First Nations

“That’s Raven Talk”: Holophrastic Readings of Contemporary Indigenous Literatures is the first comprehensive study of North American Indigenous languages as the basis of textualized orality in Indigenous literatures in English. Drawing on a significant Indigenous language structure—the holophrase (one-word sentence)— Neuhaus proposes “holophrastic reading” as a culturally specific reading strategy for orality in Indigenous writing. In readings of works by Ishmael Alunik (Inuvialuit), Alootook Ipellie (Inuit), Richard Van Camp (Dogrib), Thomas King (Cherokee), and Louise Bernice Halfe (Cree), she demonstrates that (para)holophrases—the various transformations of holophrases into English-language discourse—textualize orality in Indigenous literatures by grounding it in Indigenous linguistic traditions. Neuhaus’s discussion points to the paraholophrase, the functional equivalent of the holophrase, as a central discourse device in Indigenous writing and as a figure of speech in its own right. Building on interdisciplinary research, this groundbreaking study not only links oral strategies in Indigenous writing to Indigenous rhetorical sovereignty, but also points to ancestral language influences and Indigenous rhetoric more generally as areas for future research.

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336 pages | 6.00" x 9.00"| Paperback

In March 2010 the Canadian Literature Centre hosted award-winning novelist and storyteller Eden Robinson at the 4th annual Henry Kreisel Lecture. Robinson shared an intimate look into the intricacies of family, culture, and place through her talk, "The Sasquatch at Home." Robinson's disarming honesty and wry irony shine through her depictions of her and her mother's trip to Graceland, the potlatch where she and her sister received their Indian names, how her parents first met in Bella Bella (Waglisla, British Columbia) and a wilderness outing where she and her father try to get a look at b'gwus, the Sasquatch. Readers of memoir, Canadian literature, Aboriginal history and culture, and fans of Robinson's delightful, poignant, sometimes quirky tales will love The Sasquatch at Home.

Reviews
"[Eden Robinson's] lecture reprises the Sasquatch theme from her novel, Monkey Beach. It is less a lecture than an extended poem – a love song to a place and people, a celebration of survival of places, names, and humans.... The work is filled with alternate narratives. Just when we are eagerly following a line of story or thought, out come Trickster-ish turns and teases.... Robinson seductively draws outsiders in, then sharply clarifies the limits of the welcome.... Eden Robinson brings her own literary ethics to the discussion [of the limits of cross-cultural sharing]. Her consciousness and conscientiousness permeate her fiction as well as the Sasquatch lecture. It is fitting that Paula Simons calls her 'one of Canada’s most provocative and talented writers' and also 'a moral and cultural force'." -Valerie Alia, Cantext, February 2012

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64 pages | 14.00" x 23.00"

The history of the colonization of the Americas by Europeans is often portrayed as a mutually beneficial process, in which ”civilization” was brought to the Natives, who in return shared their land and cultures. A more critical history might present it as a genocide in which Indigenous peoples were helpless victims, overwhelmed by European military power. In reality, neither of these views is correct. This book is more than a history of European colonization of the Americas. In this slim volume, Gord Hill chronicles the resistance by Indigenous peoples, which limited and shaped the forms and extent of colonialism. This history encompasses North and South America, the development of nation-states and the resurgence of Indigenous resistance in the post-WW2 era.

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72 pages | 8.50" x 5.50"

Traditional North American Native peoples' cuisine has existed for centuries, but its central tenet of respecting nature and its bounty have never been as timely as they are now. Andrew George, of the Wet'suwet'en Nation in Canada, is a well-respected aboriginal chef and instructor who has spent the last twenty-five years promoting the traditions of First Nations food. In A Feast for All Seasons, written with Robert Gairns, he has compiled aboriginal recipes that feature ingredients from the land, sea, and sky, elements of an enduring cuisine that illustrate respect for the environment and its creatures, and acknowledgment of the spiritual power that food can have in our lives.

The 120 recipes include delectable, make-at home dishes such as Salmon and Fiddlehead Stirfry, Stuffed Wild Duck, Barbecued Oysters, Pan-fried Rabbit with Wild Cranberry Glaze, Clam Fritters, and Wild Blueberry Cookies. The book also features recipes with exotic ingredients that provide a fascinating glimpse into the history of Native cuisine: Moose Chili, Boiled Porcupine, Smoked Beaver Meat, and Braised Bear.

This unique cookbook pays homage to an enduring food culture--grounded in tradition and the power of nature--that transcends the test of time.

Reviews
"A lovely cookbook ... A great gift for anyone interested in Canadian food history, First Nations or locavore diets."— Calgary Herald

"I loved that some of the recipes were simple, like the three-ingredient Baked Sweet Potato with Roasted Hazelnuts, a great accompaniment to wild game like the simple Roast Venison ... A Feast for All Seasons gives a glimpse into the purpose of the feast that brings people together." — St'at'imc Runner

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152 pages | 8.00" x 9.00" | Paperback

The adoption of Aboriginal children into non-Aboriginal families has a long and contentious history in Canada. Life stories told by First Nations people reveal that the adoption experience has been far from positive for these communities and has, in fact, been an integral aspect of colonization. In an effort to decolonize adoption practices, the Yellowhead Tribal Services Agency (YTSA) in Alberta has integrated customary First Peoples’ adoption practices with provincial adoption laws and regulations. Introducing this unique agency, the authors outline the history of First Nations adoptions and, through an interview with a YTSA Elder, describe the adoption ceremonies offered at YTSA. Themes that emerged from interviews with adoptive parents and youth who have been adopted through this new integrated practice are also explored, and important recommendations for policy and practice in First Nations adoption are offered.

A story of magic, family, a mysterious stranger . . . and a band of marauding raccoons.

Otter Lake is a sleepy Anishnawbe community where little happens. Until the day a handsome stranger pulls up astride a 1953 Indian Chief motorcycle – and turns Otter Lake completely upside down. Maggie, the Reserve’s chief, is swept off her feet, but Virgil, her teenage son, is less than enchanted. Suspicious of the stranger’s intentions, he teams up with his uncle Wayne – a master of aboriginal martial arts – to drive the stranger from the Reserve. And it turns out that the raccoons are willing to lend a hand.

Reviews
“A near-perfect debut, a masterful mythic-comedy balancing contemporary issues and realities with magic and history. . . . Motorcycles & Sweetgrass is a trickster story, but it’s also a fundamentally human account of individuals and of a people struggling to find a place for themselves in the world. . . . A broad, bawdy, raucous, deeply felt and utterly involving narrative, a genuine pleasure to read. . . . Motorcycles & Sweetgrass positively crackles with life, love and magic. What more can you ask of a book?”  — Robert J. Wiersema, Edmonton Journal

“Drew Hayden Taylor’s got no qualms about poking fun at his Native roots, and that’s what makes Motorcycles & Sweetgrass such a pleasure. It’s playful yet soulful, with a narrative that keeps those pages turning. . . . A fun, rollicking book, and Taylor’s voice is fresh and unique.” — NOW (Toronto)

“Taylor brings a modern twist to ancient native folklore. Motorcycles & Sweetgrass is a charming story about the importance of balance and belief—and a little bit of magic—in everyone’s life.”— Quill & Quire

“If the great Ojibway trickster Nanabush wrote fiction, I imagine he’d write just like Drew Hayden Taylor. You will find much sadness just below the laughs, and sly humour masked by sorrow. A wisdom exists in these pages that only comes from someone who writes from his heart.” — Joseph Boyden

“Fast-paced, uproariously funny and genuinely thrilling. Drew Hayden Taylor is one of Canada’s finest and funniest writers.”— Ian Ferguson, author of Village of the Small Houses

“Funny, heartfelt, hopeful and illuminating. Motorcycles & Sweetgrass made me laugh and made me think, sometimes in the same sentence. Drew Hayden Taylor is a master storyteller.”— Terry Fallis, author of The Best Laid Plans

“Drew Hayden Taylor has woven an epic tale of magic, mystery and charm for the world to discover in Motorcycles & Sweetgrass. This is a novel to savor. A complete delight!” — Richard Van Camp, author of The Moon of Letting Go and The Lesser Blessed

Educator Information
Grades 11-12 BC English First Peoples resource for the unit What Creates Family?

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360 pages | 5.19" x 7.99"

Many people have a mental picture of the Canadian north that juxtaposes beauty with harshness. For the Van Tat Gwich'in, the northern Yukon is home, with a living history passed on from elders to youth. This book consists of oral accounts that the Elders have been recording for 50 years, representing more than 150 years of their history, all meticulously translated from Gwich'in. Yet this is more than a gathering of history; collaborator Shirleen Smith provides context for the stories, whether they are focused on an individual or international politics. Anthropologists, folklorists, ethnohistorians, political scientists, economists, members of First Nations, and readers interested in Canada's northernmost regions will find much to fascinate them.

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On the cusp of the Depression, Sheilagh Driscoll of isolated Rennie's Bay nearly dies while giving birth prematurely to baby Leah. Sheilagh is attended by a traditional midwife, part Mi'kmaq, Mrs. Mary, as well as by Leah Clarke, a nurse-midwife from England. Baby Leah Mary survives but develops serious asthma, which requires treatment throughout her childhood. Traumatized by the birth, Sheilagh learns about age-old ways of preventing pregnancy. The result is an awakening that impacts on Sheila's relationship with all the women around her, especially her younger sister Claire. Informed by the occasional newspapers and magazines that make their way to Rennie's Bay via sea-going schooners, Claire's worldview contrasts sharply with Sheilagh's. In contrast to Sheilagh's acceptance of life in Rennie's Bay, Claire reacts against it. Claire stumbles into a sexual relationship but sees relations with David, or any man, as a trap and tries to avoid him. She is not entirely successful and finds herself pregnant. Like her sister, she turns to Mrs. Mary for help.

Following the removal of the gray whale from the Endangered Species list in 1994, the Makah tribe of northwest Washington State and the Nuu-chah-nulth Nation of British Columbia announced that they would revive their whale hunts. The Makah whale hunt of 1999 was met with enthusiastic support and vehement opposition. A member of the Nuu-chah-nulth First Nation, Charlotte Coté offers a valuable perspective on the issues surrounding Indigenous whaling. Her analysis includes major Aboriginal studies and contemporary Aboriginal rights issues, addressing environmentalism, animal rights activism, anti-treaty conservatism, and the public’s expectations about what it means to be “Indian.”

Early in their ethnographic work, Randy Bouchard and Dorothy Kennedy were privileged to meet Charlie Mack. Born on the Mount Currie Reserve in 1899, he was a fascinating character and a font of wisdom, exemplifying by his way of life, his skills in trapping and canoe-making, and his knowledge of the history of his people, the living world of the Lil’wat, which the young ethnologists were able to record on tape and in their notes and photographs. Most important among what Charlie Mack gave them was a wide corpus of stories; he was a master storyteller, holding his listeners spellbound with his animated and dramatic delivery in both Lil’wat and English.

Charlie Mack’s stories were originally recorded in his native language as part of a systematic government-sponsored effort to create public awareness of the threatened indigenous languages of British Columbia and Washington State, and were eventually published as a highly popular translated and edited collection, Lillooet Stories (1977), by the British Columbia Archives.

More time spent with Charlie Mack before his death in 1990 revealed to Kennedy and Bouchard that his worldview embedded a moral code, information about the environment and the self-evident truths of his world not easily comprehended out of context: an interweaving of myth, history and experience invoked in daily conversation and deeply rooted in a sense of place. Now, two decades after Charlie Mack’s passing, the authors present a selection of his English renditions of some of these stories, drawing on their transcribed interviews, correspondence and field notes to re-contextualize the narratives he wanted to share, and guide the reader to a more holistic understanding of this Lil’wat elder’s world.

This book is a tribute to a long friendship; the result of the authors reflecting on a lifetime of listening to a man who had something to say.

The short stories celebrate healing through modern day rituals that honour ancestry. Powerful voices are spoken, a violent aboriginal gangster has an astonishing spiritual experience, a single mother is protected, and a group of young men pay tribute to a friend. Stories are set in the NWT, Vancouver, and rural BC.

This is an Honour Song is a collection of narratives, poetry, and essays exploring the broad impact of the 1990 resistance at Kanehsatà:ke, otherwise known as the "Oka Crisis." The book is written by leading Indigenous and non-Indigenous artists, scholars, activists and traditional people, and is sung as an Honour Song celebrating the commitment, sacrifices, and achievements of the Kanien'kehaka individuals and communities involved.

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366 pages | 5.50" x 8.50"

"Spotting her target, the lady in uniform took Gmiwan by the arm and began to shuffle him toward Mary. Mary gave herself a shake to break the spell, and with Sonny pasted to her side, took a few steps forward. Obviously something had happened to Gmiwan."

Moving back through three decades, through World War II, the Depression and years spent in the horrific residential Mohawk Institute, Where Mary Went is the first half of a two-volume work of a brilliant and compelling new First Nations storyteller. This is the story of Mary Fisher, an engaging young girl who turns into a tough yet tender young wife and mother. It is also the story of the men in her life: her father, a proud and gentle man who loses his children through no fault of his own; her husband Gmiwan, a sensitive artist not made for the rigors of war; and Tom Dunsby, the mayor of Jackson, whose unrequited love for Mary knows no bounds. Tender, tragic and beautifully poignant, set against the backdrop of fears of displacement, hunger and death, Where Mary Went is a sensual novel of relationships that offers up inspiring revelations, heart-breaking twists and boundless expression of spirit.

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Chiwid was a Tsilhqot'in woman, said to have shamanistic powers, who spent most of her adult life "living out" in the hills and forests around Williams Lake, BC. Chiwid is the story of this remarkable woman told in the vibrant voices of Chilcotin oldtimers, both native and non-native.

Reviews
"Chiwid was a Chilcotin woman who lived outside, self-sufficiently for most of her life and moving camps with the seasons. Chiwid is a collection of oral histories about the woman, her family and what life was like in the Chilcotin area of British Columbia in the early to mid-1900s." - The Association of Book Publishers of BC. BC Books for BC Schools. 2009-2010.

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128 pages | 8.00" x 9.00" 

Authenticity Note: This book's author is not Indigenous; however, the book has the Authentic Indigenous Text label because it contains stories collected by the author from Indigenous and non-Indigenous peoples. It is up to readers to determine if this book will work as an authentic text for their purposes.

One of Canada's most evocative modern painters, Cree artist Dale Auger was a gifted interpreter of First Nations culture, using the cross-cultural medium of art to portray scenes from the everyday to the sacred and dissemble stereotypes about Indigenous peoples. Medicine Paint is a collection of Auger's best work, reproduced in glorious full colour and reflecting the evolution of the artist's distinctive style. Including a revealing look back at his life and professional development, the book is a stunning tribute to the master Aboriginal artist.

Auger uses bold, bright colours in his oil paintings to explore the intricate links between spirituality and the natural laws of the land. Birds, beasts and human forms are carried from the dreamworld onto canvas, their spirits channeled through his paintbrush and presented in brilliant yellows, mystic blues, vibrant reds and swirls of black. Infusing his subjects with energy, life and colour, Dale Auger masterfully presents scenes that are powerful, spiritual and inspiring. A bald eagle is majestic in flight against a bright blue sky. An elder makes a solemn offering to the Sky Being. Horses dance playfully in the frame for a sweat lodge. A warrior draws his bow and points it skyward.