous writers in lands claimed by Canada. Established in 2017 initially through a crowd-funded campaign by lawyer Robin Parker and author Silvia Moreno-Garcia that set an initial fundraising goal of $10,000, the initiative raised over $116,000 in just four months.

Through generous support from organizations such as Penguin Random House Canada, CELA, and others, the award has grown and have helped usher in a new and dynamic generation of Indigenous writers. Past IVA recipients include Billy-Ray Belcourt, Tanya Tagaq, and Jesse Thistle. The IVAs also help promote the works of unpublished writers, helping launch the careers of Smokii Sumac, Cody Caetano, and Samantha Martin-Bird.

For the first time, a selection of standout works over the past five years of the Indigenous Voices Award will be collected in an anthology that will highlight some of the most groundbreaking Indigenous writing across poetry, prose, and theatre in English, French, and in an Indigenous language. Curated by award-winning and critically acclaimed writers Carleigh Baker, Jordan Abel, and Indigenous scholar Madeleine Reddon, this anthology will be a true celebration of Indigenous storytelling that will both introduce readers to emerging luminaries as well as return them to treasured favourites.

Educator Information
Carving Space: The Indigenous Voices Awards Anthology: A collection of prose and poetry from emerging Indigenous writers in lands claimed by Canada includes a selection of standout work from the first five years of the Indigenous Voices Awards.

Additional Information
400 pages | 5.50" x 8.25" | Paperback

An Indigenous teen girl is caught between two worlds, both real and virtual, in the YA fantasy debut from bestselling Indigenous author Wab Kinew. Perfect for fans of Ready Player One and the Otherworld series.

Bugz is caught between two worlds. In the real world, she's a shy and self-conscious Indigenous teen who faces the stresses of teenage angst and life on the Rez. But in the virtual world, her alter ego is not just confident but dominant in a massively multiplayer video game universe.

Feng is a teen boy who has been sent from China to live with his aunt, a doctor on the Rez, after his online activity suggests he may be developing extremist sympathies. Meeting each other in real life, as well as in the virtual world, Bugz and Feng immediately relate to each other as outsiders and as avid gamers. And as their connection is strengthened through their virtual adventures, they find that they have much in common in the real world, too: both must decide what to do in the face of temptations and pitfalls, and both must grapple with the impacts of family challenges and community trauma.

But betrayal threatens everything Bugz has built in the virtual world, as well as her relationships in the real world, and it will take all her newfound strength to restore her friendship with Feng and reconcile the parallel aspects of her life: the traditional and the mainstream, the east and the west, the real and the virtual.

Reviews
"This smart, entertaining speculative novel gives readers a unique and moving portrait of young life — and the possibilities for gaming life — from a tribally specific corner of the world." —Publishers Weekly

"A thrilling, high-tech page-turner with deep roots." —Kirkus Reviews

Educator & Series Information
Recommended for ages 12+.

This book is part of the Floraverse series.

This book is available in French: Un pied dans chaque monde

Additional Information
304 pages | 5.50" x 8.20" | Paperback

A son who grew up away from his Indigenous culture takes his Cree father on a trip to their family's trapline, and finds that revisiting the past not only heals old wounds but creates a new future.

The son of a Cree father and a non-Indigenous mother, David A. Robertson was raised with virtually no knowledge or understanding of his family’s Indigenous roots. His father, Don, spent his early childhood on a trapline in the bush northeast of Norway House, Manitoba, where his first teach was the land. When his family was moved permanently to a nearby reserve, Don was not permitted to speak Cree at school unless in secret with his friends and lost the knowledge he had been gifted while living on his trapline. His mother, Beverly, grew up in a small Manitoba town with not a single Indigenous family in it. Then Don arrived, the new United Church minister, and they fell in love.

Structured around a father-son journey to the northern trapline where Robertson and his father will reclaim their connection to the land, Black Water is the story of another journey: a young man seeking to understand his father's story, to come to terms with his lifelong experience with anxiety, and to finally piece together his own blood memory, the parts of his identity that are woven into the fabric of his DNA.

Reviews
“An instant classic that demands to be read with your heart open and with a perspective widened to allow in a whole new understanding of family, identity, and love.” — Cherie Dimaline

“When someone lives their life in a good way, the Haisla call them handsome people. David A. Robertson’s biography is the perfect example of someone who takes care with his words and speaks respectfully; he tackles identity and racism, family bonds and breaks, with nuance and honesty. The power of this approach makes Black Water an essential and timely book.” — Eden Robinson, bestselling author of The Trickster Trilogy

Additional Information
288 pages | 5.31" x 8.00" | Paperback

From the bestselling author of The Break comes a staggering intergenerational saga that explores how connected we are, even when we’re no longer together—even when we’re forced apart.

Cedar has nearly forgotten what her family looks like. Phoenix has nearly forgotten what freedom feels like. And Elsie has nearly given up hope. Nearly.

After time spent in foster homes, Cedar goes to live with her estranged father. Although she grapples with the pain of being separated from her mother, Elsie, and sister, Phoenix, she’s hoping for a new chapter in her life, only to find herself once again in a strange house surrounded by strangers. From a youth detention centre, Phoenix gives birth to a baby she’ll never get to raise and tries to forgive herself for all the harm she’s caused (while wondering if she even should). Elsie, struggling with addiction and determined to turn her life around, is buoyed by the idea of being reunited with her daughters and strives to be someone they can depend on, unlike her own distant mother. These are the Strangers, each haunted in her own way. Between flickering moments of warmth and support, the women diverge and reconnect, fighting to survive in a fractured system that pretends to offer success but expects them to fail. Facing the distinct blade of racism from those they trusted most, they urge one another to move through the darkness, all the while wondering if they’ll ever emerge safely on the other side.

A breathtaking companion to her bestselling debut The Break, Vermette’s The Strangers brings readers into the dynamic world of the Stranger family, the strength of their bond, the shared pain in their past, and the light that beckons from the horizon. This is a searing exploration of race, class, inherited trauma, and matrilineal bonds that—despite everything—refuse to be broken.

Reviews
“Katherena Vermette’s The Strangers is a deeply moving story of how colonial institutions continue to bear down on and disrupt the lives of Indigenous women and girls. It is a powerful collective portrait of struggle and resistance, of what it’s like to be in an Indigenous body in twenty-first century Canada. In the end, it adds up to an engrossingly written ode to another kind of care, one against the grain of suffering. A brilliant follow-up!”—Billy-Ray Belcourt, bestselling author of A History of My Brief Body

“The Strangers is a unique and essential triumph of a novel. It is revelatory in its artistry—in its constellating of family against violent separation, in its austere poetics of voice and consciousness.  Katherena Vermette has proven once again that she is among the most gifted and relevant writers of our time: someone with everything to teach us about the telling of necessary stories, about grieving the fallen, honouring survival, and revealing the fiercest beauty.” —David Chariandy, award-winning author of Brother and I’ve Been Meaning to Tell You

Additional Information
352 pages | 5.10" x 7.90" | Paperback

In this second book in the Narnia-inspired Indigenous middle-grade fantasy series, Eli and Morgan journey once more to Misewa, travelling back in time.

Back at home after their first adventure in the Barren Grounds, Eli and Morgan each struggle with personal issues: Eli is being bullied at school, and tries to hide it from Morgan, while Morgan has to make an important decision about her birth mother. They turn to the place where they know they can learn the most, and make the journey to Misewa to visit their animal friends. This time they travel back in time and meet a young fisher that might just be their lost friend. But they discover that the village is once again in peril, and they must dig deep within themselves to find the strength to protect their beloved friends. Can they carry this strength back home to face their own challenges?

Awards

• 2022 Silver Birch Award for Fiction

Educator & Series Information
Recommended for ages 10+. 

This is the second book in the Misewa Saga.

This book is available in French: Le grand ours.

Additional Information
240 pages | 5.62" x 8.25" | Paperback

Drawing from her experiences as an Indigenous scientist, botanist Robin Wall Kimmerer demonstrated how all living things—from strawberries and witch hazel to water lilies and lichen—provide us with gifts and lessons every day in her best-selling book Braiding Sweetgrass. Adapted for young adults by Monique Gray Smith, this new edition reinforces how wider ecological understanding stems from listening to the earth’s oldest teachers: the plants around us. With informative sidebars, reflection questions, and art from illustrator Nicole Neidhardt, Braiding Sweetgrass for Young Adults brings Indigenous wisdom, scientific knowledge, and the lessons of plant life to a new generation.

Awards

• 2022 Publishers Weekly Best Book of the Year winner
• 2023 NSTA/CBC Outstanding Science Trade Books for Students K-12 winner
• 2023 Nautilus Book Awards winner
• 2023 The Canadian Children's Book Centre Best Books for Kids and Teens winner
• 2022 Kirkus Best Teen Books of the Year winner
• 2023 NSTA/CBC Outstanding Science Trade Books for Students K-12 winner
• 2023 Riverby Award winner
• 2024 Texas Topaz Nonfiction Reading List winner

Reviews
"Braiding Sweetgrass for Young Adults is my new favorite book! What a great way for young people (and anyone, really) to learn about our healing medicines. So many teachings within the pages. I love the mix of photos, illustrations, and text boxes filled with reflective questions and translations. I will be purchasing boxes of this incredible book to share with loved ones! Chii miigwech!"—Angeline Boulley, #1 NYT Bestselling author of Firekeeper's Daughter 

Educator Information
Recommended for ages 12 to 18.

“The themes that are interwoven throughout Braiding Sweetgrass align beautifully with both middle school and high school curriculum around social and emotional learning and environmental science. This new edition will help affirm the identities and beliefs of Indigenous teens while also introducing non-Indigenous teens to Indigenous teachings and ways of understanding the natural world.” - Shaina Olmanson, Editorial Director for Young Adult Nonfiction at Lerner Publishing Group

Additional Information
304 pages | 5.50" x 8.25" | Paperback

A family tries to learn from the mistakes of past generations in this whirlwind memoir from a wholly original new voice.

The Caetanos move into a doomed house in the highway village of Happyland before an inevitable divorce pulls Cody’s parents in separate directions. His mom, Mindimooye, having discovered her Anishinaabe birth family and Sixties Scoop origin story, embarks on a series of fraught relationships and fresh starts. His dad, O Touro, a Portuguese immigrant and drifter, falls back into “big do, little think” behaviour, despite his best intentions.

Left alone at the house in Happyland, Cody and his siblings must fend for themselves, even as the pipes burst and the lights go out. His protective big sister, Kris, finds inventive ways to put food on the table, and his stoic big brother, Julian, facilitates his regular escapes into the world of video games. As life yanks them from one temporary solution to the next, they steal moments of joy and resist buckling under “baddie” temptations aplenty.

Capturing the chaos and wonder of a precarious childhood, Cody Caetano delivers a fever dream coming-of-age garnished with a slang all his own. Half-Bads in White Regalia is an unforgettable debut that unspools a tangled family history with warmth, humour, and deep generosity.

Awards

• 2023 Indigenous Voices Awards Winner: Published Prose in English

Reviews
“Memoirs are a difficult alchemy of testimony and confession, scene-making and character-building. They have to soften the hard things and show the way through at every turn—or at least they should—and that’s what Cody Caetano does in Half-Bads in White Regalia. No one gets off easy, but everyone is drawn with unflinching love and respect. Nothing seems wholly remarkable, yet everything is turned to see its beauty. Poetry permeates this prose, poetry and this wholly unique voice and style that somehow made me laugh and cry often, and in the oddest places. Read it. You won’t regret it. Telling you.”—Katherena Vermette, author of The Strangers
 
“A brilliant and devastating debut. This book hurtles towards difficult understandings about love and violence and family. At times I didn’t know whether I should laugh or cry, but Caetano fills each moment with such character and humanity that it’s impossible not to fall in love.” —Jordan Abel, author of NISHGA

Additional Information
280 pages | 5.62" x 8.25" | Paperback

A Canadian bestseller and winner of the 2016 Canadian Historical Association Aboriginal History Book Prize, Unsettling Canada is a landmark text built on a unique collaboration between two First Nations leaders.

Arthur Manuel (1951-2017) was one of the most forceful advocates for Indigenous title and rights in Canada; Grand Chief Ron Derrickson, one of the most successful Indigenous businessmen in the country. Together, they bring a fresh perspective and bold new ideas to Canada's most glaring piece of unfinished business: the place of Indigenous peoples within the country's political and economic space.

This vital second edition features a foreword by award-winning activist Naomi Klein and an all-new chapter co-authored by law professor Nicole Schabus and Manuel's son, Ska7cis, honouring the multi-generational legacy of the Manuel family's work.

Reviews
“Pragmatic and helpful, this is a timely book for our fraught and political moment” — Quill & Quire

"Unsettling Canada is a breathtakingly beautiful story of Indigenous resistance, strength, and movement building. Unsettling Canada echoes the power of George Manuel's The Fourth World, centering the heart of the narrative deep inside a kind of Indigenous intelligence rarely shared outside our communities. This is the critical conversation that Canada and Indigenous peoples must have because it is centred on land, and, therefore, it is one of the most important books on Indigenous politics I've ever read." — Leanne Betasamosake Simpson, author of Dancing on Our Turtle's Back

Educator Information
This resource would be useful for courses in history, social justice, political science, and social studies.  Recommended for students in grades 10 to 12 or those at a college/university level.

Additional Information
320 pages | 6.00" x 9.00"

Brian Isaac's powerful debut novel All the Quiet Places is the coming-of-age story of Eddie Toma, an Indigenous (Syilx) boy, told through the young narrator's wide-eyed observations of the world around him.

It's 1956, and six-year-old Eddie Toma lives with his mother, Grace, and his little brother, Lewis, near the Salmon River on the far edge of the Okanagan Indian Reserve in the British Columbia Southern Interior. Grace, her friend Isabel, Isabel's husband Ray, and his nephew Gregory cross the border to work as summer farm labourers in Washington state. There Eddie is free to spend long days with Gregory exploring the farm: climbing a hill to watch the sunset and listening to the wind in the grass. The boys learn from Ray's funny and dark stories. But when tragedy strikes, Eddie returns home grief-stricken, confused, and lonely.

Eddie's life is governed by the decisions of the adults around him. Grace is determined to have him learn the ways of the white world by sending him to school in the small community of Falkland. On Eddie's first day of school, as he crosses the reserve boundary at the Salmon River bridge, he leaves behind his world. Grace challenges the Indian Agent and writes futile letters to Ottawa to protest the sparse resources in their community. His father returns to the family after years away only to bring chaos and instability. Isabel and Ray join them in an overcrowded house. Only in his grandmother's company does he find solace and true companionship.

In his teens, Eddie's future seems more secure—he finds a job, and his long-time crush on his white neighbour Eva is finally reciprocated. But every time things look up, circumstances beyond his control crash down around him. The cumulative effects of guilt, grief, and despair threaten everything Eddie has ever known or loved.

All the Quiet Places is the story of what can happen when every adult in a person's life has been affected by colonialism; it tells of the acute separation from culture that can occur even at home in a loved familiar landscape. Its narrative power relies on the unguarded, unsentimental witness provided by Eddie.

Awards

• 2022 Indigenous Voices Awards winner

Reviews
"What a welcome debut. Young Eddie Toma’s passage through the truly ugly parts of this world is met, like an antidote, or perhaps a compensation, by his remarkable awareness of its beauty. This is a writer who understands youth, and how to tell a story." —Gil Adamson is the winner of the Writers’ Trust Fiction Prize for Ridgerunner

"All the Quiet Places is a deftly crafted, evocative story about the trials of growing up Indigenous. Brian Thomas Isaac’s characters are complex, relatable, and overall, beautifully human." —Waubgeshig Rice is the bestselling author of Moon of the Crusted Snow

"All the Quiet Places is the kind of novel that works its way into your soul. Essentially, it's a tale of childhood, all the wonders and tragedies, that befall a young boy on an Okanagan Reserve in the middle of the last century. Familiar, yet unique, Eddie's story will captivate the reader. The best compliment I could bestow on this book is. . . I wish it was one or two chapters longer. I wanted more." —Drew Hayden Taylor is from the Curve Lake First Nation and is the author of many books including Chasing Painted Horses

"On par with the brilliance of James Welch's Winter in The Blood and Ruby Slipperjack's Little Voice, Brian Thomas Isaac has given us a startling read that'll live wire your soul and haunt you for a good long while. Pure brilliance. Wow." —Richard Van Camp is the author of The Lesser Blessed and Moccasin Square Gardens

Educator Information
Keywords: Coming of Age; Own Voices; Indigenous

Recommended in the Canadian Indigenous Books for Schools resource collection as being useful for grades 11 and 12 for English Language Arts and Social Studies.

Additional Information
288 pages | 5.50" x 8.50"

Selina Boan’s debut poetry collection, Undoing Hours, considers the various ways we undo, inherit, reclaim and (re)learn. Boan’s poems emphasize sound and breath. They tell stories of meeting family, of experiencing love and heartbreak, and of learning new ways to express and understand the world around her through nêhiyawêwin.

As a settler and urban nehiyaw who grew up disconnected from her father’s family and community, Boan turns to language as one way to challenge the impact of assimilation policies and colonization on her own being and the landscapes she inhabits. Exploring the nexus of language and power, the effects of which are both far-reaching and deeply intimate, these poems consider the ways language impacts the way we view and construct the world around us. Boan also explores what it means to be a white settler–nehiyaw woman actively building community and working to ground herself through language and relationships. Boan writes from a place of linguistic tension, tenderness and care, creating space to ask questions and to imagine intimate decolonial futures.

Awards

• 2022 Indigenous Voices Award for published poetry in English.

Reviews
"Reading Undoing Hours feels like going home, where home, much like memory, is a place continually under construction. This is a work at once exquisite and particular in its offering while at the same time striking us as expansive, prepossessing and true." — Liz Howard

"Selina Boan’s Undoing Hours is going to be so very important to those who are “learning to name” inside multiple languages. It is about embodying the knowledge of one’s ancestry as well as about love as it collides with grief and longing and hope. It is about standing firmly inside a single hour and being brave enough to want another. It is about learning Cree, about how a word in a language older than the world might, in the end, redeem us. And because of this, it is also about miracles. I can’t wait to read it again and again and again." — Billy-Ray Belcourt

Additional Information
96 pages | 5.50" x 8.00"

Style is not just the clothes on our backs—it is self-expression, representation, and transformation.

As a fashion-obsessed Ojibwe teen, Christian Allaire rarely saw anyone that looked like him in the magazines or movies he sought out for inspiration. Now the Fashion and Style Writer for Vogue, he is working to change that—because clothes are never just clothes. Men’s heels are a statement of pride in the face of LGTBQ+ discrimination, while ribbon shirts honor Indigenous ancestors and keep culture alive. Allaire takes the reader through boldly designed chapters to discuss additional topics like cosplay, makeup, hijabs, and hair, probing the connections between fashion and history, culture, politics, and social justice.

Reviews
“A vibrant read about the connections between fashion, culture, and social justice.”  — Kirkus Reviews, 02/23/21

“The book to appeal to a wide age range. It is important that readers of all ages be given the opportunity to learn that there are others who have had the same or similar experiences of feeling that they were different from their peers because of the way that they looked or dressed. Highly Recommended.”  — CM Reviews, 02/12/21

“Dazzling and empowering . . . Fab drag queens, genderqueer and BIPOC YouTubers demoing makeup, plus-size and gender-bending cosplayers, men wearing high heels and fem fashion—they’re all here, a proud and dazzling explosion of confetti transforming the landscape.” — Booklist, *starred review, 03/02/21

Educator Information
Recommended for ages 12+ 

Common Core Correlations
CCSS.ELA-Literacy Strand-Reading literature:
W.6.1,1a,1b,1c,1d,1e
SL.6.1,1a,1b,1c,1d,1
RI.6.1,2,3,4,5,6,7,8
L.6.1,1a,2,2a,2b,3,3

Reading Level: Lexile 1070L 

The Power of Style is a Top Ten Quick Picks for Reluctant Young Adult Readers, YALSA

Additional Information
96 pages | 8.00" x 10.00"

A special 50^th anniversary edition of the magnificent Pulitzer Prize-winning novel from renowned Kiowa writer and poet N. Scott Momaday, with a new preface by the author.

A young Native American, Abel has come home from war to find himself caught between two worlds. The first is the world of his father’s, wedding him to the rhythm of the seasons, the harsh beauty of the land, and the ancient rites and traditions of his people. But the other world—modern, industrial America—pulls at Abel, demanding his loyalty, trying to claim his soul, and goading him into a destructive, compulsive cycle of depravity and disgust.

An American classic, House Made of Dawn is at once a tragic tale about the disabling effects of war and cultural separation, and a hopeful story of a stranger in his native land, finding his way back to all that is familiar and sacred.

Reviews
“Both a masterpiece about the universal human condition and a masterpiece of Native American literature. . . . A book everyone should read for the joy and emotion of the language it contains.” — The Paris Review

“A new romanticism, with a reverence for the land, a transcendent optimism, and a sense of mythic wholeness...Push[es] the secular mode of modern fiction into the sacred mode, a faith and recognition in the power of the world.” — American Literature

Additional Information
224 pages | 5.31" x 8.00"

Drawing on both lived experience and cultural memory, Norma Dunning brings together six powerful new short stories centred on modern-day Inuk characters in Tainna. Ranging from homeless to extravagantly wealthy, from spiritual to jaded, young to elderly, and even from alive to deceased, Dunning’s characters are united by shared feelings of alienation, displacement and loneliness resulting from their experiences in southern Canada.

In Tainna—meaning “the unseen ones” and pronounced Da‑e‑nn‑a—a fraught reunion between sisters Sila and Amak ends in an uneasy understanding. From the spirit realm, Chevy Bass watches over his imperilled grandson, Kunak. And in the title story, the broken-hearted Bunny wanders onto a golf course on a freezing night, when a flock of geese stand vigil until her body is discovered by a kind stranger.

Norma Dunning’s masterful storytelling uses humour and incisive detail to create compelling characters who discover themselves in a hostile land where prejudice, misogyny and inequity are most often found hidden in plain sight. There, they must rely on their wits, artistic talent, senses of humour and spirituality­ for survival; and there, too, they find solace in shining moments of reconnection with their families and communities.

Awards

• 2021 Governor General's Literary Award for English-language fiction

Additional Information
160 pages | 5.50" x 8.50"

Igniting the $100 billion Indigenous economy

It is time. It is time to increase the visibility, role, and responsibility of the emerging modern Indigenous economy and the people involved. This is the foundation for economic reconciliation. This is Indigenomics.

Indigenomics lays out the tenets of the emerging Indigenous economy, built around relationships, multigenerational stewardship of resources, and care for all. Highlights include:

• The ongoing power shift and rise of the modern Indigenous economy
• Voices of leading Indigenous business leaders
• The unfolding story in the law courts that is testing Canada's relationship with Indigenous peoples
• Exposure of the false media narrative of Indigenous dependency
• A new narrative, rooted in the reality on the ground, that Indigenous peoples are economic powerhouses
• On the ground examples of the emerging Indigenous economy.

Indigenomics calls for a new model of development, one that advances Indigenous self-determination, collective well-being, and reconciliation. This is vital reading for business leaders and entrepreneurs, Indigenous organizations and nations, governments and policymakers, and economists.

Awards

• 2022 First Nations Community Reads Award

Educator Information
This book is centered within the United Nations Declaration on the Rights of Indigenous Peoples (UNDRIP).

Indigenomics is a new topic and a previously unpublished contribution to new economic thought.

This book is an important work in the emerging modern Indigenous economy. It is a guide to fully realizing the potential of the emerging Indigenous economy. It lays out the emerging power shift and rise of Indigenous economic empowerment. It acknowledges the unfolding story shaping Canada through the law courts that is testing the foundation of the Crown relationship with Indigenous peoples.

Includes interviews with six business leaders, all exceptional in their field.

Additional Information
272 pages | 6.00" x 9.00" | 20 b&w illustrations

The first treaty that was made was between the earth and the sky. It was an agreement to work together. We build all of our treaties on that original treaty.

On the banks of the river that have been Mishomis’s home his whole life, he teaches his granddaughter to listen—to hear both the sounds and the silences, and so to learn her place in Creation. Most importantly, he teaches her about treaties—the bonds of reciprocity and renewal that endure for as long as the sun shines, the grass grows, and the rivers flow.

Accompanied by beautiful illustrations by Luke Swinson and an author’s note at the end, Aimée Craft affirms the importance of understanding an Indigenous perspective on treaties in this evocative book that is essential for readers of all ages.

Awards

• 2022 Indigenous Voices Award in the graphic novels, comics, and illustrated books category 

Educator Information
Recommended for ages 10+ 

Target Grade: Grade 5

Reading Level: Lexile 920L

CCSS.ELA-Literacy Strand-Reading literature:
SL.3.1,1a,1b,1c,1d,2
W.3.1,1a.1b,1c,1d,1e
L.3.1,1a,1b,1c,1d.1e
RL.3.1,2,3,4,5,6,7,9

This book is available in French: Mishomis raconte les traités: Tant que les rivières couleront 

Additional Information
60 pages | 4.00" x 6.00"

Through stories of Lakota leader Crazy Horse, a boy learns about his heritage and himself in this American Indian Youth Literature Award-winning novel from acclaimed author Joseph Marshall III.

Jimmy McClean is a Lakota boy, though you wouldn’t guess it by his name. His mother is Lakota, and his father is half white and half Lakota. Over summer break, Jimmy embarks on a journey with his grandfather, Nyles High Eagle. While on the road, his grandfather tells him the story of Crazy Horse, one of the most important figures in Lakota, and American, history.

Expertly intertwining fiction and nonfiction, celebrated Brulé Lakota author Joseph Marshall III chronicles the many heroic deeds of Crazy Horse, especially his taking up arms against the U.S. government. He fiercely fought against encroachments on the territories and way of life of the Lakota people, including leading a war party to victory at the Battle of the Greasy Grass (the Battle of the Little Bighorn) and playing a major and dangerous role as decoy at the Battle of the Hundred in the Hands (the Fetterman Battle). With Sitting Bull, Crazy Horse was the last of the Lakota to surrender his people to the U.S. Army. Through his grandfather’s tales about the famous warrior, Jimmy learns about his Lakota heritage and, ultimately, himself.

Drawing references and inspiration from the oral stories of the Lakota tradition, Marshall gives readers an insider’s perspective on the life of Tasunke Witko, better known as Crazy Horse.

Reviews

Additional Information
176 pages | 6.20" x 8.25" | Black and White Illustrations | Hardcover

Following the Scotiabank Giller Prize-shortlisted Son of a Trickster comes Trickster Drift, the second book in Eden Robinson's captivating Trickster trilogy.

Jared Martin, seventeen, has quit drugs and drinking. But his troubles are not over: the temptation to slip is constant (thanks to his enabling, ever-partying mom, Maggie). He's being stalked by David, his mom's ex--a preppy, khaki-wearing psycho with a proclivity for rib-breaking. And Maggie, a witch as well as a badass, can't protect him like she used to because he's moved from Kitimat to Vancouver for school.

He figures that in order to be safe from both magic, addiction and David, he's got to get his grades up, find a job that doesn't involve selling weed cookies, and learn how to live with his Aunt Mave, who has been estranged from the family ever since she tried to "rescue" him as a baby from his mother. Though she smothers him with hugs, Mave is blind to the real dangers that lurk around them--the spirits and supernatural activity that fill her apartment.

As the son of a Trickster, Jared is a magnet for magic, whether he hates it or not. He sees ghosts, he sees the monster moving underneath his Aunt Georgina's skin, he sees the creature that comes out of his bedroom wall and creepily wants to suck his toes. He also still hears his father in his head, and other voices too. When David finally catches up with him, Jared can't ignore his true nature any longer. And neither can anyone else he loves.

Reviews
“As with the first book, Trickster Drift is most memorable for its set pieces. . . . The mix of sharp comedy, quick character sketches, and unsettling horror is note-perfect.” —Nathan Whitlock, Quill & Quire.

"The great strength of Trickster Drift is that humanity and empathy, but let’s be clear: there are monsters here, both human and otherwise. The novel builds to a climax that is simultaneously thrilling and thought-provoking, one which overturns much of what we have come to know. The third novel can’t come soon enough." — Robert J. Wiersema, The Star

Educator & Series Information
This is the second book in Eden Robinson's Trickster Trilogy.  It is preceded by Son of a Trickster.

Additional Information
384 pages | 5.18" x 8.00" | Paperback

In Ojibwe cosmology there are thirteen moons...

And in the pages of Ghost Lake are thirteen stories featuring an interrelated cast of characters and their brushes with the mysterious. Issa lives in fear of having her secret discovered, Aanzheyaawin haunts the roads seeking vengeance, Zaude searches for clues to her brother’s death, Garion wrestles with his sexual inclinations, Fanon struggles against an unexpected winter storm, Kylie fights to make it back to shore, Eadie and Mushkeg share a magical night, Tyner faces brutal violence, and Tyler, Clay, and Dare must make amends to the spirits before it’s too late. On the northern Ontario reserve of Ghost Lake the precolonial past is not so distant, and nothing is ever truly lost or destroyed. Because the land remembers.  

Awards

• 2021 Indigenous Voices Awards winner for Published Prose in English: Fiction 

Reviews
“Adler gifts us with this collection of intense life and death stories that straddle the worlds of the everyday and the fantastic. These stories challenge the notion of default reality and Adler crafts them with a deft hand.”—Michelle Good, author of Five Little Indians

“Ghost Lake is the border to all things known—but not in the way wider society conceives them: there is no lighthouse imposing its dichotomy on the darkness. It invites recovery and connection from its characters beautifully; story, memory, and relationship build the landscape for them to walk on.  The people of Ghost Lake move through experiences with a curiosity and bravery that I hope all readers have—where there are no experts to place rules on a community’s desire to remember. We need more collections like this.”—Tyler Pennock, author of Bones

“A memorable, necessary read, Nathan Adler’s remarkable collection Ghost Lake delves into the life-changing passages of love and loss, revenge and redemption, survival and discovery. His vital, authentic characters journey through a world in which the boundary between the so-called real and the illusory—the realm of mysteries, spirits, and myths—is itself revealed to be the illusion. These imaginative, expertly crafted stories are guaranteed to illuminate and stir, to challenge and entertain.” —Daniel Scott Tysdal, author of The Writing Moment: A Practical Guide to Creating Poems

Educator Information
An interconnected collection of stories set on the fictional Northern Ontario Reserve of Ghost Lake, featuring a cast of interrelated characters and their encounters with the supernatural and other phenomenon, with themes ranging from love, loss, and relationships, to the meaning of monstrosity, violence, tragedy, and justice.

Ghost Lake is the sequel to Nathan Adler's debut horror novel, Wrist.

Pyromaniacs, vigilantes, mysterious phenomena, prehistoric beasts, cryptid species, grave robbers and ghosts… the stories of Ghost Lake feature a cast of interrelated characters and their brushes with the supernatural, creatures of Ojibwe cosmology, the Spirit World, and with monsters, both human and otherwise. Nathan Niigan Noodin Adler shows us that the precolonial past is not so distant, that history informs the present, and nothing is ever truly lost or destroyed, because the land remembers.

Additional Information
320 pages | 5.50" x 8.00"

How about a book that makes you barge into your boss's office to read a page of poetry from? That you dream of? That every movie, song, book, moment that follows continues to evoke in some way?

The term "Apple" is a slur in Native communities across the country. It's for someone supposedly "red on the outside, white on the inside."

Eric Gansworth is telling his story in Apple (Skin to the Core). The story of his family, of Onondaga among Tuscaroras, of Native folks everywhere. From the horrible legacy of the government boarding schools, to a boy watching his siblings leave and return and leave again, to a young man fighting to be an artist who balances multiple worlds.

Eric shatters that slur and reclaims it in verse and prose and imagery that truly lives up to the word heartbreaking.

Awards

• American Indian Youth Literature Award Winner

Reviews
"With language rich in metaphor, this is a timely and important work that begs for multiple readings."-Booklist, starred review

Educator Information
Recommended for ages 12 to 18.

Additional Information
352 pages | 6.50" x 9.40"

it was never going to be okay is a collection of poetry and prose exploring the intimacies of understanding intergenerational trauma, Indigeneity and queerness, while addressing urban Indigenous diaspora and breaking down the limitations of sexual understanding as a trans woman. As a way to move from the linear timeline of healing and coming to terms with how trauma does not exist in subsequent happenings, it was never going to be okay tries to break down years of silence in simpson’s debut collection of poetry:

i am five

my sisters are saying boy

i do not know what the word means but—

i am bruised into knowing it: the blunt b,

the hollowness of the o, the blade of y

Awards

• 2021 Indigenous Voices Awards winner for Published Poetry in English.

Reviews
"jaye simpson’s it was never going to be okay is a symphony of unrelenting rage and undying hope that beckons to be heard, seen and held with the utmost care. In this stunning debut they speak truths to the complexities of the body, land and memory through an intimately structured and poignant cadence. This collection will leave you longing for more and, in the legacy of trans Indigenous literature, change lives." — Arielle Twist, author of Disintegrate/Dissociate

"jaye simpson marshals a vast economy of images because their subject matter is as large as an entire country, as the colonial past, as structures of oppression and indifference that undermine Indigenous and trans livability. At the level of craft, simpson makes use of the codes of tragedy, polemic, autobiography and the lyric artfully and powerfully. By the book’s end, buoyed by its final beautiful and tender section, a kind of love letter to trans Indigenous peoples, one is called on to build a new world. In this way, jaye simpson's poetry is a vital artifact of a decolonial future!" — Billy-Ray Belcourt, 2018 Griffin Poetry Prize winner for This Wound Is a World

Additional Information
112 pages | 5.50" x 8.00"

Taken from their families when they are very small and sent to a remote, church-run residential school, Kenny, Lucy, Clara, Howie and Maisie are barely out of childhood when they are finally released after years of detention.

Alone and without any skills, support or families, the teens find their way to the seedy and foreign world of Downtown Eastside Vancouver, where they cling together, striving to find a place of safety and belonging in a world that doesn’t want them. The paths of the five friends cross and crisscross over the decades as they struggle to overcome, or at least forget, the trauma they endured during their years at the Mission.

Fuelled by rage and furious with God, Clara finds her way into the dangerous, highly charged world of the American Indian Movement. Maisie internalizes her pain and continually places herself in dangerous situations. Famous for his daring escapes from the school, Kenny can’t stop running and moves restlessly from job to job—through fishing grounds, orchards and logging camps—trying to outrun his memories and his addiction. Lucy finds peace in motherhood and nurtures a secret compulsive disorder as she waits for Kenny to return to the life they once hoped to share together. After almost beating one of his tormentors to death, Howie serves time in prison, then tries once again to re-enter society and begin life anew.

With compassion and insight, Five Little Indians chronicles the desperate quest of these residential school survivors to come to terms with their past and, ultimately, find a way forward.

Awards

• Amazon Canada First Novel Award
• 2020 Governor General's Literary Award for English-language fiction
• 2022 Canada Reads Winner 

Educator Information
Winner of the 2018 HarperCollins/UBC Price for Best New Fiction, Michelle Good's Five Little Indians is told from alternating points of view of five former residential school students as they struggle to survive in 1960s Vancouver.

Additional Information
304 pages | 6.00" x 9.00"

Chasing Painted Horses has a magical, fable-like quality. It is the story of four unlikely friends who live in Otter Lake, a reserve north of Toronto. Ralph and his sister, Shelley, live with their parents. On the cusp of becoming teenagers, they and their friend William befriend an odd little girl, from a dysfunctional family. Danielle, a timid 10-year-old girl, draws an amazing, arresting image of a horse that draws her loose group of friends into her fantasy world. But those friends are not ready for what that horse may mean or represent. It represents everything that’s wrong in the girl’s life and everything she wished it could be. And the trio who meet her and witness the creation of the horse, are left trying to figure out what the horse means to the girl, and later to them. And how to help the shy little girl.

Awards

• Winner of the 2020-2021 First Nation Communities Read: Indigenous Literature Award

Additional Information
6.00" x 9.00"

Indigenous protectors use language revitalization to save the Earth from evil pioneers and cyborg sasquatches.

Ts’ür’i and Aghay are the Dakwäkãda Warriors protecting Nän from their nemesis Cyber Nà’į and Space Kwäday Dän. Flying in their spaceship, can they prevent the Sha being stolen from Cyber Nà’į and Space Kwäday Dän?!

As a young person growing up in Haines Junction YT, artist Cole Pauls performed in a traditional song and dance group called the Dakwäkãda Dancers. During that time, Pauls encountered the ancestral language of Southern Tutchone. Driven by a desire to help revitalize the language, he created Dakwäkãda Warriors, a bilingual comic about two earth protectors saving the world from evil pioneers and cyborg sasquatches.

Pauls’ Elders supported him throughout the creation process by offering consultation and translation. The resulting work is a whimsical young adult graphic novel that offers an accessible allegory of colonialism. Dakwäkãda Warriors also includes a behind-the-scenes view into the making of the comic and a full-colour insert featuring character illustrations by guest Indigenous Canadian artists.

Awards

• 2020 Indigenous Voices Awards Winner for Works in an Indigenous Language
  

Reviews
From the publisher, an interview with Cole Pauls: 

1. Why did you decide to create this comic? 
I wanted to create a sense of identity and strength for the youth from my hometown and the Yukon. To be portrayed in a heroic but also realistic way, where culture is power and the community is stronger because of that. I made Dakwäkãda Warriors to keep Southern Tutchone language and culture alive.

2. What do you hope your work will bring to the Canadian comics canon?
A proper portrayal of Yukon Indigenous culture, we don't live in igloos, ya know!! I want to show the world what Southern Tutchone culture really is and how strong Indigenous culture can be when properly portrayed by someone who lives and practices it.

Educator Information
Recommended Ages: 8 to 16

Language revitalization in an allegory of colonialization.
Artist Cole Pauls wanted to reclaim the Southern Tutchone language he had learned as a youth while performing in a traditional song and dance group. So, he created a comic about two Earth Protectors saving the Earth from evil pioneers and cyborg sasquatches. But he also went to his elders and asked them to translate his comic into the two dialects of Southern Tutchone. The resulting work is an allegory of colonialization done in an accessible format, a whimsical young adult graphic novel which helps to revitalize language. Pauls includes a "making of" postscript to give context to the project, and invites guest Indigenous Canadian artists to provide "pin-ups" of his characters.

Additional Information
112 pages | 6.50" x 10.00" | 112 illustrations

TIME: All.
SPACE: The Multiverse.
Come along for the ride to Kamloopa, the largest Powwow on the West Coast. This high-energy Indigenous matriarchal story follows two urban Indigenous sisters and a lawless Trickster who face our postcolonial world head-on as they come to terms with what it means to honour who they are and where they come from. But how to go about discovering yourself when Christopher Columbus allegedly already did that? Bear witness to the courage of these women as they turn to their Ancestors for help in reclaiming their power in this ultimate transformation story.

In developing matriarchal relationships and shared Indigenous values, Kamloopa explores the fearless love and passion of two Indigenous women reconnecting with their homelands, Ancestors, and stories. Kim Senklip Harvey’s play is a boundary-blurring adventure that will remind you to always dance like the Ancestors are watching.

Kamloopa: An Indigenous Matriarch Story is the work of Kim Senklip Harvey, a proud Indigenous woman from the Syilx, Tsilhqot’in, Ktunaxa, and Dakelh First Nations, listed for the Gina Wilkinson Prize for her work as an emerging director and widely considered to be one of this land’s most original voices among the next generation of Indigenous artists.

Awards

• 2020 Governor General's Award for English-language drama

Reviews
"A thoughtful, funny, and compelling exploration of the complexities of Indigenous community making and knowledge reclamation."—BC Studies

“Kamloopa is a hilarious and courageous transformation story. Kim Senklip Harvey makes a generous invitation for all of us to bear witness to the joy, resilience, and brilliance of Indigenous women.”—Christine Quintana

“This story about three women who are actively trying to decolonize themselves (whether they realize it or not) resonated deeply … Uplifting the voices of Indigenous women, Two-Spirit, and non-binary folks is incredibly important to our resistance and our communities. Kamloopa is one of those stories providing that platform.”—Yolanda Bonnell

“Kamloopa brought me an empowerment of self and a reclaiming of knowledge. It brought me sisterhood and ties that have shaped the way I create and approach life. As an Indigenous woman I felt seen, heard, and valid, something we should all experience. Miigwech.”—Samantha Brown

Educator Information
Recommended in the Canadian Indigenous Books for Schools 2020/2021 resource list for grades 8 to 12 for Acting, Drama, Theatre, and English Language Arts.

The Syilx language, Nsyilxcǝn, is used throughout this play.  Also included is the resource "Fire Zine! A Kamloopa Study Buddy" by Kimi Clark.  It discusses Indigenous artistic ceremony Protocol, Indigenous Theatre terms, and guides users in facilitating a Talking Circle.

Additional Information

Combining graphic fiction and non-fiction, this young adult graphic novel serves as a window into one of the unique dangers of being an Indigenous teen in Canada today. The text of the book is derived from excerpts of a letter written to the Winnipeg Chief of Police by fourteen-year-old Brianna Jonnie — a letter that went viral and was also the basis of a documentary film. In her letter, Jonnie calls out the authorities for neglecting to immediately investigate missing Indigenous people and urges them to "not treat me as the Indigenous person I am proud to be," if she were to be reported missing.

Indigenous artist Neal Shannacappo provides the artwork for the book. Through his illustrations he imagines a situation in which a young Indigenous woman does disappear, portraying the reaction of her community, her friends, the police and media.

An author's note at the end of the book provides context for young readers about Missing and Murdered Indigenous Women and Girls in Canada.

Awards

• 2021 Indigenous Voices Awards winner for Published Graphic Novels, Comics, and Illustrated Books in any Language.

Educator Information
Recommended Ages: 12 - 18. 

Recommended in the Canadian Indigenous Books for Schools 2020/2021 resource list for grades 7 to 12 for use in these areas: English Language Arts, Social Justice, and Social Studies.

This book is available in French: Si je disparais

Additional Information
64 pages | 8.50" x 9.50" | 100+ 2-colour illustrations

From the internationally acclaimed Inuit throat singer who has dazzled and enthralled the world with music it had never heard before, a fierce, tender, heartbreaking story unlike anything you've ever read.

Fact can be as strange as fiction. It can also be as dark, as violent, as rapturous. In the end, there may be no difference between them.

A girl grows up in Nunavut in the 1970s. She knows joy, and friendship, and parents' love. She knows boredom, and listlessness, and bullying. She knows the tedium of the everyday world, and the raw, amoral power of the ice and sky, the seductive energy of the animal world. She knows the ravages of alcohol, and violence at the hands of those she should be able to trust. She sees the spirits that surround her, and the immense power that dwarfs all of us.

When she becomes pregnant, she must navigate all this.

Veering back and forth between the grittiest features of a small arctic town, the electrifying proximity of the world of animals, and ravishing world of myth, Tanya Tagaq explores a world where the distinctions between good and evil, animal and human, victim and transgressor, real and imagined lose their meaning, but the guiding power of love remains.

Haunting, brooding, exhilarating, and tender all at once, Tagaq moves effortlessly between fiction and memoir, myth and reality, poetry and prose, and conjures a world and a heroine readers will never forget.

Awards

• Winner of the 2019 Indigenous Voices Awards for Published Prose in English.
• Winner of the 2018 Alcuin Society Awards for Excellence in Book Design – Prose Fiction

Reviews
“Tagaq’s surreal meld of poetry and prose transmutes the Arctic’s boundless beauty, intensity, and desolation into a wrenching contemporary mythology.” –The New Yorker

“Though the protagonist’s coming-of-age story, generously and lovingly documented by Tagaq, is the anchor, Split Tooth is not a book that can be fully absorbed in one sitting. It’s possible to sink deeper and deeper into the narrative with each successive reading. Like a smirking teenager, Split Tooth blithely gives typical literary expectations the finger, daring us to see and experience narrative as chaotic, emotional, and deeply instinctive. And it succeeds.” –Quill and Quire

“Tanya’s book is one of the most incredible things I’ve ever read. It’s deeply profound, emotional and personal, and furthers her artistic experimentation and genius into a new realm. I love her even more after reading it, and I’m once again awed by her talent.” –Jesse Wente, CBC Broadcaster

"[A] forceful coming-of-age tale.” –Toronto Life magazine

Additional Information