Robert Davidson

A visual and cultural celebration of a traditional Haida wedding ceremony, exploring its roots, rituals, symbolism, joyfulness, and contemporary significance for a thriving Indigenous Nation.

In 1996, Terri-Lynn Williams and Robert Davidson celebrated their wedding with a traditional ceremony, the first in over a century that was legalized under Haida law. This book provides an intimate photographic window into that momentous day and marks the resurgence of a tradition that was nearly lost to colonial forces.

Relying on recorded knowledge their ancestors had shared with ethnographers and anthropologists, and the few details living Elders could recall about the tradition of guud ‘iina Gihl (“becoming married”) in the time before the arrival of Christian missionaries, the couple carefully planned out a seven-part celebration. It involved a canoe procession, ceremony, feast, dancing, and dowry payment, signifying the coming together of two people, two families, and two clans. The occasion is lovingly and painstakingly recounted through imagery and text in this fascinating tribute to a resilient culture and the unbreakable bonds of love and family.

Additional Information
128 pages | 8.75" x 10.50"| Hardcover 

Ulli Steltzer, a distinguished photographer, takes the reader into the carving shed and studio to see Robert Davidson as he creates both monumental poles and intricately detailed powerful masks. More than 100 of her black-and-white photographs, reproduced in duotone, record both the evolution of Davidson and his art, from the early days up to the present, a span of 25 years. In the accompanying text and captions, Robert Davidson writes movingly about growing up Haida and his development as an artist, describes the creative and practical process of carving poles and masks, and discusses the place of art in Haida culture.

An introduction by Aldona Jonaitis assesses Robert Davidson's place in the world of art. Robert Davidson has produced an internationally acclaimed body of art, in particular a number of large totem poles and masks in collections in Canada and the United States, including the Southwest Museum in Los Angeles, the National Gallery of Canada, the Canadian Museum of Civilization, and the Vancouver Art Gallery.

Over six decades of brilliant prints and paintings from the most prominent Northwest Coast artist of his generation.

Since leaving Haida Gwaii to study art in Vancouver - where he carved argillite with Bill Reid in a department store and hand-sold prints on the UBC campus - Guud sans glans, Robert Davidson has moved between two worlds. As a host of Potlaches, carver of masks and totem poles, and performer and teacher of traditional Haida songs and dances, he has been one of the driving forces in the resurgence of Haida culture in the aftermath of colonization. As an artist working in serigraphs, acrylic, wood, silver, and aluminum to preserve and breathe new life into Haida formline, he has become among the most respected, celebrated, and thrilling artists in the country, if not the world.

Echoes of the Supernatural is the first publication in over forty years to offer a comprehensive visual retrospective of his astonishing career. It includes new photography of over 150 prints, as well as images of over fifty paintings; numerous painted woven hats, painted and carved sculptures, jewellery, aluminum sculpture; and dozens of archival photos. His long-time gallerist Gary Wyatt, who worked closely with Davidson in shaping the book and received full access to his archives, details the artist's life and career, and offers insights on the work based on extensive new interviews. A foreword by Karen Duffek situates the contours of Davidson's practice within the broader Northwest Coast art world.

Additional Information
288 pages | 9.01" x 11.43" | Hardcover

Inspired by Haida ceremonial practice, father and daughter present a model for learning that is holistic, relational, practical, and continuous.

In 1884, the Canadian government enacted a ban on the potlatch, the foundational ceremony of the Haida people. The tradition, which determined social structure, transmitted cultural knowledge, and redistributed wealth, was seen as a cultural impediment to the government’s aim of assimilation.

The tradition did not die, however; the knowledge of the ceremony was kept alive by the Elders through other events until the ban was lifted. In 1969, a potlatch was held. The occasion: the raising of a totem pole carved by Robert Davidson, the first the community had seen in close to 80 years. From then on, the community publicly reclaimed, from the Elders who remained to share it, the knowledge that has almost been lost.
 
Sara Florence Davidson, Robert’s daughter, would become an educator. Over the course of her own education, she came to see how the traditions of the Haida practiced by her father—holistic, built on relationships, practical, and continuous—could be integrated into contemporary educational practices. From this realization came the roots for this book.

Reviews
"Potlatch as Pedagogy is wonderfully wise, hopeful, heartful, eloquent, and loving! Every teacher candidate and teacher needs to read this book. The authors expertly evoke the history and culture of the Haida as they call forth the sadness as well as the hope and joy of generations of people who were misunderstood and mistreated. In this time of Truth and Reconciliation, we all need to attend to this book." —Dr. Carl Leggo, Professor, Department of Language and Literacy Education, University of British Columbia

Educator Information
For all teachers.

Recommended in the Canadian Indigenous Books for Schools 2019-2020 resource list as a Teacher Resource for grades 10 to 12 with reference to Social Studies. 

Additional Information
200 pages | 7.00" x 9.00"

This is the official book of the 2011 All Native Basketball Tournament. These games have been held in Prince Rupert, British Columbia for over 50 years. Since its inception, the Tournament has become an important cultural gathering.

B is For Basketball was created in collaboration with the students and teachers of School District No. 50 on Haida Gwaii. It is a tribute, and it is a labour of love.

Finally, this is also an alphabet book that includes a Foreword by Governor General Award-Winning Artist Robert Davidson, and is filled with captivating illustrations, which is sure to be enjoyed by all!

B is For Basketball was recently featured on the CBC's North By Northwest! Congrats to the Students and Teachers of School District #50 (Haida Gwaii), and to Judy!

Educator Information
B is For Basketball was created in collaboration with the students and teachers of School District No. 50 on Haida Gwaii. It is a tribute, and it is a labour of love. 

Additional Information
Foreward by Robert Davidson (Haida)

In this tender picture book, Sara Florence Davidson transports readers to the excitement of a potlatch in Hydaburg, Alaska—her last memory of dancing with her late brother.

It feels like my brother and I have always known how to sing the songs and dance the dances of our Haida ancestors. Unlike our father, we were born after the laws that banned our cultural practices were changed. The potlatch ban did not exist during our time, so we grew up dancing and singing side by side.

The invitations have been sent. The food has been prepared. The decorations have been hung. And now the day of the potlatch has finally arrived! Guests from all over come to witness this bittersweet but joyful celebration of Haida culture and community.

Written by the creators of Potlatch as Pedagogy, this book brings the Sk'ad'a Principles to life through the art of Janine Gibbons.

Educator & Series Information
Recommended for ages 6 to 8.

This book is part of the Sk'ad'a Stories series.

Additional Information
40 pages | 8.12" x 9.00" | Hardcover 

Based on Haida artist Robert Davidson's own experiences with Tsinii (his grandfather), this beautiful story highlights intergenerational knowledge and authentic learning experiences.

Off the northern tip of Haida Gwaii, a boy goes fishing with his tsinii, his grandfather. As they watch the weather, jig for halibut, and row with the tides, there’s more to learn from Tsinii than how to catch a fish.

Written by the creators of Potlatch as Pedagogy, this book brings the Haida Sk'ad'a Principles to life through the art of Janine Gibbons.

Reviews

Educator & Series Information
Recommended for ages 6 to 8.

This book is part of the Sk'ad'a Stories series.

Keywords & Themes: Haida, Haida Gwaii, Family, Elders, Intergenerational Knowledge, Fishing, Outdoor Activities, Traditional Knowledge, Traditional Harvesting, Coast.

Additional Information
40 pages | 8.12" x 9.00" | Hardcover

Based on Haida artist Robert Davidson's own childhood experiences, this beautiful story highlights learning through observation, as well as the role of Elders in sharing knowledge and mentorship.

Learning to carve is a lifelong journey. With the help of his father and grandfather, a boy on Haida Gwaii practises to become a skillful carver. As he carefully works on a new piece, he remembers a trip to Slatechuck Mountain to gather the argillite, as well as his father’s words about the importance of looking back to help us find our way.

Written by the creators of Potlatch as Pedagogy, this book brings the Haida Sk'ad'a Principles to life through the art of Janine Gibbons.

Reviews

Educator & Series Information
Recommended for ages 6 to 8.

This book is part of the Sk'ad'a Stories series.

Keywords & Themes: Haida, Haida Gwaii, Art, Elders, Carving, Multigenerational, Intergenerational Learning, Family, Mentors.

Additional Information
40 pages | 8.12" x 9.00" | Hardcover

Every summer, a Haida girl and her family travel up the Yakoun River on Haida Gwaii, following the salmon. While their father fishes, the girl and her brother spend their time on the land playing and learning from Tsinii (Grandfather).

Educator & Series Information
Recommended for ages 6 to 8.

This book is part of the Sk'ad'a Stories series.

Additional Information
40 pages | 8.12" x 9.00" | Hardcover