First Nations

I wanted a good bewildering, / down deep, / as the keep of a castle.

With a voice as ungovernable and determined as Prometheus—who stole fire from Zeus only to face dire consequences—Colleen Coco Collins' debut poems are daring dispatches from beyond the margins: light-filled flares sent up from the edge of language, sentience, land, and story. Drawing on all of her multidisciplinary enamorations and rendered through the triple vision of her Irish, French, and Odawa heritage, Sorry About the Fire introduces not just a poet, but a stunningly original sensibility.

Reviews
"Fealty to the sentient. To every mostleast thing, to every impulse (sentient), gesture (sentient). Re-resourcing language to equip it to be fit: bawaajigan. telamon. mothaitheacht ... Collins' Sorry About the Fire is the story of a dark time, in which the strike of language on the texture of reality sounds a sharp off-note—and sparks; and/or the story of a light-drenched time in which a sensibility cracks open, beholding/becoming."—Luke Hathaway, author of The Affirmations

"Colleen Coco Collins employs vocabulary as a joyful precision tool, re-earthing the intimate relations between wonder, grief, and the more-than-human world. Embodying the playful and destructive energy of the cosmos, her poems vibrate like some kind of ancient, sacred rock & roll."—Shary Boyle

Additional Information
64 pages | 5.00" x 8.00" | Paperback

A nuanced, relational, and community-minded new book from one of Canada's preeminent poets.

South Side of a Kinless River wrestles with concepts of Métis identity in a nation and territory that would rather erase it. Métis identity, land loss, sexual relationships between Indigenous women and European men, and midwifery by Indigenous women of the nascent settler communities figure into these poems. They add up to a Métis woman's prairie history, one that helps us feel the violence in how those contributions and wisdoms have been suppressed and denied.

Reviews
"Each poem is an anthem, every page showcasing the talent and necessity of this incredible poetic voice. Dumont brings the Métis tone, cadence and intricate stitch-work into all she creates." - Cherie Dimaline, author of The Marrow Thieves and Empire of the Wild

"The voice of this Métis woman is as loving, tender and humane, as it is powerful, satirical and political..."- Rita Bouvier, author of a beautiful rebellion

Additional Information
80 pages | 5.75" x 8.50" | Paperback 

Respected Elder Elmer Ghostkeeper takes us on a journey of rediscovery where we gain a new perspective on the world we take for granted. Ghostkeeper tells the story of his attempt to reclaim and reawaken to his Indigenous worldview on his own terms with his traditional knowledge intact.

As he returns to his roots, he shares the series of natural signs that have guided his family through time and shaped their ceremonial activities in living with the land rather than off the land. He reveals how to follow the natural ebb and flow of nature with its spiritual exchange of precise and well-thought-out duties and giftings. As a fluent Cree speaker, he names the Cree words for the 12 moons of the year, setting out these traditional duties and preparations. His writing is a breath of fresh reality and air—air free of exhaust and spiritual exhaustion—air filled with spiritual inspiration.

Additional Information
128 pages | 5.25" x 8.25" | Paperback

On the twentieth anniversary of its first volume, Staging Coyote’s Dream Volume 3 is a curated collection of new works rooted in Indigenous values, aesthetics, and narrative structures. Inspired by their own dramaturgical practices and current conversations in contemporary theatre creation, co-editors Monique Mojica and Lindsay Lachance identify the invaluable and understudied ways that many Indigenous theatre artists are creating culturally specific dramaturgical processes and shifting the paradigm for what is considered “text.” By presenting models for relational theatre-making and land-based explorations outside the traditional “well-made-play” structure, Staging Coyote’s Dream Volume 3 is more than just a collection of plays; it offers some strategies and tools for how Indigenous artists can reimagine the structures of new-play development and performance on Turtle Island.

An anthology that identifies and highlights a vast array of anti-colonial performing arts processes, including reclamation, embodiment, and community-engaged work—to name only a few—Mojica and Lachance gather the works of artists leading these practices to not only honour how their plays are expanding dramaturgy, but to build Indigenous performance literacies for all practitioners creating on Turtle Island.

Additional Information
416 pages | 6.00" x 9.00" | Paperback

Denesųłiné Elders Lawrence and Lena Adam have been tanning hides and sharing their knowledge with others for more than four decades. Woodland Cree knowledge carrier Tommy Bird helped his family tan hides on the trapline as a young boy. Together they share their lifetime of experience to guide a new generation of hide tanners to keep the tradition alive. The trouble-shooting tips and hands-on advice in this book will help you to make your own bone tools and turn raw moosehides into smoke-tanned hides soft enough to sew into mitts or moccasins. Combining traditional knowledge with easy-to-follow instructions and detailed colour photos, Tanning Moosehides the Northern Saskatchewan Trapline Way is a practical guide you will refer to again and again.

Educator Information
The publisher recommends this resource for ages 10+ 

Recommended in the Indigenous Books for Schools catalogue as a valuable resource for Art, Science, and Social Studies in grades 5 to 12.

Themes: Animals, Arts and Culture, Cultural Teachings, Fashion, Traditional Knowledge.

Additional Information
64 pages | 8.50" x 11.00" | Spiral Bound

First published in 1983, In Search of April Raintree is a Canadian classic that presents a heart-rending and powerful account of the harsh realities that Indigenous and Métis peoples face.

Written by Anishinaabe educator Christine M’Lot with psychologist Dr. Karlee Fellner, the Teacher Guide for In Search of April Raintree and April Raintree helps teachers create dynamic learning experiences for their students in grades 11 and 12, while maintaining a respectful and dignified approach to Indigenous topics.

In this guide you will find:

• an inquiry based approach with resources for teaching from a trauma-informed stance
• easy-to-use lesson plans, reproducibles, and assessment opportunities
• a focus on wellness and supporting students while learning about difficult topics
• activities that encourage cross-curricular connections and collaboration
• free access to supplemental videos covering wellness topics
• a glossary of terms and suggested resources to extend learning

Educator Information
For use with students in grades 11 and 12.

This teacher guide can be used with either In Search of April Raintree or April Raintree, a version written specifically for teens in grades 9 to 12 that does not contain the graphic graphic scene in the original.

Additional Information
98 pages | 8.50" x 11.00" | Spiral Bound

This is a book about grief, death and longing. It’s about the gristle that lodges itself deep into one’s gums, between incisors and canines.

Teeth details not only the symptoms of colonization, but also the foundational and constitutive asymmetries that allow for it to proliferate and reproduce itself. Dallas Hunt grapples with the material realities and imaginaries Indigenous communities face, as well as the pockets of livability that they inhabit just to survive. Still this collection seeks joy in the everyday, in the flourishing of Indigenous Peoples in the elsewhere, in worlds to come.

Nestling into the place between love and ruin, Teeth traces the collisions of love undone and being undone by love, where “the hope is to find an ocean nested in shoulders—to reside there when the tidal waves come. and then love names the ruin.”

Additional Information
112 pages | 5.50" x 8.00" | Paperback

Tap into guidance from the animal spirit realm and connect to ancestral wisdom with this transformative 44-card deck and guidebook from Indigenous Medicine Woman and author of You Are the Medicine and The Sacred Medicine Oracle, Asha Frost.

Everything is interconnected. All of creation carries a spirit. Indigenous people have always had a sacred relationship with animals and treated them as honored elders. Animal beings in the spirit realm are part of our spiritual support team as allies and medicine keepers, ready to help, waiting to remind you of your humanity and deep connection to the natural world.

With 44 Elder Animals depicted in a richly detailed traditional Ojibway art style, each card carries its own unique medicine. This deck offers meaningful insights and messages to guide you on your path both from the universe and in the voice of an animal spirit guide from the lands of the Ojibway people—from Elder Artic Hare to Elder Wolf. Whether you're seeking clarity, healing, or a deeper connection to your ancestral lineage, these cards provide a bridge to the spirit world.

Use this deck your rituals and ceremonies, do readings with it for your clients and friends, and share it with your communities. As the medicine ripples out, hold Indigenous people in your heart and honor how their history continues to impact your current reality.

Additional Information
128 pages | 3.50" x 5.00" | Card Deck & Guidebook 

The Art of Making: Rediscovering the Blackfoot Legacy is a captivating entry into Jared Tailfeathers’ quest of cultural reclamation. Accompanied by his family and loyal dogs, Tailfeathers delves into his Indigenous heritage through hands-on, land-based exploration. The book traces the evolution of the Blackfoot Confederacy, examining its trade routes, resources, and interactions pre- and post-1800s. It provides intricate details of Blackfoot connections with nature, neighbouring First Nations Peoples, and their rich legacy in tool-making, spiritual knowledge seeking, and artistic expression. Tailfeathers’ research began in 2019, driven by a deep desire to reacquaint himself with his cultural and historical identity as a Blackfoot man navigating a post-colonial world. This book is a journey into the heart of Blackfoot culture, told by a man who walks the ancestral trails with his dogs.

Educator & Series Information
This book is part of the Indigenous Spirit of Nature series.

Additional Information
208 pages | 7.25" x 9.25" | Colour Illustrations | Paperback 

A vivid and comprehensive history of the City of Prince Rupert, from its ancient roots as a rich, multicultural trading hub between different Indigenous Nations to its current state as an ethnically diverse community set against the stunning natural backdrop of the Great Bear Rainforest.

Since time immemorial, rain has defined life on Kaien Island, now known as the townsite of Prince Rupert. As the rainiest and cloudiest city in Canada, Prince Rupert is the perfect environment for rainbows—and the rainbow is an apt metaphor for the city: a symbol of diversity and inclusion, a supernatural gateway between worlds, and a universal sign of hope and calm after a storm.

From its original Ts’mysen inhabitants to the first European explorers and fur traders, the building of dozens of salmon canneries to the construction of the transcontinental railway, the global upheaval of two World Wars to decades of industrial boom and bust, Kaien Island, and Prince Rupert, has always been a rich, multicultural trading hub that has weathered countless storms.

By weaving together historical events illustrated by compelling archival photographs, The City of Rainbows strives to tell the story of Prince Rupert from a modern perspective, one that confronts the impact of colonization head-on and moves away from a romanticized account of the development of a “pioneer” town. Balancing the histories of Indigenous Peoples, European and Asian settlers, and recent immigrants, this book reveals powerful, intriguing, uncomfortable, and beautiful truths about an undoubtedly colourful city.

Additional Information
256 pages | 5.50" x 8.50" | Paperback

In The Dialogues: The Song of Francis Pegahmagabow, award-winning author Armand Garnet Ruffo brings to life not only the story of the famed WWI Indigenous sniper, but also the complexities of telling Indigenous stories. From Manitoulin Island to the trenches of WWI to the stage, Ruffo moves seamlessly through time in these poems, taking the reader on a captivating journey through Pegahmagabow’s story and onto the creation of Sounding Thunder, the opera based on his life. Throughout, Ruffo uses the Ojibwe concept of two-eyed seeing, which combines the strengths of western and Indigenous ways of knowing, and invites the reader to do the same, particularly through the inclusion of the Anishinaabemowin language within the collection. These are poems that challenge western conventions of thinking, that celebrate hope and that show us a new way to see the world.

Additional Information
120 pages | 6.00" x 9.00" | Paperback

The Secwépemc term le estcwicwéy̓ (the missing) was given by Secwépemc elders who dedicated their knowledge and time to guide the community through the hell they were forced to endure in May 2021. Garry Gottfriedson’s The Flesh of Ice picks up the thread of his 2021 collection, Bent Back Tongue, describing the history and relationship of Indigenous people in Canada with the Canadian government and the Catholic church. Here is the story of those who survived Kamloops Indian Residential School (KIRS), and stories of descendants of KIRS who remembered "the missing” in the wake of the discovery of unmarked graves at the KIRS. Here, in hauntingly visceral poems, are the living conditions, policies and practices of the school itself, the stories of those who lived there, and the names of practitioners of the school, called out and cursed. Lastly, personal stories are given space to reclaim the narrative, taking readers on a journey of resilience, survival, pain and joy.

Reviews
"Drawing on the work of the late legal scholar Patricia Monture-Angus, I find fitting words for this book and for the former students of KIRS: first we were victims, then we were survivors and now we are warriors. Those warriors have now become teachers—teachers for those who learn to listen to the voices in this book."—from the prologue by Celia Haig-Brown

Additional Information
126 pages | 5.50" x 8.00" | Paperback

Ela Tahoe, a runaway turned deputy sheriff, is forced to contend with a Confederate invasion of her New Mexican town three months after the conclusion of the Civil War. Ela will need to confront her heritage and past with the Apache in order to get their aid to combat this Confederate threat, leading her to look at the world from the Native American perspective once again. Conceived as a tightly paced, gut wrenching western thriller, Ela fights tooth and nail to save the lives of her townspeople and most importantly, her son.

The American Western Frontier is arguably one of the most widely misrepresented histories, rife with inaccuracies and stereotypes. Black Mi'kmaq and Anishinaabe author Tristan Jones powerfully and critically reimagines and reclaims a historical retelling of the Frontier with a focus on the historically missing Indigenous narrative. Illustrated by master sequential artist Alexander Bumbulut, The Forgotten Frontier should be on everyone's reading list.

Additional Information
140 pages | 6.00" x 9.00" | Paperback

A new edition, revised and updated by the author, of John Brady McDonald’s acclaimed debut poetry collection

John Brady McDonald, MBSFA, a Nêhiyawak-Métis multidisciplinary artist and writer from Treaty Six Territory in Saskatchewan, Canada, is an award-winning author of multiple books who has presented at literary festivals around the world. Before all this, however, he was a young, urban Indigenous youth, struggling with addictions, the streets, and the pain and turmoil of intergenerational trauma as a residential school survivor and the child of residential school survivors.

These raw, lyrical poems are a glimpse of the birth of a poet, recklessly using language and words with abandon and without restraint. It is the poetry of an individual experimenting with the language, influenced by the works of Shakespeare and Jim Morrison, mixed with the teenage goth writing style of youth—the base metals from which a lifetime of words was forged.

Originally published by Kegedonce Press in 2004, The Glass Lodge was presented across Canada and the US at esteemed festivals. Chosen for the First Nations Communities Read program, it was also nominated for the Anskohk Aboriginal Book of the Year in 2005. Since that first edition went out of print a few years ago, McDonald has re-edited and restored the work. He also rediscovered many of the original, handwritten poems, which serve as illustrations in this new edition.

Reviews
"The Glass Lodge transcends all the cliches of the angst-ridden Urban Indian. McDonald's verse is a brilliant fusion of the brutality and hope that is inherent in the Aboriginal experience. I have never read poetry that so closely resembles my own experience as a First Nations man." - Darrell Dennis, Writer, Tales of an Urban Indian, Moccasin Flats

Additional Information
74 pages | 6.00" x 8.50" | Hardcover | 2nd Edition 

From Tanya Talaga, the critically acclaimed and award-winning author of Seven Fallen Feathers, comes a riveting exploration of her family’s story and a retelling of the history of the country we now call Canada

For generations, Indigenous People have known that their family members disappeared, many of them after being sent to residential schools, “Indian hospitals” and asylums through a coordinated system designed to destroy who the First Nations, Métis and Inuit people are. This is one of Canada’s greatest open secrets, an unhealed wound that until recently lay hidden by shame and abandonment.

The Knowing is the unfolding of Canadian history unlike anything we have ever read before. Award-winning and bestselling Anishinaabe author Tanya Talaga retells the history of this country as only she can—through an Indigenous lens, beginning with the life of her great-great grandmother Annie Carpenter and her family as they experienced decades of government- and Church-sanctioned enfranchisement and genocide.

Deeply personal and meticulously researched, The Knowing is a seminal unravelling of the centuries-long oppression of Indigenous People that continues to reverberate in these communities today.

Additional Information
480 pages | 6.12" x 9.25" | Hardcover