First Nations

In her remarkable second novel following her Governor General’s Award-winning debut, The Summer of Bitter and Sweet, Jen Ferguson writes about the hurt of a life stuck in past tense, the hum of connections that cannot be severed, and one week in a small, snowy town that changes everything.

Overachievement isn’t a bad word—for Berlin, it’s the goal. She’s securing excellent grades, planning her future, and working a part-time job at Pink Mountain Pizza, a legendary local business. Who says she needs a best friend by her side?

Dropping out of high school wasn’t smart—but it was necessary for Cameron. Since his cousin Kiki’s disappearance, it’s hard enough to find the funny side of life, especially when the whole town has forgotten Kiki. To them, she’s just another missing Native girl.

People at school label Jessie a tease, a rich girl—and honestly, she’s both. But Jessie knows she contains multitudes. Maybe her new job crafting pizzas will give her the high-energy outlet she desperately wants.

When the weekend at Pink Mountain Pizza takes several unexpected turns, all three teens will have to acknowledge the various ways they’ve been hurt—and how much they need each other to hold it all together.

Jen Ferguson burst onto the YA scene with her first novel, which was a William C. Morris Award Finalist and a Stonewall Award Honor Book, and this second novel fulfills her promise as one of the most thoughtful and exciting YA writers today.

Reviews
"Set in Alberta, this introspective, character-driven story examines heavy topics, including Missing and Murdered Indigenous Women, depression, and anti-Blackness, with sensitivity and compassion. This sophomore outing by Michif/Métis and white author Ferguson features lyrical prose that softens the emotionally fraught narrative without sacrificing suspense, resulting in a mystery that subtly builds to a shocking reveal." — Kirkus Reviews (starred review)

"Ferguson's stirring narrative from multiple points of view features a friendship breakup, a manifestation of depression as perfectionism, and racism in the 'corrupt colonial country of Canada.' Achingly stunning prose, 'absolute mischief,' and exhilarating kisses compel a fast read." — Shelf Awareness (starred review)

Educator Information
Recommended for ages 13+.

Additional Information
352 pages | 5.31" x 8.00" | Paperback 

A story of the Sḵwx̱wú7mesh Úxwumixw (Squamish Nation): past, present, and future.

One hundred years after Sḵwx̱wú7mesh (Squamish) leadership signed an amalgamation agreement that declared several communities in Squamish territory as one nation, this accessible history of the Sḵwx̱wú7mesh people traces our stories from ancient times to the present. Tiná7 Cht Ti Temíxw: We Come from This Land offers the culmination of generations of knowledge about the Squamish People and Sḵwx̱wú7meshulh Temíx̱w (Squamish People’s Territory).

Today, we are over 4,100 people and growing, living within Sḵwx̱wú7meshulh Temíx̱w and beyond. Our 6,732-square-kilometre territory includes the watersheds of the Squamish River, Mamquam River, and Howe Sound in the north, and English Bay, False Creek, and Burrard Inlet in the south. It encompasses saltwater and rushing rivers, old-growth forests at valley bottoms, and alpine forests high above the ocean.

Oral histories and archaeological sites demonstrate our relationship with the lands and waters going back over twelve thousand years. Here, we introduce ancient Squamish stories and ways, as well as describe relationships with our neighbours from time immemorial. We discuss early contact with Europeans and the disastrous effects of racism and colonialism, the Indian Act, reserves, and residential schools. We detail our engagement with the imperfect tool of the Canadian judicial system in several significant court cases that have advanced Indigenous rights. And we show how the Squamish Nation is taking back ownership and stewardship within our homelands.

Tiná7 Cht Ti Temíxw: We Come from This Land is a powerful introduction to our vast history and a launching point for discovering more about the different places, people, and stories offered here.

Additional Information
416 pages | 6.50" x 9.50" | Paperback

A fresh and fearless collection of short fiction, poetry and graphic fiction for today’s middle-grade readers.

In this timely, thought-provoking, funny and heartbreaking collection, ten acclaimed BIPOC authors from across Canada explore the theme and concept of home.

From awkward family dinners, to life on the rez, to moving to a new town, each of these stories provides a unique perspective on the theme of belonging through characters tasked with navigating and finding their place in this world.

Brought together by curator (and story contributor), Jael Richardson, Today I Am will make readers laugh and cry while opening their hearts and minds to the world around them, validating how it feels to be young and alive today.

Today I Am includes stories by Jael Richardson, Marty Chan, Rosena Fung, Michael Hutchinson, Chad Lucas, Angela Misri, Mahtab Narsimhan, Danny Ramadan, Liselle Sambury and Brandon Wint.

Educator Information
Recommended for ages 10 to 14.

The majority of authors on this work are not Indigenous.  This work includes a contribution from Michael Hutchinson, a citizen of the Misipawistik Cree Nation.  Readers will need to determine if this text will work for their purposes.

Additional Information
240 pages | 5.49" x 8.25" | Paperback 

Imagine awaking these 14 creatures through colour! Some are strange, some familiar, all await your unique imagination. Enchanting line art is accompanied by brief descriptions to allure creativity. Colouring pages are single-sided so each one can continue to captivate outside the book.

• 28 pages
• Descriptions accompany art
• Perforated pages for easy display

Educator Information
The publisher recommends this work for ages 6 to 17.

Additional Information
32 pages | 8.50" x 11.00" | Paperback 

There is one question Canadians have asked Jody Wilson-Raybould more than any other: What can I do to help advance reconciliation? It is clear that people from all over the country want to take concrete and tan­gible action that will make real change. We just need to know how to get started. This book provides that next step. For Wilson-Raybould, what individuals and organizations need to do to advance true reconciliation is self-evident, accessible, and achievable. True Reconciliation is broken down into three core practices—Learn, Understand, and Act—that can be applied by individuals, communities, organiza­tions, and governments.

The practices are based not only on the historical and con­temporary experience of Indigenous peoples in their relentless efforts to effect transformative change and decolonization, but also on the deep understanding and expertise about what has been effective in the past, what we are doing right, and wrong, today, and what our collective future requires. Fundamental to a shared way of thinking is an understand­ing of the Indigenous experience throughout the story of Canada. In a manner that reflects how work is done in the Big House, True Reconciliation features an “oral” history of these lands, told through Indigenous and non-Indigenous voices from our past and present.

The ultimate and attainable goal of True Reconciliation is to break down the silos we’ve created that prevent meaning­ful change, to be empowered to increasingly act as “inbe­tweeners,” and to take full advantage of this moment in our history to positively transform the country into a place we can all be proud of.

Additional Information
352 pages | 5.17" x 7.99" | Paperback

A bold, provocative collection of essays exploring the historical and contemporary Indigenous experience in Canada.

With authority and insight, Truth Telling examines a wide range of Indigenous issues framed by Michelle Good’s personal experience and knowledge.

From racism, broken treaties, and cultural pillaging, to the value of Indigenous lives and the importance of Indigenous literature, this collection reveals facts about Indigenous life in Canada that are both devastating and enlightening. Truth Telling also demonstrates the myths underlying Canadian history and the human cost of colonialism, showing how it continues to underpin modern social institutions in Canada.

Passionate and uncompromising, Michelle Good affirms that meaningful and substantive reconciliation hinges on recognition of Indigenous self-determination, the return of lands, and a just redistribution of the wealth that has been taken from those lands without regard for Indigenous peoples.

Truth Telling is essential reading for those looking to acknowledge the past and understand the way forward.

Reviews
“With blistering clarity, Michelle Good exposes the contradictions at the heart of Canada, but also imagines beyond them, setting out a specific vision for an Indigenous future governed by us. Good’s essays, woven with personal testimony, are deeply researched and traverse great swaths of history and policy; they are also very rousing and moving. No Canadian can feign ignorance of the Indigenous struggle when this book is within arm’s reach.” — Billy-Ray Belcourt, author of A Minor Chorus

"Good reminds us what the truth in Truth and Reconciliation actually requires of all of us: Indigenous peoples and Canadians. Addressing storytelling and historical myth-making, this book would have changed my nineteen-year-old world had it been available and rendered normative for my teachers. Good’s work is formidable, elemental and reminiscent of Cardinal’s Unjust Society. This work, should be required reading for every Canadian. Smart, generous and insightful. 'There is no such thing as Crown Land. It is all Indigenous land.' Good writes. This truth resonates. Serves notice: it is time." — Dr. Tracey Lindberg, Law Professor, author of Birdie

“Truth Telling is at once heartfelt, instructive, and authentic, expertly exploring the key issues that have shaped the Indigenous reality in Canada.… This collection is an indispensable resource.” — Waubgeshig Rice, author of Moon of the Crusted Snow

“As Canadians search for a national approach to reconciliation... this book reminds us of how we arrived at this moment.…[and] is the kind of reference that will help us navigate our fraught journey.” — Dr. Eldon Yellowhorn, Professor of Indigenous Studies, Simon Fraser University

“Truth Telling is a powerful, urgent, and necessary book that gets to the heart of true reconciliation and maps a course for achieving it. Bridging personal stories and lived experiences with sharp historical analysis, Michelle Good’s writing is both beautiful and heartbreaking. Honest, forthright, and powerful, Truth Telling offers insights and analysis that every policymaker and politician—indeed, any person who calls Canada “home”— can and must read. Urgently.” — 2023 Balsillie Prize for Public Policy Jury

Educator Information
Truth Telling is a collection of essays about the contemporary Indigenous experience in Canada.

Additional Information
232 pages | 5.00" x 7.50" | Paperback

Unbroken is an extraordinary work of memoir and investigative journalism focusing on missing and murdered Indigenous women and girls, written by an award-winning Gitxsan journalist who survived life on the streets against all odds.

As a Gitxsan teenager navigating life on the streets, Angela Sterritt wrote in her journal to help her survive and find her place in the world. Now an acclaimed journalist, she writes for major news outlets to push for justice and to light a path for Indigenous women, girls, and survivors. In her brilliant debut, Sterritt shares her memoir alongside investigative reporting into cases of missing and murdered Indigenous women in Canada, showing how colonialism and racism led to a society where Sterritt struggled to survive as a young person, and where the lives of Indigenous women and girls are ignored and devalued.

Growing up, Sterritt was steeped in the stories of her ancestors: grandparents who carried bentwood boxes of berries, hunted and trapped, and later fought for rights and title to that land. But as a vulnerable young woman, kicked out of the family home and living on the street, Sterritt inhabited places that, today, are infamous for being communities where women have gone missing or been murdered: Vancouver's Downtown Eastside, and, later on, Northern BC's Highway of Tears. Sterritt faced darkness: she experienced violence from partners and strangers and saw friends and community members die or go missing. But she navigated the street, group homes, and SROs to finally find her place in journalism and academic excellence at university, relying entirely on her own strength, resilience, and creativity along with the support of her ancestors and community to find her way.

"She could have been me," Sterritt acknowledges today, and her empathy for victims, survivors, and families drives her present-day investigations into the lives of missing and murdered Indigenous women. In the end, Sterritt steps into a place of power, demanding accountability from the media and the public, exposing racism, and showing that there is much work to do on the path towards understanding the truth. But most importantly, she proves that the strength and brilliance of Indigenous women is unbroken, and that together, they can build lives of joy and abundance.

Reviews
"Sterritt's story is living proof of how courageous Indigenous women are. Listen to her voice and hear the sound of the land, hear the sound of our women weeping but also raging—refusing to be neglected or ignored any longer."—Tanya Talaga, author of Seven Fallen Feathers and All Our Relations

"A fierce, necessary, deeply moving book. Sterritt uses her difficult personal journey to frame the terrible history of missing and murdered Indigenous women in Canada. Haunting and illuminating."— Eden Robinson, author of Son of a Trickster

"Angela Sterritt takes on Canada's deeply flawed justice system, deftly exposing systemic racism and the continuing impacts of colonialism. This book is a compelling read and a well-researched and powerful heart-centered memoir."—Lorimer Shenher, author of That Lonely Section of Hell

"With facts and humanity, Angela Sterritt effortlessly draws us into this emotional and important read. A courageous Indigenous voice who uses her personal journey to educate all of us about critical and urgent issues we must address, including Missing and Murdered Indigenous Women and Girls."— Jody Wilson-Raybould

"A new clear, compelling, and urgent voice illuminates a critical topic of our times with the passion and profound caring of a devoted sister. A tour de force."—Darrel McLeod, author of Mamaskatch and Peyakow

"A remarkable life story. . . Angela Sterritt is a formidable storyteller and a passionate advocate."—Cherie Dimaline, author of The Marrow Thieves

"[A] thought-provoking memoir. . . Beginning with a haunting list of names of Indigenous women and girls who were either murdered or missing along the Highway of Tears, the book tells the stories of such ignored and abused victims. . . The final product is eyeopening, making use of tragic firsthand accounts from grieving families and Sterritt's personal memories, all raw and rich with detail. . . [P]owerful."—Foreword Reviews

Additional Information
6.00" x 9.00" | Paperback

In her debut collection of short fiction, Amanda Peters describes the Indigenous experience from an astonishingly wide spectrum in time and place—from contact with the first European settlers, to the forced removal of Indigenous children, to the present-day fight for the right to clean water.

In this intimate collection, Peters melds traditional storytelling with beautiful, spare prose to describe the dignity of the traditional way of life, the humiliations of systemic racism and the resilient power to endure. A young man returns from residential school only to realize he can no longer communicate with his own parents. A young woman finds purpose and healing on the front lines as a water protector. An old man remembers his life as he patiently waits for death. And a young girl nervously dances in her first Mawi’omi. The collection also includes the story “The Berry Pickers,” which inspired Peters’ critically acclaimed novel of the same name, as well as the Indigenous Voices Award–nominated story “Pejipug (Winter Arrives).”

At times sad, sometimes disturbing but always redemptive, the stories in Waiting for the Long Night Moon will remind you that where there is grief there is also joy, where there is trauma there is resilience and, most importantly, there is power.

Educator Information
Waiting for the Long Night Moon is a collection of short stories.

Additional Information
256 pages | 6.00" x 9.00" | Paperback

Miikwan and Dez are in their final year of high school. Poised at the edge of the rest of their lives, they have a lot to decide on. Miikwan and her boyfriend, Riel, are preparing for university, but Dez isn’t sure if that’s what they want for their future.

Grief and anger take precedence over their plans after the remains of 215 children are found at a former residential school in British Columbia. The teens struggle with feelings of helplessness in the face of injustice. Can they find the strength to channel their frustration into action towards a more hopeful future?

We Are the Medicine is the moving final volume of the best-selling Surviving the City series.

Reviews
"Tasha's graphic novel gives us an unflinching view of youth sovereignty and the reclamation of Indigenous philosophy and sacred spaces in Winnipeg's core. Guided by an Elder, the friends at the centre of the story confront uncomfortable truths that have sustained our colonial past, riding on the edge of emotions and activism to uphold the integrity of their ancestors. A must-read for all youth who want to build an equitable, just society." — Elder Albert McLeod, author of Between the Pipes

“A fantastic read for teens to learn about Indigenous issues through a clear and accurate representation.” — Youth Services Book Review

Educator & Series Information
Recommended for ages 12 to 18.

This is the third volume in the Surviving the City graphic novel series, which is also part of the Debwe Series. 

Surviving the City is a contemporary graphic novel series about young Indigenous women navigating their way in an urban environment. It includes:

Surviving the City
From the Roots Up
We Are the Medicine 

A Teacher Guide is available: Surviving the City Teacher Guide: Exploring Identity, Allyship, and Social Action for Meaningful Change in Grades 7-12 

Recommended in the Indigenous Books for Schools catalogue as a valuable resource for English Language Arts and Social Studies in grades 8 to 12. 

Caution: This work's topics include residential schools, death, violence, police brutality, and racism.

Themes: Coming of Age, Community, Connection to Culture, Healing, Residential Schools.

Additional Information
64 pages | 6.50" x 10.00" | Paperback

There have been many things written about Canada’s violent siege of Kanehsatà:ke and Kahnawà:ke in the summer of 1990, but When the Pine Needles Fall: Indigenous Acts of Resistance is the first book from the perspective of Katsi’tsakwas Ellen Gabriel, who was the Kanien’kehá:ka (Mohawk) spokesperson during the siege. When the Pine Needles Fall, written in a conversational style by Gabriel with historian Sean Carleton, offers an intimate look at Gabriel’s life leading up to the 1990 siege, her experiences as spokesperson for her community, and her work since then as an Indigenous land defender, human rights activist, and feminist leader.

More than just the memoir of an extraordinary individual, When the Pine Needles Fall offers insight into Indigenous language, history, and philosophy, reflections on our relationship with the land, and calls to action against both colonialism and capitalism as we face the climate crisis. Gabriel’s hopes for a decolonial future make clear why protecting Indigenous homelands is vital not only for the survival of Indigenous peoples, but for all who live on this planet.

Awards

• 2025 Canadian Historical Association Indigenous History Book Prize
• 2025  Errol Sharpe Book Prize
• 2025 Wilson Institute Book Prize 

Reviews
“When the Pine Needles Fall is a profound treatise and manifesto chronicling Haudenosaunee resistance to land theft by one of the most important Land Defenders of our time. Gabriel’s work is the book on Indigenous resistance I’ve been waiting for my whole life. It is a must-read for anyone concerned with the continuation of life on this planet.”  — Leanne Betasamosake Simpson, co-author of “Rehearsals for Living”

“Katsi’tsakwas Ellen Gabriel’s words in When the Pine Needles Fall are gifts that serve as a beacon of light by igniting our hearts, minds, and spirits. Through her boundless wisdom grounded in healing work as a Land Defender on Turtle Island, she calls for fierce Indigenous resistance and radical global solidarity to put an end to root causes of oppression worldwide: capitalism, patriarchy, and settler colonialism. Gabriel reminds us that a more just, kind, and caring world—where all life is precious—is possible for the next seven generations, but only if we fight for it.” — Samir Shaheen-Hussain, MD, author of “Fighting for A Hand to Hold: Confronting Medical Colonialism against Indigenous Children in Canada”

“When the Pine Needles Fall is a remarkable and revelatory account of the 1990 siege of Kanehsatà:ke and Kahnawà:ke, when provincial, municipal, and national armed forces targeted these Mohawk communities. It is also one of the best first-hand accounts of Indigenous activism that I have ever read, relayed in moving and extraordinary form. An essential addition to contemporary First Nations history and the growing field of Indigenous Studies.” — Ned Blackhawk, Western Shoshone, author of “The Rediscovery of America: Native Peoples and the Unmaking of U.S. History”

“As a treatise on women and culture-based governance from a remarkable Haudenosaunee leader, When the Pine Needles Fall offers me hope and renewed energy. Through her life work, Ellen Gabriel demonstrates how to persevere, remain optimistic, and continue with creative and activist endeavours. The book effectively situates the ‘crisis’ within its centuries-long context, marking a tipping point for Canada while highlighting ongoing challenges. It also examines how mainstream narratives are constructed around Indigenous struggles, providing a comprehensive profile of Gabriel’s diverse contributions to Indigenous resistance and resurgence.” — Kim Anderson, author of“ Life Stages and Native Women: Memory, Teachings, and Story Medicine”

“Katsi’tsakwas Ellen Gabriel’s personal account of the 1990 siege of Kanehsatà:ke and Kahnawà:ke is a crucial contribution to our understanding of these dramatic events and of the political context of the time. Her lifetime dedication to the defence of Indigenous peoples and women’s rights is truly exemplary and constitutes an inspiration for generations to come.” — Bernard Duhaime, professor, Faculty of Political Science and Law, Université du Québec à Montréal

“In When the Pine Needles Fall, celebrated activist Katsi’tsakwas Ellen Gabriel gifts us with an expansive account of the 1990 siege of Kanehsatà:ke and Kahnawà:ke. This alone provides a captivating analysis of this seminal moment and its legacy within larger movements for Indigenous sovereignty on Turtle Island. But Gabriel, an artist, also paints the negative space, braiding her relationship to the land, Kanien’kehá:ka teachings, and the language with her tireless work against settler colonialism, extractive capitalism, and patriarchy. This essential book is an inspiring conversation reminding us that decolonization is world-building rooted in an ethics of relationality and care.” — Nazila Bettache, MD, MPH; assistant professor of medicine, Université de Montréal; social justice organizer and co-editor of “Reflections on Illness”

“I honour my sister whose words speak the truth. One of the most powerful quotes by Katsi’tsakwas is: ‘I’m a Kanien’kehá:ka woman who cares deeply about our land and I want a better future for the generations to come.’  Everything she speaks about in this book is directly connected to these words.” — Beverley Jacobs, CM, LLB, LLM, PhD; Kanien’kehá:ka, Bear Clan, Six Nations Grand River Territory; associate professor, Faculty of Law, University of Windsor

Additional Information
280 pages | 5.50" x 8.50" | Paperback

Ezra Cloud hates living in Northeast Minneapolis. His father is a professor of their language, Ojibwe, at a local college, so they have to be there. But Ezra hates the dirty, polluted snow around them. He hates being away from the rez at Nigigoonsiminikaaning First Nation. And he hates the local bully in his neighborhood, Matt Schroeder, who terrorizes Ezra and his friend Nora George.

Ezra gets into a terrible fight with Matt at school defending Nora, and that same night, Matt’s house burns down. Instantly, Ezra becomes a prime suspect. Knowing he won’t get a fair deal, and knowing his innocence, Ezra’s family sends him away to run traplines with his grandfather in a remote part of Canada, while the investigation is ongoing. But the Schroeders are looking for him…

From acclaimed author Anton Treuer comes a novel that’s both taut thriller and a raw, tender coming-of-age story, about one Ojibwe boy learning to love himself through the love of his family around him.

Reviews
“Where Wolves Don't Die will lift you up and not let you down. Anton Treuer knows how to tell a gripping story and the suspense doesn't let up for a single page. Along the way you'll learn about Ojibwe lifeways, languages, sharp jokes, gentle humor, and how to keep romantic love alive from youth to old age. I couldn't put this book down until I'd finished it, and then, I could not forget it.”—Louise Erdrich, Pulitzer Prize winner and owner of Birchbark Books

“I am in awe, crying and smiling at the same time. Where Wolves Don’t Die is a love letter to our Ancestors.”—Angeline Boulley

“Treuer immerses the reader in Ojibwe culture in this suspenseful novel of wilderness survival… An essential illumination of contemporary Indigenous life.”—Booklist

Educator Information
Recommended for ages 12 to 18.

Set in the Canadian wilderness, Where Wolves Don't Die is a thrilling YA coming-of-age novel that has garnered praise from Angeline Boulley, Booklist, and more. A suspenseful adventure tale for teens.

Additional Information
256 pages | 5.50" x 8.25" | Hardcover 

Judge, senator, and activist. Father, grandfather, and friend. This is Murray Sinclair’s story—and the story of a nation—in his own words, an oral history that forgoes the trappings of the traditional written memoir to center Indigenous ways of knowledge and storytelling. As Canada moves forward into the future of reconciliation, one of its greatest leaders guides us to ask the most important and difficult question we can ask of ourselves: Who are we?

For decades, Senator Sinclair has fearlessly educated Canadians about the painful truths of our history. He was the first Indigenous judge in Manitoba, and only the second Indigenous judge in Canadian history. He was the Chair of the Truth and Reconciliation Commission, and remains one of the foremost voices on Reconciliation. And now, for the first time, he will share his full story—and his full vision for our nation—with readers across Canada.

Drawing on Senator Sinclair’s unique experiences, and his perspectives regarding Indigenous identity, human rights, and justice in Canada, Who We Are will examine the roles of history, resistance, and resilience in the pursuit of finding that path forward, and healing the damaged relationship between Indigenous Peoples and non-Indigenous peoples in Canada. And in doing so, it will reveal Senator Sinclair’s life in a new and direct way, exploring how all of these experiences shaped him as an Anishinaabe man, father, and grandfather.

Structured around the four questions that have long shaped Senator Sinclair’s thinking and worldview—Where do I come from? Where am I going? Why am I here? Who am I?—Who We Are will take readers into the story of his remarkable life as never before, while challenging them to embrace an inclusive vision for our shared future.

Additional Information
480 pages | 6.00" x 9.00" | Hardcover 

A brand-new, spine-chilling collection of horror/thriller fiction, Zegaajimo, Anishinaabemowin for "to tell a scary story," includes stories from eleven leading First Nations and Metis authors from across the territories of Canada: Nathan Niigan Noodin Adler, Dawn Dumont, Daniel Heath Justice, D.A. Lockhart, Karen McBride, Tyler Pennock, Waubgeshig Rice, David A. Robertson, Drew Hayden Taylor, and Richard Van Camp.

Many of the stories draw on Traditional Stories. These stories of supernatural settings and deadful dees are more than speculative fiction, they are also reminders that monsters are already in our midst, that the known can be just as frightening as the unknown, and that the slightest mistakes can have dire consequences.

The collection is co-edited by Nathan Niigan Noodin Adler and Kateri Akiwenzie-Damm. Thrilling horror, Indigenous-style, perfect for Halloween!

Additional Information
230 pages | 5.50" x 8.50" | Paperback 

Avec un langage fort et des illustrations évocatrices, cette bande dessinée – fruit des nombreuses années de recherche, de création et de militantisme de son auteur – révèle la ténacité et la persévérance des Premiers Peuples qui luttent depuis 500 ans contre les massacres, les déplacements et l’assimilation. Antidote nécessaire à l’histoire officielle des Amériques, elle présente sous un nouveau jour des événements marquants comme la conquête espagnole des empires aztèque, maya et inca, la révolte des Pueblos de 1680 au Nouveau-Mexique, la bataille de Wounded Knee en 1890, la résistance des peuples des grandes Plaines au 19e siècle, et plus récemment, les manifestations Idle No More de 2012-2013 en défense de la souveraineté et des droits autochtones, et la résistance au Dakota Access Pipeline de 2016. Au Canada, elle aborde la crise d’Oka de 1990, le conflit foncier de Grand River entre les Six Nations et le gouvernement fédéral de 2006 et les manifestations anti-pipeline des Wet’suwet’en de 2020. Parue en langue originale anglaise chez Arsenal Pulp Press en 2010, cette œuvre unique en son genre a connu un énorme succès populaire (10?000 exemplaires vendus) et critique. Colorisée, revue et augmentée en 2021, la nouvelle édition – présentée ici en traduction – inclut les résistances autochtones les plus récentes. Elle comprend une préface de Pamela Palmater, avocate, professeure et commentatrice politique mi’kmaw.

Educator Information
This book is available in English: The 500 Years of Indigenous Resistance Comic Book: Revised and Expanded

The BookTok sensation from debut author Melissa Blair—now with exclusive bonus content!

My body is made of scars,
some were done to me,
but most I did to myself.

Keera is a killer. As the King's Blade, she is the most talented spy in the kingdom. And the king’s favored assassin. When a mysterious figure moves against the Crown, Keera is called upon to hunt down the so-called Shadow. She tracks her target into the magical lands of the Fae, but Faeland is not what it seems . . . and neither is the Shadow. Keera is shocked by what she learns, and can't help but wonder who her enemy truly is: the King that destroyed her people or the Shadow that threatens the peace?

As she searches for answers, Keera is haunted by a promise she made long ago, one that will test her in every way. To keep her word, Keera must not only save herself, but an entire kingdom.

Fans of fast-paced high fantasy such as A Court of Thorns and Roses series, The Inadequate Heir, and From Blood and Ash author Jennifer L. Armentrout, will enjoy the fierce female characters, sapphic representation, and fantasy romance of A Broken Blade.

Reviews
"Gripping and fierce. This is much-needed fantasy with its fangs honed sharp by the power of resistance. Melissa Blair has built a tremendous world."—Chloe Gong, #1 New York Times bestselling author of These Violent Delights

Educator & Series Information
Young adult/new adult fantasy series recommended for ages 18+.

This book is the first title in the Halfing Saga.

Additional Information
448 pages | 6.00" x 9.00" | Paperback