Multicultural Books
Synopsis:
Ánte’s life has been steeped in Sámi tradition. It is indisputable to him that he, an only child, will keep working with the reindeer. But there is something else too, something tugging at him: his feelings for his best friend Erik have changed, grown into something bigger. Ánte is so aware of Erik and his body in relation to his own; everything he does matters so much. What would people say if they knew? And how does Erik feel? And Erik’s voice just the push of a button away. Ánte couldn’t answer, could he? But how could he ignore it? Fire From the Sky will warm your heart as Ánte experiences the magical, soul-combusting feeling of first love.
Reviews
[STAR] “A rare and triumphant look at what it means for queerness to stay put, with all the messiness and pain that entails… A fresh voice and a setting that’s pure fire.” – Kirkus Reviews (starred)
“Fire From the Sky is a superb account of one boy’s struggle to be himself. Åstot does an exemplary job invoking Sami culture, and an especially good job of capturing Ante’s turbulent emotions, dramatically ratcheting up tension, as it is often agony for Ante to be around the friend he's so in love with. Much of Ante’s experience is universal, and empathic readers will hope urgently for his happiness.” —Booklist
Educator Information
Recommended for ages 13 - 18.
Translated by Eva Apelqvist.
Additional Information
216 pages | 5.50" x 8.25" | Paperback
Synopsis:
A fresh and fearless collection of short fiction, poetry and graphic fiction for today’s middle-grade readers.
In this timely, thought-provoking, funny and heartbreaking collection, ten acclaimed BIPOC authors from across Canada explore the theme and concept of home.
From awkward family dinners, to life on the rez, to moving to a new town, each of these stories provides a unique perspective on the theme of belonging through characters tasked with navigating and finding their place in this world.
Brought together by curator (and story contributor), Jael Richardson, Today I Am will make readers laugh and cry while opening their hearts and minds to the world around them, validating how it feels to be young and alive today.
Today I Am includes stories by Jael Richardson, Marty Chan, Rosena Fung, Michael Hutchinson, Chad Lucas, Angela Misri, Mahtab Narsimhan, Danny Ramadan, Liselle Sambury and Brandon Wint.
Educator Information
Recommended for ages 10 to 14.
The majority of authors on this work are not Indigenous. This work includes a contribution from Michael Hutchinson, a citizen of the Misipawistik Cree Nation. Readers will need to determine if this text will work for their purposes.
Additional Information
240 pages | 5.49" x 8.25" | Paperback
Synopsis:
Sascha Stronach’s queer, Maori-inspired Endsong trilogy reopens on a city in flames, where a magic-wielding pirate crew uncovers an age-old fight between the gods that threatens their world.
The steel city of Radovan is consumed by fire between. Stranded in its harbor is the crew of the Kopek, the survivors of a bioterror attack overseas. But they bear scars: their captain, Sibbi, has gone missing; Yat, their newest Weaver, is fighting for control of her own mind; and their Weaving powers are in a badly weakened state.
To disable the technology that prevents the group from escaping, Sen and Kiada must plot their way through the ruins of the foreign capital, which is patrolled by a hostile militia, using wits alone. But to navigate through Radovan, Kiada will have to rely on her own history with the city—one she shares with a band of misfits dubbed Fort Tomorrow and their leader, Ari, a charismatic thief.
Ari may hold the key not only to saving Radovan from complete annihilation, but the history of their world, which will come into play as the gods begin to unleash destruction on humanity and one another.
Educator & Series Information
This book is part of The Endsong series.
Additional Information
336 pages | 6.00" x 9.00" | Paperback
Synopsis:
A New Testament in English by Native North Americans for Native North Americans and All English-Speaking Peoples
Many First Nations tribes communicate with the cultural and linguistic thought patterns found in their original tongues. The First Nations Version (FNV) recounts the Creator's Story—the Christian Scriptures—following the tradition of Native storytellers' oral cultures. This way of speaking, with its simple yet profound beauty and rich cultural idioms, still resonates in the hearts of First Nations people.
The FNV is a dynamic equivalence translation of the New Testament that captures the simplicity, clarity, and beauty of Native storytellers in English, while remaining faithful to the original language of the Bible. The culmination of a rigorous five-year translation process, this new Bible translation is a collaboration between organizations like OneBook and Wycliffe Associates, Indigenous North Americans from over twenty-five different tribes, and a translation council that consisted of twelve Native North American elders, pastors, young adults, and men and women from different tribes and diverse geographic locations. Whether you are Native or not, you will experience the Scriptures in a fresh and new way.
Read these sample passages to get a taste of what you'll find inside:
"The Great Spirit loves this world of human beings so deeply he gave us his Son—the only Son who fully represents him. All who trust in him and his way will not come to a bad end, but will have the life of the world to come that never fades—full of beauty and harmony. Creator did not send his Son to decide against the people of this world, but to set them free from the worthless ways of the world." John 3:16-17
"Love is patient and kind. Love is never jealous. It does not brag or boast. It is not puffed up or big-headed. Love does not act in shameful ways, nor does it care only about itself. It is not hot-headed, nor does it keep track of wrongs done to it. Love is not happy with lies and injustice, but truth makes its heart glad. Love keeps walking even when carrying a heavy load. Love keeps trusting, never loses hope, and stands firm in hard times. The road of love has no end." 1 Corinthians 13:4-8
Reviews
"While Wildman recasts the New Testament in a distinctly Indigenous image, he remains faithful to evangelical interpretations of Christian scripture, typified in the many italicized explanations that appear throughout and are meant to add 'reasonably implied' clarifications and cultural notes, such as explication on ancient festivals like the Pentecost. This remarkable retelling offers plenty of rewards and will especially pique those open to a novel interpretation of the religious text." — Publishers Weekly starred review, August 2021
"Reading the First Nations Version of the New Testament is like listening to a wise elder pass down ancient teachings. Its oral cadences give the Scriptures new room to breathe. While contemporary translations focus on updating language in a modern mode, the FNV recaptures the sense of tradition that binds faithful readers to our past and to the story that tells us who we are. It is a good gift to everyone who walks the Jesus Way." — L. Daniel Hawk, professor of Old Testament and Hebrew at Ashland Theological Seminary
"From the beginning, the story of Jesus has been a translated story. Jesus spoke in Aramaic, but Matthew, Mark, Luke, and John wrote their Gospels in Greek. The story of Jesus is intended to be translated to every tribe, tongue, people, and nation. That translation is intended, not just permitted, serves to show how we must resist any cultural domination of the gospel. Terry Wildman has done a masterful job of rendering the New Testament into the storytelling motif characteristic of Native Americans. It should tell us something important when we realize how beautifully the story of Jesus can be adapted to the style and vocabulary of indigenous people. I deeply appreciate Terry Wildman's retelling of the story of Jesus for First Nations people. I believe the Great Spirit is pleased." — Brian Zahnd, pastor of Word of Life Church in St. Joseph, Missouri, and author of Beauty Will Save the World
"I've often wondered what it might look like if Jesus incarnated within another culture. Jesus, a first-century Jewish teacher in a corner of Rome's empire, lived, died, and rose as a human being within a specific time and place. What I love about the First Nations Version is how it translates this gospel story into a language of another context: First Nations! So get swept away into the story of the Great Spirit as he invites us to the blessing way of the good road. Read this beautiful retelling of the Scriptures that is not only beneficial for First Nations communities but for all who desire to allow the Great Spirit to transform their imaginations!" — Kurt Willems, pastor and auth
Educator Information
The First Nations Version (FNV) Translation Council consists of twelve First Nations individuals representing a cross-section of Native North Americans—elders, pastors, young adults, and men and women from differing tribes and diverse geographic locations. This council also represents a diversity of church and denominational traditions to minimize bias. The council determined the style and method of translation to be used and continues to be involved in ongoing translation, review, and cultural consultation. The FNV is a dynamic equivalence translation produced in partnership with Rain Ministries and OneBook Canada, with help from Wycliffe Associates.
AdditionalInformation
512 pages | 6.00" x 9.00" | Paperback
Synopsis:
Ánte’s life has been steeped in Sami tradition. It is indisputable to him that he, an only child, will keep working with the reindeer. But there is something else too, something tugging at him. His feelings for his best friend Erik have changed, grown into something bigger. What would people say if they knew? And how does Erik feel? And Erik’s voice just the push of a button away. Ánte couldn’t answer, could he? But how could he ignore it? Fire From the Sky is a sharp and intelligent story about heritage, family ties and age-old commitments to the past. But also about expectations, compassion, feelings that course through your body like electricity.
Reviews
[STAR] “A rare and triumphant look at what it means for queerness to stay put, with all the messiness and pain that entails… A fresh voice and a setting that’s pure fire.” – Kirkus Reviews (starred)
Educator Information
Recommended for ages 13 - 18.
Translated by Eva Apelqvist.
Additional Information
216 pages | 5.84" x 8.54" | Hardcover
Synopsis:
This inspiring introduction to activism and social justice for young teens shows the important role music plays in changing the world, featuring:
- Musicians young teens will know and love: Beyoncé, Billie Eilish, Lizzo, Lady Gaga, Lil Nas X, and more!
- Iconic artists from past generations: readers will learn about the extraordinary impact of artists such as Nina Simone, Buffy Sainte-Marie, Neil Young, John Lennon, Bob Dylan, Tracy Chapman, and more.
- Playlists for each social justice issue: Each chapter includes a playlist with recommended songs about an area of activism, from classic tracks to contemporary hits.
In Rise Up and Sing!, Andrea Warner explores how music has contributed to the fight for social justice. Across eight areas of activism—the climate emergency, Indigenous rights, civil rights, disability rights, 2SLGBTQIA+ rights, gender equality, the peace/anti-war movement, and human rights—Warner introduces some of the artists, past and present, who have made a difference both on stage and off.
Through ground-breaking artists and iconic moments, Rise Up and Sing! shows us that a song is never just a song, and that music really does have the power to change the world.
Educator Information
Recommended for ages 12 to 17.
Includes some Indigenous content.
Curriculum Connections: Activism, Social Justice, Music
Additional Information
200 pages | 7.00" x 9.00" | Hardcover
Synopsis:
Grab your flashlight and dive into this chilling anthology of Northern ghost stories!
From zombies and cursed mirrors to sea monsters and ghost dogs, these stories by Sámi author Edel Marit Gaino are sure to get your skin crawling. Crack open this spooky collection and read about strange and scary happenings from old times up to the present day. With stories that combine the paranormal with important life lessons, this collection is sure to leave you covered in goosebumps!
Educator Information
Recommended for ages 14 to 17
Translated by Olivia Lasky and Lea Simma.
Additional Information
200 pages | 5.50" x 7.50" | Paperback
Synopsis:
An ambitious feminist anthology chronicling Indigenous rebellions around the world.
In 1930s Bolivia, self-described Anarchist Cholas form a libertarian trade union. In the Northern Highlands of Vietnam, the songs of one girl’s youth lead her to a life of activism. In the Philippines, female elders from Kalinga blaze a trail when pushed into impromptu protest. Equally striking accounts from Brazil, Chile, Ecuador, India, Nepal, Peru and Thailand weave a tapestry of trauma and triumph, shedding light on not-too-distant histories otherwise overlooked.
Indigenous Peoples all over the world have always had to stand their ground in the face of colonialism. While the details may differ, what these stories have in common is their commitment to resistance in a world that puts profit before respect, and western notions of progress before their own. Movements and Moments is an introductory glimpse into how Indigenous Peoples tell these stories in their own words. From Southeast Asia to South America, vibrant communities must grapple with colonial realities to assert ownership over their lands and traditions.
This project was undertaken in cooperation with the Goethe-Institut Indonesien in Jakarta. These stories were selected from an open call across 42 countries to spotlight feminist movements and advocacies in the Global South.
Reviews
"The artwork throughout is excellent... Taken together, these shorts carry a cumulative power, offering a heartening reminder of the strength and spirituality within resistance and a potent call to arms against injustice."—Publishers Weekly
“I am grateful for the heart that was poured into these comics, and even more so for the bravery of the people whose stories they tell. This book made me feel a little stronger. It helped me remember some things I had begun to forget.”—Eleanor Davis, The Hard tomorrow
“Movements and Moments is an important collection of unique, vibrant voices that together sing in unison the stories of identity, liberation, determination, and resilience. To finally gain the perspectives of Indigenous women from South America, Latin America, Asia, and Oceania is a powerful, uplifting celebration of communities who have been underrepresented and overlooked for far too long.”—Rina Ayuyang, Blame This on the Boogie
"This anthology is an excellent, engaging historical resource."—ALA Booklist
Educator Information
ABOUT THE PROJECT as shared here: https://www.goethe.de/ins/id/en/kul/kue/mmo.html
"Goethe-Institut's project “Movements and Moments” sheds light on Indigenous feminist activisms from the Global South in the form of comics.
The narratives of feminism are still written from a predominantly white, western perspective. While feminist claims and positions from the Global North are, up to this day, sidelined in a patriarchal mainstream, the same holds true to a much broader extent for feminist movements from the Global South. Little information about these movements and their activists is accessible in large knowledge databases such as Wikipedia, and even in the respective native regions of these feminist activists their achievements are often not archived because resources are too scarce or their demands are not thematized.
Initiated by Goethe-Institut Jakarta, the project “Movements and Moments – Feminist Generations” aims to make visible these hidden biographies and activisms by relating their stories in the highly accessible format of comics. By emphasizing an indigenous feminist perspective, which is often linked to decolonial struggles and emancipatory approaches to sustainability, we wish to shed light on one of the most marginalized, underexposed aspects of feminist protests. On the other hand, this project wants to inquire how these often overlooked struggles might be role models for feminist movements worldwide. By publishing these stories from different continents and bringing them into dialogue with each other, we hope to spark interest in archiving and mediating non-Western feminist endeavors.
In 2019 we launched an open call and received an overwhelming 218 applications from 352 teams and solo artists originating from 42 countries. The jury members—Aua Mendes (Indigenous trans feminist artist from Brazil), Johann Ulrich (German comic publisher), Maya (Goethe-Institut Indonesien), Sonja Eismann (publisher of German feminist periodical Missy Magazine), and Urvashi Butalia (head of Indian feminist publisher Zubaan Books)—selected 16 stories from 14 countries that conveyed major narratives on ecological activism, the fight for education, and the struggle for the rights of LGBTIQA+ people. Two accomplished comic book artists, Amruta Patil from India and Nacha Vollenweider from Argentina, served as the groups’ mentors and accompanied and guided the authors during the process. Some stories will be published in German and English in 2022 through appointed publishers while other stories will be accessible on this website in English and the authors’ native languages."
Additional Information
264 pages | 7.35" x 9.75" | Hardcover

Synopsis:
Andy has had a rough school year and is ready for summer vacation. But when Grandpa Rick tells him that he will be participating in a canoe journey instead of enjoying his usual summer activities, Andy feels he is being punished.
Join Andy as he experiences a Tribal Canoe Journey for the first time and learns what it’s like to belong to a canoe family. Follow along as Andy navigates physical and emotional challenges and finds an answer to the important question: “Who am I?”
Awards
- 2024-2025 Hackmatack Children's Choice Award Shortlisted
Reviews
"In this graphic novel, Andy gains insight into his own heritage and identity when he joins a group of youth who are participating in a Tribal Canoe Journey. People from different communities paddle to a host Nation for cultural celebrations in this annual West Coast event. The paddlers must train and prepare for the journey, which takes several days through variable conditions. The experience is physically demanding, but Andy learns much about his people’s culture, and he gains a sense of belonging as part of a canoe family." - Canadian Teacher Magazine, Spring 2023 Issue
"This graphic novel highlights how First Peoples connect to their culture and honour their past. The first-hand perspectives of participants in the 2019 journey help showcase the human emotions and physical challenges it involves. Teachers across elementary and secondary levels can use this short graphic novel as a read-aloud in a classroom or literature circles to help students learn about tribal canoes. Students could also be invited to explore their own traditions and experiences, and the art in the book could inspire projects that are based on the illustrations in this story." - Focused Education Resources
"Andy's Tribal Canoe is a fantastic book to use for reading groups. We were able to have amazing discussions. I started with the question, "Who am I?" And had students write what they would like to say before we opened the book. Then as we went through the book we made connections to their local communities, elders, food, canoe journeys etc. We also had our school elder come in for a discussion.... We also talked about what we would do if we were the host place for the tribal canoe journey, what we would want them to know about our community and what food would we like to share. Students created their own canoe on paper with drawings to represent themselves and their communities. I love this book. It led to more than I ever expected, students loved the pictures and the story. I hope to read this with as many students as possible." - Holly Polischuk, Cayoosh Elementary School Educator
Educator Information
Recommended for grades 3 to 8.
Additional Information
72 Pages | 8" x 10" | Paperback | ISBN: 978-1-77174-600-7
Synopsis:
Gideon the Ninth meets Black Sun in this queer, Māori-inspired debut fantasy about a police officer who is murdered, brought back to life with a mysterious new power, and tasked with protecting her city from an insidious evil threatening to destroy it.
The port city of Hainak is alive: its buildings, its fashion, even its weapons. But, after a devastating war and a sweeping biotech revolution, all its inhabitants want is peace, no one more so than Yat Jyn-Hok a reformed-thief-turned-cop who patrols the streets at night.
Yat has recently been demoted on the force due to “lifestyle choices” after being caught at a gay club. She’s barely holding it together, haunted by memories of a lover who vanished and voices that float in and out of her head like radio signals. When she stumbles across a dead body on her patrol, two fellow officers gruesomely murder her and dump her into the harbor. Unfortunately for them, she wakes up.
Resurrected by an ancient power, she finds herself with the new ability to manipulate life force. Quickly falling in with the pirate crew who has found her, she must race against time to stop a plague from being unleashed by the evil that has taken root in Hainak.
Reviews
"A wonderful queer noir fever dream."—Tamsyn Muir, internationally bestselling author of Gideon the Ninth
"Fiercely queer. A strange and wondrous re-imagining of noir that takes its cues from biopunk and SE Asian mythos to create something wholly different. There's real imagination at work here—I loved it."—Rebecca Roanhorse, New York Times bestselling author of Trail of Lightning and Black Sun
"The Dawnhounds packs hard-hitting, mind-bending weirdness into a story that’s still touching and human. If you’re looking for gritty queer spec fic that isn’t unrelentingly grim, you’ve found it.”—Casey Lucas, award-winning author of Into the Mire
Educator & Series Information
This book is part of The Endsong series.
Additional Information
352 pages | 6.00" x 9.00" | Paperback
Synopsis:
A remarkable YA love story between two Aboriginal boys -- one who doesn’t want to accept he’s gay, and the boy who comes to live in his house who makes him realize who he is.
It's a hot summer, and life's going all right for Jackson and his family on the Mish. It's almost Christmas, school's out, and he's hanging with his mates, teasing the visiting tourists, avoiding the racist boys in town. Just like every year, Jackson's Aunty and annoying little cousins visit from the city -- but this time a mysterious boy with a troubled past comes with them. As their friendship evolves, Jackson must confront the changing shapes of his relationships with his friends, family and community. And he must face his darkest secret -- a secret he thought he'd locked away for good.
Reviews
"It is, honestly, a book I've been searching for over my whole career as an editor, as well as all my years as a queer reader. I'm not ashamed to say that it made me cry (repeatedly) and awed me with the power of its storytelling." -- David Levithan
"How I wish I had this big-hearted book when I was a teenager. It would've changed my life. Let it change yours." -- Benjamin Law
"A deftly woven tale that is both a raw, unflinching look at the experience of growing up gay and Aboriginal, and a sweet, truly endearing love story you just can't turn away from. This is Own Voices storytelling at its best." -- Holden Sheppard
"Honest. Funny. Beautiful. This book is all the things." -- Gabbie Stroud
Educator Information
Recommended for ages 14+
Additional Information
256 pages | 5.72" x 8.55" | Hardcover
Synopsis:
An accessible and educational illustrated book profiling 50 notable American Indian, Alaska Native, and Native Hawaiian people, from NBA star Kyrie Irving of the Standing Rock Lakota to Wilma Mankiller, the first female principal chief of the Cherokee Nation
Celebrate the lives, stories, and contributions of Indigenous artists, activists, scientists, athletes, and other changemakers in this beautifully illustrated collection. From luminaries of the past, like nineteenth-century sculptor Edmonia Lewis—the first Black and Native American female artist to achieve international fame—to contemporary figures like linguist jessie little doe baird, who revived the Wampanoag language, Notable Native People highlights the vital impact Indigenous dreamers and leaders have made on the world.
This powerful and informative collection also offers accessible primers on important Indigenous issues, from the legacy of colonialism and cultural appropriation to food sovereignty, land and water rights, and more. An indispensable read for people of all backgrounds seeking to learn about Native American heritage, histories, and cultures, Notable Native People will educate and inspire readers of all ages.
Additional Information
144 pages | 7.26" x 9.29" | Hardcover
Synopsis:
An official companion to the #1 New York Times bestseller, this guided journal contains more than 50 activities to support your anti-racism journey.
In This Book Is Anti-Racist, Tiffany Jewell and Aurélia Durand gave us an essential volume to understand anti-racism. Now, in the journal companion, understand your anti-racist self and dive further into the work. Within the vibrantly illustrated pages, you will find some familiar information along with new reflections and prompts to go deeper.
This anti-racist toolkit gives you space to learn and grow through activities centered around identity, history, family, your universe, disruption, self-care, privilege, art, expression, and much more, including:
- Create a map of you by drawing, collaging, sticking, and painting your many and favorite social and personal identities
- Discover how diverse your universe is by writing down the races and ethnicities of the people in your life
- Design your own buttons that share your beliefs, values, and what you stand for
- Write a letter to your future self to share your dreams and how you are growing into your anti-racism
- Make a plan and be ready for scenarios when you are confronted by racist comments, actions, and policies
- Brainstorm your anti-racist vision of what our communities will look like without racism and how we can get there
“Continue to stay awake, start taking action, and always lean into the work of disrupting racism. Together, we can abolish the system that continues to misuse and abuse power and collectively work for anti-racism.” —Tiffany Jewell
Reviews
"This journal gives children (and adults) tools to learn about identity, privilege, history, family, and much more. Through a range of activities, you can plan for future scenarios where you may come across racism and how you will handle it. A brilliant book for older children, teenagers and adults, it would be great for use in schools too!”—Diverse Kids Books Blog
Educator Information
Recommended for ages 11 to 15.
Find the accompanying resource here: This Book Is Anti-Racist: 20 Lessons on How to Wake Up, Take Action, and Do the Work
Additional Information
96 pages | 5.60" x 8.55" | Paperback
Synopsis:
Who are you? What is racism? Where does it come from? Why does it exist? What can you do to disrupt it? Learn about social identities, the history of racism and resistance against it, and how you can use your anti-racist lens and voice to move the world toward equity and liberation.
“In a racist society, it’s not enough to be non-racist—we must be ANTI-RACIST.” —Angela Davis
Gain a deeper understanding of your anti-racist self as you progress through 20 chapters that spark introspection, reveal the origins of racism that we are still experiencing, and give you the courage and power to undo it. Each lesson builds on the previous one as you learn more about yourself and racial oppression. An activity at the end of every chapter gets you thinking and helps you grow with the knowledge. All you need is a pen and paper.
Author Tiffany Jewell, an anti-bias, anti-racist educator and activist, builds solidarity beginning with the language she chooses—using gender neutral words to honor everyone who reads the book. Illustrator Aurélia Durand brings the stories and characters to life with kaleidoscopic vibrancy.
After examining the concepts of social identity, race, ethnicity, and racism, learn about some of the ways people of different races have been oppressed, from Indigenous Americans and Australians being sent to boarding school to be “civilized” to a generation of Caribbean immigrants once welcomed to the UK being threatened with deportation by strict immigration laws.
Find hope in stories of strength, love, joy, and revolution that are part of our history, too, with such figures as the former slave Toussaint Louverture, who led a rebellion against white planters that eventually led to Haiti’s independence, and Yuri Kochiyama, who, after spending time in an internment camp for Japanese Americans during WWII, dedicated her life to supporting political prisoners and advocating reparations for those wrongfully interned.
Learn language and phrases to interrupt and disrupt racism. So, when you hear a microaggression or racial slur, you'll know how to act next time.
This book is written for EVERYONE who lives in this racialized society—including the young person who doesn’t know how to speak up to the racist adults in their life, the kid who has lost themself at times trying to fit into the dominant culture, the children who have been harmed (physically and emotionally) because no one stood up for them or they couldn’t stand up for themselves, and also for their families, teachers, and administrators.
With this book, be empowered to actively defy racism and xenophobia to create a community (large and small) that truly honors everyone.
Educator Information
Recommended for ages 11 to 15.
Some, but limited, Indigenous content.
A journal filled with activities is also available: This Book Is Anti-Racist Journal: Over 50 Activities to Help You Wake Up, Take Action, and Do The Work
Additional Information
160 pages | 5.15" x 7.75" | Colour Illustrations | Paperback
Synopsis:
A collection of poetry by one of the greatest Indigenous poets of the Americas about the vanished world of his childhood — that of the Maya K’iche’.
Aquí era el paraíso / Here Was Paradise is a selection of poems written by the great Maya poet Humberto Ak’abal. They evoke his childhood in and around the Maya K’iche’ village of Momostenango, Guatemala, and also describe his own role as a poet of the place.
Ak’abal writes about children, and grandfathers, and mothers, and animals, and ghosts, and thwarted love, and fields, and rains, and poetry, and poverty, and death.
The poetry was written for adults but can also be read and loved by young people, especially in this collection, beautifully illustrated by award-winning Guatemalan-American illustrator Amelia Lau Carling.
Ak’abal is famous worldwide as one of the great contemporary poets in the Spanish language, and one of the greatest Indigenous poets of the Americas. Ak’abal created his poems first in K’iche’, then translated them into Spanish.
Educator Information
Recommended for ages 9+.
Dual-language in English and Spanish.
Key Text Features: foreword, biographical information, poems, translation
Correlates to the Common Core State Standards in English Language Arts:
CCSS.ELA-LITERACY.RL.4.2
Determine a theme of a story, drama, or poem from details in the text; summarize the text.
CCSS.ELA-LITERACY.RL.5.4
Determine the meaning of words and phrases as they are used in a text, including figurative language such as metaphors and similes.
CCSS.ELA-LITERACY.RL.5.5
Explain how a series of chapters, scenes, or stanzas fits together to provide the overall structure of a particular story, drama, or poem.
CCSS.ELA-LITERACY.RL.5.7
Analyze how visual and multimedia elements contribute to the meaning, tone, or beauty of a text (e.g., graphic novel, multimedia presentation of fiction, folktale, myth, poem).
CCSS.ELA-LITERACY.RL.6.2
Determine a theme or central idea of a text and how it is conveyed through particular details; provide a summary of the text distinct from personal opinions or judgments.
CCSS.ELA-LITERACY.RL.6.5
Analyze how a particular sentence, chapter, scene, or stanza fits into the overall structure of a text and contributes to the development of the theme, setting, or plot.
Excerpt from the Introduction by Patricia Aldana: "In this book we find poems about children, and grandfathers, and mothers, and animals, and ghosts, and thwarted love, and fields, and rains, and poetry, and poverty, and death. Ak'abal never pretended that life in his world was easy. The history of Guatemala is complex. It has the highest Indigenous population as a percentage of any country in the Americas. And Maya people have suffered terrible discrimination, violence and poverty since the arrival of the Europeans. But Ak'abal's poems convey how all his world's elements also came together to create a deep, rich reality.... Reading these wonderful poems can remind us that it is still possible to fight to protect this beautiful world and the people who live in and on it."
Additional Information
172 pages | 6.50" x 8.31" | 14 Colour Illustrations | Hardcover | Translated by Hugh Hazelton
Synopsis:
We live in an astounding world of relations. We share these ties that bind with our fellow humans—and we share these relations with nonhuman beings as well. From the bacterium swimming in your belly to the trees exhaling the breath you breathe, this community of life is our kin—and, for many cultures around the world, being human is based upon this extended sense of kinship.
Kinship: Belonging in a World of Relations is a lively series that explores our deep interconnections with the living world. These five Kinship volumes—Planet, Place, Partners, Persons, Practice—offer essays, interviews, poetry, and stories of solidarity, highlighting the interdependence that exists between humans and nonhuman beings. More than 70 contributors—including Robin Wall Kimmerer, Richard Powers, David Abram, J. Drew Lanham, and Sharon Blackie—invite readers into cosmologies, narratives, and everyday interactions that embrace a more-than-human world as worthy of our response and responsibility. These diverse voices render a wide range of possibilities for becoming better kin.
From the perspective of kinship as a recognition of nonhuman personhood, of kincentric ethics, and of kinship as a verb involving active and ongoing participation, how are we to live? “Practice,” Volume 5 of the Kinship series, turns to the relations that we nurture and cultivate as part of our lived ethics. The essayists and poets in this volume explore how we make kin and strengthen kin relationships through respectful participation—from creative writer and dance teacher Maya Ward’s weave of landscape, story, song, and body, to Lakota peace activist Tiokasin Ghosthorse’s reflections on language as a key way of knowing and practicing kinship, to cultural geographer Amba Sepie’s wrestling with how to become kin when ancestral connections have frayed. The volume concludes with an amazing and spirited conversation between John Hausdoerffer, Robin Wall Kimmerer, Sharon Blackie, Enrique Salmon, Orrin Williams, and Maria Isabel Morales on the breadth and qualities of kinship practices.
Proceeds from sales of Kinship benefit the nonprofit, non-partisan Center for Humans and Nature, which partners with some of the brightest minds to explore human responsibilities to each other and the more-than-human world. The Center brings together philosophers, ecologists, artists, political scientists, anthropologists, poets and economists, among others, to think creatively about a resilient future for the whole community of life.
Contributors are both Indigenous and non-Indigenous.
Additional Information
194 pages | 5.27" x 7.75" | Paperback
Synopsis:
We live in an astounding world of relations. We share these ties that bind with our fellow humans—and we share these relations with nonhuman beings as well. From the bacterium swimming in your belly to the trees exhaling the breath you breathe, this community of life is our kin—and, for many cultures around the world, being human is based upon this extended sense of kinship.
Kinship: Belonging in a World of Relations is a lively series that explores our deep interconnections with the living world. The five Kinship volumes—Planet, Place, Partners, Persons, Practice—offer essays, interviews, poetry, and stories of solidarity, highlighting the interdependence that exists between humans and nonhuman beings. More than 70 contributors—including Robin Wall Kimmerer, Richard Powers, David Abram, J. Drew Lanham, and Sharon Blackie—invite readers into cosmologies, narratives, and everyday interactions that embrace a more-than-human world as worthy of our response and responsibility.
Kinship spans the cosmos, but it is perhaps most life-changing when experienced directly and personally. “Persons,” Volume 4 of the Kinship series, attends to the personal—our unique experiences with particular creatures and landscapes. This includes nonhuman kin that become our allies, familiars, and teachers as we navigate a “world as full of persons, human and otherwise, all more-or-less close kin, all deserving respect,” as religious studies scholar Graham Harvey puts it. The essayists and poets in the volume share a wide variety of kinship-based experiences—from Australian ecophilosopher Freya Mathews’s perspective on climate-related devastation on her country’s koalas, to English professor and forest therapy guide Kimberly Ruffin’s reclamation of her “inner animal,” to German biologist and philosopher Andreas Weber’s absorption with and by lichen. Our kinships are interpersonal, and being “pried open with curiosity,” as poet and hip-hop emcee Manon Voice notes in this volume, “Stir the first of many magicks.”
Proceeds from sales of Kinship benefit the nonprofit, non-partisan Center for Humans and Nature, which partners with some of the brightest minds to explore human responsibilities to each other and the more-than-human world. The Center brings together philosophers, ecologists, artists, political scientists, anthropologists, poets and economists, among others, to think creatively about a resilient future for the whole community of life.
One of the editors of this work is Indigenous. And, throughout the series, various Indigenous contributions (stories, poems, etc.) can be found.
Additional Information
194 pages | 5.27" x 7.75" | Paperback
Synopsis:
We live in an astounding world of relations. We share these ties that bind with our fellow humans—and we share these relations with nonhuman beings as well. From the bacterium swimming in your belly to the trees exhaling the breath you breathe, this community of life is our kin—and, for many cultures around the world, being human is based upon this extended sense of kinship.
Kinship: Belonging in a World of Relations is a lively series that explores our deep interconnections with the living world. The five Kinship volumes—Planet, Place, Partners, Persons, Practice—offer essays, interviews, poetry, and stories of solidarity, highlighting the interdependence that exists between humans and nonhuman beings. More than 70 contributors—including Robin Wall Kimmerer, Richard Powers, David Abram, J. Drew Lanham, and Sharon Blackie—invite readers into cosmologies, narratives, and everyday interactions that embrace a more-than-human world as worthy of our response and responsibility.
How do cultural traditions, narratives, and mythologies shape the ways we relate, or not, to other beings as kin? “Partners,” Volume 3 of the Kinship series, looks to the intimate relationships of respect and reverence we share with nonhuman species. The essayists and poets in this volume explore the stunning diversity of our relations to nonhuman persons—from biologist Merlin Sheldrake’s reflections on microscopic fungal networks, to writer Julian Hoffman’s moving stories about elephant emotions and communication, to Indigenous seed activist Rowen White’s deep care for plant relatives and ancestors. Our relationships to other creatures are not merely important; they make us possible. As poet Brenda Cárdenas, inspired by her cultural connections to the monarch butterfly, notes in this volume: “We are— / one life passing through the prism / of all others, gathering color and song.”
Proceeds from sales of Kinship benefit the nonprofit, non-partisan Center for Humans and Nature, which partners with some of the brightest minds to explore human responsibilities to each other and the more-than-human world. The Center brings together philosophers, ecologists, artists, political scientists, anthropologists, poets and economists, among others, to think creatively about a resilient future for the whole community of life.
Contributors are both Indigenous and non-Indigenous.
Additional Information
170 pages | 5.27" x 7.75" | Paperback
Synopsis:
We live in an astounding world of relations. We share these ties that bind with our fellow humans—and we share these relations with nonhuman beings as well. From the bacterium swimming in your belly to the trees exhaling the breath you breathe, this community of life is our kin—and, for many cultures around the world, being human is based upon this extended sense of kinship.
Kinship: Belonging in a World of Relations is a lively series that explores our deep interconnections with the living world. The five Kinship volumes—Planet, Place, Partners, Persons, Practice—offer essays, interviews, poetry, and stories of solidarity, highlighting the interdependence that exists between humans and nonhuman beings. More than 70 contributors—including Robin Wall Kimmerer, Richard Powers, David Abram, J. Drew Lanham, and Sharon Blackie—invite readers into cosmologies, narratives, and everyday interactions that embrace a more-than-human world as worthy of our response and responsibility.
Given the place-based circumstances of human evolution and culture, global consciousness may be too broad a scale of care. “Place,” Volume 2 of the Kinship series, addresses the bioregional, multispecies communities and landscapes within which we dwell. The essayists and poets in this volume take us around the world to a variety of distinctive places—from ethnobiologist Gary Paul Nabhan’s beloved and beleaguered sacred U.S.-Mexico borderlands, to Pacific islander and poet Craig Santos Perez’s ancestral shores, to writer Lisa María Madera’s “vibrant flow of kinship” in the equatorial Andes expressed in Pacha Mama’s constitutional rights in Ecuador. As Chippewa scholar-activist Melissa Nelson observes about kinning with place in her conversation with John Hausdoerffer: “Whether a desert mesa, a forested mountain, a windswept plain, or a crowded city—those places also participate in this serious play with raven cries, northern winds, car traffic, or coyote howls.” This volume reveals the ways in which playing in, tending to, and caring for place wraps us into a world of kinship.
Proceeds from sales of Kinship benefit the nonprofit, non-partisan Center for Humans and Nature, which partners with some of the brightest minds to explore human responsibilities to each other and the more-than-human world. The Center brings together philosophers, ecologists, artists, political scientists, anthropologists, poets and economists, among others, to think creatively about a resilient future for the whole community of life.
Contributors are both Indigenous and non-Indigenous.
Additional Information
204 pages | 5.27" x 7.75" | Paperback
Synopsis:
We live in an astounding world of relations. We share these ties that bind with our fellow humans—and we share these relations with nonhuman beings as well. From the bacterium swimming in your belly to the trees exhaling the breath you breathe, this community of life is our kin—and, for many cultures around the world, being human is based upon this extended sense of kinship.
Kinship: Belonging in a World of Relations is a lively series that explores our deep interconnections with the living world. The five Kinship volumes—Planet, Place, Partners, Persons, Practice—offer essays, interviews, poetry, and stories of solidarity, highlighting the interdependence that exists between humans and nonhuman beings. More than 70 contributors—including Robin Wall Kimmerer, Richard Powers, David Abram, J. Drew Lanham, and Sharon Blackie—invite readers into cosmologies, narratives, and everyday interactions that embrace a more-than-human world as worthy of our response and responsibility.
With every breath, every sip of water, every meal, we are reminded that our lives are inseparable from the life of the world—and the cosmos—in ways both material and spiritual. “Planet,” Volume 1 of the Kinship series, focuses on our Earthen home and the cosmos within which our “pale blue dot” of a planet nestles. National poet laureate Joy Harjo opens up the volume asking us to “Remember the sky you were born under.” The essayists and poets that follow—such as geologist Marcia Bjornerud who takes readers on a Deep Time journey, geophilosopher David Abram who imagines the Earth’s breathing through animal migrations, and theoretical physicist Marcelo Gleiser who contemplates the relations between mystery and science—offer perspectives from around the world and from various cultures about what it means to be an Earthling, and all that we share in common with our planetary kin. “Remember,” Harjo implores, “all is in motion, is growing, is you.”
Proceeds from sales of Kinship benefit the nonprofit, non-partisan Center for Humans and Nature, which partners with some of the brightest minds to explore human responsibilities to each other and the more-than-human world. The Center brings together philosophers, ecologists, artists, political scientists, anthropologists, poets and economists, among others, to think creatively about a resilient future for the whole community of life.
Contributors are both Indigenous and non-Indigenous.
Additional Information
180 pages | 5.27" x 7.75" | Paperback
Synopsis:
A gripping, witty memoir about indigeneity, travel, and colonialism
When she was twenty-five, Ursula Pike boarded a plane to Bolivia and began her term of service in the Peace Corps. A member of the Karuk Tribe, Pike sought to make meaningful connections with Indigenous people halfway around the world. But she arrived in La Paz with trepidation as well as excitement, “knowing I followed in the footsteps of Western colonizers and missionaries who had also claimed they were there to help.” In the following two years, as a series of dramatic episodes brought that tension to boiling point, she began to ask: what does it mean to have experienced the effects of colonialism firsthand, and yet to risk becoming a colonizing force in turn?
An Indian among los Indígenas, Pike’s memoir of this experience, upends a canon of travel memoirs that has historically been dominated by white writers. It is a sharp, honest, and unnerving examination of the shadows that colonial history casts over even the most well-intentioned attempts at cross-cultural aid. It is also the debut of an exceptionally astute writer with a mastery of deadpan wit. It signals a shift in travel writing that is long overdue.
Reviews
“A brutally honest and badly needed story. . . Witty and clearly written, this memoir is a must-read, not just for Peace Corps volunteers, anthropologists, and others working in foreign lands, but for everyone—all of us finding ourselves in an ever increasing diverse and complex cultural landscape.”—Greg Sarris, author of How a Mountain was Made
“Ursula Pike's memoir is unlike any other I've read, with her perceptive, always-seeking, and lovely narrative voice. . . No one's written about the Peace Corps like this, with the details of food and family and landscape told through the vision of an Indigenous woman finding new stories in a deeply-rooted place miles from her own.”—Susan Straight
“In Ursula Pike’s perceptive and poignant debut memoir, a North American Indian woman knowingly enters the complex dynamics of voluntourism and discovers aspects about her own identity, colonialism, and comparative privilege while navigating the vivid landscapes and personalities of a small Bolivian community in the Andes.”—Chip Livingston, author of Crow-Blue, Crow-Black
“The Indigenous peoples Pike lived and worked with speak loudly from these pages, challenging many of us to check privileges we didn’t know we had, demanding the right to be complex, strong, and human. This book is all heart, all vulnerability, as a young California Indian woman makes family far from home.”—Deborah Miranda, author of Bad Indians: A Tribal Memoir
Additional Information
240 pages | 5.50" x 8.50"
Synopsis:
One Earth profiles Black, Indigenous and People of Color who live and work as environmental defenders. Through their individual stories, the book shows that the intersection of environment and ethnicity is an asset to achieving environmental goals. The twenty short biographies introduce readers to diverse activists from all around the world, who are of all ages and ethnicities. From saving ancient trees on the West Coast of Canada, to protecting the Irrawaddy dolphins of India, to uncovering racial inequalities in the food system in the United States, these environmental heroes are celebrated by author and biologist Anuradha Rao, who outlines how they went from being kids who cared about the environment to community leaders in their field. One Earth is full of environmental role models waiting to be found.
Reviews
“Thought-provoking reading for young people figuring out their own contributions. This valuable compilation shows that Earth’s salvation lies in the diversity of its people.”— Kirkus Reviews, starred review
“Rao shines a light on the too often unacknowledged role played by People of Colour in the green movement. This is a book to be celebrated and shared!”— Elizabeth May, former leader of the Green Party of Canada
“One Earth is so important today because it acknowledges the diversity of our environmental defenders and warriors and reminds us that the environment has no borders. Thank you, Anu, for identifying these amazing eco-champions. Their experience and dedication to making sure the environment is our number one priority is an invaluable gift to Canada and the world.”— Winnie Ming Yue Hwo, Senior Public Engagement Specialist, David Suzuki Foundation
Educator Information
Recommended for ages 12+
Contains 20 short biographies of Black, Indigenous and People of Color (BIPOC) in the environmental movement.
Offers a positive approach to environmental issues with a focus on environmental successes.
Written in a readable and accessible voice, One Earth presents diverse role models for youth and readers of all ages.
Keywords / Subjects / Themes: Black, Indigenous, and People of Color (BIPOC), environmentalists, changemakers, conversation, diversity, biographies, #ownvoices.
Text Content Territory Note: This book has received the Indigenous text content territory label because it contains some profiles of Indigenous environmental defenders, but not all people profiled in this work are Indigenous.
Additional Information
208 pages | 6.00" x 8.50"
Synopsis:
This brilliantly written thriller explores the lives--and deaths--of two girls, and what they will do to win justice. Sure to be one of the most talked-about books of the year!
Nothing's been the same for Beth Teller since the day she died.
Her dad is drowning in grief. He's also the only one who has been able to see and hear her since the accident. But now she's got a mystery to solve, a mystery that will hopefully remind her detective father that he needs to reconnect with the living.
The case takes them to a remote Australian town, where there's been a suspicious fire. All that remains are an unidentifiable body and an unreliable witness found wandering nearby. This witness speaks in riddles. Isobel Catching has a story to tell, and it's a tale to haunt your dreams--but does it even connect to the case at hand?
As Beth and her father unravel the mystery, they find a shocking and heartbreaking story lurking beneath the surface of a small town.
Awards
- Winner of Australia's prestigious Victorian Premier's Literary Award for Writing for Young Adults
Reviews
"An #ownvoices story that empowers its female heroines, giving them pride in their lineage and power in remembering." —Kirkus Reviews, Starred
"An intense, addictive book. Shocking and heartbreaking truths come to light, and the book deftly examines racism, violence, terrible historic injustices and corruption within the police force. This is a book that shows trauma and survival. It's completely gripping, and while highly recommended for young adults, it also deserves a wider readership." —Readings, Australia
"A fusion of ghost story and crime thriller, it also combines poetry and fiction to striking and exciting effect." —The Saturday Paper, Australia
"Fascinating, gripping, innovative." —Magpies Magazine
"A ghost story as well as a psychological thriller, The Things She's Seen seamlessly weaves together the poetic and the everyday. A magnificent and life-giving novel." — Justine Larbalestier
"Terrible crimes lie at the centre here; viewed through the eyes of young women of unquenchable spirit, they can be approached, examined, and ultimately solved. This novel will turn gazes in the right direction, and make the caw of every crow more resonant." —Margo Lanagan
“The two Australian Aboriginal girls at the center of this The Things She’s Seen discover just how poisonous silencing can be and how much power it takes to finally break through it.”—Bulletin
Educator Information
Recommended for ages 12+ | Teen and young adult fiction
Additional Information
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Synopsis:
Leira is about to start her initiation as a priestess when her world is turned upside down. A violent earthquake leaves her home--and her family--in pieces. And the earth goddess hasn't finished with the island yet.
With her family, Leira flees across the sea to Crete, expecting sanctuary. But a volcanic eruption throws the entire world into darkness. After the resulting tsunami, society descends into chaos; the status and privilege of being noble-born are reduced to nothing. With her injured mother and elderly nurse, Leira must find the strength and resourcefulness within herself to find safety.
A thrilling new Bronze Age survival story from the award-winning author of Dragonfly Song and Nim's Island.
Reviews
"[Orr's] mixture of prose and free verse to tell Leira's story is lyrical and magnetic—and devastating. Not for readers searching for a simple or happy journey, this is a beautiful song of a book that shows that life isn't always fair, but change is always constant."—Kirkus Reviews
"Leira's lyrical first-person narrative advances the story along beautifully with a fitting sense of urgency, and free-verse songs clue readers in to her emotional development. Immersive historical fiction."—Booklist Starred Review
"Some chapters written in verse make the more emotional plotlines sing. An eye-opening look at how difficult it is when one's status changes in life, and how attitude can shape outcome. VERDICT: Beautiful writing and a fast-moving plot will give young historical fiction fans much to love."—School Library Journal
"Leira's protracted fall from grace is effectively punctuated by seamless narrative shifts among prose, verse, and song, which fans of Orr's Dragonfly Song will recognize. What she endures—the uncertainty of her family's fate and becoming a servant herself—makes for a gripping exploration of privilege during her journey toward womanhood."—Bulletin for the Center for Children's Books
"Swallow's Dance is a sweeping tale of courage, fortitude, hardship and perseverance against all odds. It is also a coming of age story, an intimate glimpse into the life of a young girl adjusting to puberty at a time when her family, friendships and her understanding of her place in the world are brutally torn apart. Wendy Orr has crafted a sympathetic, memorable heroine whose struggles and challenges transcend time from the Bronze Age to modern day....While suitable for middle-grade students and a wonderful introduction to mythology and discussions surrounding puberty, spirituality, class, mental health, death and disaster, Swallow's Dance is one of those rare books that is also just a great story, an epic tale for all ages. Highly Recommended."—CM Magazine
"Top notch historical fiction for those who like it ancient!... The scenes of devastation – earthquake in Santorini, tsunami in Crete – are riveting to experience through the lens of a survivor."—Youth Services Book Review
"Orr's attention to character development is extremely well done....Swallow's Dance could be used in conjunction with the grades-five-to-eight Language Arts or Social Studies curriculum and would be great to teach students how to incorporate symbolism and imagery through free verse and poetry. In addition, Swallow's Dance could also be used to teach students about family, culture, history and the importance of the role of women in society. A fantastic novel to use as a read-aloud or novel study!"—Canadian Children's Book News
Educator Information
Recommended Ages: 10-14
Themes/Subjects: Legends, Myths, Fables - Greek & Roman / Historical - Ancient Civilizations / Action & Adventure - Survival Stories / Coming of Age.
Additional Information
288 pages | 5.50" x 8.00"
Synopsis:
The great Native American Novel of a battered veteran returning home to heal his mind and spirit
More than thirty-five years since its original publication, Ceremony remains one of the most profound and moving works of Native American literature, a novel that is itself a ceremony of healing. Tayo, a World War II veteran of mixed ancestry, returns to the Laguna Pueblo Reservation. He is deeply scarred by his experience as a prisoner of the Japanese and further wounded by the rejection he encounters from his people. Only by immersing himself in the Indian past can he begin to regain the peace that was taken from him. Masterfully written, filled with the somber majesty of Pueblo myth, Ceremony is a work of enduring power.
Reviews
"Ceremony is the greatest novel in Native American literature. It is one of the greatest novels of any time and place. I have read this book so many times that I probably have it memorized. I teach it and I learn from it and I am continually in awe of its power, beauty, rage, vision, and violence." —Sherman Alexie
Additional Information
272 pages | 5.65" x 8.40"
Synopsis:
This extraordinary story of courage and faith is based on the actual experiences of three girls who fled from the repressive life of Moore River Native Settlement, following along the rabbit-proof fence back to their homelands. Assimilationist policy dictated that these girls be taken from their kin and their homes in order to be made white. Settlement life was unbearable with its chains and padlocks, barred windows, hard cold beds, and horrible food. Solitary confinement was doled out as regular punishment. The girls were not even allowed to speak their language. Of all the journeys made since white people set foot on Australian soil, the journey made by these girls born of Aboriginal mothers and white fathers speaks something to everyone.
Educator Information
Grades 11-12 English First Peoples Resource.
Additional Information
160 pages | 5.00" x 7.75"