Indigenous Peoples

Follow the beauty way to generate happiness and good relationships, fulfill your life purpose, manifest peace and abundance, and renew the planet.

Dhyani Ywahoo’s powerful, prophetic, and compassionate voice returns in this new expanded edition of the book that’s sold over 90K copies.

This beloved book has resonated with thousands of spiritual explorers and other readers wishing to ground their activities in harmony and well-being. In this expanded edition, Dhyani Ywahoo continues to be a guiding source of wisdom for all who walk the Beauty Way. As the twenty-seventh generation to carry the Ywahoo lineage of the Eastern Tsalagi/Cherokee Nation, she shares the precious oral teachings of her people that remain timely, powerful, and accessible.

Weaving together Buddhist and Native American traditions, Voices of Our Ancestors offers practical ways of transforming obstacles into happiness and good relationships, fulfilling our life purpose, manifesting peace and abundance, and renewing the planet. The Tsalagi worldview teaches us to infuse each moment with the three fundamental principles of intention, compassion, and doing good. We have the opportunity to let go of fear and aggression and begin to live a life of enlightened consciousness, with tools like:

• Meditations;
• Healing rituals;
• Instructions for working with crystals; and
• Teachings on how to practice generosity and harmony.

Our journey is enriched by Dhyani Ywahoo’s new reflections on the expansion of Native American communities in the United States and how they have cooperated to bring Indigenous voices into larger conversations about conflict resolution, the climate crisis, and the need for inclusion of underrepresented groups and individuals. With a voice that is powerful, prophetic, and compassionate, Dhyani Ywahoo calls on us to become peacekeepers in our hearts and in the world.

Reviews
“Venerable Dhyani Ywahoo embodies wisdom of the Native and Tibetan traditions. Hers is a lifetime spent generously sharing these sacred teachings with students all over the world. I celebrate this new edition of her book, which will hold these precious methods to walk in this world with wisdom and compassion now and for future generations.”—Lama Konchok Sonam, spiritual director of Drikung Meditation Center

“These wisdom teachings are profoundly life-changing for spiritual growth no matter your tradition. Venerable Dhyani Ywahoo is an exceptional spiritual leader and teacher, having forged her own way through traditional Cherokee and Vajrayana teachings. She compassionately embraces her students with her wisdom, offering unique and significant insights. Voices of Our Ancestors is a timeless work and as such it lends support and inspiration continually.”—Shan Watters, artist and author of Mothering the Divine

Additional Information
352 pages | 6.00" x 8.99" | Paperback 

A beautifully illustrated edition of Poet Laureate Joy Harjo’s poem “Washing My Mother’s Body,” which offers a way through grief when the loss appears unbearable.

As I wash my mother’s face, I tell her
how beautiful she is, how brave, how her beauty and bravery
live on in her grandchildren. Her face is relaxed, peaceful.
Her earth memory body has not left yet,
but when I see her the next day, embalmed and in the casket
in the funeral home, it will be gone.
Where does it go?

Through lyrical prose and evocative watercolor illustrations by award-winning Muscogee artist Dana Tiger, Washing My Mother’s Body explores the complexity of a daughter’s grief as she reflects on the joys and sorrows of her mother’s life. She lays her mother to rest in the landscape of her memory, honoring the hands that raised her, the body that protected her, and the legs that carried her mother through adversity.

Moving, comforting, and deeply emotional, Washing My Mother’s Body is a tender look at mother-daughter relationships, the complexity of grieving the loss of a parent, and the enduring love of those left behind.

Additional Information
80 pages | 5.79" x 7.81" | Hardcover 

Sweet Tooth meets The Raven Boys in this queer young adult contemporary fantasy about what it means to belong from H.E. Edgmon.

You can never go home…

Every day, all across the world, inhuman creatures are waking up with no memory of who they are or where they came from–and the Caravan exists to help them. The traveling community is made up of these very creatures and their families who’ve acclimated to this new existence by finding refuge in each other. That is, until the morning five teenage travelers wake to find their community has disappeared overnight.

Those left: a half-human who only just ran back to the Caravan with their tail between their legs, two brothers–one who can’t seem to stay out of trouble and the other who’s never been brave enough to get in it, a venomous girl with blood on her hands and a heart of gold, and the Caravan’s newest addition, a disquieting shadow in the shape of a boy. They’ll have to work together to figure out what happened the night of the disappearance, but each one of the forsaken five is white-knuckling their own secrets. And with each truth forced to light, it becomes clear this isn’t really about what happened to their people–it’s about what happened to them.

Educator Information
Recommended for ages 14 to 18.

Additional Information
320 pages | 5.38" x 8.25" | Hardcover 

A pocket-sized comic by Indigenous Voices winner Cole Pauls.

Llege zedle s_on nes_it'in (Tahltan for we see stars only at night ) is a surrealistic landscape of Tahltan shapes, culture and motifs. Originally created for the Nanaimo Art Gallery's group show "Gutters are Elastic" between July 15 to September 23, 2023, Pauls decided to expand the work into a full-length book.

Playing with the connection between land, regalia, performance and heritage, Pauls follows in the footsteps of Tiger Tateishi, Hironori Kikuchi and Michael Nicoll Yahgulanaas with his dreamlike narrative.

Educator Information
This work was created in the tradition of "silent" (wordless) comics and uses symbols, shapes, and motifs for the narrative.

Additional Information
80 pages | 4.25" x 6.25" | 80 b&w illustrations  | Paperback 

The Indigenous intercultural theology proposed in this groundbreaking work by Dr. Carmen Lansdowne seeks to reframe many of the (often unspoken) assumptions about the field of Christian mission. Dr. Lansdowne searches out answers to the question: If Indigenous hearts are broken by Christianity, what is it in Christian theology that is life giving at all? This book will be essential reading for lay and professional theologians and church leaders; it is also a key contribution to the field of Indigenous Studies, especially as a study of Indigenous-Christian encounter.

Additional Information
256 pages | 6.00" x 9.00" | Paperback 

From ground zero of this country's most important project: reconciliation

Niigaan Sinclair has been called provocative, revolutionary, and one of this country's most influential thinkers on the issues impacting Indigenous cultures, communities, and reconciliation in Canada. In his debut collection of stories, observations, and thoughts about Winnipeg, the place he calls "ground zero" of Canada's future, read about the complex history and contributions of this place alongside the radical solutions to injustice and violence found here, presenting solutions for a country that has forgotten principles of treaty and inclusivity. It is here, in the place where Canada began—where the land, water, people, and animals meet— that a path "from the centre" is happening for all to see.

At a crucial and fragile moment in Canada's long history with Indigenous peoples, one of our most essential writers begins at the centre, capturing a web spanning centuries of community, art, and resistance.

Based on years' worth of columns, Niigaan Sinclair delivers a defining essay collection on the resilience of Indigenous peoples. Here, we meet the creators, leaders, and everyday people preserving the beauty of their heritage one day at a time. But we also meet the ugliest side of colonialism, the Indian Act, and the communities who suffer most from its atrocities.

Sinclair uses the story of Winnipeg to illuminate the reality of Indigenous life all over what is called Canada. This is a book that demands change and celebrates those fighting for it, that reminds us of what must be reconciled and holds accountable those who must do the work. It's a book that reminds us of the power that comes from loving a place, even as that place is violently taken away from you, and the magic of fighting your way back to it.

Awards

•  Winner of the 2024 Governor General's Literary Award for Nonfiction.

Additional Information
384 pages | 5.14" x 7.92" | b&w photos throughout | Paperback

A major publication, Worlds on Paper: Drawings from Kinngait features over 150 never-before-seen original drawings by internationally renowned Inuit artists from Kinngait (Cape Dorset).

In 1990, the celebrated printmaking studio in Kinngait (Cape Dorset) transferred their complete drawings archive to the McMichael Canadian Art Collection in Ontario for safekeeping. The McMichael recently completed the digitization of this invaluable treasury of works, making it accessible to communities across the Arctic as well as to the wider public.

Worlds on Paper, an exhibition led by Inuit curator Emily Laurent Henderson, explores the profound impact and importance of drawing in Kinngait, not just as a precursor to printmaking, but as a vital and enduring discipline in its own right. This groundbreaking Inuit-led publication includes essays by Susan Aglukark, Kyle Aleekuk, Mark Bennett, Napatsi Folger, Jamesie Fournier, Janice Grey, Jonas Laurent Henderson, Jessica Kotierk, Nicole Luke, Malayah Maloney, Aghalingiak Ohokannoak, Jocelyn Piirainen, Krista Ulukuk Zawadski, and others, and explores the transition from traditional life on the land to 21st century community living.

Kinngait is renowned internationally for printmaking but an exploration of the drawings archive reveals careers previously overlooked while also allowing established artists to be seen in a new light. Dreaming Forward provides a richer understanding of the creativity that blossomed in Kinngait over four decades, as the print making studio rose to international renown. This publication animates the legacy of Kinngait Studio and its role in generating, nurturing, and promoting artists who continue to challenge expectations and provoke fresh understandings.

Additional Information
320 pages | 10.00" x 11.00" | 200 colour artwork and archival photographs | Hardcover 

Award-winning author Jen Ferguson has written a powerful story about teens grappling with balancing resentment with enduring friendship—and how to move forward with a life that’s not what they’d imagined.

Before that awful Saturday, Molly used to be inseparable from her brother, Hank, and his best friend, Tray. The indoor climbing accident that left Hank with a traumatic brain injury filled Molly with anger.

While she knows the accident wasn’t Tray’s fault, she will never forgive him for being there and failing to stop the damage. But she can’t forgive herself for not being there either.

Determined to go on the trio’s postgraduation hike of the Pacific Crest Trail, even without Hank, Molly packs her bag. But when her parents put Tray in charge of looking out for her, she is stuck backpacking with the person who incites her easy anger.

Despite all her planning, the trail she’ll walk has a few more twists and turns ahead. . . .

Reviews
"With a rhythm and tone that reads like poetry, Ferguson delivers an emotionally resonant tale in which profound interpersonal conflict unfolds against the lushly described natural backdrop of an adrenaline-inducing outdoor environment." — Publishers Weekly

"Explores disability and fat activism and fatphobia, with a side of romance." — Kirkus Reviews

"No matter who reads this book, they will find something in each character that will ring true. A must-buy for YA collections." — School Library Journal

"Conversations around love and intersectional analysis of Indigeneity, fatness, disability, queerness, blended families, and human interactions with nature are sure to pique the interest of readers also exploring the many facets of what makes them whole." — Bulletin of the Center for Children’s Books

"A great read for all teenagers, and especially those who've graduated and are wondering what comes next."  — Booklist

Educator Information
Recommended for ages 13+.

This novel grapples with resentment, fear, grief, anti-Indigenous racism, and moving forward in a life you're not sure fits you. These difficult emotions and issues are handled thoughtfully and with empathy. 

Additional Information
352 pages | 5.50" x 8.25" | Hardcover 

Five generations of Métis women argue, dance, struggle, laugh, love, and tell the stories that will sing their family, and perhaps the land itself, into healing in this brilliantly original debut novel.

Carter is a young mother, recently separated. She is curious, angry, and on a quest to find out what the heritage she only learned of in her teens truly means.

Allie is trying to make up for the lost years with her first born, and to protect Carter from the hurt she herself suffered from her own mother.

Lucie wants the granddaughter she's never met to help her join her ancestors in the Afterlife.

Geneviève is determined to conquer her demons before the fire inside burns her up, with the help of the sister she lost but has never been without.

And Mamé, in the Afterlife, knows that all their stories began with her; she must find a way to loose herself from the last threads that keep her tethered to the living, just as they must find their own paths forward.

This extraordinary novel, told by a chorus of vividly realized, funny, wise, confused, struggling characters—including descendants of the bison that once freely roamed the land—heralds the arrival of a stunning new voice in literary fiction.

Additional Information
336 pages | 5.18" x 8.00" | Paperback

Nina is a Lipan girl in our world. She’s always felt there was something more out there. She still believes in the old stories.

Oli is a cottonmouth kid, from the land of spirits and monsters. Like all cottonmouths, he’s been cast from home. He's found a new one on the banks of the bottomless lake.

Nina and Oli have no idea the other exists. But a catastrophic event on Earth, and a strange sickness that befalls Oli’s best friend, will drive their worlds together in ways they haven’t been in centuries.

And there are some who will kill to keep them apart.

Darcie Little Badger introduced herself to the world with Elatsoe. In A Snake Falls to Earth, she draws on traditional Lipan Apache storytelling structure to weave another unforgettable tale of monsters, magic, and family. It is not to be missed.

Reviews
"Evokes the timeless feeling of listening to traditional oral storytelling.”—Kirkus Reviews

“If Elatsoe was a ten out of ten, then A Snake Falls to Earth is a solid 11. This book could have been twice as long and I still would have begged for more. Although aimed at a young-adult audience, it has the kind of easy appeal and heartfelt tone that will entice younger kids and older adults as well. Anyone reading or buying YA needs to add this to their shelves immediately.” — Locus

“This is a delightful and imaginative novel with alternating protagonists. One is Nina, a teenager trying to translate a story told by her great-great-grandmother in her native Athabaskan language, Lipan. The other is Oli, a cottonmouth snake with the ability to shapeshift, who is learning to find his way after being pushed from the nest. Climate change features, informed by the author’s geoscience degree and PhD in oceanography. Another theme is linguistic diversity and the crucial role of storytelling in keeping cultures alive. A Snake Falls to Earth is also very much a story of friendship.”—Five Books

Educator Information
Recommended by publisher for ages 12 to 18.

#OwnVoices Lipan Apache author.

An original work of Indigenous futurism that draws on Lipan Apache storytelling traditions.

Additional Information
384 pages | 5.50" x 8.25" | Paperback

The thrilling third entry in the high fantasy saga that started with BookTok sensation A Broken Blade.

A new king is on the throne and the rebellion lies in ruins. Keera spends her days drinking and her nights avoiding the strange dreams that have haunted her since she returned from the capital.

Keera’s family in Myrelinth won’t let her go without a fight. With new intelligence about the magical seals left behind by Keera’s ancient kin, the Light Fae, she rallies to face her demons and unleash the formidable powers she inherited from her people. But a shocking truth is hiding in plain sight, one with the power to unravel the entire rebellion...

The pivotal third installment in the Halfling Saga will upend everything Keera thought she knew about her enemies . . . and her allies.

Reviews
"Gripping and fierce. This is much-needed fantasy with its fangs honed sharp by the power of resistance. Melissa Blair has built a tremendous world."—Chloe Gong, #1 New York Times bestselling author of These Violent Delights

Educator & Series Information
Young adult/new adult fantasy series recommended for ages 18+.

The third entry in the Halfling Saga, the epic tale of a deadly assassin with a mysterious past, set in a lush fantasy world of Mortals, Elves, Halflings, and Fae, A Vicious Game is perfect for readers who enjoyed the A Court of Thorns and Roses series and other romantic fantasy books, especially those seeking LGBTQ+ romance or BIPOC representation.

Additional Information
448 pages | 6.00" x 9.00" | Paperback

My name is Corinne George. I am Wet’suwet’en with Gitksan lineage from the Gidimt’en (Bear) Clan. This is my truth, and through sharing my truth, I strive for ongoing healing and to continue the journey of reconciliation. As a Wet’suwet’en woman born and raised on what is now known as the “Highway of Tears,” it was not uncommon to receive inferior treatment. There were even times when I was overtly targeted. It has been very common for people to outwardly refuse to acknowledge my existence as a human being. I was always afraid to share my truth because I did not want to be stigmatized. I am the daughter of a residential school survivor and a WWII veteran. As a result of colonization, I have encountered incredible levels of trauma. I need to acknowledge and speak my truth. As I share my pain and experiences, I have gathered self-awareness and every time I speak about my trauma, I heal a little bit more. I do not deserve to be treated like I do not exist. Despite the historical impacts of colonization and trauma, my connections to my ancestral ways and my identity have been critical. This is how I survived and how I strive to thrive.

Educator Information
Recommended for ages 16+.

Additional Information
128 pages | 5.10" x 7.50" | Paperback

A poignant and inspiring memoir of the people and challenges that shaped the life and career of Canada's most decorated Indigenous athlete.

Over the course of his incredible career, Bryan Trottier set a new standard of hockey excellence. A seven-time Stanley Cup champion (four with the New York Islanders, two with the Pittsburgh Penguins, and one as an assistant coach with the Colorado Avalanche), Trottier won countless awards and is a member of the Hockey Hall of Fame and the Canadian Sports Hall of Fame. In 2017, he was named one of the NHL's Top 100 Players of All Time.

Trottier grew up in Val Marie, Saskatchewan, the son of a Cree/Chippewa/Metis father and an Irish-Canadian mother. All Roads Home offers a poignant, funny, wise, and inspiring look at his coming of age, both on and off the ice. It is a unique memoir in which Trottier shares stories about family, friends, teammates, and coaches, the lessons that he has learned from them, and the profound impact they have had in shaping the person he has become.

Some of the incredible characters featured in the book include Trottier's father Buzz; legendary Islanders coach Al Arbour; teammates Clark Gillies and Mike Bossy; and the Penguins' Mario Lemieux, to name but a few. He'll also talk about the high school English teacher and guidance counsellor who helped him develop self-confidence and encouraged him as a writer: Governor General's Award–winning poet, Lorna Crozier.

All Roads Home also includes a Foreword from bestselling author Jesse Thistle (From the Ashes) and two very special Afterwords: one from Trottier's daughter, Lindsy Ruthven, and the other from his life-long friend, beloved hockey great Dave "Tiger" Williams.

Additional Information
304 pages | 5.16" x 7.95" | Paperback

Honouring the scholarship of Métis matriarchs

While surveying the field of Indigenous studies, Laura Forsythe and Jennifer Markides recognized a critical need for not only a Métis-focused volume, but one focused on the contributions of Métis women. To address this need, they brought together work by new and established scholars, artists, storytellers, and community leaders that reflects the diversity of research created by Métis women as it is lived, considered, conceptualized, and re-imagined.

With writing by Emma LaRocque and other pioneers of Métis studies, Around the Kitchen Table looks beyond the patriarchy to document and celebrate the scholarship of Métis women. Focusing on experiences in post-secondary environments, this collection necessarily traverses a range of methodologies. Spanning disciplines of social work, education, history, health care, urban studies, sociology, archaeology, and governance, contributors bring their own stories to explorations of spirituality, material culture, colonialism, land-based education, sexuality, language, and representation. The result is an expansive, heartfelt, and accessible "community of Métis thought," as articulated by Markides.

Reverent and revelatory, this collection centres the strong aunties and grandmothers who have shaped Métis communities, culture, and identities with teachings shared in classrooms, auditoriums, and around the kitchen table.

Reviews
"Inspiring, healing, and future-facing, this long overdue book gives us valuable new insights into the histories and identities of Métis people." — Kim Anderson

"Around the Kitchen Table is an exciting and thought-provoking contribution to the fields of Métis Studies and Indigenous feminism. Reading this book is like sitting down to visit with a strong cup of tea and your favourite aunties. It will inspire readers to think about matriarchy in new and exciting ways, teaching us what it means to be Métis women, good relatives, and innovative scholars." — Cheryl Troupe

Educator Information
Other contributors: Jennifer Adese, Christi Belcourt, Hannah Bouvier, Rita Bouvier, Vicki Bouvier, Robline Davey, Leah Marie Dorion, Marilyn Dumont, Nicki Ferland, Chantal Fiola, Lucy Fowler, Chelsea Gabel, Janice Cindy Gaudet, Emily Haines, Shalene Jobin, Emma LaRocque, Amanda LaVallee, Lynn Lavallee, Avery Letendre, Kirsten Lindquist, Yvonne Poitras Pratt, Angela Rancourt, Lisa Shepherd, Allyson Stevenson, Kisha Supernant, Caroline Tait, Angie Tucker, Dawn Wambold

Table of Contents

Contributors
Foreword by Caroline Tait
The Work of Métis Women: An Introduction – Jennifer Markides

Part One: Identity

1. Brown Names – Marilyn Dumont
2. We Know Ourselves – Lisa Shepherd
3. Kaa-waakohtoochik: The Ones Who Are Related to Each Other – Vicki Bouvier
4. The Roots Always Remain: Reconnecting to Our Communities in the Twenty-First Century – Angie Tucker
5. For the Love of Place―Not Just Any Place: Selected Metis Writings – Emma Larocque
6. Coming Home through Métis Research – Allyson Stevenson
7. Valuing Métis Identity in the Prairies through a “5 R” Lens: Our Digital Storytelling Journey – Chelsea Gabel and Amanda LaVallee
8. Prenatal/Postpartum Ceremonies and Parenting as Michif Self-Determination – Chantal Fiola
9. Medicine Women – Jennifer Adese
10. Lii Michif – Lisa Shepherd

Part Two: Women in the Academy

11. Metis Women as Contributors to the Academy Despite Colonial Patriarchy – Laura Forsythe
12. Connecting to Our Ancestors Through Archaeology: Stories of Three Métis Women Academics – Kisha Supernant, Dawn Wambold, and Emily Haines
13. Métis Women Educating in the Academy – Yvonne Poitras Pratt and Jennifer Markides
14. Structural and Lateral Violence Toward Metis Women in the Academy – Lynn Lavallee

Part Three: Research Methodology

15. Métis Research and Relationality: Auntie Governance, the Visiting Way, and Kitchen Table Reflections – Kirsten Lindquist, Shalene Jobin, Avery Letendre
16. Lii Taab di Faam Michif/Metis Women’s Kitchen Table: Practicing Our Sovereignty – Cindy Gaudet and Angela Rancourt
17. Wahkotowin: An Approach to Indigenous (Land-Based) Education – Nicki Ferland
18. Kaa-natoonamaan taanshi chi-ishi-natoonikeeyaan: My Search for how to Research Things (in a Queer Métis paradigm) – Lucy Fowler
19. Differentiating Métis Feminism – Robline Davey
20. Celebrating the Wisdom of Our Métis Matriarchs: Sewing Our Wellness All Together—Kood Toot Aansamb – Leah Dorion, Janice Cindy Gaudet, Hannah Bouvier
21. if the land could speak – Rita Bouvier

Bibliography
Art – Christi Belcourt

Additional Information
200 pages | 6.00" x 9.00" | index, bibliography | Paperback

Human Stories series by Jason Bone Oshkaabewis (Helper/Writer) and Midewid (One Who Works With the Sound of the Drum), Ron Indian-Mandamin. Baagak (The Flying Skeleton) is a Being known by many. With Tellings of Baagak by Keith Berens, Isaac Murdoch, and more.

Educator & Series Information
Recommended for grades 10 to 12.

This book is Volume 1 in the Human Stories series.

Additional Information
96 Pages | Paperback