First Nation Communities Read

“Your ancestors have called us to help you.”

“I think you have the wrong number.”

Damon Quinn just wants to get through his senior year unscathed. His mom struggles with alcohol and is barely coping with the day-to-day. Marcus and his cronies at school are forever causing him trouble. The new girl, Journey, won’t mind her own business. To make matters worse, now a mysterious crow is following him everywhere. After he is seized by a waking dream in the middle of a busy street, he’s forced to confront his mom with some hard questions: Why haven’t I met my dad? Where did we come from? Who am I?

Damon must look within himself, mend the bond with his mother, and rely on new friends to find the answers he so desperately needs. Travelling through time and space, Damon will have to go back before he can move forward.

Reviews
“Tight prose links Wanda John-Kehewin’s poetry background to [this] graphic novel for young people. It is a powerful story that proves knowing ourselves means understanding where we came from. burton’s illustrations transport the reader into Damon’s world. The contrast between the dull, dreary colours of Damon’s everyday life and the vivid, colourful realm of his dreams in particular, highlight the healing power of learning from history.” — Prairie Books Now

Educator & Series Information
Recommended for ages 15 to 18.

This is the first book in the Dreams series.

Recommended in the Canadian Indigenous Books for Schools resource collection for grades 9 to 12 for English Language Arts, Art, and Social Studies.

Content Warnings: Addictions, alcoholism, trauma.

Additional Information
80 pages | 6.50" x 10.00" | Paperback

"The Owl Song" by Alan Syliboy & the Thundermakers is now a gorgeously illustrated book for all ages, exploring Mi'kmaw spirituality, life and death.

They say when the Owl calls your name
that the Creator is calling you home.

And when the owl comes to you,
he sits and waits until your final breath.
Then your journey begins.

From bestselling author Alan Syliboy (Mi'kmaw Daily Drum, Wolverine and Little Thunder, The Thundermaker) comes a beautiful new book exploring spirituality, mortality and grieving. An illustrated extended version of his popular song "The Owl Song," it features imagery inspired by his band Alan Syliboy & The Thundermakers' performance material and an author's note on Mi'kmaw tradition and Syliboy's own personal experiences with death. This book for all ages is a poignant depiction of what might happen when the Owl calls your name, and you begin your journey home to the ancestors.

Educator Information
The publisher recommends this picture book for all ages.

Subjects: death, grief, afterlife, spiritual, Mi'kmaw tradition

Additional Information
32 pages | 8.00" x 8.00" | Hardcover

In this followup to his hugely popular Midnight Storm Moonless Sky: Indigenous Horror Stories, Blackfoot storyteller Alex Soop plunges us again into enthralling tales that mix reality with dark terror. Within its stories, Whisper at Night and They Will Come reveals ancient theories of the paranormal, post apocalyptic scenarios, impossible wells of grief, and monstrous phobias. Soop scares the wits out of readers, all the while uncovering overlooked social anxieties and racism affecting Indigenous Peoples across North America.

Educator & Series Information
This is the second volume in the Indigenous Horror series.

Additional Information
276 pages | 5.50" x 8.50" | Paperback

Miskozi is searching for something...There's something missing. And she's not sure what it is. She goes on a search for herself and her culture, accompanied by her inner white girl, Waabishkizi, and guided by Ziibi, a manifestation of an ancestral river, both provoking her to try and find the answers. She begins the journey back before she was even born, right at the seeds of colonization when her ancestors were forced to hide their culture anywhere they could. Burying their language.Their teachings.Their bundles.Their moccasins. White Girls in Moccasins is a hilarious and poignant reclamation story that world-hops between dreams, memories, and a surreal game show. Miskozi recounts her life and is forced to grapple with her own truth, while existing in a society steeped in white supremacy. A love letter to brown kids born in the 80s, surviving in the 90s and all those continuing to deeply reclaim.

Additional Information
72 pages | 5.50" x 8.50" | Paperback

No one knows how a suit of samurai armour ended up in the Fort Smith museum. When a mysterious stranger turns up to claim it, Sonny, a young Tłı̨chǫ Dene boy, is eager to help.

Shinobu has travelled to Fort Smith, NWT, to reclaim his grandfather’s samurai sword and armour. But when he discovers that the sword was lost in a poker game, he must confront the man known as Benny the Bank. Along the way, Shinobu must rely on unlikely heroes—Sonny, his grandmother, and a visitor from the spirit world. Together, they face Benny and his men, including the giant they call Flinch.

Will Shinobu be able to regain the lost sword and, with it, his family’s honour? Can Sonny and his grandmother help Shinobu while keeping the peace in their community?

Now in full colour, this new edition includes additional background information and cultural context. Learn about the real-life inspiration behind the story and the intersections between Indigenous and Japanese Canadian experiences during the Second World War.

Educator & Series Information
This work is part of the Debwe Series, which is created in the spirit of the Anishinaabe concept debwe (to speak the truth), The Debwe Series is a collection of exceptional Indigenous writings from across Canada.

This book is part of the The Spirit of Denendeh series.

The publisher recommends this title for ages 15 to 18.

Additional Information
56 pages | 6.50" x 10.00" | 2nd Edition | Paperback

A Little Plains Cree Book for Children contains useful noun categories, phrases, and some basic rules for the Plains Cree language. Following the themes of the Saskatchewan Curriculum Guide for Kindergarten to Grade 12 on Aboriginal Languages, the content focuses on terms familiar to the First Nations Cree people of Saskatchewan. This book should also be supplemented by total physical response (TPR) methods, in addition to teaching materials such as songs, games, and flash cards. Our hope is to encourage a basic understanding of the language so that learners are able to converse with Plains Cree speakers. The best path to fluency in the Plains Cree language is immersion, but learning one word at a time is a good place to start!

Educator Information
Recommended for ages 5+

A teaching guide can be found here: nēhiyawēwin awāsi-masinahikanis: A Little Plains Cree Book for Children—Teaching Guide

Find a colouring book here: A Little Plains Cree Colouring Book: Plains Cree People

Additional Information
96 pages | 8.50" x 11.00" | Paperback

An urgent first novel about breaching the prisons we live inside from one of Canada’s most daring literary talents.

An unnamed narrator abandons his unfinished thesis and returns to northern Alberta in search of what eludes him: the shape of the novel he yearns to write, an autobiography of his rural hometown, the answers to existential questions about family, love, and happiness.

What ensues is a series of conversations, connections, and disconnections that reveals the texture of life in a town literature has left unexplored, where the friction between possibility and constraint provides an insistent background score.

Whether he’s meeting with an auntie distraught over the imprisonment of her grandson, engaging in rez gossip with his cousin at a pow wow, or lingering in bed with a married man after a hotel room hookup, the narrator makes space for those in his orbit to divulge their private joys and miseries, testing the theory that storytelling can make us feel less lonely.

Populated by characters as alive and vast as the boreal forest, and culminating in a breathtaking crescendo, A Minor Chorus is a novel about how deeply entangled the sayable and unsayable can become—and about how ordinary life, when pressed, can produce hauntingly beautiful music.

Reviews
"No one breaks your heart as elegantly as Billy-Ray Belcourt. Innovative, intimate, and meticulous, A Minor Chorus is a thoughtful riot of intersections and juxtapositions, a congregation of keenly observed laments gently vivisecting the small, Northern Alberta community at its core."—Eden Robinson, author of Son of a Trickster

"The literary child of Rachel Cusk’s Outline trilogy and James Baldwin’s Giovanni’s Room, this novel builds on both, and is yet still something so new. It has the guts to centre Indigenous queer life as worthy of serious intellectual and artistic inquiry—which, of course, it always has been. We will be reading and re-reading and learning from A Minor Chorus for decades to come."—Alicia Elliott, author of A Mind Spread Out on the Ground

"An absolutely dazzling confluence of big ideas and raw emotions, told in Billy-Ray Belcourt’s singular poetic voice. A Minor Chorus is about loving, questioning, and fighting for your life, and it’s as compelling a debut novel as I’ve read in years."—Jami Attenberg, author of I Came All This Way to Meet You

"A truly exceptional novel about how the disregarded sometimes live the most remarkable lives, and how storytelling will redeem us somehow, make us less lonely. A Minor Chorus is like a song that’s over too soon; I want to play it on repeat, to memorize the words so that I can sing them to myself."—Katherena Vermette, author of The Strangers

Additional Information
192 pages | 5.20" x 7.78" | Hardcover

After his parents are brutally murdered, Ahiahia is raised by his grandmother in a camp surrounded by enemies. His grandmother knows that eventually the camp will turn on Ahiahia, just as it did his parents, so she chants a protection chant over the clothing that she lovingly sews for him, over the amulet and necklace she gives him, even over the dog that is his companion. When he is attacked, Ahiahia must use his agility, hunting skills, and the protection imparted by his grandmother to stay alive. This traditional story is retold by Kugaaruk Elder Levi Illuitok, and illustrated in a comic book style by Nate Wells, giving life to an ancient story for new generations to enjoy.

Educator Information
Recommended for ages 12+

This traditional story is retold by Kugaaruk Elder Levi Illuitok, and illustrated in a comic book style by Nate Wells, giving life to an ancient story for new generations to enjoy.

Mature content (death, fighting).

Additional Information
36 pages | 7.00" x 10.50" | Hardcover 

An intimate yet wide-sweeping story of a marine biologist working to save ocean ecosystems from climate change.

With the world’s oceans ravaged by climate change, Émeraude, a young marine biologist, works to preserve aquatic ecosystems by recreating them for zoos. When her work earns her a spot aboard a research vessel with an extended mission in the Arctic, it is the inescapable draw of the ocean that will save her when the world she leaves behind is irrevocably changed.

Stories of Émeraude’s ancestors — a young sailor abandoned at birth, a conjuror who mixes potions for her neighbours, a violent young man who hides in the woods to escape an even more violent war, and a talented young singer born to a mother who cannot speak — weave their way through her intimate reflections on a modest life, unknowingly shaped by those who came before.

Reviews
"Aquariums is a luminous, touching and comforting book, written with great clarity. In other words, a healing read. It can be read in a single sitting, and picked up again when one’s soul needs soothing." — Solaris

"J.D. Kurtness stands out on the indigenous literary scene for her unique style, inspired by dystopian and apocalyptic writing. In Aquariums, the author delivers a fragmented novel of filiation, mixing the different (non-)stories of a lineage and of the same generation, like an aquarium housing an ecosystem, to an apocalyptic end forcing a reset of the planetary population. Kurtness’s aesthetic is characterised by a holistic cosmic writing in which a sort of Glissant’s Tout-Monde is formed: the narratives of ancestors and the living communicate with the perceived and existing elements. This cosmic writing is conveyed through the fragmentary form, which is more organic than functional, the use of nature-related metaphors, that are tied to the life story of a whale, and the hybridity of the novel, which mixes the genres of life writing and dystopia. Although the author is Ilnu, the dimension of autochthony is not central to Aquariums. It is partially present in the discourse and the constellation of characters, but is not actively addressed." - Abstract from Dystopie, Fragmentation et Filiation dans Aquariums de J.D. Kurtness by Jody Danard

"This is a small book on a huge theme, set in various places and eras, featuring different perspectives. It could be confusing, but it works – so much so that I sometimes wished Kurtness had picked up some of her loose threads and developed the stories of Émeraude’s ancestors instead of returning to her protagonist’s journey. I want to know more about the scarred sailor, the blind shark, and the travelling whale. She dips her toe into the fantastical or the romantic and then pulls back, back to the science of a dying world. Aquariums is an inventive book on a grim not-so-distant future. In the end, Kurtness chooses to believe in the resilience of humanity. Like her ancestors before her, Émeraude will fight for her people’s future." - Roxane Hudon, Montreal Review of Books

Educator Information
Translated from French to English by Pablo Strauss 

Additional Information
176 pages | 5.00" x 7.00" | Paperback

In this new edition of her powerful debut, Plains Cree writer and National Poet Laureate Louise B. Halfe - Sky Dancer reckons with personal history within cultural genocide.

Employing Indigenous spirituality, black comedy, and the memories of her own childhood as healing arts, celebrated poet Louise B. Halfe - Sky Dancer finds an irrepressible source of strength and dignity in her people. Bear Bones and Feathers offers moving portraits of Halfe's grandmother (a medicine woman whose life straddled old and new worlds), her parents (both trapped in a cycle of jealousy and abuse), and the people whose pain she witnessed on the reserve and at residential school.

Originally published by Coteau Books in 1994, Bear Bones and Feathers won the Milton Acorn People's Poet Award, and was a finalist for the Spirit of Saskatchewan Award, the Pat Lowther Award, and the Gerald Lampert Award.

Reviews
"With gentleness, old woman's humour, and a good red willow switch, Louise chases out the shadowy images that haunt our lives. She makes good medicine, she sings a beautiful song."— Maria Campbell, author of Halfbreed

Additional Information
144 pages | 5.75" x 8.50" | Paperback

We find our way forward by going back.

The invented history of the Western world is crumbling fast, Anishinaabe writer Patty Krawec says, but we can still honor the bonds between us. Settlers dominated and divided, but Indigenous peoples won't just send them all "home."

Weaving her own story with the story of her ancestors and with the broader themes of creation, replacement, and disappearance, Krawec helps readers see settler colonialism through the eyes of an Indigenous writer. Settler colonialism tried to force us into one particular way of living, but the old ways of kinship can help us imagine a different future. Krawec asks, What would it look like to remember that we are all related? How might we become better relatives to the land, to one another, and to Indigenous movements for solidarity? Braiding together historical, scientific, and cultural analysis, Indigenous ways of knowing, and the vivid threads of communal memory, Krawec crafts a stunning, forceful call to "unforget" our history.

This remarkable sojourn through Native and settler history, myth, identity, and spirituality helps us retrace our steps and pick up what was lost along the way: chances to honor rather than violate treaties, to see the land as a relative rather than a resource, and to unravel the history we have been taught.

Additional Information
224 pages | 5.81" x 8.53" | Hardcover

Blood follows a Two-Spirit Indigenous person as they navigate urbanity, queerness, and a kaleidoscope of dreams, memory, and kinship.

Conceived in the same world as their acclaimed debut, Bones, Tyler Pennock's Blood centres around a protagonist who at first has difficulty knowing the difference between connection and pain, and we move with them as they explore what it means to want. Pennock weaves longing, intimacy, and Anishinaabe relationalities to recentre and rethink their speaker's relationship to the living--never forgetting non-human kin.

This book is a look at how deep history is represented in the everyday; it also tries to answer how one person can challenge the impacts of that history. It is a reminder that Indigenous people carry the impacts of colonial history and wrestle with them constantly. Blood explores the relationships between spring and winter, ice and water, static things and things beginning to move, and what emerges in the thaw.

Reviews
"Pennock's Blood shines on the parts of the self that defy the ruthlessness of empire. By turns inward to the still and sobering power of language, and again outward to the echoes of 'leaves and wind,' a music as sensitive as it is revelatory ushers us into his unique measure of aliveness. The poet here is engaged and unafraid to look long." — Canisia Lubrin, author of The Dyzgraphxst

Additional Information
104 pages | 5.75" x 8.50" | Paperback

A new commemorative edition of Theodore Fontaine's powerful, groundbreaking memoir of survival and healing after years of residential school abuse.

Originally published in 2010, Broken Circle: The Dark Legacy of Indian Residential Schools chronicles the impact of Theodore Fontaine’s harrowing experiences at Fort Alexander and Assiniboia Indian Residential Schools, including psychological, emotional, and sexual abuse; disconnection from his language and culture; and the loss of his family and community. Told as remembrances infused with insights gained through his long healing process, Fontaine goes beyond the details of the abuse that he suffered to relate a unique understanding of why most residential school survivors have post-traumatic stress disorders and why succeeding generations of Indigenous children suffer from this dark chapter in history. With a new foreword by Andrew Woolford, professor of sociology and criminology at the University of Manitoba, this commemorative edition will continue to serve as a powerful testament to survival, self-discovery, and healing.

Reviews
"Broken Circle is a life story of Mr. Fontaine and he said it like it was; 'his personal story affirms the tragedy that occurred during this era and the impacts it has on our Indigenous people today'. Mr. Fontaine's humbleness and care for his people was remarkable and no words will ever express what he meant to his people on Turtle Island." —Chief Derrick Henderson, Sagkeeng First Nation

“Theodore Fontaine has written a testimony that should be mandatory reading for everyone out there who has ever wondered, 'Why can’t Aboriginal people just get over Residential Schools?' Mr. Fontaine’s life story is filled with astonishing and brutal chapters, but, through it all, time, healing, crying, writing, friends and family, and love—sweet love—have all graced their way into the man, father, son, brother, husband, and child of wonder Theodore has always deserved to be. What a humbling work to read. I’m grateful he wrote it and had the courage to share it. Mahsi cho." —Richard Van Camp, Tłįchǫ author of The Lesser Blessed and Moccasin Square Gardens

Additional Information
224 pages | 5.50" x 8.50" | 2nd Edition | Paperback

Trailblazer. Residential school Survivor. First Treaty Indigenous player in the NHL. All of these descriptions are true--but none of them tell the whole story.

Fred Sasakamoose, torn from his home at the age of seven, endured the horrors of residential school for a decade before becoming one of 120 players in the most elite hockey league in the world. He has been heralded as the first Indigenous player with Treaty status in the NHL, making his official debut as a 1954 Chicago Black Hawks player on Hockey Night in Canada and teaching Foster Hewitt how to pronounce his name. Sasakamoose played against such legends as Gordie Howe, Jean Beliveau, and Maurice Richard. After twelve games, he returned home.

When people tell Sasakamoose's story, this is usually where they end it. They say he left the NHL to return to the family and culture that the Canadian government had ripped away from him. That returning to his family and home was more important to him than an NHL career. But there was much more to his decision than that. Understanding Sasakamoose's choice means acknowledging the dislocation and treatment of generations of Indigenous peoples. It means considering how a man who spent his childhood as a ward of the government would hear those supposedly golden words: "You are Black Hawks property."

Sasakamoose's story was far from over once his NHL days concluded. He continued to play for another decade in leagues around Western Canada. He became a band councillor, served as Chief, and established athletic programs for kids. He paved a way for youth to find solace and meaning in sports for generations to come. Yet, threaded through these impressive accomplishments were periods of heartbreak and unimaginable tragedy--as well moments of passion and great joy.

This isn't just a hockey story; Sasakamoose's groundbreaking memoir sheds piercing light on Canadian history and Indigenous politics, and follows this extraordinary man's journey to reclaim pride in an identity and a heritage that had previously been used against him.

Reviews
“Fred Sasakamoose played in the NHL before First Nations people had the right to vote in Canada. This page turner will have you cheering for “Fast Freddy” as he faces off against huge challenges both on and off the ice—a great gift to every proud hockey fan, Canadian, and Indigenous person.”—Wab Kinew, Leader of the Manitoba NDP and author of The Reason You Walk

“Call Me Indian needs to be in every library and on every school curriculum in Canada. Fred Sasakamoose’s story is gripping and powerfully told—a story of triumph and tragedy, of great success and the perils of excess. There is laughter and tears here aplenty, but also inspiration. Characters as large as Gordie Howe and Bobby Hull are easily matched by the likes of Moosum, Freddy’s grandfather; Father Roussel, the only good to be found in residential school; George Vogan, who always believed in Fred—and Loretta, who loved him, gave him family, and ultimately saved him.”—Roy MacGregor, bestselling author of Chief: The Fearless Vision of Billy Diamond and Canadians: Portrait of a Country

Additional Information
288 pages | 5.20" x 7.94" | 8 pp 4/c photo insert

Meg Masters assisted Fred in writing his memoir.  She is a Toronto-based writer and editor who has worked with many bestselling Canadian authors.

In the literary tradition of The Outsiders comes a coming-of-age novel about teen boys and Indigenous gangs.

Sixteen-year-old Josh is no stranger to gang life. His dad, the leader of the Warriors, a gang on their reserve, is in jail, and Josh’s older brother has taken charge.

Josh’s mom has made it clear the Warriors and their violence aren’t welcome in her home — Josh’s dad and brother included. She wants Josh to focus on graduating high school. Josh is unsure whether gang life is for him — that is until gang violence arrives on his doorstep.

Turning to the Warriors, Josh, now known as “Creeboy,” starts down the path to becoming a full gang member — cutting himself off from his friends, family and community outside the gang.

It’s harder than ever for Creeboy to envision a different future for himself. Will anything change his mind?

Educator Information
Interest ages 13 to 18.

Written for reluctant readers.

Fry Reading Level: 2.0

Recommended in the Canadian Indigenous Books for Schools resource collection for grades 9 to 12 for English Language Arts.

Content Warning: References death and violence. 

Additional Information
128 pages | 5.51" x 8.50" | Paperback