Novels

A stunning new voice in nature writing makes an epic journey along the Yukon River to give us the stories of its people and its protagonist--the king salmon, or the Chinook--and the deepening threat to a singular way of life, in a lyrical, evocative and captivating narrative.

The Yukon River is 3,190 kilometres long, flowing northwest from British Columbia through the Yukon Territory and Alaska to the Bering Sea. Every summer, millions of salmon migrate the distance of this river to their spawning ground, where they go to breed and then die. The Chinook is the most highly prized among the five species of Pacific salmon for its large size and rich, healthy oils. It has long since formed the lifeblood of the economy and culture along the Yukon--there are few communities that have been so reliant on a single source. Now, as the region contends with the effects of a globalized economy, climate change, fishing quotas and the general drift towards urban life, the health and numbers of the Chinook are in question, as is the fate of the communities that depend on them.

Travelling in a canoe along the Yukon River with the migrating salmon, a three-month journey through untrammeled wilderness, Adam Weymouth traces the profound interconnectedness of the people and the Chinook through searing portraits of the individuals he encounters. He offers a powerful, nuanced glimpse into the erosion of indigenous culture, and into our ever-complicated relationship with the natural world. Weaving in the history of the salmon run and their mysterious life cycle, Kings of the Yukon is extraordinary adventure and nature writing and social history at its most compelling.

Awards

• 2019 Lonely Planet Adventure Travel Book of the Year Winner
• 2018 Sunday Times/Peters Fraser + Dunlop Young Writer of the Year Award 

Reviews
“Travel writing? Climate change? Here’s a book that does it all . . . He writes like Annie Dillard, Bruce Chatwin and Jack London combined: suspenseful and sensitive storytelling and sumptuous descriptions.” —National Observer

“Shift over, Pierre Berton and Farley Mowat. You, too, Robert Service. Set another place at the table for Adam Weymouth, who writes as powerfully and poetically about the Far North as any of the greats who went before him.” —Roy MacGregor, author of Original Highways: Travelling the Great Rivers of Canada

“A moving, masterful portrait of a river, the people who live on its banks, and the salmon that connect their lives to the land. It is at once travelogue, natural history, and a meditation on the sort of wildness of which we are intrinsically a part. Adam Weymouth deftly illuminates the symbiosis between humans and the natural world—a relationship so ancient, complex, and mysterious that it just might save us.” —Kate Harris, author of Lands of Lost Borders: Out of Bounds on the Silk Road

“I thoroughly enjoyed traveling the length of the Yukon River with Adam Weymouth, discovering the essential connection between the salmon and the people who rely upon them. What a joy it is to be immersed in such a remote and wondrous landscape, and what a pleasure to be in the hands of such a gifted narrator.” —Nate Blakeslee, author of The Wolf: A True Story of Survival and Obsession in the West

“Beautiful, restrained, uncompromising. The narrative pulls you eagerly downstream roaring, chuckling and shimmering just like the mighty Yukon itself.” —Ben Rawlence, author of City of Thorns

“An enthralling account of a literary and scientific quest. Adam Weymouth vividly conveys the raw grandeur and deep silences of the Yukon landscape, and endows his subject, the river’s King Salmon, with a melancholy nobility.” —Luke Jennings, author of Atlantic and Codename Villanelle

“Adam Weymouth's account of his canoe trip down the Yukon River is both stirring and heartbreaking. He ably describes a world that seems alternately untouched by human beings and teetering at the brink of ruin.” —David Owen, author of Where the Water Goes

Additional Information
288 pages | 5.18" x 8.00"

Lillian is a girl of mixed Indigenous and white ancestry who has been shuffled from foster home to foster home as long as she can remember. At school, she doesn’t feel like she fits in with the white kids and doesn’t fit in with the Indigenous kids either. She finds happiness and a sense of belonging from a surprising spirit that returns her to traditional ways.

Reviews
“I love this book. I think everyone, not just children should read it. With gentle empathy and joyous hope, Lynda Partridge paints the heartbreaking realities lived by far too many young people, while simultaneously generating optimism. She describes what is possible when we provide opportunities for generations to heal and lead us forward. The possibilities are both tremendous and endless.” - Senator Kim Pate, Senate of Canada

“Lillian has much to teach children and adults alike on the experience of utter vulnerability, resistance, and the art of the wise-child survival.” — Pamela Johnson, PhD Psychology

“A wonderful story of courage, inner strength and resilience as told through the eyes and mind of a child. Through this story of early adversity rises a person of character and wisdom who now shares her extraordinary understanding of finding a place in this world for the benefit of others”. - Leo Massi, MSW, RSW. Executive Director, H-N REACH.

“This story is from the spirit and is a message for all of our First Nations relatives that it is now time to rise up and take this responsibility back to being natural helpers, and to nurture our children who are struggling.”— Robin Decontie, MSW, Algonquin Anishinabekwe Director, Kitigan Zibi Health and Social Services

Educator & Series Information
This book is part of the Indigenous Spirit of Nature Series. It is also the first book in the Lillian Mystery series.

Foreword Poems by Chief R. Stacey Laforme.

Recommended ages: 7 to 12.

Recommended in the Canadian Indigenous Books for Schools 2019-2020 resource list as being useful for grades 6-8 for English Language Arts.

Additional Information
90 pages | 8.50" x 5.50" | 18 b&w illustrations

Autumn Dawn is sick of being bullied at school. It's not her fault that she doesn't learn as fast as the other kids or that she speaks a little differently. Her home life isn't much better. Ever since Autumn's dad left, her mother can't cope, so Autumn has to care for her baby brother and do all the housework. Her mother hasn't even noticed the problems her daughter is dealing with.

When Autumn's Ojibwa aunt comes to visit, she recognizes Autumn's dyslexia and speech problems. Can Aunt Jessie build a bridge between mother and daughter and give Autumn the confidence she needs to move past her challenges?

Educator & Series Information
Recommended Ages: 12 to 16

Fry Reading Level: 4

This book is part of the PathFinders series. The PathFinders series of Hi-Lo (high interest, low readability) novels offers the following features:

• Indigenous teen protagonists
• Age-appropriate plots
• 2.5 – 4.5 Reading Level
• Contemporary and historical fiction
• Indigenous authors

The PathFinders series is from an American publisher. Therefore, Indigenous terminology in the PathFinders books is not the same as Canadian Indigenous terminology. This prompts a useful teaching moment for educators in discussing appropriate terminology use in Canada.

This book is part of the Autumn Dawn Series, a subseries of the PathFinders series.

Additional Information
120 pages | 4.50" x 7.00"

Part Ojibwe and part white, River lives with her white mother and stepfather on a farm in Ontario. Teased about her Indigenous heritage as a young girl, she feels like she doesn't belong and struggles with her identity.

Now eighteen and just finished high school, River travels to Winnipeg to spend the summer with her Indigenous father and grandmother, where she sees firsthand what it means to be an "urban Indian."

On her family's nearby reserve, she learns more than she expects about the lives of Indigenous people, including the presence of Indigenous gangs and the multi-generational effects of the residential school system. But River also discovers a deep respect for and connection with the land and her cultural traditions. The highlight of her summer is attending the annual powwow with her new friends.

At the powwow after party, however, River drinks too much and posts photos online that anger people and she has her right to identify as an Indigenous person called into question.

Can River ever begin to resolve the complexities of her identity — Indigenous and not?

Educator Information
Recommended for ages 12 to 18. 

Recommended in the Canadian Indigenous Books for Schools 2020/2021 resource list for grades 8 to 12 in these areas: English Language Arts, Social Studies, and Career Education.

"Nahanni Shingoose is an elementary school teacher who understands the importance of Indigenous content being presented in an authentic manner" - Canadian Indigenous Books for Schools 2020/2021

Additional Information
216 pages | 5.50" x 8.50"

Alex Paterson is the number-one goalie on his high-school hockey team. And he's thrilled that his team has made the playoffs. But when graffiti that apparently can be traced back to Alex is found on the walls of the school, and a photo of Alex at a party with a beer in his hand starts making the rounds, he is suspended from the team, and his reputation as a good kid is put in doubt. Alex knows he's innocent. The problem is, he cannot figure out who would want to frame him. Or why. Is it the other goalie who wants all the glory for himself? Or someone from a rival team looking for an advantage? With everyone assuming the worst about him, it's up to Alex to find out who is behind it all, not only to clear his name, but to save the season.

Educator & Series Information
This book is part of the Orca Sports series. Orca Sports stories engage middle-schoolers and teens with fast-paced plots and easy-to-read language. Topics include a variety of team and individual sports. Reading levels from grade 2.0 to 4.5; Interest level ages 10+.

Themes / Keywords: competition, bullying, social media, peer pressure, teen romance.

RL: 3.4

Additional Information
160 pages | 4.25" x 7.00"

From the internationally acclaimed Inuit throat singer who has dazzled and enthralled the world with music it had never heard before, a fierce, tender, heartbreaking story unlike anything you've ever read.

Fact can be as strange as fiction. It can also be as dark, as violent, as rapturous. In the end, there may be no difference between them.

A girl grows up in Nunavut in the 1970s. She knows joy, and friendship, and parents' love. She knows boredom, and listlessness, and bullying. She knows the tedium of the everyday world, and the raw, amoral power of the ice and sky, the seductive energy of the animal world. She knows the ravages of alcohol, and violence at the hands of those she should be able to trust. She sees the spirits that surround her, and the immense power that dwarfs all of us.

When she becomes pregnant, she must navigate all this.

Veering back and forth between the grittiest features of a small arctic town, the electrifying proximity of the world of animals, and ravishing world of myth, Tanya Tagaq explores a world where the distinctions between good and evil, animal and human, victim and transgressor, real and imagined lose their meaning, but the guiding power of love remains.

Haunting, brooding, exhilarating, and tender all at once, Tagaq moves effortlessly between fiction and memoir, myth and reality, poetry and prose, and conjures a world and a heroine readers will never forget.

Awards

• Winner of the 2019 Indigenous Voices Awards for Published Prose in English.
• Winner of the 2018 Alcuin Society Awards for Excellence in Book Design – Prose Fiction

Reviews
“Tagaq’s surreal meld of poetry and prose transmutes the Arctic’s boundless beauty, intensity, and desolation into a wrenching contemporary mythology.” –The New Yorker

“Though the protagonist’s coming-of-age story, generously and lovingly documented by Tagaq, is the anchor, Split Tooth is not a book that can be fully absorbed in one sitting. It’s possible to sink deeper and deeper into the narrative with each successive reading. Like a smirking teenager, Split Tooth blithely gives typical literary expectations the finger, daring us to see and experience narrative as chaotic, emotional, and deeply instinctive. And it succeeds.” –Quill and Quire

“Tanya’s book is one of the most incredible things I’ve ever read. It’s deeply profound, emotional and personal, and furthers her artistic experimentation and genius into a new realm. I love her even more after reading it, and I’m once again awed by her talent.” –Jesse Wente, CBC Broadcaster

"[A] forceful coming-of-age tale.” –Toronto Life magazine

Additional Information

Like some other Native teens on Montana reservations, Rhonda Runningcrane attempted suicide. To her, life seemed bleak and pointless. But when she learns that donations are needed to support a large protest against an oil company running a pipeline through sacred Native land, something inside her clicks. Unlike her friends, Rhonda is inspired to join the fight, even though she knows it could be dangerous.

Using skills she learned from her uncle, Rhonda becomes part of the crew that keeps the protesters' camp running. With inspiration from a wise Native elder, the teen commits herself to an important cause, dedicating her life to protecting the sacred waters of Mother Earth.

Educator & Series Information
Recommended for ages 12 to 16.

Fry Reading Level: 6

This book is part of the PathFinders series. The PathFinders series of Hi-Lo (high interest, low readability) novels offers the following features:

• Indigenous teen protagonists
• Age-appropriate plots
• 2.5 – 4.5 Reading Level (With exception of this title, which has a Fry Reading Level of 6)
• Contemporary and historical fiction
• Indigenous authors

The PathFinders series is from an American publisher. Therefore, Indigenous terminology in the PathFinders books is not the same as Canadian Indigenous terminology. This prompts a useful teaching moment for educators in discussing appropriate terminology use in Canada.

Additional Information
120 pages | 4.50" x 7.00"

The final novel from Richard Wagamese, the bestselling and beloved author of Indian Horse and Medicine Walk, centres on an abused woman on the run who finds refuge on a farm owned by an Indigenous man with wounds of his own. A profoundly moving novel about the redemptive power of love, mercy, and compassion--and the land's ability to heal us.

Frank Starlight has long settled into a quiet life working his remote farm, but his contemplative existence comes to an abrupt end with the arrival of Emmy, who has committed a desperate act so she and her child can escape a harrowing life of violence. Starlight takes in Emmy and her daughter to help them get back on their feet, and this accidental family eventually grows into a real one. But Emmy's abusive ex isn't content to just let her go. He wants revenge and is determined to hunt her down. 

Starlight was unfinished at the time of Richard Wagamese's death, yet every page radiates with his masterful storytelling, intense humanism, and insights that are as hard-earned as they are beautiful. With astonishing scenes set in the rugged backcountry of the B.C. Interior, and characters whose scars cut deep even as their journey toward healing and forgiveness lifts us, Starlight is a last gift to readers from a writer who believed in the power of stories to save us.

Additional Information
256 pages | 5.19" x 8.00"

Kai and Caleb Goodacre have been kidnapped just as rumors of a cult sweeping across the reservation leads Maggie and Hastiin to investigate an outpost, and what they find there will challenge everything they’ve come to know in this “badass” (The New York Times) action-packed sequel to Trail of Lightning.

It’s been four weeks since the bloody showdown at Black Mesa, and Maggie Hoskie, Diné monster hunter, is trying to make the best of things. Only her latest bounty hunt has gone sideways, she’s lost her only friend, Kai Arviso, and she’s somehow found herself responsible for a girl with a strange clan power.

Then the Goodacre twins show up at Maggie’s door with the news that Kai and the youngest Goodacre, Caleb, have fallen in with a mysterious cult, led by a figure out of Navajo legend called the White Locust. The Goodacres are convinced that Kai’s a true believer, but Maggie suspects there’s more to Kai’s new faith than meets the eye. She vows to track down the White Locust, then rescue Kai and make things right between them.

Her search leads her beyond the Walls of Dinétah and straight into the horrors of the Big Water world outside. With the aid of a motley collection of allies, Maggie must battle body harvesters, newborn casino gods and, ultimately, the White Locust himself. But the cult leader is nothing like she suspected, and Kai might not need rescuing after all. When the full scope of the White Locust’s plans are revealed, Maggie’s burgeoning trust in her friends, and herself, will be pushed to the breaking point, and not everyone will survive.

Educator & Series Information
Recommended for grades 9+ 

This is the second book in The Sixth World series.

Additional Information
320 pages | 6.00" x 9.00"

Ghosts aren’t meant to stick around forever… 

Shelly and her grandmother catch ghosts. In their hair. 

Just like all the women in their family, they can see souls who haven’t transitioned yet; it’s their job to help the ghosts along their journey. When Shelly’s mom dies suddenly, Shelly’s relationship to ghosts—and death—changes. Instead of helping spirits move on, Shelly starts hoarding them. But no matter how many ghost cats, dogs, or people she hides in her room, Shelly can’t ignore the one ghost that’s missing. Why hasn’t her mom’s ghost come home yet? 

Rooted in a Cree worldview and inspired by stories about the author’s great-grandmother’s life, The Ghost Collector delves into questions of grief and loss, and introduces an exciting new voice in tween fiction that will appeal to fans of Kate DiCamillo’s Louisiana’s Way Home and Patrick Ness’s A Monster Calls.

Reviews
“Allison Mills’ The Ghost Collector is both delightful and haunting. A delicious blend of the supernatural and the very real. Mills has great respect for her audience. Taking great care to keep the narrative moving while never simplifying the novel’s ideas and themes of loss. The result is a nuanced study in empathy for both the characters and the readers.”  — Sunburst Award Jury, 08/20

“Simple language makes The Ghost Collector accessible to its tween audience while introducing sophisticated concepts. In Shelly, Mills has created a believable, likeable character who learns important life lessons about the future in the rich context of her cultural past.”  —CM Reviews, 09/20/19

Educator Information
Recommended for ages 10+

Recommended in the Canadian Indigenous Books for Schools 2020/2021 resource list for grades 6 to 8 for English Language Arts.

Additional Information
192 pages | 5.50" x 7.50"

Gina Gallo is a mob goddaughter who doesn't want to be one. She's left her loopy family behind to elope with Pete to Vegas. Except that eloping may be a mortal sin in an Italian family. Between that and some weird deliveries and suitors, Gina's nerves are frayed. Vegas is full of great acts, but one impersonation is real: Gina has a crime-committing double whose activities are making Gina front-page news. Gina has to track down this fiendish fraud before the police catch up with her. And, of course, cousin Nico is along for the ride.

Another madcap adventure for the loveable Gallo cousins that proves the rule "Why should things go right when they can go wrong?"

Educator & Series Information
This book is part of the Rapid Reads series. Rapid Reads are short novels and nonfiction books for young adults aged 16+ and adult readers. They are intended for a diverse audience, including ESL students, reluctant readers, adults who struggle with literacy and anyone who wants a high-interest quick read.

Additional Information
144 pages | 4.75" x 7.25"

Here is a voice we have never heard--a voice full of poetry and rage, exploding onto the page with stunning urgency and force.

Here is a story of several people, each of whom has private reasons for travelling to the Big Oakland Powwow. Jacquie Red Feather is newly sober and trying to make it back to the family she left behind in shame. Dene Oxendene is pulling his life together after his uncle's death and has come to work at the powwow to honour his uncle's memory. Opal Viola Victoria Bear Shield has come to watch her nephew Orvil Red Feather, who has taught himself traditional Indian dance through YouTube videos and has come to the powwow to dance in public for the very first time. There will be glorious communion and a spectacle of sacred tradition and pageantry. And there will be sacrifice, and heroism, and unspeakable loss.

Fierce, angry, funny, heartbreaking, There There is a relentlessly paced multi-generational story about violence and recovery, memory and identity, and the beauty and despair woven into the history of a nation and its people. An unforgettable debut.

Reviews
“There There has so much jangling energy and brings so much news from a distinct corner of American life that it’s a revelation… its appearance marks the passing of a generational baton.” —The New York Times

“Each character is introduced and developed with a clear-eyed fidelity, empathic without sentimentality, our understanding increasing as connections are revealed, histories explored, gaps filled in. . . . At its core, There There is a novel about those gaps.” —Toronto Star

“Welcome to a brilliant and generous artist who has already enlarged the landscape of American fiction. There There is a comic vision haunted by profound sadness. Tommy Orange is a new writer with an old heart.” —Louise Erdrich, Birchbark Books

“A gripping deep dive into urban indigenous community in California: an astonishing literary debut!” —Margaret Atwood via Twitter

“There There is a miraculous achievement, a book that wields ferocious honesty and originality in service of telling a story that needs to be told. This is a novel about what it means to inhabit a land both yours and stolen from you, to simultaneously contend with the weight of be­longing and unbelonging. There is an organic power to this book—a revelatory, controlled chaos. Tommy Orange writes the way a storm makes landfall.” —Omar El Akkad, author of American War

Educator Information
ERAC approved title for grades 11 and 12 literature circles around identity, overcoming adversity, or how the past shapes our lives. Social considerations noted; recommended for mature students.

Additional Information
304 pages | 5.64" x 8.51" | Paperback

Explore the past 150 years through the eyes of Indigenous creators in this groundbreaking graphic novel anthology. Beautifully illustrated, these stories are an emotional and enlightening journey through Indigenous wonderworks, psychic battles, and time travel. See how Indigenous peoples have survived a post-apocalyptic world since Contact.

Watch for new stories and familiar characters:

• Métis businesswoman Annie Bannatyne and Louis Riel
• Oka Crisis, Meech Lake Accord, and Kelowna Accord
• the Berger Inquiry into the Mackenzie Valley Pipeline
• Jack Fiddler, an Anishinaabe shaman charged as a serial killer
• Rosie, an Inuk girl coming of age during WWII
• wâpanacâhkos, an Indigenous woman sent back from the future to the early 2000s
• fishing raids and salmon wars in Listuguj, Quebec
• Francis Pegahmagabow, WWI sniper and veterans’ rights activist
• the impact of the Sixties Scoop and the child welfare system
• Chief Billy Assu and the potlatch bans in British Columbia

Reviews
Niigaanwewidam James Sinclair, one of the contributors to this work, says the book is, an “opportunity to shine a light on the stories most Canadians haven’t heard, to learn from Indigenous communities from 1867 to present day—whether these stories are influenced by the creation of Canada or not." 

"…breathtaking comics anthology…this mix of powerful storytelling and memorable illustrations is a place to begin a dialogue with Indigenous peoples in Canada." —The Globe and Mail

"The anthology is visually gorgeous. Each story is powerfully conveyed, reflecting a time and moment in the Indigenous history of Canada…great read for any age." —Quill & Quire, starred review

"This Place is the graphic novel I’ve waited my whole life for, and the graphic novel Canada has needed for 150 years. The stories contained within its pages are both beautifully rendered and vitally necessary. They represent a history not only largely untold and unknown, but one obscured, hidden from sight, so that other stories may occupy a privileged place in the defining a national story. Their importance is exquisitely captured on these pages, told by some the leading artists working today. This is an essential book, for comic fans, teachers and anyone who wants to learn the stories of this place we now share." —Jesse Wente, broadcaster and film critic

"A landmark collection of Indigenous comics that redraws how we understand the past, present, and future of Indigenous communities and cultures since Confederation. Each chapter immerses us in a gripping story about real people brought to life through vivid and affecting artwork. This collection proves the power of comics storytelling to create fresh pathways to knowledge and new ways of envisioning Indigenous experiences." —Candida Rifkind, University of Winnipeg

"This is the power of storytelling. It’s going deeper and truer than the history books and the newspaper accounts. It’s bringing the stories to the people for the people and doing it for the right reasons: to teach and to illuminate. This Place: 150 Years Retold is the dawn to a new storytelling tradition that doesn’t need to be held back. It should be shouted forward from now on." —Helen Kubiw, CanLit for LittleCanadians

Educator Information
This graphic novel is recommended for ages 15+.

Recommended in the Canadian Indigenous Books for Schools 2019-2020 resource list for grades 7 to 12 for Art Education, English Language Arts, Law, and Social Studies.

These stories refer to real incidents and include graphic violence, abuse, and death.

A teacher's guide is available: This Place: 150 Years Retold Teacher Guide

Additional Information
250 Pages

The follow up to the award-winning debut novel Those Who Run in the Sky.

Haunted by the vicious creatures of his recent past, Pitu tries to go back to a normal life at home after the other-worldly travels and near-death encounters of his recent disappearance into the world of the spirits. But Pitu knows that there is more work to be done, and more that he must learn in his new role as a shaman.

When word of a starving village nearby reaches Pitu, he must go help its people appease the angry spirits. It soon becomes clear that Pitu must travel to the bottom of the ocean to meet Nuliajuk, the vengeful woman below, one of the most powerful beings in Inuit mythology.

There he learns about his role in saving the starving community and that all in his home camp may not be as it seems . . .

Educator Information
Recommended for ages 12+

Recommended in the Canadian Indigenous Books for Schools 2020/2021 resource list for grades 9 to 12 for English Language Arts and Social Studies. 

Caution: Indirect references to sexual physical abuse and trauma.

Useful as a Social Studies resource as this fictional story provides a glimpse into traditional Inuit ways of life, systems of governance, kinship ties, culture, and story.

Additional Information
208 pages | 6.00" x 9.00" | 14 b&w line drawings.

A boy discovers his Native American heritage in this Depression-era tale of identity and friendship by the author of Code Talker.

It's 1932, and twelve-year-old Cal Black and his Pop have been riding the rails for years after losing their farm in the Great Depression. Cal likes being a "knight of the road" with Pop, even if they're broke. But then Pop has to go to Washington, DC--some of his fellow veterans are marching for their government checks, and Pop wants to make sure he gets his due--and Cal can't go with him. So Pop tells Cal something he never knew before: Pop is actually a Creek Indian, which means Cal is too. And Pop has decided to send Cal to a government boarding school for Native Americans in Oklahoma called the Challagi School.

At school, the other Creek boys quickly take Cal under their wings. Even in the harsh, miserable conditions of the Bureau of Indian Affairs boarding school, he begins to learn about his people's history and heritage. He learns their language and customs. And most of all, he learns how to find strength in a group of friends who have nothing beyond each other.

Reviews
"Cal's cleareyed first-person narration drives the novel. Meticulously honest, generous, autonomous and true, he sees things for what they are rather than what he'd like them to be. The result is one of Bruchac's best books." —New York Times Book Review

"A tautly paced and compelling story of self-discovery, family, belonging, and friendship." —Horn Book, starred review

"Multiple compelling Depression-era histories converge in Bruchac's latest . . . The students' utter subversion of Challagi's mission to sever their ties with Indian culture soon becomes apparent, as does Cal's powerful, growing understanding of his identity." —Booklist

Educator Information
Recommended Ages: 10+

Additional Information
320 pages | 5.81" x 8.56"