Residential Schools / Reconciliation

From the bestselling and Governor General's Award–winning author of On the Trapline comes a beautifully told and comforting picture book about a boy's journey to overcome generational trauma of residential schools.

Deep in the night, when James should be sleeping, he tosses and turns. He thinks about big questions, like why we don't feel dizzy when the Earth spins. He looks at the stars outside his bedroom and thinks about the night sky stories his kōkom has told him. He imagines being a moshom himself. On nights like these, he follows the moonlit path to his mother's bedroom. They talk and they cuddle, and they fall asleep just like that.

One day, James's kōkom takes him on a special walk with a big group of people. It's called a march, and it ends in front of a big pile of things: teddy bears, flowers, tobacco ties and little shoes. Kōkom tells him that this is a memorial in honor of Indigenous children who had gone to residential schools and boarding schools but didn't come home. He learns that his kōkom was sent away to one of these schools with her sister, who also didn't come home.

That night, James can't sleep so he follows the moonlit path to his mother. She explains to James that at residential school when Kōkom felt alone, she had her sister to cuddle, just like they do. And James falls asleep gathered in his mother's arms.

Includes an author note discussing the inspiration for the book.

Reviews
"Robertson (Norway House Cree Nation) sensitively approaches this history, never explicitly describing the horrors of residential schools but instead leaving space for adults to grapple with youngsters’ questions in their own ways. Though he doesn’t provide easy answers, it’s clear that familial love keeps this child buoyed. Suffused with pinks, icy blues, and deep indigos, the glowing, cartoon-style digital illustrations from McKibbin (Ojibwe) depict the ancestral bonds that keep James rooted. Honest yet age-appropriate and deeply uplifting." —Kirkus Reviews

"Cree author Robertson reteams with Ojibwe, Yoeme, and Irish artist McKibbin (The Song That Called Them Home) for this work that honors children who did not return from residential schools. . . . James and his mother’s musing on intergenerational story-sharing further contribute to themes of connection and loss in this emotional work." —Publishers Weekly

"[Robertson and McKibbin] have taken on the weighty task of presenting a catastrophic loss to young readers, but also offering hope and determination. With poetic text and images of family life that are both familiar and mystical in tone, they have achieved this goal. . . . The honesty of Little Shoes is an antidote to fear." —Imaginary Elevators

"[A] big story about generational trauma of residential schools [which] focuses on the comfort that comes from family. Maya McKibbin evokes comfort and discomfort, as well as affection and thoughtfulness, with great sensitivity. . . . [A] great discussion starter for families and classes about residential schools, about Every Child Matters, and about asking questions. But it will also inspire understanding and empathy for that which has happened so that tragedies like residential schools are not repeated." —CanLit for Little Canadians

Educator Information
Recommended for ages 3 to 7.

This book is available in French: Petits souliers

Additional Information
48 pages | 8.00" x 12.00" | Hardcover 

A beautifully illustrated book that gently explores the complicated feelings a young girl experiences as she learns about tragedy and injustice.

Miya loves her school and she especially loves storytime. One day, her teacher shares a story about a little girl who was taken away to a residential school. The little girl wasn’t allowed to go home. Her hair was cut and she wasn’t allowed to keep her favourite doll. She was taken away from her family because she was Indigenous, just like Miya!

Miya worries the same thing will happen to her. Her mom tells her that Indigenous girls and boys aren’t forced to leave their families anymore. Miya is relieved, but she is still sad. What can she do about these feelings?

Reviews
"A moving and important story that deftly explores the fear a little Indigenous girl feels when she learns the truth about residential schools. Miya finds solace in her mom’s words, and readers will too. A sensitive explanation of residential schools that prioritizes the emotional safety of all readers, especially Indigenous children."— Jen Moss, lecturer at UBC's School of Creative Writing

"opens the door to an important discussion about residential schools" - School Library Journal 

Educator Information
Recommended for ages 6 to 8.

In this story, a young girl named Miya feels scared and sad after learning about residential schools, but she learns how to cope with the help of her mother. 

A gentle story about big feelings and finding courage.

Big Ideas: Social-Emotional Learning: Emotions and Feelings; Social Justice: Intergenerational Trauma, Residential Schools.

This book is available in French: Le Chandail orange de Miya.

Additional Information
40 pages | 8.50" x 8.50" | Hardcover 

In this story, it is the National Day for Truth and Reconciliation. Jen shares her story of healing with the students. 

For a long time, Mi’gmaq were not allowed to speak their language at school. Today, many Mi’gmaq are reconnecting with their language. 

How do you honour the National Day for Truth and Reconciliation? 

Educator Information
Recommended for ages 4-7, for use in kindergarten and Grade 1 classrooms.

Cedar School Decodables is divided into six sets, which increase in word count and complexity of sentence structure. Elder Jen’s Story is in Set 6 – R-Controlled Vowels, and reviews er, ir, and ur. Books in Set 6 have 110-125 words. 

Readers should be familiar with the concepts included in Set 1 to Set 6: 

• consonants 

• beginning and end blends 

• short, long, and r-controlled vowels 

• digraphs 

• suffixes and ending spelling patterns 

• a /o/ 

• s – /s/ and /z/ 

• VC-CV, V/CV, VC/V, and compound words 

• possessives 

Series Information
Welcome to Cedar School! Join Liv, Tom, Gus, and Bell as they learn on the land and explore Mi’gmaw teachings with their teacher, Miss Sam, and the school’s Mi’gmaw Elder, Jen. With charming illustrations and simple storylines, this decodable series engages students as they practise their reading skills. Each book includes a pre-reading review of non-decodable words, and many of the books introduce special words related to Indigenous teachings. Talking Together prompts facilitate discussions led by the reading teacher. 

Developed in partnership with Dyslexia Canada, Cedar School Decodables is a series of 20 decodable books for young readers. Designed for students who have previously learned short vowel and consonant sounds, additional phonic skills are developed progressively throughout the series.

The series will be accompanied by Cedar School Decodables Teacher’s Guide and a series of four picture books, which will be available at a later date.

Additional Information
16 pages | 6.5” x 5.5” | Paperback | ISBN: 978-1-77174-654-0

An illuminating novel about the importance of reclaiming the past, based on the author’s family history.

Summer and her family always spend relaxed summers in Alberta, Canada, on the reservation where her mom’s family lives. But this year is turning out to be an eye-opening one. First, Summer has begun to have vivid dreams in which she's running away from one of the many real-life residential schools that tore Native children from their families and tried to erase their Native identities. Not long after that, she learns that unmarked children’s graves have been discovered at the school her grandpa attended as a child. Now more folks are speaking up about their harrowing experiences at these places, including her grandfather. Summer cherishes her heritage and is heartbroken about all her grandfather was forced to give up and miss out on. When the town holds a rally, she’s proud to take part to acknowledge the painful past and speak of her hopes for the future, and anxious to find someone who can fill her in on the source of her unsettling dreams.

Reviews
“An important middle grade novel about a family reunion, as well as the histories of the Indian residential schools that were set up across the U.S. and Canada. . . . Based on Duncan’s family history, this novel balances an exploration of a painful events with idyllic scenes of intergenerational love and connection. Beautiful descriptions of traditional Native American culture and dress make scenes vivid for readers as Summer’s family rides horses, picks berries, prepares meals, and shares stories, even ones that have remained unspoken. A powerful addition to all middle grade library shelves highlighting a time in history that has been hidden and often forgotten in both Canada and the U.S.” —School Library

“Past and present converge in Duncan's novel about an extended Canadian Cree family spending vacation time together. . . . This story of maturation and involvement in community will appeal to readers interested in the past and in present-day social action.” —Booklist

“Summer is earnest, thoughtful, and unfailingly kind . . . the perfect narrator to introduce a heavy topic that is underexplored in literature for youth. For readers unfamiliar with the schools, enough context is given to understand the immense evil of a system that ripped Indigenous children away from their families to essentially abuse them into being acceptably ‘standard.’ Duncan’s powerful afterward offers a brief description of how her own family survived the harrowing experience of the residential school system, ending the book with a poignant sense of intimacy.” —The Bulletin of the Center for Children’s Books

Educator Information
Recommended for ages 10+.

Additional Information
128 pages | 5.69" x 8.56" | Hardcover

From master Hopi woodcarver Mavasta Honyouti, the story of his grandfather’s experience at a residential boarding school and how he returned home to pass their traditions down to future generations.

When Mavasta Honyouti was a boy he would go with his grandfather to their cornfield, watching him nurture every plant. During breaks, his grandfather would take out a piece of paako root and use his pocketknife to whittle away. He made beautiful carvings that Mavasta would later learn to do himself.

But Mavasta would often wonder: what was his kwa’a like when he was a boy? And one day, he heard the story.

Mavasta’s grandfather, like many Native American children across the country in the late 19th and early 20th century, was forced to leave his Hopi reservation as a child and go to a residential boarding school far away. There, the government cut his hair, punished him for speaking his native language, and gave him a new name. But Mavasta's grandfather never forgot who he was – or where he came from – and he tried to escape again and again. Finally, he made it back to their reservation.

In later years, Mavasta’s kwa’a chose a simple life, taking great care of his family just like he took great care of his plants. His son and later his grandson became acclaimed Hopi katsina woodcarvers, just like him. Coming Home: A Hopi Resistance Story is a deeply personal book – written in both English and Hopi – that features sixteen stunning original painted wood carvings. It is an unforgettable testament to one man rising above a painful piece of history to keep the light of his family and culture alive.

Educator Information
Recommended for ages 4 to 8.

Dual-language: English and Hopi.

Additional Information
48 pages | 9.00" x 9.20" | Hardcover 

Told in the voice of a boy and his father by turns, this book takes a thoughtful and heartfelt look at the emotional toll of a child being taken from their family and community to attend residential school.

While the child’s internal monologue expresses his fear, confusion, and loss, the father’s monologue conveys his own sadness, fears, and hopes for the future of his child. The narrative gives voice to the things left unsaid between a parent and child experiencing this heart-rending separation. Upon his return to his community, when father and son are reunited, they must start the long process of reconnection.

Based on the author’s family history of residential school separation, this book provides a unique perspective on the difficult cycle of loss, reconnection, and regaining hope for the future.

Educator Information
Recommended for ages 9 to 12.

Additional Infroamtion
40 pages | 9.00" x 8.00" | Hardcover 

The uplifting true story of Elizabeth Quocksister, a strong Indigenous woman and community leader, who dedicated her life to protecting her language and cultural traditions.

Elizabeth Quocksister (1925–81) had many roles in her life. She was a cultural teacher, a community leader, a dancer, a nurse, a photographer, a residential school survivor, and a mother of ten. Born on the Da’naxda’xw Nation on Knight Inlet on the central coast of British Columbia, Elizabeth spoke fluent Kwak’wala and proudly celebrated her Kwakwaka’wakw culture at a time when the Canadian government actively discouraged Indigenous traditions and the speaking of Indigenous languages. She cared for community members in need and saved many children from the horrors of residential school. She chronicled the daily lives, important events, and changing times of her community through photography—preserving her people’s history and culture for future generations. This inspiring picture book is a beautiful tribute to a proud Indigenous woman whose name deserves to be well-known throughout her community and beyond.

Educator Information
Recommended for ages 4 to 8.

Additional Information
32 pages | 9.00" x 9.00" | Paperback 

This informative and inspiring picture book by acclaimed author Kim Rogers (Wichita), with striking artwork by debut illustrator Bobby Von Martin (Choctaw), celebrates the achievements of Clarence Tinker, a member of the Osage Nation who became the first Native American major general.

Clarence Tinker always knew that he wanted to do something extraordinary. Something adventurous. Something that made a difference in the world.

But as a member of the Osage Nation at the turn of the twentieth century, there were a lot of obstacles that he had to face to achieve his dreams. When he was a child, Clarence was taken away from his family and community. He was forced to attend a prisonlike boarding school, like many other Native children of his generation. There, he wasn’t able to speak his language or practice his Osage customs.

Still, Clarence kept his dream close to his heart and joined the US Army with the goal of becoming an officer. Though he was treading an unfamiliar path, he worked hard and never forgot his Osage values and traditions that, ultimately, paved his way to success.

I Am Osage, the first nonfiction project from the Heartdrum imprint, combines gorgeous, vibrant artwork with a stirring text that celebrates an unsung hero while also shedding light on significant American history.

Features an author’s note and timeline.

Educator Information
Recommended for ages 4 to 8.

Additional Information
40 pages | 9.00" x 11.00" | Hardcover 

Readers are invited to jump into a canoe to learn about residential schools in Canada and the special day for truth and reconciliation. Author Dawn Sii-yaa-ilth-supt Smith is Nuu-chah-nulth and attended Tsartlip Indian Day School in British Columbia. She shares her story and the importance of truth-telling and reconciliation in Canada.

Educator & Series Information
Juvenile Nonfiction

This book is part of the Indigenous Communities in Canada series.

This book is available in French: La Journee nationale de la verite et de la reconciliation 

Additional Information
24 Pages

"Stealing Little Moon is both a moving family saga and an expertly told true story that all Americans should know." —Steve Sheinkin, New York Times bestselling author of Bomb and Undefeated

Little Moon There Are No Stars Tonight was four years old when armed federal agents showed up at her home and took her from her family. Under the authority of the government, she was sent away to a boarding school specifically created to strip her of her Ponca culture and teach her the ways of white society. Little Moon was one of thousands of Indigenous children forced to attend these schools across America and give up everything they'd ever known: family, friends, toys, clothing, food, customs, even their language. She would be the first of four generations of her family who would go to the Chilocco Indian Agricultural School.

Dan SaSuWeh Jones chronicles his family's time at Chilocco--starting with his grandmother Little Moon's arrival when the school first opened and ending with him working on the maintenance crew when the school shut down nearly one hundred years later. Together with the voices of students from other schools, both those who died and those who survived, Dan brings to light the lasting legacy of the boarding school era.

Part American history, part family history, Stealing Little Moon is a powerful look at the miseducation and the mistreatment of Indigenous kids, while celebrating their strength, resiliency, and courage--and the ultimate failure of the United States government to erase them.

Educator Information
Recommended for ages 9 to 12.

Additional Information
304 pages | 5.50" x 8.25" | Hardcover 

Miikwan and Dez are in their final year of high school. Poised at the edge of the rest of their lives, they have a lot to decide on. Miikwan and her boyfriend, Riel, are preparing for university, but Dez isn’t sure if that’s what they want for their future.

Grief and anger take precedence over their plans after the remains of 215 children are found at a former residential school in British Columbia. The teens struggle with feelings of helplessness in the face of injustice. Can they find the strength to channel their frustration into action towards a more hopeful future?

We Are the Medicine is the moving final volume of the best-selling Surviving the City series.

Reviews
"Tasha's graphic novel gives us an unflinching view of youth sovereignty and the reclamation of Indigenous philosophy and sacred spaces in Winnipeg's core. Guided by an Elder, the friends at the centre of the story confront uncomfortable truths that have sustained our colonial past, riding on the edge of emotions and activism to uphold the integrity of their ancestors. A must-read for all youth who want to build an equitable, just society." — Elder Albert McLeod, author of Between the Pipes

“A fantastic read for teens to learn about Indigenous issues through a clear and accurate representation.” — Youth Services Book Review

Educator & Series Information
Recommended for ages 12 to 18.

This is the third volume in the Surviving the City graphic novel series, which is also part of the Debwe Series. 

Surviving the City is a contemporary graphic novel series about young Indigenous women navigating their way in an urban environment. It includes:

Surviving the City
From the Roots Up
We Are the Medicine 

A Teacher Guide is available: Surviving the City Teacher Guide: Exploring Identity, Allyship, and Social Action for Meaningful Change in Grades 7-12 

Recommended in the Indigenous Books for Schools catalogue as a valuable resource for English Language Arts and Social Studies in grades 8 to 12. 

Caution: This work's topics include residential schools, death, violence, police brutality, and racism.

Themes: Coming of Age, Community, Connection to Culture, Healing, Residential Schools.

Additional Information
64 pages | 6.50" x 10.00" | Paperback

Learn the meaning behind the phrase, ‘Every Child Matters.'

Orange Shirt Day founder, Phyllis Webstad, offers insights into this heartfelt movement.

Every Child Matters honours the history and resiliency of Indigenous Peoples on Turtle Island and moves us all forward on a path toward Truth and Reconciliation.

If you're a Residential School Survivor or an Intergenerational Survivor - you matter. For the children who didn't make it home - you matter. The child inside every one of us matters. Every Child Matters.

Reviews
"Every Child Matters speaks to all Indigenous Peoples - past and present - whose lives have been impacted by the residential school system. Phyllis and Karlene beautifully honour the unity, strength and resolve shared by Survivors, their families and their communities. Residential schools took our children and tried to break their vibrant spirits. With this book, the children of today can learn the truths of this history and how they can play a part in making sure every child matters." – Stephanie Scott, Executive Director of the National Center for Truth and Reconciliation

“…a brilliantly illustrated and meticulously written narrative. It is a must read.” -  Chief Dr. Robert Joseph, Gwawaenuk, Elder, Reconciliation Canada

Educator Information
Recommended for ages 6 to 10.

Find the accompanying Teacher Lesson Plan resource HERE!

This book is available in French: Chaque enfant compte

Additional Information
44 pages | 8.50" x 11.00" | Hardcover 

After Haywaas sees his parents get frustrated while watching the news, this precocious 12-year-old begins a months-long journey navigating many different answers to what he thought was a simple question.

Expertly crafted by a teacher-parent-author duo, Haywaas’ Question is relatable, understandable, and aptly builds up to an answer we’re all a part of.

Educator Information
The publisher recommends this picture book for Grades 4 - 10. 

This book is available in French: La Question de Haywaas: Qu'est-ce que la réconciliation? 

Additional Information
36 pages | 7.00" x 9.00" | Paperback

From the award-winning and bestselling author of We Are Water Protectors comes an empowering picture book about family history, self-expression, and reclaiming your identity

Our ancestors say our hair is our memories,
our source of strength and power,
a celebration of our lives.

Mom never had long hair—she was told it was too wild. Grandma couldn’t have long hair—hers was taken from her. But one young girl can’t wait to grow her hair long: for herself, for her family, for her connection to her culture and the Earth, and to honor the strength and resilience of those who came before her.

From Carole Lindstrom, author of the New York Times bestseller and Caldecott Medal winner We Are Water Protectors, and debut illustrator Steph Littlebird comes an empowering and healing celebration of hair and its significance across Indigenous cultures.

Educator Information
Recommended for ages 4 to 8.

Additional Information
48 pages | 9.00" x 11.00" | Hardcover 

Naaahsa says art is a language everyone understands. Sometimes we make art together. We draw, we bead, we sing. Sometimes Naaahsa tells stories in Blackfoot. I even get to go with her to see her art show at the National Gallery. Naaahsa is famous for her art, but I love her hugs best!

Naaahsa is an Artist! is a celebration of art, artists, and Indigenous women artists in particular. Each page comes to life with bold patterns, shapes, and Naaahsa's encouraging words that may inspire young readers to want to make art themselves.

Educator Information
Recommended for ages 6 to 8.

Dual-language edition in English and Blackfoot: Kainai Nation

Blackfoot translation by Norma Jean Russell and Faye Heavy Shield.

This book is available in English: Naaahsa is an Artist!

Additional Information
24 pages | 8.50" x 8.50" | Hardcover