Métis

From celebrated Indigenous author Thomas King and award-winning Métis artist Natasha Donovan comes a powerful graphic novel about a family caught between nations.

Borders is a masterfully told story of a boy and his mother whose road trip is thwarted at the border when they identify their citizenship as Blackfoot. Refusing to identify as either American or Canadian first bars their entry into the US, and then their return into Canada. In the limbo between countries, they find power in their connection to their identity and to each other. 

Borders explores nationhood from an Indigenous perspective and resonates deeply with themes of identity, justice, and belonging.

Reviews
"Borders is a graphic novel adaptation of one of Thomas King’s short stories exploring identity and belonging themes. This story highlights the significance of a nation’s physical border versus that of an Indigenous perspective. It follows a boy and his mother being asked a question about citizenship and the limbo between nations." - The Dalai Lama Center

Educator Information
Recommended for ages 10 to 14.

Additional Information
192 pages | 6.00" x 9.00" | Paperback

Echo Desjardins est une métisse de 13 ans qui habite Winnipeg, au Manitoba. L'adolescente solitaire, qui vit loin de sa mère, a du mal à s'intégrer à sa nouvelle école. Un jour, lors d'un cours d'histoire donné par monsieur Bee sur la vie des autochtones au début du XIXe siècle, Echo se transporte dans le passé, jusqu'à devenir témoin privilégié de sa propre histoire, l'histoire méconnue des Métis du Canada.

Elle s'appelle Echo est une série à dimension humaine, qui à travers la recherche d'identité d'une jeune Métisse, permet de découvrir ces descendants d'Européens et Autochtones qui se sont battus, et sacrifiés, pour écrire une page importante de l'histoire du Canada.

Tome 1 : La guerre du Pemmican : Après avoir vu des Métis chasser des troupeaux de bisons et sympathisé avec Marie dans un camp de chasse, Echo découvre avec horreur la guerre sans merci que se livrent la Compagnie de la Baie d'Hudson et de la Compagnie du Nord-Ouest. Au fil des jours, elle comprend à quel point ses ancêtres en souffrent, et elle décide d'en savoir plus…

Educator & Series Information
Recommended for ages 12+.

This is the first book in the Girl Called Echo (Elle s'appelle Echo) series, which includes the following titles:
Elle s'appelle Echo Tome 1: La guerre du Pemmican
Elle s'appelle Echo Tome 2: La résistance de la rivière Rouge
Elle s'appelle Echo Tome 3: La résistance du Nord-Ouest
Elle s'appelle Echo Tome 4: L'ère des réserves routières

This book is available in English: Pemmican Wars

Additional Information
50 Pages | Hardcover 

Echo Desjardins est une métisse de 13 ans qui habite Winnipeg, au Manitoba. L'adolescente solitaire, qui vit loin de sa mère, a du mal à s'intégrer à sa nouvelle école. Un jour, lors d'un cours d'histoire donné par monsieur Bee sur la vie des autochtones au début du XIXe siècle, Echo se transporte dans le passé, jusqu'à devenir témoin privilégié de sa propre histoire, l'histoire méconnue des Métis du Canada.

Elle s'appelle Echo est une série à dimension humaine, qui à travers la recherche d'identité d'une jeune Métisse, permet de découvrir ces descendants d'Européens et Autochtones qui se sont battus, et sacrifiés, pour écrire une page importante de l'histoire du Canada.

Tome 2 : La résistance de la rivière Rouge: Peu à peu, le quotidien d'Echo s'améliore. Sa mère est revenue vivre avec elle et elle commence à socialiser avec quelques élèves. Mais, lorsqu'elle retourne dans le passé, en 1869, elle surprend des arpenteurs venus mesurer les terres des Métis au nom du gouvernement canadien qui comptent les en priver. La résistance métisse s'organise. Ils sont prêts à prendre les armes. Echo a peur pour eux…

Educator & Series Information
Recommended for ages 12+.

This is the second book in the Girl Called Echo (Elle s'appelle Echo) series, which includes the following titles:
Elle s'appelle Echo Tome 1: La guerre du Pemmican
Elle s'appelle Echo Tome 2: La résistance de la rivière Rouge
Elle s'appelle Echo Tome 3: La résistance du Nord-Ouest
Elle s'appelle Echo Tome 4: L'ère des réserves routières

This book is available in English: Red River Resistance

Additional Information
50 Pages | Hardcover 

On a journey to uncover her family’s story, Spotted Fawn travels through time and space to reclaim connection to ancestors, language, and the land in this essential graphic novel.  

In the dreamworld, she bears witness to a mountain of buffalo skulls, a ghostly monument to the slaughter of the buffalo—a key tactic to starve and contain the Indigenous People onto reservations.

Spotted Fawn must travel through her own family history to confront the harsh realities of the past and reignite her connection to her people and the land. Her darkroom becomes a portal, allowing her glimpses into the lives of her relatives. Guided by her ancestors, Spotted Fawn’s travels through the past allow her to come into full face—like the moon itself.

Adapted from the acclaimed stop-motion animated film of the same name, also by Strong, Four Faces of the Moon brings the history of the Michif, Cree, Nakoda, and Anishinaabe Peoples alive on the page.

Backmatter by Dr. Sherry Farrell Racette (Michif), an associate professor of Native Studies and Women’s and Gender Studies at the University of Manitoba, provides information on Michif culture and history.

Awards

• 2023 Snow Willow Award, Saskatchewan, Young Readers' Choice Award
• 2022 Great Graphic Novels for Teens, YALSA

Reviews
“Worthwhile . . . and offers interesting perspectives on the search for Indigenous identity.” — CM Reviews, 03/05/21

“This is magnificent storytelling. This is Spotted Fawn magic.” —Richard Van Camp, author of Little You, and We Sang You Home

“Moving and intense . . . the graphic novel effectively portrays how Indigenous youth can reconnect to their ancestors through art, language, and cultural knowledge.”  — School Library Journal, 04/30/21

Educator Information
Recommended for ages 12+

Unique visuals: This is a groundbreaking project with stunning spreads adapted from award-winning stop-motion animation film of same name. Art is all manipulated and modified stills from the film, that itself uses elaborate sets and puppetry.

This is an #ownvoices story.  Amanda Strong is a member of the Michif Nation.

The book includes a note from the author. Strong did a lot of research about family and their involvement in historical events like the Red River Rebellion, discovering connections to personal and political history later in life. Additional resources at the end of the book by Dr. Sherry Farrell-Racette (Michif), an associate professor of Native Studies and Women’s and Gender Studies at the University of Manitoba, provides information on Michif culture and history and the injustices of colonialism. Includes information on:
1. Moon – cycles, symbols, cultural ties
2. What is a Michif? What is a Métis
3. Historical events
4. Timeline

Additional Information
208 pages | 7.10" x 10.10" | Hardcover 

Gabriel Dumont’s Wild West Show is a flamboyant epic, constructed as a series of tableaux, about the struggles of the Métis in the Canadian West. It is a multilayered and entertaining saga with a rodeo vibe, loosely based on Buffalo Bill’s legendary outdoor travelling show. In 1885, following the hanging of his friend Louis Riel, bison hunter Gabriel Dumont fled to the United States. There he was recruited by the legendary Buffalo Bill, founder of Buffalo Bill’s Wild West, a gigantic outdoor travelling show that re-enacted life in the American West. It made a huge impression on Dumont, and he dreamed of putting together a similar show to tell the story of the struggle of Canada’s Métis to reclaim their rights.

The creative team behind Gabriel Dumont’s Wild West Show – including ten authors, Indigenous and non-Indigenous, French- and English-speaking men and women – brings Dumont’s dream to life in a captivating, joyously anachronistic saga. The theatrical version of Gabriel Dumont’s Wild West Show presented by the National Arts Centre was one of a number of exceptional projects funded through the Canada Council for the Arts’ New Chapter initiative. (Adapted from nac-cna.ca/en/wildwestshow).

This is a bilingual book, co-published with Éditions Prise de parole, and enhanced with a historical background, a chronology of the Métis Resistances, and visual documents.

Reviews
“Really excellent. I laughed till I cried!” —Marilou Lamontagne, ICI Radio-Canada Ottawa-Gatineau

“[A] play that pleases, puzzles, and provokes, in a form that keeps shifting wildly from one moment to the next like a bucking bronco.”—J. Kelly Nestruck, Globe and Mail

“If Gabriel Dumont’s Wild West Show is so successful, while being funny and sad at the same time, it’s because the creative team did its research and listened to the communities involved in the rehabilitating of the figure of Gabriel Dumont. What takes shape here is a wave of madness and a rewriting of our national narrative.”—Maud Cucchi, JEU Revue de théâtre

“Gabriel Dumont’s Wild West Show is a crazed, fast-paced Métis 101 history lesson, in which acidity and humour deliver the story.”—Martin Vanasse, Radio-Canada

“[A] seamlessly cohesive narrative ... a zany form ... a phantasmagorical piece of pure entertainment ... a delirious blend of historical drama, musical, burlesque cabaret, hockey night, and TV quiz!”—Pierre-Alexandre Buisson

“Between bursts of laughter (of the uneasy sort at times) and moments of lively emotion, Gabriel Dumont’s Wild West Show takes [us] on a journey up hill and down dale through the history of the Métis Resistances and tells an oft-forgotten part of our collective history.” - Valérie Lessard, Le Droit

Additional Information
304 pages | 5.40" x 8.50" | Paperback

This stellar debut collection by Métis poet Diana Hope Tegenkamp takes us through many worlds and wonders. In Girl running, we find solace and outrage, grief and tenderness, bewilderment and beauty, all “entangled in hope and dreaming.” The poet’s love of the natural world is both earthy and adamantine, and her passion for literature and art is just as rich a source for her questioning eye.

On the edge of Saskatoon, a woman opens a car door and flees. A child runs away from residential school after a beating. A Métis man’s ghost gallops on a ghost horse across the prairies. Henry James’ 19th-century heroine, Isabel Archer, runs across a wintery yard. Lana Tisdel drives away from Falls City, Nebraska, after the murder of her transgender boyfriend.

After many losses—of a mother known and loved, of a Métis father unknown and imagined—the ‘girl’ of this collection is running towards and away from mortality. In these poems, disappearances, perpetual flights, river walks, shadowy descents and miraculous returns connect daily living and mortality, current social realities and ancient histories, the surface and the subterranean depths of our complicated lives. Lovers of contemporary Canadian poetry will find that this textured collection rewards reading and rereading.

Additional Information
120 pages | 5.50" x 8.50" | Paperback

The thrilling follow-up to the bestselling, award-winning novel The Marrow Thieves, about a dystopian world where the Indigenous people of North America are being hunted for their bone marrow and ability to dream.

Years ago, when plagues and natural disasters killed millions of people, much of the world stopped dreaming. Without dreams, people are haunted, sick, mad, unable to rebuild. The government soon finds that the Indigenous people of North America have retained their dreams, an ability rumored to be housed in the very marrow of their bones. Soon, residential schools pop up—or are re-opened—across the land to bring in the dreamers and harvest their dreams.

Seventeen-year-old French lost his family to these schools and has spent the years since heading north with his new found family: a group of other dreamers, who, like him, are trying to build and thrive as a community. But then French wakes up in a pitch-black room, locked in and alone for the first time in years, and he knows immediately where he is—and what it will take to escape. 

Meanwhile, out in the world, his found family searches for him and dodges new dangers—school Recruiters, a blood cult, even the land itself. When their paths finally collide, French must decide how far he is willing to go—and how many loved ones is he willing to betray—in order to survive. This engrossing, action-packed, deftly-drawn novel expands on the world of Cherie Dimaline’s award-winning The Marrow Thieves, and it will haunt readers long after they’ve turned the final page.

Reviews
"Lush, devastating, and hope-filled novel. . . . The action never lets up and is inextricably intertwined with the personal and community histories of the diverse characters who band together from various nations. Dimaline paints a nightmarish world that is too easy to imagine; it will haunt readers long after they turn the final page." ―Kirkus Reviews

"Dimaline has created vivid characters who propel a suspenseful and atmospheric story that boldly brings past, and ongoing, darkness to light." ―Booklist

"The brutal realities faced by French in the residential school will leave readers thinking about what Indigenous people endured in the residential schools of the past. The idea of storytelling and the importance of realizing that the past and present are interwoven is beautifully conveyed and will keep readers anxious for what comes next." ―School Library Journal

Educator & Series Information
Recommended for ages 12+

This book is available in French: Chasseurs d'étoiles

This book is part of the Marrow Thieves series.

Mature Content Warning: Hunting by Stars touches on physical and sexual violence. 

Additional Information
408 pages | 5.50" x 8.25" | Paperback

First Nations, Métis and Inuit artists, activists, educators and writers, youth and elders come together to envision Indigenous futures in Canada and around the world.

Discussing everything from language renewal to sci-fi, this collection is a powerful and important expression of imagination rooted in social critique, cultural experience, traditional knowledge, activism and the multifaceted experiences of Indigenous people on Turtle Island.

In Me Tomorrow: 
Darrel J. McLeod, Cree author from Treaty-8 territory in Northern Alberta, blends the four elements of the Indigenous cosmovision with the four directions of the medicine wheel to create a prayer for the power, strength and resilience of Indigenous peoples.

Autumn Peltier, Anishinaabe water-rights activist, tells the origin story of her present and future career in advocacy—and how the nine months she spent in her mother’s womb formed her first water teaching. When the water breaks, like snow melting in the spring, new life comes.

Lee Maracle, acclaimed Stó:lō Nation author and educator, reflects on cultural revival—imagining a future a century from now in which Indigenous people are more united than ever before.

Other essayists include Cyndy and Makwa Baskin, Norma Dunning, Shalan Joudry, Shelley Knott-Fife, Tracie Léost, Stephanie Peltier, Romeo Saganash, Drew Hayden Taylor and Raymond Yakeleya.

For readers who want to imagine the future, and to cultivate a better one, Me Tomorrow is a journey through the visions generously offered by a diverse group of Indigenous thinkers.

Additional Information
224 pages | 5.50" x 8.50" | Paperback

Over more than 100 years, the Canadian government took 150,000 First Nations, Métis, and Inuit children from their families and placed them in residential schools. In these schools, young people were assigned a number, forced to wear European-style clothes, forbidden to speak their native language, required to work, and often subjected to physical and psychological abuse. If they tried to leave the schools to return to their families, they were captured by the RCMP and forced back. Run by churches, the schools were paid for by the federal government. The last residential school closed in 1996.

It took decades for people to speak out in public about the devastating impact of residential schools. School Survivors eventually came together and launched court actions against the federal government and the churches. In 2008 the Canadian government apologized for the historic wrongs committed by the residential school system. The survivors’ lawsuits led to the Indian Residential Schools Settlement Agreement, the largest class-action settlement in Canadian history, and the establishment of the Truth and Reconciliation Commission. The Commission spent six years gathering testimony and discovering the facts about residential schools.

This book includes the text of the government’s apology and summarizes the Truth and Reconciliation Commission’s 94 Calls to Action, which offer the basis for a new relationship between the Canadian government, Indigenous people and non-Indigenous people.

Reviews
"If I were purchasing materials for a high school library, I would buy at least 2 copies, and I would urge Social Studies and Aboriginal Studies classroom teachers to have at least one copy on their bookselves. Perhaps the strongest work to date in the Righting Canada's Wrongs series, Residential Schools underscores the importance of the Truth and Reconciliation Commission's work... Highly Recommended." — CM: Canadian Review of Materials

Educator & Series Information
This book is part of the Righting Canada's Wrongs series.

Recommended for ages 13 to 18.

This book is available in French: Les pensionnats indiens: Effets dévastateurs sur les peuples autochtones du Canada et appels à l'action de la Commission de vérité et réconciliation.

Additional Information
128 pages | 8.50" x 11.53" | Paperback | 2nd, Updated Edition

In the Road Allowance Era, Echo’s story picks up again when she travels back in time to 1885.

The Manitoba Act’s promise of land for the Métis has gone unfulfilled, and many Métis flee to the Northwest. As part of the fallout from the Northwest Resistance, their advocate and champion Louis Riel is executed. As new legislation corrodes Métis land rights, and unscrupulous land speculators and swindlers take advantage, many Métis settle on road allowances and railway land, often on the fringes of urban centres.

For Echo, the plight of her family is apparent. Burnt out of their home in Ste. Madeleine when their land is cleared for pasture, they make their way to Rooster Town, settling on the southwest edges of Winnipeg. In this final installment of her story, Echo is reminded of the strength and resilience of her people, forged through the loss and pain of the past, as she faces a triumphant future.

Educator & Series Information
Recommended for ages  12+.

A Girl Called Echo is a graphic novel series by Governor General Award-winning writer and author of The Seven Teaching Stories Katherena Vermette. This graphic novel series explores the life of a Métis teenager through illustrated storytelling. Each book follows Echo Desjardins and her travels back through time, which illuminates important periods and events Métis history in an engaging, visually stimulating way for teenage audiences.

This is Vol. 4 in the A Girl Called Echo series.

This book is available in French: Elle s'appelle Echo Tome 4: L'ère des réserves routières 

Additional Information
48 pages | 6.50" x 10.00"

sînapân kîskasâkâs: A Guide to Making Contemporary-Style Métis Ribbon Skirts will assist you in the creation of your own Métis style ribbon skirt. Authors, Bonny Johnson and Leah Marie Dorion guide you through the process with detailed instructions which are accompanied by photographs of each step. This resource comes with a companion DVD, and introductions from both authors on the historical and contemporary uses of these traditional Métis style ribbon skirts.

Educator Information
Grade Level: Secondary, Post Secondary, Adult 

In this extraordinary memoir, best-selling author Nicola I. Campbell deftly weaves rich poetry and vivid prose into a story basket of memories orating what it means to be an intergenerational survivor of Indian Residential Schools.

If the hurt and grief we carry is a woven blanket, it is time to weave ourselves anew. We can’t quit. Instead, we must untangle ourselves from the negative forces that have impacted our existence as Indigenous people.

Similar to the “moccasin telegraph,” Spíləxm are the remembered stories, also “events or news” in the Nłeʔkepmx language. These stories were often shared over tea, in the quiet hours between Elders. Rooted within the British Columbia landscape, and with an almost tactile representation of being on the land and water, Spíləxm explores resilience, reconnection, and narrative memory through stories.

Captivating and deeply moving, this exceptional memoir tells of one Indigenous woman’s journey of overcoming adversity and colonial trauma to find strength and resilience through creative works and traditional perspectives of healing, transformation, and resurgence.

Reviews

Additional Information
304 pages | 6.50" x 8.50" | Hardcover

Faced with a constant stream of news reports of standoffs and confrontations, Canada’s “reconciliation project” has obviously gone off the rails. In this series of concise and thoughtful essays, lawyer and historian Bruce McIvor explains why reconciliation with Indigenous peoples is failing and what needs to be done to fix it.

Widely known as a passionate advocate for Indigenous rights, McIvor reports from the front lines of legal and political disputes that have gripped the nation. From Wet’suwet’en opposition to a pipeline in northern British Columbia, to Mi’kmaw exercising their fishing rights in Nova Scotia, McIvor has been actively involved in advising First Nation clients, fielding industry and non-Indigenous opposition to true reconciliation, and explaining to government officials why their policies are failing.

McIvor’s essays are honest and heartfelt. In clear, plain language he explains the historical and social forces that underpin the development of Indigenous law, criticizes the current legal shortcomings and charts a practical, principled way forward.

By weaving in personal stories of growing up Métis on the fringes of the Peguis First Nation in Manitoba and representing First Nations in court and negotiations, McIvor brings to life the human side of the law and politics surrounding Indigenous peoples’ ongoing struggle for fairness and justice. His writing covers many of the most important issues that have become part of a national dialogue, including systemic racism, treaty rights, violence against Indigenous people, Métis identity, the United Nations Declaration on the Rights of Indigenous People (UNDRIP) and the duty to consult.

McIvor’s message is consistent and powerful: if Canadians are brave enough to confront the reality of the country’s colonialist past and present and insist that politicians replace empty promises with concrete, meaningful change, there is a realistic path forward based on respect, recognition and the implementation of Indigenous rights.

Additional Information
208 pages | 5.50" x 8.50" | Paperback

This book, and accompanying Vimeo documentary link, is a collection of stories about culture, history, and nationhood as told by Métis women. The Métis are known by many names — Otipemisiwak, “the people who own ourselves;” Bois Brules, “Burnt Wood;” Apeetogosan, “half brother” by the Cree; “half-breed,” historically; and are also known as “rebels” and “traitors to Canada.” They are also known as the “Forgotten People.” Few really know their story.

Many people may also think that Métis simply means “mixed,” but it does not. They are a people with a unique and proud history and Nation. In this era of reconciliation, Stories of Métis Women explains the story of the Métis Nation from their own perspective. The UN has declared this “The Decade of Indigenous Languages” and Stories of Métis Women is one of the few books available in English and Michif, which is an endangered language.

Reviews
"With this book, some of these important and unique perspectives and worldviews about who we are as a people, how we have survived as people and how we will carry on and thrive as a people are shared through the writings of the daughters, mothers, aunties and grandmothers of the Métis Nation. I congratulate the Métis women who have taken the time to share and write down some of this knowledge for generations to come." —­Jason Madden, Métis rights lawyer and citizen of the Métis Nation

Additional Information
240 pages | 6.00" x 9.00" | 50 black and white illustrations | Paperback

The A Girl Called Echo series tells the story of Métis teenager Echo Desjardins, who is struggling to adjust to a new school and a new home while in foster care. Readers follow Echo as she travels through time and experiences pivotal events from Métis history, gains new perspectives about where she came from, and imagines what the future might hold.

Written by Anishinaabe educator Reuben Boulette, the Teacher Guide for A Girl Called Echo includes

• lesson plans specific to each book in the A Girl Called Echo series
• original articles outlining the history of the Métis Nation and their fight for sovereignty
• in-depth reading activities that engage students’ critical thinking skills
• activities that introduce students to the critical study of graphic novels and sequential art

This teacher guide will engage students’ understanding of Métis history and culture and encourage reflection on the importance of learning Indigenous histories.

Educator Information
Recommended for grades 7 and 8.

Find the A Girl Called Echo Series HERE!

Additional Information
72 pages | 8.50" x 11.00" | Spiral Bound