Teen Books

Leonard Moose and Mary Moose tell us our Aadizookaanan or Sacred Stories were passed down for thousands of years, filling the long winter nights with Anishinaabeg Oral Histories, Philosophies, and Ceremonies. Maang, or the Loon, is one of these ancient stories that our Anishinaabeg Ancestors have gifted us. 

There are many stories of the Loon. In this Aadizookaan, we will learn about Maang and the story of how Maang came to look the way this magnificent bird does today. The story of Maang is about how, through good deeds, we are rewarded. Maang is recognized by the good deeds with a necklace around Maang's neck and stars on Maang’s back. These markings on Maang are for all to see from generation to generation. “Maang” means “Grandmother, Keeper of the Lake”. We will also learn why Maang has a special place in the night sky as Giiwedinang, (North Star).

Educator Information
The publisher of this work recommends it for all grade levels.

In Anishinabemowin and English. Includes glossary.

Additional Information
48 Pages | Paperback

Mary and Leonard say our Ancestors passed Adizookaanan, our stories, on for thousands of years, filling the long winter nights with our oral history, philosophy, and ceremonies. Madoodiswaan, Sweatlodge, is the story of the four sisters who spoke to the beavers and in accordance with Creator's Law constructed a Sweat Lodge that would help to heal the Anishinaabeg.

Educator Information
The publisher of this work recommends it for all grade levels.

Additional Information
64 Pages | Paperback

Shawna Davis invites the reader to explore each of the four seasons through her beautiful words and lush, unforgettable, beaded illustrations.

We begin in Gwooyim (Spring) when the Majagalee, the Sim Algyax word for “flower,” are just beginning to sprout. We then move on to Sint (Summer) when Grandmother Sun stays in the sky a bit longer. Next there is Xwsit (Fall), just as Summer begins to get sleepy, and Maadim (Winter) where the snow has fallen and the freezer is full.

This is a story of nature, its importance to our lives, and why it must be cared for and respected.

Toonasa Jordana Luggi’s lovely, rich, and nearly tactile photographs are the perfect complement to Shawna’s hand-beaded artwork and wonderful, hand-cut paper backgrounds.

Includes Pronunciation Guides.

Reviews
“...simple, evocative poetry is culturally specific, rooted in a deep love of the land and the people around her but it’s also relatable to readers of different backgrounds. The lyrical verse in Majagalee makes it an ideal read-aloud book.... Majagalee is an elevated concept book. It introduces readers to the seasons, the plants and animals of the Northwest Coast, Sim Algyax, Indigenous art, and the importance of all these things to Gitksan culture. Despite its apparent simplicity, Majagalee is a complex and brilliantly constructed book. It will appeal to Indigenous and non-Indigenous readers alike, and for teachers and parents, it serves as an outstanding example of a book that demonstrates the ongoing presence and beauty of Indigenous cultures in what is now known as Canada..” – Quill & Quire, starred review

Educator Information
Juvenile Fiction. This picture book explores the four seasons on the northwest coast of what is currently British Columbia from a Gitksan perspective.

Additional information
Pages: 40 

A rich visual testament to the practical and cultural power of the dugout canoe, balanced in its description of meaning and method.

Tla-o-qui-aht master canoe maker Joe Martin, in collaboration with former museum curator Alan Hoover, describes the meaning and method behind one of the most vivid and memorable symbols of the Northwest Coast: the dugout canoe. Both artform and technological marvel, the chaputs carries Indigenous cultural knowledge passed down through generations, not only of the practical forestry and woodworking that shape every canoe, but also of the role and responsibilities of the canoe maker.

The text includes both a step-by-step explanation of the canoe-making process from tree selection onward (carefully described and dynamically illustrated) and the personal histories of a number of Joe's canoes, encompassing their planning, creation, cultural significance and role in the process of reconciliation. The teachings Joe received from his father and the expertise he has gained in a lifetime of canoe-making are recorded here in his own words for generations to come.

Reviews
“In Making a Chaputs, Nuu-chah-nulth canoe artist Joe Martin shows how he carves dugout canoes, explaining how and why he makes two full-size canoes from a single cedar log. It is a clever, amazing tradition rooted in deep respect for the forest and a lifetime of Indigenous knowledge—a highly recommended book!”—Kathryn Bernick, archaeologist and author of numerous books including Waterlogged: Examples and Procedures for Northwest Coast Archaeologists and Basketry and Cordage from Hesquiat Harbour

“When tracing ancient basketry styles in the archaeological waterlogged/wet sites of the Salish Sea for thousands of years, we defined our approach as Generationally-Linked Archaeology. As seen at the Makah Ozette Village archaeological wet site from ca. 1700, preserved chaputs canoe models reflect this West Coast tradition a full 16 generations back. Joe Martin, Tla-o-qui-aht First Nation Elder and master canoe carver, best reflects these generationally linked traditions, constructing over 60 full-size chaputs, passing this paramount art on through Native apprentices and, here, in his own words, with esteemed curator and author Alan Hoover.” —Ed Carriere, Suquamish Elder and Master Basketmaker and Coast Salish Canoe Carver, and Dale R. Croes, Ph.D. Northwest Coast wet site archaeologist, Washington State University, co-authors of Re-Awakening Ancient Salish Sea Basketry

Additional Information
96 pages | 8.97" x 8.97" | Paperback

Taken from the Anishinaabe word for "woman," Miskwagoode is a lyrical portrayal of unreconciled Indigenous experience under colonialism, past and present.

Annharte is Miskwa, and so is Annharte's mother, who disappeared when the author was a girl. Miskwagoode is Annharte's book about her mother loss, her “mothermiss,” about all the women “buried in common enough/ cross-generational graves.”

Laced with humour and resilience but also hard-earned wisdom (“ominous progress ahead”), Annharte's fifth collection encompasses the poet's experiences as an Anishinaabe Elder, now experiencing the still-endemic inequalities of persisting colonialism, “witness not survivor.”

In her sly, cheeky riffs on life behind the “buckskin curtain” at the margins of settler society, Annharte talks about granny circles, horny old guys, and getting your hair done — the belonging her community offers. But she sets these poems about rez life against the background radiation: the poverty and the sickness, despair, violence, sexism, and sexual abuse that flow from unequal relationships.

Miskwagoode concludes with “Wabang,” a suite of short poems comprising Annharte's own thumbnail transcontinental Indigenous mythology.

Additional Information
80 pages | 6.00" x 9.00" | Paperback

An ambitious feminist anthology chronicling Indigenous rebellions around the world.

In 1930s Bolivia, self-described Anarchist Cholas form a libertarian trade union. In the Northern Highlands of Vietnam, the songs of one girl’s youth lead her to a life of activism. In the Philippines, female elders from Kalinga blaze a trail when pushed into impromptu protest. Equally striking accounts from Brazil, Chile, Ecuador, India, Nepal, Peru and Thailand weave a tapestry of trauma and triumph, shedding light on not-too-distant histories otherwise overlooked.

Indigenous Peoples all over the world have always had to stand their ground in the face of colonialism. While the details may differ, what these stories have in common is their commitment to resistance in a world that puts profit before respect, and western notions of progress before their own. Movements and Moments is an introductory glimpse into how Indigenous Peoples tell these stories in their own words. From Southeast Asia to South America, vibrant communities must grapple with colonial realities to assert ownership over their lands and traditions.

This project was undertaken in cooperation with the Goethe-Institut Indonesien in Jakarta. These stories were selected from an open call across 42 countries to spotlight feminist movements and advocacies in the Global South.

Reviews
"The artwork throughout is excellent... Taken together, these shorts carry a cumulative power, offering a heartening reminder of the strength and spirituality within resistance and a potent call to arms against injustice."—Publishers Weekly

“I am grateful for the heart that was poured into these comics, and even more so for the bravery of the people whose stories they tell. This book made me feel a little stronger. It helped me remember some things I had begun to forget.”—Eleanor Davis, The Hard tomorrow

“Movements and Moments is an important collection of unique, vibrant voices that together sing in unison the stories of identity, liberation, determination, and resilience. To finally gain the perspectives of Indigenous women from South America, Latin America, Asia, and Oceania is a powerful, uplifting celebration of communities who have been underrepresented and overlooked for far too long.”—Rina Ayuyang, Blame This on the Boogie

"This anthology is an excellent, engaging historical resource."—ALA Booklist

Educator Information

ABOUT THE PROJECT as shared here: https://www.goethe.de/ins/id/en/kul/kue/mmo.html

"Goethe-Institut's project “Movements and Moments” sheds light on Indigenous feminist activisms from the Global South in the form of comics.

The narratives of feminism are still written from a predominantly white, western perspective. While feminist claims and positions from the Global North are, up to this day, sidelined in a patriarchal mainstream, the same holds true to a much broader extent for feminist movements from the Global South. Little information about these movements and their activists is accessible in large knowledge databases such as Wikipedia, and even in the respective native regions of these feminist activists their achievements are often not archived because resources are too scarce or their demands are not thematized.

Initiated by Goethe-Institut Jakarta, the project “Movements and Moments – Feminist Generations” aims to make visible these hidden biographies and activisms by relating their stories in the highly accessible format of comics. By emphasizing an indigenous feminist perspective, which is often linked to decolonial struggles and emancipatory approaches to sustainability, we wish to shed light on one of the most marginalized, underexposed aspects of feminist protests. On the other hand, this project wants to inquire how these often overlooked struggles might be role models for feminist movements worldwide. By publishing these stories from different continents and bringing them into dialogue with each other, we hope to spark interest in archiving and mediating non-Western feminist endeavors.

In 2019 we launched an open call and received an overwhelming 218 applications from 352 teams and solo artists originating from 42 countries. The jury members—Aua Mendes (Indigenous trans feminist artist from Brazil), Johann Ulrich (German comic publisher), Maya (Goethe-Institut Indonesien), Sonja Eismann (publisher of German feminist periodical Missy Magazine), and Urvashi Butalia (head of Indian feminist publisher Zubaan Books)—selected 16 stories from 14 countries that conveyed major narratives on ecological activism, the fight for education, and the struggle for the rights of LGBTIQA+ people. Two accomplished comic book artists, Amruta Patil from India and Nacha Vollenweider from Argentina, served as the groups’ mentors and accompanied and guided the authors during the process. Some stories will be published in German and English in 2022 through appointed publishers while other stories will be accessible on this website in English and the authors’ native languages."

Additional Information
264 pages | 7.35" x 9.75" | Hardcover

Moving the Museum documents the reopening of the J.S. McLean Centre for Indigenous & Canadian Art with a renewed focus on the AGO’s Indigenous art collection. The volume reflects the nation-to-nation treaty relationship that is the foundation of Canada, asking questions, discovering truths, and leading conversations that address the weight of history and colonialism.

Lavishly illustrated with more than 100 reproductions, Moving the Museum: Indigenous + Canadian Art at the AGO features the work of First Nations artists — including Carl Beam, Rebecca Belmore, and Kent Monkman — along with work by Inuit artists like Shuvinai Ashoona and Annie Pootoogook. Canadian artists include Lawren Harris, Kazuo Nakamura, Joyce Wieland, and many others. Drawing from stories about our origins and identities, the featured artists and essayists invite readers to engage with issues of land, water, transformation, and sovereignty and to contemplate the historic and future representation of Indigenous and Canadian art in museums.

Educator Information
Celebrates the renewed focus on Indigenous art at the J.S. McLean Centre for Indigenous & Canadian Art. 

Features essays on the curatorial decisions made in redesigning the gallery, as well as pieces on individual artis and the history of Canadian, Indigenous, and Black art at the AGO.

Over 100 images, including art by Karoo Ashevak, June Clark, and Rebecca Belmore.

Additional Information
270 pages | 10.25" x 10.25" | Hardcover

1970s, Red River Valley between North Dakota and Minnesota: Renee “Cash” Blackbear is 19 years old and tough as nails. She lives in Fargo, North Dakota, where she drives truck for local farmers, drinks beer, plays pool, and helps solve criminal investigations through the power of her visions. She has one friend, Sheriff Wheaton, her guardian, who helped her out of the broken foster care system.

One Saturday morning, Sheriff Wheaton is called to investigate a pile of rags in a field and finds the body of an Indian man. When Cash dreams about the dead man’s weathered house on the Red Lake Reservation, she knows that’s the place to start looking for answers. Together, Cash and Wheaton work to solve a murder that stretches across cultures in a rural community traumatized by racism, genocide, and oppression.

Reviews
“More of a coming of age story than a mystery … the spare prose-poetry of her descriptions and dialogue is a lot more interesting than anything she has to say about crime or detection.”—Kirkus Reviews

“An appealing 19-year-old heroine, Renee 'Cash' Blackbear, lifts [Marcie] Rendon’s first mystery.”—Publishers Weekly

“[Rendon] is one heck of a mystery novelist. Rendon’s Cash Blackbear books are gripping vehicles that tell broader stories about the historical persecution of American Indians.”—Oprah Daily

Series Information
This is the first book in the Cash Blackbear Mystery series from author Marcie Rendon.

Additional Information
320 pages | 5.52" x 8.22" | Paperback

It's a rare book that can make the tried-and-true genre of the coming-of-age novel seem novel. There are the standard markers of the hero's journey - the trials, the dark night of the soul, the lesson learned. From Printz honor author Eric Gansworth comes My Good Man, a literary tour-de-force sure to turn the genre on its head.

Brian, a 20-something reporter on the Niagara Cascade's City Desk, is navigating life as the only Indigenous writer in the newsroom, being lumped into reporting on stereotypical stories that homogenize his community, the nearby Tuscarora reservation. But when a mysterious roadside assault lands Tim, the brother of Brian's mother's late boyfriend in the hospital, Brian must pick up the threads of a life that he's abandoned.

The resulting narrative takes us through Brian's childhood and slice of life stories on the reservation, in Gansworth's signature blend of crystal sharp, heartfelt literary realist prose.

But perhaps more importantly, it takes us through Brian's attempt to balance himself between Haudenosaunee and American life, between the version of his story that would prize the individual over all else and the version of himself that depends on the entire community's survival.

Reviews
“This masterwork of historical fiction asks whether peaceably straddling the realms of White and Indigenous people is possible. Rich, luxuriant, densely layered prose immerses readers in heartbreaking scenes and poignant dialogue as complex characters explore the confines and joys of male friendship. Riveting, timeless, and indispensable.” -Kirkus Reviews

Educator Information
Recommended for ages 14 to 18.

Young Adult Fiction / Coming of Age / Historical Fiction

Additional Information
400 pages | 5.90" x 9.00" | Hardcover

Three kookums, a man named Crow, two best friends, and a drug dealer . . . twelve-year-old Hunter may be getting out of Red Rock sooner than he hoped.

For Hunter Frank, the summer of ’79 begins with his mother returning home only to collect the last two months’ welfare cheques, leaving her three “fucking half-breeds” to fend for themselves. When his older sister escapes their northern BC town and his brother goes to fight forest fires, Hunter is on his own, with occasional care coming from a trio of elders—his kookums—and companionship from his two best friends.

It’s been a good summer for the young entrepreneur, but the cash in the purple Crown Royal bag hidden in his mattress still isn’t enough to fund his escape from his monstrous mother and the town of Red Rock. As the Labour Day weekend arrives, so does a new friend with old wisdom and a business opportunity that might be just a boy at the crossroads needs. My Indian Summer is the story of a journey to understanding that some villains are also victims, and that while reconciliation may not be possible, survival is.

Reviews
"He breathes life into his characters at their first mention and draws you into the gossamer web of his vibrant storytelling, from which there is no escape other than to read a story through to its end." -Darrel J. McLeod

Additional Information
240 pages | 5.50" x 8.50" | Paperback 

An honest look at life in an Indian residential school in the 1950s, and how one indomitable young spirit survived it — 30th anniversary edition.

Seepeetza loves living on Joyaska Ranch with her family. But when she is six years old, she is driven to the town of Kalamak, in the interior of British Columbia. Seepeetza will spend the next several years of her life at an Indian residential school. The nuns call her Martha and cut her hair. Worst of all, she is forbidden to “talk Indian,” even with her sisters and cousins.

Still, Seepeetza looks for bright spots — the cookie she receives at Halloween, the dance practices. Most of all, there are her memories of holidays back at the ranch — camping trips, horseback riding, picking berries and cleaning fish with her mother, aunt and grandmother. Always, thoughts of home make school life bearable.

Based on her own experiences at the Kamloops Indian Residential School, this powerful novel by Nlaka’pamux author Shirley Sterling is a moving account of one of the most blatant expressions of racism in the history of Canada.

Includes a new afterword by acclaimed Cree author Tomson Highway of the Barren Lands First Nation in northern Manitoba.

Educator Information
Recommended for ages 9 to 12.

Key Text Features: afterword, dialogue, journal entries, maps.

Correlates to the Common Core State Standards in English Language Arts:

CCSS.ELA-LITERACY.RL.4.2
Determine a theme of a story, drama, or poem from details in the text; summarize the text.

CCSS.ELA-LITERACY.RL.5.1
Quote accurately from a text when explaining what the text says explicitly and when drawing inferences from the text.

CCSS.ELA-LITERACY.RL.6.6
Explain how an author develops the point of view of the narrator or speaker in a text.

Includes a new afterword by acclaimed Cree author Tomson Highway of the Barren Lands First Nation in northern Manitoba.

Additional Information
128 pages | 5.10" x 7.50"

In September 2015, Sheila North was declared the Grand Chief of Manitoba Keewatinowi Okimakanak (MKO), the first woman elected to the position. Known as a “bridge builder”, North is a member of Bunibonibee Cree Nation. North’s work in advocacy journalism, communications, and economic development harnessed her passion for drawing focus to systemic racism faced by Indigenous women and girls. She is the creator of the widely used hashtag #MMIW. In her memoir, Sheila North shares the stories of the events that shaped her, and the violence that nearly stood in the way of her achieving her dreams. Through perseverance and resilience, she not only survived, she flourished.

Additional Information
232 pages | 6.00" x 9.00" | Paperback

Nahganne: Tales of the Northern Sasquatch is about giant bipedal, forest dwelling, hirsute hominoid entities. For as long as humans have been around the North, the activities of these giants have been observed in many places, but only a few people have taken the time to share their stories of coming in contact with these forest giants. In the North they have been given many regional names; although they are commonly known as Nahganne or Sasquatch. The book presents activities occurring in the North such as sightings, strange vocals, discovery of large human-liked footprints, strange animal reaction, and weird tree events. It also contains bits of history about northern North America plus details about the First Nation Peoples and their history. In the book, Red Grossinger investigates and analyses the many reports that he has received with details about the encounters and occurrences.

Reviews
"A tale as old as the North. We’ve heard of Nahganne for many generations. The North is under-explored and we don’t know what’s out there. " —Lawrence Nayally, CBC North

"As an academic I appreciated the scientific analyses of the various Sasquatch sightings and the attention paid to details. As a First Nations person I enjoyed the storytelling qualities and humanistic approach of the book. Even though I have delved into the topic at various times myself, I have been surprised by how many sighting there have been! I have friends and family that have seen the Sasquatch, and this book assures that many of the stories won’t be lost through time. I applaud Mr. Grossinger for adding an important aspect of Yukon people’s experiences to local history." — Ukjese van Kampen PhD

"Red Grossinger has put together an enthusiastic and insightful inspection of Nahganne or the Northern Sasquatch using intriguing real-life examples, many of which he investigated himself. He believes Nahganne is scientifically “obvious” and details a history of research and encounters that date back more than a century. His only request of readers is to keep an open mind. When you finish this book, perhaps you too will believe." — John Firth, author of The Caribou Hotel: Hauntings, hospitality, a hunter and the parrot and One Mush: Jamaica's Dogsled Team

We all share a common humanity. No matter how long or difficult the path ahead, we are all one.

Reconciliation belongs to everyone. In this profound book, Chief Robert Joseph, globally recognized peacebuilder and Hereditary Chief of the Gwawaenuk People, traces his journey from his childhood surviving residential school to his present-day role as a leader who inspires individual hope, collective change, and global transformation.

Before we get to know where we are going, we need to know where we came from. Reconciliation represents a long way forward, but it is a pathway toward our higher humanity, our highest selves, and an understanding that everybody matters. In Namwayut, Chief Joseph teaches us to transform our relationships with ourselves and each other. As we learn about, honour, and respect the truth of the stories we tell, we can also discover how to dismantle the walls of discrimination, hatred, and racism in our society.

Chief Joseph is known as one of the leading voices on peacebuilding in our time, and his dedication to reconciliation has been recognized with multiple honorary degrees and awards. As one of the remaining first-language speakers of Kwak'wala, his wisdom is grounded in Indigenous ways of knowing while making space for something bigger and better for all of us.

Additional Information
200 pages | 5.25" x 8.00" | Hardcover

Ndè Sii Wet'aà: Northern Indigenous Voices on Land, Life, & Art is a collection of essays, interviews, short stories and poetry written by emerging and established northern Indigenous writers and artists. Centred on land, cultural practice and northern life, this ground-breaking collection shares wealth of Dene (Gwichʼin, Sahtú, Dehcho, Tłı̨chǫ, Saysi, Kaska, Dënesuiné, W?ìl?ìdeh ) Inuit, Alutiiq, Inuvialuit, Métis, Nêhiyawak (Cree), Northern Tutchone, and Tanana Athabascan creative brilliance. Ndè Sii Wet'aà holds up the voices of women and Two Spirit and Queer writers to create a chorus of voices reflecting a deep love of Indigenous cultures, languages, homelands and the north. The book includes a series of pieces and interviews from established northern artists and musicians including Leela Gilday, Randy Baillargeon (lead singer for the W?ìl?ìdeh Drummers), Inuit sisters, song-writers and throat singers Tiffany Ayalik and Inuksuk Mackay of Piqsiq, Two Spirit Vuntut Gwitchin visual artist Jeneen Frei Njootli, Nunavik singer-songwriters Elisapie and Beatrice Deere and visual artist Camille Georgeson-Usher. Ndè Sii Wet'aà also includes writing from well-known northern writers Siku Allooloo, T'áncháy Redvers (Fireweed), Antione Mountain (From Bear Rock Mountain), Glen Coulthard (Red Skin, White Masks), Catherine Lafferty (Northern Wildflower, Land-Water-Sky) and Lianne Marie Leda Charlie, in amongst the best emerging writers in the north.

Additional Information
264 pages | 6.00" x 9.00" | Paperback