Indigenous Peoples

Commonwealth is a profound lyrical meditation on the pre- and post-colonial migrations of the Lenape population throughout the American Midwest, from the watershed of Weli Sipu (the Ohio River) in the Commonwealth of Kentucky to Indiana and beyond. This is a book that transcribes the languages of rivers, highways, rail lines, and buffalo traces. It seeks—or is pushed toward—destinations that are always over the horizon. It is about the fluidity of space and time, and the tangibility of history. As the Lenape journey ever northward and westward, they both create and are created by a collective body of stories: stories of belonging and exclusion, of freedom and confinement, of aspirations and hard truths. Commonwealth explores the ways landscape and people inform one another, and does so in a way that is as clear as a broad Ohio sky.

Additional Information
116 pages | 5.50" x 8.50" | Paperback

Culinary Claims explores the complex relationships between wild plants and introduced animals, Indigenous foodways, and Canadian regulations. Blending food studies with environmental history, the book examines how cuisines reflect social and political issues related to cultural representation, restaurants, and food sovereignty.

L. Sasha Gora chronicles the rise of Indigenous restaurants and their influence on Canadian food culture, engaging with questions about how shifts in appetite reflect broader shifts in imaginations of local environments and identities. Drawing on a diverse range of sources – from recipes and menus to artworks and television shows – the book discusses both historical and contemporary representations of Indigenous foodways and how they are changing amid the relocalization of food systems.

Culinary Claims tells a new story of settler colonialism and Indigenous resistance, emphasizing the critical role that restaurants play in Canada’s cultural landscape. It investigates how food shapes our understanding of place and the politics that underpin this relationship. Ultimately, the book asks, What insights can historians gain from restaurants – and their legacies – as reflections of Indigenous and settler negotiations over cultural claims to land?

Educator Information
Subjects: Business; History / Canadian History; History / Business & Economic History; Food Studies / Food in History; Indigenous Studies / Indigenous History

Table of Contents

List of Illustrations
Preface

Introduction: You Are Welcome
1. Agricultural Flagpoles
2. From Trains to Tundra
3. Restaurants and Representation
4. An Edible Exhibition
5. One Address, Three Restaurants
6. A Meal for a Chief
7. Culinary Resurgence
8. Seal Tartare
9. Where the Beaver and Buffalo Roam
10. Salmon and the F-Word
Conclusion: The North

Acknowledgements
Notes
Bibliography
Index

Additional Information
392 pages | 6.00" x 9.00" | 34 illustrations | Paperback

A singular collection of responses to the still life paintings of acclaimed artist David Garneau

Dark Chapters brings together 17 poets, fiction writers, curators, and critics to engage with the works of David Garneau, the Governor General’s Award-winning Métis artist. Featuring paintings from Garneau’s still life series “Dark Chapters” alongside poetry, fiction, critical analysis, and autotheory, the book includes contributions from Fred Wah, Paul Seesequasis, Jesse Wente, Lillian Allen, Billy-Ray Belcourt, Larissa Lai, Susan Musgrave, and more.

A nod to the Reports of Truth and Reconciliation Commission, in which Justice Murray Sinclair describes the residential school system as “one of the darkest, most troubling chapters in our nation’s history,” Garneau’s still life paintings combine common objects (books, bones, teacups, mirrors) and less familiar ones (a Métis sash, a stone hammer, a braid of sweetgrass) to reflect the complexity of contemporary Indigenous experiences. Provocative titles like “Métis in the Academy” and “Smudge Before Reading” invite consideration of the mixed influences and loyalties faced by Indigenous students and scholars. Other paintings explore colonialism, vertical and lateral violence, Christian influence on traditional knowledge, and museum treatment of Indigenous belongings.

Rooted in Garneau’s life-long engagement at the intersections of visual art and writing, Dark Chapters presents a multifaceted reflection on the work of an inimitable, unparalleled artist.

Includes contributions from Arin Fay, Billy-Ray Belcourt, Cecily Nicholson, David Howes, Dick Averns, Fred Wah, Jeff Derksen, Jesse Wente, John G. Hampton, Larissa Lai, Lillian Allen, Paul Seesequasis, Peter Morin, Rita Bouvier, Susan Musgrave, Tarene Thomas, and Trevor Herriot.

Reviews
“A smart collection of art and essays, Dark Chapters activates deep conversations about art, resistance, and sovereignty. Visiting with paintings by Métis artist David Garneau, seventeen poets, curators, and thinkers offer complex provocations that trouble and activate new forms of communities and relationships.” —Dr. Carmen Robertson, Canada Research Chair in North American Indigenous Visual and Material Culture
 
“Provocative, probing, and precarious, Dark Chapters pairs the poetic, literary, political, and critical responses of seventeen authors with the deceptively uncluttered yet gravid and combustible still lifes of David Garneau. This collection of pictures and words undertakes a necessary examination of the uncanny oppositions and disquieting literal and symbolic inversions that signify and animate the Indigenous history of Canada.” —Bonnie Devine
 
“Dark Chapters is a lesson in relationality and innovation. Built through conversations between Garneau’s work and artists/writers, the intergenerational contributors to this book come together in relation to Garneau and his still lives to explore the important contribution the artist has made to Canadian, Indigenous, and International art.” —Erin Sutherland

Educator Information
Table of Contents

Foreword
Nic Wilson

Still Life
John G. Hampton

Stone and Rock: I Have Failed You
Peter Morin

Wander Carried
Cecily Nicholson

On Kinship
Paul Seesequasis

Learning from Indigenous Academic Solidarity
Jeff Derksen

Knock Knock
Lillian Allen

Unsettling the Colonial Gaze
Trevor Herriot

Smudge Before Reading and The Land Does Not Forget
Tarene Thomas

Confession (after David Garneau) by Rita Bouvier

Fuse and Formal and Informal Education
Jesse Wente

The Problem with Pleasure
Billy-Ray Belcourt

Métis Realism: On the Materiality of Smoke and Relationality of Rocks
David Howes

Allies (after Hsieh and Montano)
Larissa Lai

Ally Tear Reliquary
Arin Fay

Understanding Attempted Enlightening: Between Language as Power…and Light as Life
Dick Averns

Spine
Fred Wah

The Resting Heartbeat of a Wounded Bird
Susan Musgrave

Gallery
About the Artist
About the Curator
About the Editor
About the Contributors
List of Artworks
Index

Additional Information
160 pages | 6.50" x 9.50" | 58 colour illustrations | Paperback 

This book invites readers to step into a space of reflection on your personal relationship with truth, reconciliation, and Orange Shirt Day.

Written in response to the increase of residential school denialism, Phyllis Webstad and Kristy McLeod have collaborated to create a book that encourages readers to face their own biases. This book challenges readers through a series of sensitive conversations that explore decolonization, Indigenization, healing, and every person’s individual responsibility to truth and reconciliation. Centered around the Orange Shirt Day movement, and a National Day for Truth and Reconciliation, these conversations encourage readers to unpack and reckon with denialism, biases, privilege, and the journey forward, on both a personal and national level.

Within each chapter, Phyllis Webstad draws on her decade of experience (sharing her Orange Shirt Story on a global level and advocating for the rights of Indigenous Peoples) to offer insights on these topics and stories from her personal journey, which co-author and Métis scholar, Kristy McLeod, helps readers to further navigate. Each section includes real denialist comments taken from social media and Kristy's analysis and response to them. Through empathy-driven truth-telling, this book offers an opportunity to witness, reflect, heal, and be intentional about the seeds we hope to plant for the future, together.

Additional Information
350 pages | 5.70" x 8.25" | Hardcover

The award-winning, bestselling author of The Back of the Turtle and The Inconvenient Indian masters the comic mystery novel in this series opener, starring ex-cop Thumps DreadfulWater.

Thumps DreadfulWater is a Cherokee ex-cop trying to make a living as a photographer in the small town of Chinook, somewhere in the northwestern United States. But he doesn’t count on snapping shots of a dead body languishing in a newly completed luxury condo resort built by the local Indian band. It’s a mystery that Thumps can’t help getting involved in, especially when he realizes the number one suspect is Stick Merchant, anti-condo protester and wayward son of Claire Merchant, head of the tribal council and DreadfulWater’s sometimes lover. Smart and savvy, blessed with a killer dry wit and a penchant for self-deprecating humour, DreadfulWater just can’t manage to shed his California cop skin. Before long, he is deeply entangled in the mystery and has his work cut out for him.

Reviews
"The characters are really clever. . . . The dialogue is crisp and just begs to head to the screen."  — The Globe and Mail

Educator & Series Information
This book is part of the DreadfulWater Mystery Series.

Books in this series include:
- Dreadful Water
- The Red Power Murders
- Cold Skies
- A Matter of Malice
- The Obsidian Murders
- Deep House 
- Double Eagle
- Black Ice

A novel that will appeal to mystery fans as well as Thomas King’s loyal audience, DreadfulWater is a catchy, clever read.

Additional Information
464 pages | 4.19" x 7.50" | Paperback

The groundbreaking Indigenous style guide every writer needs.

The first published guide to common questions and issues of Indigenous style and process for those who work in words and other media is back in an updated new edition. This trusted resource offers crucial guidance to anyone who works in words or other media on how to work accurately, collaboratively, and ethically on projects involving Indigenous Peoples.

Editor Warren Cariou (Métis) and contributing editors Jordan Abel (Nisga’a), Lorena Fontaine (Cree-Anishinaabe), and Deanna Reder (Cree-Métis) continue the conversation started by the late Gregory Younging in his foundational first edition. This second conversation reflects changes in the publishing industry, Indigenous-led best practices, and society at large, including new chapters on author-editor relationships, identity and community affiliation, Two-Spirit and Indigiqueer identities, sensitivity reading, emerging issues in the digital world, and more.

This guide features:

• Twenty-two succinct style principles.
• Advice on culturally appropriate publishing practices, including how to collaborate with Indigenous Peoples, when and how to seek the advice of Elders, and how to respect Indigenous Oral Traditions and Traditional Knowledge.
• Terminology to use and to avoid.
• Advice on specific editing issues, such as biased language, capitalization, citation, accurately representing Indigenous languages, and quoting from historical sources and archives.
• Examples of projects that illustrate best practices.

Additional Information
208 pages | 5.50" x 7.50" | Paperback

Discover the rich tapestry of human emotion and divine wisdom with the First Nations Version Psalms and Proverbs. The latest volume from the critically acclaimed First Nations Version translation brings the ancient Sacred Songs and Wise Sayings of the Hebrew Scriptures to life through the vibrant, poetic imagery of Native American oral storytelling.

Discover Psalms and Proverbs Reimagined Through the Poetic Language of Native Storytellers:

Father Sky is telling us the story of the shining-greatness of the One Above Us All. The starry tent above us shows the beauty that Creator’s hands have made. Day after day, the story is told, and night after night, their wisdom fills the sky. Even though the skies above have no spoken words, all creation has heard their message.Psalm 19:1-3

From the strength of your heart, put all your trust in Grandfather, and do not hold yourself up with weak human thinking. As you walk the road of life, make every step a prayer. Grandfather will then make your eyes straight and your paths safe.Proverbs 3:5-6

Whether you're seeking solace, strength, or spiritual insight, the First Nations Version Psalms and Proverbs will guide you with its profound expressions of praise and trust in the Creator. Step into the harmonious blend of ancient wisdom and indigenous tradition to discover a spiritual experience that speaks directly to your heart.

Reviews
"The First Nations Version is far and away the most creative Bible translation I've ever read. It's an exciting alternative to the boring, stodgy renderings that have dominated the English market for centuries. All readers can open the FNV and experience old passages in new lights. Talk about it with your kids. Study it in churches and classrooms. Use it in worship. The Bible becomes alive!"— Matthew Schlimm, professor of Old Testament at the University of Dubuque Theological Seminary

Additional Information
192 pages | 6.00" x 9.00" | Paperback 

Growing up on the Nipissing First Nation reserve in Northern Ontario, Christian Allaire wanted to work in the fashion industry, a future that seemed like a remote, and unlikely, dream

He was first introduced to style and design through his culture’s traditional Ojibwe powwow regalia—ribbon skirts, beaded belts, elaborate headdresses. But as a teenager, he became transfixed by the high-fashion designs and runway shows that he saw on Fashion Television and in the pages of Vogue.

His unwavering interest in fashion led him to complete a journalism degree so he could pursue his goal of becoming a full-time fashion writer. After landing his first big magazine job in New York City, Allaire found himself working at the epicentre of the international fashion industry. His dream had come true. Yet he soon realized the fashion world—and his place in it—wasn’t always quite as glamorous as he imagined it would be.

From grinding as an unpaid intern, to becoming a glitzy (but overworked) fashion editor, Allaire writes with feeling about the struggle to find his place—and community—in the highly exclusive world of fashion. And he recounts, with great candour, the difficulty of balancing his ambitions with the often-inaccurate perceptions—including his own—of his culture’s place in the realm of fashion.

Full of joy, honesty, adversity, and great clothes, From the Rez to the Runway is a gripping memoir about how to achieve your dreams—and elevate others—while always remaining true to yourself.

Reviews
“Christian is a gift. He embodies the precious intersection between arts and advocacy, and is a truly grounded and inspired human being. In having such a curated, unique and sharp eye for both classic and cutting edge design, coupled with an unshakable commitment to elevating Indigenous designers, he has carved a necessary space which elevates Indian Country and the world of fashion as a whole. A true game changer whose impact will be seen and felt for generations.” — Lily Gladstone, Oscar-nominated actor

Funny, honest and utterly charming, From the Rez to the Runway lends the cliche fashion editor origin story a refreshing new perspective. With a true sense of passion and wide-eyed wonder, Christian Allaire pursues his personal quest for creativity, purpose and self-discovery and finds that staying true to one’s self brings the greatest rewards. Brimming with moving family memories from the reservation and hilarious fashion misadventures alike, the book is a must-read for all the so-called outsiders and misfits who’ve ever dared to follow their dreams. — Chioma Nnadi, Head of Editorial Content, British Vogue

From beadwork to Burberry, Christian Allaire is a force in fashion. He paints a portrait of a complicated industry rarely seen behind the scenes — let alone traversed by Indigenous writers. In this compelling and inspiring memoir, Allaire details how he carries community with him through every glass ceiling he shatters. His work, and this memoir, are a triumph. After all, ‘Don’t mess with a rez kid.’  — Devery Jacobs, Filmmaker and Actor, Reservation Dogs

There is a new generation of Fashion Transformers and Christian Allaire is leading the movement. Allaire has been chosen by spirit to shine a light on Indigenous Fashion and Art, and he has done so at the highest levels, from New York to Paris, and all around the world. He is a door opener for the truth, power, and beauty of true fashion and its creators. — Kelly Cutrone, founder of People’s Revolution and New York Times bestselling author

Additional Information
272 pages | 6.00" x 9.00" | Paperback

“To know ourselves is the most profound and difficult endeavor. Though we are all made of the same questions, we have individual routes to the answers, or to reframing the questions. Why is there evil in the world? Why do people suffer, and some more than others? Why are we here? What are we doing here? What happens after death? Does anything mean anything at all? Who am I and what does it matter?” writes Joy Harjo, renowned poet and activist, in this profound work about the struggles, challenges, and joys of coming of age.

In her best-selling memoir Poet Warrior, Harjo led readers through her lifelong process of artistic evolution. In Girl Warrior, she speaks directly to Native girls and women, sharing stories about her own coming of age to bring renewed attention to the pivotal moments of becoming including forgiveness, failure, falling, rising up, and honoring our vast family of beings.

Informed by her own experiences and those of her ancestors, Harjo offers inspiration and insight for navigating the many challenges of maturation. She grapples with parents, friendships, love, and loss. She guides young readers toward painting, poetry, and music as powerful tools for developing their own ethical sensibility. As Harjo demonstrates, the act of making is an essential part of who we are, a means of inviting the past into the present and a critical tool young women can use to shape a more just future. Lyrical and compassionate, Harjo’s call for creativity and empathy is an urgent and necessary work.

Reviews
"Joy Harjo combines the wisdom that was here long before Europeans showed up with the challenges of a woman’s life in the present. The result is inspired by the past and a personal preparation for the future."— Gloria Steinem, feminist activist and author

"What a beautiful and brilliant call to arms. I wish I had Joy Harjo’s words when I was young. This book is a lovely ode to her own bravery and by extension, all of ours. Girl Warrior gives possibility to young people (and all people) through Joy Harjo’s own coming-of-age narrative. More than about having waded through tumultuous waters and survived to not only tell the story but thrive inside the people we become on the other side. This book is simply a balm."— Jacqueline Woodson, National Book Award winner

Additional Information
176 pages | 5.37" x 8.00" | Hardcover

A new, fully restored edition of the essential Canadian classic.

An unflinchingly honest memoir of her experience as a Métis woman in Canada, Maria Campbell's Halfbreed depicts the realities that she endured and, above all, overcame. Maria was born in Northern Saskatchewan, her father the grandson of a Scottish businessman and Métis woman--a niece of Gabriel Dumont whose family fought alongside Riel and Dumont in the 1885 Rebellion; her mother the daughter of a Cree woman and French-American man. This extraordinary account, originally published in 1973, bravely explores the poverty, oppression, alcoholism, addiction, and tragedy Maria endured throughout her childhood and into her early adult life, underscored by living in the margins of a country pervaded by hatred, discrimination, and mistrust. Laced with spare moments of love and joy, this is a memoir of family ties and finding an identity in a heritage that is neither wholly Indigenous or Anglo; of strength and resilience; of indominatable spirit.

This edition of Halfbreed includes a new introduction written by Indigenous (Métis) scholar Dr. Kim Anderson detailing the extraordinary work that Maria has been doing since its original publication 46 years ago, and an afterword by the author looking at what has changed, and also what has not, for Indigenous people in Canada today. Restored are the recently discovered missing pages from the original text of this groundbreaking and significant work.

Educator & Series Information
This book is part of the Kanata Classics series, which celebrates timeless books that reflect the rich and diverse range of voices in Canadian literature. 

Additional Information
224 pages | 5.50" x 8.23" | Paperback 

Felix Babimoosay is his most recent name, and it seems better than any other name he’s been offered. He journeys ever forward across a sharp landscape of flat plains, stung by insects, wind, and thirst. Unable to remember his past, he doggedly walks alone through the decaying world until he is pursued by a threatening man claiming a bounty on Felix’s head. Felix’s irritation spurs a slow memory of the days he left behind, until he stumbles into a corrupted town and a city of talking crows that push him to move beyond his lost memories.

Sparse and dreamy, Griffin Bjerke-Clarke’s debut novel explores memory, identity, trauma, and healing through a timeless journey. Métis storytelling methods and elements of horror infuse He Who Would Walk the Earth, an anti-colonial western that powerfully evokes a mood reminiscent of twentieth-century classics like Waiting for Godot. This book unsettles as much as it stokes, dystopian in Felix’s apathy yet optimistic in the way he addresses challenges along his listless way. In the end, Felix must learn from his earnest mistakes as he begins to understand that agency requires collaborating with those around him.

Reviews
“He Who Would Walk the Earth is an anti-imperialist adventure that explores the strange and beautiful gifts of becoming who we are-and how we exist-in our individual and collective power. Bjerke-Clarke deftly blends western and fantasy genres in this innovative debut novel where relationality shapes reality.” - Tiffany Morris 

“A walker journeys through a dystopian and mythically violent fairytale, where time and space are elastic and other-than-humans are central, to learn the lesson shared with him that ‘it doesn’t have to be this way.’ Partly a condemnation of the terrible costs of war and capitalism, Griffin Bjerke-Clarke reminds us, despite it all, we need to have hope.” - Deanna Redder 

Additional Information
160 pages | 5.50" x 8.50" | Paperback 

Homecoming is a poetry collection that reflects our human journey as we grow and learn, and author’s personal journey through childhood, marriage, divorce, parenthood, and parents’ old age, as well as the author’s quest to reclaim and celebrate her Native heritage. The poems in Homecoming are grouped according to the four directions of the Medicine Wheel: East for Beginnings, South for Innocence, West for Going Within, North for Elder and Wisdom, plus three poems for the Centre, the Great Mystery.

Educator & Series Information
This book is part of the Modern Indigenous Voices series.

Additional Information
88 pages | 5.50" x 8.50" | Paperback 

New poems from award-winning storyteller and poet Joseph Dandurand.

Prolific Kwantlen writer Joseph Dandurand offers his latest poetry collection, following The Punishment and The East Side of It All, which was shortlisted for the 2021 Griffin Poetry Prize.

Building on his legacy as a skilled storyteller, Dandurand continues to write about trauma, love, grief and forgiveness. These poems are about the streets, the East Side, self-pity, spirits and Dandurand’s people, the Kwantlen. As the jury of the 2022 Latner Writers’ Trust Award wrote, “his quotidian reflections read like parables, with startling economy.” After putting this collection down, don’t be surprised to find yourself saying “thank you,” too.

Additional Information
102 pages | 5.50" x 8.00" | Paperback

Teachings from the stars

Much more than stories about the sky, Indigenous astronomies provide powerful, centuries-old models of knowing, being, and relating to the world. Through collaboration with more than sixty-five Dene Elders and culture bearers across thirty-four communities in Alaska and Canada, In the Footsteps of the Traveller reveals the significance of the stars to Northern Dene life, language, and culture.

At the centre of these knowledge systems is the Traveller, a being who journeyed around the world in Ancient Time before incarnating among the stars. The Traveller constellation is a teacher, a gamekeeper, a guardian, and a practical guide for wayfinding. The Traveller, together with a host of other celestial and atmospheric phenomena like thunder and the northern lights, bridges the divide between earth and sky, instilling balance and instructing people on how to live with each other and their environments.

This study combines interviews, stunning photographs and detailed illustrations of the northern night sky, author Chris M. Cannon's own experiential learning, and a foreword from Chief Fred Sangris of Yellowknives Dene First Nation. Rooted in years of collaborative fieldwork, In the Footsteps of the Traveller leads the way to deeper understandings of Northern Dene astronomical knowledge.

Reviews
"In the Footsteps of the Traveller is a ground-breaking book. Cannon's authoritative treatise of Dene knowledge of the stars is unique and exemplary, redefining the field by linking the basic ethos of Dene life to a meticulously documented body of shared but threatened knowledge. Detailed and precise, the book innovates by showing how knowledge-of how to live with other people, with animals, with nature-is encoded in astronomical and aerial phenomena."— Guy Lanoue

"Chris Cannon's contribution to the subject of Dene astronomy stands alone. Many authors have referred to Dene knowledge of the stars but no one has gone into such detail or pulled the topic together in such a comprehensive manner."— William Simeone

"Impressive and thorough in both its astronomical and linguistic dimensions, Cannon's solid scholarship illuminates Northern Dene cosmology while promoting a greater appreciation of Dene history, traditions, and knowledge systems. Germinal studies of this breadth are only made possible through lengthy and respectful cooperation between the researcher and Indigenous knowledge holders. The author's engaging story of his travels and collaborations with his Dene teachers-an immersive process lasting some fourteen years-convincingly demonstrates this point, infusing the narrative with a vital personal component."— John MacDonald

Educator Information
Table of Contents

List of Illustrations
Foreword by Chief Fred Sangris
Acknowledgements

Introduction
The Northern Dene
A Note on Dene Orthographies

1. The Traveller Constellation Part I
The Gwich’in Constellation Yahdii
The Ahtna Constellation Nek'eltaeni
The Lower Tanana Constellation Nogheyoli
The Sahtúot’ı̨nę Constellation Yíhda or Yámǫréya

2. The Traveller Constellation Part II
The Tanacross Constellation Neek'e'elteen
The Upper Tanana Constellation Yihda or Nek'e'eltiin
The Yellowknives Dene Constellation Yèhdaa or Yı̀da
The Koyukon Constellation Ghededzuyhdle or Naagheltaale
The Upper Kuskokwim Constellation Noghiltale
The Dëne Sułiné Constellation Yéhda or Yeda
The Dena’ina Constellation Yuq'eltaeni or Naq'eltaeni
Supporting Evidence from the Literature

3. Stellar Time-Reckoning, Weather Forecasting, and Wayfinding
Divisions of Time
Stellar Time-Reckoning
Introduction to Northern Dene Stellar Wayfinding
Yellowknives Dene Stellar Wayfinding
Gwich'in Stellar Wayfinding
Stellar Wayfinding Discussion
Stars and Planets in Weather Forecasting

4. The Sun, Moon, and Eclipses
The Sun
The Moon
Eclipses

5. Beings of the Atmosphere Part I
Northern Lights
Meteors
Halo Phenomena

6. Beings of the Atmosphere Part II
Rainbows
Thunderbirds
Deterring Unfavourable Weather
Colours of the Sky

7. Knowing, Being, and Relating

Appendix A: Northern Dene Names for the Traveller
Appendix B: The Cosmic Hunt in Northern Dene Cultures
Notes
Bibliography
Index

Additional Information
448 pages | 6.00" x 9.00" | 57 colour illustrations, 4 maps, index, bibliography | Paperback 

With more than fifty contributors, Indigenous Critical Reflections on Traditional Ecological Knowledge offers important perspectives by Indigenous Peoples on Traditional Ecological Knowledge and Indigenous value systems. The book aims to educate and inspire readers about the importance of decolonizing how Indigenous Knowledges are considered and used outside of Native communities.

By including the work of Indigenous storytellers, poets, and scholars from around the globe, editor Lara Jacobs and chapter authors effectively explore the Indigenous value systems—relationships, reciprocity, and responsibility—that are fundamental to Indigenous Knowledge systems and cultures. Indigenous languages and positionality statements are featured for each of the contributors to frame their cultural and geographical background and to allow each Indigenous voice to lead discussions and contribute critical discourse to the literature on Indigenous Knowledges and value systems. By creating space for each of these individual voices, this volume challenges colonial extraction norms and highlights the importance of decolonial methods in understanding and protecting Indigenous Knowledges.

Indigenous Critical Reflections on Traditional Ecological Knowledge is an essential resource for students, academics, members of Tribal, state, and federal governments, Indigenous communities, and non-Indigenous allies as well as a valuable addition to environmental and Indigenous studies collections.

Reviews
“Indigenous Peoples have shared values, but we live them out in ways that reflect the places where our Tribes emerged as People and the communities in which we live. Lara Jacobs has created a touchstone in these collected essays and reflections from Indigenous Peoples throughout the so-called Americas and beyond, giving voice to the various ways we live out relationships, reciprocity, and responsibility. I will return to these words again and again, and so will you.” —Patty Krawec, author of Becoming Kin: An Indigenous Call to Unforgetting the Past and Reimagining Our Future

Educator Information
Contributors include: Melinda M. Adams, Joe Anderson, Coral Avery, Andrew Kalani Carlson, Kathryn Champagne, Brandie Makeba Cross, Joanna M. DeMeyer, Jonathan James Fisk, Pat Gonzales-Rogers, Celina Gray, Rhode Grayson, Zena Greenawald, Jennifer Grenz, Joy Harjo, Mandi Harris, Jessica Hernandez, Victor Hernandez, David Iniguez, Michelle M. Jacob, Lara A. Jacobs, Lydia L. Jennings, Eileen Jimenez, Stephanie Kelley, David G. Lewis, Tomás A. Madrigal, Tara McAllister, Lauren Wendelle Yowelunh McLester-Davis, Angeles Mendoza, Kat Milligan-McClellan, Todd A. Mitchell swəlítub, Don Motanic, ‘Alohi Nakachi, Kaikea Nakachi, Kobe , Natachu, Ululani Kekahiliokalani Brigitte Russo Oana, Jennifer R. O’Neal, Lily Painter, Britt Postoak, Leasi Vanessa Lee Raymond, Anamaq Margaret H. C. Rudolf, Oral Saulters, Sam Schimmel, Paulette Steeves, Joni Tobacco, Angelo Villagomez, Vivi Vold, Margaret Palaghicon Von Rotz, Luhui Whitebear, Joseph Gazing Wolf, Monique Wynecoop, and Cherry YEW Yamane.

Additional Information
464 pages | 10.00" x 9.00" | 21 b&w photos, 6 charts, 7 tables | Paperback