Adult Book

A collaboration exploring the importance of the Ojibway-Anishinabe worldview, use of ceremony, and language in living a good life, attaining true reconciliation, and resisting the notions of indigenization and colonialization inherent in Western institutions.

Indigenization within the academy and the idea of truth and reconciliation within Canada have been seen as the remedy to correct the relationship between Indigenous Peoples and Canadian society. While honourable, these actions are difficult to achieve given the Western nature of institutions in Canada and the collective memory of its citizens, and the burden of proof has always been the responsibility of Anishinabeg.

Authors Makwa Ogimaa (Jerry Fontaine) and Ka-pi-ta-aht (Don McCaskill) tell their di-bah-ji-mo-wi-nan (Stories of personal experience) to provide insight into the cultural, political, social, and academic events of the past fifty years of Ojibway-Anishinabe resistance in Canada. They suggest that Ojibway-Anishinabe i-zhi-chi-gay-win zhigo kayn-dah-so-win (Ways of doing and knowing) can provide an alternative way of living and thriving in the world. This distinctive worldview — as well as Ojibway-Anishinabe values, language, and ceremonial practices — can provide an alternative to Western political and academic institutions and peel away the layers of colonialism, violence, and injustice, speaking truth and leading to true reconciliation.

Reviews
"Fontaine and McCaskill write in a way our own Indigenous People can understand and feel; their passion is tangible." — Graham Hingangaroa Smith, Distinguished Professor, Massey University - NZ

"There are multiple ways to inhabit our deepest principles. There are also many ways to honor land and our elders by embodying the teachings of both. Here is life found in kindness, loving, and truth. How do we access healing and how do we share this healing with others? Reading this book is one way. Tears of gratitude are for you both, Jerry Fontaine and Don McCaskill. Mahalo nui no ko ?ike nahenahe. Thank you for this mutual emergence shaped as much by friendship as it is by ?ike kupuna - elder knowledge. What is within these pages are ceremonial gifts offered to all who will take the time to connect with what is inevitable about our collective evolution." — Manulani Aluli Meyer, University of Hawai‘i

Additional Information
328 pages | 6.00" x 9.00" | Paperback

From poet and visual artist Frederick McDonald, an illuminating collection that explores the intricacies of existing within two worlds.

Daydreams turn into night dreams that carry the author on a journey of self-awareness and personal discovery while living and travelling in two worlds: that of his reality as a member of the Fort McKay First Nation and existing as part of Canadian culture within its mainstream paradigm of savage stereotypes and ancient archetypes. Wondering at the intricacies of these worlds and what was, what could have been and what could be as his community navigates a myriad of political policies and propaganda, McDonald weaves experiences of injustice and hardship with the glory and beauty of his culture, all while contemplating the endurance of the natural environment amid human destruction.

Reviews
"Frederick McDonald is a master of the poetic image. His people spring to vivid life, loud and colourful in our mind’s eye. We join their dreams and journeys. We come visit. We walk traplines and float in an old canoe. We feel the cold as lazy sled dogs hitch a ride behind a snowmobile. We ride a palomino on our birthday. We share some hot pea soup. We laugh out loud and cry alone. We follow the Raven. We are the better for it." — Therese Greenwood, author of What You Take with You

"Dreams and Journeys is a collection of poetry meant to be shared and read aloud. It is a conversation with Frederick McDonald, where a brown boy tells his story and recounts history. It is a particular narrative based on his life experiences and, simultaneously, a universal tale, so that we are involved in its unfolding. The collection becomes alive when recited… In it, the past is contemporary and open to future possibilities." — Karim-Aly S. Kassam, International Professor of Environmental and Indigenous Studies, Cornell Univer

Additional Information
136 pages | 6.00" x 9.00" | Paperback

Teacher lesson plan that accompanies the book, Drum from the Heart. When he is gifted a handmade drum by his mother, Ren learns the teachings of the drum that she also passes down to him. Ren discovers that through this special drum, he is able to connect to his culture and find a confidence in his voice to joyfully share in singing the traditional songs of his Nuu-chah-nulth Nation.

Educator Information
Geared towards students up to grade 5. Includes comprehension questions, a section on how to make your own drum, and more.

Created by an Indigenous educator at Medicine Wheel Publishing with full approval from the author.

Highlights Indigenous perspectives and knowledge.

Find the student resource HERE!

This resource is available in French: Joue du tambour avec coeur plan de cours

Additional Information
12 pages | 8.50" x 11.00" | Paper Packet 

Over six decades of brilliant prints and paintings from the most prominent Northwest Coast artist of his generation.

Since leaving Haida Gwaii to study art in Vancouver - where he carved argillite with Bill Reid in a department store and hand-sold prints on the UBC campus - Guud sans glans, Robert Davidson has moved between two worlds. As a host of Potlaches, carver of masks and totem poles, and performer and teacher of traditional Haida songs and dances, he has been one of the driving forces in the resurgence of Haida culture in the aftermath of colonization. As an artist working in serigraphs, acrylic, wood, silver, and aluminum to preserve and breathe new life into Haida formline, he has become among the most respected, celebrated, and thrilling artists in the country, if not the world.

Echoes of the Supernatural is the first publication in over forty years to offer a comprehensive visual retrospective of his astonishing career. It includes new photography of over 150 prints, as well as images of over fifty paintings; numerous painted woven hats, painted and carved sculptures, jewellery, aluminum sculpture; and dozens of archival photos. His long-time gallerist Gary Wyatt, who worked closely with Davidson in shaping the book and received full access to his archives, details the artist's life and career, and offers insights on the work based on extensive new interviews. A foreword by Karen Duffek situates the contours of Davidson's practice within the broader Northwest Coast art world.

Additional Information
288 pages | 9.01" x 11.43" | Hardcover

Faller mixes Roshoman style storytelling with traditional stories to describe the meeting, or juxtapositions, of a few characters on a Reservation. All of these characters are damaged in one way or the other. Faller is not narrative so much as bursts and flashes. It is not about what happens as much as moments in time. The stories fall together rather than follow each other. Faller is dark and funny in places, less sane and rational than yearning. Haunted. Not like every other book, Faller is the first work by an old young Indigenous writer, not trying to make sense of life on the Reservation, but giving a glimpse into the world he grew up in.

Educator & Series Information
This book is part of the Modern Indigenous Voices series.

Additional Information
80 pages | 8.50" x 5.50" | Paperback

​Updated and expanded 2nd edition of the national best seller!

First Nations 101 provides a broad overview of the day-to-day lives of Indigenous people, traditional Indigenous communities, colonial interventions used in an attempt to assimilate Indigenous people into mainstream society, the impacts those interventions had on Indigenous families and communities, and how Indigenous people are working towards holistic health and wellness today.

This 2nd edition has over 75 chapters, including new ones on rematriation, water for life, governance ‘options’, Indigenous feminisms, decolonization, (mis)appropriation, Indigenous Knowledge, and how to become a great ally.

Educator Information
Author Lynda Gray’s accessible writing style makes First Nations 101 the perfect primer for all to read. She notes that although governments may encourage and fund reconciliation activities, true reconciliation can only happen through the ongoing commitment and consistent actions of individuals, groups, organizations, governments, and businesses.

$1 from each book sold will be donated to the Ts’msyen Revolution Fund which Lynda Gray and her children, Dr. Robin Gray and artist Phil Gray, started in 2022. The Fund will help support Ts’msyen language and culture revitalization in laxyuubm Ts’msyen (Ts’msyen territory).

Lynda Gray is member of the Ts’msyen Nation from Lax Kw’alaams on the Northwest Coast of B.C. The book’s cover art was created by her son Phil Gray and features a 'neełx (killerwhale) to represent the author and her children’s clan (Gisbutwada).

The 2nd edition has over 75 chapters, with 16 new ones including rematriation, what is reconciliation, traditional economies, water for life, Indigenous feminisms, (mis)appropriation, economic development, Indigenous Knowledge, how to become a great ally, and more.

Additional Information
336 Pages | Updated and expanded 2nd edition

Awaken your senses and learn how to be a forest detective—with Peter Wohlleben, New York Times-bestselling author of The Hidden Life of Trees.

When you walk in the woods, do you use all five senses to explore your surroundings? For most of us, the answer is no—but when we do, a walk in the woods can go from pleasant to immersive and restorative. Forest Walking teaches you how to get the most out of your next adventure by becoming a forest detective, decoding nature’s signs and awakening to the ancient past and thrilling present of the ecosystem around you.

• What can you learn by following the spread of a root, by tasting the tip of a branch, by searching out that bitter almond smell?
• What creatures can be found in a stream if you turn over a rock—and what is the best way to cross a forest stream, anyway?
• How can you understand a forest’s history by the feel of the path underfoot, the scars on the trees along the trail, or the play of sunlight through the branches?
• How can we safely explore the forest at night?
• What activities can we use to engage children with the forest?

Throughout Forest Walking, the authors share experiences and observations from visiting forests across North America: from the rainforests and redwoods of the west coast to the towering white pines of the east, and down to the cypress swamps of the south and up to the boreal forests of the north.

With Forest Walking, German forester Peter Wohlleben teams up with his longtime editor, Jane Billinghurst, as the two write their first book together, and the result is nothing short of spectacular. Together, they will teach you how to listen to what the forest is saying, no matter where you live or which trees you plan to visit next.

Reviews
“A wonderfully clear and practical guide for all ages. This book will fast-track you into the joys of spending time amongst the trees.”—Tristan Gooley, author of The Lost Art of Reading Nature’s Signs and How to Read Water

“You'll be changed after reading this fine and enchanting book.”—Richard Louv, author of Our Wild Calling and Last Child in the Woods

Additional Information
240 pages | 5.25" x 8.50" | 1 Map, Black and White Photos Throughout | Paperback

Marcie R. Rendon’s follow-up to Murder on the Red River finds Cash helping Sheriff Wheaton solve a murder that has likeness to the cases of missing and murdered Native women.

Cash is off to a local college with the help of Wheaton, who wants her to take hold of her life and aspire to better things. At Moorhead State she sees that people talk a lot but mostly about nothing, not like the men in the fields she’s known all her life, who hold the rich topsoil in their hands, talk fertilizer and weather and prices on the Grain Exchange.

In between classes and hauling beets, drinking beer and shooting pool, she begins to dream of the Cities and blonde Scandinavian girls calling for help.

Reviews
"Rendon is a natural storyteller and a consummate writer, and we’re indebted to Cinco Puntos Press in El Paso for bringing the unforgettable Cash Blackbear to life. There isn’t a protagonist in recent fiction with the bearing of Rendon’s creation, and we’re the better for knowing her."—Jeffrey Mannix

"I won’t recount the terror, the drama, and the bravery of what follows. You can read the book yourself. The ending, I’ll just say, is deeply satisfying. Rendon has been working for years in the prisons with women who are incarcerated for prostitution, soliciting, and other offenses. Teaching them to tell their stories and access their inner writing voice. She’s able to convey the savagery of the system, what it does to women and their families, how deeply it is connected to poverty, and how it reaches into white rural and suburban areas as well as communities of color." —Ann Markusen, Grand Rapids Herald-Review

"Darn that Marcie Rendon but she did it again. She wrote another book featuring Renee “Cash” Blackbear which invariably led to non-stop, compulsive reading and thoughts about the 19-year-old protagonist...This is a good book. If you read it, block out uninterrupted time. It’s hard to put down."—Deborah Locke,The Circle News: Native American News and Arts

"The vivid writing and keen eye keep the pages turning and readers hoping for another book in this series."—Wendy J. Fox, Buzzfeed

"Rendon's refreshing sequel to 2017's Murder on the Red River...When [Cash] hears about a missing coed, she contacts [Sheriff] Wheaton. Since they previously worked together successfully on a murder, Wheaton trusts Cash’s sharp instincts and asks for her help in solving the case...Rendon, herself a member of the White Earth Anishinabe Nation, highlights the plight of Native Americans who were forcibly adopted by whites and Cash’s discomfort in a land that is and is not hers. Readers will look forward to Cash’s next outing."—Publishers Weekly

"In her second outing, Cash Blackbear goes off to college and finds herself embroiled in the mystery of a missing classmate. 'I'm not used to folks treating me like I'm stupid,' says Cash. But Moorhead State is another world, one slow to disclose the secrets of its initiated."—Kirkus Reviews

Series Information
This is the second book in the Cash Blackbear Mystery series from author Marcie Rendon.  

Additional Information
336 pages | 5.51" x 8.26" | Paperback

Through a series of fifty-one large “story robes,” Jut-ke-Nay Hazel Wilson shares a grand narrative of Haida origins, resistance, and perseverance in the face of colonialism, and of life as it has been lived on Haida Gwaii since time immemorial.

Glory and Exile: Haida History Robes of Jut-ke-Nay Hazel Wilson marks the first time this monumental cycle of ceremonial robes by the Haida artist Jut-Ke-Nay (The One People Speak Of) - also known as Hazel Anna Wilson - is viewable in its entirety. On 51 large blankets, Wilson uses painted and appliqued imagery to combine traditional stories, autobiography, and commentary on events such as smallpox epidemics and environmental destruction into a grand narrative that celebrates the resistance and survival of the Haida people, while challenging the colonial histories of the Northwest Coast.

Of the countless robes Wilson created over fifty-plus years, she is perhaps best known for The Story of K'iid K'iyaas, a series about the revered tree made famous by John Vaillant's 2005 book The Golden Spruce. But her largest and most important work is the untitled series of blankets featured here. Wilson always saw these works as public art, to be widely seen and, importantly, understood.

In addition to essays by Robert Kardosh and Robin Laurence, the volume features texts about each robe by Wilson herself; her words amplify the power of her striking imagery by offering historical and personal context for the people, characters, and places that live within her colossal work. Glory and Exile, which also features personal recollections by Wilson's daughter Kun Jaad Dana Simeon, her brother Allan Wilson, and Haida curator and artist Nika Collison, is a fitting tribute to the breathtaking achievements of an artist whose vision will help Haida knowledge persist for many generations to come.

Reviews
“Hazel was a matriarch, artist, and Storyteller. Thomas King once wrote, “The truth about stories is, that’s all we are.” To experience Hazel’s work is to learn a story within a story: the past as taught by her Elders; the life she herself experienced within these narratives; and a glimpse of our storied future, which we will build by upholding our own responsibilities to Haida Gwaii, the Supernatural, and each other.” —Jisgang Nika Collison, in Glory and Exile

Additional Information
232 pages | 8.02" x 10.23" | Hardcover 

A family tries to learn from the mistakes of past generations in this whirlwind memoir from a wholly original new voice.

The Caetanos move into a doomed house in the highway village of Happyland before an inevitable divorce pulls Cody’s parents in separate directions. His mom, Mindimooye, having discovered her Anishinaabe birth family and Sixties Scoop origin story, embarks on a series of fraught relationships and fresh starts. His dad, O Touro, a Portuguese immigrant and drifter, falls back into “big do, little think” behaviour, despite his best intentions.

Left alone at the house in Happyland, Cody and his siblings must fend for themselves, even as the pipes burst and the lights go out. His protective big sister, Kris, finds inventive ways to put food on the table, and his stoic big brother, Julian, facilitates his regular escapes into the world of video games. As life yanks them from one temporary solution to the next, they steal moments of joy and resist buckling under “baddie” temptations aplenty.

Capturing the chaos and wonder of a precarious childhood, Cody Caetano delivers a fever dream coming-of-age garnished with a slang all his own. Half-Bads in White Regalia is an unforgettable debut that unspools a tangled family history with warmth, humour, and deep generosity.

Awards

• 2023 Indigenous Voices Awards Winner: Published Prose in English

Reviews
“Memoirs are a difficult alchemy of testimony and confession, scene-making and character-building. They have to soften the hard things and show the way through at every turn—or at least they should—and that’s what Cody Caetano does in Half-Bads in White Regalia. No one gets off easy, but everyone is drawn with unflinching love and respect. Nothing seems wholly remarkable, yet everything is turned to see its beauty. Poetry permeates this prose, poetry and this wholly unique voice and style that somehow made me laugh and cry often, and in the oddest places. Read it. You won’t regret it. Telling you.”—Katherena Vermette, author of The Strangers
 
“A brilliant and devastating debut. This book hurtles towards difficult understandings about love and violence and family. At times I didn’t know whether I should laugh or cry, but Caetano fills each moment with such character and humanity that it’s impossible not to fall in love.” —Jordan Abel, author of NISHGA

Additional Information
280 pages | 5.62" x 8.25" | Paperback

Nature is a place to both play and learn. The physical self is moving and active, the mental self is thinking and questioning, the emotional self is feeling and experiencing, and the spiritual self is connecting and thankful. We see what we have been taught to see. We love and respect our natural surroundings when we see ourselves as belonging to that community. This resource leads readers on a rich learning journey as they deepen their connections to nature and culture.

The activities inside instill traditional teachings of respect, honour, resourcefulness, and humility in children. This handbook is intended to inspire parents, caregivers, and educators to provide children with meaningful outdoor experiences interwoven with traditional indigenous knowledge.

Educator Information
For use with children.

Table of Contents
Introduction

The Power of Ceremony
- Introduction
- Ceremony and Daily Life
- Sunrise Ceremony
- Nature Picnic
- Sharing
- Navajo Forgiveness Ceremony
- Smudging Ceremony

Mindfulness: Meditation of Gratitude
- Introduction
- Gratitude
- Silent Study
- Sensory Wake-Up
- Walking Meditation
- Guided Meditation
- Nature Meditation
- Traditional Prayers

We Are All Related
- Honouring the Plants, Earth and Water
- Medicine Wheel Teachings in Nature
- Water is Life
- Find the Rock Game
- Adopt a Tree
- Read a Tree
- Earthing
- Build a Nature Structure

Swimmers, Walkers and Fliers
- The Animal People
- Walk Like the Animal People
- Tracking

Indigenous Games
- Introduction
- Blindfold Detective
- Stalk the Drum
- Fire Keeper
- Deer Cliff Arrow
- Hunter
- Run and Scream
- Metis Map-Making

Conclusion

Additional Information
84 pages | 9.00" x 7.00" | Paperback

Horses in the Sand is a collection of stories that document a queer woman's journey from her sparse beginnings as a child to becoming a tradeswoman, teacher, and artist. With courage, humour, and frank honesty, the stories describe what it was like to grow up as a girl who was starkly different from "normal" and how "coming out" became a lifelong process of self-acceptance and changing identities. The stories also speak to the difficulties in participating in and maintaining healthy adult relationships when childhood beginnings are rooted in violence and trauma, and end with a triumphant account of fulfilling a long-time dream of buying land and building a home with her own hands. Ultimately, the memoir is a celebration of making art, telling stories, and of finding her birth father, a family of half-siblings, and an Indigenous community whose presence she had always felt, but never knew she belonged to.

Additional Information
260 pages | 5.50" x 8.25" | Paperback

Born at a traditional Inuit camp in what is now Nunavut, Joan Scottie has spent decades protecting the Inuit hunting way of life, most famously with her long battle against the uranium mining industry. Twice, Scottie and her community of Baker Lake successfully stopped a proposed uranium mine. Working with geographer Warren Bernauer and social scientist Jack Hicks, Scottie here tells the history of her community’s decades-long fight against uranium mining.

Scottie's I Will Live for Both of Us is a reflection on recent political and environmental history and a call for a future in which Inuit traditional laws and values are respected and upheld. Drawing on Scottie’s rich and storied life, together with document research by Bernauer and Hicks, their book brings the perspective of a hunter, Elder, grandmother, and community organizer to bear on important political developments and conflicts in the Canadian Arctic since the Second World War.

In addition to telling the story of her community’s struggle against the uranium industry, I Will Live for Both of Us discusses gender relations in traditional Inuit camps, the emotional dimensions of colonial oppression, Inuit experiences with residential schools, the politics of gold mining, and Inuit traditional laws regarding the land and animals. A collaboration between three committed activists, I Will Live for Both of Us provides key insights into Inuit history, Indigenous politics, resource management, and the nuclear industry.

Reviews
“I Will Live for Both of Us is the first-hand account of an incredible woman’s resistance to uranium mining in her region specifically, but it is also a detailed description of the history of colonialism in the Kivalliq region, and the past and present structures that perpetuate colonialism. It shines a light on the critical activism that has been happening in this region over the course of decades.” — Willow Scobie

"I Will Live for Both of Us offers a unique and important contribution to our understanding of the history and contemporary debates around mining in the Canadian North. It foregrounds the voice and activism of an Inuk woman, Joan Scottie, and documents her long struggle against the incursions of uranium mining in the Kivalliq Region of Nunavut. Written accessibly it will appeal to readers interested in the North, Indigenous issues, and industrial development.” — Arn Keeling

Educator Information
Table of Contents
Ch 1: Growing Up on the Land
Ch 2: Qallunaat, Moving to Town, and Going to School
Ch 3: Uranium Exploration, Petitions, and a Court Case
Ch 4: Kiggavik Round One, the Urangesellschaft Proposal
Ch 5: The Nunavut Agreement and Gold Mining Near Baker Lake
Ch 6: Uranium Policy in Nunavut
Ch 7: Kiggavik Round Two, the AREVA Proposal
Ch 8: Protecting the Land and the Caribou
Conclusion

Additional Information
264 pages | 6.00" x 9.00" | Index, Bibliography | Paperback