Anthologies / Short Stories

This new collection of horror short fiction weaves together contemporary Arctic settings with ancient monsters and mysterious beings that have been said to stalk the tundra for centuries.

Featuring authors from across the Canadian Arctic, this new volume of Taaqtumi—an Inuktitut word that means “In the Dark”—reveals just how horrifying the dark can be.

Featuring new fiction from award-winning authors Aviaq Johnston, Rachel and Sean Qitsualik-Tinsley and Jamesie Fournier, as well as new voices in the genre, this collection is perfect for any horror lover.

Educator & Series Information
Includes stories from Indigenous authors across the Canadian Arctic.

This book is part of the Taaqtumi series.

Additional Information
184 pages | 6.00" x 9.00" | b&w illustrations | Paperback

From adventures in Indigenous futurism to tales of first love, the stories and poems of Beyond the Glittering World proclaim and celebrate a rising generation of Native American storytellers.

Beyond the Glittering World brings together twenty emerging and established Native women writers and writers of marginalized genders, including Moniquill Blackgoose, Heid E. Erdrich, A.J. Eversole, Chelesa Hicks, and D. Daye Hunter. Immersing readers in worlds as varied as their authors, this collection presents an array of singular voices at their genre-bending, boundary-breaking, devastating, and joyous best.

Reviews
"An evocative compilation of voices pondering Indigenous futures and the shape of Indigenous love. Beyond the Glittering World holds a healthy dose of gender-bending, genre-challenging, future-hoping might. This anthology is a welcome addition to the field of Indigenous anthologies.”—DEBORAH JACKSON TAFFA, Whiskey Tender

Additional Information
240 pages | 5.25" x 8.00" | Paperback

Emma LaRocque was born in 1949 in Lac La Biche into a Cree-speaking Métis family. She grew up in a one-room, kerosene-lit log cabin built by her father. At the age of nine, she fought her parents to attend school, where she encountered English and the colonizer’s harmful stereotypes of Indigenous peoples. Confronting the contradictions of colonialism sparked her journey as a writer and scholar, as she sought to understand the dissonance between her identity and the world around her.

The Emma LaRocque Reader is a comprehensive collection of her most significant writings, poetry and prose, offering an intimate window into the mind of one of Canada’s foremost Indigenous scholars. Through her work, LaRocque provides profound insights into the intersections of colonialism, sexism, and racism in Canada, while also critically celebrating the beauty of her community and culture. In the afterword, she reflects on fifty years of challenging the colonial enterprise. A vital contribution to postcolonial literature, The Emma LaRocque Reader intertwines the personal and the political to explore what it means to be human, offering a powerful testament to Indigenous resistance, resilience, and vision.

This collection brings together the works of Métis scholar Emma LaRocque, offering a half-century of her poetry and prose, and shedding new light on Canada, colonialism, and Indigenous resistance.

Educator Information
Chapters
Foreword by Armand Ruffo
Preface by Elaine Coburn
Acknowledgments by Emma LaRocque
Acknowledgments of Permissions to Reprint
Introduction by Elaine Coburn
1975 A Personal Essay on Poverty (Excerpt from Defeathering the Indian)
1983 The Métis in English Canadian Literature
1988 On the Ethics of Publishing Historical Documents
1989 Racism Runs through Canadian Society
1990 Preface: Here Are Our Voices: Who Will Hear?
1990 Geese (poem)
1990 Nostalgia (poem)
1990 “Progress” (poem)
1990 The Red in Winter (poem)
1990 Incongruence (poem)
1990 Loneliness (poem)
1990 Beggar (poem)
1990 Tides, Towns, and Trains
1992 My Hometown, Northern Canada, South Africa (poem)
1993 Violence in Aboriginal Communities
1994 Long Way from Home (poem)
1996 The Colonization of a Native Woman Scholar
1996 When the Other Is Me: Native Writers Confronting Canadian Literature
2001 Native Identity and the Métis: Otehpayimsuak Peoples
2001 From the Land to the Classroom
2004 When the Wild West Is Me
2006 Sweeping (poem)
2006 Sources of Inspiration: The Birth of "For the Love of Words": Aboriginal Writers of Canada
2007 Métis and Feminist
2009 Reflections on Cultural Continuity through Aboriginal Women’s Writings
2010 Native Writers Reconstruct: Pushing Paradigms
2013 For the Love of Place – Not Just Any Place: Selected Métis Writings
2015 “Resist No Longer”: Reflections on Resistance Writing and Teaching
2016 Contemporary Métis Literature: Resistance, Roots, Innovation
2016 Colonialism Lived
2017 Powerlines (poem)
2022 Wehsakehcha, Comics, Shakespeare, and the Dictionary
2023 Afterword
Index

Additional Information
348 pages | 6.00" x 9.00" | Paperback

A singular collection of responses to the still life paintings of acclaimed artist David Garneau

Dark Chapters brings together 17 poets, fiction writers, curators, and critics to engage with the works of David Garneau, the Governor General’s Award-winning Métis artist. Featuring paintings from Garneau’s still life series “Dark Chapters” alongside poetry, fiction, critical analysis, and autotheory, the book includes contributions from Fred Wah, Paul Seesequasis, Jesse Wente, Lillian Allen, Billy-Ray Belcourt, Larissa Lai, Susan Musgrave, and more.

A nod to the Reports of Truth and Reconciliation Commission, in which Justice Murray Sinclair describes the residential school system as “one of the darkest, most troubling chapters in our nation’s history,” Garneau’s still life paintings combine common objects (books, bones, teacups, mirrors) and less familiar ones (a Métis sash, a stone hammer, a braid of sweetgrass) to reflect the complexity of contemporary Indigenous experiences. Provocative titles like “Métis in the Academy” and “Smudge Before Reading” invite consideration of the mixed influences and loyalties faced by Indigenous students and scholars. Other paintings explore colonialism, vertical and lateral violence, Christian influence on traditional knowledge, and museum treatment of Indigenous belongings.

Rooted in Garneau’s life-long engagement at the intersections of visual art and writing, Dark Chapters presents a multifaceted reflection on the work of an inimitable, unparalleled artist.

Includes contributions from Arin Fay, Billy-Ray Belcourt, Cecily Nicholson, David Howes, Dick Averns, Fred Wah, Jeff Derksen, Jesse Wente, John G. Hampton, Larissa Lai, Lillian Allen, Paul Seesequasis, Peter Morin, Rita Bouvier, Susan Musgrave, Tarene Thomas, and Trevor Herriot.

Reviews
“A smart collection of art and essays, Dark Chapters activates deep conversations about art, resistance, and sovereignty. Visiting with paintings by Métis artist David Garneau, seventeen poets, curators, and thinkers offer complex provocations that trouble and activate new forms of communities and relationships.” —Dr. Carmen Robertson, Canada Research Chair in North American Indigenous Visual and Material Culture
 
“Provocative, probing, and precarious, Dark Chapters pairs the poetic, literary, political, and critical responses of seventeen authors with the deceptively uncluttered yet gravid and combustible still lifes of David Garneau. This collection of pictures and words undertakes a necessary examination of the uncanny oppositions and disquieting literal and symbolic inversions that signify and animate the Indigenous history of Canada.” —Bonnie Devine
 
“Dark Chapters is a lesson in relationality and innovation. Built through conversations between Garneau’s work and artists/writers, the intergenerational contributors to this book come together in relation to Garneau and his still lives to explore the important contribution the artist has made to Canadian, Indigenous, and International art.” —Erin Sutherland

Educator Information
Table of Contents

Foreword
Nic Wilson

Still Life
John G. Hampton

Stone and Rock: I Have Failed You
Peter Morin

Wander Carried
Cecily Nicholson

On Kinship
Paul Seesequasis

Learning from Indigenous Academic Solidarity
Jeff Derksen

Knock Knock
Lillian Allen

Unsettling the Colonial Gaze
Trevor Herriot

Smudge Before Reading and The Land Does Not Forget
Tarene Thomas

Confession (after David Garneau) by Rita Bouvier

Fuse and Formal and Informal Education
Jesse Wente

The Problem with Pleasure
Billy-Ray Belcourt

Métis Realism: On the Materiality of Smoke and Relationality of Rocks
David Howes

Allies (after Hsieh and Montano)
Larissa Lai

Ally Tear Reliquary
Arin Fay

Understanding Attempted Enlightening: Between Language as Power…and Light as Life
Dick Averns

Spine
Fred Wah

The Resting Heartbeat of a Wounded Bird
Susan Musgrave

Gallery
About the Artist
About the Curator
About the Editor
About the Contributors
List of Artworks
Index

Additional Information
160 pages | 6.50" x 9.50" | 58 colour illustrations | Paperback 

Featuring the voices of both new and acclaimed Indigenous writers and edited by bestselling Muscogee author Cynthia Leitich Smith, this collection of interconnected stories serves up laughter, love, Native pride, and the world’s best frybread.

The road to Sandy June's Legendary Frybread Drive-In slips through every rez and alongside every urban Native hangout. The menu offers a rotating feast, including traditional eats and tasty snacks. But Sandy June's serves up more than food: it hosts live music, movie nights, unexpected family reunions, love long lost, and love found again.

That big green-and-gold neon sign beckons to teens of every tribal Nation, often when they need it most.

Featuring stories and poems by: Kaua Mahoe Adams, Marcella Bell, Angeline Boulley, K. A. Cobell, A. J. Eversole, Jen Ferguson, Eric Gansworth, Byron Graves, Kate Hart, Christine Hartman Derr, Karina Iceberg, Cheryl Isaacs, Darcie Little Badger, David A. Robertson, Andrea L. Rogers, Cynthia Leitich Smith, and Brian Young.

Reviews
"There's a lot of warmth and gratitude to revel in...Various characters thread through each other’s stories, allowing many of the players more depth and nuance had they only been in one tale, and encouraging the readers to make the thematic connections in cultural identities that are both individually specific and community-wide." — Bulletin of the Center for Children’s Books

"17 Indigenous writers create a web of entertaining, intertwined stories in this uplifting and unusual anthology, ideal for the YA reader who longs for connection and authenticity. Themes of displacement and loneliness, as well as the importance of connection to family, friends, and tribe, permeate the entries, making the collection relevant and accessible for teen readers of any background. As Cheryl Isaacs says in "Heart Berry," "One way or another, Sandy June's never fail[s]." — Shelf Awareness

"The literary conceit that unifies these stories is a magical “NDN Country” frybread drive-in that serves up Native comfort food and wisdom, a “collective dream” where young people in need of connection or healing find themselves among an intertribal community of all ages...many stories mention historical events and all of them touch on family heritage, they also feel quite of-the-moment." — Horn Book Magazine

Educator Information
Recommended for ages 13+.

This collection of interconnected stories features voices of new and acclaimed Indigenous writers.

Additional Information
352 pages | 5.50" x 8.25" | Hardcover 

A brand-new, spine-chilling collection of horror/thriller fiction, Zegaajimo, Anishinaabemowin for "to tell a scary story," includes stories from eleven leading First Nations and Metis authors from across the territories of Canada: Nathan Niigan Noodin Adler, Dawn Dumont, Daniel Heath Justice, D.A. Lockhart, Karen McBride, Tyler Pennock, Waubgeshig Rice, David A. Robertson, Drew Hayden Taylor, and Richard Van Camp.

Many of the stories draw on Traditional Stories. These stories of supernatural settings and deadful dees are more than speculative fiction, they are also reminders that monsters are already in our midst, that the known can be just as frightening as the unknown, and that the slightest mistakes can have dire consequences.

The collection is co-edited by Nathan Niigan Noodin Adler and Kateri Akiwenzie-Damm. Thrilling horror, Indigenous-style, perfect for Halloween!

Additional Information
230 pages | 5.50" x 8.50" | Paperback 

A fresh and fearless collection of short fiction, poetry and graphic fiction for today’s middle-grade readers.

In this timely, thought-provoking, funny and heartbreaking collection, ten acclaimed BIPOC authors from across Canada explore the theme and concept of home.

From awkward family dinners, to life on the rez, to moving to a new town, each of these stories provides a unique perspective on the theme of belonging through characters tasked with navigating and finding their place in this world.

Brought together by curator (and story contributor), Jael Richardson, Today I Am will make readers laugh and cry while opening their hearts and minds to the world around them, validating how it feels to be young and alive today.

Today I Am includes stories by Jael Richardson, Marty Chan, Rosena Fung, Michael Hutchinson, Chad Lucas, Angela Misri, Mahtab Narsimhan, Danny Ramadan, Liselle Sambury and Brandon Wint.

Educator Information
Recommended for ages 10 to 14.

The majority of authors on this work are not Indigenous.  This work includes a contribution from Michael Hutchinson, a citizen of the Misipawistik Cree Nation.  Readers will need to determine if this text will work for their purposes.

Additional Information
240 pages | 5.49" x 8.25" | Paperback 

Uncover the Terrifying Intersection of History and Horror

Imagine a chilling horror collection that weaves classic monsters like werewolves and vampires with the true horrors of colonialism, domestic violence, and displacement. Man Made Monsters, by acclaimed Cherokee writer Andrea Rogers, delivers.

Follow a Cherokee family across centuries, from their ancestral lands in 1830s Georgia to the battlefields of World War I and Vietnam, and beyond. Each story offers a chilling glimpse into a different era, revealing how history's monsters intertwine with the supernatural.

Man Made Monsters is a powerful exploration of identity and the enduring legacy of colonization. Rogers masterfully blends Cherokee legends with chilling horror, creating unforgettable characters and monsters.

Each story is accompanied by haunting illustrations from Cherokee artist Jeff Edwards, incorporating the Cherokee syllabary for a truly immersive experience.

Don't miss out on this masterpiece! Man Made Monsters will stay with you long after the last page.

Reviews
“Man Made Monsters is a brilliant and expansive journey across time, seen through a Cherokee lens, written by the brilliant and essential voice of Andrea Rogers. This collection is full to the brim with voice and breadth, including but not limited to magic, horror, and fantasy. The book is fun, funny, and dead-serious. It is beautifully written, and it is full of monsters.” - Tommy Orange

"Although each of Cherokee author Rogers’ stories could stand alone (and versions of some were previously published individually), placing them in chronological order and thus in dialogue with each other results in a thematically richer read and allows readers the delight of tracing the family trees in the frontmatter to situate the characters in relation to other protagonists. " - Kirkus Reviews

Educator Information
Recommended for ages 12 to 18 by the publisher.

Additional Information
336 pages | 6.02" x 9.00" | Paperback 

Mark Kalluak was a respected community leader and Inuktitut specialist who was passionate about sharing Inuit culture. This book is a compilation of Kalluak’s works on traditional Inuit stories and beliefs from his home community of Arviat, Nunavut. These tales and cultural outlooks were thoughtfully collected, written in Inuktitut and English, and illustrated by Kalluak. From the origins of darkness and light, to cautionary tales of how to treat others, to explanations of taboos, this book is a noteworthy collection of traditional Inuit stories and beliefs.

Additional Information
216 pages | 8.00" x 10.00" | Hardcover

In her debut collection of short fiction, Amanda Peters describes the Indigenous experience from an astonishingly wide spectrum in time and place—from contact with the first European settlers, to the forced removal of Indigenous children, to the present-day fight for the right to clean water.

In this intimate collection, Peters melds traditional storytelling with beautiful, spare prose to describe the dignity of the traditional way of life, the humiliations of systemic racism and the resilient power to endure. A young man returns from residential school only to realize he can no longer communicate with his own parents. A young woman finds purpose and healing on the front lines as a water protector. An old man remembers his life as he patiently waits for death. And a young girl nervously dances in her first Mawi’omi. The collection also includes the story “The Berry Pickers,” which inspired Peters’ critically acclaimed novel of the same name, as well as the Indigenous Voices Award–nominated story “Pejipug (Winter Arrives).”

At times sad, sometimes disturbing but always redemptive, the stories in Waiting for the Long Night Moon will remind you that where there is grief there is also joy, where there is trauma there is resilience and, most importantly, there is power.

Educator Information
Waiting for the Long Night Moon is a collection of short stories.

Additional Information
256 pages | 6.00" x 9.00" | Paperback

From one of the country’s most celebrated new writers, a blistering collection of short fiction that is bracingly relevant, playfully irreverent, and absolutely unforgettable.

There’s a hole in the ozone layer. Are teenage girls to blame?

Floods and wildfires, toxic culture, billionaires in outer space, or a purse-related disaster while on mushrooms—in today’s hellscape world, there’s no shortage of things to worry about. Last Woman, the new collection of short fiction by award-winning author Carleigh Baker, wants you to know that you’re not alone. In these 13 brilliant new stories, Baker and her perfectly-drawn characters are here for you—in fact, they’re just as worried and weirded-out as everyone else.

A woman’s dream of poetic solitude turns out to be a recipe for loneliness. A retiree is convinced that his silence is the only thing that will prevent a deadly sinkhole. An emerging academic wakes up and chooses institutional violence. A young woman finds sisterhood in a strange fertility ritual, and an enigmatic empath is on a cleanse. Baker’s characters are both wildly misguided and a product of the misguided times in which we live. Through them we see our world askew and skewered—and, perhaps, we can begin to see it anew.

Carleigh Baker’s signature style is irreverent, but her heart is true—these stories delve into fear for the future, intergenerational misunderstandings, and the complexities of belonging with sharp wit and boundless empathy. With equal parts compassion and critique, she brings her clear-eyed attention to bear on our world, and the results are hilarious, heartbreaking, and startling in their freshness.

Reviews
“Carleigh Baker’s Last Woman is a knockout. These fifteen stories are probing contemplations on technology, the climate crisis, childhood, adulthood, parenthood, dreams, identity, creativity, and those staggering moments when the uncanny burbles up through the cracks of everyday experience. I gulped these pages in one sitting, but their insights will linger for years to come.”—Michael Christie, author of Greenwood
 
“Carleigh Baker’s Last Woman is a satirical, energetic look at our messed-up world. The stories in this collection ask original, surprising what-if questions, exploring disasters small and large, personal and public, and the past, present, and future of this planet—and beyond. I’m so impressed with Baker’s ability to craft such a range of voices, by turns funny and vulnerable and exuberant and idiosyncratic. These stories are inventive, a little weird, and very, very cool.”—Shashi Bhat, author of The Most Precious Substance on Earth

Additional Information
208 pages | 5.18" x 8.00" | Paperback

Unikkaaqtuat is the Inuktitut word meaning "to tell stories."

This definitive collection of Inuit legends is thoughtfully introduced and carefully annotated to provide the historical and cultural context in which to understand this rich oral tradition. Fascinating and educational, this little-known part of Canada's heritage will captivate readers of all ages. As a work of historical and cultural preservation, this textbook will be invaluable to those studying Inuit.

Additional Information
320 pages | 8.00" x 10.00" | 100 b&w line drawings | Hardcover | 2nd Edition

Mi'kmaq people have been in touch with the spiritual for thousands of years. Some of these spiritual bonds have meant that the Mi'kmaq have resulted in scary encounters with the living. Ancients stories of ghosts and shape-shifters have been told around the fire for generations. Keeping this tradition alive is important not only for future campfires, but also to protect the sacred sites and hollowed grounds.

Educator Information
Juvenile Fiction

Additional Information
180 pages | 5.75" x 8.75" | Paperback

The New Wascana Anthology is named for the Cree word "oskana," meaning "bones,"* but this anthology is no literary graveyard. It will introduce you to stories, poems, and essays that can be discussed over drinks, or used to impress friends years after leaving English 100 behind.

Offering a taster's choice of the best Canadian writing, with a special focus on Aboriginal and Prairie writers, this anthology includes pieces selected to introduce you to the English literary canon. Going back hundreds of years, the oldest poems included here have no known author, while the youngest writer is a recent university graduate.

Building on the bones of the canon (including all of Canada's Man Booker Prize-winners and newest Nobel Laureate), The New Wascana Anthology features writers such as Flannery O'Connor, Thomas King, Carmine Starnino, and Ursula K. Le Guin who will challenge your worldview. Most importantly, this anthology is about turning the page, opening your mind, and revelling in the pleasures of reading.

*The bones referred to are the bones of plains bison, a species that once numbered in the tens of millions on the Great Plains.

Educator Information
Contains works from Indigenous and non-Indigenous writers.

Table of Contents

Preface

Poetry

Anonymous
Summer is icumen in
Sir Patrick Spens
Mary Hamilton

Geoffrey Chaucer (ca. 1343–1400)
from The Canterbury Tales
Excerpts from General Prologue

Sir Thomas Wyatt (1503–1542)
          The Long Love, That in My Thought Doth Harbour

Sir Walter Ralegh (ca. 1552–1618)
          The Nymph’s Reply to the Shepherd

Edmund Spenser (ca. 1552–1599)
from Amoretti
          30. My love is like to ice
          75. One day I wrote her name

Sir Philip Sidney (1554–1586)
from Astrophel and Stella
          59. Dear, why make you more of a dog than me?

Michael Drayton (1563–1631)
from Idea
          61. Since there’s no help, come let us kiss and part

Christopher Marlowe (1564–1593)
          The Passionate Shepherd to His Love
 
William Shakespeare (1564–1616)
from Sonnets
          18. Shall I compare thee to a summer’s day?
          20. A woman’s face, with nature’s own hand painted
          116. Let me not to the marriage of true minds
          130. My mistress’ eyes are nothing like the sun
from As You Like It
          All the world’s a stage
 
John Donne (1572–1631)
          A Valediction: Forbidding Mourning
          Death be not proud
          The Bait
          The Flea

Ben Jonson (1572–1637)
          Epigram XXII: On My First Daughter
          Epigram XLV: On My First Son
          Song: To Celia

George Herbert (1593–1633)
          Love (III)
 
John Milton (1608–1674)
          When I Consider How My Light Is Spent
from Paradise Lost, Book 1
          The Invocation

Anne Bradstreet (1612–1672)
          Before the Birth of One of Her Children
          The Author to Her Book

Andrew Marvell (1621–1678)
          To His Coy Mistress
 
Anne Finch, Countess of Winchelsea (1661–1720)
          To the Nightingale
          A Letter to Daphnis, April 2, 1685

Alexander Pope (1688–1744)
          The Rape of the Lock

Lady Mary Wortley Montagu (1689–1762)
          Addressed to—

Thomas Gray (1716–1771)
          Elegy Written in a Country Churchyard

Christopher Smart (1722–1771)
from Jubilate Agno
          My Cat Jeoffry
 
William Blake (1757–1827)
from Songs of Innocence
          The Chimney Sweeper
          The Lamb
from Songs of Experience
          A Poison Tree
          London
          The Chimney Sweeper

William Wordsworth (1770–1850)
          A slumber did my spirit seal
          Composed Upon Westminster Bridge, September 3, 1802
          I wandered lonely as a cloud
          The world is too much with us

Samuel Taylor Coleridge (1772–1834)
          Kubla Khan
 
George Gordon, Lord Byron (1788–1824)
          She Walks in Beauty
          The Destruction of Sennacherib

Percy Bysshe Shelley (1792–1822)
          Ozymandias

John Keats (1795–1821)
          La Belle Dame Sans Merci
          When I have fears that I may cease to be

Alfred, Lord Tennyson (1809–1892)
          Ulysses
 
Robert Browning (1812–1889)
          Porphyria’s Lover
          My Last Duchess
 
Emily Brontë (1818–1848)
          Remembrance

Walt Whitman (1819–1892)
          When Lilacs Last in the Dooryard Bloom’d
 
Matthew Arnold (1822–1888)
          Dover Beach

George Meredith (1828–1909)
from Modern Love
          17. At dinner, she is hostess, I am host

Emily Dickinson (1830–1866)
          F479. Because I could not stop for Death
          F591. I heard a Fly buzz—when I died
          F620. Much Madness is divinest Sense
          F1096. A narrow Fellow in the Grass
          F1263. Tell all the Truth but tell it slant

Lewis Carroll (1832–1898)
          Jabberwocky

Thomas Hardy (1840–1928)
          The Ruined Maid
          The Convergence of the Twain
          The Workbox

Gerard Manley Hopkins (1844–1889)
          God’s Grandeur
          Pied Beauty
          The Windhover

A. E. Housman (1859–1936)
from A Shropshire Lad
          XIX. To An Athlete Dying Young

Sir Charles G. D. Roberts (1860–1943)
          Tantramar Revisited

Archibald Lampman (1861–1899)
          Heat

William Butler Yeats (1865–1939)
          The Second Coming
          Leda and the Swan
          Crazy Jane Talks with the Bishop

Edwin Arlington Robinson (1869–1935)
          Miniver Cheevy

Robert Frost (1874–1963)
          After Apple-Picking
          Mending Wall
          Nothing Gold Can Stay
          The Silken Tent

William Carlos Williams (1883–1963)
          The Red Wheelbarrow
          This is Just to Say
          Pictures from Brueghel

D. H. Lawrence (1885–1930)
          Piano
          Snake

Ezra Pound (1885–1972)
          In a Station of the Metro
          The River Merchant’s Wife: A Letter

Isaac Rosenberg (1890–1918)
          Break of Day in the Trenches

Edna St. Vincent Millay (1892–1950)
          Elegy before Death
          What lips my lips have kissed

Wilfred Owen (1893–1918)
          Dulce et Decorum Est

e.e. cummings (1894–1963)
          “next to of course god america i
          anyone lived in a pretty how town

F. R. Scott (1899–1985)
          Lakeshore
 
Langston Hughes (1902–1967)
          The Negro Speaks of Rivers
          Harlem

A. J. M. Smith (1902–1980)
          The Lonely Land
          Far West

Stevie Smith (1902–1971)
          Not Waving but Drowning

Earle Birney (1904–1995)
          Anglo-Saxon Street

W. H. Auden (1907–1973)
          Musée des Beaux-Arts

Theodore Roethke (1908–1963)
          My Papa’s Waltz

A. M. Klein (1909–1972)
          Heirloom
          The Rocking Chair

Dorothy Livesay (1909–1996)
          Green Rain

Elizabeth Bishop (1911–1979)
          In the Waiting Room

Irving Layton (1912–2006)
          The Birth of Tragedy

Dylan Thomas (1914–1953)
          Fern Hill
          Do Not Go Gentle into That Good Night

P. K. Page (1916–2010)
          After Rain
          Planet Earth
 
Robert Lowell (1917–1977)
          For the Union Dead

Miriam Waddington (1917–2004)
          Advice to the Young

Raymond Souster (1921–2012)
          The Lilac Poem
 
Elizabeth Brewster (1922–2012)
          The Night Grandma Died

Eli Mandel (1922–1992)
          Houdini

Anne Szumigalski (1926–1999)
          It Wasn’t a Major Operation

Don Coles (b. 1927)
          Collecting Pictures
 
Robert Kroetsch (1927–2011)
          Meditation on Tom Thomson

Rita Joe (1932–2007)
          Axe Handles for Sale
          I Lost My Talk

Sylvia Plath (1932–1963)
          Daddy

Alden Nowlan (1933–1983)
          The Bull Moose

Leonard Cohen (b. 1934)
          A Kite Is a Victim
          Suzanne

Robert Currie (b. 1937)
          Young Boy, Fleeing

Glen Sorestad (b. 1937)
          Ten Years
          Now That I’m Up

John Newlove (1938–2003)
          The Double-Headed Snake

Margaret Atwood (b. 1939)
          Backdrop Addresses Cowboy
          The Nature of Gothic
          This Is a Photograph of Me

Seamus Heaney (1939–2013)
          Bog Queen
          Digging
          The Names of the Hare

Patrick Lane (b. 1939)
          Mountain Oysters

Gary Hyland (1940–2011)
from Arguments in the Garden of Prayer
          1. So many frogs
          14. The first sounds

Beth Brant (b. 1941)
          for all my Grandmothers

Robert Hass (b. 1941)
          Consciousness

Gwendolyn MacEwen (1941–1987)
          Manzini: Escape Artist

Marie Annharte Baker (b. 1942)
          Pretty Tough Skin Woman

Louise Glück (b. 1943)
          Illuminations

Michael Ondaatje (b. 1943)
          The Cinnamon Peeler
          White Dwarfs

Dennis Cooley (b. 1944)
          how there in the plaid light she played with his affections plied them spikes from his heart she stood by pliers in hand he has his pride

Craig Raine (b. 1944)
          A Martian Sends a Postcard Home

Tom Wayman (b. 1945)
          Did I Miss Anything?
 
Linda Hogan (b. 1947)
          Cities Behind Glass

Lorna Crozier (b. 1948)
          The Dirty Thirties
          Poem about Nothing
from The Sex Lives of Vegetables
          Radishes
          Lettuce
          Cauliflower

Beth Cuthand (b. 1949)
          Four Songs for the Fifth Generation

Kathleen Wall (b. 1950)
          Morning Nocturne

Joy Harjo (b. 1951)
          She Had Some Horses

Gerald Hill (b. 1951)
          Becoming and Going: An Oldsmobile Story

Di Brandt (b. 1952)
          completely seduced

Louise Halfe (b. 1953)
          She Told Me

Louise Erdrich (b. 1954)
          Dear John Wayne
          Indian Boarding School: The Runaways
          Jacklight

Jeanette Lynes (b. 1956)
          The Last Interview with Bettie Page

Anne Simpson (b. 1956)
          Grammar Exercise

George Elliott Clarke (b. 1960)
          Blank Sonnet

Michael Crummey (b. 1965)
          Her Mark

Gregory Scofield (b. 1966)
          His Flute, My Ears

Karen Solie (b. 1966)
          Parasitology

Randy Lundy (b. 1967)
          Bear
          Ghost Dance

Stephanie Bolster (b. 1969)
          To Dolly

Carmine Starnino (b. 1970)
          Pepino’s Poem, “Growing Up in Naples”
          Rope Husbandry

Daniel Scott Tysdal (b. 1978)
          Metro

Cassidy McFadzean (b. 1989)
          I smile earwide

Short Fiction

Sherman Alexie (b. 1966)
          The Approximate Size of My Favourite Tumour

Margaret Atwood (b. 1939)
          My Last Duchess

Sandra Birdsell (b. 1942)
          Disappearances

Raymond Carver (1938–1988)
          Cathedral

William Faulkner (1897–1962)
          A Rose for Emily

Richard Ford (b. 1944)
          Sweethearts

Charlotte Perkins Gilman (1860–1935)
          The Yellow Wall-paper

James Joyce (1882–1941)
          Araby

Thomas King (b. 1943)
          A Seat in the Garden

Ursula K. Le Guin (b. 1929)
          The Ones Who Walk Away from Omelas

Alexander MacLeod (b. 1972)
          Miracle Mile

Alistair MacLeod (1936-2014)
          The Boat

Katherine Mansfield (1888–1923)
          The Garden-Party

Yann Martel (b. 1963)
          The Facts Behind the Helsinki Roccamatios

Rohinton Mistry (b. 1952)
          Swimming Lessons

Ken Mitchell (b. 1940)
          The Great Electrical Revolution

Alice Munro (b. 1931)
          The Bear Came over the Mountain

Flannery O’Connor (1925–1964)
          A Good Man Is Hard to Find

Edgar Allan Poe (1809–1849)
          The Cask of Amontillado

Eden Robinson (b. 1968)
          Traplines

Gloria Sawai (1932–2011)
          The Day I Sat with Jesus on the Sundeck and a Wind Came Up and Blew My Kimono Open and He Saw My Breasts

Guy Vanderhaeghe (b. 1951)
          Dancing Bear

Dianne Warren (b. 1950)
          Bone Garden

Critical Prose

Stephen Jay Gould (1941–2002)
          Evolution as Fact and Theory

Trevor Herriot (b. 1958)
from Grass, Sky, Song: Promise and Peril in the World of Grassland Birds
          A Way Home

Barbara Kingsolver (b. 1955)
          Setting Free the Crabs

Don McKay (b. 1942)
          Baler Twine: Thoughts on Ravens, Home, and Nature Poetry

Jonathan Swift (1667–1745)
          A Modest Proposal

Copyright Notices

Index of Authors and Titles

Index of First Lines of Poetry

Additional Information
554 pages | 6.00" x 9.00" | Paperback

In this followup to his hugely popular Midnight Storm Moonless Sky: Indigenous Horror Stories, Blackfoot storyteller Alex Soop plunges us again into enthralling tales that mix reality with dark terror. Within its stories, Whisper at Night and They Will Come reveals ancient theories of the paranormal, post apocalyptic scenarios, impossible wells of grief, and monstrous phobias. Soop scares the wits out of readers, all the while uncovering overlooked social anxieties and racism affecting Indigenous Peoples across North America.

Educator & Series Information
This is the second volume in the Indigenous Horror series.

Additional Information
276 pages | 5.50" x 8.50" | Paperback

A bold, clever, and sublimely sinister collection that dares to ask the question: “Are you ready to be un-settled?” Featuring stories by:

Norris Black • Amber Blaeser-Wardzala • Phoenix Boudreau • Cherie Dimaline • Carson Faust • Kelli Jo Ford • Kate Hart • Shane Hawk • Brandon Hobson • Darcie Little Badger • Conley Lyons • Nick Medina • Tiffany Morris • Tommy Orange • Mona Susan Power • Marcie R. Rendon • Waubgeshig Rice • Rebecca Roanhorse • Andrea L. Rogers • Morgan Talty • D.H. Trujillo • Theodore C. Van Alst Jr. • Richard Van Camp • David Heska Wanbli Weiden • Royce Young Wolf • Mathilda Zeller

Many Indigenous people believe that one should never whistle at night. This belief takes many forms: for instance, Native Hawaiians believe it summons the Hukai’po, the spirits of ancient warriors, and Native Mexicans say it calls Lechuza, a witch that can transform into an owl. But what all these legends hold in common is the certainty that whistling at night can cause evil spirits to appear—and even follow you home.

These wholly original and shiver-inducing tales introduce readers to ghosts, curses, hauntings, monstrous creatures, complex family legacies, desperate deeds, and chilling acts of revenge. Introduced and contextualized by bestselling author Stephen Graham Jones, these stories are a celebration of Indigenous peoples’ survival and imagination, and a glorious reveling in all the things an ill-advised whistle might summon.

Reviews
“All combined, these powerful pages use fantastical elements to create very human characters who suffer very real horrors, like oppression, poverty, abuse, mental illness and the erasure of long-existing cultures and traditions. This volume is a must for any library collection and will be devoured by speculative fiction fans who enjoy a sprinkle of social commentary within their scary books.” —Booklist

“Never Whistle at Night is all I’ve ever wanted in an Indigenous horror anthology. From doubles, to Empty People, to story theft, to zombies, this anthology explores the horror that lives in colonial violence, generational love and trauma, and our everyday lives. It’s a joy to see such a diverse representation of experience, background, and style in this carefully curated and terrifying collection.”—Jessica Johns, author of Bad Cree

“Story to story, Never Whistle at Night never failed to surprise, delight, and shock me. I’m a big fan of stories that make you feel like you’re standing at the edge of a cliff with a stranger’s fingers on the tip of your spine—and this anthology has that ungoverned, go-for-broke aesthetic that I love.”—Nick Cutter, author of Little Heaven

“An extensive collection of Indigenous stories ranging from the humorous to the terrifying, this anthology is a must-read for everyone. Your new favorite author is absolutely in this book.”—Amina Akhtar, author of Kismet

“Melodious, haunting, and visceral, Never Whistle at Night enchants from the very start with fiery confidence and merciless ghosts. These are stories that dig their fingers inside you and carve something truly special. An absolute must-read.”—Hailey Piper, Bram Stoker Award-winning author of Queen of Teeth

"Can you draw power from the spirit of a story? If the twenty-six tales in the essential Never Whistle at Night anthology are any indication, the answer is an emphatic yes. The title itself provides its own warning, but I'll go one step further: Never read this collection of spine-chilling stories alone at night. You just might not make it to morning."—Clay McLeod Chapman, author of Ghost Eaters

Additional Information
416 pages | 5.19" x 8.00" | Paperback

Curious, uncanny tales blending Indigenous oral storytelling and meticulous style, from an electric voice in Canadian fiction.

These are stories that are a little bit larger than life, or maybe they really happened. Tales that could be told 'round the campfire, each one-upping the next. Tales about a car that drives herself, ever loyal to her owner. Tales about an impossible moose hunt. Tales about the Real Santa(TM) mashed up with the book of Genesis, alongside SPAM stew and bedroom sets from IKEA.

G.A. Grisenthwaite's writing is electric and inimitable, blending meticulous literary style with oral storytelling and coming away with a voice that is entirely his own. Tales for Late Night Bonfires is truly one of a kind, and not to be missed.

Reviews
"Tales for Late Night Bonfires is funny, dark, and rich all at once; each story is immense and alive. Grisenthwaite shows us what fiction can be when story leads the way." - QUILL & QUIRE starred review

"With his first book, Home Waltz, G.A. Grisenthwaite had arrived. With Tales for Late Night Bonfires, he has fully moved in. His writing is so vivid and fresh that the reader inhabits his characters, in their homes, on the land, in their talking cars. Gord has a great gift for dialogue and he writes with flinty humour and such love. I felt more completely human when I finished this book." - SHELAGH ROGERS founding host and co-creator, The Next Chapter, CBC Radio

"Grisenthwaite is a master storyteller, with a voice capable of roasting us and all the other ‘two-leggeds’ while keeping us at the bonfire, hungry for more. The lives of these unforgettable characters are at once comic and heart-crushing, precarious and buoyed by the undying embrace of interlaced dimensions, imbricate worlds." - SUSAN HOLBROOK author of Throaty Wipes and Ink Earl

"Gordon has a voice that is authentic campfire. I felt like I was holding a mug of tea in one hand, and enjoying a fish fry with the other - while waiting for his words to paint a vibrant canvas of characters. Sitting around the campfire, and ingesting memory with stories that need to be told, and retold. These stories visit places in the heart, where we each share, words that need to be said, words that beg to be read." - CAROL ROSE GOLDENEAGLE author of Bearskin Diary and Essential Ingredients

Additional Information
232 pages | 5.25" x 8.00" | Paperback 

Sherman Alexie’s celebrated first collection, The Lone Ranger and Tonto Fistfight in Heaven, established its author as one of America’s most important and provocative voices. The basis for the award-winning movie Smoke Signals, it remains one of his best loved and widely praised books twenty years after its initial publication.

Vividly weaving memory, fantasy, and stark reality to paint a portrait of life in and around the Spokane Indian reservation, this book introduces some of Alexie’s most beloved characters, including Thomas Builds-the-Fire, the storyteller who no one seems to listen to, and his compatriot, Victor, the sports hero who turned into a recovering alcoholic. Now with an updated introduction from Alexie, these twenty-four tales are narrated by characters raised on humiliation and government-issue cheese, and yet they are filled with passion and affection, myth and charm. Against a backdrop of addiction, car accidents, laughter, and basketball, Alexie depicts the distances between men and women, Indians and whites, reservation Indians and urban Indians, and, most poetically, modern Indians and the traditions of the past.

Educator Information
Resource for English First Peoples 10-12.  

Short stories.

Additional Information
304 pages | 5.50" x 8.25"

In this first-ever anthology of Indigenous science fiction, Grace Dillon collects some of the finest examples of the craft with contributions by Native American, Canadian First Nations, Aboriginal Australian, and New Zealand Maori authors. The collection includes seminal authors such as Gerald Vizenor and Eden Robinson, historically important contributions often categorized as “magical realism” by authors like Leslie Marmon Silko and Sherman Alexie, and authors more recognizable to science fiction fans like William Sanders and Stephen Graham Jones. Dillon’s engaging introduction situates the pieces in the larger context of science fiction and its conventions.

Additional Information
272 pages | 6.00" x 9.00"

Thirteen of the most accomplished YA authors deliver a label-defying anthology that includes ten short stories, a graphic novel, and a one-act play from Walter Dean Myers never before in-print. This collection addresses topics like gentrification, acceptance, untimely death, coming out, and poverty and ranges in genre from contemporary realistic fiction to adventure and romance. It will inspire you to break conventions, bend the rules, and color outside the lines. All you need is fresh ink.

Authors Include: Schuyler Bailar, Melissa de la Cruz, Sara Farizan, Sharon G. Flake, Eric Gansworth, Malindo Lo, Walter Dean Myers, Daniel José Older, Thien Pham, Jason Reynolds, Aminah Mae Safi, Gene Luen Yang, Nicola Yoon

Reviews
"I absolutely love this mix of established and newer talents, and I'm really intrigued and excited by the mixed formats." --BookRiot

"Huge, huge names in YA participated." --Bustle

Educator Information
Recommended for ages 12+

This work includes an Indigenous contribution. Not all conributions are from Indigenous writers.  It's up to readers to determine if this work is authentic for their puproses.

Additional Information

Bringing the Legends home

Legends of the Capilano updates E. Pauline Johnson’s 1911 classic Legends of Vancouver, restoring Johnson’s intended title for the first time. This new edition celebrates the storytelling abilities of Johnson’s Skwxwú7mesh (Squamish) collaborators, Joe and Mary Capilano, and supplements the original fifteen legends with five additional stories narrated solely or in part by Mary Capilano, highlighting her previously overlooked contributions to the book.

Alongside photographs and biographical entries for E. Pauline Johnson, Joe Capilano, and Mary Capilano, editor Alix Shield provides a detailed publishing history of Legends since its first appearance in 1911. Interviews with literary scholar Rick Monture (Mohawk) and archaeologist Rudy Reimer (Skwxwú7mesh) further considers the legacy of Legends in both scholars’ home communities. Compiled in consultation with the Mathias family, the direct descendants of Joe and Mary Capilano and members of the Skwxwú7mesh Nation, this edition reframes, reconnects, and reclaims the stewardship of these stories.

Reviews
"Shield has skilfully opened up a new avenue to the past with potentially wide-ranging appeal both to scholars and students and to general readers."— Jean Barman

Educator Information
This book is part of the First Voices, First Texts series.

Additional Information
256 pages | 5.50" x 8.50" | Paperback

To celebrate the fifth anniversary of the Indigenous Voices Awards, an anthology consisting of selected works by finalists over the past five years, edited by Jordan Abel, Carleigh Baker, and Madeleine Reddon.

For five years, the Indigenous Voices Awards have nurtured the work of Indigenous writers in lands claimed by Canada. Established in 2017 initially through a crowd-funded campaign by lawyer Robin Parker and author Silvia Moreno-Garcia that set an initial fundraising goal of $10,000, the initiative raised over $116,000 in just four months.

Through generous support from organizations such as Penguin Random House Canada, CELA, and others, the award has grown and have helped usher in a new and dynamic generation of Indigenous writers. Past IVA recipients include Billy-Ray Belcourt, Tanya Tagaq, and Jesse Thistle. The IVAs also help promote the works of unpublished writers, helping launch the careers of Smokii Sumac, Cody Caetano, and Samantha Martin-Bird.

For the first time, a selection of standout works over the past five years of the Indigenous Voices Award will be collected in an anthology that will highlight some of the most groundbreaking Indigenous writing across poetry, prose, and theatre in English, French, and in an Indigenous language. Curated by award-winning and critically acclaimed writers Carleigh Baker, Jordan Abel, and Indigenous scholar Madeleine Reddon, this anthology will be a true celebration of Indigenous storytelling that will both introduce readers to emerging luminaries as well as return them to treasured favourites.

Educator Information
Carving Space: The Indigenous Voices Awards Anthology: A collection of prose and poetry from emerging Indigenous writers in lands claimed by Canada includes a selection of standout work from the first five years of the Indigenous Voices Awards.

Additional Information
400 pages | 5.50" x 8.25" | Paperback

Faller mixes Roshoman style storytelling with traditional stories to describe the meeting, or juxtapositions, of a few characters on a Reservation. All of these characters are damaged in one way or the other. Faller is not narrative so much as bursts and flashes. It is not about what happens as much as moments in time. The stories fall together rather than follow each other. Faller is dark and funny in places, less sane and rational than yearning. Haunted. Not like every other book, Faller is the first work by an old young Indigenous writer, not trying to make sense of life on the Reservation, but giving a glimpse into the world he grew up in.

Educator & Series Information
This book is part of the Modern Indigenous Voices series.

Additional Information
80 pages | 8.50" x 5.50" | Paperback

Grab your flashlight and dive into this chilling anthology of Northern ghost stories!

From zombies and cursed mirrors to sea monsters and ghost dogs, these stories by Sámi author Edel Marit Gaino are sure to get your skin crawling. Crack open this spooky collection and read about strange and scary happenings from old times up to the present day. With stories that combine the paranormal with important life lessons, this collection is sure to leave you covered in goosebumps!

Educator Information
Recommended for ages 14 to 17

Translated by Olivia Lasky and Lea Simma.

Additional Information
200 pages | 5.50" x 7.50" | Paperback

Wapke—meaning “tomorrow” in the Atikamekw language—is Quebec’s first collection of science fiction short stories by Indigenous writers. Fourteen authors from various nations and different backgrounds project us into the future through their moving, poetic, worrying, and sometimes fantastical tales, addressing current social, political, and environmental themes. From time travelling Indigenous warriors to rebellious language and knowledge keepers, from Big Trees in a lake to a human sausage factory, from living on the land to living in cyberspace, these stories provide a trans-Indigenous colonial critique. The brainchild of Michel Jean, Wapke can be read on different levels: as pure entertainment for sci-fi fans or as a stimulant to serious reflection. It offers an often-captivating social commentary that reveals how Indigenous people view the future as well as a hope that change will come.

Educator Information
This book is available in French: Wapke

Additional Information
160 pages | 5.00" x 8.00" | Paperback

“The Net” features a girl and her mother, known only as the mother and the daughter, who arrive at their secluded cabin on a frozen lake to find their fishing net has been attacked, a massive hole ripped through the middle. After the net has been mended and the night’s catch eaten, the daughter sits awake playing with a bit of leftover netting string. When she was a girl, her grandmother taught her to make string figures—just as her mother had taught her—a game played by Inuit for generations, but a game not to be taken lightly . . . as the daughter plays late into the night, and the mother sleeps, other monstrous forces are soon awakened from beneath the frozen lake.

In “Before Dawn” a young boy runs out onto the tundra to play with his new friend by his side, venturing far beyond his mother’s rule that he not stray past the inuksuk on the horizon. The boy’s friend beckons him farther and farther, and the farther they get from home, the more the friend seems to change . . . and shift . . . until he is no longer human at all. Horrified, the boy listens to the creature’s proposition: return home before dawn, or be lost forever to the other side . . .

Complemented by colour illustrations from illustrator Toma Feizo Gas, The Other Ones is a fresh take on modern horror by an exciting new Inuit voice.

Educator Information
Short stories.

Additional Information
50 pages | 6.75" x 8.75" | Hardcover

In volume three of the Grassroots Anthology, the celebration of First Nations artists and their craft continues. Poetry, short stories, photography and fine art are all featured, and MFNERC hopes to inspire younger generations through sharing these works. The gifts of storytelling and visual art have long been cherished by First Nations people, and in this anthology we offer these gifts for your own reflection and learning.

Poets, both settler and Indigenous, pay tribute to trees through reflections on the past, connections to the present, and calls for the protection of our future.

In Worth More Standing: Poets and Activists Pay Homage to Trees, celebrated poets and activists pay homage to the ghosts of lost forests and issue a rallying cry to protect remaining ancient giants and restore uncolonized spaces.

Themes of connection, ecology, grief, and protection are explored through poems about trees and forests written by an impressive number of influential poets, several of whom have attended the recent Fairy Creek blockades and still others who defended BC's old growth trees in Clayoquot Sound nearly 30 years ago.

Contributors include ninth Parliamentary Poet Laureate Louise Bernice Halfe-Sky Dancer, GG winner Arleen Paré, Canadian icon bill bissett, Griffin Poetry Prize winner Eve Joseph, ReLit Award winner Patrick Friesen, Joy Kogawa, Fiona Tinwei Lam, Harold Rhenisch, Jay Ruzesky, John Barton, Kate Braid, Kim Trainor, Kim Goldberg, Pamela Porter, Patricia and Terence Young, Russell Thornton, Sonnet L’Abbé, Susan McCaslin, Susan Musgrave, Tom Wayman, Trevor Carolan, Yvonne Blomer, Zoe Dickinson and the late Pat Lowther.

Reviews
"This anthology grounds us in the earth's daily miracles, also known as trees, reminding us not to take them for granted. These poems acknowledge how we rely on and are part of a life force much bigger and wiser than us, giving us glimpses into the sacredness that trees make as they unconditionally transform sunlight into 'nourishing air.' From love to grief to gratitude to awe, this collection gives us lessons in the language of trees, crucial lexicons with which to navigate climate emergency." -Rita Wong, activist-poet, author of Current, Climate: The Poetry of Rita Wong

"In this eclectic grove of poems written and gathered on the body of trees, poets inflect, root, bend towards the mythopoetic, listening with love to arboreality, walking the path towards tree immersion. 'Make no mistake, I saw them relax their limbs and droop. Settling into their dreams.' A language that will always mystify and sustain us. Enjoy this collection and touch wood. 'tree, tell me what have you done with death.' 'today i ate chainsaws for breakfast.'" -Mona Fertig, editor of Love of the Salish Sea Islands and 111 West Coast Literary Portraits

"The tree is in the midst of an intellectual renaissance, judging by all the books on the lifeways, politics and communicative tendencies of networked forests. But poets have always been a People of the Tree, and the arboreal fund gathered in Worth More Standing covers the roots and branches of the entwined process of 'becoming both human and tree.' Our fate and the fate of forests have never been more entangled. This is a gorgeous and necessary collection, to be returned to again and again."-Governor General's Award-nominated poet Stephen Collis

"A masterpiece in cultural diversity unified with a call to action, Worth More Standing is a celebratory awakening to all Earth Citizens to see trees as far more valuable than in board feet of lumber. Our unified purpose must be to honour the old growth as we would our ancestors. Such forests and trees have been with us as long as we have been human. Their destruction means the loss of an essential component of our humanity." -Paul Stamets, award-winning mycologist, author, and bee protector

Additional Information
240 pages | 6.00" x 9.00" | Paperback 

Authenticity Note: Not all of this work's contributors are Indigenous.

Ndè Sii Wet'aà: Northern Indigenous Voices on Land, Life, & Art is a collection of essays, interviews, short stories and poetry written by emerging and established northern Indigenous writers and artists. Centred on land, cultural practice and northern life, this ground-breaking collection shares wealth of Dene (Gwichʼin, Sahtú, Dehcho, Tłı̨chǫ, Saysi, Kaska, Dënesuiné, W?ìl?ìdeh ) Inuit, Alutiiq, Inuvialuit, Métis, Nêhiyawak (Cree), Northern Tutchone, and Tanana Athabascan creative brilliance. Ndè Sii Wet'aà holds up the voices of women and Two Spirit and Queer writers to create a chorus of voices reflecting a deep love of Indigenous cultures, languages, homelands and the north. The book includes a series of pieces and interviews from established northern artists and musicians including Leela Gilday, Randy Baillargeon (lead singer for the W?ìl?ìdeh Drummers), Inuit sisters, song-writers and throat singers Tiffany Ayalik and Inuksuk Mackay of Piqsiq, Two Spirit Vuntut Gwitchin visual artist Jeneen Frei Njootli, Nunavik singer-songwriters Elisapie and Beatrice Deere and visual artist Camille Georgeson-Usher. Ndè Sii Wet'aà also includes writing from well-known northern writers Siku Allooloo, T'áncháy Redvers (Fireweed), Antione Mountain (From Bear Rock Mountain), Glen Coulthard (Red Skin, White Masks), Catherine Lafferty (Northern Wildflower, Land-Water-Sky) and Lianne Marie Leda Charlie, in amongst the best emerging writers in the north.

Additional Information
264 pages | 6.00" x 9.00" | Paperback

20.12m: A Short Story Collection of a Life Lived as a Road Allowance Métis celebrates and acknowledges the humble living conditions of Métis Road Allowance families and it exemplifies their grit and tenacity to survive and indeed succeed in the face of so many hardships. “20.12m” refers to the narrow width of many of the road allowances throughout the prairies. This unoccupied crown land became one of the meagre options for many impoverished Métis families as so few owned land.

In this passionate coming of age book, Arnolda Dufour Bowes honours the true-life experiences of her father, Arnold Charles Dufour, a resident of the Punnichy, Saskatchewan Road Allowance community. The strength of the oral tradition has kept these stories solidly in place in Arnolda’s memory. Weaving true elements with those drawn from her own creativity, these five engaging stories share a lived experience that is little-known to most Canadians. This collection of cherished remembrances of this Métis family will also strongly resonate with many other Métis families who lived similar lives. In keeping with the family focus, Arnolda’s sister, Andrea Haughian, skillfully complements these poignant stories with expressive illustrations, which both honour and richly portray road allowance life.

Educator Information
Recommended by publisher for secondary, post-secondary, and adult readers.

Additional Information
Paperback

Daniel is a young Métis man searching for a way to exist in a world of lateral violence, intergenerational trauma and systemic racism. Facing obstacles of his own at every turn, he observes and learns from the lived realities of his family members, friends, teachers and lovers. He finds hope in the inherent connection of Indigenous Peoples to the land, and the permanence of culture, language and ceremony in the face of displacement.

Set in Edmonton, this story considers Indigenous youth in relation to the urban constructs and colonial spaces in which they survive—from violence, whitewashing, trauma and racism to language revitalization, relationships with Elders, restaking land claims and ultimately, triumph. Based on Papaschase and Métis oral histories and lived experience, Conor Kerr’s debut novel will not soon be forgotten.

Reviews
"Kerr has given voice to the reality of Edmonton’s homeless Indigenous youth. People who survive inside of the shadows of what used to be called The City of Champions. The realities of Indigenous youth trying to survive the child welfare system in a city that prides itself on being winners of everything from sport to industry are placed on display. What Kerr has given to us through his humour, and his own lived experience as a Métis hunter and writer, is a fresh voice and one that we will be hearing from for many years to come." — Norma Dunning, author of Tainna, August 2021

"Conor Kerr’s short story collection, Avenue of Champions, is a map of amiskwaciwâskahikan with a host of characters tenderly placed and intricately weaved together. This book firmly held me in its grasp from the very first story and didn’t let go until the book's final lines, at which point I realized my heart had been in my throat the whole time, aching. Like saskatoonberries staining kohkom’s palms, these characters and this novel will live in your skin long past when you are through reading its pages." — Jessica Johns, author of how not to spill, August 2021

Additional Information
224 pages | 5.50" x 8.50" | Paperback

A collection of fiction, poetry, essays and creative non-fiction, this anthology features works by over 20 Indigenous Canadian writers. The book focuses on the effects of colonialism in Canada from both historical and contemporary perspectives.

"These stories are rich in geographies Indigenous peoples journey through today; on streets, in cities, and into the future. These stories will make you think, cry, and heal." —Niigaanwewidam James Sinclair, Editor

Reviews
"Impact: Colonialism in Canada presents writings that are often challenging, thought-provoking, and at times, gut-wrenching. The collection is a testament to strength and resiliency and the potential for healing, both within the Indigenous and non-Indigenous communities. But, it is not easy reading; it demands considerable insight, open-mindedness, and an understanding of an historical concept (i.e. colonialism), all of which point to the book’s being read and/or studied by students in the upper grades of high school. It’s certainly a work that would be a fine reference in a high school library collection, and teachers would find it to be an excellent supplemental text for the study of Aboriginal writers, as well as Canadian history, particularly as a reflection of the impact of colonialism upon Canada’s Indigenous peoples. Highly Recommended." - Joanne Peters, CM Magazine

Educator Information
Recommended for ages 17+ 

Additional Information
198 pages | 5.50" x 8.50"

An intersectional, feminist YA anthology from some of today's most exciting voices across a span of genres, all celebrating body diversity and fat acceptance through short stories.

Fat girls and boys and nonbinary teens are: friends who lift each other up, heroes who rescue themselves, big bodies in space, intellects taking up space, and bodies looking and feeling beautiful. They express themselves through fashion, sports and other physical pursuits, through food, and music, and art. They are flirting and falling in love. They are loving to themselves and one another. With stories that feature fat main characters starring in a multitude of settings, and written by authors who live these lives too, this is truly a unique collection that shows fat young people the representation they deserve.

With a foreword by Aubrey Gordon, creator of Your Fat Friend, and with stories by:
Nafiza Azad, Chris Baron, Sheena Boekweg, Linda Camacho, Kelly deVos, Alex Gino, Claire Kann, amanda lovelace, Hillary Monahan, Cassandra Newbould, Francina Simone, Rebecca Sky, Monique Gray Smith, Renée Watson, Catherine Adel West, Jennifer Yen

Reviews
““A deeply validating and joyful collection! Every Body Shines is the kind of book I've been waiting to see on shelves my whole life.”” —Julie Murphy, New York Times bestselling author of Dumplin'

“Presenting both joys and frustrations, this unapologetically honest collection features characters finding their voices alongside characters who fully embrace their bodies, challenge stereotypes, and refuse to let anything hold them back, effectively dispelling any notion of fatness as a singular perspective.” —Publishers Weekly

“Readers can expect diverse takes on the experience of living as a fat person in modern times [ . . . ], to find characters of different gender identities, sexual orientations, cultural heritages, and race. No longer relegated to comedic relief or token sidekick, these fat teens, who are given multidimensional personalities, face troubles beyond others' views of their size and are given room to cultivate their own identities. A broad selection of genres makes this appealing to an expansive swath of socially conscious readers.” —Booklist, starred review

“Authors unite around body-celebrating fiction. Aubrey Gordon writes movingly about fat friendships and community in the introduction to this 16-story anthology, and readers might describe its stories as an assortment of fat friends holding out hands of welcome. Undeniably earnest and filling an important niche.” —Kirkus Reviews

Educator Information
Recommended for ages 14+

This work includes a contribution from Monique Gray Smith, who is of Cree, Lakota and Scottish ancestry, but the overall work is not Indigenous.

Additional Information
416 pages | 5.51" x 8.25" | Hardcover

On the edge of normal, challenges take many forms — the everday can be an adventure and the ordinary a triumph.

A young woman in a group home investigates a mysterious piece of knitting. An obsessed bag boy does grim battle with a squirrel. A woman, an asparagus bag and a garbageman have a tumultuous short-term relationship. Otherwise unremarkable achievements become epic on the edge of normal.

This uplifting collection explores the world through the eyes of protagonists whose perspectives are informed by their unique circumstances. Some are struggling with physical challenges while others seek to overcome psychological barriers. Far from being defined by their limitations, these characters revel in achievements others take for granted and find wonder in unexpected places. By celebrating the private triumphs of people who are all too often dismissed, Ashton reminds us all of our own humanity.

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200 pages | 5.50" x 8.00"

A powerful, moving anthology that celebrates the breadth of Native poets writing today.

Joy Harjo, the first Native poet to serve as U.S. Poet Laureate, has championed the voices of Native peoples past and present. Her signature laureate project gathers the work of contemporary Native poets into a national, fully digital map of story, sound, and space, celebrating their vital and unequivocal contributions to American poetry.

This companion anthology features each poem and poet from the project—including Natalie Diaz, Ray Young Bear, Craig Santos Perez, Sherwin Bitsui, and Layli Long Soldier, among others—to offer readers a chance to hold the wealth of poems in their hands. The chosen poems reflect on the theme of place and displacement and circle the touchpoints of visibility, persistence, resistance, and acknowledgment. Each poem showcases, as Joy Harjo writes in her stirring introduction, “that heritage is a living thing, and there can be no heritage without land and the relationships that outline our kinship.” In this country, poetry is rooted in the more than five hundred living indigenous nations. Living Nations, Living Words is a representative offering.

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192 pages | 6.43" x 8.62"

Drawing on both lived experience and cultural memory, Norma Dunning brings together six powerful new short stories centred on modern-day Inuk characters in Tainna. Ranging from homeless to extravagantly wealthy, from spiritual to jaded, young to elderly, and even from alive to deceased, Dunning’s characters are united by shared feelings of alienation, displacement and loneliness resulting from their experiences in southern Canada.

In Tainna—meaning “the unseen ones” and pronounced Da‑e‑nn‑a—a fraught reunion between sisters Sila and Amak ends in an uneasy understanding. From the spirit realm, Chevy Bass watches over his imperilled grandson, Kunak. And in the title story, the broken-hearted Bunny wanders onto a golf course on a freezing night, when a flock of geese stand vigil until her body is discovered by a kind stranger.

Norma Dunning’s masterful storytelling uses humour and incisive detail to create compelling characters who discover themselves in a hostile land where prejudice, misogyny and inequity are most often found hidden in plain sight. There, they must rely on their wits, artistic talent, senses of humour and spirituality­ for survival; and there, too, they find solace in shining moments of reconnection with their families and communities.

Awards

• 2021 Governor General's Literary Award for English-language fiction

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160 pages | 5.50" x 8.50"

A bold and breathtaking anthology of queer Indigenous speculative fiction, edited by the author of Jonny Appleseed.

This exciting and groundbreaking fiction collection showcases a number of new and emerging 2SQ (Two-Spirit and queer) Indigenous writers from across Turtle Island. These visionary authors show how queer Indigenous communities can bloom and thrive through utopian narratives that detail the vivacity and strength of 2SQness throughout its plight in the maw of settler colonialism's histories.

Here, readers will discover bioengineered AI rats, transplanted trees in space, the rise of a 2SQ resistance camp, a primer on how to survive Indigiqueerly, virtual reality applications, mother ships at sea, and the very bending of space-time continuums queered through NDN time. Love after the End demonstrates the imaginatively queer Two-Spirit futurisms we have all been dreaming of since 1492.

Contributors include Nathan Adler, Darcie Little Badger, Gabriel Castilloux Calderon, Adam Garnet Jones, Mari Kurisato, Kai Minosh Pyle, David Alexander Robertson, jaye simpson, and Nazbah Tom.

Reviews
"Many of the stories offer portraits of a dead Earth from which new life springs, and all are ultimately uplifting, hinting at a way forward through the darkness of the present. Drawing on deep wells of history and experience, these powerful stories are sure to impress." —Publishers Weekly

"The so-called end times feel so perilously close right now. With such a cacophony of anxiety, despair, and cynicism bearing down on us, it is sometimes easy to forget that Indigenous peoples have been here before, and we still remain to uphold our responsibilities to the world and to one another. Our stories guide us forward into an ever-uncertain future, just as they guide us back home. And as editor Joshua Whitehead affirms in the introduction, Love after the End is a book we need right now - and well beyond the now. The stories here are difficult, they're beautiful, they're hilarious and sad and frightening and hopeful. But more than all of that, they guide us back to ourselves and to our relations on a shimmering trail of song and stardust. The two-spirit visionaries in this collection remind us in so many ways that the world is a wounded relative in need of healing, and that to abandon her in this time of trial is to betray the sacred bonds of kinship that we were meant to carry with courage and compassion. I am grateful beyond words that this book is in the world, and grateful to the writers, artists, and editor for the gift of (re)imagining futures where Indigenous love, liberation, and laughter flourish far beyond the settler imaginary. —Daniel Heath Justice, author of Why Indigenous Literatures Matter

"Each of these smart, stunning, imaginative stories has not only fuelled my imagination but also filled my heart, reminding me how dramatically different it is to experience work written with absolute love. Reading Love after the End is like being handed a glass of fresh water in the middle of the desert." —Alicia Elliott, author of A Mind Spread Out on the Ground

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192 pages | 5.80" x 9.00"

A collection of words and imagery from diverse voices grounded in the land that explore community in relation to time. Filmmaker/writer, Darlene Naponse, curates a gathering of expression about time that has passed, time that is now and time that comes.

Before the Usual Time features contributions by:
Chuquai Billy
Sherwin Bitsui
Emily Clarke
Craig Commanda
Jessie Fiddler
Lori Flinders
Daniel Groulx
Sy Hoahwah
Ajuawak Kapashesit
Leanna Marshall
Darlene Naponse
Joan Naviuyuk Kane
Dennis Saddleman
Ardelle Sagutcheway
Craig Santos Perez
Cathy Smith

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180 pages | 5.50" x 8.50"

Bawaajigan—an Anishinaabemowin word for dream or vision—is a collection of powerful short fiction (urban-fantasy and high-fantasy; alternative histories, and alternative realities; brushes with the supernatural, the prophetic, the hallucinatory, and the surreal) by Indigenous writers from across Turtle Island. Contributors Richard Van Camp, Autumn Bernhardt, Brittany Johnson, Gord Grisenthwaite, Joanne Arnott, Delani Valin, Cathy Smith, David Geary, Yugcetun Anderson, Gerald Silliker Pisim Maskwa, Karen Lee White, Sara Kathryn General, Nathan Niigan Noodin Adler, Francine Cunningham, Christine Miskonoodinkwe Smith, Lee Maracle, Wendy Bone bring you tales about the state of sleep-deprivation where dreams end and reality begins; the tension of television static that conjures a certainty of something terrible about to happen; encounters with spirit guides and spirit enemies; confrontations with ghosts haunting Residential School hallways, and ghosts looking on from the afterlife; and more. These are stories about the strength and power of dream.

Educator Information
This book is number 18 in The Exile Book of Anthology Series.

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257 pages | 5.50" x 8.50"

Dispatches of radical political engagement from people taking a stand against the Dakota Access Pipeline.

It is prophecy. A Black Snake will spread itself across the land, bringing destruction while uniting Indigenous nations. The Dakota Access Pipeline is the Black Snake, crossing the Missouri River north of the Standing Rock Indian Reservation. The oil pipeline united communities along its path—from North Dakota, South Dakota, Iowa, and Illinois—and galvanized a twenty-first-century Indigenous resistance movement marching under the banner Mni Wiconi—Water Is Life! Standing Rock youth issued a call, and millions around the world and thousands of Water Protectors from more than three hundred Native nations answered. Amid the movement to protect the land and the water that millions depend on for life, the Oceti Sakowin (the Dakota, Nakota, and Lakota people) reunited. A nation was reborn with renewed power to protect the environment and support Indigenous grassroots education and organizing. This book assembles the multitude of voices of writers, thinkers, artists, and activists from that movement.

Through poetry and prose, essays, photography, interviews, and polemical interventions, the contributors, including leaders of the Standing Rock movement, reflect on Indigenous history and politics and on the movement’s significance. Their work challenges our understanding of colonial history not simply as “lessons learned” but as essential guideposts for current and future activism.

Contributors: Dave Archambault II, Natalie Avalos, Vanessa Bowen, Alleen Brown, Kevin Bruyneel, Tomoki Mari Birkett, Troy Cochrane, Michelle L. Cook, Deborah Cowen, Andrew Curley, Martin Danyluk, Jaskiran Dhillon, Roxanne Dunbar-Ortiz, Liz Ellis, Nick Estes, Marcella Gilbert, Sandy Grande, Craig Howe, Elise Hunchuck, Michelle Latimer, Layli Long Soldier, David Uahikeaikalei‘ohu Maile, Jason Mancini, Sarah Sunshine Manning, Katie Mazer, Teresa Montoya, Chris Newell, The NYC Stands with Standing Rock Collective, Jeffrey Ostler, Will Parrish, Shiri Pasternak, endawnis Spears, Alice Speri, Anne Spice, Kim TallBear, Mark L. Tilsen, Edward Valandra, Joel Waters, Tyler Young.

Reviews
"As our songs and prayers echo across the prairie, we need the public to see that in standing up for our rights, we do so on behalf of the millions of Americans who will be affected by this pipeline."—David Archambault II, from the interior

"There is no alternative to water. There is no alternative to this Earth. This fight has become my life, and it’s not over. I think this is only the beginning for me, for all of us. Do you want a future for your children and grandchildren? If you want them to have a future then stand with Standing Rock because this is just the beginning of a revolution."—Zaysha Grinnell, from the interior

"We will put our best warriors in the front. We are the vanguard. We are the Hunkpapa Lakota. That means the horn of the buffalo. That’s who we are. We are protectors of our nation of Oceti Sakowin, the Seven Council Fires. Know who we are."—Phyllis Young

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448 pages | 7.00" x 9.00"

“Taaqtumi” is an Inuktitut word that means “in the dark”—and these spine-tingling horror stories by Northern writers show just how dangerous darkness can be. A family clinging to survival out on the tundra after a vicious zombie virus. A door that beckons, waiting to unleash the terror behind it. A post-apocalyptic community in the far North where things aren’t quite what they seem. These chilling tales from award-winning authors Richard Van Camp, Rachel and Sean Qitsualik-Tinsley, Aviaq Johnston, and others will thrill and entertain even the most seasoned horror fan.

Educator & Series Information
Includes stories from northern Indigenous authors.

This book is part of the Taaqtumi series.

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260 pages | 6.00" x 9.00" | b&w illustrations

Nenaboozhoo left us many gifts.

Nenaboozhoo, the creator spirit-being of Ojibway legend, gave the people many gifts. This collection of oral stories presents legends of Nenaboozhoo along with other creation stories that tell of the adventures of numerous beloved animal spirits. The Trail of Nenaboozhoo is a book of art and storytelling that preserve the legends of the Anishinaabe people. Each story is accompanied by strikingly beautiful illustrations by revered Indigenous artists Isaac Murdoch and Christi Belcourt.

Educator & Series Information
From the Forward, by Isaac Murdoch:
"Everything we have can be accredited to the gifts from the spirit world. As we are now in abrupt climate change we can see the world-wide ecological collapse happening before our very eyes. How important was the birch bark canoe? The wigwam? How important were those gifts that were given to us? I think they were very important. They were more than important; they were sacred.

And so its with great hopes and encouragement that I offer these stories as a map to understand how to go back to the old ways. The old people always said we are going to go back to the old ways and I truly believe the time is now. We mustn’t wait.

Nenaboozhoo is a spirit that was brought to the earth who is highly respected to this day by my people. They say when he was in spirit form he went through four levels of power. Through each power he went through he went back to the centre saying he didn’t want to leave. But the Great Mystery told him, “'keep going, keep going, you’re needed somewhere.'

And he made his way through those four powers and ended up on earth. His life here on earth was magical. All the rivers, all of the mountains all of the beautiful colours that we see, were created with Nenaboozhoo and his magical trail on earth. They say one day ten men will go fasting and call Nenaboozhoo back and the world will be new again.

Nothing can stop the power that is here."

This book is part of the Ojibwe History Series.

Recommended in the Canadian Indigenous Books for Schools 2020/2021 resource list for grades 7 to 12 for English Language Arts and Science.

Most stories appear in English and with an Anishinaabemowin translation, but some stories are in English only.

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55 pages | 9.00" x 9.00" | 20 illustrations

A poetic letter to Canada's politicians and leaders. 

Resisting Canada gathers together poets for a conversation bigger than poetic trends. The book's organizing principle is Canada--the Canada that established residential schools; the Canada grappling with the Truth and Reconciliation Commission; the Canada that has been visible in its welcome of Syrian refugees, yet the not-always-tolerant place where the children of those refugees will grow up; the Canada eager to re-establish its global leadership on the environment while struggling to acknowledge Indigenous sovereignty on resource-rich land and enabling further colonization of that land. In the face of global conflicts due to climate change, scarcity, mass migrations, and the rise of xenophobic populisms, Canada still works with a surface understanding of its democratic values--both at their noblest and most deceptive.

The work included in Resisting Canada--by celebrated poets such as Lee Maracle, Jordan Abel, Billy-Ray Belcourt, Louise Bernice Halfe, Michael Prior, and Leanne Betasamosake Simpson--addresses, among other things, Indigenous agency, cultural belonging, environmental anxieties, and racial privilege. These poems ask us to judge and resist a statecraft that refuses to acknowledge past and present wrongs. Think of Resisting Canada as a poetic letter to Canada's politicians and leaders.

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280 pages | 5.00" x 7.50"

Adam's Tree is a fictional account of life on the Cowesses First Nation in Saskatchewan during the 1940's and 50's. This period in history finds forces like regulatory policy, World War II, systemic racism, and the long reach of the depression defining reserve life and rural relationships. These short stories are told from the perspective of various characters on the reserve: an Indigenous teenage girl named Sophie, men who return to Cowesses after the war, struggling with untreated and unacknowledged PTSD, settlers like the local school teacher and the "Indian agent".

This book contributes to the dialogue on reconciliation, freeing Indigenous voices during a period of time that is rarely written about. It encourages readers to examine the sources and meaning of today's inheritance of complex relations.

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220 pages | 5.50" x 8.50"

A short story collection by Cherie Dimaline.

The inspiration for the collection comes from American Poet Charles Bukowski who wrote "In between the punctuating agonies, life is such a gentle habit." Following this theme of extraordinary ordinariness, A Gentle Habit is a collection of six new short stories focusing on the addictions of a diverse group of characters attempting normalcy in an unnatural world.

Reviews
"Cherie Dimaline is a fantastic writer, her prose a gorgeous tightrope walk between the traditional and contemporary. One of our most fresh and exciting voices." - Joseph Boyden, author of award-winning novel The Orenda.

“Cherie Dimaline has strongly established herself as a gifted, essential voice in the vibrant realm of global Indigenous literature. The compelling journeys she creates for her richly complex characters invoke the profound storytelling of her Anishinaabe heritage. With A Gentle Habit, Dimaline delivers yet another beautiful set of influential stories that take modern Indigenous writing on a bold, exciting path forward.” – Waubgeshig Rice, CBC Journalist and author of Midnight Sweatlodge and Legacy.

Additional Information 
250 pages | 6.00" x 9.00"

Snuneymuxw Elder and storyteller Ellen White shares four stories handed down to her from her grandparents and their ancestors.

Legends and Teachings of Xeel’s, the Creator contains four short stories centering around themes such as communication, connection, teaching and respect. The stories featured include: “The Creator and the Flea Lady, The Boys Who Became a Killer Whale, The Sockeye That Became a Rainbow, and The Marriage of the Seagull and the Crow.” Each story is accompanied by a companion piece developed by the storyteller Ellen Rice White (Kwulasulwut) which provides cultural context and an explanation of some of the lessons found in each story.

In the story “The Creator and the Flea Lady”, a Flea mother asks for help saving her premature infant. The Flea woman is reminded of her connection to the many energies surrounding her by Xeel’s and the energies themselves.

In “Boys Who Became a Killer Whale”, eager learners frustrated with the pace and demeanour of their traditional teachers reach beyond what they know and encounter tragedy.

In both the “Sockeye That Became a Rainbow” and “The Marriage of the Seagull and the Crow”, respect and acceptance of the differences of others are central components of the stories. The protagonists struggle with their relationships and the differences they have with their partners.

Educator Information
Please Note: These are a set of uncensored, traditional stories.  The content is meant to provide traditional teachings. 

Each of the four stories in the book is accompanied by a discussion piece that provides cultural context and questions for the reader to consider.  Huĺq̓ umín̓ um̓ language is used throughout.  A glossary can be found at the back of the book.

Some subject matter may not be suitable for some readers.

Recommended in the Canadian Indigenous Books for Schools 2019-2020 resource list as being useful for grades 9 to 12 for English Language Arts.

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112 pages | 6.75" x 9.75"

This groundbreaking anthology from territory that is now Saskatchewan, kisiskâciwan, includes rich oral narratives from Cree, Saulteaux, Nakoda, Dakota, Dene, and Métis cultures; early writings from Cree missionaries; speeches and letters by Treaty Chiefs; stories from elders; archival discoveries; and contemporary literary works in all genres.

Historically and culturally comprehensive, voices include Big Bear, Thunderchild, Louis Riel, Gabriel Dumont, Edward Ahenakew, Maria Campbell, Buffy Sainte-Marie, Rita Bouvier, Harold Johnson, Gregory Scofield, Warren Cariou, Louise Halfe, and many more.

Educator Information
The collected works in this anthology would be useful for high school and college/university courses.  All the works in this anthology are connected to Saskatchewan in some way.  Some themes include Residential Schools, family, resilience, the Sixties Scoop, and coming of age.

Recommended resource for Grades 10-12 for these subjects: Drama, English Language Arts, Social Studies.

Caution: Some of the works in this anthology contain mature subject matter, such as discussion of abuse, violence, sexuality, etc. 

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300 pages | 6.00" x 9.00"

Authenticity Note: This work is labelled as containing Authentic Indigenous Text because of the contributions from Indigenous Peoples.

Indian Act is a tribute and thank you to those who survived the Indian Residential School system so that future generations could be free to pursue their lives unhindered by educationally enforced lowered expectations and institutionalized abuse. Plays by contemporary First Nations and Métis playwrights cover the broad scope of residential school experiences, all kinds of characters, and no stereotypes, giving voice to those who could not be heard.

Includes the plays:
Bunk #7 by Larry Guno
God and the Indian by Drew Hayden Taylor
They Know Not What They Do by Tara Began
A Very Polite Genocide or The Girl Who Fell to Earth by Melanie J. Murray
Kihew by Curtis Peeteetuce
Dear Mr. Buchwald by Yvette Nolan

Educator Information
Recommended resource for Grades 10-12 English Language Arts, Drama, and Acting.  

Caution: Some plays contain mature subject matters and cover themes of substance abuse, sexual and physical violence, etc.  Some plays are not appropriate for high school use and may be better suited for college-level courses. 

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392 pages | 6.00" x 9.00"

Explore the past 150 years through the eyes of Indigenous creators in this groundbreaking graphic novel anthology. Beautifully illustrated, these stories are an emotional and enlightening journey through Indigenous wonderworks, psychic battles, and time travel. See how Indigenous peoples have survived a post-apocalyptic world since Contact.

Watch for new stories and familiar characters:

• Métis businesswoman Annie Bannatyne and Louis Riel
• Oka Crisis, Meech Lake Accord, and Kelowna Accord
• the Berger Inquiry into the Mackenzie Valley Pipeline
• Jack Fiddler, an Anishinaabe shaman charged as a serial killer
• Rosie, an Inuk girl coming of age during WWII
• wâpanacâhkos, an Indigenous woman sent back from the future to the early 2000s
• fishing raids and salmon wars in Listuguj, Quebec
• Francis Pegahmagabow, WWI sniper and veterans’ rights activist
• the impact of the Sixties Scoop and the child welfare system
• Chief Billy Assu and the potlatch bans in British Columbia

Reviews
Niigaanwewidam James Sinclair, one of the contributors to this work, says the book is, an “opportunity to shine a light on the stories most Canadians haven’t heard, to learn from Indigenous communities from 1867 to present day—whether these stories are influenced by the creation of Canada or not." 

"…breathtaking comics anthology…this mix of powerful storytelling and memorable illustrations is a place to begin a dialogue with Indigenous peoples in Canada." —The Globe and Mail

"The anthology is visually gorgeous. Each story is powerfully conveyed, reflecting a time and moment in the Indigenous history of Canada…great read for any age." —Quill & Quire, starred review

"This Place is the graphic novel I’ve waited my whole life for, and the graphic novel Canada has needed for 150 years. The stories contained within its pages are both beautifully rendered and vitally necessary. They represent a history not only largely untold and unknown, but one obscured, hidden from sight, so that other stories may occupy a privileged place in the defining a national story. Their importance is exquisitely captured on these pages, told by some the leading artists working today. This is an essential book, for comic fans, teachers and anyone who wants to learn the stories of this place we now share." —Jesse Wente, broadcaster and film critic

"A landmark collection of Indigenous comics that redraws how we understand the past, present, and future of Indigenous communities and cultures since Confederation. Each chapter immerses us in a gripping story about real people brought to life through vivid and affecting artwork. This collection proves the power of comics storytelling to create fresh pathways to knowledge and new ways of envisioning Indigenous experiences." —Candida Rifkind, University of Winnipeg

"This is the power of storytelling. It’s going deeper and truer than the history books and the newspaper accounts. It’s bringing the stories to the people for the people and doing it for the right reasons: to teach and to illuminate. This Place: 150 Years Retold is the dawn to a new storytelling tradition that doesn’t need to be held back. It should be shouted forward from now on." —Helen Kubiw, CanLit for LittleCanadians

Educator Information
This graphic novel is recommended for ages 15+.

Recommended in the Canadian Indigenous Books for Schools 2019-2020 resource list for grades 7 to 12 for Art Education, English Language Arts, Law, and Social Studies.

These stories refer to real incidents and include graphic violence, abuse, and death.

A teacher's guide is available: This Place: 150 Years Retold Teacher Guide

Additional Information
250 Pages

Master Tłı̨chǫ storyteller and bestselling author Richard Van Camp captures the shifting and magical nature of the North in this stunning collection of short stories.

The characters of Moccasin Square Gardens inhabit Denendeh, the land of the people north of the sixtieth parallel. These stories are filled with in-laws, outlaws and common-laws. Get ready for illegal wrestling moves (“The Camel Clutch”), pinky promises, a doctored casino, extraterrestrials or “Sky People,” love, lust, and prayers for peace. 

While this is Van Camp’s most hilarious short story collection, it’s also haunted by the lurking presence of the Wheetago, human-devouring monsters of legend that have returned due to global warming and the greed of humanity. The stories in Moccasin Square Gardens show that medicine power always comes with a price. 

To counteract this darkness, Van Camp weaves a funny and loving portrayal of the Tłı̨chǫ Dene and other communities of the North, drawing from oral history techniques to perfectly capture the character and texture of everyday small-town life. “Moccasin Square Gardens” is the nickname of a dance hall in the town of Fort Smith that serves as a meeting place for a small but diverse community. In the same way, the collection functions as a meeting place for an assortment of characters, from shamans and time-travelling goddess warriors to pop-culture-obsessed pencil pushers, to con artists, archivists and men who just need to grow up, all seeking some form of connection.

Educator Information
Recommended in the Canadian Indigenous Books for Schools 2019-2020 resource list as being useful for grades 11 and 12 for these subjects: English Language Arts, Media Studies, Social Studies.

Includes mature language, sexual references, gory violence, and content related to sexual abuse and trauma.

Additional Information
160 pages | 5.50" x 8.50"