First Nation Communities Read

"John Macfie's vivid and stirring photographs show a way of life on full display - the world my ancestors inhabited and that my mom fondly described to me. It is a world that, shortly after these pictures were taken, ended. So distant and yet achingly familiar, these pictures feel like a visit home."- Jesse Wente, Anishinaabe broadcaster, arts leader, and author of Unreconciled: Family, Truth, and Indigenous Resistance

While working as a trapline manager in Northern Ontario during the 1950s and 1960s, John Macfie, a Canadian of Scottish heritage, formed deep and lasting relationships with the people of the Indigenous communities in the region. As he travelled the vast expanse of the Hudson Bay watershed, from Sandy Lake to Fort Severn to Moose Lake and as far south as Mattagami, he photographed the daily lives of Anishinaabe, Cree, and Anisininew communities, bearing witness to their adaptability and resilience during a time of tremendous change.

Macfie's photos, curated both in this volume and for an accompanying exhibition by the nipisihkopawiyiniw (Willow Cree) writer and journalist Paul Seesequasis, document ways of life firmly rooted in the pleasures of the land and the changing seasons. People of the Watershed builds on Seesequasis's visual reclamation work with his online Indigenous Archival Photo Project and his previous book, Blanket Toss Under Midnight Sun, serving to centre the stories and lives of the people featured in these compelling archival images.

Reviews
"The images reflect a sensitive eye and respectful approach to a solid documentary project." - The Globe and Mail

"Shines a light on the overlooked histories of Indigenous communities in northern Ontario." - APTN

Additional Information
192 pages | 8.01" x 9.99" | 100 colour and black and white photos | Paperback

Thrust into the foster care system from an early age, Apple moves from house to house on Prince Edward Island without finding a home until she's a teenager and taken in by a couple who never managed to have children themselves. When she falls pregnant, her foster parents are keen to raise the baby with Apple still in the house—to live as a family.

That opportunity is torn from Apple by members of the Catholic Church along with social workers and government officials. Their vicious practices take the babies of unwed mothers and give them to wealthy families in exchange for large "donations" to the church. Apple's beloved baby ends up with a rich couple in the U.S., and is lost to her.

The Baby Train traces her life in the aftermath of that loss, raising subsequent children, creating deep bonds of friendship with other women struggling against society's rigid norms, and carrying underneath it all an unending love for her firstborn child.

We also follow her baby's path, and watch his affluent, neglected childhood and then adulthood unfold. He never knows that his birth mother still yearns for him, still lights him birthday candles every year.

The shameful legacy of forced and coerced adoption in Eastern Canada is brought to life in this sweeping novel.

Educator Information
PEI's birth alert practice allowed hospitals or social workers to flag expectant parents whom they felt might put their newborns at risk. Generally, this practice targeted Indigenous and unwed women.

Additional Information
224 pages | 5.75" x 8.00" | Paperback 

Ukraine, 1944

As the world around her is ripped apart by war and infiltrated by Nazi soldiers, Savka Ivanets works as a medic for the Ukrainian resistance, stitching wounds by day, stealing supplies by night, and dodging firefights between the SS and Soviet partisans. When her husband, Marko, a reluctant member of the Waffen-SS, forces her to deliver a coded message to an underground bunker, she’s terrified. But when her mission doesn’t go as planned, and her son, Taras, is kidnapped by the KGB, Savka fears she’ll never see him again.

Salt Spring Island, 1972

For Jeanie Esterhazy, the world, with its whispers and curious eyes, is too much to bear. Ever since the horrific accident that left her badly scarred, Jeanie, unable to remember anything about that awful day, has pulled away from society, utterly isolated.

Then a mysterious stranger appears at her house, and Jeanie suddenly begins having flashbacks about the night of her wedding—flashbacks that hold answers to the questions she’s had for years; flashbacks that make her realize the world around her is not as it seems.

Weaving together Savka and Jeanie's stories with artful precision, The Last Secret is at once luminous and transporting, a brilliant and impossible-to-forget story of love, hope, and the breathtaking resilience of women.

Reviews
"An extraordinarily powerful novel cinematically weaving one gripping layer into the next. From the frozen hellscape of Eastern Europe during WW2 to the lush green of Salt Spring Island in Canada, The Last Secret delivers a thrilling story of survival and love that held me spellbound throughout. Brava, Ms. Caron! An easy five stars." —Genevieve Graham, #1 bestselling author of The Forgotten Home Child

"How delicious to discover sleepy Salt Spring Island, BC, caught up in the icy tendrils of a Cold War thriller. Sweeping from hardship to heartache, The Last Secret is a timely reminder of the improbable bonds forged, broken and recast on World War II’s Eastern Front. Here, revenge is served tundra-cold, but with a dash of sea salt and fire." —Shelley Wood

Additional Information
416 pages | 6.09" x 8.91" | Paperback 

In this extraordinary and inspiring debut memoir, Jesse Thistle, once a high school dropout and now a rising Indigenous scholar, chronicles his life on the streets and how he overcame trauma and addiction to discover the truth about who he is.

If I can just make it to the next minute... then I might have a chance to live; I might have a chance to be something more than just a struggling crackhead.

From the Ashes is a remarkable memoir about hope and resilience, and a revelatory look into the life of a Métis-Cree man who refused to give up.

Abandoned by his parents as a toddler, Jesse Thistle briefly found himself in the foster-care system with his two brothers, cut off from all they had known. Eventually the children landed in the home of their paternal grandparents, but their tough-love attitudes meant conflicts became commonplace. And the ghost of Jesse’s drug-addicted father haunted the halls of the house and the memories of every family member. Struggling, Jesse succumbed to a self-destructive cycle of drug and alcohol addiction and petty crime, spending more than a decade on and off the streets, often homeless. One day, he finally realized he would die unless he turned his life around.

In this heartwarming and heartbreaking memoir, Jesse Thistle writes honestly and fearlessly about his painful experiences with abuse, uncovering the truth about his parents, and how he found his way back into the circle of his Indigenous culture and family through education.

An eloquent exploration of what it means to live in a world surrounded by prejudice and racism and to be cast adrift, From the Ashes is, in the end, about how love and support can help one find happiness despite the odds.

Awards

• 2020 Indigenous Voices Awards Winner for Published Prose in English
  

Reviews
“From the Ashes hits you like a punch in the gut. It’s an unflinching, heartrending and beautifully written story of survival against seemingly impossible odds. But it’s also a book that should make you furious. Thistle paints a vivid portrait of a country seemingly incapable of doing right by Indigenous youth or by those struggling with homelessness, addiction and intergenerational trauma. That he survived to tell this story is truly a miracle. Still, one question haunts me after finishing this powerful and devastating book: How do we ensure that the next generation isn’t forced to navigate a broken system that takes their lives for granted and fails them at every turn? My greatest hope, then, is that From the Ashes will be the wakeup call Canada needs.” — IAN MOSBY, historian and author of Food Will Win the War

Educator Information
Caution: Deals with mature subject matter.

Additional Information
368 pages | 6.00" x 9.00"

From ground zero of this country's most important project: reconciliation

Niigaan Sinclair has been called provocative, revolutionary, and one of this country's most influential thinkers on the issues impacting Indigenous cultures, communities, and reconciliation in Canada. In his debut collection of stories, observations, and thoughts about Winnipeg, the place he calls "ground zero" of Canada's future, read about the complex history and contributions of this place alongside the radical solutions to injustice and violence found here, presenting solutions for a country that has forgotten principles of treaty and inclusivity. It is here, in the place where Canada began—where the land, water, people, and animals meet— that a path "from the centre" is happening for all to see.

At a crucial and fragile moment in Canada's long history with Indigenous peoples, one of our most essential writers begins at the centre, capturing a web spanning centuries of community, art, and resistance.

Based on years' worth of columns, Niigaan Sinclair delivers a defining essay collection on the resilience of Indigenous peoples. Here, we meet the creators, leaders, and everyday people preserving the beauty of their heritage one day at a time. But we also meet the ugliest side of colonialism, the Indian Act, and the communities who suffer most from its atrocities.

Sinclair uses the story of Winnipeg to illuminate the reality of Indigenous life all over what is called Canada. This is a book that demands change and celebrates those fighting for it, that reminds us of what must be reconciled and holds accountable those who must do the work. It's a book that reminds us of the power that comes from loving a place, even as that place is violently taken away from you, and the magic of fighting your way back to it.

Awards

•  Winner of the 2024 Governor General's Literary Award for Nonfiction.

Additional Information
384 pages | 5.14" x 7.92" | b&w photos throughout | Paperback

Part of the inaugural Kanata Classics list, with a new introduction by David Chariandy, NISHGA is a groundbreaking, deeply personal, and devastating autobiographical meditation that attempts to address the complicated legacies of Canada’s residential school system and contemporary Indigenous existence.

As a Nisga'a writer, Jordan Abel often finds himself in a position where he is asked to explain his relationship to Nisga'a language, Nisga'a community, and Nisga'a cultural knowledge. However, as an intergenerational survivor of residential school--both of his grandparents attended the same residential school--his relationship to his own Indigenous identity is complicated to say the least.

NISHGA explores those complications and is invested in understanding how the colonial violence originating at the Coqualeetza Indian Residential School impacted his grandparents' generation, then his father's generation, and ultimately his own. The project is rooted in a desire to illuminate the realities of intergenerational survivors of residential school, but sheds light on Indigenous experiences that may not seem to be immediately (or inherently) Indigenous.

Drawing on autobiography and a series of interconnected documents (including pieces of memoir, transcriptions of talks, and photography), NISHGA is a book about confronting difficult truths and it is about how both Indigenous and non-Indigenous peoples engage with a history of colonial violence that is quite often rendered invisible.

Reviews
“With NISHGA, Jordan Abel has reinvented the memoir, incorporating personal anecdotes, archival footage, legal documentation, photos and concrete poetry to create an unforgettable portrait of an Indigenous artist trying to find his place in a world that insists Indigeneity can only ever be the things that he is not. Abel deftly shows us the devastating impact this gate-keeping has had on those who, through no decisions of their own, have been ripped from our communities and forced to claw their way back home, or to a semblance of home, often unassisted. This is a brave, vulnerable, brilliant work that will change the face of nonfiction, as well as the conversations around what constitutes Indigenous identity. It's a work I will return to again and again.” —Alicia Elliott, author of A Mind Spread Out on the Ground

“In NISHGA, Jordan Abel puts to use the documentary impulse that has already established him as an artist of inimitable methodological flair. By way of a mixture of testimonial vignettes, recordings of academic talks, found text/art, and visual art/concrete poetry, Abel sculpts a narrative of dislocation and self-examination that pressurizes received notions of “Canada” and “history” and “art” and “literature” and “belonging” and “forgiveness.” Yes, it is a book of that magnitude, of that enormity and power. By its Afterword, NISHGA adds up to a work of personal and national reckoning that is by turns heartbreaking and scathing.” —Billy-Ray Belcourt, author of NDN Coping Mechanisms and A History of My Brief Body

"This is a heart-shattering read, and will also be a blanket for others looking for home. NISHGA is a work of absolute courage and vulnerability. I am in complete awe of the sorrow here and the bravery. Mahsi cho, Jordan.” —Richard Van Camp, author of Moccasin Square Gardens

“Jordan Abel digs deeply into the questions we should all be asking. Questions that need no explanation but ones that require us to crawl back into our bones, back into the marrow of our understanding. NISHGA is a ceremony where we need to be silent. Where we need to listen.” —Gregory Scofield, author of Witness, I Am

Educator & Series Information
This edition of Nishga is part of the Kanata Classics series, which celebrates timeless books that reflect the rich and diverse range of voices in Canadian literature. 

Additional Information
304 pages | 5.54" x 8.26" | Paperback

By the celebrated author of Canada Reads Finalist Indian Horse, a stunning new novel that has all the timeless qualities of a classic, as it tells the universal story of a father/son struggle in a fresh, utterly memorable way, set in dramatic landscape of the BC Interior. For male and female readers equally, for readers of Cormac McCarthy, Thomas King, Russell Banks, and general literary.

Franklin Starlight is called to visit his father, Eldon. He's sixteen years old and has had the most fleeting of relationships with the man. The rare moments they've shared haunt and trouble Frank, but he answers the call, a son's duty to a father. He finds Eldon decimated after years of drinking, dying of liver failure in a small town flophouse. Eldon asks his son to take him into the mountains, so he may be buried in the traditional Ojibway manner.

What ensues is a journey through the rugged and beautiful backcountry, and a journey into the past, as the two men push forward to Eldon's end. From a poverty-stricken childhood, to the Korean War, and later the derelict houses of mill towns, Eldon relates both the desolate moments of his life and a time of redemption and love and in doing so offers Frank a history he has never known, the father he has never had, and a connection to himself he never expected.

A novel about love, friendship, courage, and the idea that the land has within it powers of healing, Medicine Walk reveals the ultimate goodness of its characters and offers a deeply moving and redemptive conclusion.

Wagamese's writing soars and his insight and compassion are matched by his gift of communicating these to the reader.

Reviews
“In Medicine Walk, Wagamese manages the nuances of betrayal and redemption with uncommon artistry. It is a breathtaking novel of sorrow, hope and polished steel.” – Thomas King

“A deeply felt and profoundly moving novel, written in the kind of sure, clear prose that brings to mind the work of the great North American masters; Steinbeck among them. But Wagamese's voice and vision are also completely his own, as is the important and powerful story he has to tell.” – Jane Urquhart

“Medicine Walk recounts the mythic journey of an estranged father and son who are searching for reconciliation and love. Richard Wagamese’s novel renders the Canadian wilderness with staggering insight and beauty. The same can be said for his understanding of the fragility, wildness and resilience of the human heart. Magnificent.” – Lisa Moore

“Medicine Walk is a masterpiece, a work of art that explores human interconnectedness with a level of artistry so superb that the personal becomes eternal.” – National Post

“A moving story…. Wagamese balances the novel’s spiritual and political subtexts with sly humour, sharp, believable dialogue and superb storytelling skills. Medicine Walk is a major accomplishment from an author who has become one of Canada’s best novelists.” – Toronto Star

“This is very much a novel about the role of stories in our lives, those we tell ourselves about ourselves and those we agree to live by…. Wagamese understands that the stories we don’t tell are as important as the ones we do….But Medicine Walk is also testament to the redemptive power of love and compassion.” – Globe and Mail

“One of the finest novels of the year…. Medicine Walk is not only a graceful book, it is a novel of grace, of coming to terms with hidden truths, of coming to know the secrets behind forbidding appearances, of finding the humanity within strangers.” – Vancouver Sun

“An essential read…. Superbly written.” – Now Magazine (NNNN)

Educator & Series Information
This edition of Medicine Walk is part of the Kanata Classics series, which celebrates timeless books that reflect the rich and diverse range of voices in Canadian literature. 

Grades 10-12 BC English First Peoples resource for units on Childhood, Place-Conscious Learning, and Family.

Additional Information
256 pages | 5.50" x 8.25" | Paperback 

"This beautiful book can completely change how we approach science, using both Indigenous and Western perspectives, and how we can work collaboratively to help foster balance in nature." —Suzanne Simard, bestselling author of Finding the Mother Tree

For readers of Braiding Sweetgrass: Future-saving insights and approaches to science and ecology using both Indigenous and Western perspectives.

A farm kid at heart, and a Nlaka'pamux woman of mixed ancestry, Dr. Jennifer Grenz always felt a deep connection to the land. However, after nearly two decades of working as a restoration ecologist in the Pacific Northwest, she became frustrated that despite the best efforts of her colleagues and numerous volunteers, they weren't making the meaningful change needed for plant, animal and human communities to adapt to a warming climate. Restoration ecology is grounded in an idea that we must return the natural world to an untouched, pristine state, placing humans in a godlike role—a notion at odds with Indigenous histories of purposeful, reciprocal interaction with the environment. This disconnect sent Dr. Grenz on a personal journey of joining her head (Western science) and her heart (Indigenous worldview) to find a truer path toward ecological healing.

In Medicine Wheel for the Planet, building on sacred stories, field observations and her own journey, Dr. Grenz invites readers to share in the teachings of the four directions of the medicine wheel: the North, which draws upon the knowledge and wisdom of elders; the East, where we let go of colonial narratives and see with fresh eyes; the South, where we apply new-old worldviews to envision a way forward; and the West, where a relational approach to land reconciliation is realized.

Eloquent, inspiring and disruptive, Medicine Wheel for the Planet circles toward an argument that we need more than a singular worldview to protect the planet and make the significant changes we are running out of time for.

Reviews
"Grenz shares her ancestral Nlaka'pamux wisdom that respect, relationship and reciprocity with all life is essential in healing the land. In telling her stories, she demonstrates how these fundamental principles underlie the good work. She also teaches us that our ability to understand nature and our success at stewardship requires that we lead with our hearts and keep our beginner’s curiosity open. When we do this, we have unlimited capacity to heal. This beautiful book can completely change how we approach science, using both Indigenous and Western perspectives, and how we can work collaboratively to help foster balance in nature.” —Suzanne Simard, author of Finding the Mother Tree: Discovering the Wisdom of the Forest

“Rooted in both Indigenous and Western ways of understanding and doing science, Medicine Wheel for the Planet challenges the simplistic, dichotomous thinking that has led well-meaning environmentalists astray for too long. In a book that is part primer in ecology, part memoir, and part manifesto, Jennifer Grenz movingly shares her own process of learning and unlearning, of connecting with traditional knowledge and practices to help unearth future-saving insights and approaches — and by doing so, generously invites the reader to undertake a similar transformation. Wise, humble, provocative, brave, and beautifully written, this book is a triumph. Read it and let it alter and expand how you see the world and your place and role within it." —Astra Taylor, author of The Age of Insecurity: Coming Together as Things Fall Apart

“Deeply moving and compelling, Medicine Wheel for the Planet weaves a powerful story about the limitations of restoration ecology and a Western lens, and illuminates a path forward using the power of Indigenous and reciprocal ways of being. An imperative read for all Canadians.” —Angela Sterritt, author of Unbroken: My Fight for Survival, Hope, and Justice for Indigenous Women and Girls

“In this thoughtful and heartfelt book, Dr. Grenz challenges us to reflect on how – despite the massive contributions of Western science – we humans are impacting the Earth and all life on our planet in problematic ways, most recently evident in the ongoing global climate crisis. Guiding us through the medicine wheel concept, she illuminates the deep experiences of the First Peoples, often conveyed through stories, that can inspire us to be better relatives, reminding us to focus our time and energy on healing the Earth. This is a revelatory, immersive work that illustrates, with respect and gratitude, the meaningful role that all systems of knowledge play in connecting ‘our heads and our hearts’ for a healthier planet.” —Nancy J. Turner, Distinguished Emeritus Professor in Environmental Studies, University of Victoria, author/editor of many books including The Earth’s Blanket, Member of the Order of Canada, the Order of British Columbia and winner of Canadian Botanical Association Lawson Medal

“Medicine Wheel for the Planet transported me gently into the dynamic world of plants and trees and offers a powerful viewing lens—one derived from Indigenous storytelling as well as from Western science. Dr. Grenz helped me to see research methods through a more holistic perspective, and skilfully shows what science could accomplish if untangled from the rigid rules of our dominant culture. With patience and humility, she convinced me that if we take the time to look and listen differently, the land will offer us crucial lessons in healing that would otherwise be left unseen and unheard.” —Dr. Jane Philpott, author of Health for All: A Doctor's Prescription for a Healthier Canada

Educator Information
This book is available in French: La roue de médecine: Un nouveau récit pour guérir la planète

Additional Information
280 pages | 5.18" x 8.00" | Paperback

Residential school life through the eyes of a child.

Enos Montour's Brown Tom's Schooldays, self-published in 1985, tells the story of a young boy's life at residential school. Drawn from Montour's first-hand experiences at Mount Elgin Indian Residential School between 1910 and 1915, the book is an ironic play on "the school novel," namely 1857's Tom Brown's Schooldays by Thomas Hughes.

An accomplished literary text and uncommon chronicle of federal Indian schooling in the early twentieth century, Brown Tom's Schooldays positions Brown Tom and his schoolmates as citizens of three worlds: the reserve, the "white man's world," and the school in between. It follows Tom leaving his family home, making friends, witnessing ill health and death, and enduring constant hunger.

Born at Six Nations of the Grand River in 1899, Montour earned degrees in Arts and Divinity at McGill University and served as a United Church minister for more than thirty years, honing his writing in newspapers and magazines and publishing two books of family history. Brown Tom's Schooldays reflects Montour's intelligence and skill as well as his love of history, parody, and literature.

This critical edition includes a foreword by the book's original editor, Elizabeth Graham, and an afterword by Montour's granddaughters, Mary Anderson and Margaret McKenzie. In her introduction, historian Mary Jane Logan McCallum documents Montour's life and work, details Brown Tom's Schooldays's publication history, and offers further insight into the operations of Mount Elgin. Entertaining and emotionally riveting, Montour's book opens a unique window into a key period in Canada's residential school history.

Reviews
"A fantastic read. People need more books like this, which are directly related to the TRC but are also a testament to the strength and creativity of Indigenous literature." — Crystal Fraser, University of Alberta

"Brown Tom's Schooldays is a literary artifact from the residential school era. In this fictionalized coming of age account, Enos Montour captures the youthful hopes, dreams, and disappointments of his real life upbringing at Mount Elgin, one of Canada's earliest and longest running residential schools. Unique in style, tone, and perspective, Schooldays is an important read for anyone interested in understanding the residential school system and for all of us who call the lower Great Lakes home." — Thomas Peace, Huron at Western University

Educator Information
This book is part of the First Voices, First Texts series.

Table of Contents

Foreword: On A Personal Note, The Making of Brown Tom’s Schooldays, 1982–1984 by Elizabeth Graham

Introduction: Enos Montour, Brown Tom, and “Ontario Indian” Literature by Mary Jane Logan McCallum

Brown Tom’s Schooldays by Enos Montour

Chapter 1: Salad Days

Chapter 2: Brown Tom Arrives

Chapter 3: Brown Tom's Three Worlds

Chapter 4: The Milling Herd

Chapter 5: Loaf 'n' Lard

Chapter 6: Brown Tom Makes a Deal

Chapter 7: Too Big for Santa Claus

Chapter 8: Brown Tom's Happy Days

Chapter 9: Trial By Fire

Chapter 10: Brown Tom "Has It Bad"

Chapter 11: Brown Tom Gets Religion

Chapter 12: The Roar of Mighty Waters

Chapter 13: Happy Hunting Ground for Noah

Chapter 14: War Clouds Over Mt. Elgin

Chapter 15: Brown Tom "Arrives"

Afterword by Mary Anderson and Margaret McKenzie

Appendix 1: Glossary of Idioms and References in Brown Tom’s Schooldays

Appendix 2: Bibliography of Works by Enos Montour

Endnotes

Bibliography

Additional Information
216 pages | 5.50" x 8.50" | 20 b&w illustrations, 3 maps | Paperback

The first comprehensive study of Indian residential schools in the North.

In this ground-breaking book, Crystal Gail Fraser draws on Dinjii Zhuh (Gwich'in) concepts of individual and collective strength to illuminate student experiences in northern residential schools, revealing the many ways Indigenous communities resisted the institutionalization of their children.

After 1945, federal bureaucrats and politicians increasingly sought to assimilate Indigenous northerners--who had remained comparatively outside of their control--into broader Canadian society through policies that were designed to destroy Indigenous ways of life. Foremost among these was an aggressive new schooling policy that mandated the construction of Grollier and Stringer Halls: massive residential schools that opened in Inuvik in 1959, eleven years after a special joint committee of the House of Commons and the Senate recommended that all residential schools in Canada be closed.

By Strength, We Are Still Here shares the lived experiences of Indigenous northerners from 1959 until 1982, when the territorial government published a comprehensive plan for educational reform. Led by Survivor testimony, Fraser shows the roles both students and their families played in disrupting state agendas, including questioning and changing the system to protect their cultures and communities.

Centring the expertise of Knowledge Keepers, By Strength, We Are Still Here makes a crucial contribution to Indigenous research methodologies and to understandings of Canadian and Indigenous histories during the second half of the twentieth century.

Reviews
"By Strength, We Are Still Here demonstrates an intergenerational process of love and strength. Fraser's methodology, theory work, and incredibly thorough research are in and of themselves lifegiving, vital, and serve as an example to all other scholars." — Omeasoo Wahpasiw

"By integrating survivor testimony with archives, Fraser points towards the Indigenous resistance revealed in the ellipses and gaps in the colonial record. This is very important work." — Chris Trott

Educator Information
Table of Contents

Glossary

A Note on Region and Terminology

Introduction—By Strength, We Are Still Here.

Chapter One—“If anyone is going to jail for this, I’m taking it”: Our Relatives Speak

• Education in Nanhkak Thak Before the Arrival of Settlers
• Indian Day and Residential Schools
• The Construction of Inuvik

Chapter Two—Calls Grow. “Listen! It’s louder now. From here, from there. Indian voices, Métis voices, demanding attention, demanding equality!"

Chapter Three—“The long process of tearing our family apart”

Chapter Four—“Making us into nice white kids.”

Chapter Five—“The hazards that can result from too permissive or undisciplined sexual behaviour.”

Chapter Six—“To find that inner peace, it was so important for us all.”

Chapter Seven—“These are our children and they are very precious to us.”

Conclusion—“We knew the value of strength.”

Appendix A

Endnotes

Additional Information
320 pages | 6.00" x 9.00" | 69 b&w illustrations, index, bibliography | Paperback 

Ela Tahoe, a runaway turned deputy sheriff, is forced to contend with a Confederate invasion of her New Mexican town three months after the conclusion of the Civil War. Ela will need to confront her heritage and past with the Apache in order to get their aid to combat this Confederate threat, leading her to look at the world from the Native American perspective once again. Conceived as a tightly paced, gut wrenching western thriller, Ela fights tooth and nail to save the lives of her townspeople and most importantly, her son.

The American Western Frontier is arguably one of the most widely misrepresented histories, rife with inaccuracies and stereotypes. Black Mi'kmaq and Anishinaabe author Tristan Jones powerfully and critically reimagines and reclaims a historical retelling of the Frontier with a focus on the historically missing Indigenous narrative. Illustrated by master sequential artist Alexander Bumbulut, The Forgotten Frontier should be on everyone's reading list.

Additional Information
140 pages | 6.00" x 9.00" | Paperback

The political life of Dene leader Georges Erasmus - a radical Native rights crusader widely regarded as one of the most important Indigenous leaders of the past fifty years.

For decades, Georges Erasmus led the fight for Indigenous rights. From the Berger Inquiry to the Canadian constitutional talks to the Oka Crisis, Georges was a significant figure in Canada's political landscape. In the 1990s, he led the Royal Commission on Aboriginal Peoples and afterward was chair and president of the Aboriginal Healing Foundation, around the time that Canada's residential school system became an ongoing frontpage story.

Georges's five-decade battle for Indigenous rights took him around the world and saw him sitting across the table from prime ministers and premiers. In the 1980s, when Georges was the National Chief of the Assembly of First Nations, he was referred to as the "Thirteenth Premier." This book tells the personal story of his life as a leading Indigenous figure, taking the reader inside some of Canada's biggest crises and challenges.

Awards

• 2025 Indigenous Voices Awards - Prose in English Award

Additional Information
320 pages | 6.00" x 9.00" | 57 b&w illustrations | Paperback 

An eighty-year overview of wood and argillite carving by Indigenous women artists on the Northwest Coast.

Though women of the Northwest Coast have long carved poles, canoes, panels, and masks, many of these artists have not become as well known outside their communities as their male counterparts. These artists are cherished within their communities for helping to keep traditional carving practices alive, and for maintaining the dances, songs, and ceremonies that are intertwined with visual art production. This book, and an associated exhibition at the Audain Art Museum, gathers a range of sculptural formats by Indigenous women in order to expand the discourse of carving in the region.

Both the exhibition and publication are co-curated by Dana Claxton, artist, filmmaker and head of the University of British Columbia's Department of Art History, Visual Art and Theory; and Dr. Curtis Collins, the AAM's Director & Chief Curator. Commentaries by Skeena Reece, Claxton, and Marika Swan, and interviews with artists Dale Campbell and Mary Anne Barkhouse are presented alongside more than one hundred artworks from public and private collections across North America, including several newly commissioned pieces.

Featured artists include:
- Ellen Neel (Kwakwaka'wakw, 1916-1966) - Freda Diesing (Haida, 1925-2002) - Doreen Jensen (Gitxsan, 1933-2009) - Susan Point (Musqueam, b. 1952) - Dale Campbell (Tahltan, b. 1954) - Marianne Nicolson (Kwakwaka'wakw, b. 1969) - Arlene Ness (Gitxsan, b. 1970s) - Melanie Russ (Haida, b. 1977) - Marika Swan (Nuu-chah-nulth, b. 1982) - Morgan Asoyuf (Ts'msyen, b. 1984) - Cori Savard (Haida, b. 1985) - Cherish Alexander (Gitwangak, b. 1987) - Stephanie Anderson (Wetsuwet'en, b. 1991) - Veronica Waechter (Gitxsan, b. 1995)

Additional Information
160 pages | 9.20" x 1.10" | 120 colour photos | Hardcover 

Part look-book, part memoir, and part history, this beautifully illustrated monument to a singular designer who helped inspire the growing Indigenous fashion movement is also a powerful demonstration of the enduring resonance and possibilities of Haida art.

Inspired by a discussion with celebrated Haida artist Bill Reid, Haida designer Dorothy Grant made it her life's mission to bring her culture's traditional art into contemporary fashion while adhering to the principle of Yaguudang, or respect for oneself and others. The 1989 launch of her Feastwear collection, featuring modern silhouettes hand-appliquéd with Northwest Coast formline, immediately established her at the forefront of Indigenous fashion in North America, and she has since hosted runway shows and trunk sales from Paris to Vancouver to Tokyo. Her clients include Indigenous leaders, national politicians, and global celebrities, and her garments can be found in museums and galleries around the world, including the Metropolitan Museum of Art.

Dorothy Grant: An Endless Thread is the first monograph to celebrate her trailblazing career. It features new photography of dozens of garments spanning the past four decades, modeled in studio and natural settings in Vancouver and Haida Gwaii, alongside sketches, traditional button robes and spruce-root weaving, and personal stories and reflections from Grant. Essays by Haida repatriation specialist and museologist Sdahl Ḵ'awaas Lucy Bell and curator India Rael Young place Grant in the long continuum of Haida fashion and trace the many innovations and accomplishments of her journey, and Haida curator and artist Kwiaahwah Jones, a longtime assistant to Grant, shares behind-the-scenes insights and memories. An associated exhibition, Dorothy Grant: Raven Comes Full Circle, opened at Haida Gwaii Museum in July 2024.

Educator Information
The publisher notes this work is from Dorothy Grant in collaboration with the Haida Gwaii Museum. Contributors to this work include:

• Sdahl Ḵ’awaas Lucy Bell
• Taa.uu ’Yuuwans Nika Collison
• Kwiaahwah Jones
• India Rael Young

Additional Information
168 pages | 9.44" x 10.35" | Hardcover 

i heard a crow before i was born.
i heard tsó:ka’we before i was born.

i heard a crow before i was born opens with a dream-memory that transforms into a stark, poetic reflection on the generational trauma faced by many Indigenous families. Jules Delorme was born to resentful and abusive parents, in a world in which he never felt he belonged. Yet, buoyed by the love shown to him by his tóta (grandmother) and his many animal protectors, Delorme gained the strength to reckon with his brutal childhood and create this transformative and evocative memoir.

Across chapters that tell of his troubled relationships, Delorme unwraps the pain at the centre of his own story: the residential schools and the aftershocks that continue to reverberate.

In this stunning testament to the power of storytelling — to help us grieve and help us survive — Delorme tells the story of his spirit walk as he embraces the contradictions of his identity. As he writes, “i heard a crow before i was born is a man looking back, and dreaming back, and seeing that life, in whatever form it takes, however harsh it might seem, is beautiful.”

Reviews
“Jules Delorme is an unconventional storyteller and writer. His exploration of self through the eyes of being ‘half white on the reserve and half Indian in the city’ speaks to his vast experience as a Kanien’kehá:ka man in Canada. Jules has lived and continues to live the life of a man who has leapt over every hurdle that life places in front of him. To be able to write of his life in the way that he has shows his determination. Thank you, Jules, for taking us all on your spirit walk.” — Norma Dunning, award-winning author of Tainna, July 2024

Additional Information
164 pages | 5.00" x 8.00" | Paperback 

It’s summertime on the rez. The frybread is sizzling, and the local radio station plays bluegrass, Anishinaabemowin lessons, and Friday-night bingo numbers. Lenna, the youngest of the Little family, is preparing to leave home for her first year of college, with little enthusiasm or help from her stubborn father and reckless brother. Amidst lingering doubts about departing the family flock, Lenna collides into a meet-cute with the charming and awkward Sam Thomas, who is returning to the reserve after many years away. With the promise of a romance budding between them, Lenna is caught in a whirlwind of uncertainty, wondering if she’s ready to bid farewell just as she's about to take flight.

Filled with Indigenous humour, small-town seasoning, and dream-world interludes, this heartwarming love story captures the bittersweet highs and lows of a rural teenage upbringing. A love letter to community, Niizh is a refreshing coming-of-age romcom about two young lovebirds leaving the nest.

Reviews
“In Niizh, Joelle Peters offers up a profound love and simultaneous longing for family and community. She stages generational strengths—humour, caring, and insightfulness—alongside generational wounds that can keep our dearest at arm’s length. This disarmingly simple story is artfully crafted with dialogue featuring a uniquely Peters-ian dry wit. Niizh is a celebration of the joys, beauties, and challenges of a young and fiercely capable Indigenous woman.” — Tara Beagan

“I was excited about this play the first time I read it. It's smart and funny, and it's exactly what we need right now.” — Keith Barker

“Joelle can write the rez. Conveying the history, the hardship, but, more than anything, the humour and the beauty of our complicated communities. And to see those spaces on stage is a powerful thing.” — Falen Johnson

“What's most satisfying is how many themes Peters layers into the script—including the loss of Indigenous language and culture, the fear of failure of those embarking on something new and, most poignantly, the shame and anger around abandonment.” — Glenn Sumi

Additional Information
112 pages | 5.40" x 8.35" | Paperback

The Art of Making: Rediscovering the Blackfoot Legacy is a captivating entry into Jared Tailfeathers’ quest of cultural reclamation. Accompanied by his family and loyal dogs, Tailfeathers delves into his Indigenous heritage through hands-on, land-based exploration. The book traces the evolution of the Blackfoot Confederacy, examining its trade routes, resources, and interactions pre- and post-1800s. It provides intricate details of Blackfoot connections with nature, neighbouring First Nations Peoples, and their rich legacy in tool-making, spiritual knowledge seeking, and artistic expression. Tailfeathers’ research began in 2019, driven by a deep desire to reacquaint himself with his cultural and historical identity as a Blackfoot man navigating a post-colonial world. This book is a journey into the heart of Blackfoot culture, told by a man who walks the ancestral trails with his dogs.

Educator & Series Information
This book is part of the Indigenous Spirit of Nature series.

Additional Information
208 pages | 7.25" x 9.25" | Colour Illustrations | Paperback 

Reclaiming crops and culture on Turtle Island

Manomin, more commonly known by its English misnomer "wild rice," is the only cereal grain native to Turtle Island (North America). Long central to Indigenous societies and diets, this complex carbohydrate is seen by the Anishinaabeg as a gift from Creator, a "spirit berry" that has allowed the Nation to flourish for generations. Manomin: Caring for Ecosystems and Each Other offers a community-engaged analysis of the under-studied grain, weaving together the voices of scholars, chefs, harvesters, engineers, poets, and artists to share the plant's many lessons about the living relationships between all forms of creation.

Grounded in Indigenous methodologies and rendered in full colour, Manomin reveals and examines our interconnectedness through a variety of disciplines-history, food studies, ethnobotany, ecology-and forms of expression, including recipes, stories, and photos. A powerful contribution to conversations on Indigenous food security and food sovereignty, the collection explores historic uses of Manomin, contemporary challenges to Indigenous aquaculture, and future possibilities for restoring the sacred crop as a staple.

In our time of ecological crisis, Manomin teaches us how to live well in the world, sustaining our relations with each other, our food, and our waterways.

Reviews
"This book is absolutely amazing and one of the most original collections that I have read in many years. Intended for everyone who inhabits Turtle Island-Indigenous and settler alike-Manomin encourages readers to develop deeper relationships and understandings by listening to Elders and the land. I believe Manomin will transform Indigenous scholarship." — Michael Dockry, University of Minnesota

"Manomin teaches us much; how to observe, the need for biodiversity, and the understanding that there will be rice somewhere else, on different years, based on water levels. Manomin has provided food during the harshest of times. We were told that we should care for our water and there would be rice. There are lakes where Manomin has been drowned by the state and provincial authorities, raising water levels for recreational boats. For many years the Mille Lacs band of Anishinaabe tried to get the water levels corrected for the rice to flourish on Onamia and Omeme Lakes. At one of those lakes, the water levels went down in a drought, and the Manomin returned, seventeen years later. At another lake it was fifty years later. The Manomin returned when the conditions were right. That reminds us, like this book, of the resilience of seeds, the resilience of life, and our agreement to care for all. This book is a blessing of teachings and acknowledgment for the great gift of Manomin." — Winona LaDuke, To Be a Water Protector: Rise of the Wiindigoo Slayers

Educator Information
Topics: Environmental Studies, History, Indigenous Studies, Decolonization, Agriculture and Food, Ethnobotany, History, Food Studies.

Table of Contents
List of Illustrations

A Note on Language by Brittany Luby and Margaret Lehman

Introduction by Brittany Luby, Samantha Mehltretter, and Margaret Lehman with Niisaachewan Anishinaabe Nation

Ch.1 Manitou Gitaggan, the Great Spirit’s Garden by Kezhii’aanakwat Ron Kelly, Giizhiigokwe Sandra Indian, Patees Dorothy Copenace, and Kathi Avery Kinew

Ch.2 Migration by Edward Benton-Banai

Ch.3 Seeds and Soils by Victoria Jackson

Manomin and Bergamot by Sean Sherman

Ch.4 Manomin as Teacher by Brittany Luby with Niisaachewan Anishinaabe Nation

Images from Anishinaabe-Aki: Harvest

Ch.5 Relational Vocabularies by Joseph Pitawanakwat

Manomin, Berries, and Love by Michelle Johnson-Jennings, PhD

Ch.6 Environmental Change, Environmental Care by Samantha Mehltretter and Andrea Bradford with Niisaachewan Anishinaabe Nation

Images from Anishinaabe-Aki: The Seasons by Andrea Bradford

Ch.7 Disconnection by Hannah Tait Neufeld

Manomin and Mushrooms by Shane Chartrand

Ch.8 Treaty and Mushkiki by Jana-Rae Yerxa and Pikanagegaabo, William Yerxa

Ch.9 Promise by Kristi Leora Gansworth

Epilogue by Andrea Bradford and Brittany Luby

Appendix 1: A Recipe for Corn Soup

Appendix 2: A Note on Indigenous Language Rights

Glossary by Jane Mariotti

Contributors

Notes

Selected Bibliography

Additional Information
240 pages | 6.00" x 8.50" | 40 colour illustrations, 2 maps, index, bibliography | Paperback 

Returning to his favourite setting of Fort Simmer, Northwest Territories, Richard Van Camp brings his exuberant style to a captivating teen novel that blends the supernatural with 1980s-era nostalgia to reflect on friendship, tradition and forgiveness.

For as long as Lawson can remember, his life in a small Northwest Territories town has revolved around “the Treaty” between the Dogrib and the Chipewyan, set down centuries ago to prevent the return of bloody warfare between the two peoples.

On the Dogrib side, Lawson and his family have done their best to keep the pact alive with the neighbouring Cranes, a family with ancestral ties to a revered Chipewyan war chief. But even as Lawson and his father dutifully tidy the Cranes’ property as an act of respect, their counterparts offer little more than scowls and derision in return, despite the fact that both families are responsible for protecting the treaty.

Worse still, it seems that one of the Cranes’ boys is doing all he can to revive the old conflict: Silver, fresh out of jail, has placed himself in the service of a cruel, ghoulish spirit bent on destroying the peace. Now it's up to Isaiah Valentine, a Cree Grass Dancer, Shari Burns, a Metis psychic, and Lawson Sauron, a Dogrib Yabati—or protector—to face what Silver Cranes has called back.

This latest feat of storytelling magic by celebrated author Richard Van Camp blends sharply observed realism and hair-raising horror as it plays out against a 1980s-era backdrop replete with Platinum Blonde songs and episodes of Degrassi Junior High. Unfolding in the fictional town of Fort Simmer—the setting of previous Van Camp stories—Beast delivers a gripping, spirited tale that pits the powers of tradition against the pull of a vengeful past.

Educator Information
Young adult fiction.

Additional Information
312 pages | 5.50" x 8.50" | Paperback

“Canada rejected our applications for enrolment in the Qalipu First Nation. Initially, I was relieved by the rejection. I’d watched my hometown divide itself — are you Mi′kmaq or settler? Mi′kmaq or not Mi′kmaq enough?”

Centred around the Newfoundland Mi'kmaq experience in the wake of the controversial Qalipu First Nation enrolment process, Island wades through the fracture and mistrust that continues to linger in many communities. In this new collection, Douglas Walbourne-Gough expands upon issues of identity and history that he introduced in Crow Gulch, offering a deeply personal and equally beautiful exploration of Mi'kmaw and Newfoundland identity.

Walbourne-Gough’s narrative poems trace the formation of identity, not through status documentation, but through its deeper roots in childhood memories, family, spirituality, and dreams. Throughout this collection, he approaches life in fragments — snuggling into his nan’s sealskin snowsuit, learning Mi'kmaq from an app, or the myriad of complex emotions that come with receiving a status card — and watches them transform into pieces of an everlasting puzzle. Island reckons with an often-ignored, yet persistent, effect of colonialism — fractured identities.

Additional Information
80 pages | 5.50" x 8.50" | Paperback

The Sky Woman has returned to bring down the patriarchy!

This book is about a poet who may or may not be going crazy, who is just trying to survive in Winnipeg, where Indigenous people, especially women, are being disappeared. She is talking to a crow who may or may not be a trickster, and who brings a very important message: Sky Woman has returned, and she is ready to take down the patriarchy.

This is poetry, prose and dialogue about the rise and return of the matriarch. It’s a call to resistance, a manifesto to the female self.

Cree poet and broadcaster Rosanna Deerchild is an important voice for our time. Her poems – angry, funny, sad – demand a new world for Indigenous women.

Awards

• 2025 Indigenous Voices Awards - Poetry in English Award

Additional Information
96 pages | 5.00" x 8.00" | Paperback

There have been many things written about Canada’s violent siege of Kanehsatà:ke and Kahnawà:ke in the summer of 1990, but When the Pine Needles Fall: Indigenous Acts of Resistance is the first book from the perspective of Katsi’tsakwas Ellen Gabriel, who was the Kanien’kehá:ka (Mohawk) spokesperson during the siege. When the Pine Needles Fall, written in a conversational style by Gabriel with historian Sean Carleton, offers an intimate look at Gabriel’s life leading up to the 1990 siege, her experiences as spokesperson for her community, and her work since then as an Indigenous land defender, human rights activist, and feminist leader.

More than just the memoir of an extraordinary individual, When the Pine Needles Fall offers insight into Indigenous language, history, and philosophy, reflections on our relationship with the land, and calls to action against both colonialism and capitalism as we face the climate crisis. Gabriel’s hopes for a decolonial future make clear why protecting Indigenous homelands is vital not only for the survival of Indigenous peoples, but for all who live on this planet.

Awards

• 2025 Canadian Historical Association Indigenous History Book Prize
• 2025  Errol Sharpe Book Prize
• 2025 Wilson Institute Book Prize 

Reviews
“When the Pine Needles Fall is a profound treatise and manifesto chronicling Haudenosaunee resistance to land theft by one of the most important Land Defenders of our time. Gabriel’s work is the book on Indigenous resistance I’ve been waiting for my whole life. It is a must-read for anyone concerned with the continuation of life on this planet.”  — Leanne Betasamosake Simpson, co-author of “Rehearsals for Living”

“Katsi’tsakwas Ellen Gabriel’s words in When the Pine Needles Fall are gifts that serve as a beacon of light by igniting our hearts, minds, and spirits. Through her boundless wisdom grounded in healing work as a Land Defender on Turtle Island, she calls for fierce Indigenous resistance and radical global solidarity to put an end to root causes of oppression worldwide: capitalism, patriarchy, and settler colonialism. Gabriel reminds us that a more just, kind, and caring world—where all life is precious—is possible for the next seven generations, but only if we fight for it.” — Samir Shaheen-Hussain, MD, author of “Fighting for A Hand to Hold: Confronting Medical Colonialism against Indigenous Children in Canada”

“When the Pine Needles Fall is a remarkable and revelatory account of the 1990 siege of Kanehsatà:ke and Kahnawà:ke, when provincial, municipal, and national armed forces targeted these Mohawk communities. It is also one of the best first-hand accounts of Indigenous activism that I have ever read, relayed in moving and extraordinary form. An essential addition to contemporary First Nations history and the growing field of Indigenous Studies.” — Ned Blackhawk, Western Shoshone, author of “The Rediscovery of America: Native Peoples and the Unmaking of U.S. History”

“As a treatise on women and culture-based governance from a remarkable Haudenosaunee leader, When the Pine Needles Fall offers me hope and renewed energy. Through her life work, Ellen Gabriel demonstrates how to persevere, remain optimistic, and continue with creative and activist endeavours. The book effectively situates the ‘crisis’ within its centuries-long context, marking a tipping point for Canada while highlighting ongoing challenges. It also examines how mainstream narratives are constructed around Indigenous struggles, providing a comprehensive profile of Gabriel’s diverse contributions to Indigenous resistance and resurgence.” — Kim Anderson, author of“ Life Stages and Native Women: Memory, Teachings, and Story Medicine”

“Katsi’tsakwas Ellen Gabriel’s personal account of the 1990 siege of Kanehsatà:ke and Kahnawà:ke is a crucial contribution to our understanding of these dramatic events and of the political context of the time. Her lifetime dedication to the defence of Indigenous peoples and women’s rights is truly exemplary and constitutes an inspiration for generations to come.” — Bernard Duhaime, professor, Faculty of Political Science and Law, Université du Québec à Montréal

“In When the Pine Needles Fall, celebrated activist Katsi’tsakwas Ellen Gabriel gifts us with an expansive account of the 1990 siege of Kanehsatà:ke and Kahnawà:ke. This alone provides a captivating analysis of this seminal moment and its legacy within larger movements for Indigenous sovereignty on Turtle Island. But Gabriel, an artist, also paints the negative space, braiding her relationship to the land, Kanien’kehá:ka teachings, and the language with her tireless work against settler colonialism, extractive capitalism, and patriarchy. This essential book is an inspiring conversation reminding us that decolonization is world-building rooted in an ethics of relationality and care.” — Nazila Bettache, MD, MPH; assistant professor of medicine, Université de Montréal; social justice organizer and co-editor of “Reflections on Illness”

“I honour my sister whose words speak the truth. One of the most powerful quotes by Katsi’tsakwas is: ‘I’m a Kanien’kehá:ka woman who cares deeply about our land and I want a better future for the generations to come.’  Everything she speaks about in this book is directly connected to these words.” — Beverley Jacobs, CM, LLB, LLM, PhD; Kanien’kehá:ka, Bear Clan, Six Nations Grand River Territory; associate professor, Faculty of Law, University of Windsor

Additional Information
280 pages | 5.50" x 8.50" | Paperback

Iskwew Pithasew nitisithikason. My name is Lady of the Thunderbird, and this is my story.

It takes courage and bravery to survive in the barrens.

In 1944, thirteen-year-old Ilse Schweder got lost in a snowstorm while checking her family's trapline in northern Canada. This is the harrowing story of how a young Indigenous girl defies the odds and endures nine days alone in the unforgiving barrens. Ilse faces many challenges, including freezing temperatures, wild animals, snow blindness and frostbite. With no food or supplies, she relies on Traditional Indigenous Knowledge passed down from her family. Ilse uses her connection to the land and animals, wilderness skills and resilience to find her way home.

This powerful tale of survival is written by Ilse Schweder's granddaughter.

Reviews
“Colorful illustrations in classic comic-book style help readers explore the challenging landscape. An excellent choice for a book report and good addition to a children’s nonfiction collection.”- School Library Journal (SLJ), starred review

Educator Information
Recommended for ages 9 to 12.

Fountas & Pinnell Text Level Gradient: T 

Lexile measure: GN700L 

Guided Reading Level: T

Additional Information
96 pages | 6.00" x 9.00" | Paperback

Miskozi is searching for something...There's something missing. And she's not sure what it is. She goes on a search for herself and her culture, accompanied by her inner white girl, Waabishkizi, and guided by Ziibi, a manifestation of an ancestral river, both provoking her to try and find the answers. She begins the journey back before she was even born, right at the seeds of colonization when her ancestors were forced to hide their culture anywhere they could. Burying their language.Their teachings.Their bundles.Their moccasins. White Girls in Moccasins is a hilarious and poignant reclamation story that world-hops between dreams, memories, and a surreal game show. Miskozi recounts her life and is forced to grapple with her own truth, while existing in a society steeped in white supremacy. A love letter to brown kids born in the 80s, surviving in the 90s and all those continuing to deeply reclaim.

Additional Information
72 pages | 5.50" x 8.50" | Paperback

There are worse places to live than the rez. Still, family distractions make it almost impossible for Ray Smith and his three bandmates to rehearse every day. So, fresh from high school, the four move to Wakeville, Manitoba to pursue their passion for music.

A half-year later, gigs come fast and thick, with the group touring the northern province. However, too much partying and fighting leads to a bitter split between the band and their volatile bass player, Butch. Bad luck and sabotage from Butch causes gigs to dwindle, and with encouragement from his best friend and guitarist, Ray decides to join a new, well-known band, where his music career takes off. Soon he’s recognized on the street, has spots on TV, and back home he’s hailed a hero.

But success has a dark underbelly. A girl goes missing, and Ray’s loved ones are terrorized by a faceless, vengeful stalker. The question isn’t the culprit’s identity—Ray’s almost positive he knows who’s responsible. But stopping the killer before someone else is murdered…that’s a whole other story.

Additional Information
234 pages | 5.25" x 8.00"

Journey to the southernmost tip of the territories held by Canada. North of Middle Island opens with a collection of individual poems that capture the spirit of the relatively isolated, sparsely populated community of Pelee Island.

The pieces explore contemporary Indigenous experience in the natural and built environments of the island and surrounding waters. The book concludes with an epic, "rarely true" narrative of modern-day warriors, told in traditional Anglo-Saxon style-a new Lenape myth of how Deerwoman (Ahtuhxkwe) comes to Pelee Island. The events of this epic tale are loosely based on the infamous professional wrestler and actor Rowdy Roddy Piper's time on the island and Wrestlemania XII, Piper's notorious "Backlot Brawl" with fellow wrestler Goldust (Nkuli Punkw). Follow acclaimed Moravian of the Thames First Nation poet D.A. Lockhart on this lyrical, epic journey into the unique culture and landscapes that lie just North of Middle Island.

Additional Information
93 pages | 5.50" x 8.50"

Misty Lake tells the story of a young Metis journalist from Winnipeg who travels to a Dene reserve in Northern Manitoba to conduct an interview with a former residential school student. What Mary imparts in her interview will change Patty's life profoundly, allowing the journalist to make the connections to her own troubled life in the city. Patty knows that her Metis grandmother went to residential school when she was a girl. But Patty hasn't understood until now that she's inherited the traumatic legacy of residential school that was passed down to her mother from her grandmother. With this new understanding, Patty embarks on a healing journey. It will take her to the Dene fishing camp at Misty Lake, a place of healing, where, with Mary, she will learn that healing begins when you can talk about your life.

Additional Information
80 pages | 5.50" x 8.50" | Paperback

Threatened by encroaching colonialism, one Métis family struggles to protect their way of life.

In 1869, the arrival of surveyors from the new Dominion of Canada sends ripples of anxiety through the people of Red River. As the Métis Nation begins negotiating terms for joining Confederation, each member of the Rougeau family adapts in their own way: Clément looks outward, trying to maintain his livelihood as a carter, while his wife, Marienne, looks inward, determined to hold their fracturing family together. Julien, the eldest son, joins Louis Riel to confront the same intruders that so impress his sister, Charlotte. As the Red River Resistance unfolds, the consequences of each choice become heartbreakingly clear.

Additional Information
256 pages | 5.50" x 8.50" | Paperback 

The Secwépemc term le estcwicwéy̓ (the missing) was given by Secwépemc elders who dedicated their knowledge and time to guide the community through the hell they were forced to endure in May 2021. Garry Gottfriedson’s The Flesh of Ice picks up the thread of his 2021 collection, Bent Back Tongue, describing the history and relationship of Indigenous people in Canada with the Canadian government and the Catholic church. Here is the story of those who survived Kamloops Indian Residential School (KIRS), and stories of descendants of KIRS who remembered "the missing” in the wake of the discovery of unmarked graves at the KIRS. Here, in hauntingly visceral poems, are the living conditions, policies and practices of the school itself, the stories of those who lived there, and the names of practitioners of the school, called out and cursed. Lastly, personal stories are given space to reclaim the narrative, taking readers on a journey of resilience, survival, pain and joy.

Reviews
"Drawing on the work of the late legal scholar Patricia Monture-Angus, I find fitting words for this book and for the former students of KIRS: first we were victims, then we were survivors and now we are warriors. Those warriors have now become teachers—teachers for those who learn to listen to the voices in this book."—from the prologue by Celia Haig-Brown

Additional Information
126 pages | 5.50" x 8.00" | Paperback

Only 19 years old, Autumn Peltier has achieved so much by advocating for her community. Discover more about her advocacy for Indigenous peoples and clean water.

Educator Information
Juvenile Nonfiction.

Additional Information
24 Pages

Judge, senator, and activist. Father, grandfather, and friend. This is Murray Sinclair’s story—and the story of a nation—in his own words, an oral history that forgoes the trappings of the traditional written memoir to center Indigenous ways of knowledge and storytelling. As Canada moves forward into the future of reconciliation, one of its greatest leaders guides us to ask the most important and difficult question we can ask of ourselves: Who are we?

For decades, Senator Sinclair has fearlessly educated Canadians about the painful truths of our history. He was the first Indigenous judge in Manitoba, and only the second Indigenous judge in Canadian history. He was the Chair of the Truth and Reconciliation Commission, and remains one of the foremost voices on Reconciliation. And now, for the first time, he will share his full story—and his full vision for our nation—with readers across Canada.

Drawing on Senator Sinclair’s unique experiences, and his perspectives regarding Indigenous identity, human rights, and justice in Canada, Who We Are will examine the roles of history, resistance, and resilience in the pursuit of finding that path forward, and healing the damaged relationship between Indigenous Peoples and non-Indigenous peoples in Canada. And in doing so, it will reveal Senator Sinclair’s life in a new and direct way, exploring how all of these experiences shaped him as an Anishinaabe man, father, and grandfather.

Structured around the four questions that have long shaped Senator Sinclair’s thinking and worldview—Where do I come from? Where am I going? Why am I here? Who am I?—Who We Are will take readers into the story of his remarkable life as never before, while challenging them to embrace an inclusive vision for our shared future.

Additional Information
480 pages | 6.00" x 9.00" | Hardcover 

When matriarchs begin to disappear, there is a choice to either step into the places they left behind, or to craft a new space.

Helen Knott’s bestselling debut memoir, In My Own Moccasins, wowed reviewers, award juries, and readers alike with its profoundly honest and moving account of addiction, intergenerational trauma, resilience, and survival. Now, with her highly anticipated second book, Knott exceeds the highest of expectations with a chronicle of grief, love, and legacy. Having lost both her mom and grandmother in just over six months, forced to navigate the fine lines between matriarchy, martyrdom, and codependency, Knott realizes she must let go, not just of them, but of who she thought she was.

Woven into the pages are themes of mourning, sobriety through loss, and generational dreaming. Becoming a Matriarch is charted with poetic insights, sass, humour, and heart, taking the reader over the rivers and mountains of Dane Zaa territory in Northeastern British Columbia, along the cobbled streets of Antigua, Guatemala, and straight to the heart of what matriarchy truly means. This is a journey through pain, on the way to becoming.

Through writing, reflecting, and dreaming I found my way to the real lessons.
I found permission to become whoever I needed to be.
I found permission to live a life and not just endure it.
I found permission to belong deeply to myself.
I found permission to lay to rest the sorrow of the women before me and to cultivate joy for us in its place.

Awards

• 2024 BC Book Awards - The George Ryga Award for Social Awareness in Literature winner

Reviews
“In enchantingly vivid language and with a compelling narrative arc, Helen Knott’s new masterpiece is a memoir of grief and joy, loss and rediscovery, flight and return and, above all, a paean to the beautiful, eternal, soothing and all-encompassing power of matriarchy.” —Gabor Maté MD, author of The Myth of Normal: Trauma, Illness and Healing in a Toxic Culture

“Knott lays out that which all Indigenous women know and feel on a cellular level—we are only here because of the women, the matriarchs, the warriors, the survivors, the courageous ones, the fierce ones, the loving ones who came before us. Beautifully, tenderly Knott maps out for the reader the intrinsic way Indigenous women lift up, celebrate and support one another. Even when no one else does. We always have each other. We see each other. We are each other’s medicine. And there is no greater gift. These are the stories Indigenous women must tell—the journeys, reclamation and place of matriarchs. Present in Knott’s words are paths to reconciliation for everyone.” —Nahanni Fontaine, Member of the Legislative Assembly of Manitoba

“Becoming a Matriarch is a vivid, lyrical exploration of womanhood, loss, grief, and eventually, self-love, braided together with radiance and wisdom. Knott brilliantly uses memory as a tool for self-exploration and growth. The land, dreams and body are in constant communication: ‘My body knows the mountains and rivers and berry bushes that it comes from.’ Throughout the book you can’t help but ask yourself, what does it mean to come from strong women and still allow yourself space to be loved? Becoming a Matriarch teaches us that joy can exist inside the cracks of the most tumultuous times in our lives and love can still bloom if we let it.” —Chelene Knight, author of Dear Current Occupant and Junie

“Becoming a Matriarch is a feast of remarkable, colourful, deep and profoundly raw storytelling. Helen Knott is one of the greatest Indigenous literary artists of our time.” —Brandi Morin, author of Our Voice of Fire: A Memoir of a Warrior Rising

Additional Information
224 pages | 5.18" x 8.00" | Paperback

Miikwan and Dez are in their final year of high school. Poised at the edge of the rest of their lives, they have a lot to decide on. Miikwan and her boyfriend, Riel, are preparing for university, but Dez isn’t sure if that’s what they want for their future.

Grief and anger take precedence over their plans after the remains of 215 children are found at a former residential school in British Columbia. The teens struggle with feelings of helplessness in the face of injustice. Can they find the strength to channel their frustration into action towards a more hopeful future?

We Are the Medicine is the moving final volume of the best-selling Surviving the City series.

Reviews
"Tasha's graphic novel gives us an unflinching view of youth sovereignty and the reclamation of Indigenous philosophy and sacred spaces in Winnipeg's core. Guided by an Elder, the friends at the centre of the story confront uncomfortable truths that have sustained our colonial past, riding on the edge of emotions and activism to uphold the integrity of their ancestors. A must-read for all youth who want to build an equitable, just society." — Elder Albert McLeod, author of Between the Pipes

“A fantastic read for teens to learn about Indigenous issues through a clear and accurate representation.” — Youth Services Book Review

Educator & Series Information
Recommended for ages 12 to 18.

This is the third volume in the Surviving the City graphic novel series, which is also part of the Debwe Series. 

Surviving the City is a contemporary graphic novel series about young Indigenous women navigating their way in an urban environment. It includes:

Surviving the City
From the Roots Up
We Are the Medicine 

A Teacher Guide is available: Surviving the City Teacher Guide: Exploring Identity, Allyship, and Social Action for Meaningful Change in Grades 7-12 

Recommended in the Indigenous Books for Schools catalogue as a valuable resource for English Language Arts and Social Studies in grades 8 to 12. 

Caution: This work's topics include residential schools, death, violence, police brutality, and racism.

Themes: Coming of Age, Community, Connection to Culture, Healing, Residential Schools.

Additional Information
64 pages | 6.50" x 10.00" | Paperback

From the #1 national bestselling author of 'Indian' in the Cabinet and True Reconciliation, a truly unique history of our land—powerful, devastating, remarkable—as told through the voices of both Indigenous and non-Indigenous peoples.

The totem pole forms the foundation for this unique and important oral history of Canada. Its goal is both toweringly ambitious and beautifully direct: To tell the story of this country in a way that prompts readers to look from different angles, to see its dimensions, its curves, and its cuts. To see that history has an arc, just as the totem pole rises, but to realize that it is also in the details along the way that important meanings are to be found. To recognize that the story of the past is always there to be retold and recast, and must be conveyed to generations to come. That in the act of re-telling, meaning is found, and strength is built.

When it comes to telling the history of Canada, and in particular the history of the relationship between Indigenous and non-Indigenous peoples, we need to accept that the way in which our history has traditionally been told has not been a common or shared enterprise. In many ways, it has been an exclusive and siloed one. Among the countless peoples and groups that make up this vast country, the voices and experiences of a few have too often dominated those of many others.

Reconciling History shares voices that have seldom been heard, and in this ground-breaking book they are telling and re-telling history from their perspectives. Born out of the oral history in True Reconciliation, and complemented throughout with stunning photography and art, Reconciling History takes this approach to telling our collective story to an entirely different level.

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304 pages | 6.25" x 8.75" | Hardcover

The boundary- and genre-bending non-fiction collection from the Giller-longlisted, GG-shortlisted and Canada Reads– winning author of Jonny Appleseed.

“The land and its elements are my aunties calling me home, into that centre point which is a nowhere, by which I mean a place that English has no words for, is an everywhere, is a bingo hall, is a fourth plane, is an ocean.”

Making Love with the Land is a startling, challenging, uncompromising look at what it means to live as an Indigenous person “in the rupture” between identities. In these ten unique, heart-piercing non-fiction pieces, award-winning writer Joshua Whitehead illuminates the com­plex moment we’re living through now, in which Indigenous and non-Indigenous peoples are navigating new and old ideas about “the land.” He asks: What is our relationship and responsi­bility towards it? And how has the land shaped ideas, histories, words, our very bodies?

Intellectually thrilling and emotionally captivat­ing, this book is a love song for the world—and for the library of stories to be found where body meets land, waiting to be unearthed and summoned into word.

Reviews
"[Making Love With the Land] defies categorization . . . mov[ing] between genres and languages in a series of essays that open up a whole new window on the meaning of Canadian literature.” —Maclean’s

“Joshua Whitehead is one of those rare writers: he can turn his hand to any form and make it his own. . . . Making Love with the Land is a series of essays with a fluidity, as you might expect from Whitehead, between form and subject.” —Toronto Star

“Defiantly artful . . . alert to so much of the beauty and theterror of the world . . . While reading, I was entirely overcomewith gratitude . . . A truly dazzling feat of heart, analysis,and sentence-making.” —Billy-Ray Belcourt, author of A History of My Brief Body

“In this essay collection, Joshua Whitehead pushes at the possibilities of form, and the results are consistently a mix of the revelatory and the sublime. A chiaroscuro of self-questioning directed inward as a way to go outward—affectionate, resolute, playful, and wise. Brilliant lessons learned are on offer here, but more as an invitation to re-experience what you might not know you know.” —Alexander Chee, author of How to Write an Autobiographical Novel: Essays

“In his latest “wonderwork,” Whitehead continues his signature and significant mission to undo colonial notions of genre, pushing the boundaries of memoir and cultural commentary into a wholly new, otherworldly terrain. Here, he makes love with body, kin, queerness, and music, demonstrating how making love isn’t just an act of pleasure, but also one of grief, pain and sometimes even solitude. A voice to listen to, learn from, cherish.” —Vivek Shraya, Author of People Change and I’m Afraid of Men

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240 pages | 5.19" x 7.98" | Paperback

A sweet novel about facing your fears.

It’s nothing short of a catastrophe when someone secretly signs up Belinda Houle, the school’s shyest kid, to audition for a play.

Belinda turns to Sally—her unflappable best friend and resident witch—for help. Belinda doesn’t believe in magic, but if Sally says she has a spell for confidence...well, it couldn’t hurt to try it. Could it?

What follows the spell is a series of disasters so disastrous they would have been funny—if only they weren’t happening to Belinda! From eating dog food, to losing her hair in a straightening mishap, to wrecking a mural and ending up with globs of paint on her head, things get worse and worse for Belinda until she must face the facts: One piece of bad luck can be explained away, but this? This is a straight-up curse!

Can she break the curse before the dreamy Ricky Daniels takes notice of her crooked wig?

More importantly, can Belinda battle the very thing she hoped the spell would take away: her embarrassment?

Educator Information 
Recommended for ages 8 to 12.

Many of the moments in this book are based on the author's own experiences.

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320 pages | 5.50" x 8.25" | Hardcover 

Unbroken is an extraordinary work of memoir and investigative journalism focusing on missing and murdered Indigenous women and girls, written by an award-winning Gitxsan journalist who survived life on the streets against all odds.

As a Gitxsan teenager navigating life on the streets, Angela Sterritt wrote in her journal to help her survive and find her place in the world. Now an acclaimed journalist, she writes for major news outlets to push for justice and to light a path for Indigenous women, girls, and survivors. In her brilliant debut, Sterritt shares her memoir alongside investigative reporting into cases of missing and murdered Indigenous women in Canada, showing how colonialism and racism led to a society where Sterritt struggled to survive as a young person, and where the lives of Indigenous women and girls are ignored and devalued.

Growing up, Sterritt was steeped in the stories of her ancestors: grandparents who carried bentwood boxes of berries, hunted and trapped, and later fought for rights and title to that land. But as a vulnerable young woman, kicked out of the family home and living on the street, Sterritt inhabited places that, today, are infamous for being communities where women have gone missing or been murdered: Vancouver's Downtown Eastside, and, later on, Northern BC's Highway of Tears. Sterritt faced darkness: she experienced violence from partners and strangers and saw friends and community members die or go missing. But she navigated the street, group homes, and SROs to finally find her place in journalism and academic excellence at university, relying entirely on her own strength, resilience, and creativity along with the support of her ancestors and community to find her way.

"She could have been me," Sterritt acknowledges today, and her empathy for victims, survivors, and families drives her present-day investigations into the lives of missing and murdered Indigenous women. In the end, Sterritt steps into a place of power, demanding accountability from the media and the public, exposing racism, and showing that there is much work to do on the path towards understanding the truth. But most importantly, she proves that the strength and brilliance of Indigenous women is unbroken, and that together, they can build lives of joy and abundance.

Reviews
"Sterritt's story is living proof of how courageous Indigenous women are. Listen to her voice and hear the sound of the land, hear the sound of our women weeping but also raging—refusing to be neglected or ignored any longer."—Tanya Talaga, author of Seven Fallen Feathers and All Our Relations

"A fierce, necessary, deeply moving book. Sterritt uses her difficult personal journey to frame the terrible history of missing and murdered Indigenous women in Canada. Haunting and illuminating."— Eden Robinson, author of Son of a Trickster

"Angela Sterritt takes on Canada's deeply flawed justice system, deftly exposing systemic racism and the continuing impacts of colonialism. This book is a compelling read and a well-researched and powerful heart-centered memoir."—Lorimer Shenher, author of That Lonely Section of Hell

"With facts and humanity, Angela Sterritt effortlessly draws us into this emotional and important read. A courageous Indigenous voice who uses her personal journey to educate all of us about critical and urgent issues we must address, including Missing and Murdered Indigenous Women and Girls."— Jody Wilson-Raybould

"A new clear, compelling, and urgent voice illuminates a critical topic of our times with the passion and profound caring of a devoted sister. A tour de force."—Darrel McLeod, author of Mamaskatch and Peyakow

"A remarkable life story. . . Angela Sterritt is a formidable storyteller and a passionate advocate."—Cherie Dimaline, author of The Marrow Thieves

"[A] thought-provoking memoir. . . Beginning with a haunting list of names of Indigenous women and girls who were either murdered or missing along the Highway of Tears, the book tells the stories of such ignored and abused victims. . . The final product is eyeopening, making use of tragic firsthand accounts from grieving families and Sterritt's personal memories, all raw and rich with detail. . . [P]owerful."—Foreword Reviews

Additional Information
6.00" x 9.00" | Paperback

From Tanya Talaga, the critically acclaimed and award-winning author of Seven Fallen Feathers, comes a riveting exploration of her family’s story and a retelling of the history of the country we now call Canada

For generations, Indigenous People have known that their family members disappeared, many of them after being sent to residential schools, “Indian hospitals” and asylums through a coordinated system designed to destroy who the First Nations, Métis and Inuit people are. This is one of Canada’s greatest open secrets, an unhealed wound that until recently lay hidden by shame and abandonment.

The Knowing is the unfolding of Canadian history unlike anything we have ever read before. Award-winning and bestselling Anishinaabe author Tanya Talaga retells the history of this country as only she can—through an Indigenous lens, beginning with the life of her great-great grandmother Annie Carpenter and her family as they experienced decades of government- and Church-sanctioned enfranchisement and genocide.

Deeply personal and meticulously researched, The Knowing is a seminal unravelling of the centuries-long oppression of Indigenous People that continues to reverberate in these communities today.

Additional Information
480 pages | 6.12" x 9.25" | Hardcover 

Denesųłiné Elders Lawrence and Lena Adam have been tanning hides and sharing their knowledge with others for more than four decades. Woodland Cree knowledge carrier Tommy Bird helped his family tan hides on the trapline as a young boy. Together they share their lifetime of experience to guide a new generation of hide tanners to keep the tradition alive. The trouble-shooting tips and hands-on advice in this book will help you to make your own bone tools and turn raw moosehides into smoke-tanned hides soft enough to sew into mitts or moccasins. Combining traditional knowledge with easy-to-follow instructions and detailed colour photos, Tanning Moosehides the Northern Saskatchewan Trapline Way is a practical guide you will refer to again and again.

Educator Information
The publisher recommends this resource for ages 10+ 

Recommended in the Indigenous Books for Schools catalogue as a valuable resource for Art, Science, and Social Studies in grades 5 to 12.

Themes: Animals, Arts and Culture, Cultural Teachings, Fashion, Traditional Knowledge.

Additional Information
64 pages | 8.50" x 11.00" | Spiral Bound

On a journey to uncover her family’s story, Spotted Fawn travels through time and space to reclaim connection to ancestors, language, and the land in this essential graphic novel.  

In the dreamworld, she bears witness to a mountain of buffalo skulls, a ghostly monument to the slaughter of the buffalo—a key tactic to starve and contain the Indigenous People onto reservations.

Spotted Fawn must travel through her own family history to confront the harsh realities of the past and reignite her connection to her people and the land. Her darkroom becomes a portal, allowing her glimpses into the lives of her relatives. Guided by her ancestors, Spotted Fawn’s travels through the past allow her to come into full face—like the moon itself.

Adapted from the acclaimed stop-motion animated film of the same name, also by Strong, Four Faces of the Moon brings the history of the Michif, Cree, Nakoda, and Anishinaabe Peoples alive on the page.

Backmatter by Dr. Sherry Farrell Racette (Michif), an associate professor of Native Studies and Women’s and Gender Studies at the University of Manitoba, provides information on Michif culture and history.

Awards

• 2023 Snow Willow Award, Saskatchewan, Young Readers' Choice Award
• 2022 Great Graphic Novels for Teens, YALSA

Reviews
“Worthwhile . . . and offers interesting perspectives on the search for Indigenous identity.” — CM Reviews, 03/05/21

“This is magnificent storytelling. This is Spotted Fawn magic.” —Richard Van Camp, author of Little You, and We Sang You Home

“Moving and intense . . . the graphic novel effectively portrays how Indigenous youth can reconnect to their ancestors through art, language, and cultural knowledge.”  — School Library Journal, 04/30/21

Educator Information
Recommended for ages 12+

Unique visuals: This is a groundbreaking project with stunning spreads adapted from award-winning stop-motion animation film of same name. Art is all manipulated and modified stills from the film, that itself uses elaborate sets and puppetry.

This is an #ownvoices story.  Amanda Strong is a member of the Michif Nation.

The book includes a note from the author. Strong did a lot of research about family and their involvement in historical events like the Red River Rebellion, discovering connections to personal and political history later in life. Additional resources at the end of the book by Dr. Sherry Farrell-Racette (Michif), an associate professor of Native Studies and Women’s and Gender Studies at the University of Manitoba, provides information on Michif culture and history and the injustices of colonialism. Includes information on:
1. Moon – cycles, symbols, cultural ties
2. What is a Michif? What is a Métis
3. Historical events
4. Timeline

Additional Information
208 pages | 7.10" x 10.10" | Hardcover 

This book features the Stoney Nakoda First Nation language in context and in action. The book contains a collection of stories by Trent and Valentina Fox, with each teaching culminating in a learning section. To assist in nuances of the language, the book also includes audio components as web links. The Îethka Stoney Nakoda People are an integral part of the Treaty 7 group of Indigenous Nations in Southern Alberta. Their spoken language is part of the Dakota-Sioux linguistic group.

Educator Information
Recommended for ages 14 to 18.

Additional Information
144 pages | 6.00" x 9.00" | Paperback

The second book in Isabelle Picard’s bestselling coming-of-age series about Innu twins, Leon and Eloise.

Leon and Eloise are 13-year-old twins from Matimekush, an Innu community in Northern Quebec.

The entire Mckenzie family has moved to Wendake, near Quebec City. Leaving Matimekush, nature, their friends and their school is quite a challenge for Eloise and Leon. Between the adapting to a different world, their desire to make new friends and the need to keep their bond with the old ones, everything goes too fast.

At school, a student bullies Eloise, and she has to deal with this difficult situation. As for Leon, he starts doubting his hockey skills: Is he really talented or was he the best in Matimekush only because the competition simply wasn’t as strong? In the midst of this storm, Leon and Eloise can always count on each other as well as their family and friends.

The Mystery unfolds on every page as we get to see the twins in a different light. What if, ultimately, life in the South isn’t that different from life in the North?

Educator & Series Information
Recommended for ages 10 to 14.

Translated by Kateri Aubin Dubois, a freelance translator and a prolific beadworker. Her beadwork can be found under her Indigenous name, Nisnipawset. Kateri is from the Wolastoqiyik Wahsipekuk First Nation. She lives with her husband, two children and a fluffy cat in Terrebonne, Quebec.

This is the second book in the Nish series.

Additional Information
296 pages | 5.00" x 7.75"  | Paperback

Based on an Inuit traditional story passed down orally for generations, The Cannibal tells the horrific tale of a family experiencing starvation when the animals they rely on for survival disappear. While the wife stays alive by eating plants she gathers daily, the husband does the unthinkable, resorting to murder and cannibalism. Horrified, and terrified for her life, the wife eventually finds herself alone in camp with her husband. She knows what will happen to her if she does not find a way to escape. Hatching a plan, the exhausted wife embarks on the journey with her murderous husband in pursuit. After safely arriving at a nearby camp, she shares the story of what has become of her camp, and her own children. Soon the husband arrives, and the camp must decide how to deal with the cannibal. Both horrific and poignant, this cautionary traditional story provides a window into the at times harsh realities of traditional life.

Reviews
"The Cannibal by Solomon Awa and Louise Flaherty is a stark and compelling novel centred on an Inuit family facing extreme survival challenges in the Arctic. When the family’s father, driven by desperation, begins to resort to cannibalism to stay alive, the story delves into harrowing themes of survival, morality, and the impact of isolation on human behaviour. This topic is suitable for an older audience, not younger students." - David D., Indigenous Educator & Administrator, Indigenous Books for Schools 

Educator Information
The publisher labels this work as an "Adult Graphic Novel."

Recommended in the Indigenous Books for Schools catalogue as a valuable resource for grades 10 to 12 for English Language Arts and Social Studies.

Themes: Animals, Death, Environment, Loss, Reconciliation

Caution: Contains cannibalism

Additional Information
44 pages | 7.00" x 10.50" | Paperback

From bestselling true-crime author Peter Edwards and Governor General's Award-winning playwright Kevin Loring, two sons of Lytton, BC, the town that burned to the ground in 2021, comes a meditation on hometown―when hometown is gone.

Before it made global headlines as the small town that burned down during a record-breaking heat wave in June 2021, while briefly the hottest place on Earth, Lytton, British Columbia, had a curious past. Named for the author of the infamous line, “It was a dark and stormy night,” Lytton was also where Peter Edwards, organized-crime journalist and author of seventeen non-fiction books, spent his childhood. Although only about 500 people lived in Lytton, Peter liked to joke that he was only the second-best writer to come from his tiny hometown. His grade-school classmate’s nephew Kevin Loring, Nlaka’pamux from Lytton First Nation, had grown up to be a Governor General's Award-winning playwright.

The Nlaka’pamux called Lytton “The Centre of the World,” a view Buddhists would share in the late twentieth century, as they set up a temple just outside town. In modern times, many outsiders would seek shelter there, often people who just didn’t fit anywhere else and were hoping for a little anonymity in the mountains. You’ll meet a whole cast of them in this book.

A gold rush in 1858 saw conflict with a wave of Californians come to a head with the Canyon War at the junction of the mighty Fraser and Thompson rivers, one that would have changed the map of what was soon to become Canada had the locals lost. The Nlaka’pamux lost over thirty lives in that conflict, as did the American gold seekers. A century later, Lytton hadn’t changed much. It was always a place where the troubles of the world seemed to land, even if very few people knew where it was.

This book is the story of Lytton, told from a shared perspective, of an Indigenous playwright and the journalist son of a settler doctor who quietly but sternly pushed back against the divisions that existed between populations (Dr. Edwards gladly took a lot of salmon as payment for his services back in the 1960s). Portrayed with all the warmth, humour and sincerity of small-town life, the colourful little town that burned to the ground could be every town’s warning if we don’t take seriously what this unique place has to teach us.

Additional Information
376 pages | 6.00" x 9.00" | Hardcover 

In this complex and emotionally resonant novel about a Métis girl living on the Canadian prairies, debut author Jen Ferguson serves up a powerful story about rage, secrets, and all the spectrums that make up a person—and the sweetness that can still live alongside the bitterest truth.

Lou has enough confusion in front of her this summer. She’ll be working in her family’s ice-cream shack with her newly ex-boyfriend—whose kisses never made her feel desire, only discomfort—and her former best friend, King, who is back in their Canadian prairie town after disappearing three years ago without a word.

But when she gets a letter from her biological father—a man she hoped would stay behind bars for the rest of his life—Lou immediately knows that she cannot meet him, no matter how much he insists.

While King’s friendship makes Lou feel safer and warmer than she would have thought possible, when her family’s business comes under threat, she soon realizes that she can’t ignore her father forever.

Reviews
"Debut author Ferguson, who is Métis and White, touches on intergenerational family suffering at the hands of the state, mental health, substance abuse, racism, sexual harassment and assault, and missing and murdered Indigenous women—all with nuance and care. Heart-rending and healing; a winning blend that will leave readers satisfied."— Kirkus Reviews (starred review)

"Young adult readers can relate to the struggles Lou is facing as she navigates her transition from high school to college, and also use them as a conversation starter about race, identity, sexuality, dating, and friendship." — Horn Book (starred review)

"In a layered first-person portrayal of a young Indigenous woman navigating the edge of adulthood, Ferguson (who is Métis and white) tackles necessary issues—of identity and sexuality alongside colonialism, generational trauma, racism, physical and sexual assault, and substance reliance—through well-wrought, complicated characterizations and prose that sings with poetry." — Publishers Weekly (starred review)

"Ferguson’s frank and powerful debut opens readers’ eyes to the multiplicity of daily traumas faced by people of color, especially Indigenous women and girls. Ferguson, herself Michif/Métis and white, boldly writes on many challenging topics, including racism, physical violence, sexual identity, sexual assault, and teen alcohol use. Lou is complex, smart, and honest, and a narrator readers will trust, love, and learn from as she works to repair friendships and gain security for her treasured family." — Booklist (starred review)

Educator Information
Recommended for ages 13+

This book is part of the Heartdrum imprint centers a wide range of intertribal voices, visions, and stories while welcoming all young readers, with an emphasis on the present and future of Indian Country and on the strength of young Native heroes. In partnership with We Need Diverse Books.

Content Warnings for The Summer of Bitter and Sweet: discussion of sexual assault, instances of racism, instances of physical assault, instances of intimate partner abuse, discussions of drug use, discussions of under-aged alcohol use, instances of arson.

Additional Information
384 pages | 5.31" x 8.00" | Paperback

Eli and Morgan embark on a dangerous mission to rescue kidnapped animal beings in this new adventure in the award-winning, Narnia-inspired Indigenous middle-grade fantasy series.

Eli, Morgan and Emily embark on their most dangerous mission yet, to save the kidnapped animal beings of Ministik. But before they can reach the heavily guarded Land of the Sleeping Giant, Eli must rally more help, not just from old friends, but from surprising new allies. And he must rely on a new way to travel: on the back of the leader of the Bird Warriors himself, Pip. Together they will journey across the North Country, on a mission to reconnect the Bird Warriors, as well as confront old enemies. But even as he must fight for his life – and the lives of his friends and new family – Eli must also come to terms with his newfound knowledge: What does it mean that he is only part human?

Educator & Series Information
Recommended for ages 10+.

This is the fifth book in the Misewa Saga. Narnia meets traditional Indigenous stories of the sky and constellations in this epic middle-grade fantasy series from award-winning author David Robertson.

The Misewa Saga series reflects stories of the sky and the constellations held within its great canvas. The word “misewa” is Cree for “all that is” — elders say that what is above is mirrored below, and this is the connection we have with misewa.

Additional Information
216 pages | 5.50" x 8.25" | Hardcover 

Eli and Morgan experience life-changing revelations in this new adventure in the award-winning, Narnia-inspired Indigenous middle-grade fantasy series.

While exploring World’s End, an area in Aski they've just discovered, Morgan and Emily delight in their developing relationship, while Eli struggles to understand his new-found power: the ability to locate a portal. A shocking turn of events leads them to a new village, Ministik, where the animal beings who live there are going missing. Horrified to discover who is responsible, the children vow to help and turn to friends, old and new. But it's getting harder and harder to keep the two worlds separate, especially when details of a traditional legend change everything. Forever.

Reviews
"Delivers what series fans have come to expect: fast-paced adventure, humorous banter, and tender explorations of Indigenous experiences." —Kirkus Reviews 

"David A. Robertson’s novel The Portal Keeper, a remix of The Chronicles of Narnia set in Winnipeg, is an exciting new instalment that adds its distinct touch on the world that Robertson has been building on for the past four years." —Northern News Service

"The Portal Keeper is another excellent instalment in the Misewa Saga. Robertson’s increasingly masterful prose keeps readers engaged, curious, and on the edge of their seats."—The Anishinabek News

Educator & Series Information
Recommended for ages 10+.

This is the fourth book in the Misewa Saga. Narnia meets traditional Indigenous stories of the sky and constellations in this epic middle-grade fantasy series from award-winning author David Robertson.

Additional Information
256 pages | 5.50" x 8.25" | Paperback

This is a book about grief, death and longing. It’s about the gristle that lodges itself deep into one’s gums, between incisors and canines.

Teeth details not only the symptoms of colonization, but also the foundational and constitutive asymmetries that allow for it to proliferate and reproduce itself. Dallas Hunt grapples with the material realities and imaginaries Indigenous communities face, as well as the pockets of livability that they inhabit just to survive. Still this collection seeks joy in the everyday, in the flourishing of Indigenous Peoples in the elsewhere, in worlds to come.

Nestling into the place between love and ruin, Teeth traces the collisions of love undone and being undone by love, where “the hope is to find an ocean nested in shoulders—to reside there when the tidal waves come. and then love names the ruin.”

Additional Information
112 pages | 5.50" x 8.00" | Paperback

In these poems, E. McGregor combines the lore of family history with personal memory, vividly parsing patterns of inheritance, particularly through the maternal line.

What Fills Your House Like Smoke begins and ends at the deathbed of the writer's Metis grandmother. In between, McGregor composes an incomplete and wildly imaginative biography of the grandmother, interrogated by family photographs, stories, and the scant paper trail she left behind.

McGregor sifts through the complexities of motherhood, daughterhood, anxiety, intimate relationships and addiction, weaving family history with memory to make sense of what is carried on. Especially affecting are poems about childhood, and the people who disappear from a child's life, and the struggle to live as a societal outsider, finding strength in self-definition and the power of narrative.

As these poems unfold, they move us toward an understanding of maternal inheritance, shifting identities, forgiveness, and finally love.

Reviews
"There is a rawness and tender vulnerability in the re-membering of a mother's mother's life in the thematic dotted lines, hardlines and blurred lines of McGregor's poetry. For bodies under duress, survival is instinctive and passed on, and a breakthrough from the trauma endured is made possible in an honest remembering to liberate oneself." -- Rita Bouvier, author of a beautiful rebellion

"What Fills Your House Like Smoke is a staggering collection . . . technically agile and thematically nuanced. McGregor's poems have the effect of flame, sucking the air out of the room; of a soothing hand on your chest, reminding you to breathe. An indelible debut." -- Hollay Ghadery, author of Rebellion Box

Additional Information
90 pages | 6.00" x 8.00" | Paperback

The Haudenosaunee, like many Indigenous Nations and communities across North America, have their own history and culture. Discover the Peacemaker Story, which explains how the Confederacy was created. Learn about historical facts and their effects on present times. Get to know Haudenosaunee people who give thanks everyday and have many stories and traditions to tell.

Educator & Series Information
This book is part of the Indigenous Nations in North America series.

Additional Information
32 Pages | Paperback