Award-Winning

Combining graphic fiction and non-fiction, this young adult graphic novel serves as a window into one of the unique dangers of being an Indigenous teen in Canada today. The text of the book is derived from excerpts of a letter written to the Winnipeg Chief of Police by fourteen-year-old Brianna Jonnie — a letter that went viral and was also the basis of a documentary film. In her letter, Jonnie calls out the authorities for neglecting to immediately investigate missing Indigenous people and urges them to "not treat me as the Indigenous person I am proud to be," if she were to be reported missing.

Indigenous artist Neal Shannacappo provides the artwork for the book. Through his illustrations he imagines a situation in which a young Indigenous woman does disappear, portraying the reaction of her community, her friends, the police and media.

An author's note at the end of the book provides context for young readers about Missing and Murdered Indigenous Women and Girls in Canada.

Awards

• 2021 Indigenous Voices Awards winner for Published Graphic Novels, Comics, and Illustrated Books in any Language.

Educator Information
Recommended Ages: 12 - 18. 

Recommended in the Canadian Indigenous Books for Schools 2020/2021 resource list for grades 7 to 12 for use in these areas: English Language Arts, Social Justice, and Social Studies.

This book is available in French: Si je disparais

Additional Information
64 pages | 8.50" x 9.50" | 100+ 2-colour illustrations

TIME: All.
SPACE: The Multiverse.
Come along for the ride to Kamloopa, the largest Powwow on the West Coast. This high-energy Indigenous matriarchal story follows two urban Indigenous sisters and a lawless Trickster who face our postcolonial world head-on as they come to terms with what it means to honour who they are and where they come from. But how to go about discovering yourself when Christopher Columbus allegedly already did that? Bear witness to the courage of these women as they turn to their Ancestors for help in reclaiming their power in this ultimate transformation story.

In developing matriarchal relationships and shared Indigenous values, Kamloopa explores the fearless love and passion of two Indigenous women reconnecting with their homelands, Ancestors, and stories. Kim Senklip Harvey’s play is a boundary-blurring adventure that will remind you to always dance like the Ancestors are watching.

Kamloopa: An Indigenous Matriarch Story is the work of Kim Senklip Harvey, a proud Indigenous woman from the Syilx, Tsilhqot’in, Ktunaxa, and Dakelh First Nations, listed for the Gina Wilkinson Prize for her work as an emerging director and widely considered to be one of this land’s most original voices among the next generation of Indigenous artists.

Awards

• 2020 Governor General's Award for English-language drama

Reviews
"A thoughtful, funny, and compelling exploration of the complexities of Indigenous community making and knowledge reclamation."—BC Studies

“Kamloopa is a hilarious and courageous transformation story. Kim Senklip Harvey makes a generous invitation for all of us to bear witness to the joy, resilience, and brilliance of Indigenous women.”—Christine Quintana

“This story about three women who are actively trying to decolonize themselves (whether they realize it or not) resonated deeply … Uplifting the voices of Indigenous women, Two-Spirit, and non-binary folks is incredibly important to our resistance and our communities. Kamloopa is one of those stories providing that platform.”—Yolanda Bonnell

“Kamloopa brought me an empowerment of self and a reclaiming of knowledge. It brought me sisterhood and ties that have shaped the way I create and approach life. As an Indigenous woman I felt seen, heard, and valid, something we should all experience. Miigwech.”—Samantha Brown

Educator Information
Recommended in the Canadian Indigenous Books for Schools 2020/2021 resource list for grades 8 to 12 for Acting, Drama, Theatre, and English Language Arts.

The Syilx language, Nsyilxcǝn, is used throughout this play.  Also included is the resource "Fire Zine! A Kamloopa Study Buddy" by Kimi Clark.  It discusses Indigenous artistic ceremony Protocol, Indigenous Theatre terms, and guides users in facilitating a Talking Circle.

Additional Information

A stunning new voice in nature writing makes an epic journey along the Yukon River to give us the stories of its people and its protagonist--the king salmon, or the Chinook--and the deepening threat to a singular way of life, in a lyrical, evocative and captivating narrative.

The Yukon River is 3,190 kilometres long, flowing northwest from British Columbia through the Yukon Territory and Alaska to the Bering Sea. Every summer, millions of salmon migrate the distance of this river to their spawning ground, where they go to breed and then die. The Chinook is the most highly prized among the five species of Pacific salmon for its large size and rich, healthy oils. It has long since formed the lifeblood of the economy and culture along the Yukon--there are few communities that have been so reliant on a single source. Now, as the region contends with the effects of a globalized economy, climate change, fishing quotas and the general drift towards urban life, the health and numbers of the Chinook are in question, as is the fate of the communities that depend on them.

Travelling in a canoe along the Yukon River with the migrating salmon, a three-month journey through untrammeled wilderness, Adam Weymouth traces the profound interconnectedness of the people and the Chinook through searing portraits of the individuals he encounters. He offers a powerful, nuanced glimpse into the erosion of indigenous culture, and into our ever-complicated relationship with the natural world. Weaving in the history of the salmon run and their mysterious life cycle, Kings of the Yukon is extraordinary adventure and nature writing and social history at its most compelling.

Awards

• 2019 Lonely Planet Adventure Travel Book of the Year Winner
• 2018 Sunday Times/Peters Fraser + Dunlop Young Writer of the Year Award 

Reviews
“Travel writing? Climate change? Here’s a book that does it all . . . He writes like Annie Dillard, Bruce Chatwin and Jack London combined: suspenseful and sensitive storytelling and sumptuous descriptions.” —National Observer

“Shift over, Pierre Berton and Farley Mowat. You, too, Robert Service. Set another place at the table for Adam Weymouth, who writes as powerfully and poetically about the Far North as any of the greats who went before him.” —Roy MacGregor, author of Original Highways: Travelling the Great Rivers of Canada

“A moving, masterful portrait of a river, the people who live on its banks, and the salmon that connect their lives to the land. It is at once travelogue, natural history, and a meditation on the sort of wildness of which we are intrinsically a part. Adam Weymouth deftly illuminates the symbiosis between humans and the natural world—a relationship so ancient, complex, and mysterious that it just might save us.” —Kate Harris, author of Lands of Lost Borders: Out of Bounds on the Silk Road

“I thoroughly enjoyed traveling the length of the Yukon River with Adam Weymouth, discovering the essential connection between the salmon and the people who rely upon them. What a joy it is to be immersed in such a remote and wondrous landscape, and what a pleasure to be in the hands of such a gifted narrator.” —Nate Blakeslee, author of The Wolf: A True Story of Survival and Obsession in the West

“Beautiful, restrained, uncompromising. The narrative pulls you eagerly downstream roaring, chuckling and shimmering just like the mighty Yukon itself.” —Ben Rawlence, author of City of Thorns

“An enthralling account of a literary and scientific quest. Adam Weymouth vividly conveys the raw grandeur and deep silences of the Yukon landscape, and endows his subject, the river’s King Salmon, with a melancholy nobility.” —Luke Jennings, author of Atlantic and Codename Villanelle

“Adam Weymouth's account of his canoe trip down the Yukon River is both stirring and heartbreaking. He ably describes a world that seems alternately untouched by human beings and teetering at the brink of ruin.” —David Owen, author of Where the Water Goes

Additional Information
288 pages | 5.18" x 8.00"

Lillian is a girl of mixed Indigenous and white ancestry who has been shuffled from foster home to foster home as long as she can remember. At school, she doesn’t feel like she fits in with the white kids and doesn’t fit in with the Indigenous kids either. She finds happiness and a sense of belonging from a surprising spirit that returns her to traditional ways.

Reviews
“I love this book. I think everyone, not just children should read it. With gentle empathy and joyous hope, Lynda Partridge paints the heartbreaking realities lived by far too many young people, while simultaneously generating optimism. She describes what is possible when we provide opportunities for generations to heal and lead us forward. The possibilities are both tremendous and endless.” - Senator Kim Pate, Senate of Canada

“Lillian has much to teach children and adults alike on the experience of utter vulnerability, resistance, and the art of the wise-child survival.” — Pamela Johnson, PhD Psychology

“A wonderful story of courage, inner strength and resilience as told through the eyes and mind of a child. Through this story of early adversity rises a person of character and wisdom who now shares her extraordinary understanding of finding a place in this world for the benefit of others”. - Leo Massi, MSW, RSW. Executive Director, H-N REACH.

“This story is from the spirit and is a message for all of our First Nations relatives that it is now time to rise up and take this responsibility back to being natural helpers, and to nurture our children who are struggling.”— Robin Decontie, MSW, Algonquin Anishinabekwe Director, Kitigan Zibi Health and Social Services

Educator & Series Information
This book is part of the Indigenous Spirit of Nature Series. It is also the first book in the Lillian Mystery series.

Foreword Poems by Chief R. Stacey Laforme.

Recommended ages: 7 to 12.

Recommended in the Canadian Indigenous Books for Schools 2019-2020 resource list as being useful for grades 6-8 for English Language Arts.

Additional Information
90 pages | 8.50" x 5.50" | 18 b&w illustrations

From the internationally acclaimed Inuit throat singer who has dazzled and enthralled the world with music it had never heard before, a fierce, tender, heartbreaking story unlike anything you've ever read.

Fact can be as strange as fiction. It can also be as dark, as violent, as rapturous. In the end, there may be no difference between them.

A girl grows up in Nunavut in the 1970s. She knows joy, and friendship, and parents' love. She knows boredom, and listlessness, and bullying. She knows the tedium of the everyday world, and the raw, amoral power of the ice and sky, the seductive energy of the animal world. She knows the ravages of alcohol, and violence at the hands of those she should be able to trust. She sees the spirits that surround her, and the immense power that dwarfs all of us.

When she becomes pregnant, she must navigate all this.

Veering back and forth between the grittiest features of a small arctic town, the electrifying proximity of the world of animals, and ravishing world of myth, Tanya Tagaq explores a world where the distinctions between good and evil, animal and human, victim and transgressor, real and imagined lose their meaning, but the guiding power of love remains.

Haunting, brooding, exhilarating, and tender all at once, Tagaq moves effortlessly between fiction and memoir, myth and reality, poetry and prose, and conjures a world and a heroine readers will never forget.

Awards

• Winner of the 2019 Indigenous Voices Awards for Published Prose in English.
• Winner of the 2018 Alcuin Society Awards for Excellence in Book Design – Prose Fiction

Reviews
“Tagaq’s surreal meld of poetry and prose transmutes the Arctic’s boundless beauty, intensity, and desolation into a wrenching contemporary mythology.” –The New Yorker

“Though the protagonist’s coming-of-age story, generously and lovingly documented by Tagaq, is the anchor, Split Tooth is not a book that can be fully absorbed in one sitting. It’s possible to sink deeper and deeper into the narrative with each successive reading. Like a smirking teenager, Split Tooth blithely gives typical literary expectations the finger, daring us to see and experience narrative as chaotic, emotional, and deeply instinctive. And it succeeds.” –Quill and Quire

“Tanya’s book is one of the most incredible things I’ve ever read. It’s deeply profound, emotional and personal, and furthers her artistic experimentation and genius into a new realm. I love her even more after reading it, and I’m once again awed by her talent.” –Jesse Wente, CBC Broadcaster

"[A] forceful coming-of-age tale.” –Toronto Life magazine

Additional Information

New York Times best-selling author Cynthia Leitich Smith turns to realistic fiction with the thoughtful story of a Native teen navigating the complicated, confusing waters of high school — and first love.

When Louise Wolfe’s first real boyfriend mocks and disrespects Native people in front of her, she breaks things off and dumps him over e-mail. It’s her senior year, anyway, and she’d rather spend her time with her family and friends and working on the school newspaper. The editors pair her up with Joey Kairouz, the ambitious new photojournalist, and in no time the paper’s staff find themselves with a major story to cover: the school musical director’s inclusive approach to casting The Wizard of Oz has been provoking backlash in their mostly white, middle-class Kansas town. From the newly formed Parents Against Revisionist Theater to anonymous threats, long-held prejudices are being laid bare and hostilities are spreading against teachers, parents, and students — especially the cast members at the center of the controversy, including Lou’s little brother, who’s playing the Tin Man. As tensions mount at school, so does a romance between Lou and Joey — but as she’s learned, “dating while Native” can be difficult. In trying to protect her own heart, will Lou break Joey’s?

Awards

• American Indian Youth Literature Award Winner

Reviews
"Blending teen romance with complex questions of identity, equality, and censorship, this is an excellent choice for most collections." — School Library Journal (starred review)

"In a time when #ownvoices stories are rising in popularity among YA readers, this brings an insightful story to the conversation...this is truly a thought-provoking and educational novel." —Booklist

"Louise...is believable in her own missteps, and her younger brother’s moral quandary—he’s unsure if he wants to stay in the play after finding out about L. Frank Baum’s virulent anti-Native prejudice—is compellingly explored...a revealing account of a bigotry experience that sometimes gets overshadowed by others, though, and readers will sympathize with Louise’s frustrations." — Bulletin of the Center for Children's Books

"Smith depicts the Wolfes’ warm family life as a stable foundation as Hughie and Lou each confront challenges, and she is especially successful at portraying the camaraderie and conflicts of the newspaper staff...a thought-provoking work of realistic teen fiction." —Publishers Weekly Online

Educator Information
Recommended for ages 14+ 

Social themes: Prejudice and Racism, Dating, Romance.

Additional Information
304 pages | 5.81" x 8.56"

A special 50^th anniversary edition of the magnificent Pulitzer Prize-winning novel from renowned Kiowa writer and poet N. Scott Momaday, with a new preface by the author.

A young Native American, Abel has come home from war to find himself caught between two worlds. The first is the world of his father’s, wedding him to the rhythm of the seasons, the harsh beauty of the land, and the ancient rites and traditions of his people. But the other world—modern, industrial America—pulls at Abel, demanding his loyalty, trying to claim his soul, and goading him into a destructive, compulsive cycle of depravity and disgust.

An American classic, House Made of Dawn is at once a tragic tale about the disabling effects of war and cultural separation, and a hopeful story of a stranger in his native land, finding his way back to all that is familiar and sacred.

Reviews
“Both a masterpiece about the universal human condition and a masterpiece of Native American literature. . . . A book everyone should read for the joy and emotion of the language it contains.” — The Paris Review

“A new romanticism, with a reverence for the land, a transcendent optimism, and a sense of mythic wholeness...Push[es] the secular mode of modern fiction into the sacred mode, a faith and recognition in the power of the world.” — American Literature

Additional Information
224 pages | 5.31" x 8.00"

Saul Indian Horse has hit bottom. His last binge almost killed him, and now he’s a reluctant resident in a treatment centre for alcoholics, surrounded by people he’s sure will never understand him. But Saul wants peace, and he grudgingly comes to see that he’ll find it only through telling his story. With him, readers embark on a journey back through the life he’s led as a northern Ojibway, with all its joys and sorrows. 

With compassion and insight, author Richard Wagamese traces through his fictional characters the decline of a culture and a cultural way. For Saul, taken forcibly from the land and his family when he’s sent to residential school, salvation comes for a while through his incredible gifts as a hockey player. But in the harsh realities of 1960s Canada, he battles obdurate racism and the spirit-destroying effects of cultural alienation and displacement. Indian Horse unfolds against the bleak loveliness of northern Ontario, all rock, marsh, bog and cedar. Wagamese writes with a spare beauty, penetrating the heart of a remarkable Ojibway man.

Awards

• 2013 Burt Award for First Nations, Métis, and Inuit Literature
• 2013 First Nation Communities Read Award

Reviews
"Richard Wagamese is a master storyteller, who blends the throb of life with spiritual links to the land, hard work, and culture to find success, his words take you into the soul of Indian Horse, to experience his pain, his growing resentments, his depression, and his fear which has to be faced if he is to regain the joy of life. This book is meant for youth, adults, and elders, to be shared, to be lived, and to be treasured for the clear message of hope and the need to go the distance." — Wawatay News

“…The hockey chapters are compelling; they evoke Sherman Alexie’s fiction that examines contemporary life on American Indian reservations through the lens of basketball. But it is as a story of reconciliation that this novel reveals Wagamese’s masterful subtly…In a single image, Wagamese complicates in blinding ways the entire narrative; in a single page, Indian Horse deepens from an enjoyable read to a gripping critique of Canada.” — Kyle Carsten Wyatt, The Walrus, 2012

Educator Information
Grades 10-12 BC English First Peoples resource for units on Lost People, Reconciliation, and Place-Conscious Learning.

Caution: Substance Abuse, Mature Content 

Additional Information
232 pages | 5.50" x 8.50"

This special edition of Richard Wagamese’s novel Indian Horse has been released to coincide with the release of the film Indian Horse in the spring of 2018.

A tour-de-force debut novel about a Two-Spirit Indigiqueer young man and proud NDN glitter princess who must reckon with his past when he returns home to his reserve.

"You're gonna need a rock and a whole lotta medicine" is a mantra that Jonny Appleseed, a young Two-Spirit/Indigiqueer, repeats to himself in this vivid and utterly compelling debut novel by poet Joshua Whitehead.

Off the reserve and trying to find ways to live and love in the big city, Jonny becomes a cybersex worker who fetishizes himself in order to make a living. Self-ordained as an NDN glitter princess, Jonny has one week before he must return to the "rez"--and his former life--to attend the funeral of his stepfather. The seven days that follow are like a fevered dream: stories of love, trauma, sex, kinship, ambition, and the heartbreaking recollection of his beloved kokum (grandmother). Jonny's life is a series of breakages, appendages, and linkages--and as he goes through the motions of preparing to return home, he learns how to put together the pieces of his life.

Jonny Appleseed is a unique, shattering vision of First Nations life, full of grit, glitter, and dreams.

Awards

• 2021 Canada Reads winner

Reviews
"If we're lucky, we'll find one or two books in a lifetime that change the language of story, that manage to illuminate new curves in the flat vessels of old letters and words. This is one of those books. Jonny Appleseed gifts us with clarity in the shape of sharp, and medicine in the guise of soft -- and a sexy, powerful, broken, beautiful hero who has enough capacity in the dent of a clavicle to hold all the tears of his family. This book gives us back the land of curb and field, trailer and ledge, and the community -- in all its rusted and complicated glory. Most importantly, this book gifts us with the opportunity to hear the innovative and the ancient in the prose of a new literary goddess, Joshua Whitehead." ―Cherie Dimaline, author of The Marrow Thieves

"Joshua Whitehead redefines what queer Indigenous writing can be in his powerful debut novel. Jonny Appleseed transcends genres of writing to blend the sacred and the sexual into a vital expression of Indigenous desire and love. Reading it is a coming home to bodies, stories, and experiences of queer Indigenous life that has never been so richly and honestly shown before. This book is an honour song to every queer NDN body who has ever lived and it will transform the universe with its beauty and magic." ―Gwen Benaway, author of Passage

Educator Information
Caution: graphic/mature content such as sexual descriptions.

Additional Information
224 pages | 5.50" x 8.00"

Nipimanitu (L’esprit de l’eau) offre une poésie spirituelle et mystique de l’effondrement, écrite dans l’urgence de tout dire. En trois mouvements – amour intégral, chute et trahison, puis résilience et retour à la vision claire –, il livre un chant révolutionnaire, puisant aux sources de la conscience, du rêve et de la mémoire, qui appelle à une transformation radicale de notre regard sur le monde.

La poésie symboliste de Ross-Tremblay traduit une métaphysique profondément innue qui repousse les limites du langage. L’auteur y exprime une cosmogonie qui aspire à l’immanence et à l’osmose entre l’humain et ce qui fonde sa vie.

Awards

• 2019 Indigenous Voices Award winner for Published Works in French

Educator Information
Genre: Poetry

Subjects & Themes: Indigenous Canadian; Nature

Additional Information
134 pages | 5.51" x 8.50" 

Tasha Spillett’s graphic novel debut, Surviving the City, is a story about womanhood, friendship, colonialism, and the anguish of a missing loved one.

Miikwan and Dez are best friends. Miikwan is Anishinaabe; Dez is Inninew. Together, the teens navigate the challenges of growing up in an urban landscape – they’re so close, they even completed their Berry Fast together. However, when Dez’s grandmother becomes too sick, Dez is told she can’t stay with her anymore. With the threat of a group home looming, Dez can’t bring herself to go home and disappears. Miikwan is devastated, and the wound of her missing mother resurfaces. Will Dez’s community find her before it’s too late? Will Miikwan be able to cope if they don’t?

Awards

• Winner of the 2019 Indigenous Voices Award for Works in an Alternative Format
• Co-winner of the Eileen McTavish Sykes Award for Best First Book by a Manitoba Author
• Winner of the Manuela Dias Design and Illustration Award, Graphic Novel category

Educator & Series Information
Recommended Grades: 7-12.

This graphic novel is part of the Surviving the City series, which is also part of the Debwe Series.

The Surviving the City series includes these titles:

• Surviving the City
• From the Roots Up
• We Are the Medicine

Recommended in the Canadian Indigenous Books for Schools 2019-2020 resource list for grades 10 to 12 for English Language Arts and Social Studies.

This book could be triggering for some readers as it contains mature content and focuses on issues such as Missing and Murdered Indigenous Women and Girls.

A Teacher Guide is available: Surviving the City Teacher Guide: Exploring Identity, Allyship, and Social Action for Meaningful Change in Grades 7-12 

Additional Information
56 pages | 6.50" x 10.00" 

An unexpected journey can be powerful medicine.

When Tilly receives an invitation to help drive eight elders on their ultimate bucket list road trip to Albuquerque, New Mexico, for the Gathering of Nations Pow Wow, she impulsively says yes. Before she knows it, Tilly has said goodbye to her family and is behind the wheel—ready to embark on an adventure that will transform her in ways she could not predict, just as it will for each and every one of the seniors on the trip, who soon dub themselves “the Crazy Eights.”

Tilly and the Crazy Eights each choose a stop to make along the way—somewhere they’ve always wanted to go or something they’ve wanted to experience. This takes them on a route to Las Vegas and Sedona, with a final goal of reaching the Redwood Forest. Each stop becomes the inspiration for secrets and stories to be revealed. The trip proves to be powerful medicine as they laugh, heal, argue, and reveal hopes and dreams along the way. With friendships forged, love found, hearts broken and mended, Tilly and the Crazy Eights feel ready for anything by the time their bus rolls to a stop in New Mexico. But are they?

Educator Information
This is a fictional novel for adults from the author of the groundbreaking children's books Speaking Our Truth: A Journey of Reconciliation and My Heart Fills with Happiness.

Reviews
"Tilly and the Crazy Eights, [is] a sequel of sorts to Smith’s first book [Tilly: A Story of Hope and Resilience].... In Smith’s first novel, Tilly was coming of age and into sobriety; now the reader finds her at mid-life, a married mother of two who’s at a crossroads. The opportunity to spend two weeks with Elders and receive the gifts of their teachings is the medicine she needs. Ideas of medicine recur throughout the text – laughter is medicine, and so are tears and words. For everyone, this will be a journey about healing..... Most powerfully, Smith infuses her novel with joy, love, and laughter and suggests that these could be what determine the future after all."— Quill & Quire, September 2018

Educator Information
The Canadian Indigenous Books for Schools list recommends this resource for Grades 10-12 English Language Arts.

Additional Information
230 pages | 5.50" x 8.50"

Following the Scotiabank Giller Prize-shortlisted Son of a Trickster comes Trickster Drift, the second book in Eden Robinson's captivating Trickster trilogy.

Jared Martin, seventeen, has quit drugs and drinking. But his troubles are not over: the temptation to slip is constant (thanks to his enabling, ever-partying mom, Maggie). He's being stalked by David, his mom's ex--a preppy, khaki-wearing psycho with a proclivity for rib-breaking. And Maggie, a witch as well as a badass, can't protect him like she used to because he's moved from Kitimat to Vancouver for school.

He figures that in order to be safe from both magic, addiction and David, he's got to get his grades up, find a job that doesn't involve selling weed cookies, and learn how to live with his Aunt Mave, who has been estranged from the family ever since she tried to "rescue" him as a baby from his mother. Though she smothers him with hugs, Mave is blind to the real dangers that lurk around them--the spirits and supernatural activity that fill her apartment.

As the son of a Trickster, Jared is a magnet for magic, whether he hates it or not. He sees ghosts, he sees the monster moving underneath his Aunt Georgina's skin, he sees the creature that comes out of his bedroom wall and creepily wants to suck his toes. He also still hears his father in his head, and other voices too. When David finally catches up with him, Jared can't ignore his true nature any longer. And neither can anyone else he loves.

Reviews
“As with the first book, Trickster Drift is most memorable for its set pieces. . . . The mix of sharp comedy, quick character sketches, and unsettling horror is note-perfect.” —Nathan Whitlock, Quill & Quire.

"The great strength of Trickster Drift is that humanity and empathy, but let’s be clear: there are monsters here, both human and otherwise. The novel builds to a climax that is simultaneously thrilling and thought-provoking, one which overturns much of what we have come to know. The third novel can’t come soon enough." — Robert J. Wiersema, The Star

Educator & Series Information
This is the second book in Eden Robinson's Trickster Trilogy.  It is preceded by Son of a Trickster.

Additional Information
384 pages | 5.18" x 8.00" | Paperback

In his debut poetry collection you are enough: love poems for the end of the world, Smokii Sumac has curated a selection of works from two years of a near daily poetry practice. What began as a sort of daily online poetry journal using the hashtag #haikuaday, has since transformed into a brilliant collection of storytelling drawing upon Indigenous literary practice, and inspired by works like Billy Ray Belcourt's This Wound is a World, and Tenille Campbell's #IndianLovePoems.

The poems follow the haiku format, often stringing together three lines to tell a story. With sections dealing with recovery from addiction and depression, coming home through ceremony, and of course, as the title suggests, on falling in and out of love, Sumac brings the reader through two years of life as a Ktunaxa Two-Spirit person. This collection will move you as Sumac addresses the grief of being an Indigenous person in Canada, shares timely (and sometimes hilarious) musings on consent, sex, and gender, introduces readers to people and places he has loved and learned from, and through it all, helps us all come to know that we are enough, just as we are.

Awards

• 2019 Indigenous Voices Awards Winner for Published Poetry in English

Additional Information
108 pages | 5.50" x 8.50"

Native women demand to be heard in this stunning anthology.

Whether looking back to a troubled past or welcoming a hopeful future, the powerful voices of Indigenous girls and women across North America resound in this book. In the same visual style as the bestselling Dreaming in Indian, #NotYourPrincess presents an eclectic collection of poems, essays, interviews, and art that combine to express the experience of being a Native woman. Stories of abuse, intergenerational trauma, and stereotyping are countered by the voices of passionate women demanding change and realizing their dreams. Sometimes outraged, often reflective, but always strong, the women in this book will give teen readers insight into the lives of women who, for so long, have had their history hidden and whose modern lives have been virtually invisible.

Reviews
“A stunning anthology of creative writing and art . . . All YA collections will want this."— Alicia Abdul, School Library Journal

Educator Information
Themes: First Nations; Native Peoples; Indigenous; girls and women; biography; multicultural; stereotyping; acceptance; community; prejudice; self-esteem; tolerance

Interest Age 14+ | Grade 9+

The Canadian Indigenous Books for Schools list recommends this resource for Grades 8-12 for these subjects: English Language Arts, Social Justice, Social Studies.

Additional Information
8.5 x 11 | 112 Pages