Louise Bernice Halfe

A gender-fluid trickster character leaps from Cree stories to inhabit this raucous and rebellious new work by award-winning poet Louise Bernice Halfe.

There are no pronouns in Cree for gender; awâsis (which means illuminated child) reveals herself through shapeshifting, adopting different genders, exploring the English language with merriment, and sharing his journey of mishaps with humor, mystery, and spirituality. Opening with a joyful and intimate Foreword from Elder Maria Campbell, awâsis – kinky and dishevelled is a force of Indigenous resurgence, resistance, and soul-healing laughter.

If you’ve read Halfe’s previous books, prepared to be surprised by this one. Raging in the dark, uncovering the painful facts wrought on her and her people’s lives by colonialism, racism, religion, and residential schools, she has walked us through raw realities with unabashed courage and intense, precise lyricism. But for her fifth book, another choice presented itself. Would she carve her way with determined ferocity into the still-powerful destructive forces of colonialism, despite Canada’s official, hollow promises to make things better? After a soul-searching Truth and Reconciliation process, the drinking water still hasn’t improved, and Louise began to wonder whether inspiration had deserted her.

Then awâsis showed up—a trickster, teacher, healer, wheeler-dealer, shapeshifter, woman, man, nuisance, inspiration. A Holy Fool with their fly open, speaking Cree, awâsis came to Louise out of the ancient stories of her people, from the quiet words of the Elders, from community input through tears and laughter, from her own aching heart and her three-dimensional dreams. Following awâsis’s lead, Louise has flipped her blanket over, revealing a joking, mischievous, unapologetic alter ego—right on time.

Reviews
“There really isn’t any template for telling stories as experienced from within Indigenous minds. In her book awâsis – kinky and dishevelled, Cree poet Louise Bernice Halfe (Sky Dancer) presents a whole new way to experience story poems. It’s kinda like she writes in English but thinks in Cree. Lovely, revealing, funny, stunning. A whole new way to write!” — Buffy Sainte-Marie

“Louise Halfe knows, without question, how to make miyo-iskotêw, a beautiful fire with her kindling of words and moss gathered from a sacred place known only to her, to the Old Ones. These poems, sharp and crackling, are among one of the most beautiful fires I’ve ever sat beside.” — Gregory Scofield, author of Witness, I Am

“Louise makes awâsis out of irreverent sacred text. The darkness enlightens. She uses humor as a scalpel and sometimes as a butcher knife, to cut away, or hack off, our hurts, our pain, our grief and our traumas. In the end we laugh and laugh and laugh.” — Harold R. Johnson, author of Peace and Good Order: The Case for Indigenous Justice in Canada

“This is all about Indigenizing and reconciliation among ourselves. It’s the kind of funny, shake up, poking, smacking, and farting we all need while laughing our guts out. It’s beautiful, gentle and loving.” — Marie Campbell, author of Halfbreed (from the Foreword)

Additional Information
104 pages | 5.75" x 8.50"

In this new edition of her powerful debut, Plains Cree writer and National Poet Laureate Louise B. Halfe - Sky Dancer reckons with personal history within cultural genocide.

Employing Indigenous spirituality, black comedy, and the memories of her own childhood as healing arts, celebrated poet Louise B. Halfe - Sky Dancer finds an irrepressible source of strength and dignity in her people. Bear Bones and Feathers offers moving portraits of Halfe's grandmother (a medicine woman whose life straddled old and new worlds), her parents (both trapped in a cycle of jealousy and abuse), and the people whose pain she witnessed on the reserve and at residential school.

Originally published by Coteau Books in 1994, Bear Bones and Feathers won the Milton Acorn People's Poet Award, and was a finalist for the Spirit of Saskatchewan Award, the Pat Lowther Award, and the Gerald Lampert Award.

Reviews
"With gentleness, old woman's humour, and a good red willow switch, Louise chases out the shadowy images that haunt our lives. She makes good medicine, she sings a beautiful song."— Maria Campbell, author of Halfbreed

Additional Information
144 pages | 5.75" x 8.50" | Paperback

The voices of Blue Marrow sing out from the past and the present. They are the voices of the Grandmothers, both personal and legendary. They share their wisdom, their lives, their dreams. They proclaim the injustice of colonialism, the violence of proselytism, and the horrors of the residential school system with an honesty that cuts to the marrow. Speaking in both English and Cree, these are voices of hopefulness, strength, and survivance. Blue Marrow is a tribute to the indomitable power of Indigenous women of the past and of the present day.

Educator Information
This is the 3rd Edition of this book.  More than twenty years since its first publication, this critically acclaimed collection is available in a redesigned edition, including an all-new interview with its celebrated author, Louise B. Halfe - Sky Dancer.

Some of the text is written in Cree.

Additional Information
120 pages | 5.50" x 8.50" | paperback | 8 illustrations

Poetic tales that unfold through the voice of ê-kwêskît, Turn-Around Woman--tales imbued with vital themes of Indigenous experience: culture, language, colonialism, residential schools and more. The poems of The Crooked Good are threaded throughout with names, phrases, and verses in Cree; its personal stories framed within the fireside tales of Rolling Head Woman, who is both nightmare and culture hero. Evocative, moving, and powerful poetry from a master poet.

Know my child, the mountains make your dreams. Keep decent and proper.
Serve your guest tea, scones, Never forget you’re Cree.

Reviews
“For those who might not know, you cannot be a student of Indigenous poetry without reading the words of Louise Halfe, and The Crooked Good is one of those books that needs to be near the top of your reading list. And for those, like myself, who have returned to this book many years after the first reading, what a gift and a blessing. Once again, after all these years. There are stories that are fossilized in their time and place, and then there are those stories that renew themselves and renew us, too, each time we return to them. Louise Halfe has given us one of those renewing stories. It is, too, a story about stories: how the stories we tell ourselves about ourselves, as individuals and cultures, can enrich our sense of self with the sacred, or how they can threaten to destroy and consume the good in us. Sometimes when the stories we tell ourselves have been colonised by others, we become meat in their gaping jaws. And then there is The Crooked Good, a song-story of violence and resilience, of lust and love, of the persistence of what’s ancient and the necessity of the ancient for our contemporary lives. Though the path we walk be a crooked one, always too, it is a good path to walk. Hay hay, Sky Dancer!”—Randy Lundy, author of Field Notes for the Self

“Cree mythoi animate Louise Halfe’s lustrous poetry. They are the existential materials of her works and worlds, and in their arrangements of consciousness, they assemble the present. All presents. In Halfe’s texts, one is compelled/pressed by these forms of apprehending. First, they structure the poetry and then they restructure the reader, the listener. Line after relentless line, thought after shattering thought, one encounters all that is lethal and all that is generative. The brilliant power of Halfe’s poetry is that it contains both the wound and its medicine—alive.”—Dionne Brand, poet, novelist, essayist.

“The best poetry makes the world larger, more vivid. It makes our crooked good hearts expand with understanding, compassion and vital lifeforce even while it tells us how it is, how it can be. This book enlarges. It expands our world. Energizes. More than good, in this brilliant and moving collection, Sky Dancer Louise B. Halfe makes the good larger.”—Gary Barwin, author of Nothing the Same, Everything Haunted

Educator Information
This brand new third edition (2021) has been beautifully redesigned and includes a new foreword by Kimberley Anderson, Canada Research Chair in Indigenous Relationships at the University of Guelph.

Louise Bernice Halfe was named Parliamentary Poet for Canada in February of 2021.

Additional Information
155 pages | 5.50" x 8.50" | 3rd Edition

A deeply scouring poetic account of the residential school experience, and a deeply important indictment of colonialism in Canada.

Many of the poems in Louise Halfe's Burning in This Midnight Dream were written in response to the grim tide of emotions, memories, dreams and nightmares that arose in her as the Truth and Reconciliation process unfolded. In heart-wrenching detail, Halfe recalls the damage done to her parents, her family, herself. With fearlessly wrought verse, Halfe describes how the experience of the residential schools continues to haunt those who survive, and how the effects pass like a virus from one generation to the next. She asks us to consider the damage done to children taken from their families, to families mourning their children; damage done to entire communities and to ancient cultures.

Halfe's poetic voice soars in this incredibly moving collection as she digs deep to discover the root of her pain. Her images, created from the natural world, reveal the spiritual strength of her culture.

Originally published in 2016 by Coteau Books, Burning in This Midnight Dream won the Indigenous Peoples' Publishing award, the Rasmussen, Ramussen & Charowsky Indigenous Peoples' Writing award, the Saskatchewan Arts Board Poetry Award, the League of Canadian Poets' Raymond Souster Award, and the High Plains Book Award for Indigenous Writers. It was also the 2017 WILLA Literacy Award Finalist in Poetry. This new edition includes a new Afterword by Halfe.

Reviews
"Burning in this Midnight Dream honours the witness of a singular experience, Halfe's experience, that many others of kin and clan experienced. Halfe descends into personal and cultural darkness with the care of a master storyteller and gives story voice to mourning. By giving voice to shame, confusion, injustice Halfe begins to reclaim a history. It is the start of a larger dialogue than what is contained in the pages." --Raymond Souster Award jury citation

Additional Information
104 pages | 5.75" x 8.50" | 8 illustrations