Fiction

The Buz’Gem Blues is the third play in Drew Hayden Taylor’s ongoing zany, outrageous, often farcical examination of both Native and non-Native stereotypes in what is to become what he calls his “Blues Quartet.”

Marianne has talked her mother, Martha, into attending an Elders conference with her, where she is to be used as a resource person, even though Martha doesn’t believe she has anything to offer anyone. Held in a college setting, the keynote paper of the conference is a dissertation on “the courting, love, and sexual habits of contemporary First Nations people as perceived by Western Society,” delivered by none other than a “Professor Savage.” Just to keep the caricatures in balance, Savage’s nemesis throughout the action is a young Native man, replete with dark sunglasses and a Mountie coat, who goes by the name “The Warrior Who Never Sleeps.”

The Buz’Gem Blues is not a play about clichés with which we have become so familiar that we recognize them as stereotypes instantly, but rather about how our ritualized and institutionalized systems of maintaining and policing those clichés prevent us from recognizing our common humanity within each other.

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128 pages | 5.50" x 8.50" | Paperback

DraMétis is the first anthology to focus on the emerging discipline of Métis drama. The pieces have all been previously produced and highlight the diversity of Métis drama being written and performed in Canada.

Native Poetry in Canada: A Contemporary Anthology is the only collection of its kind. It brings together the poetry of many authors whose work has not previously been published in book form alongside that of critically-acclaimed poets, thus offering a record of Native cultural revival as it emerged through poetry from the 1960s to the present. The poets included here adapt English oratory and, above all, a sense of play. Native Poetry in Canada suggests both a history of struggle to be heard and the wealth of Native cultures in Canada today.

Reviews
“This collection shows the breadth of contemporary Native poetry, from the resistance literature of the many poems remembering the murdered Helen Betty Osborne to the playful fishing game of Daniel David Moses; it is an excellent anthology.” — Terry Goldie, York University, co-editor of An Anthology of Canadian Native Literature in English

“Armstrong and Grauer have arranged a collection of works of extraordinary breadth in their thematic treatment of cultural, political, and spiritual subjects. Instructors will value the accompanying biographical information, the substantial selections from each poet’s work, and the authors’ prefatory comments, all of which situate this collection as an ideal text for the university classroom.” — Canadian Literature

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360 pages | 6.00" x 9.00" | Paperback

In this collection of two plays about the process of children becoming adults, Drew Hayden Taylor works his delightfully comic and bitter-sweet magic on the denials, misunderstandings and preconceptions which persist between Native and Colonial culture in North America.

In “The Boy in the Treehouse,” Simon, the son of an Ojibway mother and a British father, climbs into his half-finished tree house on the vision-quest his books say is necessary forhim to reclaim his mother’s culture. “It’s a Native thing,” he informs his incredulous father (who tells him he’d never heard of such a thing from his wife): “Only boys do it. It’s part of becoming a man.” Of course, what with the threats of the police, the temptation of the barbeque next door, and the distractions of a persistent neighbourhood girl, Simon probably wouldn’t recognize a vision if he fell overit.

“Girl Who Loved Her Horses” is the Native name for the strange and quiet Danielle from the non-status community across the tracks, imbued with the mysterious power to draw the horse “every human being on the planet wanted but could never have.” She is and remains an enigma to the people of the reservation, but the power of her spirit remains strong. Years later, a huge image of her horse reappears, covering an entire side of a building in a blighted urban landscape of beggars and broken dreams. The eyes of her stallion, which once gleamed exhilaration and freedom, now glare with defiance and anger. Danielle has clearly been forced to grow up.

With these two plays, Taylor rediscovers an issue long forgotten in our “post-historical” age: the nature of, and the necessity for, these rites of passage in all cultures.

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160 pages | 5.50" x 8.50" | Paperback

Memories. Some memories are elusive, fleeting, like a butterfly that touches down and is free until it is caught. Others are haunting. You'd rather forget them, but they won't be forgotten. And some are always there. No matter where you are, they are there, too.

In this moving story of legacy and reclamation, two young sisters are taken from their home and family. Powerless in a broken system, April and Cheryl are separated and placed in different foster homes. Despite the distance, they remain close, even as their decisions threaten to divide them emotionally, culturally, and geographically. As one sister embraces her Métis identity, the other tries to leave it behind.

Will the sisters’ bond survive as they struggle to make their way in a society that is often indifferent, hostile, and violent?

The first edition of In Search of April Raintree, published in 1984, has since touched many generations of readers, becoming a Canadian school classic. In this edition, ten critical essays accompany one of the best-known texts by an Indigenous author in Canada.

Educator Information
In this edition, ten critical essays accompany the text.

A 40th-anniversary edition of In Search of April Raintree is available here: In Search of April Raintree: 40th Anniversary Edition

A version written specifically for students in grades 9-12 that does not contain the graphic scene that is contained in this original version is available here: April Raintree

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343 pages | 5.50" x 8.50" | Paperback | Critical Edition

Named in the University of Toronto Bookstore Review as one of the top100 Canadian books of all time

There is much more than one good story in this bestselling (over 10,000 copies sold) collection of short fiction. In fact, there are more than a few of the best examples of native storytelling ever published. Thomas King, author of the acclaimed Medicine River and Green Grass, Running Water, and Truth and Bright Water, has proven he has a magical gift, a fresh voice and a special brand of wit and comic imagination.

One Good Story, That One is steeped in native oral tradition, led off by a sly creation tale, introducing the traditional native trickster coyote. Weaving the realities of native history and contemporary life through the story, King recounts a parodic version of the Garden of Eden story, slyly pulling our leg and our funnybone.

A collection that is rich with strong characters, alive with crisp dialogue and shot through with the universal truths we are all searching for, One Good Story, That One is one great read.

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160 pages | 5.31" x 8.00"

The Baby Blues is Drew Hayden Taylor’s highly wrought farce of patrimony in a stifling, politically correct, post-colonial milieu of “fancy dancers” of every stripe on the powwow trail. In juxtaposing three generations of careless wandering hedonists, progenitors of a string of offspring from their six-night stands, with their erstwhile naïve women partners who are always left holding the bag, the “big questions” of heritage, family, cultural context and personal identity are ruthlessly stripped of their conventional meanings and become so much useless, embarrassing roadkill on the highway of life.

Cast of 3 women and 3 men.

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96 pages | 5.50" x 8.50" | Paperback

Only Drunks and Children Tell the Truth is the emotional story of a woman’s struggle to acknowledge her birth family. Grace, a Native girl adopted by a White family, is asked by her birth sister to return to the Reserve for their mother’s funeral. Afraid of opening old wounds, Grace must find a place where the culture of her past can feed the truth of her present. Cast  of 2 women and 2 men.

Reviews
“…this play is a very tender, engaging look at two strangers learning to be sisters…witty one-liners and snappy dialogue has crafted likeable, real characters…brings a satisfying sense of closure to the struggles of Barb and Janice/Grace. It is a welcome ending, one that reflects hope for the future – not only for these two sisters , but also for all the others who have yet to find their way home.” - Cheryl Isaacs, Aboriginal Voices.

Awards

• James Buller Award for Playwright of the Year, 1997
• Dora Mavor Moore Award for Outstanding New Play, Small Theatre Division, 1996.

Educator Information
Grades 11-12 BC English First Peoples resource for the units Yes, there is Funny Stuff - Humour in First Peoples Literature and What Creates Family?

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112 pages | 6.00" x 9.00"

This is the first generously illustrated biography of the Mohawk poet-performer E. Pauline Johnson-Tekahionwake. The author has created an exciting volume of anecdotes, letters and poetry, and illustrated it with period photographs and new illustrations by the Six Nations artist, Raymond R. Skye.

While the story of Pauline Johnson has been told before, it has never been given the intimacy that this book provides. Tracing her ancestry, moving on to explore her extraordinary stage career, and finally shedding light on Pauline Johnson's last years in Vancouver, Sheila M.F. Johnston has breathed new life into the compelling story of one of Canada's brightest literary and stage stars.

This book contains over forty poems that are not part of Pauline Johnson's classic collection of poems, Flint and Feather. The "uncollected" poems have been culled from archives, libraries and out-of-print books. They shed light on the development of the poet, and enlighten and enrich her life story.

Buckskin & Broadcloth is truly a celebration of the life of a Canadian hero – one whose legacy to Canadian literature and Canadian theatre is unparalleled.

Ten masterful, complex drawings by Bill Reid are accompanied by ten episodes from Haida mythology told by Bill Reid and Robert Bringhurst. The result brings Haida art and mythology alive as never before in an English-speaking world. The collection includes, says Reid, "a good selection of bestiality, adultery, violence, thievery and assault, for those who like that sort of thing."

Educator Information
This work is available in French: Corbeau vole la lumiere

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112 pages | 6.13" x 8.44"

From a writer whom the New York Times dubbed Canada’s “Generation X laureate” comes a quartet of haunting, unforgettable tales of young people stuck in the inescapable prison of family

A New York Times Notable Book and winner of Britain’s prestigious Winifred Holtby Memorial Prize, Traplines is the book that introduced the world to Canadian author Eden Robinson. In three stories and a novella, Robinson explodes the idea of family as a nurturing safe haven through a progression of domestic horrors experienced by her young, often helpless protagonists. With her mesmerizing, dark skill, the author ushers us into these worlds of violence and abuse, where family loyalty sometimes means turning a blind eye to murder, and survival itself can be viewed as an act of betrayal.
 
In the title story, for a teenager named Will growing up on a Native reserve in northwestern Canada, guilt, race, and blind fidelity are the shackles chaining him to the everyday cruelty and abuse he is forced to endure. In “Dogs in Winter,” a girl recalls life with her serial-killer mother and fears for her own future. A young teen and the sadistic, psychopathic cousin who comes to live with him engage in a cat-and-mouse game that soon escalates out of control in “Contact Sports,” while in the final story, “Queen of the North,” a young Native girl deals in her own way with sexual molestation at the hands of a pedophile uncle.
 
Each of these tales is vivid, intense, and disturbing, and Robinson renders them unforgettable with her deft flair for storytelling and a surprising touch of humor.

Educator Information
Recommended Grades: 10-11.

Additional Information
208 pages | 5.32" x 8.03"

"From diversity comes strength and wisdom”: this was the guiding principle for selecting the articles in this collection. Because there is no single voice, identity, history, or cultural experience that represents the women of the First Nations, a realistic picture will have many facets. Accordingly, the authors in Women of the First Nations include Native and non-Native scholars, feminists, and activists from across Canada.

Their work examines various aspects of Aboriginal women’s lives from a variety of theoretical and personal perspectives. They discuss standard media representations, as well as historical and current realities. They bring new perspectives to discussions on Aboriginal art, literature, historical, and cultural contributions, and they offer diverse viewpoints on present economic, environmental, and political issues.

This collection counters the marginalization and silencing of First Nations women’s voices and reflects the power, strength, and wisdom inherent in their lives.

David Groulx’s latest collection offers his readers a handful of poems as cutting and brilliant as glass shards, offering glimpses of the anger, pain and lost beauties of his ancestors. These poems cut deep with their clear-eyed honesty, their stripped away pain and suffering. A subtle weaving of black humour and fleeting touches of beauty, as well at the careful craftsmanship of the writing make these poems iconic. This is a collection that should not be missed.

Reviews
"This collection of poetry is a passionate snapshot of poignant aspects of life on the rez depicted in simple scenes that are propelled forward with a sparse economy of language. It is little wonder that Groulx has won awards for his poetry and it has appeared globally in over one hundred periodicals." - Canadian Literature