Adult Book

A new dark comedy about the lies we tell each other in order to make the best of a desperate situation.

Maria and her kids—Lisa, a pregnant teenager, and Jude, an excitable preteen—are on the run following the murder of Lisa’s rapist. As the police close in, Maria is determined to give her kids a last supper that prepares them for everything they’re going to need to survive in the world without her.

Reviews
“A darkly comic exploration of family relationships, the power of storytelling, and what it means to have a home.” — Allison Gerson, Mooney on Theatre

“You have to appreciate material that doesn’t trap its characters in victimhood.” — Radheyan Simonpillai, NOW Magazine

“This captivating tale of an off-grid mother and her desperate kids solidifies Cardinal as one of the most talented and intriguing writers in the country.” — Glen Sumi, NOW Magazine

Educator Information
Casting: 2 f, 1 m
Duration: 75 minutes

Additional Information
96 pages | 5.37" x 8.38" | Paperback

Win lives on the rez and Roe lives in the city, where she fled after a terrible family tragedy. After years apart, the two cousins reunite in a Toronto alley to recreate a ceremony from their childhood, but can they remember how? Has the world changed too much? Have they? When the words "missing and murdered," "truth and reconciliation," "occupation and resistance" are everywhere, how do two Mohawk women stand their ground? Falen Johnson"s powerful Two Indians is a darkly comedic look at the landscape of being Indigenous.

Reviews
"The volatile and unpredictable dynamic between Win and Roe shifts uneasily from familiar family nostalgia and hilarious-yet-revealing anecdotes to emotional accusations and intense confrontations that hinge on the reservation/city binary, and associated assumptions about First Nations identities." - NOW Magazine

"As a whole production, the show's such a rewarding entertainment that you'll hardly notice the politics sneaking up behind you. Whatever your background, so long as you come into the room with an open mind, you'll leave savvier, with a number of sticky points and difficult questions that'll rattle around in your head for days afterwards...This is a fun show with heart, energy, and a vital message..." -Mooney on Theatre

Educator Information
Recommended in the Canadian Indigenous Books for Schools resource collection as being useful for grades 11 and 12 for these subjects: Social Studies, Social Justice, English First Peoples, English, BC First Peoples, Contemporary Indigenous Studies, Drama, Theatre Company, Theatre Production, Directing and Script Development.

Content Warning: Coarse Language

Additional Information
72 pages | 5.50" x 8.50" | Paperback

Selina Boan’s debut poetry collection, Undoing Hours, considers the various ways we undo, inherit, reclaim and (re)learn. Boan’s poems emphasize sound and breath. They tell stories of meeting family, of experiencing love and heartbreak, and of learning new ways to express and understand the world around her through nêhiyawêwin.

As a settler and urban nehiyaw who grew up disconnected from her father’s family and community, Boan turns to language as one way to challenge the impact of assimilation policies and colonization on her own being and the landscapes she inhabits. Exploring the nexus of language and power, the effects of which are both far-reaching and deeply intimate, these poems consider the ways language impacts the way we view and construct the world around us. Boan also explores what it means to be a white settler–nehiyaw woman actively building community and working to ground herself through language and relationships. Boan writes from a place of linguistic tension, tenderness and care, creating space to ask questions and to imagine intimate decolonial futures.

Awards

• 2022 Indigenous Voices Award for published poetry in English.

Reviews
"Reading Undoing Hours feels like going home, where home, much like memory, is a place continually under construction. This is a work at once exquisite and particular in its offering while at the same time striking us as expansive, prepossessing and true." — Liz Howard

"Selina Boan’s Undoing Hours is going to be so very important to those who are “learning to name” inside multiple languages. It is about embodying the knowledge of one’s ancestry as well as about love as it collides with grief and longing and hope. It is about standing firmly inside a single hour and being brave enough to want another. It is about learning Cree, about how a word in a language older than the world might, in the end, redeem us. And because of this, it is also about miracles. I can’t wait to read it again and again and again." — Billy-Ray Belcourt

Additional Information
96 pages | 5.50" x 8.00"

Author and knitter Sylvia Olsen explores Canada's history, landscape, economy and social issues on a cross-country knitting-themed road trip.

Toques, mittens and scarves are all associated with northern climates, but the quintessential garment of Canadian knitting is surely the bulky and distinctly patterned West Coast cardigan. In the early twentieth century, Indigenous woolworkers on southern Vancouver Island began knitting what are now called Cowichan sweaters, named for the largest of the Coast Salish tribes in the region. Drawing on their talents as blanket weavers and basket makers, and adapting techniques from European settlers, Coast Salish women created sweaters that fuelled a bustling local economy. Knitters across the country copied the popular sweaters to create their own versions of the garment. The Cowichan sweater embodies industry and economy, politics and race relations, and is a testament to the innovation and resilience of Coast Salish families.

Sylvia Olsen married into the Tsartlip First Nation near Victoria, BC, and developed relationships with Coast Salish knitters through her family’s sweater shop. Olsen was inspired to explore the juncture of her English/Scottish/European heritage and Coast Salish life experiences, bringing to light deeply personal questions about Canadian knitting traditions. In 2015, she and her partner Tex embarked on a cross-Canada journey from the Salish Sea to the Atlantic Ocean with stops in more than forty destinations to promote her books, conduct workshops, exchange experiences with other knitters and, Olsen hoped, discover a fresh appreciation for Canada.

Along the way, with stops in urban centres as well as smaller communities like Sioux Lookout, ON, and Shelburne, NS, Olsen observed that the knitters of Canada are as diverse as their country’s geography. But their textured and colourful stories about knitting create a common narrative. With themes ranging from personal identity, cultural appropriation, provincial stereotypes and national icons, to “boyfriend sweaters” and love stories, Unravelling Canada is both a celebration and a discovery of an ever-changing national landscape. Insightful, optimistic, and beautifully written, it is a book that will speak to knitters and would-be knitters alike.

Reviews
"I love this book, for what it says about the artisans of the past and the present, for what it says about what gets passed on from family to family and between different cultures, for what it says about our country and the people who inhabit it. This book knits us together, not only with strands of wool but with compassion, intelligence, caring and storytelling of the most appealing kind." — Lorna Crozier, author of Through the Garden, March 2021

Additional Information
224 pages | 5.50" x 8.50"

Since the Renaissance, liberal education has as its core tradition a Eurocentric multidisciplinary humanism — the study of literature, art, philosophy and history — grounded in ancient Greek and Latin texts.

In what may be termed cognitive imperialism, the academy has largely ignored Aboriginal perspectives of humanity. In this volume, Mi'kmaw and non-Mi'kmaw scholars, teachers and educators posit an interdisciplinary approach to explicate and animate a Mi'kmaw Humanities.

Drawing on the metaphor of a basket as a multilayered metaphor for engaging postsecondary institutions, these essays reveal historical, educational, legal, philosophical, visual and economic frameworks to develop a knowledge protocol that can direct, transform and enrich conventional Humanities within the complex dynamics of territory, energy, stewardship, alterity and consciousness.

Additional Information
300 pages | 6.00" x 9.00" | Paperback

"I hear so much power in these pages. I also feel it." —Richard Van Camp

We Remember the Coming of the White Man chronicles the history of the Sahtú (Mountain Dene) and Gwinch’in People in the extraordinary time of the early 20th century. This 2021 Special Edition of the book recognizes the anniversary of the signing of Treaty 11, which is greatly controversial due to the emotional and economic fallout for the People.

The remastered film “We Remember,” is included with the book, on DVD and as digital Vimeo links. As well as poignant essays on Treaty 11, the book includes transcripts of oral histories by Elders. They talk about the early days of fur trading and guns; the flu pandemic; and dismay about the way oil and uranium discoveries and pipelines were handled on their land. A new section of stories is included as well — stories by Leanne Goose, Antoine Mountain, Raymond Yakeleya, and George Blondin.

Dene Elders in the book (now all deceased) are Joe Blondin, John Blondin, Elizabeth Yakeleya, Mary Wilson, Isadore Yukon, Peter Thompson, Jim Sittichinli, Sarah Simon, Johnny Kay, and Andrew Kunnizzi. Dene translation is by Bella Ross.

Reviews
"We Remember The Coming of the White Man should be crucial reading for anyone in Canada because it speaks to the resiliency of the Dene and Metis people of Denendeh. It's also a testament to the power of memory carried in the oral tradition. To think what our ancestors have seen in one lifetime: relations with the Hudon's Bay Company, TB, Influenza, Treaty signings, the first musket loader, Residential Schools, the first radio, the first TV, a man on the moon. It is staggering. I hear so much power in these pages. I also feel it. I am grateful to everyone involved in this project because it is a life's work honouring the witnessing of so much change in so little time. Mahsi cho, everyone. I am grateful. We will have and celebrate this book and the DVD that accompanies it forever."— Richard Van Camp, Author

"Our traditional knowledge is recorded in the stories of our ancestors since time immemorial. In this book, you will read our oral history and traditions that are our Dene parables, used to guide ourselves and our People.” — Norman Yakeleya, Dene National Chief

“All Canadians are enriched by the stories in this collection. By listening to these stories, we take a step together towards reconciliation. We are learning the truth and building an understanding. We are nurturing respect and reciprocity. We are honouring our relations in a good way.”—­Colette Poitras, Chair of the Canadian Federation of Library Associations Indigenous Matters Committee

Educator Information
Author royalties for this edition are being used to create a scholarship for an emerging Indigenous writer in conjunction with Northwords Writers Festival.

Keywords: Indigenous, Dene Nation, Elders, Treaty 11, Hudson Bay Company, Missionaries, Northwest Territories.

Contains DVD of film We Remember.

Editors: Sarah Stewart & Raymond Yakeleya
Foreword : Walter Blondin,
Elders: Elizabeth Yakeleya, Sarah Simon, Mary Wilson, Joe Blondin, John Blondin, Isadore Yukon, Johnny Kaye, Jim Edwards Sittichinli, Peter Thompson, Andrew Kunnizzi
Storytellers and Authors: Colette Poitras, Leanne Goose, George Blondin, Raymond Yakeleya, Antoine Mountain
Artists: Antoine Mountain, Ruth Schefter, Deborah Desmarais

This book is part of the Indigenous Spirit of Nature series.

Additional Information
272 pages | 6.00" x 9.00" | 100 b&w photographs, 10 b&w line drawings 

Richard Wagamese, one of Canada’s most celebrated Indigenous authors and storytellers, was a writer of breathtaking honesty and inspiration. Always striving to be a better, stronger person, Wagamese shared his journey through writing, encouraging others to do the same.

Following the success of Embers, which has sold almost seventy thousand copies since its release in 2016, this new collection of Wagamese’s non-fiction works, with an introduction by editor Drew Hayden Taylor, brings together more of the prolific author’s short writings, many for the first time in print, and celebrates his ability to inspire. Drawing from Wagamese’s essays and columns, along with preserved social media and blog posts, this beautifully designed volume is a tribute to Wagamese’s literary legacy.

Reviews
"Treasure these words. Honour his thoughts. But don’t read it too fast. Soak it in. Enjoy every morsel. Linger on each page because every paragraph has nuggets of understanding. Lines of wisdom. Stories to appreciate." — Drew Hayden Taylor

Additional Information
176 pages | 5.50" x 8.00" | Hardcover

A narrative of resistance and resilience spanning seven decades in the life of a tireless advocate for Indigenous language preservation.

Life histories are a form of contemporary social history and convey important messages about identity, cosmology, social behaviour and one’s place in the world. This first-person oral history—the first of its kind ever published by the Royal BC Museum—documents a period of profound social change through the lens of Sti’tum’atul’wut—also known as Mrs. Ruby Peter—a Cowichan elder who made it her life’s work to share and safeguard the ancient language of her people: Hul’q’umi’num’.

Over seven decades, Sti’tum’atul’wut mentored hundreds of students and teachers and helped thousands of people to develop a basic knowledge of the Hul’q’umi’num’ language. She contributed to dictionaries and grammars, and helped assemble a valuable corpus of stories, sound and video files—with more than 10,000 pages of texts from Hul’q’umi’num’ speakers—that has been described as “a treasure of linguistic and cultural knowledge.” Without her passion, commitment and expertise, this rich legacy of material would not exist for future generations.

In 1997 Vancouver Island University anthropologist Helene Demers recorded Sti’tum’atul’wut’s life stories over nine sessions. The result is rich with family and cultural history—a compelling narrative of resistance and resilience that promises to help shape progressive social policy for generations to follow.

Additional Information
240 pages | 6.00" x 9.00"

What’s the difference between teaching our students and our autistic students? Not much. This practical book argues that all students are unique. It focuses on integrating teaching autistic students into the teaching practice of the whole class. Based on extensive classroom experience, this highly readable book is full of anecdotes about engaged students growing in their learning. Lesson plans and checklists throughout the book help teachers get to know autistic students and help them with school work, emotional regulation, communication, socializing and staying safe. This timely book champions getting rid of labels so teachers can know every student as an individual.

Educator Information
Explores how to teach autistic students and improve the learning experience for all students.

Features anecdotes from real classrooms supported by relevant research.

Lesson plans and checklists throughout the book help implement strategies.

Additional Information
124 pages | 8.38" x 10.88" | Paperback

Louise Erdrich meets Karen Russell in this deliciously strange and daringly original novel from Pulitzer Prize finalist Margaret Verble: set in 1926 Nashville, it follows a death-defying young Cherokee horse-diver who, with her companions from the Glendale Park Zoo, must get to the bottom of a mystery that spans centuries.

Two Feathers, a young Cherokee horse-diver on loan to Glendale Park Zoo from a Wild West show, is determined to find her own way in the world. Two’s closest friend at Glendale is Hank Crawford, who loves horses almost as much as she does. He is part of a high-achieving, land-owning Black family. Neither Two nor Hank fit easily into the highly segregated society of 1920s Nashville.

When disaster strikes during one of Two’s shows, strange things start to happen at the park. Vestiges of the ancient past begin to surface, apparitions appear, and then the hippo falls mysteriously ill. At the same time, Two dodges her unsettling, lurking admirer and bonds with Clive, Glendale’s zookeeper and a World War I veteran, who is haunted—literally—by horrific memories of war. To get to the bottom of it, an eclectic cast of park performers, employees, and even the wealthy stakeholders must come together, making When Two Feathers Fell from the Sky an unforgettable and irresistible tale of exotic animals, lingering spirits, and unexpected friendship.

Reviews
"Verble beautifully weaves period details with the cast’s histories, and enthralls with the supernatural elements, which are made as real for the reader as they are for the characters. This lands perfectly."—Publishers Weekly, STARRED review

"This utterly memorable, beautifully written story will linger with readers."—Booklist, STARRED review

"An ambitious novel that’s impressive in its scope and concept: Glendale Park Zoo and the 101 are rife with narrative possibility and give the author a chance to examine a fascinating cross section of race and class."—Kirkus

“Two Feathers, tough and warmhearted, clear-eyed and funny, captivates from the first striking scene. Margaret Verble has created a remarkable world, rich with vibrant characters and layered histories, long obscured, that emerge to shape their lives in surprising, thought-provoking, and moving ways.” —Kim Edwards, bestselling author of The Memory Keeper’s Daughter and The Lake of Dreams

“Two Feathers Fell from the Sky is a rich and lively novel, steeped in place and history. Verble’s meticulous research and generosity of spirit shine through, lending her characters and their adventures a fullness that lingers.”—Kelli Jo Ford, author of Crooked Hallelujah and winner of the Plimpton Prize

Additional Information
384 pages | 6.00" x 9.00" | Hardcover

Where the Power Is: Indigenous Perspectives on Northwest Coast Art is a landmark volume that brings together over eighty contemporary Indigenous knowledge holders with extraordinary works of historical Northwest Coast art, ranging from ancient stone tools to woven baskets to carved masks and poles to silver jewellery. First Nations Elders, artists, scholars, and other community members visited the Museum of Anthropology at the University of British Columbia to connect with these objects, learn from the hands of their ancestors, and share their thoughts and insights on how these belongings transcend the category of “art” or “artifact” to embody vital ways of knowing and being in the world. Texts by the authors sketch the provenance of the objects, and, in dialogue with the commentators, engage in critical and necessary conversations around the role of museums that hold such collections.

The voices within are passionate, enlightening, challenging, and humorous. The commentators speak to their personal and family histories that these objects evoke, the connections between tangible and intangible culture, and how this “art” remains part of Northwest Coast Indigenous peoples’ ongoing relationships to their territories and political governance. Accompanied by over 300 contemporary and historical photographs, this is a vivid and powerful document of Indigenous experiences of reconnection, reclamation, and return.

Featuring contributions by:

ʼLiyaaʼmlaxha—Leonard Alexcee, Goldʼm Nitsʼk—Wii Gandoox—Mona Alexcee, Widiimas—Peter Alexcee, Kʼodalagalis—Byron Alfred, Skwiixta—Karen Anderson, Chaudaquock—Vera Asp, Don Bain, Stan Bevan, Jo Billows, Dempsey Bob, Raymond Boisjoly, Naxshageit—Alison Bremner, Wákas—Irene Brown, Tʼaakeit Gʼaayaa—Corey Bulpitt, Vanessa Campbell, Jisgang—Nika Collison, Nalaga—Donna Cranmer, Gloria Cranmer Webster, Joe David, Guud san glans—Robert Davidson, ʼWalas Gwaʼyam—Beau Dick, Idtaawgan—Mervin Dunn, Sharon Fortney, Yéil Ya-Tseen—Nicholas Galanin, qiyəplenəxw—Howard E. Grant, sʔəyəłəq—Larry Grant, taχwtəna:t—Wendy Grant-John, Müsiiʼn—Phil Gray, Tʼuuʼtk—Robin R.R. Gray, Wii Gwinaał—Henry Green, secəlenəxw—Morgan Guerin, Haaʼyuups, KC (Kelsey) Hall, J̌i:ƛʼmɛtəm—Harold Harry, qoqʼwɛssukwt—Katelynn Harry, 7idansuu—James M. Hart, YaʼYa Heit, Kwakwabalasamayi Hamasaka—Alan Hunt, Corrine Hunt, Tłaliłilaʼogwa—Sarah Hunt, Tsēmā Igharas, Pearl Innis, Haʼhl Yee—Doreen Jensen, Kwankwanxwaligi—Robert Joseph, kwəskwestən—James Kew, Gigaemi Kukwits, Peter Morin, Nugwam ʼMaxwiyalidzi—Kʼodi Nelson, ʼTayagilaʼogwa—Marianne Nicolson, Gwiʼmolas—Ryan Nicolson, Jaad Kuujus—Kwaxhiʼlaga—Meghann OʼBrien, Ximiq—Dionne Paul, A-nii-sa-put—Tim Paul, Xwelíqwiya—Rena Point Bolton, Oqwiʼlowgʼwa—Kim Recalma-Clutesi, Skeena Reece, Nʼusi—Ian Reid, Greg A. Robinson, Siʼt Kwuns—Isabel Rorick, Maximus (Max) Savey, Anaht pi ya tuuk—Sheila Savey, Linda Smith, Xsim Ganaaʼw—Laurel Smith Wilson, θəliχwəlwət—Debra Sparrow, səlisəyeʔ—Leona Sparrow, Wedłidi Speck, Marika Echachis Swan, Simʼoogit Gawaakhl of Wilps Luuyaʼas—Norman Tait, Snxakila—Clyde Tallio, Nakkita Trimble, Xˇùsəmdas Waakas—Ted Walkus, Nuuwagawa—Evelyn Walkus Windsor, Hiłamas—William Wasden, Jr., Tsamiianbaan—William White, Tania Willard, Skiljaday—Merle Williams, Gid7ahl-Gudsllaay Lalaxaaygans—Terri-Lynn Williams-Davidson, Tʼɬaɬbaʼlisameʼ—Tʼɬalis—Mikael (Mike) Willie, Lyle Wilson, Nathan Wilson, and Michael Nicoll Yahgulanaas.

Additional Information
384 pages | 10.31" x 11.96" | Hardcover

Throughout her life, Elissa Washuta has been surrounded by cheap facsimiles of Native spiritual tools and occult trends, “starter witch kits” of sage, rose quartz, and tarot cards packaged together in paper and plastic. Following a decade of abuse, addiction, PTSD, and heavy-duty drug treatment for a misdiagnosis of bipolar disorder, she felt drawn to the real spirits and powers her dispossessed and discarded ancestors knew, while she undertook necessary work to find love and meaning.

In this collection of intertwined essays, she writes about land, heartbreak, and colonization, about life without the escape hatch of intoxication, and about how she became a powerful witch. She interlaces stories from her forebears with cultural artifacts from her own life—Twin Peaks, the Oregon Trail II video game, a Claymation Satan, a YouTube video of Stevie Nicks and Lindsey Buckingham—to explore questions of cultural inheritance and the particular danger, as a Native woman, of relaxing into romantic love under colonial rule.

Reviews
"A fascinating magic trick of a memoir that illuminates a woman's search for meaning." —Kirkus, Starred Review

"Washuta’s frank confrontations with, and acknowledgments of, unhealed wounds are validating. . . . evoking the sense of peeling open a letter from an estranged friend. A poignant work by a rising essayist."—Foreword Reviews, Starred Review

"Her prose is crisp and precise, and the references hit spot-on. . . . Fans of the personal essay are in for a treat."—Publishers Weekly

"Powerful. . . . Washuta’s essays refuse the mandate of a tidy resolution. Instead she circles around each subject, inspecting it as symbol, myth, metaphor, and reality, all while allowing her readers space to draw their own conclusions, or to reject the need for any conclusion at all. Like a stage magician, she asks readers to look again. White Magic is an insightful, surprising, and eloquent record of stories of magic and the magic in stories." —Booklist

"Washuta's story and struggles become a metaphor for the toll of colonialism on generations of Indigenous people like herself. Readers of recovery narratives, women's issues, and keenly observed social commentary will be rewarded here."—Library Journal

"White magic, red magic, Stevie Nicks magic—this is Elissa Washuta magic, which is a spell carved from a life, written in blood, and sealed in an honesty I can hardly fathom." —Stephen Graham Jones, author of The Only Good Indians

"White Magic is funny and wry, it’s thought-provoking and tender. It’s a sleight of hand performed by a true master of the craft. White Magic is magnificent and Elissa Washuta is spellbinding. There is no one else like her." —Kristen Arnett, author of Mostly Dead Things

"These pages are windows into a black lodge where Twin Peaks and Fleetwood Mac are on repeat—sometimes forward, sometimes backwards, sometimes in blackout blur. I stand in awe of everything here. What an incredible and wounding read."—Richard van Camp, author of The Lesser Blessed

Additional Information
350 pages | 5.50" x 8.50"

Indigenous peoples in Canada are striving for greater economic prosperity and political self-determination. Investigating specific legal, economic, and political practices, and including research from interviews with Indigenous political and business leaders, this collection seeks to provide insights grounded in lived experience. Covering such critical topics as economic justice and self-determination, and the barriers faced in pursuing each, Wise Practices sets out to understand the issues not in terms of sweeping empirical findings but rather the particular experiences of individuals and communities. The choice to focus on specific practices of law and governance is a conscious rejection of idealized theorizing about law and governance and represents an important step in the existing scholarship.

The volume offers readers a broad scope of perspectives, incorporating contemporary thought on Indigenous law and legal orders, the impact of state law on Indigenous peoples, theories and practices of economic development, and grounded practices of governances. While the authors address a range of topics, each does so in a way that sheds light on how Indigenous practices of law and governance support the social and economic development of Indigenous peoples.

Educator Information
Table of Contents
Part 1: Facilitating and Framing Wise Practices
1. Indigenous Economic Justice and Self-Determination: Wise Practices In Indigenous Law, Governance, And Leadership 
2. A Wise Practices Approach to Indigenous Law, Governance And Leadership: Resistance Against The Imposition Of Law 
3. Wise Practices: Toward A Paradigm of Indigenous Applied Community Economic Development Research And Facilitation 

Part 2: The State of the Law
4. Economic Justice in Practice 
5. Of Spectrums and Foundations: An Investigation into The Limitations Of Aboriginal Rights. 
6. The State Of Canadian Law on Representation and Standing In Aboriginal Rights And Title Litigation 
7. Miyo Pimâtisiwin And The Politics Of Ignorance: Advancing Indigenous ‘Good Living’ Through Dismantling Our Mediated Relations 

Part 3: Alternative in Practice
8. Accepting Responsibility For Your Nationhood Is Worthwhile For Any Nation On Earth, Not Just Indigenous People. 
9. Wise Practices in Indigenous Economic Development & Environmental Protection 
10. Looking Inward, Looking Outward: Finding Solutions in Indigenous and International Law 
11. Victory through Honour: Bridging Canadian Intellectual Property Laws and Kwakwaka’wakw Cultural Property Laws

Recommended for courses in economics, Indigenous studies, Indigenous politics, law and society, and political science.

Additional Information
384 pages | 6.00" x 9.00"

Apela Colorado shares her knowledge and experiences of indigenous wisdom and promotes an understanding between the indigenous and modern world perspectives. A journey back in time to preserve a connection to the ancestors, open a door to indigenous wisdom and healing and reclaim a Creation story for the future.

Inspirational world authority on indigenous wisdom Apela Colorado works internationally to preserve the wisdom of indigenous elders from around the world. In this powerful and inspirational book, she weaves together an intricate and beautiful insight into the way that indigenous people see the world.

She shares her experiences as a Native American woman growing up in rural Wisconsin, who stepped out of her tribe to become one of the first Native American women to study at Harvard. Her passion for the indigenous way of life leads her to travel the world, meeting indigenous elders and setting up projects to promote understanding between the indigenous and Western world view.

This powerful book contains a unique and magical glimpse into the minds of those elders and will inspire us all to reconnect more closely with our own ancestral wisdom.

Reviews
"Nothing is more essential for the future of the planet than an honoring and integration of indigenous wisdom in every realm. In this brilliant poignant profound superbly written book, Apela Colorado offers us the treasures of a lifetime of shamanic passion and practice as well as a practical template for all of us to start our journey’s home to celebrating and protecting the creation and ourselves. This essential book should be in the backpack of every seeker, every policy maker and all those passionately concerned for the birth of a new humanity." —Andrew Harvey 

Additional Information
288 pages | 5.50" x 8.50"