First Nations
Synopsis:
The BookTok sensation from debut author Melissa Blair—now with exclusive bonus content!
My body is made of scars,
some were done to me,
but most I did to myself.
Keera is a killer. As the King's Blade, she is the most talented spy in the kingdom. And the king’s favored assassin. When a mysterious figure moves against the Crown, Keera is called upon to hunt down the so-called Shadow. She tracks her target into the magical lands of the Fae, but Faeland is not what it seems . . . and neither is the Shadow. Keera is shocked by what she learns, and can't help but wonder who her enemy truly is: the King that destroyed her people or the Shadow that threatens the peace?
As she searches for answers, Keera is haunted by a promise she made long ago, one that will test her in every way. To keep her word, Keera must not only save herself, but an entire kingdom.
Fans of fast-paced high fantasy such as A Court of Thorns and Roses series, The Inadequate Heir, and From Blood and Ash author Jennifer L. Armentrout, will enjoy the fierce female characters, sapphic representation, and fantasy romance of A Broken Blade.
Reviews
"Gripping and fierce. This is much-needed fantasy with its fangs honed sharp by the power of resistance. Melissa Blair has built a tremendous world."—Chloe Gong, #1 New York Times bestselling author of These Violent Delights
Educator & Series Information
Young adult/new adult fantasy series recommended for ages 18+.
This book is the first title in the Halfing Saga.
Additional Information
448 pages | 6.00" x 9.00" | Paperback
Synopsis:
In this debut poetry collection, Samantha Nock redefines where and what “home” is.
A Family of Dreamers delves into the complexities of growing up in rural northeast British Columbia and the love and grief that blooms there. In this debut collection, Samantha Nock weaves together threads of fat liberation, desirability politics, and heartbreak while working through her existence as a young Indigenous woman coming of age in the city. The result is a love song to northern cuzzins, dive bars, and growing up.
Additional Information
101 pages | 5.98" x 9.01" | Paperback
Synopsis:
A visual and cultural celebration of a traditional Haida wedding ceremony, exploring its roots, rituals, symbolism, joyfulness, and contemporary significance for a thriving Indigenous Nation.
In 1996, Terri-Lynn Williams and Robert Davidson celebrated their wedding with a traditional ceremony, the first in over a century that was legalized under Haida law. This book provides an intimate photographic window into that momentous day and marks the resurgence of a tradition that was nearly lost to colonial forces.
Relying on recorded knowledge their ancestors had shared with ethnographers and anthropologists, and the few details living Elders could recall about the tradition of guud ‘iina Gihl (“becoming married”) in the time before the arrival of Christian missionaries, the couple carefully planned out a seven-part celebration. It involved a canoe procession, ceremony, feast, dancing, and dowry payment, signifying the coming together of two people, two families, and two clans. The occasion is lovingly and painstakingly recounted through imagery and text in this fascinating tribute to a resilient culture and the unbreakable bonds of love and family.
Additional Information
128 pages | 8.75" x 10.50"| Hardcover
Synopsis:
A subversive novel by acclaimed Cree author Darrel J. McLeod, infused with the contradictory triumph and pain of finding conventional success in a world that feels alien.
James, a talented and conflicted Cree man from a tiny settlement in Northern Alberta, has settled into a comfortable middle-class life in Kitsilano, a trendy neighbourhood of Vancouver. He is living the life he had once dreamed of—travel, a charming circle of sophisticated friends, a promising career and a loving relationship with a caring man—but he chafes at being assimilated into mainstream society, removed from his people and culture.
The untimely death of James’s mother, his only link to his extended family and community, propels him into a quest to reconnect with his roots. He secures a job as a principal in a remote northern Dakelh community but quickly learns that life there isn’t the fix he’d hoped it would be: His encounters with poverty, cultural disruption and abuse conjure ghosts from his past that drive him toward self-destruction. During the single year he spends in northern BC, James takes solace in the richness of the Dakelh culture—the indomitable spirit of the people, and the splendour of nature—all the while fighting to keep his dark side from destroying his life.
Reviews
“MacLeod offers the reader a thought-provoking and immersive portrait of a remote Dakelh community and of James, the driven Indigiqueer educator who chooses to work there—a man who must struggle with structural injustices, conflicting demands, prejudice, and his own divided self. A deeply authentic novel, and one that is both educative and heartfelt.” — Kathy Page, author of Alphabet and Dear Evelyn
“A Season in Chezgh’un is about the search for meaning and for love, about grappling with history and loss, about creating a future out of quiet daring. I love the elegance of languages and cultures intermingling in this story, Cree, Dene, Nehiyaw, French, Spanish. Beautifully crafted, this novel is alive with dialogue that takes us into the hearts of characters too often left voiceless. Let this book sweep you away.” — Kim Echlin, author of Speak, Silence
Additional Information
320 pages | 6.00" x 9.00" | Paperback
Synopsis:
The highly anticipated second installment of the new adult fantasy saga that took BookTok by storm picks up where A Broken Blade left off…
To the kingdom, Keera is the king’s Blade, his most feared and trusted spy and assassin. But in the shadows, she works with Prince Killian and his Shadow—the dark, brooding Fae, Riven, who sets her blood on fire. Together, they plot to kill a tyrant king.
In Myrelinth, the lush, secret city of trees, Fae, Elves, and Halflings like Keera live in harmony. But Keera cannot escape her past: her crimes against her own people have followed her all the way to the Faeland. There is a traitor in their midst, and Keera is the top suspect.
Keera finds comfort in the allies that have become her family. She swore she would never open her heart again after a loss she barely survived. But she will soon find she has more to lose than she ever imagined . . .
Perfect for fans of Sarah J. Maas’s Throne of Glass series, A Shadow Crown is a tour-de-force high fantasy novel with stunning world building and a slow burn enemies to lovers romance. Readers seeking more LGBTQ+ and BIPOC representation in the fantasy realm will fall in love with the unforgettable cast of characters introduced in A Broken Blade, whose sagas are only beginning…
Reviews
"The second installment in Melissa Blair’s Halfling Saga will undoubtedly take BookTok by storm all over again with its political intrigue and plotting.” —Paste Magazine
“If you’re a particular fan of spies in fantasy realms—like our beloved Inej in Six of Crows—then The Halfling Saga should be your next read.” —The Everygirl
Educator & Series Information
Young adult/new adult fantasy series recommended for ages 18+.
This book is the second title in the Halfing Saga.
Additional Information
480 pages | 6.00" x 9.00" | Paperback
Synopsis:
Aided by Grandmother Spider, Star Woman discovers the Hole-in-the-Sky, opening a pathway for the Star People to experience the wonder of life on earth. But the world falls into the hands of the Paper People, jeopardizing the sacred harmony between nature and the cosmos. And so Little Spirit, a young boy, must search for meaning and find redemption in the care of Grandmother Moon.
An epic narrative, The Star Poems explores the black hole of colonial history—Residential Schools, the loss of the father, youth suicide—and the vital role of women in reclaiming our traditional knowledge, the teachings that stitch together the fabric of the universe.
The Star Poems creatively engages Cree oral tradition in a new way, connecting Indigenous spirituality and quantum physics to honour and adapt some of our most ancient stories about the origins of life and our place in the universe. Presented in both English and Cree, The Star Poems is a timely contribution to the revitalization of the Cree language—and the fascinating world of star stories.
Educator Information
Recommended for ages 15+
Additional Information
132 pages | 6.00" x 9.00" | Paperback
Synopsis:
A mind-bending, gripping novel about Native life, motherhood and mental health that follows a young Mohawk woman who discovers that the picture-perfect life she always hoped for may have horrifying consequences
On the surface, Alice is exactly where she should be: She’s just given birth to a beautiful baby girl, Dawn; her charming husband, Steve is nothing but supportive; and they’ve recently moved into a new home in a wealthy neighborhood in Toronto. But Alice could not feel like more of an imposter. She isn’t connecting with Dawn, a struggle made even more difficult by the recent loss of her own mother, and every waking moment is spent hiding her despair from their white, watchful neighbors. Even when she does have a minute to herself, her perpetual self-doubt hinders the one vestige of her old life she has left: her goal of writing a modern retelling of the Haudenosaunee creation story.
At first, Alice is convinced her discomfort is of her own making. She has gotten everything she always dreamed of, after all. But then strange things start happening. She finds herself losing bits of time, hearing voices she can’t explain, and speaking with things that should not be talking back to her, all while her neighbors’ passive-aggressive behavior begins to morph into something far more threatening. Though Steve assures her this is all in her head, Alice cannot fight the feeling that something is very, very wrong, and that in her creation story lies the key to her and Dawn’s survival. . . . She just has to finish it before it’s too late.
Told in Alice’s raw and darkly funny voice, And Then She Fell is an urgent and unflinching look at inherited trauma, womanhood, denial, and false allyship, which speeds to an unpredictable—and surreal—climax.
Reviews
"Familiar and ethereal. Brutal and beautiful. And Then She Fell is the fulfilment of the promise of Alicia Elliott ‘s storytelling prowess. . . . A soundtrack for the gorgeous nightmare that is both motherhood and belonging in and of itself, stitched together by the depths only grief and love can hook together. The Naked Lunch meets Rosemary’s Baby . . . and shot together with the golden humour and philosophy of Haudenosaunee story like an intimate lifeline, And Then She Fell is remarkable, and a world unto itself. What an accomplishment. What a gift.” —Cherie Dimaline, author of The Marrow Thieves and VenCo
"Alice and her husband have woven a lattice pattern of silence and secrets that slowly implodes in this fierce, remarkable debut. Elliott’s meticulous prose is an agile portal through the narrator’s complex inner life, the tensions, and fractures that surface when the trappings of success hide the weight of intergenerational trauma, racism, sexism, and the unwieldy expectations of Motherhood. And Then She Fell saves us from devastation by the grace it shows its characters and, ultimately, by the strength of their connections." —Eden Robinson, author of Monkey Beach and the Trickster trilogy
"And Then She Fell is an incredible and indelible novel. It's full of wonder and surprise, full of life and heart. This book is a gift that breathes life into the reader. Alicia Elliott has given us a knockout—a book so good you can't put it down." —Morgan Talty, author of Night of the Living Rez
"And Then She Fell is an unblinking look at the complex and often terrifying journey of new motherhood and what we're told we should want, with moving insights into connecting with our ancestors and our own identity. Alicia Elliott is a powerful storyteller, and this book is both suspenseful and heartfelt, with haunting elements that linger long after the final page is turned." —Vanessa Lillie, author of Little Voices and Blood Sisters
Awards
- Indigenous Voices Award winner
- Amazon First Novel Award winner
Educator Information
Psychological fiction
Additional Information
352 pages | 6.00" x 9.00" | Hardcover
Synopsis:
A retrospective look at the precontact period of the Maritimes, and how precontact cultures changed as they encountered neighbouring Indigenous peoples and European colonists.
In recent decades, the development of Indigenous Archaeology has prompted a shift in how non-Indigenous archaeologists approach the archaeological record, moving toward the inclusion of Indigenous reconstructions of precontact history communicated through oral tradition and traditional practices. Drawing mainly on research conducted since the late 1950s, this book surveys the historical perspective, theory, and methodology of maritime archaeology and offers insight on the lives of the Palaeo (Ancient), Archaic (Long Ago), and Woodland (Clay Pot) peoples. Looking to provide answers to where the earliest inhabitants of the Maritimes came from, what the area was like when they were there, and how they developed their technology and expanded their populations, Archaeology and the Indigenous Peoples of the Maritimes provides a retrospective look at the precontact period and how precontact cultures changed as they encountered neighbouring Indigenous peoples and finally European colonists.
Reviews
"Studies of Indigenous knowledge are challenging not only because of difficulties in cross-cultural communication and understanding but also because of their inevitable political dimensions…This publication serves to help narrow those gaps for future young Mi’kmaw scholars and academics. It also forms a valuable addition to the existing body of knowledge and will serve as a great resource to both Mi’kmaw and non-Mi’kmaw readers in the Atlantic Region." - Roger Lewis, Foreword
Additional Information
6.00" x 9.00" | Paperback
Synopsis:
Arctic/Amazon: Networks of Global Indigeneity offers a conversation between Indigenous Peoples of two regions in this time of political and environmental upheaval. Both regions are environmentally sensitive areas that have become hot spots in the debates circling around climate change and have long been contact zones between Indigenous Peoples and outsiders — zones of meeting and clashing, of contradictions and entanglement.
Opening with an Epistolary Exchange between the editors, Arctic/Amazon then widens to include essays by 12 Indigenous artists, curators, and knowledge-keepers about the integration of spirituality, ancestral respect, traditional knowledges, and political critique in artistic practice and more than 100 image reproductions and installation shots. The result is an extraordinary conversation about life, artistic practise, and geopolitical realities faced by Indigenous peoples in regions at risk.
Additional Information
256 pages | 8.87" x 12.12" | Hardcover
Synopsis:
In this gripping, horror-laced debut, a young Cree woman’s dreams lead her on a perilous journey of self-discovery that ultimately forces her to confront the toll of a legacy of violence on her family, her community and the land they call home.
Mackenzie, a Cree millennial, wakes up in her one-bedroom Vancouver apartment clutching a pine bough she had been holding in her dream just moments earlier. When she blinks, it disappears. But she can still smell the sharp pine scent in the air, the nearest pine tree a thousand kilometres away in the far reaches of Treaty 8.
Mackenzie continues to accidentally bring back items from her dreams, dreams that are eerily similar to real memories of her older sister and Kokum before their untimely deaths. As Mackenzie’s life spirals into a living nightmare—crows are following her around and she’s getting texts from her dead sister on the other side—it becomes clear that these dreams have terrifying, real-life consequences. Desperate for help, Mackenzie returns to her mother, sister, cousin, and aunties in her small Alberta hometown. Together, they try to uncover what is haunting Mackenzie before something irrevocable happens to anyone else around her.
Haunting, fierce, an ode to female relations and the strength found in kinship, Bad Cree is a gripping, arresting debut by an unforgettable voice.
Reviews
"With creeps that are ever-creepy and love flowing like beer at a bush party, Bad Cree is a book about the power of dreams, home and family. It reads like a tribute to the ones who came before us Lee Maracle, Jeanette Armstrong, Eden Robinson. This book is tough iskwew in flannel shirts with long unbrushed hair, just looking good. It’s tea rings on Formica tables, cigarette smoke wafting through windows, and an eerie magical realism that only belongs to the bush. Full of Auntie power, Jessica Johns is really coming into her own immense storytelling ways." — Katherena Vermette, author of The Break and The Strangers
"Bad Cree is a masterwork of creeping tension. Wry, moody and subversive, Johns explores the power of connections, both the harm and the healing, with characters rich and warm, tangled in each other, to the land and to the supernatural. Couldn't put it down." — Eden Robinson, author of the Trickster trilogy
Additional Information
304 pages | 6.00" x 9.00" | Paperback
Synopsis:
Imbued with passion, creativity and insight, Brandon Reid’s debut novel is a wonderfully creative coming-of-age story exploring indigeneity, masculinity and cultural tradition.
Twelve-year-old Derik Mormin travels with his father and a family friend to Bella Bella for his grandfather’s funeral. Along the way, he uncovers the traumatic history of his ancestors, considers his relationship to masculinity and explores the contrast between rural and urban lifestyles in hopes of reconciling the seemingly unreconcilable, the beauty of each the Indigenous and “Western” way of life—hence beautiful beautiful.
He travails a storm, meets long-lost relatives, discovers his ancestral homeland; he suffers through catching fish, gains and loses companions, learns to heal trauma. In Beautiful Beautiful we delve into the mind of a gifted boy who struggles to find his role and persona through elusive circumstance, and—
All right, that’s quite enough third-person pandering; you’re not fooling anyone. Redbird here, Derik’s babysitter, and narrator of this here story. Make sure to smash that like button. We’re here to bring light to an otherwise grave subject, friends. It’s only natural to laugh while crying. I bring story to life. One minute I’m a songbird singing from a bough, the next, I’m rapture. I connect you to the realm of spirit… Well, as best I can, given your mundane allocation.
Follow us through primordial visions, dance with a cannibal (don’t worry, they’re friendly once tamed) and discover what it takes to be united. Together, we’ll have fun. Together, we are one. So tuck in, and believe what you’ll believe, for who knows what yesterday brings. Amen and all my relations, all my relations and amen.
Reviews
“Beautiful Beautiful is a fitting title for Brandon Reid's novel, for it describes the work itself—it's simply beautiful. Reid manages to capture hypnotic traditional storytelling in written form—by stretching, manipulating and breaking traditional rules and conventions of the English language. Reid draws us into the tormentous but stunning world of a boy who, while young in years, is an ancient soul. Through brilliant description, mind-blowing shifting of perspective and a brilliant use of the boy's internal voice, we join the daily toils of a Heiltsuk family as they struggle to live off the capricious bounty of the Pacific Ocean. Like Omar El Akkad’s What Strange Paradise, Beautiful Beautiful stakes out new ground in the literary scene.”— Darrel J. McLeod, author of A Season in Chezgh’un
Additional Information
336 pages | 5.50" x 8.50" | Paperback
Synopsis:
Being in Being contains three masterpieces by legendary Haida mythteller Skaay of the Qquuna Qiighawaay. The shortest recounts the high points of the legend of his family. The second, Raven Travelling, is the longest and most complex version of the story of the Raven ever recorded on the Northwest Coast. The third is The Qquuna Cycle, a narrative poem of nearly 5,500 lines, one of the true masterpieces of North American literature. Robert Bringhurst’s eloquent and vivid translations of these works are supplemented by explanatory notes that supply the needed background information.
Additional Information
384 pages | 5.50" x 8.50" | Paperback
Synopsis:
Christmas is trumpeted as a time of peace, joy, bounty and goodwill. Believers and non-believers alike covet the spirit of the holidays even when circumstances are screwed up.
Recollections from acclaimed Canadian authors combine with emerging voices from across the country in an anthology that debunks the popular depiction of Christmas while delivering its messages of hope and renewal.
Writers of colour, immigrants, Indigenous authors, members of the queer and transgendered community and those marginalized by personal circumstance share memories of surviving bleak Christmases past: holidays spent in shelters, prisons or on the streets; families marred by alcohol and violence; personal struggles with addiction, poverty or grief; isolation and loneliness. Despite these and other obstacles, contributors strive to salvage the spirit of the season.
With contributions from:
- Tolu Oloruntoba, winner of the Governor-General’s Award and Griffin Prize for poetry
- Sonja Larsen, winner of the Edna Staebler Award for creative non-fiction
- JJ Lee, shortlisted for the Governor General, Hilary Weston and Charles Taylor prizes for non-fiction
- Joseph Kakwinokanasum, named a Rising Star by The Writers Union of Canada
Educator Information
Some but limited Indigenous content; it's up to readers to determine if this will work as an authentic resource for their purposes.
Additional Information
260 pages | 5.50" x 8.50" | Paperback
Synopsis:
Krie Redsky is an extraordinary Indigenous child who has both a curse and blessing that allows him to walk between this world and the Spirit Realm. He is also at an age where he is learning to cope with the twists and turns of friendships, the awkwardness of first love, and the self-doubt that must be overcome following loss and betrayal. But, nurtured by Knowledge Keepers as “one who is without fear, and with the ability to cross realities,” he is soon recognized as an individual who can – and will – battle the terrifying ancient spirit stealers known as Bonewalkers. But is he strong enough for what is to come?
Additional Information
236 pages | 5.50" x 8.50" | Paperback
Synopsis:
Reconciliation is for businesses, too.
From colonization through the Indian Act and residential schools, there is a lot of complicated history in the country we now call Canada. Between Indigenous and non-Indigenous people there is a disconnect, a fractured relationship we now need to make right. But what does Reconciliation mean, and specifically what does it mean for businesses?
The Canadian Business Owner’s Guide to Reconciliation is about how our history affects the present, and how we need to deal with the past so we can move into the future together. It’s about creating opportunities to include Indigenous voices in business, education around Indigenous history and best practices for businesses, and how we can reverse some of the unfair and unsustainable practices to create a better, more inclusive climate.
Author Alison Tedford brings her experience working with government, business, and nonprofits on Indigenous issues including reconciliation over the past two decades to this book.
If you're in business in Canada, you need to know how you can participate in reconciliation and transforming relations for a brighter future.
Additional Information
128 pages | 6.00" x 9.00" | Paperback