Indigenous Studies

Gabriel Dumont’s Wild West Show is a flamboyant epic, constructed as a series of tableaux, about the struggles of the Métis in the Canadian West. It is a multilayered and entertaining saga with a rodeo vibe, loosely based on Buffalo Bill’s legendary outdoor travelling show. In 1885, following the hanging of his friend Louis Riel, bison hunter Gabriel Dumont fled to the United States. There he was recruited by the legendary Buffalo Bill, founder of Buffalo Bill’s Wild West, a gigantic outdoor travelling show that re-enacted life in the American West. It made a huge impression on Dumont, and he dreamed of putting together a similar show to tell the story of the struggle of Canada’s Métis to reclaim their rights.

The creative team behind Gabriel Dumont’s Wild West Show – including ten authors, Indigenous and non-Indigenous, French- and English-speaking men and women – brings Dumont’s dream to life in a captivating, joyously anachronistic saga. The theatrical version of Gabriel Dumont’s Wild West Show presented by the National Arts Centre was one of a number of exceptional projects funded through the Canada Council for the Arts’ New Chapter initiative. (Adapted from nac-cna.ca/en/wildwestshow).

This is a bilingual book, co-published with Éditions Prise de parole, and enhanced with a historical background, a chronology of the Métis Resistances, and visual documents.

Reviews
“Really excellent. I laughed till I cried!” —Marilou Lamontagne, ICI Radio-Canada Ottawa-Gatineau

“[A] play that pleases, puzzles, and provokes, in a form that keeps shifting wildly from one moment to the next like a bucking bronco.”—J. Kelly Nestruck, Globe and Mail

“If Gabriel Dumont’s Wild West Show is so successful, while being funny and sad at the same time, it’s because the creative team did its research and listened to the communities involved in the rehabilitating of the figure of Gabriel Dumont. What takes shape here is a wave of madness and a rewriting of our national narrative.”—Maud Cucchi, JEU Revue de théâtre

“Gabriel Dumont’s Wild West Show is a crazed, fast-paced Métis 101 history lesson, in which acidity and humour deliver the story.”—Martin Vanasse, Radio-Canada

“[A] seamlessly cohesive narrative ... a zany form ... a phantasmagorical piece of pure entertainment ... a delirious blend of historical drama, musical, burlesque cabaret, hockey night, and TV quiz!”—Pierre-Alexandre Buisson

“Between bursts of laughter (of the uneasy sort at times) and moments of lively emotion, Gabriel Dumont’s Wild West Show takes [us] on a journey up hill and down dale through the history of the Métis Resistances and tells an oft-forgotten part of our collective history.” - Valérie Lessard, Le Droit

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304 pages | 5.40" x 8.50" | Paperback

Stories are medicine. During a time of heightened isolation, bestselling author Richard Van Camp shares what he knows about the power of storytelling—and offers some of his own favourite stories from Elders, friends, and family.

Gathering around a campfire, or the dinner table, we humans have always told stories. Through them, we define our identities and shape our understanding of the world.

Master storyteller and bestselling author Richard Van Camp writes of the power of storytelling and its potential to transform speakers and audiences alike.

In Gather, Van Camp shares what elements make a compelling story and offers insights into basic storytelling techniques, such as how to read a room and how to capture the attention of listeners. And he delves further into the impact storytelling can have, helping readers understand how to create community and how to banish loneliness through their tales. A member of the Tlicho Dene First Nation, Van Camp also includes stories from Elders whose wisdom influenced him.

During a time of uncertainty and disconnection, stories reach across vast distances to offer connection. Gather is a joyful reminder of this for storytellers: all of us.

Reviews
“Stories and storytellers are an important part of what makes us human. Van Camp’s stories, whether they feature light comedy, family discord and reconciliation or his vivid images of the legendary Wheetago monsters, revived by global warming and horrifically hungry for human flesh, are gifts to the reader.” —Vancouver Sun
 
“Van Camp is…a brilliant weaver of tales.” —Quill & Quire

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162 pages | 5.00" x 8.50"

For 34 years, Lynn Gehl fought against the sex discrimination built into Canada’s Indian Act. This is the story of her challenges and eventual success.

A follow-up to Claiming Anishinaabe, Gehl v Canada is the story of Lynn Gehl’s lifelong journey of survival against the nation-state’s constant genocidal assault against her existence. While Canada set up its colonial powers—including the Supreme Court, House of Commons, Senate Chamber, and the Residences of the Prime Minister and Governor General—on her traditional Algonquin territory, usurping the riches and resources of the land, she was pushed to the margins, exiled to a life of poverty in Toronto’s inner-city.

With only beads in her pocket, Gehl spent her entire life fighting back, and now offers an insider analysis of Indian Act litigation, the narrow remedies the court imposes, and of obfuscating parliamentary discourse, as well as an important critique of the methodology of legal positivism. Drawing on social identity and Indigenous theories, the author presents Disenfranchised Spirit Theory, revealing insights into the identity struggles facing Indigenous Peoples to this day.

Reviews
“Congratulations . . . to Dr. Lynn Gehl for her successful challenge of the Indian Registrar’s refusal to allow her to be registered under the Indian Act. . . . Good win, Lynn!”—The Honourable Murray Sinclair

“With knowledge and experience from years of advocacy before Parliament as well as the courts, and the depth of perception typical of all her scholarly work, Dr. Gehl assesses what more is needed before the Indian Act system can be truly egalitarian. Her book is unique and inspiring.” —Mary Eberts, from the foreword

“[R]emarkable . . . a monument in Indigenous struggles with the colonial Crown.” —Veldon Coburn, Institute of Indigenous Research and Studies at University of Ottawa

“Gehl embodies essential Indigenous wisdom, bravery, and responsibility in her work to dismantle the systems of colonial oppression. Her work serves as a beacon in a network of pathways for our people to make their way home.” —Chief Wendy Jocko, Algonquins of Pikwàkanagàn First Nation
 
“The legal decision in Gehl v Canada will have profound effects for the future, ensuring that hundreds of thousands of Indigenous mothers will be able to pass their status on to their children. This victory, the product of decades of struggle by Lynn Gehl, is chronicled here. Read it and learn!” —Bonita Lawrence, author of Fractured Homeland

Educator Information
This is the follow-up to Claiming Anishinaabe.

Centres Anishinaabe methods of personal truth over western academia.

Introduces readers to the paternity policy of the Indian Art, explaining how this policy was sexual discrimination and bloodless genocide. The paternity policy of the Indian Act required individuals claiming Status to demonstrate the lineage of both parents. Harmful to Indigenous mothers and children, and imposing a high evidentiary burden on Indigenous people claiming Status, it was overturned on April 20, 2017, in what is now known as the Gehl decision. 

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288 pages | 6.00" x 9.00" | Paperback

Award-winning author Linda LeGarde Grover interweaves family and Ojibwe history with stories from Misaabekong (the place of the giants) on Lake Superior.

Long before there was a Duluth, Minnesota, the massive outcropping that divides the city emerged from the ridge of gabbro rock running along the westward shore of Lake Superior. A great westward migration carried the Ojibwe people to this place, the Point of Rocks. Against this backdrop—Misaabekong, the place of the giants—the lives chronicled in Linda LeGarde Grover’s book unfold, some in myth, some in long-ago times, some in an imagined present, and some in the author’s family history, all with a deep and tenacious bond to the land, one another, and the Ojibwe culture.

Within the larger history, Grover tells the story of her ancestors’ arrival at the American Fur Post in far western Duluth more than two hundred years ago. Their fortunes and the family’s future are inextricably entwined with tales of marriages to voyageurs, relocations to reservation lands, encounters with the spirits of the lake and wood creatures, the renewal of life—in myth and in art, the search for meaning in the transformations of our day is always vital. Finally, in one man’s struggles, age-old tribulations, the intergenerational traumas of extended families and communities, and a uniquely Ojibwe appreciation for the natural and spiritual worlds converge, forging the Ojibwe worldview and will to survive as his legacy to his descendants.

Blending the seen and unseen, the old and the new, the amusing and the tragic and the hauntingly familiar, this lyrical work encapsulates a way of life forever vibrant at the Point of Rocks.

Reviews
"With compelling stories of sacred places, beloved people, myths, legends, and treasured memories, Gichigami Hearts is a moving tribute to the Ojibwe past."— Carolyn Holbrook, author of Tell Me Your Names and I Will Testify

"With stories of the essence of land and people, Linda LeGarde Grover weaves a generational history of a sacredness inseparable from place, of the unbroken chain of Anishinaabe existence in Missabekong. Her powerful prose and ethereal poetry wash over the pages like waves along the shore of Lake Superior, revealing a strength of survival that goes beyond memory and reminding us to watch, listen, and breathe."—Gwen Westerman, Minnesota State University, Mankato

"In Linda LeGarde Grover’s Gichigami Hearts, we are given the gift of an intensely personal, and at the same time brilliant, walkthrough of Grover’s part of the Anishinaabe universe. Just a tremendously lovely and unique book."—Erika T. Wurth, author of White Horse

Educator Information
Contents

Part I. Point of Rocks

Gabbro

An Old Story

Bimosewin: From the Bethel to the Union Gospel Mission

From the Rocks to the Docks

Anishinaabe Relatives and Holy Places

Grandparents

Life Among the Italians

The Beanbag

Rain, Fog, Ghost, Spider

Part II. Gichigami Hearts

Waawaashkeshi

Mooz

Lake Hearts

Lake Spirits

Sea Smoke on Gichigami

Barney-enjiss

The Stone Tomahawk

Part III. Rabbits in Wintertime

Listening and Remembering By Heart

Rabbits in the Snow

Niizh Odain: The Wolf and the Rabbit

The Harbor: Nanaboozhoo’s Brothers of the Heart

Woods Lovely, Dark, and Deep

Rabbits Watching Over Onigamiising

Part IV. Traveling Song

The End and Renewal of the Earth

Redemption

Mishomis

Grandfather-iban Gi-bimose

Places Remembered, Though Some Have Changed

Homeland

Traveling Song

Acknowledgments

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200 pages | 5.50" x 8.50" | 8 Black and white illustrations | Paperback

Go Down Odawa Way is a poetry collection that explores the physical, historical, and cultural spaces that make up the southwestern traditional territory of the Three Fires Confederacy. This is the region currently inhabited by southwestern Ontario and southeastern Michigan. Individual poems and sections of this collection explore the documented villages, history, and mythologies of the Odawa, Ojibway, Huron/Wendat, and Pottawatomi nations that were lost to the process of colonization and relocation. The project speaks to the history of the region that predates contemporary Canadian and American borders and namings as well as carves out a history that extends back past the mere couple of centuries of European colonization. The narrative focal point of the pieces find their roots in the traditional Lenape vantage point of the author and seeks to draw on the experiences of a modern day urban Indian in connection with the manner that land has changed with non-Indigenous settlement and those that inhabit it.

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76 pages | 5.50" x 8.50" | Paperback

How do we reconcile the sanctity of Indigenous burial grounds with the desire to study them?

Whether by curious Boy Scouts and “backyard archaeologists” or competitive collectors and knowledge-hungry anthropologists, the excavation of Native remains is a practice fraught with injustice and simmering resentments.

Grave Matters is the history of the treatment of Native remains in California and the story of the complicated relationship between researcher and researched. Tony Platt begins his journey with his son’s funeral at Big Lagoon, a seaside village in pastoral Humboldt County in Northern California, once O-pyúweg, a bustling center for the Yurok and the site of a plundered native cemetery. Platt travels the globe in search of the answer to the question: How do we reconcile a place of extraordinary beauty with its horrific past?

Grave Matters centers the Yurok people and the eventual movement to repatriate remains and reclaim ancient rights, but it is also a universal story of coming to terms with the painful legacy of a sorrowful past. This book, originally published in 2011, is updated here with a preface by the author.

Reviews
“A new edition on the tenth anniversary of Tony Platt's extraordinary work, Grave Matters, could not come at a more important moment when the precariousness of the planet itself recalls the genocide unleashed by European and Euroamerican colonialism that endures and continues to haunt descendants of the perpetrators, many of whom engage in ghoulish thefts of the remains of the dead. In his own grieving for a lost son, Platt enters a circle of grieving in the Yurok nation, becoming a powerful voice for decolonization and the protection of Indigenous grave sites.” —Roxanne Dunbar-Ortiz, author of An Indigenous Peoples' History of the United States

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256 pages | 6.00" x 9.00" | Paperback

How can churches carry out their commitment to the United Nations Declaration on the Rights of Indigenous Peoples?

Honouring the Declaration provides academic resources to help The United Church of Canada and other Canadian denominations enact their commitment to the UN Declaration on the Rights of Indigenous Peoples and offers a framework for reconciliation between Indigenous and non-Indigenous peoples in Canada.

Featuring essays from scholars working from a range of disciplines, including religious studies, Indigenous legal studies, Christian theology and ethics, Biblical studies, Indigenous educational leadership within the United Church, and social activism, the collection includes both Indigenous and non-Indigenous voices, all of whom respond meaningfully to the Truth and Reconciliation Commission's Calls to Action.

The texts explore some of the challenges that accepting the UN Declaration as a framework poses to the United Church and other Canadian denominations, and provides academic reflection on how these challenges can be met. These reflections include concrete proposals for steps that Canadian denominations and their seminaries need to take in light of their commitment to the Declaration, a study of a past attempt of the United Church to be in solidarity with Indigenous peoples, and discussions of ethical concepts and theological doctrines that can empower and guide the church in living out this commitment.

Reviews
“[A] truly seminal work among the schools of theology in Canada.” —Michel Andraos, Dean of Theology, Université Saint-Paul and editor of The Church and Indigenous Peoples in the Americas

Educator Information
Provides a framework for UNDRIP's implementation of the Truth and Reconciliation Commission's Calls to Action for Canadian churches to address and mitigate spiritual violence towards Indigenous Peoples.

Written by scholars at St. Andrew's College, Indigenous scholars, and activist group Iskwewuk Ewichiwitochik/Women Walking Together to provide a framework for the United Church, and other denominations, to adopt UNDRIP and uphold their commitments to reconciliation.

Contributor Sa'ke'j Henderson co-wrote UNDRIP.

Contributors include: James [Sa’ke’j] Youngblood Henderson, Saskatoon, SK; Christine Mitchell, Saskatoon, SK; Lynn Caldwell, Saskatoon, SK; Adrian Jacobs, Beausejour, MB; Sandra Beardsall, Saskatoon, SK; Paul L. Gareau, Edmonton, AB; HyeRan Kim-Cragg, Toronto, ON; Don Schweitzer, Saskatoon, SK; Jennifer Janzen-Ball, Saskatoon, SK; Iskwewuk E-wichiwitochik/ Women Walking Together Collective, Saskatoon, SK

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312 pages | 6.00" x 9.00" | Paperback

A compelling political memoir of leadership and speaking truth to power by one of the most inspiring women of her generation.

Jody Wilson-Raybould was raised to be a leader. Inspired by the example of her grandmother, who persevered throughout her life to keep alive the governing traditions of her people, and raised as the daughter of a hereditary chief and Indigenous leader, Wilson-Raybould always knew she would take on leadership roles and responsibilities. She never anticipated, however, that those roles would lead to a journey from her home community of We Wai Kai in British Columbia to Ottawa as Canada’s first Indigenous Minister of Justice and Attorney General in the Cabinet of then newly elected prime minister, Justin Trudeau.

Wilson-Raybould’s experience in Trudeau’s Cabinet reveals important lessons about how we must continue to strengthen our political institutions and culture, and the changes we must make to meet challenges such as racial justice and climate change. As her initial optimism about the possibilities of enacting change while in Cabinet shifted to struggles over inclusivity, deficiencies of political will, and concerns about adherence to core principles of our democracy, Wilson-Raybould stood on principle and, ultimately, resigned. In standing her personal and professional ground and telling the truth in front of the nation, Wilson-Raybould demonstrated the need for greater independence and less partisanship in how we govern.

"Indian” in the Cabinet: Speaking Truth to Power is the story of why Wilson-Raybould got into federal politics, her experience as an Indigenous leader sitting around the Cabinet table, her proudest achievements, the very public SNC-Lavalin affair, and how she got out and moved forward. Now sitting as an Independent Member in Parliament, Wilson-Raybould believes there is a better way to govern and a better way for politics—one that will make a better country for all.

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352 pages | 6.00" x 9.00" | Hardcover

Igniting the $100 billion Indigenous economy

It is time. It is time to increase the visibility, role, and responsibility of the emerging modern Indigenous economy and the people involved. This is the foundation for economic reconciliation. This is Indigenomics.

Indigenomics lays out the tenets of the emerging Indigenous economy, built around relationships, multigenerational stewardship of resources, and care for all. Highlights include:

• The ongoing power shift and rise of the modern Indigenous economy
• Voices of leading Indigenous business leaders
• The unfolding story in the law courts that is testing Canada's relationship with Indigenous peoples
• Exposure of the false media narrative of Indigenous dependency
• A new narrative, rooted in the reality on the ground, that Indigenous peoples are economic powerhouses
• On the ground examples of the emerging Indigenous economy.

Indigenomics calls for a new model of development, one that advances Indigenous self-determination, collective well-being, and reconciliation. This is vital reading for business leaders and entrepreneurs, Indigenous organizations and nations, governments and policymakers, and economists.

Awards

• 2022 First Nations Community Reads Award

Educator Information
This book is centered within the United Nations Declaration on the Rights of Indigenous Peoples (UNDRIP).

Indigenomics is a new topic and a previously unpublished contribution to new economic thought.

This book is an important work in the emerging modern Indigenous economy. It is a guide to fully realizing the potential of the emerging Indigenous economy. It lays out the emerging power shift and rise of Indigenous economic empowerment. It acknowledges the unfolding story shaping Canada through the law courts that is testing the foundation of the Crown relationship with Indigenous peoples.

Includes interviews with six business leaders, all exceptional in their field.

Additional Information
272 pages | 6.00" x 9.00" | 20 b&w illustrations

Indigenous Celebrity speaks to the possibilities, challenges, and consequences of popular forms of recognition, critically recasting the lens through which we understand Indigenous people’s entanglements with celebrity. It presents a wide range of essays that explore the theoretical, material, social, cultural, and political impacts of celebrity on and for Indigenous people. It questions and critiques the whitestream concept of celebrity and the very juxtaposition of “Indigenous” and “celebrity” and casts a critical lens on celebrity culture’s impact on Indigenous people.

Indigenous people who willingly engage with celebrity culture, or are drawn up into it, enter into a complex terrain of social relations informed by layered dimensions of colonialism, racism, sexism, homophobia/transphobia, and classism. Yet this reductive framing of celebrity does not account for the ways that Indigenous people’s own worldviews inform Indigenous engagement with celebrity culture––or rather, popular social and cultural forms of recognition.

Indigenous Celebrity reorients conversations on Indigenous celebrity towards understanding how Indigenous people draw from nation-specific processes of respect and recognition while at the same time navigating external assumptions and expectations. This collection examines the relationship of Indigenous people to the concept of celebrity in past, present, and ongoing contexts, identifying commonalities, tensions, and possibilities.

Reviews
“Indigenous Celebrity is an indispensable, paradigm-shifting study of celebrity that centres Indigenous meaning-making, epistemologies, kinship, and world views, even as it remains attuned to the historical and continuing effects of settler-colonial and other colonizing celebrity systems and dynamics upon Indigenous celebrity. From its analyses of Indigenous celebrity activism, to Indigenous sport celebrity, to celebritized “last” speakers of Indigenous languages, to Indigenous celebrity in Australia and India, and beyond, this thoughtful collection builds a compelling broad-based analysis that is attentive to the crucial specificities of place and community. The burgeoning field of celebrity studies dearly needs this book.” — Lorraine York

“Indigenous Celebrity is the first book to look at celebrity through an Indigenous lens. It addresses a significant gap in the literature – for Indigenous/Native/Aboriginal studies, for celebrity and fame studies, and as a comparative resource for social and cultural studies.” — Julie Pelletier

Educator Information
Other contributors: Daryl Adair, Kim Anderson, Renée E. Mzinegiizhigoo-kwe Bédard, Aadita Chaudhury, Jenny L. Davis, Karen Fox, Christina Giacona, Jonathan G. Hill, Brendan Hokowhitu, Kahente Horn-Miller, David Lakisa, Sheryl Lightfoot, Virginia McLaurin, w. C. sy, Tracy Taylor, Katerina Teaiwa.

Topics: Film & Media Studies, Indigenous Studies, Popular Culture, Social Science

Additional Information
272 pages | 6.00" x 9.00" | index, bibliography

Indigenous Methodologies is a groundbreaking text. Since its original publication in 2009, it has become the most trusted guide used in the study of Indigenous methodologies and has been adopted in university courses around the world. It provides a conceptual framework for implementing Indigenous methodologies and serves as a useful entry point for those wishing to learn more broadly about Indigenous research.

The second edition incorporates new literature along with substantial updates, including a thorough discussion of Indigenous theory and analysis, new chapters on community partnership and capacity building, an added focus on oracy and other forms of knowledge dissemination, and a renewed call to decolonize the academy. The second edition also includes discussion questions to enhance classroom interaction with the text. In a field that continues to grow and evolve, and as universities and researchers strive to learn and apply Indigenous-informed research, this important new edition introduces readers to the principles and practices of Indigenous methodologies.

Reviews
"Reading this second edition is like visiting with a dear friend, over a cup of tea, to recount stories, teachings, and insights. When the visit is over the friends depart after telling many favourite and new stories. In this telling and listening, the friends strengthen and stretch their bonds. With this visit, they learn powerful new teachings and are inspired with deeper research insights about doing Indigenous methodologies in good ways." ~Jo-ann Archibald Q’um Q’um Xiiem, Professor Emeritus of Educational Studies, University of British Columbia

"Writing to teach others about Indigenous knowledge requires authors to build a relationship with the reader. Margaret Kovach invites us to join her in conversation about Indigenous methodologies – accepting her invitation has helped to strengthen my own understanding and relationship with the theory and practice of Indigenous research. "~Shawn Wilson, author of Research Is Ceremony: Indigenous Research Methods

Educator Information
Subjects: Indigenous Studies, Education

Table of Contents
Prologue

Introduction

Part I
Chapter 1 - Indigenous Methodologies and Qualitative Inquiry
Chapter 2 - Indigenous Conceptual Framing in Indigenous Methodologies

Part II
Chapter 3 - Epistemology and Research:  Centring Tribal Knowledge
Chapter 4 - Indigenous Ethics and Axiology:  Miýo (A Good Way)
Chapter 5 - Engaging the Community
Chapter 6 - Situating Self, Culture, and Purpose in Indigenous Methodologies

Part III
Chapter 7 - Indigenous Theorizing
Chapter 8 - Story and Method in Indigenous Methodologies
Chapter 9 - Interpretation and Working with the Findings
Chapter 10 - Mobilizing the Findings:  Representation, Oral Dissemination & Giving Back

Part IV
Chapter 11- A Call to Decolonizing the Academy

Concluding Thoughts

References

Additional Information
328 pages | 6.00" x 9.00" | Second Edition | Paperback

A collection of perspectives by and about Indigenous Toronto, past, present, and future.

Beneath every major city in North America lies a deep and rich Indigenous history that has been colonized, paved over, and ignored. Few of its current inhabitants know that Toronto has seen 12,000 years of different peoples, including the Haudenosaunee, the Anishinaabe, the Huron-Wendat, and the Mississaugas of the New Credit, and a vibrant culture and history that thrives to this day.

With original contributions by Indigenous elders, scholars, journalists, artists, activists, and historians about art, food, health, and more, this unique anthology explores the poles of erasure and cultural continuity that have come to define a crossroads city-region that was known as a meeting place long before the arrival of European settlers.

Contributors include political scientist Hayden King, historian Alan Corbiere, musician Elaine Bomberry, artist Duke Redbird, playwright Drew Hayden Taylor, educator Kerry Potts, writer/journalist Paul Seesequasis and former Mississaugas of the New Credit chief Carolyn King.

Additional Information
192 pages | 5.50" x 8.50"

Amber, Bev, Chantel, Jazmyne, Faith, and Jorgina are six Indigenous women previously involved in street gangs or street lifestyles. In Indigenous Women and Street Gangs they collaborate with Robert Henry (Métis) to share an emancipatory expression of their lives through photovoice. Each author shares a narrative that begins with her earliest memory and continues to the present. This is followed by a selection of photographs the woman took to show how she has changed with her experiences. Readers can expect difficult life stories imbued with hope and humour. Throughout, these women show us the meaning of survivance; a process of survival, resistance, resurgence, and growth.

“I don’t think there is any such thing as bad; it’s called healing, you know? It is starting to fix yourself inside your heart, you know? You just got to keep doing it, that’s all I got to say.”- Jazmyne

Educator Information
Caution: mature, triggering, explicit content.

Keywords / Subjects: survivance; photovoice; Indigenous; street gang; critical gang studies; Saskatchewan; women; oral history; community engaged research; relational practice; justice; child welfare; education; health; social work; social services; criminology

Table of Contents
ix Acknowledgements
xi Introduction
3 Amber
23 Bev
39 Chantel
59 Jazmyne
77 Faith
95 Jorgina
115 Photograph Captions
123 Bibliography

Additional Information
144 pages | 9.00" x 9.00" | Paperback

Though First Nations communities in Canada have historically lacked access to clean water, affordable food, and equitable health care, they have never lacked access to well-funded scientists seeking to study them. Inventing the Thrifty Gene examines the relationship between science and settler colonialism through the lens of “Aboriginal diabetes” and the thrifty gene hypothesis, which posits that Indigenous peoples are genetically predisposed to type 2 diabetes and obesity due to their alleged hunter-gatherer genes.

Hay’s study begins with Charles Darwin’s travels and his observations on the Indigenous peoples he encountered, setting the imperial context for Canadian histories of medicine and colonialism. It continues in the mid-twentieth century with a look at nutritional experimentation during the long career of Percy Moore, the medical director of Indian Affairs (1946–1965). Hay then turns to James Neel’s invention of the thrifty gene hypothesis in 1962 and Robert Hegele’s reinvention and application of the hypothesis to Sandy Lake First Nation in northern Ontario in the 1990s. Finally, Hay demonstrates the way in which settler colonial science was responded to and resisted by Indigenous leadership in Sandy Lake First Nation, who used monies from the thrifty gene study to fund wellness programs in their community.

Inventing the Thrifty Gene exposes the exploitative nature of settler science with Indigenous subjects, the flawed scientific theories stemming from faulty assumptions of Indigenous decline and disappearance, as well as the severe inequities in Canadian health care that persist even today.

Reviews
“Inventing the Thrifty Gene puts a much needed nail in the coffin of the ‘thrifty gene hypothesis’ by exposing its place within a long lineage of exploitative and extractive scientific research on Indigenous peoples.”– Ian Mosby, Department of History, Ryerson University

Educator Information
Afterword from Theresa Redsky Fiddler, who is an Anishinabe Elder originally from Big Grassy and Shoal Lake First Nation. She is an educator, an advocate, and an important figure in Nishnawbe Aski Nation’s Health Transformation initiative.

Table of Contents
Introduction: Underserviced and Over-Studied

Ch 1: On the Origins of Thrifty Genes: Charles Darwin and The H.M.S. Beagle

Ch 2: ‘The Operation of Being Civilized’: Sir Francis Bond Head the Foundations of Federal Indian Policy

Ch 3: Studied to Death: Chief Medical Officers and the Scientization of Federal Indian Policy

Ch 4: The Marrow Thief: James V. Neel and the Invention of the Thrifty Gene

Ch 5: Chief Josias Fiddler: Remembering the Hunger Strike of ’88

Ch 6: The Return of the Thrifty Gene: From the DNA Deal to Its Curious Afterlife

Conclusion: The Grandfather Rocks of Josias Fiddler

Afterword: Josias Fiddler’s Life and Legacy, by Teri Redsky Fiddler

Iskotew Iskwew/Fire Woman is a poetry collection written during a period of trauma while the author was working as a Counsel to the National Inquiry into Missing and Murdered Indigenous Women and Girls in 2017. This book is about memories and experiences growing up on the Pelican Narrows Reserve in northern Saskatchewan in the 1980s: summers spent on the land and the pain of residential school. With this collection, the author wants to teach and inform Canadians of her experiences growing up as an Indigenous woman in Saskatchewan. She believes it is important to share her stories for others to read.

Additional Information
104 pages | 5.50" x 8.50"