Fiction

Blood Sports is the tough, gritty story of the brutal cat-and-mouse relationship between two cousins — Tom and Jeremy Bauer — set in Vancouver’s Downtown East Side.

Tom, a young man, hardly innocent, has been caught up over the years in Jeremy’s world of drugs, extortion, and prostitutes, while Jeremy, vindictive, vicious, either protects Tom or uses him, but always controls him. Added to the mix is Paulie, a junkie two years clean and Tom’s girlfriend, and also the mother of his daughter. This lethal triangle shifts when word gets out Tom has been talking to the police, and men from the past who have a lot to lose reappear. Suddenly Tom and Paulie are pawns in a much larger game, with everything at stake.

With the storytelling skill and engrossing characterizations that have made her previous books so popular, Robinson keeps the tension humming in this riveting novel. This is Eden Robinson at the height of her powers.

Reviews
"Robinson’s sting worked precisely as the trickster in her intended. . . . Like Leonard Cohen, Robinson combines a variety of narrative forms and conflicting styles with such a high degree of technical virtuosity that the very act of reading a cracked and splintered narrative becomes spellbinding, addictive, unstoppable."—Globe and Mail

"Eden Robinson writes with the violent beauty of a seasoned knifefighter. . . . In her hands, language is a weapon that can leave you bleeding, unsure of just how you were cut. Reading Eden Robinson feels dangerous." —National Post

"Blood Sports is a stomach-churning sucker punch of a read for a very talented risk taker."—NOW magazine

"A gripping page-turner of a tale. . . . Blood Sports is a novel of extreme, even diabolical contrasts that explore by the awful and the beautiful faces of Vancouver. . . . Robinson imbues her novel with continual suspense, carnal voyeurism, and of course, hope." —Calgary Herald

"Eden Robinson writes some of the most disturbing fiction that Canadian literature has ever seen."—Quill & Quire

Educator Information
Eden Robinson has referred to this work as a contemporary retelling of Hansel and Gretel.

Additional Information
296 pages | 5.58" x 8.18"

Copper Thunderbird is a play on canvases based on the life of Norval Morrisseau. Inside the power-lines which Morrisseau boldly defined in his art were the colours he experienced between his Ojibwa cosmology, his life on the street, and his spiritual and philosophical transformations to become the Father of Contemporary Native Art and a Grand Shaman. Appearing simultaneously in this multi-layered drama as a small boy, a young warrior and an old man, Morrisseau confronts his many selves over the Faustian destiny he encountered during his vision quest—a momentary terror that led to a life wracked by both triumph and ordeal, drawing his vibrant colours, both luminous and dark, from the life-force within him.

Norval Morrisseau is notorious for the life he has led, the company he has kept, the wives, lovers, parasitic drinking buddies and abusive family members he has had and passed through as if they were merely insubstantial phantoms. The paintings he has sold to buy another bottle of alcohol, to get through another brutal day, hang in galleries around the world, a phenomenon Morrisseau himself simply took for granted. Framed variously with the identities of Indian, Artist and Shaman, Copper Thunderbird interrogates both the stereotypes and the politically correct judgments that have manufactured Morrisseau’s public personae, creating a power-figure that transcends culture and morality, earth and water, fire and air.

Additional Information
84 pages | 6.00" x 9.00"

Flight is a powerful, fast and timely story of a troubled foster teenager — a boy who is not a “legal” Indian because he was never claimed by his father — who learns the true meaning of terror. About to commit a devastating act, the young man finds himself shot back through time on a shocking sojourn through moments of violence in American history. He resurfaces in the form of an FBI agent during the civil rights era, inhabits the body of an Indian child during the battle at Little Big Horn, and then rides with an Indian tracker in the 19th Century before materializing as an airline pilot jetting through the skies today. When finally, blessedly, our young warrior comes to rest again in his own contemporary body, he is mightily transformed by all he’s seen. This is Sherman Alexie at his most brilliant — making us laugh while breaking our hearts. Simultaneously wrenching and deeply humorous, wholly contemporary yet steeped in American history, Flight is irrepressible, fearless, and again, groundbreaking Alexie.

Additional Information
208 pages | 5.50" x 8.25" | Paperback

The best-selling author of multiple award-winning books returns with his first novel in ten years, a powerful, fast and timely story of a troubled foster teenager — a boy who is not a “legal” Indian because he was never claimed by his father — who learns the true meaning of terror. About to commit a devastating act, the young man finds himself shot back through time on a shocking sojourn through moments of violence in American history. He resurfaces in the form of an FBI agent during the civil rights era, inhabits the body of an Indian child during the battle at Little Big Horn, and then rides with an Indian tracker in the 19th Century before materializing as an airline pilot jetting through the skies today. When finally, blessedly, our young warrior comes to rest again in his own contemporary body, he is mightily transformed by all he’s seen. This is Sherman Alexie at his most brilliant — making us laugh while breaking our hearts. Simultaneously wrenching and deeply humorous, wholly contemporary yet steeped in American history, Flight is irrepressible, fearless, and again, groundbreaking Alexie.

Additional Information
208 pages | 5.50" x 8.25" | Paperback

This is the first in a series of readers in the First Nations languages of the prairie provinces meant for language learners and language users. The stories in this volume come from a variety of sources, all being narrated or written by fluent speakers of Cree, whether students or instructors of the Cree language or Elders. Funny Little Stories is a collection of nine stories representing the Plains Cree, Woods Cree, and Swampy Cree dialects, with a pronunciation guide and a Cree-to-English glossary.

Students and Elders come together in this volume to offer samples of three distinct genres of Cree storytelling: word play, humorous accounts of life experiences, and traditional stories about Wisahkecahk, the trickster-hero.

Each story is illustrated and is presented in both Standard Roman Orthography and syllabics, with English translation.

Educator & Series Information
Funny Little Stories is part of the First Nations Language Readers series. With a mix of traditional and new stories, each First Nations Language Reader introduces an Indigenous language and demonstrates how each language is used today. The University of Regina Press’s long-term goal is to publish all 60+ Indigenous languages of Canada.

Additional Information
110 pages | 5.50" x 8.50" | Narrated by Cree-speaking students, instructors, and Elders | Transcribed and Translated by Cree Linguistics Students | Edited and with a glossary and syllabics by Arok Wolvengrey

Authenticity Note: Because of the contribution of Indigenous Peoples, such as Cree-speaking Elders, to this work on Cree storytelling, it has received the Authentic Indigenous Text label.

From the bestselling author of The Back of the Turtle and The Inconvenient Indian comes a wry and irreverent mystery.

Thumps DreadfulWater has never liked surprises—even the good ones are annoying. So it’s no shock that a string of seemingly random occurrences is causing Thumps some real discomfort. First Noah Ridge, the Red Power Native activist, arrives in Thumps’ sleepy town of Chinook. Then the body of a retired FBI agent turns up at the local Holiday Inn. In the background hovers the ghostly presence of Lucy Kettle, second-in-charge of the Red Power movement, a tough woman in a tough place until her disappearance years ago. Now the sheriff wants Thumps to trade in his photography gig for a temporary cop beat. And it won’t be over, Thumps soon realizes, until everyone’s dead—or famous.

Hailed by critics in his first appearance, Cherokee ex-cop Thumps DreadfulWater is back in rumpled but razor-sharp form, doing his laconic, comic best to avoid trouble—and catch the bad guys. Bestselling writer Thomas King has penned a second entertaining DreadfulWater mystery, injected with the author’s characteristic dry wit and biting social commentary.

Series Information
This novel is from the DreadfulWater Mystery series from Thomas King.

Books in this series include:
- Dreadful Water
- The Red Power Murders
- Cold Skies
- A Matter of Malice
- The Obsidian Murders
- Deep House 
- Double Eagle
- Black Ice

Additional Information

"A Pipe for February is an extraordinary novel: evocative, riveting, moving. Charles Red Corn illuminates what the Osage people went through during the 1920s, when oil profits had made them fabulously wealthy and when they began to die under mysterious circumstances—systematically targeted for their money. This novel, exquisitely written and filled with revelations, will hold you in its grip and never let you go.”—David Grann, author of New York Times Best Seller Killers of the Flower Moon

At the turn of the twentieth century, the Osage Indians owned Oklahoma’s most valuable oil reserves and became members of the world’s first wealthy oil population. Osage children and grandchildren continued to respect the old customs and ways, but now they also had lives of leisure: purchasing large homes, expensive cars, eating in fancy restaurants, and traveling to faraway places. In the 1920s, they also found themselves immersed in a series of murders. Charles H. Red Corn sets A Pipe for February against this turbulent, exhilarating background.

Tracing the experiences of John Grayeagle, the story’s main character, Red Corn describes the Osage murders from the perspective of a traditonal Osage. Other books on the notorious crimes have focused on the greed of government officials and businessmen to increase their oil wealth. Red Corn focuses on the character of the Osage people, drawing on his own experiences and insights as a member of the Osage Nation.

In the new foreword, director Martin Scorsese reveals how reading A Pipe for February helped him better understand the Osage people and bring Killers of the Flower Moon to the screen.

Reviews
"A Pipe for February is an extraordinary novel: evocative, riveting, moving. Charles Red Corn illuminates what the Osage people went through during the 1920s, when oil profits had made them fabulously wealthy and when they began to die under mysterious circumstances—systematically targeted for their money. This novel, exquisitely written and filled with revelations, will hold you in its grip and never let you go"—David Grann, author of Killers of the Flower Moon—a New York Times #1 bestseller—and award-winning staff writer at The New Yorker

“A Pipe for February subtly weaves together some of the richest themes of contemporary American Indian Literature.” —Robert Warrior, author of Tribal Secrets: Recovering American Indian Intellectual Traditions

Additional Information
284 pages | 5.50" x 8.50" | Paperback

Against a backdrop of traditional Cree mythology, Johnson's novel creates a tangled murder chronicle and harrowing tale of four Cree brothers, bound to each other through family and tradition, separated from each other by their chosen life paths. As one brother kills, another reinforces the principle of a circle of life, as one capitulates to weakness, another conquers his demons. Driving the action is a manhunt for the killer of conservation officers; but at the heart of the story there is reparation through cultural wisdom and the restoration of traditional beliefs.

Authentic and well-paced, Back Track crosscuts through the cultural ruts, economic conventions, and stereotypes of Cree families living in northern Saskatchewan.

Additional Information

Tales of an Urban Indian is a one-person play that follows the trials and tribulations of Simon Douglas, a young First Nations man who moves from his rural reservation to the big city of Vancouver. This dark comedy examines the issues of race, identity, and assimilation that drive young Indigenous men to self-destruction.

In The Trickster of Third Avenue East, Roger and Mary are spiralling out of control but are too scared to let each other go. Enter J.C., a mysterious visitor who turns their lives upside down and forces them to confront their darkest secrets. J.C. pushes Roger and Mary into the realm of the supernatural and past the brink of sanity.

Additional Information
134 pages | 5.45" x 8.40" | Paperback

When Will returns to Medicine River, he thinks he is simply attending his mother's funeral. He doesn't count on Harlen Bigbear and his unique brand of community planning. Harlen tries to sell Will on the idea of returning to Medicine River to open shop as the town's only Native photographer. Somehow, that's exactly what happens.

Through Will's gentle and humorous narrative, we come to know Medicine River, a small Albertan town bordering a Blackfoot reserve. And we meet its people: the basketball team; Louise Heavyman and her daughter, South Wing; Martha Oldcrow, the marriage doctor; Joe Bigbear, Harlen's world-travelling, storytelling brother; Bertha Morley, who has a short fling with a Calgary dating service; and David Plume, who went to Wounded Knee. At the centre of it all is Harlen, advising and pestering, annoying and entertaining, gossiping and benevolently interfering in the lives of his friends and neighbours.

Educator Information
Recommended Grades: 10-11

Grade 10/11 English First Peoples resource included in the unit Relationships - Families, Friendships, Communities, and the Land.

Additional Information
320 pages | 5.31" x 8.25"

A collection of original stories written by some of the country's most celebrated Aboriginal writers, and inspired by pivotal events in the country's history Asked to explore seminal moments in Canadian history from an Aboriginal perspective, these ten acclaimed authors have travelled through our country's past to discover the moments that shaped our nation and its people. Drawing on their skills as gifted storytellers and the unique perspectives their heritage affords, the contributors to this collection offer wonderfully imaginative accounts of what it's like to participate in history. From a tale of Viking raiders to a story set during the Oka crisis, the authors tackle a wide range of issues and events, taking us into the unknown, while also bringing the familiar into sharper focus. Our Story brings together an impressive array of voices Inuk, Cherokee, Ojibway, Cree, and Salish to name just a few from across the country and across the spectrum of First Nations. These are the novelists, playwrights, journalists, activists, and artists whose work is both Aboriginal and uniquely Canadian. Brought together to explore and articulate their peoples experience of our country's shared history, these authors grace, insight, and humour help all Canadians understand the forces and experiences that have made us who we are.

Maria Campbell, Tantoo Cardinal,Tomson Highway, Drew Hayden Taylor, Basil Johnston Thomas King, Brian Maracle, Lee Maracle, Jovette Marchessault, Rachel Qitsualik

Additional Information
256 pages | 6.03" x 8.99"

The Best of Chief Dan George is a deeply moving collection that brings together the wisdom, poetry, and philosophy of a distinguished Tsleil-Waututh chief, and one of the most beloved Indigenous voices of the 20th century. Combining the bestselling works My Heart Soars and My Spirit Soars, this volume captures Chief Dan George’s profound reflections on nature, identity, love, and the struggles of Indigenous peoples.

Through his words, Chief Dan George shares timeless truths that inspire reverence for the land, respect for all cultures, and hope for a more just world.

Perfect for readers seeking wisdom, inspiration, and a deeper understanding of Indigenous perspectives, The Best of Chief Dan George is a must-have for those who cherish poetic storytelling and heartfelt reflection.

Additional Information
128 pages | 5.50" x 8.50"

Set in North Dakota at a time in the past century when Indian tribes were struggling to keep what little remained of their lands, Tracks is a tale of passion and deep unrest. Over the course of ten crucial years, as tribal land and trust between people erode ceaselessly, men and women are pushed to the brink of their endurance—yet their pride and humor prohibit surrender. The reader will experience shock and pleasure in encountering characters that are compelling and rich in their vigor, clarity, and indomitable vitality.

Additional Information
256 pages | 5.31" x 8.00"

Marie Clements’s play sears a dramatic swath through the reactionary identity politics of race, gender and class, using the penetrating yellow-white light, the false sun of uranium and radium, derived from a coal black rock known as pitchblende, as a metaphor for the invisible, malignant evils everywhere poisoning our relationship to the earth and to each other.

Burning Vision unmasks both the great lies of the imperialist power-elite (telling the miners they are digging for a substance to “cure cancer” while secretly using it to build the atomic bombs that devastated Hiroshima and Nagasaki); and the seemingly small rationalizations and accommodations people of all cultures construct to make their personal circumstances yield the greatest benefit to themselves for the least amount of effort or change on their part. It is also a scathing attack on the “public apology” as yet another mask, as a manipulative device, which always seeks to conceal the maintenance and furtherance of the self-interest of its wearer.

Clements’s powerful visual sets and soundscapes contain curtains of flames which at times assume the bodies of a chorus passing its remote judgment, devoid of both pity and fear, on the action: a merciless indictment of the cross-cultural, buried worm of avarice and self-interest hidden within the terrorism of the push to “go with the times,” to accept the iconography of a reality defined, contextualized and illuminated by others.

Marie Clements writes, or, perhaps more accurately, composes, with an urbane, incisive and sophisticated intellect deeply rooted in the particulars of her place, time and history.

Cast of five women and 12 men.

Reviews
“Clements covers a lot of ground, but she knows her territory and travels it deftly… Clements dips her pen in numerous cross-cultural references, from cherry trees to caribou to Hank Williams, and writes with a magical irreverence that highlights this tragic saga. Her rich poetic style evokes parallels between Japanese and native myths – not unlike Yeats’ Noh Plays where Celtic and Japanese myths meld – finding connection through ancient truths and the power of the soil, except in this case the soil is literally explosive.”– Quill & Quire

"I remember reading this play in my undergrad and being shocked and impressed at how much theatre could do and be. This was a far cry from the kitchen sink dramas I had already (naively) decided formed the bulk of contemporary Canadian theatre. Far from the confines of the kitchen, Burning Vision travels across the globe and through time, offering a complex portrait of interconnectedness, shared trauma, and shared responsibility for healing. Fifteen years after it premiered in Vancouver and the subject matter is still, sadly, “of the moment” as we wrestle with climate change and isolationist politics. Requiring a diverse cast to fill parts such as the Dene Seer and Tokyo Rose, and requiring a flexible space so it can be staged in the round, there is no doubt that this play can be challenging. But it is challenging in the best sense of the term, in that it is full of possibilities and invites creative minds in to tackle the important challenges of our day. - Lisa, from PledgeProject

Additional Information
128 pages | 5.50" x 8.50" | Paperback

Robinson''s mastery is confirmed in Monkey Beach, the first full-length work of fiction by a Haisla writer and an unforgettable story set in the wilds of the Pacific Northwest. This powerful novel reminds us that places, as much as people, have stories to tell.

Five hundred miles north of Vancouver is Kitamaat, an Indian reservation in the homeland of the Haisla people. Growing up a tough, wild tomboy, swimming, fighting, and fishing in a remote village where the land slips into the green ocean on the edge of the world, Lisamarie has always been different. Visited by ghosts and shapeshifters, tormented by premonitions, she can''t escape the sense that something terrible is waiting for her. She recounts her enchanted yet scarred life as she journeys in her speedboat up the frigid waters of the Douglas Channel. She is searching for her brother, dead by drowning, and in her own way running as fast as she can toward danger.

Circling her brother''s tragic death are the remarkable characters that make up her family: Lisamarie''s parents, struggling to join their Haisla heritage with Western ways; Uncle Mick, a Native rights activist and devoted Elvis fan; and the headstrong Ma-ma-oo (Haisla for "grandmother"), a guardian of tradition.

Haunting, funny, and vividly poignant, Monkey Beach gives full scope to Robinson''s startling ability to make bedfellows of comedy and the dark underside of life. Informed as much by its lush living wilderness as by the humanity of its colorful characters, Monkey Beach is a profoundly moving story about childhood and the pain of growing older--a multilayered tale of family grief and redemption.

Educator Information
Grades 10-12 BC English First Peoples resource.

Note: This novel contains mature subject matter such as drug use and depictions of sex and violence.

This book is available in French: Les esprits de l'océan

Additional Information
384 pages | 5.14" x 8.00"