Indigenous Peoples in Canada

With Cole barely clinging to life, Eva fearlessly takes the lead to investigate Mihko’s diabolical experiments. But where’s Brady?

After finding out Mihko reinstated the Reckoner Initiative in Breakdown, Cole and Eva confronted Mihko head-on. But when Eva stumbles across a secret laboratory, she finds her worst nightmares come to life. After a vicious battle with Mihko’s newest test subject leaves Cole close to death, Eva is forced to continue their investigation without him. With Brady missing and Cole in recovery, Eva is on her own.

What new terrors has Mihko created? Can they be stopped? And can Eva find Brady before it’s too late?

Awards

• Manuela Dias Book Design and Illustration Awards, Graphic Novel 2023 Winner

Educator & Series Information
Recommended for ages 15 to 18.

This graphic novel series, The Reckoner Rises, is a continuation of The Reckoner trilogy.  This is the first volume in the series.

Subjects / Themes: Indigenous, Science Fiction, Mental Illness, Superheroes

Additional Information
80 pages | 6.50" x 10.00" | Paperback

Written by leading Indigenous and non-Indigenous scholars, Voicing Identity examines the issue of cultural appropriation in the contexts of researching, writing, and teaching about Indigenous peoples. This book grapples with the questions of who is qualified to engage in these activities and how this can be done appropriately and respectfully.

The authors address these questions from their individual perspectives and experiences, often revealing their personal struggles and their ongoing attempts to resolve them. There is diversity in perspectives and approaches, but also a common goal: to conduct research and teach in respectful ways that enhance understanding of Indigenous histories, cultures, and rights, and promote reconciliation between Indigenous and non-Indigenous peoples.

Bringing together contributors with diverse backgrounds and unique experiences, Voicing Identity will be of interest to students and scholars studying Indigenous issues as well as anyone seeking to engage in the work of making Canada a model for just relations between the original peoples and newcomers.

Reviews
"This book is a beautiful and fearless gift to those willing to be challenged about popular public claims regarding a range of cultural appropriation issues. The editors and contributors have created a rich and contextual resource to generate critical conversations about forms of lateral violence and unproductive silencing, and about our need for ‘deliberate unknowing’ so we have space for real learning, practical institutional change, and inclusivity. This collection invites us to ask how ‘Raven steals the sun,’ making sure ‘we look both ways’ when reconsidering history, and thinking about the ‘we’ and the ‘ours.’"— Val Napoleon, IPC, Cree, Saulteau First Nation, Acting Dean and Professor and Law Foundation Chair of Indigenous Justice and Governance, Faculty of Law, University of Victoria

"A highly stimulating and engaging contribution to a much-debated topic – all the more absorbing because the authors come from a wide range of backgrounds and ground their contributions in their personal experiences. Essential reading for anyone with an interest in the subject."— Brian Slattery, Professor Emeritus, Osgoode Hall Law School, York University

Educator Information
Table of Contents
Introduction
John Borrows and Kent McNeil

1. Su-taxwiye: Keeping My Name Clean
Sarah Morales

2. At the Corner of Hawks and Powell: Settler Colonialism, Indigenous People, and the Conundrum of Double Permanence
Keith Carlson

3. Look at Your "Pantses": The Art of Wearing and Representing Indigenous Culture as Performative Relationship
Aimée Craft

4. Indigenous Legal Traditions, De-sacralization, Re-sacralization, and the Space for Not-Knowing
Hadley Friedland

5. Mino-audjiwaewin: Choosing Respect, Even in Times of Conflict
Lindsay Borrows

6. How Could You Sleep When Beds Are Burning? Cultural Appropriation and the Place of Non-Indigenous Academics
Felix Hoehn

7. Who Should Teach Indigenous Law?
Karen Drake and A. Christian Airhart

8. Reflections on Cultural Appropriation
Michael Asch

9. Turning Away from the State: Cultural Appropriation in the Shadow of the Courts
John Borrows

10. Voice and Indigenous Rights
Robert Hamilton

11. Guided by Voices? Perspective and Pluralism in the Constitutional Order
Joshua Nichols

12. NONU WEL,WEL TI,Á NE TȺ,EȻEȽ: Our Canoe Is Really Tippy
kQwa'st'not and Hannah Askew

13. Sharp as a Knife: Judge Begbie and Reconciliation
Hamar Foster

14. On Getting It Right the First Time: Researching the Constitution Express
Emma Feltes

15. Confronting Dignity Injustices
Sa’ke’j Henderson

Contributors

Additional Information
336 pages | 6.00" x 9.00" | 5 black and white illustrations | Paperback

The story of an overlooked group of cultural visionaries

The “Micmac Indian Craftsmen” of Elsipogtog (then known as Big Cove) rose to national prominence in the early 1960s. At their peak, they were featured in print media from coast to coast, their work was included in books and exhibitions — including at Expo 67 — and their designs were featured on prints, silkscreened notecards, jewelry, tapestries, and even English porcelain.

Primarily self-taught and deeply rooted in their community, they were among the first modern Indigenous artists in Atlantic Canada. Inspired by traditional Wabanaki stories, they produced an eclectic range of handmade objects that were sophisticated, profound, and eloquent.

By 1966, the withdrawal of government support compromised the Craftsmen's resources, production soon ceased, and their work faded from memory. Now, for the first time, the story of this groundbreaking co-operative and their art is told in full. Accompanying a major exhibition at the Beaverbrook Art Gallery opening in 2022, Wabanaki Modern features essays on the history of this vibrant art workshop, archival photographs of the artisans, and stunning full-colour images of their art.

Wla atukuaqn na ujit ta'nik mu ewi'tamuki'k tetuji kelulkɨpp ta'n teli amaliteka'tijik

Wla “Mi'kmewaqq L'nue'k amaliteka'tijik” tlo'ltijik Elsipogtog (amskweseweyekk i'tlui'tasikɨpp Big Cove) poqji wuli nenupnikk wla amaliteka'tijik 1960ekk. Je wekaw wutlukowaqnmuwow ika'tasikɨpp wikatikniktuk aqq ne'yo'tasikɨpp ta'n pukwelk ta'n wen nmitew — je wekaw Expo 67 — aqq ta'n koqoey kisi napui'kmi'tipp tampasɨk koqoey eweketu'tij stike' l'taqnewi'kasik, napui'kn misekn, wi'katikne'ji'jk, meko'tikl kuntal, kaqapitkl l'taqa'teke'l, aqq wekaw akalasie'we'k eptaqnk. Nekmow na kekina'masultijik aqq melki knukwi'tij ta'n tett telayawultijik, nekmow na amskewsewa'jewaqq l'nu'k tel nenujik ujit ta'n teli amaliteka'tijik ujit Atlantic Canada. Pema'lkwi'titl a'tukuaqnn ta'n sa'qewe'l, ta'n wejiaqel a'tukuaqnn Wabanaki, l'tu'tipp kaqasi milamu'k koqowey toqo eweketu'titl wutpitnual tetuji moqɨtekl, ma'muntekl, aqq weltekl.

Wekaw 1966ekk, kpno'l pun apoqnmuapni wla amaliteka'tikete'jɨk jel kaqnma'tijik ta'n koqoey nuta'tipp, amuj pana pun lukutipnikk, aqq tel awantasuwalutki'k. Nike', amskwesewey, wla a'tukuaqn tetuji msɨki'kɨpp wla wut lukewaqnmuwow etel kaqi a'tukwasikk. Wije'tew meski'k neya'tmk Beaverbrook Art Gallery pana'siktetew 2022al, Wabanaki Modern na pema'toql wikikaqnn ujit ta'n pemiaqɨpp wla tetuji wulamu'kɨpp kisitaqnne'l telukutijik, maskutekl sa'qewe'l napuikasikl toqo nemu'jik etl-lukutijik wla lukewinu'k, aqq sikte wultek aqq welamu'k ta'n koqoey kisitu'tij.

L'histoire d'un groupe de visionnaires culturels ignorés

Un groupe d'artisans mi'kmaw d'Elsipogtog (autrefois Big Cove) au Nouveau-Brunswick se fit connaître à travers le Canada au début des années 1960. À l'apogée de leur renommée, les Micmac Indian Craftsmen firent l'objet d'articles dans des publications d'un océan à l'autre. Leur travail figura dans des livres et des expositions — dont Expo 67 à Montréal — et leurs œuvres graphiques furent reproduites sous forme de gravures et de sérigraphies, et elles ornèrent de la papeterie, des bijoux, des tapisseries et même de la porcelaine anglaise.

En grande partie autodidactes et solidement enracinés dans leur communauté, les Micmac Indian Craftsmen furent parmi les premiers artistes autochtones modernes au Canada atlantique. En s'inspirant de récits traditionnels wabanakis, ils fabriquaient à la main une gamme variée d'objets raffinés, évocateurs et porteurs d'un sens profond.

En 1966, toutefois, le gouvernement retira son soutien. Les Craftsmen perdirent leur financement, la production cessa peu après et leur œuvre finit par être oubliée. Une nouvelle publication relate maintenant, pour la première fois, l'histoire complète de cette coopérative innovatrice et de ses réalisations. Publié dans le cadre d'une grande exposition qui a lieu à la Galerie d'art Beaverbrook en 2022, Wabanaki Moderne comprend des textes sur l'histoire de cet atelier dynamique, des photographies d'archives des artisans et de superbes illustrations couleur de leurs œuvres.

Educator Information
Delivered in three languages: English, Mi'kmaw, and French

Additional Information
228 pages | 10.00" x 10.00" | Paperback | 96 Colour Reproductions and Photos, 26 Black and White Illustrations and Archival Photos 

In the winter of 1876, a baby is born to Anishinaabe parents along the trapline in the northern Ontario wilderness. Seventy-five years later, her granddaughter is seeking information about her grandmother's life, why her family is so fractured, and what part the residential school played in the dysfunction and estrangement which has shaped her own life. To that end, twenty—two-year-old Janey enlists the help of a hypnotist who regresses Janey back to a time when Indigenous people in Canada lived off the land, supported each other and raised their children without outside interference. But when settlers began to arrive and residential schools were established, all that changed.

In her hypnotic state, Janey is able to follow her grandmother, Wabanang (Morning Star) as a child, as a residential school student and as a medicine woman for her people. But the seeds of distrust and fear sown along the way are destroying her family. Estranged from her mother and living with her only relative, Janey must find her own way through the smoke of confusion to discover who she is.

Although this is a work of fiction. The author has drawn on her own family's history, ceremonies and visions from her own life, stories shared with her by respected elders, as well as many years of researching her own and other families.

Additional Information
232 pages | 5.51" x 8.46" | Paperback

An Indigenous teen girl is caught between two worlds, both real and virtual, in the YA fantasy debut from bestselling Indigenous author Wab Kinew. Perfect for fans of Ready Player One and the Otherworld series.

Bugz is caught between two worlds. In the real world, she's a shy and self-conscious Indigenous teen who faces the stresses of teenage angst and life on the Rez. But in the virtual world, her alter ego is not just confident but dominant in a massively multiplayer video game universe.

Feng is a teen boy who has been sent from China to live with his aunt, a doctor on the Rez, after his online activity suggests he may be developing extremist sympathies. Meeting each other in real life, as well as in the virtual world, Bugz and Feng immediately relate to each other as outsiders and as avid gamers. And as their connection is strengthened through their virtual adventures, they find that they have much in common in the real world, too: both must decide what to do in the face of temptations and pitfalls, and both must grapple with the impacts of family challenges and community trauma.

But betrayal threatens everything Bugz has built in the virtual world, as well as her relationships in the real world, and it will take all her newfound strength to restore her friendship with Feng and reconcile the parallel aspects of her life: the traditional and the mainstream, the east and the west, the real and the virtual.

Reviews
"This smart, entertaining speculative novel gives readers a unique and moving portrait of young life — and the possibilities for gaming life — from a tribally specific corner of the world." —Publishers Weekly

"A thrilling, high-tech page-turner with deep roots." —Kirkus Reviews

Educator & Series Information
Recommended for ages 12+.

This book is part of the Floraverse series.

This book is available in French: Un pied dans chaque monde

Additional Information
304 pages | 5.50" x 8.20" | Paperback

Pinesiw Iskwew, Thunder Woman, Dr. Marlyn Cook, member of Misipawistik Cree Nation is the author of Walking the Red Road for Healing. This book is based on her life and journey as a Cree Woman, Pipe Carrier, Sundancer, Sweat Lodge Keeper, and medical doctor (graduate MD 1987). She believes the approach for healing must be holistic and that our Traditional Healers work alongside physicians in our Indigenous communities. Dr. Marlyn Cook shares her own experiences of colonialism and how this affected her, her family and her community. Through her reflections of her Indigenous Knowledge, her Traditional Teachings of Ceremonies and Medicines, she acknowledges the resilience of communities in their healing and provides ways to heal. Dr. Cook’s intention in this powerful book is to bring us together in Truth and Reconciliation. This book will resonate with health, social, and justice prac

Educator Information
Keywords / Themes: Adult Education, Health & Healing, Traditional Teachings, Indigenous Knowledge, Truth and Reconciliation.

Additional Information
Pages: 200 | Paperback

This collection takes a holistic view of well-being, seeking complementarities between Indigenous approaches to healing and Western biomedicine. Topics include traditional healers and approaches to treatment of disease and illness; traditional knowledge and intellectual property around medicinal plant knowledge; the role of diet and traditional foods in health promotion; culturally sensitive approaches to healing work with urban Indigenous populations; and integrating biomedicine, alternative therapies, and Indigenous healing in clinical practice. Throughout, the voices of Elders, healers, physicians, and scholars are in dialogue to promote Indigenous community well-being through collaboration. This book will be of interest to scholars in Indigenous Studies, medicine and public health, medical anthropology, and anyone involved with care delivery and public health in Indigenous communities.

Contributors: Darlene Auger, Dorothy Badry, Margaret David, Meda DeWitt, Hal Eagletail, Gary L. Ferguson III, Marc Fonda, Annie Goose, Angela Grier (Pioohksoopanskii), Leslie Main Johnson, Allison Kelliher, Patrick Lightning, Mary Maje, Maria Mayan, Ruby E. Morgan, Richard T. Oster, Ann Maje Raider, Camille (Pablo) Russell, Ginetta Salvalaggio, Ellen L. Toth, Harry Watchmaker

Additional Information
272 pages | 6.00" x 9.00" | Paperback 

Wapke—meaning “tomorrow” in the Atikamekw language—is Quebec’s first collection of science fiction short stories by Indigenous writers. Fourteen authors from various nations and different backgrounds project us into the future through their moving, poetic, worrying, and sometimes fantastical tales, addressing current social, political, and environmental themes. From time travelling Indigenous warriors to rebellious language and knowledge keepers, from Big Trees in a lake to a human sausage factory, from living on the land to living in cyberspace, these stories provide a trans-Indigenous colonial critique. The brainchild of Michel Jean, Wapke can be read on different levels: as pure entertainment for sci-fi fans or as a stimulant to serious reflection. It offers an often-captivating social commentary that reveals how Indigenous people view the future as well as a hope that change will come.

Educator Information
This book is available in French: Wapke

Additional Information
160 pages | 5.00" x 8.00" | Paperback

A “kunik” is a traditional Inuit greeting, often given to loved ones, in which a person places their nose on another’s cheek and breathes them in. Where the Sea Kuniks the Land extends that gesture of love to the Arctic landscape, in a suite of poems that celebrates the interconnectedness of people and place, past and present.

The importance of land, culture, and identity play key roles in these poems, and the collection will move readers to think deeply about colonization, intergenerational trauma, and grief.

This collection paints beautiful pictures of Arctic landscapes, love stories, and growth. It will take readers on a journey through the seasons, from fierce snowstorms to a warm field of Labrador tea flowers.

Additional Information
80 pages | 7.00" x 9.25" | Paperback

Missy’s sweet sixteenth is just around the corner, but her last three birthdays haven’t exactly been cause for celebration. Her beloved little brother died when she turned thirteen and now birthdays are just painful reminders of the void in their lives. If only she had walked him to school that morning like she was supposed to ...

To add fuel to the fire, Missy’s mom was arrested just before she could blow out the candles on her fifteenth birthday.

To escape her guilt and her father’s alcohol-induced rages, Missy volunteers at a nearby store where she busies herself to shut out the feelings that her therapist seems to be pushing her to feel.

But then Missy meets Luke — a new classmate she cannot stop thinking about. Luke understands what she is going through more than anybody, but will Missy ever be able to let him in?

Educator Information
Recommended for ages 13 - 18.

Additional Information
224 pages | 5.37" x 8.00" | Paperback

This book continues the charming story of Lillian and Kokomis, the award-winning book about a complex and not-always-lovable foster kid who finds a sense of peace and belonging from a surprising spirit that returns her to traditional ways, legends, and Indigenous ways of knowledge. Why Are You Still Here? uncovers the mystery of ghosts and spirits that live behind a window at the family farm.

Reviews
"This is a page-turner story with a long-awaited validation of how children have a natural spiritual intelligence. This is a gift in children that needs to be nurtured. Bravo Lillian!" — Robin Decontie MSW, CFNHM, Director, Kitigan Zibi Health and Social Services

"It was my pleasure to pre-read the latest book in the Lillian series. Lynda Partridge takes the reader from the easy chair to the farm to join Grace, Chloe, and Lillian as they work together to understand the mysterious messages coming from the old barn. Reading this story, I was captured by the blending of tradition, culture and the current day pandemic. I also appreciated the messages that Lynda weaves into her writing about appreciating the wisdom of the children as well as the elders. A very good read for all ages!…" —Leo Massi MSW, RSW, Executive Dircetor, H-N REACH

"Lynda Partridge’s latest book from the life of l is an excellent read for children and adults as well. I found myself enthralled, deeply curious about the mystery in the barn. Lynda takes you into the lives of the family on the farm, blending her Indigenous culture and spirituality into this mystery. As you read; you get caught up, the story is so thought provoking and very difficult to put down." —Sandy Herkimer

Educator Information
Recommended for grades 6 to 9. 

This book is part of the Indigenous Spirit of Nature series.

This book is also the second book in the Lillian Mystery series. 

Additional Information
128 pages | 6.00" x 9.00" | 10 Black and White Illustrations | Paperback 

In his commanding poetry debut, Wolf Sonnets, R. P. LaRose undoes the sonnet's classical constraints, retooling the form for current political circumstances. Packed with family lore, these poems reflect on how deeply we can trust the terms we use to construct our identity. A proud citizen of the Métis Nation, LaRose even questions his right to identify as such: "I was made in someone else's home," he writes. Wolf Sonnets is verse obsessed with names, infinity, numbers, categories, and interconnectedness. Depicting his ancestors as wolves--symbols of survival and protection--LaRose brings fresh insight to his wider poetic project: castigating the inequality, greed, and racism inherent to colonialism.

Additional Information
80 pages | 5.00" x 7.50" | Paperback

Poets, both settler and Indigenous, pay tribute to trees through reflections on the past, connections to the present, and calls for the protection of our future.

In Worth More Standing: Poets and Activists Pay Homage to Trees, celebrated poets and activists pay homage to the ghosts of lost forests and issue a rallying cry to protect remaining ancient giants and restore uncolonized spaces.

Themes of connection, ecology, grief, and protection are explored through poems about trees and forests written by an impressive number of influential poets, several of whom have attended the recent Fairy Creek blockades and still others who defended BC's old growth trees in Clayoquot Sound nearly 30 years ago.

Contributors include ninth Parliamentary Poet Laureate Louise Bernice Halfe-Sky Dancer, GG winner Arleen Paré, Canadian icon bill bissett, Griffin Poetry Prize winner Eve Joseph, ReLit Award winner Patrick Friesen, Joy Kogawa, Fiona Tinwei Lam, Harold Rhenisch, Jay Ruzesky, John Barton, Kate Braid, Kim Trainor, Kim Goldberg, Pamela Porter, Patricia and Terence Young, Russell Thornton, Sonnet L’Abbé, Susan McCaslin, Susan Musgrave, Tom Wayman, Trevor Carolan, Yvonne Blomer, Zoe Dickinson and the late Pat Lowther.

Reviews
"This anthology grounds us in the earth's daily miracles, also known as trees, reminding us not to take them for granted. These poems acknowledge how we rely on and are part of a life force much bigger and wiser than us, giving us glimpses into the sacredness that trees make as they unconditionally transform sunlight into 'nourishing air.' From love to grief to gratitude to awe, this collection gives us lessons in the language of trees, crucial lexicons with which to navigate climate emergency." -Rita Wong, activist-poet, author of Current, Climate: The Poetry of Rita Wong

"In this eclectic grove of poems written and gathered on the body of trees, poets inflect, root, bend towards the mythopoetic, listening with love to arboreality, walking the path towards tree immersion. 'Make no mistake, I saw them relax their limbs and droop. Settling into their dreams.' A language that will always mystify and sustain us. Enjoy this collection and touch wood. 'tree, tell me what have you done with death.' 'today i ate chainsaws for breakfast.'" -Mona Fertig, editor of Love of the Salish Sea Islands and 111 West Coast Literary Portraits

"The tree is in the midst of an intellectual renaissance, judging by all the books on the lifeways, politics and communicative tendencies of networked forests. But poets have always been a People of the Tree, and the arboreal fund gathered in Worth More Standing covers the roots and branches of the entwined process of 'becoming both human and tree.' Our fate and the fate of forests have never been more entangled. This is a gorgeous and necessary collection, to be returned to again and again."-Governor General's Award-nominated poet Stephen Collis

"A masterpiece in cultural diversity unified with a call to action, Worth More Standing is a celebratory awakening to all Earth Citizens to see trees as far more valuable than in board feet of lumber. Our unified purpose must be to honour the old growth as we would our ancestors. Such forests and trees have been with us as long as we have been human. Their destruction means the loss of an essential component of our humanity." -Paul Stamets, award-winning mycologist, author, and bee protector

Additional Information
240 pages | 6.00" x 9.00" | Paperback 

Authenticity Note: Not all of this work's contributors are Indigenous.

Indigenous Medicine Woman Asha Frost invites readers to learn the healing medicine of the 13 Ojibway moons and the spirit animals that will guide their wisdom journey.

If you are drawn to Indigenous Medicine ways, you, too, have power and beauty in your own lineage waiting to be discovered.

Follow the path of the 13 Ojibway moons with animal spirits as your guides to unlock powerful teachings that will help you directly experience your own medicine connection to your inherent healing powers. If you feel you don't have access to your roots, ancestors, or spiritual connection and you look outside of yourself for answers, you are forgetting the medicine you need lives within you.

Through storytelling, personal reflections, ceremonies, rituals, and shamanic journeys, readers will learn to apply ancient wisdom and ancestral medicine to their own lives in meaningful ways that are respectful and conscious of the stolen lands, lives, and traditions of Indigenous peoples.

Discover how to:
• Ground and root into your own lineage and your ancestral guides.
• Connect to spirit and your innate healing powers in your own unique way.
• Practice self-care and rest on your journey.
• Return ancestral ways of cleansing and purifying.
• Trust and surrender in order to manifest.
• Remember your dreams and use them in your daily life.
• Release self-doubt, fear, disconnection, and insecurity.

Additional Information
280 pages | 5.50" x 8.50" | Paperback

Larry Loyie, award-winning Cree author, educator, and playwright writes honestly, tenderly, with laughter as well as sadness about his traditional childhood interrupted by six years in residential school. Three books in the Lawrence Series are included in Young Man, True Stories of a Cree Childhood. This book includes 53 photographs from the author’s life.

Educator Information
Recommended for grades 4 to 9.

This anthology includes three books:

• Goodbye Buffalo Bay
• The Moon Speaks Cree
• When the Spirits Dance

Additional Information
200 Pages | Paperback