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The groundbreaking Indigenous style guide every writer needs.

The first published guide to common questions and issues of Indigenous style and process for those who work in words and other media is back in an updated new edition. This trusted resource offers crucial guidance to anyone who works in words or other media on how to work accurately, collaboratively, and ethically on projects involving Indigenous Peoples.

Editor Warren Cariou (Métis) and contributing editors Jordan Abel (Nisga’a), Lorena Fontaine (Cree-Anishinaabe), and Deanna Reder (Cree-Métis) continue the conversation started by the late Gregory Younging in his foundational first edition. This second conversation reflects changes in the publishing industry, Indigenous-led best practices, and society at large, including new chapters on author-editor relationships, identity and community affiliation, Two-Spirit and Indigiqueer identities, sensitivity reading, emerging issues in the digital world, and more.

This guide features:

• Twenty-two succinct style principles.
• Advice on culturally appropriate publishing practices, including how to collaborate with Indigenous Peoples, when and how to seek the advice of Elders, and how to respect Indigenous Oral Traditions and Traditional Knowledge.
• Terminology to use and to avoid.
• Advice on specific editing issues, such as biased language, capitalization, citation, accurately representing Indigenous languages, and quoting from historical sources and archives.
• Examples of projects that illustrate best practices.

Additional Information
208 pages | 5.50" x 7.50" | Paperback

A bold, provocative collection of essays exploring the historical and contemporary Indigenous experience in Canada.

With authority and insight, Truth Telling examines a wide range of Indigenous issues framed by Michelle Good’s personal experience and knowledge.

From racism, broken treaties, and cultural pillaging, to the value of Indigenous lives and the importance of Indigenous literature, this collection reveals facts about Indigenous life in Canada that are both devastating and enlightening. Truth Telling also demonstrates the myths underlying Canadian history and the human cost of colonialism, showing how it continues to underpin modern social institutions in Canada.

Passionate and uncompromising, Michelle Good affirms that meaningful and substantive reconciliation hinges on recognition of Indigenous self-determination, the return of lands, and a just redistribution of the wealth that has been taken from those lands without regard for Indigenous peoples.

Truth Telling is essential reading for those looking to acknowledge the past and understand the way forward.

Reviews
“With blistering clarity, Michelle Good exposes the contradictions at the heart of Canada, but also imagines beyond them, setting out a specific vision for an Indigenous future governed by us. Good’s essays, woven with personal testimony, are deeply researched and traverse great swaths of history and policy; they are also very rousing and moving. No Canadian can feign ignorance of the Indigenous struggle when this book is within arm’s reach.” — Billy-Ray Belcourt, author of A Minor Chorus

"Good reminds us what the truth in Truth and Reconciliation actually requires of all of us: Indigenous peoples and Canadians. Addressing storytelling and historical myth-making, this book would have changed my nineteen-year-old world had it been available and rendered normative for my teachers. Good’s work is formidable, elemental and reminiscent of Cardinal’s Unjust Society. This work, should be required reading for every Canadian. Smart, generous and insightful. 'There is no such thing as Crown Land. It is all Indigenous land.' Good writes. This truth resonates. Serves notice: it is time." — Dr. Tracey Lindberg, Law Professor, author of Birdie

“Truth Telling is at once heartfelt, instructive, and authentic, expertly exploring the key issues that have shaped the Indigenous reality in Canada.… This collection is an indispensable resource.” — Waubgeshig Rice, author of Moon of the Crusted Snow

“As Canadians search for a national approach to reconciliation... this book reminds us of how we arrived at this moment.…[and] is the kind of reference that will help us navigate our fraught journey.” — Dr. Eldon Yellowhorn, Professor of Indigenous Studies, Simon Fraser University

“Truth Telling is a powerful, urgent, and necessary book that gets to the heart of true reconciliation and maps a course for achieving it. Bridging personal stories and lived experiences with sharp historical analysis, Michelle Good’s writing is both beautiful and heartbreaking. Honest, forthright, and powerful, Truth Telling offers insights and analysis that every policymaker and politician—indeed, any person who calls Canada “home”— can and must read. Urgently.” — 2023 Balsillie Prize for Public Policy Jury

Educator Information
Truth Telling is a collection of essays about the contemporary Indigenous experience in Canada.

Additional Information
232 pages | 5.00" x 7.50" | Paperback

A four-year-old girl goes missing from the blueberry fields of Maine, sparking a tragic mystery that will remain unsolved for nearly fifty years

July 1962. A Mi’kmaq family from Nova Scotia arrives in Maine to pick blueberries for the summer. Weeks later, four-year-old Ruthie, the family’s youngest child, vanishes mysteriously. She is last seen by her six-year-old brother, Joe, sitting on her favourite rock at the edge of a berry field. Joe will remain deeply affected by his sister’s disappearance for years to come.

In Boston, a young girl named Norma grows up as the only child of an affluent family. Her father is emotionally distant, her mother frustratingly overprotective. Norma is often troubled by recurring dreams and visions that seem more like memories than imagination. As she grows older, Norma slowly comes to realize there is something her parents aren’t telling her. Unwilling to abandon her intuition, she will spend decades trying to uncover this family secret.

A stunning debut by a vibrant new voice in fiction, The Berry Pickers is a riveting novel about the search for truth, the shadow of trauma and the persistence of love across time.

Reviews
“Amanda Peters manages to take you home to the East Coast in the very best ways – through family love and personal grief and the precious accounting of minutes and memories. You cannot help but love these characters from the first chapter. They stay with you long after the last page.” — Cherie Dimaline, bestselling author of The Marrow Thieves

“The Berry Pickers is an intimate story about the destruction wreaked on a family when their youngest child goes missing. Peters brilliantly crafts a multi-layered tale about how one irrational act creates irrevocable harm that ripples through multiple lives, including the lives of the perpetrators. This is an emotional novel that is beautifully rendered. An amazing read from a talented new voice.” — Michelle Good, bestselling author of Five Little Indians

“A marvelous debut. The Berry Pickers has all the passion of a first book but also the finely developed skill of a well-practiced storyteller. The Berry Pickers is a triumph.” — Katherena Vermette, bestselling author of The Break

Additional Information
320 pages | 6.00" x 9.00" | Paperback

Brian Isaac's powerful debut novel All the Quiet Places is the coming-of-age story of Eddie Toma, an Indigenous (Syilx) boy, told through the young narrator's wide-eyed observations of the world around him.

It's 1956, and six-year-old Eddie Toma lives with his mother, Grace, and his little brother, Lewis, near the Salmon River on the far edge of the Okanagan Indian Reserve in the British Columbia Southern Interior. Grace, her friend Isabel, Isabel's husband Ray, and his nephew Gregory cross the border to work as summer farm labourers in Washington state. There Eddie is free to spend long days with Gregory exploring the farm: climbing a hill to watch the sunset and listening to the wind in the grass. The boys learn from Ray's funny and dark stories. But when tragedy strikes, Eddie returns home grief-stricken, confused, and lonely.

Eddie's life is governed by the decisions of the adults around him. Grace is determined to have him learn the ways of the white world by sending him to school in the small community of Falkland. On Eddie's first day of school, as he crosses the reserve boundary at the Salmon River bridge, he leaves behind his world. Grace challenges the Indian Agent and writes futile letters to Ottawa to protest the sparse resources in their community. His father returns to the family after years away only to bring chaos and instability. Isabel and Ray join them in an overcrowded house. Only in his grandmother's company does he find solace and true companionship.

In his teens, Eddie's future seems more secure—he finds a job, and his long-time crush on his white neighbour Eva is finally reciprocated. But every time things look up, circumstances beyond his control crash down around him. The cumulative effects of guilt, grief, and despair threaten everything Eddie has ever known or loved.

All the Quiet Places is the story of what can happen when every adult in a person's life has been affected by colonialism; it tells of the acute separation from culture that can occur even at home in a loved familiar landscape. Its narrative power relies on the unguarded, unsentimental witness provided by Eddie.

Awards

• 2022 Indigenous Voices Awards winner

Reviews
"What a welcome debut. Young Eddie Toma’s passage through the truly ugly parts of this world is met, like an antidote, or perhaps a compensation, by his remarkable awareness of its beauty. This is a writer who understands youth, and how to tell a story." —Gil Adamson is the winner of the Writers’ Trust Fiction Prize for Ridgerunner

"All the Quiet Places is a deftly crafted, evocative story about the trials of growing up Indigenous. Brian Thomas Isaac’s characters are complex, relatable, and overall, beautifully human." —Waubgeshig Rice is the bestselling author of Moon of the Crusted Snow

"All the Quiet Places is the kind of novel that works its way into your soul. Essentially, it's a tale of childhood, all the wonders and tragedies, that befall a young boy on an Okanagan Reserve in the middle of the last century. Familiar, yet unique, Eddie's story will captivate the reader. The best compliment I could bestow on this book is. . . I wish it was one or two chapters longer. I wanted more." —Drew Hayden Taylor is from the Curve Lake First Nation and is the author of many books including Chasing Painted Horses

"On par with the brilliance of James Welch's Winter in The Blood and Ruby Slipperjack's Little Voice, Brian Thomas Isaac has given us a startling read that'll live wire your soul and haunt you for a good long while. Pure brilliance. Wow." —Richard Van Camp is the author of The Lesser Blessed and Moccasin Square Gardens

Educator Information
Keywords: Coming of Age; Own Voices; Indigenous

Recommended in the Canadian Indigenous Books for Schools resource collection as being useful for grades 11 and 12 for English Language Arts and Social Studies.

Additional Information
288 pages | 5.50" x 8.50"

Many Indigenous cultures on Turtle Island recognize the Medicine Wheel as a sacred symbol. The Medicine Wheel has four equal areas; black, white, red and yellow. These areas represent the four directions, four seasons, four elements, four stages of life and four sacred plants. The Medicine Wheel represents unity and balance between all things, including living a healthy life mentally, spiritually, emotionally, and physically. By understanding the teachings of the Medicine Wheel we can gain a deeper understanding of our holistic health.

Through a careful selection of teachings, followed by interactive activities, the Medicine Wheel Workbook: Finding Your Healthy Balance will encourage children to live well and find their healthy balance. This workbook can be used as a teacher resource in your classroom or by parents teaching their children at home. Lessons and activities may be photocopied to use within your classroom or home.

Educator Information
Publisher recommends this work for grades 2 to 7.  Activities are adaptable.

This book is available in French: Cahier d'exercices la roue medicinale: Trouve un equilibre sain

Additional Information
74+ pages | 8.50" x 11.00"

In the last decade, the relationship between settler Canadians and Indigenous Peoples has been highlighted by the Truth and Reconciliation Commission, the National Inquiry into Missing and Murdered Indigenous Women and Girls, the Idle No More movement, the Wet'suwet'en struggle against pipeline development and other Indigenous-led struggles for Indigenous sovereignty and decolonization. Increasing numbers of Canadians are beginning to recognize how settler colonialism continues to shape relationships on these lands. With this recognition comes the question many settler Canadians are now asking, what can I do?

Living in Indigenous Sovereignty lifts up the wisdom of Indigenous scholars, activists and knowledge keepers who speak pointedly to what they are asking of non-Indigenous people. It also shares the experiences of thirteen white settler Canadians who are deeply engaged in solidarity work with Indigenous Peoples. Together, these stories offer inspiration and guidance for settler Canadians who wish to live honourably in relationship with Indigenous Peoples, laws and lands. If Canadians truly want to achieve this goal, Carlson and Rowe argue, they will pursue a reorientation of their lives toward "living in Indigenous sovereignty"-- living in an awareness that these are Indigenous lands, containing relationships, laws, protocols, stories, obligations and opportunities that have been understood and practised by Indigenous peoples since time immemorial.

Collectively, these stories will help settler Canadians understand what transformations we must undertake if we are to fundamentally shift our current relations and find a new way forward, together.

Reviews
“A powerful decolonial reflection and call to action for settler peoples to learn how to work in solidarity with Indigenous peoples in ways that are decolonizing not recolonizing. Guided by teachings from Indigenous elders, scholars, and activists about the importance of creating relationships with kindness, humility, mutual respect and reciprocity, non-Indigenous readers can find inspiration in the life stories of settlers who speak frankly about their ongoing struggles to do this work in a good way.” — Paulette Regan, author of Unsettling the Settler Within: Indian Residential Schools, Truth Telling, and Reconciliation in Canada and Senior Researcher/Lead Writer of “Reconciliation,” Volume 6 of the TRC Final Report

“This is the most comprehensive book on anti-colonial practice focused on non-indigenous peoples. It draws on leading scholars and advocates from across the country and incorporates a breadth of concepts that create a solid and encompassing foundation for creating change. By incorporating these ideas, perspectives, experiences and practices, non-Indigenous and Indigenous people will be well prepared for our work and parallel journey ahead.” — Michael Anthony Hart, Vice Provost (Indigenous Engagement), Professor, Faculty of Social Work, University of Calgary, author of Seeking Mino-Pimatisiwin and Wicihitowin

Educator Information
Tables of Contents
Foreword By Aimée Craft, Leona Star and Dawnis Kennedy
Acknowledgments
Introductions
Settler Colonialism and Resistance
Introducing the Narratives
Monique Woroniak
Murray Angus
Steve Heinrichs
Franklin Jones
Orienting Toward Indigenous Sovereignty
Joy Eidse
Adam Barker
Susanne McCrea
Kathi Avery Kinew
Rick Wallace
What Indigenous Peoples Have Asked of Us
John Doe
Silvia Straka
Dave Bleakney
Victoria Freeman
Honourings
Conclusions
Afterword
References
Index

Additional Information
264 pages | 6.00" x 9.00"

Mācī-Anihšināpēmowin / Beginning Saulteaux is an introductory look at one of the most widely spoken of all North American Indigenous languages, regionally known as Saulteaux, Ojibway, Ottawa (Odawa), Chippewa, and Algonquian. In an easy-to-use and easy-to-read series of lessons, both designed for self-study or for use in the classroom, Beginning Saulteaux will guide beginners through the language’s grammatical structures and spelling systems, as well as everyday terms and phrases. The book grounds the language in both traditional and contemporary contexts, and sheds light on the Saulteaux world view. For example, there is no word for good-bye in the language, so upon parting people will usually say Kika-wāpamin mīnawā, meaning “I’ll see you again.”

Educator & Series Information
The third in our Indigenous Languages for Beginners series, Beginning Saulteaux is an invaluable resource produced in consultation with Elders, Language Keepers, and community members, and continues our commitment to revitalizing Indigenous languages.

Additional Information
304 pages | 8.50" x 11.00" | Spiral Bound

Itee Pootoogook belonged to a new generation of Inuit artists who are transforming and reshaping the creative traditions that were successfully pioneered by their parents and grandparents in the second half of the 20th century.

Itee Pootoogook (1951-2014) was part of a generation, including most famously his cousin Annie Pootoogook, that transformed the creative traditions of Inuit art.

A meticulous draughtsman who worked with graphite and coloured pencil, Itee depicted buildings in Kinngait that incorporated a perspectival view, a relatively recent practice influenced by his training as a carpenter and his interest in photography. His portraits of acquaintances and family members similarly bear witness to the contemporary North. Whether he depicts them at work or resting, his subjects are engaged in a range of activities from preparing carcasses brought in from hunting to playing music or contemplating the landscape of the North.

Itee was also an inventive landscapist. Many of his finest Arctic scenes emphasize the open horizon that separates land from sky and the ever-shifting colours of the Arctic. Rendering the variable light of the landscape with precision, he brought a level of attention that contributed, over time, to his style.

Featuring more than 100 images and essays by curators, art historians, and contemporary artists, Itee Pootoogook: Hymns to Silence celebrates the creative spirit of an innovative artist. It is the first publication devoted exclusively to his art.

Additional Information
198 pages | 9.00" x 10.00"

Réunis sous la sweatlodge et guidés par l’Aîné selon un rituel ancestral, de jeunes Autochtones se voient, tour à tour, invités à revenir sur un sombre épisode de leur passé. Ces histoires à plusieurs voix les rassemblent autour d’un objectif commun : le désir de guérison.Miné par un parcours âpre, douloureux, cruel, chacun de ces personnages cherche une issue à son mal-être dans la sagesse des Premières Nations. Dans ce premier recueil de nouvelles, Midnight Sweatlodge, qui lui a valu, en 2012, le prestigieux Independent Publishers Book Award, Waubgeshig Rice évoque en filigrane ce que c’est que d’être autochtone aujourd’hui.

Additional Information
Fiction - Short Stories 

Dispatches of radical political engagement from people taking a stand against the Dakota Access Pipeline.

It is prophecy. A Black Snake will spread itself across the land, bringing destruction while uniting Indigenous nations. The Dakota Access Pipeline is the Black Snake, crossing the Missouri River north of the Standing Rock Indian Reservation. The oil pipeline united communities along its path—from North Dakota, South Dakota, Iowa, and Illinois—and galvanized a twenty-first-century Indigenous resistance movement marching under the banner Mni Wiconi—Water Is Life! Standing Rock youth issued a call, and millions around the world and thousands of Water Protectors from more than three hundred Native nations answered. Amid the movement to protect the land and the water that millions depend on for life, the Oceti Sakowin (the Dakota, Nakota, and Lakota people) reunited. A nation was reborn with renewed power to protect the environment and support Indigenous grassroots education and organizing. This book assembles the multitude of voices of writers, thinkers, artists, and activists from that movement.

Through poetry and prose, essays, photography, interviews, and polemical interventions, the contributors, including leaders of the Standing Rock movement, reflect on Indigenous history and politics and on the movement’s significance. Their work challenges our understanding of colonial history not simply as “lessons learned” but as essential guideposts for current and future activism.

Contributors: Dave Archambault II, Natalie Avalos, Vanessa Bowen, Alleen Brown, Kevin Bruyneel, Tomoki Mari Birkett, Troy Cochrane, Michelle L. Cook, Deborah Cowen, Andrew Curley, Martin Danyluk, Jaskiran Dhillon, Roxanne Dunbar-Ortiz, Liz Ellis, Nick Estes, Marcella Gilbert, Sandy Grande, Craig Howe, Elise Hunchuck, Michelle Latimer, Layli Long Soldier, David Uahikeaikalei‘ohu Maile, Jason Mancini, Sarah Sunshine Manning, Katie Mazer, Teresa Montoya, Chris Newell, The NYC Stands with Standing Rock Collective, Jeffrey Ostler, Will Parrish, Shiri Pasternak, endawnis Spears, Alice Speri, Anne Spice, Kim TallBear, Mark L. Tilsen, Edward Valandra, Joel Waters, Tyler Young.

Reviews
"As our songs and prayers echo across the prairie, we need the public to see that in standing up for our rights, we do so on behalf of the millions of Americans who will be affected by this pipeline."—David Archambault II, from the interior

"There is no alternative to water. There is no alternative to this Earth. This fight has become my life, and it’s not over. I think this is only the beginning for me, for all of us. Do you want a future for your children and grandchildren? If you want them to have a future then stand with Standing Rock because this is just the beginning of a revolution."—Zaysha Grinnell, from the interior

"We will put our best warriors in the front. We are the vanguard. We are the Hunkpapa Lakota. That means the horn of the buffalo. That’s who we are. We are protectors of our nation of Oceti Sakowin, the Seven Council Fires. Know who we are."—Phyllis Young

Additional Information
448 pages | 7.00" x 9.00"

Leira is about to start her initiation as a priestess when her world is turned upside down. A violent earthquake leaves her home--and her family--in pieces. And the earth goddess hasn't finished with the island yet.

With her family, Leira flees across the sea to Crete, expecting sanctuary. But a volcanic eruption throws the entire world into darkness. After the resulting tsunami, society descends into chaos; the status and privilege of being noble-born are reduced to nothing. With her injured mother and elderly nurse, Leira must find the strength and resourcefulness within herself to find safety.

A thrilling new Bronze Age survival story from the award-winning author of Dragonfly Song and Nim's Island.

Reviews
"[Orr's] mixture of prose and free verse to tell Leira's story is lyrical and magnetic—and devastating. Not for readers searching for a simple or happy journey, this is a beautiful song of a book that shows that life isn't always fair, but change is always constant."—Kirkus Reviews

"Leira's lyrical first-person narrative advances the story along beautifully with a fitting sense of urgency, and free-verse songs clue readers in to her emotional development. Immersive historical fiction."—Booklist Starred Review

"Some chapters written in verse make the more emotional plotlines sing. An eye-opening look at how difficult it is when one's status changes in life, and how attitude can shape outcome. VERDICT: Beautiful writing and a fast-moving plot will give young historical fiction fans much to love."—School Library Journal

"Leira's protracted fall from grace is effectively punctuated by seamless narrative shifts among prose, verse, and song, which fans of Orr's Dragonfly Song will recognize. What she endures—the uncertainty of her family's fate and becoming a servant herself—makes for a gripping exploration of privilege during her journey toward womanhood."—Bulletin for the Center for Children's Books

"Swallow's Dance is a sweeping tale of courage, fortitude, hardship and perseverance against all odds. It is also a coming of age story, an intimate glimpse into the life of a young girl adjusting to puberty at a time when her family, friendships and her understanding of her place in the world are brutally torn apart. Wendy Orr has crafted a sympathetic, memorable heroine whose struggles and challenges transcend time from the Bronze Age to modern day....While suitable for middle-grade students and a wonderful introduction to mythology and discussions surrounding puberty, spirituality, class, mental health, death and disaster, Swallow's Dance is one of those rare books that is also just a great story, an epic tale for all ages. Highly Recommended."—CM Magazine

"Top notch historical fiction for those who like it ancient!... The scenes of devastation – earthquake in Santorini, tsunami in Crete – are riveting to experience through the lens of a survivor."—Youth Services Book Review

"Orr's attention to character development is extremely well done....Swallow's Dance could be used in conjunction with the grades-five-to-eight Language Arts or Social Studies curriculum and would be great to teach students how to incorporate symbolism and imagery through free verse and poetry. In addition, Swallow's Dance could also be used to teach students about family, culture, history and the importance of the role of women in society. A fantastic novel to use as a read-aloud or novel study!"—Canadian Children's Book News

Educator Information
Recommended Ages: 10-14

Themes/Subjects: Legends, Myths, Fables - Greek & Roman / Historical - Ancient Civilizations / Action & Adventure - Survival Stories / Coming of Age.

Additional Information
288 pages | 5.50" x 8.00"

Humanity has nearly destroyed its world through global warming, but now an even greater evil lurks. The indigenous people of North America are being hunted and harvested for their bone marrow, which carries the key to recovering something the rest of the population has lost: the ability to dream. In this dark world, Frenchie and his companions struggle to survive as they make their way up north to the old lands. For now, survival means staying hidden - but what they don't know is that one of them holds the secret to defeating the marrow thieves.

Awards

• Winner of 2017 Governor General's Literary Award
• Winner of 2017 Kirkus Prize
• Winner of the 2018 Burt Literary Award for First Nations, Inuit, and Métis Young Adult Literature.  

Reviews
“Miigwans is a true hero; in him Dimaline creates a character of tremendous emotional depth and tenderness, connecting readers with the complexity and compassion of Indigenous people. A dystopian world that is all too real and that has much to say about our own.”— Kirkus Reviews

"There's a quality in Dimaline's writing that reached from the page, into my being ... That's a specific reference to the residential schools of the past, where so much was taken from Native children. It is one of many points in The Marrow Thieves where - painfully or with exquisite beauty - Dimaline's story resonates with me. It will resonate with other Native readers, too, especially those who are Anishinabe. Several tribal nations are mentioned in here, too ... There's so much more to say ... about Miggs and Isaac, about Ri, about Minerva, about French. But I'll stop and let you be with these achingly dear characters. I highly recommend The Marrow Thieves." — Debbie Reese, American Indians in Children's Literature

"In The Marrow Thieves, Cherie Dimaline creates a near-future world which distinctly echoes our own, current and past traumas that have come back to repeat themselves, fiction with a basis in reality that gives the narrative a sheen of hard truths, following the trials and tribulations of a relatable cast of characters and their struggles to survive, and live their lives with the love and safety denied to them. The high-stakes tension of each scene pulls the reader along through the story, with a core message about our dreams and culture, which despite losses, has the potential to heal, and the power to restore." — Trillium Book Award Jury Citation, June 2018

"[The Marrow Thieves] brilliantly connects the legacy of residential schools to a dystopian post-climate-change future where only Indigenous people are able to dream. Dimaline’s novel reminds us of the power of storytelling and the importance of community, reinforced for the disenfranchised children by the wisdom of the heroic elder, Miigwans. The writing is painful yet beautiful, bleak but ultimately hopeful. In this era of reconciliation, Cherie Dimaline’s The Marrow Thieves is a work of speculative fiction that resonates and stays with the reader long past the last page." — Sunburst Award Jury Citation, October 2018

Educator & Series Information
Recommended Ages: 13+ 

Recommended English First Peoples resource for grades 11-12.

This book is part of the Marrow Thieves series.

The Canadian Indigenous Books for Schools list recommends this resource for Grades 9-12 English Language Arts.

Caution: This book touches on physical and sexual violence.

DCB Young Readers has created a Teacher's Guide for this resource, which can be downloaded here: Teachers Guide - The Marrow Thieves

This resource is also available in French: Pilleurs de rêves

Additional Information
180 pages | 5.00" x 8.00"

Dans cette anthologie, les voix des Premiers Peuples prennent un chemin pour se faire entendre, celui de l’écriture. Choisis pour l’émotion, la curiosité ou la réflexion qu’ils suscitent chez le lecteur, les textes ont été écrits par des femmes et des hommes de différentes générations et de diverses nations et communautés, qui, pour la plupart, ont décidé d’écrire en français.

Sous des formes littéraires variées (poésie, théâtre, roman, nouvelle, chanson, manifeste) résonne d’une manière singulière l’écho d’être au monde, de traverser le cycle de la vie, de grandir au sein du territoire, de vivre en relation avec les membres de sa famille, de son clan et avec les autres. Chaque texte constitue une trace d’un travail de mémoire, d’affirmation, de libération et de partage par l’écriture et la création.

Sous la direction d'Olivier Dezutter, Naomi Fontaine et Jean-François Létourneau.

Additional Information
Anthologie

Nurture your spirit! Slow down and explore colouring while learning about the Indigenous Peoples and cultures of the Pacific Northwest. Find your own magical and mysterious story woven within these pages." - Melaney Gleeson-Lyall, Musqueam, Coast Salish

Colouring Journal: Northwest Coast First Nations & Native Art features 14 journal pages and 16 original art designs from different Northwest Coast First Nations and Native American artists that take the reader/drawer through a journey of self-reflection and design.  The images and text in this book are the work of various Indigenous artists of the Pacific Northwest.

Inside Colouring Journal, you will find pages explaining the significance and symbolism of different animals and supernatural beings, followed by questions and space to journal. Facing the journalling pages are beautifully detailed colouring pages to complement the questions for reflection. Find your own magical journey woven within these pages.

Features:

• Features 16 original art designs.
• Printed in Canada using non-toxic, vegetable-based ink, and water-based coating.
• 32 pages; measures 8.5" x 11".

Would you be surprised if you came face to face with a Drumming Katydid, Red-eared Slider or Brown Bullhead? Would you know what to do if Dalmatian Toadflax or Giant Hogweed landed in your neighbourhood? Alex Van Tol can help. In Aliens Among Us, she identifies more than 50 species of animals and plants that have invaded British Columbia. With the help of colour photographs and illustrations, she exposes the invaders, explains how they got here and what they’re doing to the environment.

In this first-ever children’s book published by the Royal BC Museum, Van Tol has harvested the knowledge of museum biologists to alert the next generation of responsible environmentalists. Her list of serious invaders includes the colourfully named Purple Loosestrife, Violet Tunicate, Eastern Grey Squirrel and Yellow Perch, species that tend to take over an area and crowd out or destroy native species. She names the creatures that can eat their way through an ecosystem, like Smallmouth Bass, Gypsy Moths and American Bullfrogs, as well as vandals like Norway Rats and European Starlings that cause damage to property. And she points out the species that might do serious harm to humans and other animals, such Rockpool Mosquitoes, Giant Hogweed and Poison Hemlock. Some aliens, like European Wall Lizards and Giant Garden Slugs, haven’t yet posed problems in BC, at least not that we’re aware of – but they still need to be watched. And finally, Van Tol raises the alert on species that haven’t yet arrived but may be coming soon, like Northern Snakeheads, Fence Lizards and Zebra Mussels. This readable and alarmingly informative book will help young people prepare for the invasion, and arm them with the tools to stop the spread of unwanted aliens in British Columbia.

Reviews
"Chapters include examples within every class of animal and a selection of herbaceous and woody plants found in BC. One chapter discusses three animals (e.g. zebra mussel) not yet in the province, but likely to appear soon. Another chapter looks at native species (e.g. northern raccoon) that can dominate enough to upset ecology. Finally, the author offers a few examples of aliens that have become so familiar (e.g. cattle) that we forget they are not native here. An important feature is the section “You Can Help” which outlines ways to stop the spread of aliens and urges the reporting of sightings. There’s a Glossary of terms, several pages of scientific names and a useful list of sources, both print and web. The book is packed with concise, intriguing details gathered by the BC author, a former teacher who loves to research. It is published by the Royal BC Museum which attests to its relevancy and accuracy." - CM Magazine, 2016

Additional Information
128 pages | 7.50" x 9.00"