Indigenous Studies

The history of the colonization of the Americas by Europeans is often portrayed as a mutually beneficial process, in which ”civilization” was brought to the Natives, who in return shared their land and cultures. A more critical history might present it as a genocide in which Indigenous peoples were helpless victims, overwhelmed by European military power. In reality, neither of these views is correct. This book is more than a history of European colonization of the Americas. In this slim volume, Gord Hill chronicles the resistance by Indigenous peoples, which limited and shaped the forms and extent of colonialism. This history encompasses North and South America, the development of nation-states and the resurgence of Indigenous resistance in the post-WW2 era.

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72 pages | 8.50" x 5.50"

The adoption of Aboriginal children into non-Aboriginal families has a long and contentious history in Canada. Life stories told by First Nations people reveal that the adoption experience has been far from positive for these communities and has, in fact, been an integral aspect of colonization. In an effort to decolonize adoption practices, the Yellowhead Tribal Services Agency (YTSA) in Alberta has integrated customary First Peoples’ adoption practices with provincial adoption laws and regulations. Introducing this unique agency, the authors outline the history of First Nations adoptions and, through an interview with a YTSA Elder, describe the adoption ceremonies offered at YTSA. Themes that emerged from interviews with adoptive parents and youth who have been adopted through this new integrated practice are also explored, and important recommendations for policy and practice in First Nations adoption are offered.

Strong, sassy women and hard-luck, hard-headed men, all searching for the middle ground between Native American tradition and the modern world, perform an elaborate dance of approach and avoidance in this magical, rollicking tale by award-winning author Thomas King. Alberta, Eli, Lionel and others are coming to the Blackfoot reservation for the Sun Dance. There they will encounter four Indian elders and their companion, the trickster Coyote—and nothing in the small town of Blossom will be the same again...

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480 pages

On a winter’s day in 1889, Tsimshian Chief Arthur Wellington Clah went to Hannah and Richard Maynard’s photography studio in Victoria “to give myself likeness.” In Images from the Likeness House, Dan Savard explores the relationship between First Peoples in British Columbia, Alaska and Washington and the photographers who made images of them from the late 1850s to the 1920s. He gives examples of the great technological advancements that took place, from wet-glass-plate to nitrate-film negatives, showing the images in their original state, not cropped, corrected or retouched.

This is not only an important book about photography, but also a visual statement about perception (and misperception), cultural change and survival. Images from the Likeness House will appeal to ethnographers, photographers, art lovers and anyone interested in the history of BC, Alaska and Washington.

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224 pages | 9.30" x 10.30"

Indigenous media challenges the power of the state, erodes communication monopolies, and illuminates government threats to indigenous cultural, social, economic, and political sovereignty. Its effectiveness in these areas, however, is hampered by government control of broadcast frequencies, licensing, and legal limitations over content and ownership.

Indigenous Screen Cultures in Canada explores key questions surrounding the power and suppression of indigenous narrative and representation in contemporary indigenous media. Focusing primarily on the Aboriginal Peoples Television Network, the authors also examine indigenous language broadcasting in radio, television, and film; Aboriginal journalism practices; audience creation within and beyond indigenous communities; the roles of program scheduling and content acquisition policies in the decolonization process; the roles of digital video technologies and co-production agreements in indigenous film making; and the emergence of Aboriginal cyber-communities.

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200 pages | 6.00" x 9.00"

A gorgeous retrospective on the transformation of Inuit art in the 20th century, mirroring the vast and poignant cultural changes in the North.

In response to a rapidly changing Arctic environment, Inuit have had to cope with the transition from a traditional lifestyle to the disturbing realities of globalization and climate change. Inuit art in the latter half of the 20th century reflects the reciprocal stimulus of contact with Euro-Canadians and embodies the evolution of a modern Inuit aesthetic that springs from an ancient cultural context, creating an exciting new hybridized art form. Inuit Modern: Art from the Samuel and Esther Sarick Collection situates modern Inuit art within a larger framework that reinterprets the Canadian Arctic.

Essays by leading Canadian scholars in the field including Ingo Hessel, Robert McGhee, Christine Laloude, Heather Igloliorte, Dorothy Eber and Bernadette Driscoll Engelstad examine the social, political and cultural transformation through the dynamic lens of colonial influence and agency. Inuit Modern also features interviews with David Ruben Piqtoukun and Zacharias Kunuk.

Reviews
"The work of Inuit artists has continually evolved in response to the industrialized, bureaucratic culture encroaching from the south. Inuit Modern, an opulent new coffee-table book, displays the astonishing results. The 175 pieces beautifully reproduced here span the last century." — Georgia Straight

"This book is full of treasures from one of the world's most comprehensive collections of Inuit art. With more than 175 works by Inuit artists, the reader is taken on a journey of the Inuit aesthetic as it evolves from its from traditional roots to a more contemporary and globalized art form." — Globe & Mail Top 100 for 2010

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256 pages | 10.00" x 11.10"

This startling retelling of the North-West Rebellion explodes the myth of a grand Indian-Métis alliance and delves into the reasons why Indians have been branded as traitors and rebels in both the public imagination and official records.

After the rebellion, twenty-eight reserves were officially identified as disloyal, and more than fifty Indians - including Poundmaker and Big Bear - were convicted of rebellion-related crimes. The most damning event was the mass execution of eight Indian warriors at Fort Battleford in November 1885.

But Indian elders have long told stories about how First Nations remained faithful to their treaty promises during the conflict. Having their own peaceful strategies for dealing with an insensitive federal government, they were not interested in Riel's activities, and any Indian involvement was isolated, sporadic, and minimal. But Ottawa deliberately portrayed the Indians as outlaws to justify increasingly restrictive and repressive measures, an injustice that has left a lasting legacy with First Nations people.

Loyal Till Death is the first comprehensive look at the Indian version of the North-West Rebellion. It brings to life many personalities - particularly those of the Indian leaders, whose voices have seldom been heard in conventional histories of the Canadian West. Combining oral history and exhaustive research, and illustrated with more than one hundred archival photographs, the book sheds new light on a greatly misunderstood aspect of our past.

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224 pages | 6.00" x 9.00"

Many people have a mental picture of the Canadian north that juxtaposes beauty with harshness. For the Van Tat Gwich'in, the northern Yukon is home, with a living history passed on from elders to youth. This book consists of oral accounts that the Elders have been recording for 50 years, representing more than 150 years of their history, all meticulously translated from Gwich'in. Yet this is more than a gathering of history; collaborator Shirleen Smith provides context for the stories, whether they are focused on an individual or international politics. Anthropologists, folklorists, ethnohistorians, political scientists, economists, members of First Nations, and readers interested in Canada's northernmost regions will find much to fascinate them.

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Following the removal of the gray whale from the Endangered Species list in 1994, the Makah tribe of northwest Washington State and the Nuu-chah-nulth Nation of British Columbia announced that they would revive their whale hunts. The Makah whale hunt of 1999 was met with enthusiastic support and vehement opposition. A member of the Nuu-chah-nulth First Nation, Charlotte Coté offers a valuable perspective on the issues surrounding Indigenous whaling. Her analysis includes major Aboriginal studies and contemporary Aboriginal rights issues, addressing environmentalism, animal rights activism, anti-treaty conservatism, and the public’s expectations about what it means to be “Indian.”

Early in their ethnographic work, Randy Bouchard and Dorothy Kennedy were privileged to meet Charlie Mack. Born on the Mount Currie Reserve in 1899, he was a fascinating character and a font of wisdom, exemplifying by his way of life, his skills in trapping and canoe-making, and his knowledge of the history of his people, the living world of the Lil’wat, which the young ethnologists were able to record on tape and in their notes and photographs. Most important among what Charlie Mack gave them was a wide corpus of stories; he was a master storyteller, holding his listeners spellbound with his animated and dramatic delivery in both Lil’wat and English.

Charlie Mack’s stories were originally recorded in his native language as part of a systematic government-sponsored effort to create public awareness of the threatened indigenous languages of British Columbia and Washington State, and were eventually published as a highly popular translated and edited collection, Lillooet Stories (1977), by the British Columbia Archives.

More time spent with Charlie Mack before his death in 1990 revealed to Kennedy and Bouchard that his worldview embedded a moral code, information about the environment and the self-evident truths of his world not easily comprehended out of context: an interweaving of myth, history and experience invoked in daily conversation and deeply rooted in a sense of place. Now, two decades after Charlie Mack’s passing, the authors present a selection of his English renditions of some of these stories, drawing on their transcribed interviews, correspondence and field notes to re-contextualize the narratives he wanted to share, and guide the reader to a more holistic understanding of this Lil’wat elder’s world.

This book is a tribute to a long friendship; the result of the authors reflecting on a lifetime of listening to a man who had something to say.

This is an Honour Song is a collection of narratives, poetry, and essays exploring the broad impact of the 1990 resistance at Kanehsatà:ke, otherwise known as the "Oka Crisis." The book is written by leading Indigenous and non-Indigenous artists, scholars, activists and traditional people, and is sung as an Honour Song celebrating the commitment, sacrifices, and achievements of the Kanien'kehaka individuals and communities involved.

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366 pages | 5.50" x 8.50"

Chiwid was a Tsilhqot'in woman, said to have shamanistic powers, who spent most of her adult life "living out" in the hills and forests around Williams Lake, BC. Chiwid is the story of this remarkable woman told in the vibrant voices of Chilcotin oldtimers, both native and non-native.

Reviews
"Chiwid was a Chilcotin woman who lived outside, self-sufficiently for most of her life and moving camps with the seasons. Chiwid is a collection of oral histories about the woman, her family and what life was like in the Chilcotin area of British Columbia in the early to mid-1900s." - The Association of Book Publishers of BC. BC Books for BC Schools. 2009-2010.

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128 pages | 8.00" x 9.00" 

Authenticity Note: This book's author is not Indigenous; however, the book has the Authentic Indigenous Text label because it contains stories collected by the author from Indigenous and non-Indigenous peoples. It is up to readers to determine if this book will work as an authentic text for their purposes.

The first book, Clearing a Path: New Ways of Seeing Traditional Indigenous Art, is edited by First Nations University of Canada scholar Carmen Robertson and noted Saskatchewan Métis artist and scholar, Sherry Farrell Racette.

"In 2005, as part of the province's centennial celebrations, the Saskatchewan Arts Board contracted Carmen Robertson and Sherry Farrell Racette to curate an exhibition which would bring together a diverse group of contemporary artists working in traditional Indigenous media," says Brian Mlazgar, publications manager of the CPRC. "When Clearing a Path opened in November of that year, few could have predicted the strength of its work. More than three years later, the exhibition continues to flourish and tour."

The exhibition catalogue includes photographs of the works and brief biographies of the 21 participating artists. Artists' statements for many of the pieces provide unique insight into the artistic process and the artist's connection to his or her history and traditions. In two introductory essays, Robertson and Farrell Racette explore the history of traditional artists and their art: the criminalization of indigenous arts and ceremonies, the subsequent loss of culture through colonization and more recently, the struggle to have their work considered "art" rather than "handicraft."

One of Canada's longest unresolved issues is the historical and present-day failure of the country's governments to recognize treaties made between Aboriginal peoples and the Crown. Compact, Contract, Covenant is renowned historian of Native-newcomer relations J.R. Miller's exploration and explanation of more than four centuries of treaty-making. The first historical account of treaty-making in Canada, Miller untangles the complicated threads of treaties, pacts, and arrangements with the Hudson's Bay Company and the Crown, as well as modern treaties to provide a remarkably clear and comprehensive overview of this little-understood and vitally important relationship.

Covering everything from pre-contact Aboriginal treaties to contemporary agreements in Nunavut and recent treaties negotiated under the British Columbia Treaty Process, Miller emphasizes both Native and non-Native motivations in negotiating, the impact of treaties on the peoples involved, and the lessons that are relevant to Native-newcomer relations today. Accessible and informative, Compact, Contract, Covenant is a much-needed history of the evolution of treaty-making and will be required reading for decades to come.

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448 pages | 5.80" x 9.00"

A collection of articles that examine many of the struggles that Aboriginal women have faced, and continue to face, in Canada. Sections include: Profiles of Aboriginal Women; Identity; Territory; Activism; Confronting Colonialism; the Canadian Legal System; and Indigenous Knowledges.

Photographs and poetry are also included.

There are few books on Aboriginal women in Canada; this anthology provides a valuable addition to the literature and fills a critical gap in the fields of Native Studies, Cultural Studies and Women’s Studies.