First Nations

A vital account of the life and many names of Robert Cree, and his plan for a peaceful, sincere, and just path to reconciliation in an angry and chaotic world.

His mother called him “Bobby Mountain.” Elders called him “Great Man.” His people called him “Chief.” Oil men called him “Mr. Cree.” But the government called him “Number 53.” Robert Cree was all of these while facing his people’s oppressors and freeing the ghosts of tortured spirits.

The Many Names of Robert Cree is his first-person account of survival in a brutally racist residential school system designed to erase traditional Indigenous culture, language, and knowledge. It is also the story of an epic life of struggle and healing, as Cree takes the wisdom of his ancestors and a message of reconciliation to the halls of government and to industry boardrooms.

In the storytelling tradition of his people, Cree recounts his early years in the bush, his captivity at a residential school, his struggles with addiction, his political awakening as one of Canada’s youngest First Nation Chiefs, and the rising Indigenous activism of the late 20th and early 21st centuries. He also recounts the oil industry’s arrival on his poverty-stricken reserve and the ensuing struggle to balance economic opportunity with environmental challenges.

Throughout, Cree’s leadership is rooted in his unshakable commitment to the sacred traditional teachings of his people. His beliefs give him the strength to focus on hope, dignity, and building a better future for his community. Now a respected Elder and spiritual leader, Cree champions forgiveness as a powerful force that can bring healing and transformation for all.

Additional Information
264 pages | 6" x 9" | Paperback 

A Vital Resource to Preserve, Teach, and Live the Bush Cree Language

Reading and Writing Bush Cree is a heartfelt, practical, and approachable guide for fluent speakers and Cree language educators who want to learn to read and write sakâw nîhiyawîwin—Bush Cree, or the Northern Y dialect. Written by Connie Twin, a first-language speaker from Bigstone Cree Nation in northern Alberta, and Tanya Fontaine, a dedicated Cree language learner and educator, this book bridges oral fluency with written literacy to support language preservation and revitalization.

Through personal stories and cultural insight, the authors guide readers into the structure of Cree grammar and the use of Standard Roman Orthography (SRO). With clear examples of both fluent and full written forms, this book also sheds light on how Cree sounds are represented in writing and highlights important differences between Northern and Southern Y dialects.

This is more than a how-to book—it’s a call to keep sakâw nîhiyawîwin alive for future generations.

Features

• A first-language speaker’s perspective on learning to read and write Cree
• Focus onsakâw nîhiyawîwin (Bush Cree / Northern Y dialect)
• A step-by-step introduction to Standard Roman Orthography (SRO) and syllabics
• Need-to-know basics of Cree reading, writing, grammar, and Y dialect variation

Additional Information
116 pages | 6" x 9" | Paperback 

Flow into a new season in one of Canada’s most celebrated literary landscapes, with Leaf Counter. A lyric decolonial romp through the Ontario’s famed Prince Edward County, Aginjibagwesi (Spinus tristis) draws us through the poetics of the land and the struggles of the poet as decolonizer in this new epic border-crossing collection. Golden witness to the timelessness of land and spirits, Leaf Counter criss-crossed the lands around Ameliasburgh, its ghosts, heroes, and even the poets of Purdy’s A-Frame. Leaf Counter knows of sorrow, struggle, and wends a tale in a braided narrative as he scans "light and steeple” and sees timeless men at the centre and edges of the order of things, Simon Girty, Al Purdy, Charles Bukowski, and even Bret Hart, move and shift in time and place. Leaf Counter is our celestial, Lenape, winged guide of legend and myth. And through his spring enumeration of all things, we garner an understanding of the famed Canadian poet Al Purdy and the lands that he grew from. Witness the collapse of the old repressive order through the eyes of the poet and movements of the mighty little bird.

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148 pages | 6.00" x 9.00" | Paperback

After uncovering long forgotten secrets hidden deep beneath the earth, Silversong now finds himself in the middle of a battle for the soul of the Four Territories. On one side is the Heretic, the leader of the exiles intent on destroying the Wolven Code and conquering all wolfkind by force. On the other side is the Warden, who aims to impose her dogmatic and oppressive interpretation of the Wolven Code on all the packs.Silversong understands that the Four Territories cannot truly thrive when confined to the Warden's narrow vision, but he also can't let the Heretic bring devastation to all who resist him. By using his newfound powers, Silversong takes it upon himself to break the boundaries between the Four Territories and unite them as one, undermining the Warden's authority in the process. Only by standing together as true allies can they hope to defeat the enemy.

Reviews
"A mysterious, magically animated landscape juiced by superb sensory detail. The wolves of the Northlands are plagued by infighting among a threadbare alliance of packs. Enter Silversong, desperate to unite wolfkind against the enemy from without as well as the treachery within of blighted tradition and toxic loyalties. He is a hero with a brilliant weapon he can’t quite master and a jumbled head full of futures pitted against a dire present. Terrified and defiantly brave, frustrated and stalwart, Silversong is our guide to a world of wind weavers and quicksand conjurors. What an exciting, big-hearted romp into a fantastical kingdom that is eerily familiar." -- Tim Wynne-Jones, author of The Starlight Claim

Educator & Series Information
Recommended for ages 13 to 17.

This is the second book in the Wolf in the Sun series.

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250 pages | 5.50" x 8.50" | Paperback

In this haunting sequel to her deliciously scary debut, Cheryl Isaacs (Mohawk) explores the sharp edges of lingering trauma and the bonds of love that heal us--for fans of She is a Haunting and Sawkill Girls!

Only weeks ago, Avery pulled her best friend, Key, from the deadly black water. The cycle from her family’s Kanyen’kehá:ka (Mohawk) stories is finally broken, the black water is now a harmless lake, and her problems are far from supernatural: All Avery wants is a normal summer with Key, her now-boyfriend.

The trauma, however, casts a long shadow over the town. Some victims never returned. Terrifying memories threaten to resurface, but Avery pushes them down. Who she’s really worried about is Key. The two are supposed to be closer than ever—so why does he feel so distant?

Wracked by anxiety, Avery begins to see a chilling reflection in every mirror, one that moves on its own—and she’s not the only one. With her family’s safety in the balance, Avery must decide: Run away to the safety of normal life with Key, or return to lake’s edge and face her reflection, before her home is subsumed by darkness once and for all….

Reviews
"A deeply rewarding sequel that’s equal parts uncanny and moving. Isaacs compellingly juxtaposes supernatural horrors with Avery’s journey to accept truer versions of herself and those close to her and keeps readers hooked with shocking twists." — Kirkus Reviews (starred review)

"Scary and satisfying... this thrilling sequel delves into a dark mirror world of supernatural threats that spur Avery to connect with her true self and trust her friends and family in new ways. " — Booklist

Educator & Series Information
Recommended for ages 13+

This book is the second book in the series The Unfinished.

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336 pages | 5.50" x 8.25" | Hardcover 

The central theme of this poetry collection revolves around the idea that each individual is shaped by the connections they forge with others throughout their lives. Each poem serves as a tribute to the relationships that influence us, weaving a rich tapestry of shared experiences and emotions. The collection is guiding readers through a journey of reflection and introspection. Each poem follows a distinct outline: it begins with a cherished memory that encapsulates the essence of the relationship, then delves into the significance of that bond and what it has taught us. Next, the poems explore the evolution of these connections—whether they have transformed, faded away, or remain vibrant in our lives. As the verses unfold, they evoke sensory reminders of these individuals—objects, places, or moments that bring them to mind—while also celebrating the qualities we admire in them. The poems culminate in a heartfelt exploration of their lasting impact on our identities and the permanent marks they leave behind. Each poem becomes a mirror, inviting readers to consider their own relationships and the intricate ways in which these connections shape who they are. Through this collection, we are reminded that we are, in many ways, a mosaic of everyone we have loved, learned from, and lost along the way.

Educator & Series Information
This book is part of the Modern Indigenous Voices series.

Additional Information
96 pages | 5.50" x 8.50" | Paperback 

From Shawn Leonard, Indigenous medium and host of Spirit Talker, comes a guide for assembling your unique team of spirit totem animal guides to be your personal guides through your life.

We are deeply connected to the animal nation, and through the four stages of life—Childhood, Youth, Adulthood, and Elderhood—there are four sacred animal totems that guide us energetically using their sacred medicine.

In Walking With Your Spirit Totem Animals, Mi’kmaq medium and host of Spirit Talker Shawn Leonard invites readers on a profound journey into the mystical world of animal totems. His insightful guide reveals how specific animal totems, that are personal to each and every one of us, support us. Leonard intertwines personal anecdotes with spiritual teachings, illustrating how these animal guides have appeared in his own life—his totems are Buffalo/Bison, Eagle, Polar Bear, and Owl—and provided wisdom at each stage.

The book includes comprehensive discussions on the Medicine Wheel and practical tools such as prayers and meditations to help readers connect with their own animal totems. Leonard also incorporates reflections on the connection between pets and their spiritual roles, messages revealed through animal dreams, and encounters with the animal nation in the astral realm.

Additional Information
208 Pages | 5.63 x 8.50" | b&w interior | Paperback 

Winter Count draws inspiration from the Plains First Nations practices of recording significant events each winter, a visual reminder that helps structure histories and traditions passed down to future generations. This handsome volume explores how winter has long shaped Indigenous, Canadian settler, and northern European art, uniting different cultural perspectives through such diverse topics as storytelling, effects of light, physical adaptation, and community and isolation.

Presenting a selection of works spanning from the early 19th century to the present day — including artists such as Kenojuak Ashevak, J.E.H. MacDonald, Claude Monet, Kent Monkman, Megan Musseau, and Jin-me Yoon — Winter Count features approximately 170 plates, along with illustrated essays by curators from the National Gallery of Canada. The result is a book that invites readers to see winter anew — not as a season to be endured, but as a source of invention, connection, and mutual respect across time and place.

Educator Information
Dual-language: English and French

Additional Information
304 pages | 9.00" x 12.00" | Paperback

Since the earliest days of human memory, countless generations have turned their eyes to the skies in wonder, drawing patterns, understanding the stars’ connection to cycles and events, and carrying their stories and teachings forward to subsequent generations.

The Song of the Stars offers a unique journey through the skies, linking us to generations of ancestors who marvelled at the same stars we still gaze upon today. The book brings together Anishinaabe cultural teachings about the cosmos and the Anishinaabemowin language with scientific insights to demonstrate how both viewpoints can help us foster deeper and more meaningful relationships to the Earth and the cosmos. Robert Animikii Horton, Anishinaabemowin educator, proves that this dual perspective can be a source of awe and wonder, inspiring in us a love of both language and science.

Demonstrating how Anishinaabe cultural teachings and scientific insights can complement one another and need not be irreconcilable opposites, The Song of the Stars provides a combination of perspectives that cultivates a deeper understanding of the vast mystery surrounding our place in the universe.

Educator Information
Contents
1. In Awe of the Awe-Inspiring
2. Aki: The Earth
3. Giizis: The Sun
4. Gichi-giizis: The Solar Eclipse
5. Naawakwe: Solar Noon
6. Ma’iingan Omiikana: The Sun’s Ecliptic
7. Aadwaa’amoog: Orion’s Belt
8. Waawaate: The Northern Lights (Aurora Borealis)
9. Jiibay Miikana: The Milky Way
10. Gookomisinaan Dibiki-giizis: The Moon
11. Gaagige-giizhig: The Universe
12. Anang: Star
13. Ojiig Anang: Fisher Star
14. Ojiig: The Big Dipper
15. Gichi-Ogimaa Anang: Vega
16. Gaa-bibooniked: The Wintermaker
17. Maang: The Little Dipper
18. Bagonegiizhig: The Pleiades
19. Moonz: Pegasus
20. Onwaajige Anang: Halley’s Comet
21. Madoodiswan: Corona Borealis
22. Ma’iingan: Canis Major
23. Nanaboozhoo: Scorpius
24. Waaban Anang: The Morning Star
25. Biidaaban, Waaban, Zaagajiwens, & Mooka’am: The Process of Sunrise
26. Mishibizhiw: Leo, Cancer, and Hydra
27. Gaa-madoodood: Hercules
28. Bangishin Anang: Falling Star
29. Binesi: Cygnus
30. Mishiginebig: Draco
31. Ikwe Anang: Venus
32. Directions and More

Additional Information
120 pages | 6.00" x 9.00" | Hardcover 

Ask Haida artist and hereditary chief 7IDANsuu James Hart how long it took him to master the art of carving, and he'll tell you: "Around ten thousand years."

Hart has achieved national prominence and international acclaim for his towering poles, stately cedar sculptures, and massive bronzes - monumental works that extend the long continuum of Haida visual traditions into powerful new forms. Since his early days assisting Robert Davidson and Bill Reid, through his reproductions of historical Haida poles and his carving of original house front, story, and memorial poles for private commissions and clan-based contexts in Haida Gwaii and beyond, he has developed an innovative practice rooted in tradition, and widely celebrated: thousands of people gathered to witness the raising and activation of his Reconciliation Pole; his Three Watchmen bronzes overlook the Audain Art Museum, National Gallery of Canada and the Plains of Abraham; and The Dance Screen (The Scream Too) in Whistler is considered a once-in-a-generation sculptural masterpiece.

This, the first publication devoted to Hart, is both a survey of his major career achievements and a document of an impossible-to-assemble exhibition. Alongside hundreds of photos of nineteen monumental works and associated smaller carvings and bronzes scattered across North America and Europe, and drawing on over two years of interviews with the artist, Curtis Collins illustrates how key animal and supernatural figures reappear across scales and mediums, from jewellery to sixty-foot poles (the "backbone" of his practice), and speaks to the associated activation ceremonies as integral to Haida monumental art. Wade Davis considers Hart's expressions of Haida resilience within the people's long history, from time immemorial to the nation's present-day efforts towards national sovereignty; Gwaliga Hart offers a personal perspective on his father's work; and in an autobiographical essay the artist himself reflects on his life, and his life's work.

Educator Information
Contributors:

Additional Information
256 pages | 10.25" x 11.25" | 200 colour photographs | Hardcover 

A gripping work of auto-fiction / biography and memoir resulting in historical accountability. Divided into two parts; starting at the turn of the 20th century leading into the 1980's.

Filled with wisdom, grit and honesty, this is the journey of a Métis teenager overcoming personal grief, witnessing the pain of others, and experiencing the healing power of a Grandma’s love.

At times harrowing and instead of succumbing to self-pity Mary will rise above her presumed narrative with courage and love as her Grandma takes Mary under her wing to guide her into the mature woman she will become.

Educator Information
To learn more about this work, such as how the duck character and situation were developed, visit the author's website: https://ritajasperart.com/2025/10/14/the-bus-ride-was-just-ducky/.

Additional Information
250 pages | 5.50" x 8.50" | Paperback

From veteran hockey reporter Patrick Johnston and Gino’s longtime friend Peter Leech comes the authorized biography of Gino Odjick.

In the 1980s and ’90s, National Hockey League games were very different from the nimble, skill-focused displays we see today. One of the greatest differences—and one of the sport’s more popular facets at the time—was the widespread presence of “enforcers”: hulking, battle-scarred players whose main task was to police the sport by chasing down and brawling with opponents who had broken unwritten codes determining which aspects of violence counted as dishonorable or unjustified.

When hard-hitting Vancouver Canucks player Gino Odjick emerged in the early 1990s, he quickly became one of the game’s most feared enforcers and revered teammates, a sign of a new era for the team, racking up 296 penalty minutes in the 45 games he played in his rookie season. Hailing from Kitigan Zibi, an Algonquin community near Maniwaki, Quebec, Gino was one of the few Indigenous players in the NHL at the time. But it was Gino’s ferocious play contrasted by his genuinely affable and openhearted personality off the ice that won him a special place in the hearts of Canucks supporters.

Yet legends often obscure the human stories behind them. Patrick Johnston and Peter Leech look beyond Gino’s legendary persona, drawing on insights from family members, friends, and teammates to recount Gino’s early years in a loving household that was always ready to welcome foster children. Gino’s father, Joe, had suffered the lonely traumas of the residential school system, and the experience had instilled a commitment in the family to those who were less fortunate.

The book also details Gino’s eventual struggles with alcohol abuse, and how he responded by taking on the role of empathetic mentor to young Indigenous people, travelling from community to community to hear their stories and offer hope. He never wavered in this role, even as he confronted serious illnesses, including chronic traumatic encephalopathy (CTE) and the rare blood disorder that he survived for years longer than expected, but that eventually led to his death at age fifty-two.

Gino is a moving tribute to a beloved hockey legend.

Reviews
"Gino was the greatest teammate; he had such a huge heart and knew his role better than anyone in the league. Gino loved being a Vancouver Canuck and gave back to the community in so many ways. He will be greatly missed by his family, friends, and fans. This book will give people insight into his remarkable life."—Geoff Courtnall

“Gino provides a compelling account of the life of a beloved Vancouver Canuck. From his humble beginnings in Quebec to NHL stardom and beyond, Odjick was dedicated to the well-being of teammates and the Indigenous community. This is an excellent tribute to an exceptional man.”—Randi Druzin, author of Between the Pipes and Behind the Mask

Additional Information
288 pages | 6.00" x 9.00" | b&w insert | Hardcover 

Uplifting stories, vignettes, and reflections to inspire gratitude, love, joy, and hope in navigating life in a changing, challenging world.

This beautiful and welcoming book can be read cover to cover or used as a daily source of guidance, providing gentle wisdom that inspires and empowers. Through the lens of five transformative practices - gratitude, love, joy, happiness, and hope - bestselling author Monique Gray Smith weaves together short stories, poignant reflections, and thoughtful questions that invite readers to pause and reconnect with their inner light. And as an Indigenous author, Monique brings her cultural wisdom and unique perspective to each offering.

Sharing the Light is a powerful reminder that when we embrace our light and share it with the world, that energy not only transforms us but ripples out to uplift everyone around us.

Additional Information
208 pages | 5.00" x 7.75" | Hardcover 

Words bawling…Melody howling…Fierce Voice rising

Iz has everything she's ever wanted: she’s found the foster home of her dreams and is attending the prestigious music school she moved heaven and earth to get into. But secrets from her past keep threatening to spill into the present, and Iz is sure that her newfound loved ones will abandon her if they learn of her terrible history.

Despite these fears, Iz does her best to settle into her new life. Hoping to give at-risk children the musical experiences she longed for when she was little, she joins with her classmates and Teo (the boy she sort of kissed and then ghosted all summer) to start a musical outreach program at the community centre she used to go to.

She isn’t quite prepared for the chaotic group of children she’s paired with. And she’s even less ready for Skye, an angry foster kid who challenges everything Iz holds dear, gets a little too close for comfort, and has her own terrible secret.

To help Skye, Iz must make a dreadful choice—a decision that could free them both from their demons or completely destroy everything Iz has fought so hard for. Is raising her voice worth the risk?

Fierce Voice is the sequel to the White Pine Award nominee Iz the Apocaylpse.

Educator & Series Information
Recommended for ages 12 to 18.

This book is part of The Métier Quartet series.

Additional Information
280 pages | 6.00" x 9.00" | Paperback

Chief Stacey Laforme, an esteemed Indigenous leader and storyteller, breathes life into every poem and story, drawing upon his deep cultural roots. Rich with the essence of his soul, the poems in Beneath the Surface capture the moments and emotions that have shaped him, offering a poignant exploration of identity, resilience, and hope. Through humour and pain, Laforme invites readers to not just read, but to truly feel the weight and wisdom carried within each verse.

This collection goes beyond poetry, providing rich backstories and leadership insights that contextualize the verses. As in his earlier collections, Living in the Tall Grass and Love, Life, Loss and a little bit of hope, Laforme once again extends an invitation to readers, encouraging them to see the world through Indigenous eyes. Themes of peace, humanity, grief, and trauma are woven throughout the book, creating a tapestry of reflection, healing, and ultimately, hope.

Beneath the Surface serves as both a deeply personal reflection and a call for greater understanding and connection, illuminating the complexities of life through the lens of Indigenous wisdom and storytelling.

At the end of this book, this journey, Laforme seeks to help you better answer the following questions. Who was I, Who am I, and Who do I want to be? As a person, a people, a country, a world, who do we want to be?

Additional Information
192 pages | 8.50" x 5.50" | Paperback 

In British Columbia, land acknowledgements often refer to “unceded territory.” Yet many people remain uncertain about the history behind these words or their implications for the future of the province.

Unceded reveals the BC government’s history of injustice toward First Nations, providing the context for understanding the province’s current reconciliation efforts, including modern treaty negotiations. Treaty commissioner George M. Abbott combines archival research with a former cabinet minister’s insider perspective on government to chronicle over 150 years of BC-Indigenous relations. Abbott’s account details how early government officials refused to negotiate treaties and instead coerced First Nations onto small and scattered reserves while granting settlers access to vast tracts of land. Despite sustained Indigenous resistance, the situation only worsened as non-Indigenous demands for land and natural resources increased in the decades that followed.

It was only after several Supreme Court decisions affirmed Indigenous land rights that BC sat down at the negotiating table. More recently, the province has taken notable steps toward reconciliation, concluding modern treaties and passing legislation that acknowledges Indigenous rights. As Abbott shows, overcoming the legacy of colonialism is no small task, but achieving justice is worth the effort it takes.

This book is for readers of BC history, those who follow provincial politics, or anyone invested in the future of British Columbia. It is essential reading for elected officials and policy makers and will also appeal to scholars and students of Canadian history, political science, and Indigenous-settler relations.

Reviews
"Unceded is an excellent account of the relationship between First Nation groups and the government of British Columbia. It is well-researched and enriched by interesting insights from George Abbott’s own involvement in more recent developments as a member of the provincial cabinet."— Jim Reynolds, author of Canada and Colonialism and former general counsel to the Musqueam First Nation

"I wish to thank George Abbott for his book about our colonial past. It is only with a better understanding of our history that we can have a better chance of creating a brighter future for First Nations in British Columbia."— From the foreword by the Honourable Steven Point, Grand Chief of the Stó:lō and BC’s first Indigenous Lieutenant-Governor

Additional Information
280 pages | 6.00" x 9.00" | Paperback 

Something for the Dark centres Indigenous knowledge to probe the limits of what we know, confront the unknown, and reckon with our place in the world.

Randy Lundy’s newest collection of poetry—the final in a trilogy that began with Blackbird Song and continued with Field Notes for the Self—turns the poem to our relationships with the land, animals, and people, showing how our failures to see and live by the personhood of all other beings in the world, human and non-, leads inevitably to heartbreak.

As Lundy’s poems accumulate like snow on cedar, his recounting of experiences that transcend language invites the reader to bend their understanding and notice what was once unseen—how a red-winged blackbird clings to a swaying reed, how mist rises after rainfall, how dogs keen and howl, how fingers taste bitter after lighting sage, how hunger smarts, how liquor burns, and how the pain survivors carry is not merely their own.

Reviews
“Such longing! ‘These days I wrestle no angels. I wrestle / with words. And no one is saved.’ writes Randy Lundy. In Something for the Dark, he presents tâpwêwina—truths drawn from the hand dealt and the life lived. ‘Nothing is hidden,’ he suggests, if we take the time to observe from a distance and wait in silence.” — Rita Bouvier, author of a beautiful rebellion

Additional Information
96 pages | 5.51" x 8.50" | Paperback

New poems from award-winning storyteller and poet Joseph Dandurand.

Prolific Kwantlen writer Joseph Dandurand offers his latest poetry collection, following The Punishment and The East Side of It All, which was shortlisted for the 2021 Griffin Poetry Prize.

Building on his legacy as a skilled storyteller, Dandurand continues to write about trauma, love, grief and forgiveness. These poems are about the streets, the East Side, self-pity, spirits and Dandurand’s people, the Kwantlen. As the jury of the 2022 Latner Writers’ Trust Award wrote, “his quotidian reflections read like parables, with startling economy.” After putting this collection down, don’t be surprised to find yourself saying “thank you,” too.

Additional Information
102 pages | 5.50" x 8.00" | Paperback

In this extraordinary and inspiring debut memoir, Jesse Thistle, once a high school dropout and now a rising Indigenous scholar, chronicles his life on the streets and how he overcame trauma and addiction to discover the truth about who he is.

If I can just make it to the next minute... then I might have a chance to live; I might have a chance to be something more than just a struggling crackhead.

From the Ashes is a remarkable memoir about hope and resilience, and a revelatory look into the life of a Métis-Cree man who refused to give up.

Abandoned by his parents as a toddler, Jesse Thistle briefly found himself in the foster-care system with his two brothers, cut off from all they had known. Eventually the children landed in the home of their paternal grandparents, but their tough-love attitudes meant conflicts became commonplace. And the ghost of Jesse’s drug-addicted father haunted the halls of the house and the memories of every family member. Struggling, Jesse succumbed to a self-destructive cycle of drug and alcohol addiction and petty crime, spending more than a decade on and off the streets, often homeless. One day, he finally realized he would die unless he turned his life around.

In this heartwarming and heartbreaking memoir, Jesse Thistle writes honestly and fearlessly about his painful experiences with abuse, uncovering the truth about his parents, and how he found his way back into the circle of his Indigenous culture and family through education.

An eloquent exploration of what it means to live in a world surrounded by prejudice and racism and to be cast adrift, From the Ashes is, in the end, about how love and support can help one find happiness despite the odds.

Awards

• 2020 Indigenous Voices Awards Winner for Published Prose in English
  
• Winner, Kobo Emerging Writer Prize Nonfiction
• Winner, High Plains Book Awards
• An Indigo Book of the Year 

Reviews
“From the Ashes hits you like a punch in the gut. It’s an unflinching, heartrending and beautifully written story of survival against seemingly impossible odds. But it’s also a book that should make you furious. Thistle paints a vivid portrait of a country seemingly incapable of doing right by Indigenous youth or by those struggling with homelessness, addiction and intergenerational trauma. That he survived to tell this story is truly a miracle. Still, one question haunts me after finishing this powerful and devastating book: How do we ensure that the next generation isn’t forced to navigate a broken system that takes their lives for granted and fails them at every turn? My greatest hope, then, is that From the Ashes will be the wakeup call Canada needs.” — IAN MOSBY, historian and author of Food Will Win the War

Educator Information
Caution: Deals with mature subject matter.

Additional Information
368 pages | 6.00" x 9.00"

This new collection of horror short fiction weaves together contemporary Arctic settings with ancient monsters and mysterious beings that have been said to stalk the tundra for centuries.

Featuring authors from across the Canadian Arctic, this new volume of Taaqtumi—an Inuktitut word that means “In the Dark”—reveals just how horrifying the dark can be.

Featuring new fiction from award-winning authors Aviaq Johnston, Rachel and Sean Qitsualik-Tinsley and Jamesie Fournier, as well as new voices in the genre, this collection is perfect for any horror lover.

Educator & Series Information
Includes stories from Indigenous authors across the Canadian Arctic.

This book is part of the Taaqtumi series.

Additional Information
184 pages | 6.00" x 9.00" | b&w illustrations | Paperback

This book invites readers to step into a space of reflection on your personal relationship with truth, reconciliation, and Orange Shirt Day.

Written in response to the increase of residential school denialism, Phyllis Webstad and Kristy McLeod have collaborated to create a book that encourages readers to face their own biases. This book challenges readers through a series of sensitive conversations that explore decolonization, Indigenization, healing, and every person’s individual responsibility to truth and reconciliation. Centered around the Orange Shirt Day movement, and a National Day for Truth and Reconciliation, these conversations encourage readers to unpack and reckon with denialism, biases, privilege, and the journey forward, on both a personal and national level.

Within each chapter, Phyllis Webstad draws on her decade of experience (sharing her Orange Shirt Story on a global level and advocating for the rights of Indigenous Peoples) to offer insights on these topics and stories from her personal journey, which co-author and Métis scholar, Kristy McLeod, helps readers to further navigate. Each section includes real denialist comments taken from social media and Kristy's analysis and response to them. Through empathy-driven truth-telling, this book offers an opportunity to witness, reflect, heal, and be intentional about the seeds we hope to plant for the future, together.

Additional Information
350 pages | 5.70" x 8.25" | Hardcover

"John Macfie's vivid and stirring photographs show a way of life on full display - the world my ancestors inhabited and that my mom fondly described to me. It is a world that, shortly after these pictures were taken, ended. So distant and yet achingly familiar, these pictures feel like a visit home."- Jesse Wente, Anishinaabe broadcaster, arts leader, and author of Unreconciled: Family, Truth, and Indigenous Resistance

While working as a trapline manager in Northern Ontario during the 1950s and 1960s, John Macfie, a Canadian of Scottish heritage, formed deep and lasting relationships with the people of the Indigenous communities in the region. As he travelled the vast expanse of the Hudson Bay watershed, from Sandy Lake to Fort Severn to Moose Lake and as far south as Mattagami, he photographed the daily lives of Anishinaabe, Cree, and Anisininew communities, bearing witness to their adaptability and resilience during a time of tremendous change.

Macfie's photos, curated both in this volume and for an accompanying exhibition by the nipisihkopawiyiniw (Willow Cree) writer and journalist Paul Seesequasis, document ways of life firmly rooted in the pleasures of the land and the changing seasons. People of the Watershed builds on Seesequasis's visual reclamation work with his online Indigenous Archival Photo Project and his previous book, Blanket Toss Under Midnight Sun, serving to centre the stories and lives of the people featured in these compelling archival images.

Reviews
"The images reflect a sensitive eye and respectful approach to a solid documentary project." - The Globe and Mail

"Shines a light on the overlooked histories of Indigenous communities in northern Ontario." - APTN

Additional Information
192 pages | 8.01" x 9.99" | 100 colour and black and white photos | Paperback

From the bestselling author of The Misewa Saga and When We Were Alone, comes 7 Generations: A Plains Cree Saga. This epic series of young adult graphic novels follows one Cree family over three centuries and seven generations.

Edwin, a Cree teenage boy, is struggling to feel connected to his family and his identity. From stories shared by his mother, Edwin learns about the history of his family, through the years of war, a smallpox epidemic, and residential schools, all the way through to the present and the conflicts Edwin faces in his own life.

Edwin must confront the past to heal in the present—but can his father, scarred by his own residential school experience, heal in time to help Edwin?

This special 15th anniversary edition brings together all four titles in the 7 Generations series, recoloured and relettered, with a preface from author David A. Robertson and an afterword from bestselling author Cherie Dimaline.

Educator Information
Recommended for ages 15 to 18.

Includes the stories in the 7 Generations series.

Stone introduces Edwin, a young man who must discover his family’s past if he is to have any future. Edwin learns of his ancestor Stone, a young Plains Cree man, who came of age in the early 19th century. When his older brother is tragically killed during a Blackfoot raid, Stone, the best shot and rider in his encampment, must overcome his grief to avenge his brother’s death.

In Scars, the story of White Cloud, Edwin's ancestor, is set against the smallpox epidemic of 1870-1871. After witnessing the death of his family one by one, White Cloud must summon the strength to find a new home and deliver himself from the terrible disease.

In Ends/Begins, readers learn about the story of Edwin’s father, and his experiences in a residential school. In 1964, two brothers are taken from the warm and loving care of their grandparents, and spirited away to a residential school. When older brother James discovers the anguish that his brother is living under, it leads to unspeakable tragedy.

In The Pact, the guilt and loss of James’s residential school experiences follow him into adulthood, and his life spirals out of control. Edwin, mired in his own pain, tries to navigate past the desolation of his fatherless childhood. As James tries to heal himself he begins to realize that, somehow, he must save his son’s life—as well as his own. When father and son finally meet, can they heal their shattered relationship, and themselves, or will it be too late?

Additional Information
144 pages | 6.50" x 10.00" | Paperback

Educator & Series Information
Recommended for ages 13 to 18.

This is the second book in the Dreams series.

Big Ideas: Aspects of Indigenous Cultures: Spirituality and Ceremony, Aspects of Indigenous Cultures: Sweat Lodge, Contemporary Setting, Diverse and Inclusive Representation: Addiction, Diverse and Inclusive Representation: Depression and Suicide, Diverse and Inclusive Representation: Identity, Social Justice: Family Separation, Social Justice: Intergenerational Trauma, Social Justice: Impacts of Colonization and Colonialism

Additional Information
80 pages | 6.50" x 10.00" | 75 colour illustrations | Paperback

A Snuneymuxw ethnobotany guide grounded in Indigenous knowledge and deep ancestral connection to the land.

Plant Teachings from My Auntie: Gathering Coast Salish Plants for Medicine, Textiles, Nourishment, and Ceremony is a richly illustrated compendium of the many culturally significant wild foods and herbal remedies found in the traditional territory of the Snuneymuxw First Nation.

Each entry features plant descriptions complete with both their Hul'q'umi'num and botanical names, typical native habitat, and traditional uses. Particular attention is paid to the sacred Western Red Cedar or "tree of life." The book also offers a selection of healing recipes; tips for respectful, sustainable harvesting; ethical and responsible preparation techniques; and a guide to local gathering sites.

Snu'y'ulh refers to teachings handed down through generations. Snuneymuxw Elder and Knowledge Keeper Geraldine Manson, whose traditional name is C'tasi:a, draws on the sacred knowledge passed on to her by her "Auntie Ellen," Dr. Ellen White, also known as Kwulasulwut. Central to these learnings is the fundamental concept or protocol of honoring gifts from the land by gathering and preparing in ways that respect the history, culture, spirituality, and Indigenous knowledge associated with each species.

This powerful work is a rare treasure that will appeal to those seeking to foster greater cultural understanding and ecological responsibility while deepening their commitment to meaningful reconciliation.

Additional Information
96 pages | 9.00" x 7.50" | Paperback

The Education of Augie Merasty offers a courageous and intimate chronicle of life in a residential school.

Now a retired fisherman and trapper, Joseph A. (Augie) Merasty was one of an estimated 150,000 First Nations, Inuit, and Metis children who were taken from their families and sent to government-funded, church-run schools, where they were subjected to a policy of "aggressive assimiliation."As Merasty recounts, these schools did more than attempt to mold children in the ways of white society. They were taught to be ashamed of their native heritage and, as he experienced, often suffered physical and sexual abuse.Even as he looks back on this painful part of his childhood, Merasty’s generous and authentic voice shines through.

Awards

• 2016 Burt Award Second Place Winner

Reviews
"At 86, Augie Merasty has been a lot of things: Father. Son. Outdoorsman. Homeless. But now he is a first-time author, and the voice of a generation of residential-school survivors.... The Education of Augie Merasty is the tale of a man not only haunted by his past, but haunted by the fundamental need to tell his own story... one of the most important titles to be published this spring." —Globe and Mail

"[Augie] wrote his memoir to show people the unbelievable atrocities suffered by so many Indigenous people and in the hope that others would come forward to tell their stories of what happened in the residential schools." —Eagle Feather News

"This book is so much bigger than its small size. It is a path to healing. We cannot change history, but we can acknowledge it, learn about it, and remember it." —Prairies North
​
"The Education of Augie Merasty might be a small book, but it carries a punch to it that all Canadian need to read and understand." —Rabble

"A truly extraordinary memoir by a truly extraordinary man." —Midwest Book Review
​
"Carpenter's introduction and afterword... allow us to come to better understand Augie's 'sometimes chaotic, sometimes heroic aftermath of his life,' as Carpenter describes his last decade. Where Augie focuses on physical scars, Carpenter's experiences with Augie illustrate the long-term impacts on his residential school experience. And with The Education of Augie Merasty, he helps Merasty--who could be any number of individuals we each pass on the street--find his voice." —Active History

"Unsettling and profound, and good." —Blacklock's Reporter

"In this book I have seen horror through eyes of a child." —James Daschuk, author of Clearing the Plains

"A story in which our entire nation has an obscure and dark complicity." —David Carpenter, co-author of The Education of Augie Merasty and author of The Gold and other books

Educator Information
The Canadian Indigenous Books for Schools list recommends this resource for Grades 9-12 English Language Arts and Social Studies.

Caution: Mature subject matter and descriptions of discrimination, sexual/physical violence, and substance abuse.

Additional Information
105 pages | 4.25" x 6.53" | Hardcover 

Eli and Morgan embark on a dangerous mission to rescue kidnapped animal beings in this new adventure in the award-winning, Narnia-inspired Indigenous middle-grade fantasy series.

Eli, Morgan and Emily embark on their most dangerous mission yet, to save the kidnapped animal beings of Ministik. But before they can reach the heavily guarded Land of the Sleeping Giant, Eli must rally more help, not just from old friends, but from surprising new allies. And he must rely on a new way to travel: on the back of the leader of the Bird Warriors himself, Pip. Together they will journey across the North Country, on a mission to reconnect the Bird Warriors, as well as confront old enemies. But even as he must fight for his life – and the lives of his friends and new family – Eli must also come to terms with his newfound knowledge: What does it mean that he is only part human?

Reviews
"Robertson's many fans will undoubtedly enjoy the action and excitement this book contains." —The Winnipeg Free Press

"In all 'The Misewa Saga' novels, Eli has been 'an old soul,' and, in this novel, he demonstrates a sense of compassion far beyond his years." —CM: Canadian Review of Materials

"Roberston’s storytelling dramatically builds tension, while showing love, friendship, and community between various characters . . . Like the other volumes in the series, The Sleeping Giant is a wonderful must-read for youth and adults alike." —Anishinabek News

Educator & Series Information
Recommended for ages 10+.

This is the fifth book in the Misewa Saga. Narnia meets traditional Indigenous stories of the sky and constellations in this epic middle-grade fantasy series from award-winning author David Robertson.

The Misewa Saga series reflects stories of the sky and the constellations held within its great canvas. The word “misewa” is Cree for “all that is” — elders say that what is above is mirrored below, and this is the connection we have with misewa.

Additional Information
216 pages | 5.50" x 8.25" | Paperback 

Eli must embrace his unique heritage and make an impossible decision about his future, and the future of Misewa, in this thrilling last adventure in the award-winning, Narnia-inspired Indigenous middle-grade fantasy series.

Eli, Morgan and Emily manage to free themselves from captivity as the battle between the humans, animal beings, and Bird Warriors rages on. But there's another, more personal battle, as Eli and an unlikely ally fight to save Mahihkan’s life through a previously forbidden portal. When the Sleeping Giant rumbles to life, the stakes hit an all-time high, and Eli has to reach deep within himself to summon the power so that he can protect Misewa against the dangers of colonization . . . forever.

Educator & Series Information
Recommended ages 10+.

This is Book 6 of the Misewa Saga. Narnia meets traditional Indigenous stories of the sky and constellations in this epic middle-grade fantasy series from award-winning author David Robertson.

Additional Information
280 pages | 5.50" x 8.25" | Hardcover

Join the dance of North American Indigenous interpretations of Christian Scripture

In Reading the Bible on Turtle Island, Indigenous scholars Chris Hoklotubbe and Danny Zacharias explore what it means to read the Bible from the lens of Indigenous peoples in North America. Exploring the intersection of Scripture, Cultural Traditions, Hearts and Minds, and Creation, they affirm Creator's presence with Indigenous people since the beginning. By recovering these rich histories, this book offers a fresh reading of Scripture that celebrates the assets, blessings, and insights of Indigenous interpretation.

Indigenous culture has often been dismissed or deemed problematic within Western Christian circles, and historical practices have often communicated that Indigenous worldviews have little to offer the church or its understanding of Scripture. Hoklotubbe and Zacharias challenge this perspective, reasserting the dignity of these cultures that were condemned through colonial practices and showing how Indigenous interpretations bring invaluable insights to all of God’s people.

In Reading the Bible on Turtle Island, Hoklotubbe and Zacharias

• Affirm the dignity and value of Indigenous cultures and their contributions to hermeneutics.
• Explore the intersection of the Bible with Indigenous traditions.
• Delve deeply into the stories of Scripture alongside the complex histories of Indigenous communities in North America.
• Celebrate the unique blessings and insights of Indigenous interpretation.
• Offer a fresh, transformative reading of the Bible that speaks to all of God’s people.

Reading the Bible on Turtle Island is a vital resource for scholars who are interested in the intersection of biblical studies and social location, who are seeking to explore Scripture through an Indigenous hermeneutic, or who desire to learn more about the contributions of Indigenous worldviews to Biblical interpretation. 

Reviews
"We have been waiting for a book like this—one that presents indigenous biblical interpretation. T. Christopher Hoklotubbe and Daniel Zacharias call their approach to biblical interpretation Turtle Island Hermeneutics. I call it groundbreaking, urgent, and necessary at this present moment. Now students studying the Bible in seminary or college will have a text that will help them do what few books on interpretation can do—take the dirt, the water, the air, our animal kin, and of course, indigenous thought and life seriously. We are now in a new day for biblical scholarship." — William James Jennings, Andrew W. Mellon Professor of Systematic Theology and Africana Studies at Yale University Divinity School

"Some years ago, I was told that Indigenous contributions to biblical scholarship would, at best, be superficial. The real work, after all, had already been done by European scholars. Reading the Bible on Turtle Island justifies my contention that this was not so. T. Christopher Hoklotubbe and Daniel Zacharias unpack Indigenous understandings of the biblical narrative for us in profoundly earthy and culturally complex ways. For the first time ever, many Indigenous people have read themselves into the biblical story and, together with the authors, have answered Lamin Sanneh's 2003 question, 'Whose religion is Christianity?' 'It's ours,' they have said!"— Terry LeBlanc, director emeritus and elder in residence of NAIITS: An Indigenous Learning Community

"Reading the Bible on Turtle Island introduces us to the riches of Indigenous interpretation of Scripture and invites us to gather around the council fire and learn from the ongoing discussion Indigenous disciples of Jesus are having about how to 'seek Creator in the Good Medicine Way of Jesus.' T. Christopher Hoklotubbe and H. Daniel Zacharias not only create a dialogue between biblical scholarship, Indigenous history and wisdom, and ongoing debates about how to relate the gospel to culture, they do so in a way that is simultaneously accessible, deeply moving, gracious enough to create room for disagreement and ongoing debate, and occasionally laugh-out-loud funny. Yet the book also offers a challenge, that the path to the healing of the nations and the Western church includes learning from Indigenous disciples who bear witness to the good word of Creator-made-flesh."— Michael J. Rhodes, author of Just Discipleship and lecturer in Old Testament at Carey Baptist College

"How we read ourselves into the Bible shapes the theology we develop. This book offers all Christians another reading, a reading that takes our stories seriously and provides an opportunity to develop an Indigenous theology rather than simply reconciling ourselves to a theology rooted in European priorities." — Patty Krawec, author of Becoming Kin: An Indigenous Call to Unforgetting the Past and Reimagining Our Future and Bad Indians Book Club: Reading at the Edge of a Thousand Worlds

Additional Information
240 pages | 6.00" x 9.00" | Paperback

An essential and easy-to-read guide to treaties, Indigenous sovereignty, and land for all Canadians

Treaties cover much of Canada. Some were established thousands of years ago, with land and animals, and others date back to the time when Europeans first arrived in North America. These agreements make it possible for all of us to live, work, play, and profit on these lands. Additionally, treaties have profoundly shaped the relationship between Indigenous and non-Indigenous people. In Talk Treaty to Me, Crystal Gail Fraser and Sara Komarnisky untangle the complexities of treaties and set a path forward for greater understanding of all our roles, rights, and responsibilities. In this accessible, clear, and concise book, they discuss:

· Treaties among and between Indigenous Peoples

· The history of treaty-making between Indigenous Peoples and Britain, then Canada, from the very beginning to the present day

· Concepts like Métis scrip, modern land claims, Indigenous sovereignty, and unceded territory

· The (dis)honouring of treaties and the role of Canadian settler colonialism

· How the creation of Canadian borders interrupts Indigenous sovereignty and nationhood

· Important insights from gendered and queer perspectives on treaty and land

· The politics of land acknowledgements

· Reconciliation and Land Back movements

And more.

With a quick-reference timeline, maps, and black-and-white photographs throughout, Talk Treaty to Me concludes with a call to action and specific, tangible steps that all of us can take every day to support reconciliation.

Additional Information
256 pages | 5.25" x 8.00" | 40 b&w photos, spot illustrations & maps | Paperback 

Mary Siisip Geniusz has spent more than thirty years working with, living with, and using the Anishinaabe teachings, recipes, and botanical information she shares in Plants Have So Much to Give Us, All We Have to Do Is Ask. Geniusz gained much of the knowledge she writes about from her years as an oshkaabewis, a traditionally trained apprentice, and as friend to the late Keewaydinoquay, an Anishinaabe medicine woman from the Leelanau Peninsula in Michigan and a scholar, teacher, and practitioner in the field of native ethnobotany. Keewaydinoquay published little in her lifetime, yet Geniusz has carried on her legacy by making this body of knowledge accessible to a broader audience.

Geniusz teaches the ways she was taught—through stories. Sharing the traditional stories she learned at Keewaydinoquay’s side as well as stories from other American Indian traditions and her own experiences, Geniusz brings the plants to life with narratives that explain their uses, meaning, and history. Stories such as “Naanabozho and the Squeaky-Voice Plant” place the plants in cultural context and illustrate the belief in plants as cognizant beings. Covering a wide range of plants, from conifers to cattails to medicinal uses of yarrow, mullein, and dandelion, she explains how we can work with those beings to create food, simple medicines, and practical botanical tools.

Plants Have So Much to Give Us, All We Have to Do Is Ask makes this botanical information useful to native and nonnative healers and educators and places it in the context of the Anishinaabe culture that developed the knowledge and practice.

Additional Information
344 pages | 7.00" x 10.00" | Paperback

Named after the Respecting Aboriginal Values and Environmental Needs (RAVEN) nonprofit organization, The RAVEN Essays is an anthology that celebrates a decade of prize-winning student essays. Since 2012, RAVEN has awarded an annual essay prize to honour students who champion the vital importance of Indigenous rights and self-determination, both in Canada and globally. The essays featured in this collection highlight exceptional student work while reflecting on the evolving relationship between Indigenous politics and academia. From issues like fishing rights and the Trans Mountain Pipeline to challenges of sexism and conservation policy, these essays capture a transformative period in Indigenous struggles, offering insights that resonate far beyond the Canadian settler state.

The anthology also includes contributions from prominent scholars such as Glen Coulthard, Dara Culhane, Michael Fabris, Sarah Hunt, and Heather Dorries. Five complementary essays explore various aspects of structural change, institutional constraints, and broader commitments to Indigenous knowledge within university settings. Aimed at readers in Indigenous law, environmental studies, anthropology, and geography, The RAVEN Essays is a book created by students for students, and by academics for the academy.

Together, the contributors reflect on the powerful formation and enactment of Indigenous law, environmental stewardship, place-based knowledge, pedagogy, and literacy – both within the academy and in the broader community, across land, water, and culture.

This collection celebrates emerging scholars in Indigenous studies, featuring student essays that explore Indigenous justice, ethics, and environmental justice, while highlighting a decade of collaboration with RAVEN, a legal defence organization.

Educator Information
Chapters

Educator Information
306 pages | 6.00" x 9.00" | 11 Illustrations | Paperback

From ground zero of this country's most important project: reconciliation

Niigaan Sinclair has been called provocative, revolutionary, and one of this country's most influential thinkers on the issues impacting Indigenous cultures, communities, and reconciliation in Canada. In his debut collection of stories, observations, and thoughts about Winnipeg, the place he calls "ground zero" of Canada's future, read about the complex history and contributions of this place alongside the radical solutions to injustice and violence found here, presenting solutions for a country that has forgotten principles of treaty and inclusivity. It is here, in the place where Canada began—where the land, water, people, and animals meet— that a path "from the centre" is happening for all to see.

At a crucial and fragile moment in Canada's long history with Indigenous peoples, one of our most essential writers begins at the centre, capturing a web spanning centuries of community, art, and resistance.

Based on years' worth of columns, Niigaan Sinclair delivers a defining essay collection on the resilience of Indigenous peoples. Here, we meet the creators, leaders, and everyday people preserving the beauty of their heritage one day at a time. But we also meet the ugliest side of colonialism, the Indian Act, and the communities who suffer most from its atrocities.

Sinclair uses the story of Winnipeg to illuminate the reality of Indigenous life all over what is called Canada. This is a book that demands change and celebrates those fighting for it, that reminds us of what must be reconciled and holds accountable those who must do the work. It's a book that reminds us of the power that comes from loving a place, even as that place is violently taken away from you, and the magic of fighting your way back to it.

Awards

•  Winner of the 2024 Governor General's Literary Award for Nonfiction.

Additional Information
384 pages | 5.14" x 7.92" | b&w photos throughout | Paperback

Part of the inaugural Kanata Classics list, with a new introduction by David Chariandy, NISHGA is a groundbreaking, deeply personal, and devastating autobiographical meditation that attempts to address the complicated legacies of Canada’s residential school system and contemporary Indigenous existence.

As a Nisga'a writer, Jordan Abel often finds himself in a position where he is asked to explain his relationship to Nisga'a language, Nisga'a community, and Nisga'a cultural knowledge. However, as an intergenerational survivor of residential school--both of his grandparents attended the same residential school--his relationship to his own Indigenous identity is complicated to say the least.

NISHGA explores those complications and is invested in understanding how the colonial violence originating at the Coqualeetza Indian Residential School impacted his grandparents' generation, then his father's generation, and ultimately his own. The project is rooted in a desire to illuminate the realities of intergenerational survivors of residential school, but sheds light on Indigenous experiences that may not seem to be immediately (or inherently) Indigenous.

Drawing on autobiography and a series of interconnected documents (including pieces of memoir, transcriptions of talks, and photography), NISHGA is a book about confronting difficult truths and it is about how both Indigenous and non-Indigenous peoples engage with a history of colonial violence that is quite often rendered invisible.

Reviews
“With NISHGA, Jordan Abel has reinvented the memoir, incorporating personal anecdotes, archival footage, legal documentation, photos and concrete poetry to create an unforgettable portrait of an Indigenous artist trying to find his place in a world that insists Indigeneity can only ever be the things that he is not. Abel deftly shows us the devastating impact this gate-keeping has had on those who, through no decisions of their own, have been ripped from our communities and forced to claw their way back home, or to a semblance of home, often unassisted. This is a brave, vulnerable, brilliant work that will change the face of nonfiction, as well as the conversations around what constitutes Indigenous identity. It's a work I will return to again and again.” —Alicia Elliott, author of A Mind Spread Out on the Ground

“In NISHGA, Jordan Abel puts to use the documentary impulse that has already established him as an artist of inimitable methodological flair. By way of a mixture of testimonial vignettes, recordings of academic talks, found text/art, and visual art/concrete poetry, Abel sculpts a narrative of dislocation and self-examination that pressurizes received notions of “Canada” and “history” and “art” and “literature” and “belonging” and “forgiveness.” Yes, it is a book of that magnitude, of that enormity and power. By its Afterword, NISHGA adds up to a work of personal and national reckoning that is by turns heartbreaking and scathing.” —Billy-Ray Belcourt, author of NDN Coping Mechanisms and A History of My Brief Body

"This is a heart-shattering read, and will also be a blanket for others looking for home. NISHGA is a work of absolute courage and vulnerability. I am in complete awe of the sorrow here and the bravery. Mahsi cho, Jordan.” —Richard Van Camp, author of Moccasin Square Gardens

“Jordan Abel digs deeply into the questions we should all be asking. Questions that need no explanation but ones that require us to crawl back into our bones, back into the marrow of our understanding. NISHGA is a ceremony where we need to be silent. Where we need to listen.” —Gregory Scofield, author of Witness, I Am

Educator & Series Information
This edition of Nishga is part of the Kanata Classics series, which celebrates timeless books that reflect the rich and diverse range of voices in Canadian literature. 

Additional Information
304 pages | 5.54" x 8.26" | Paperback

Tales of an Urban Indian is a one-person play that follows the trials and tribulations of Simon Douglas, a young First Nations man who moves from his rural reservation to the big city of Vancouver. This dark comedy examines the issues of race, identity, and assimilation that drive young Indigenous men to self-destruction.

In The Trickster of Third Avenue East, Roger and Mary are spiralling out of control but are too scared to let each other go. Enter J.C., a mysterious visitor who turns their lives upside down and forces them to confront their darkest secrets. J.C. pushes Roger and Mary into the realm of the supernatural and past the brink of sanity.

Additional Information
134 pages | 5.45" x 8.40" | Paperback

Bringing together voices from across Turtle Island, a groundbreaking collection of letters from Indigenous writers, activists, and thinkers—to their ancestors, to future generations, and to themselves.

Drawing on the wisdom and personal experience of its esteemed contributors, this first-of-its-kind anthology tackles complex questions of our times to provide a rich tapestry of Indigenous life, past, present, and future. The letters explore the histories that have brought us to this moment, the challenges and crises faced by present-day communities, and the visions that will lead us to a new architecture for thinking about Indigeneity. Taking its structure from the medicine bundle—tobacco, sage, cedar, and sweetgrass—it will stir and empower readers, as well as enrich an essential and ongoing conversation about what reconciliation looks like and what it means to be Indigenous today.

Contributors: Billy-Ray Belcourt, Cindy Blackstock, Cody Caetano, Warren Cariou, Norma Dunning, Kyle Edwards, Jennifer Grenz, Jon Hickey, Jessica Johns, Wab Kinew, Terese Marie Mailhot, Kent Monkman, Simon Moya-Smith, Pamela Palmater, Tamara Podemski, Waubgeshig Rice, David A. Robertson, Niigaan Sinclair, Miss Chief Eagle Testickle, Zoe Todd, David Treuer, Richard Van Camp, katherena vermette, Jesse Wente, Joshua Whitehead.

Additional Information
192 pages | 5.50" x 8.25" | Hardcover

By the celebrated author of Canada Reads Finalist Indian Horse, a stunning new novel that has all the timeless qualities of a classic, as it tells the universal story of a father/son struggle in a fresh, utterly memorable way, set in dramatic landscape of the BC Interior. For male and female readers equally, for readers of Cormac McCarthy, Thomas King, Russell Banks, and general literary.

Franklin Starlight is called to visit his father, Eldon. He's sixteen years old and has had the most fleeting of relationships with the man. The rare moments they've shared haunt and trouble Frank, but he answers the call, a son's duty to a father. He finds Eldon decimated after years of drinking, dying of liver failure in a small town flophouse. Eldon asks his son to take him into the mountains, so he may be buried in the traditional Ojibway manner.

What ensues is a journey through the rugged and beautiful backcountry, and a journey into the past, as the two men push forward to Eldon's end. From a poverty-stricken childhood, to the Korean War, and later the derelict houses of mill towns, Eldon relates both the desolate moments of his life and a time of redemption and love and in doing so offers Frank a history he has never known, the father he has never had, and a connection to himself he never expected.

A novel about love, friendship, courage, and the idea that the land has within it powers of healing, Medicine Walk reveals the ultimate goodness of its characters and offers a deeply moving and redemptive conclusion.

Wagamese's writing soars and his insight and compassion are matched by his gift of communicating these to the reader.

Reviews
“In Medicine Walk, Wagamese manages the nuances of betrayal and redemption with uncommon artistry. It is a breathtaking novel of sorrow, hope and polished steel.” – Thomas King

“A deeply felt and profoundly moving novel, written in the kind of sure, clear prose that brings to mind the work of the great North American masters; Steinbeck among them. But Wagamese's voice and vision are also completely his own, as is the important and powerful story he has to tell.” – Jane Urquhart

“Medicine Walk recounts the mythic journey of an estranged father and son who are searching for reconciliation and love. Richard Wagamese’s novel renders the Canadian wilderness with staggering insight and beauty. The same can be said for his understanding of the fragility, wildness and resilience of the human heart. Magnificent.” – Lisa Moore

“Medicine Walk is a masterpiece, a work of art that explores human interconnectedness with a level of artistry so superb that the personal becomes eternal.” – National Post

“A moving story…. Wagamese balances the novel’s spiritual and political subtexts with sly humour, sharp, believable dialogue and superb storytelling skills. Medicine Walk is a major accomplishment from an author who has become one of Canada’s best novelists.” – Toronto Star

“This is very much a novel about the role of stories in our lives, those we tell ourselves about ourselves and those we agree to live by…. Wagamese understands that the stories we don’t tell are as important as the ones we do….But Medicine Walk is also testament to the redemptive power of love and compassion.” – Globe and Mail

“One of the finest novels of the year…. Medicine Walk is not only a graceful book, it is a novel of grace, of coming to terms with hidden truths, of coming to know the secrets behind forbidding appearances, of finding the humanity within strangers.” – Vancouver Sun

“An essential read…. Superbly written.” – Now Magazine (NNNN)

Educator & Series Information
This edition of Medicine Walk is part of the Kanata Classics series, which celebrates timeless books that reflect the rich and diverse range of voices in Canadian literature. 

Grades 10-12 BC English First Peoples resource for units on Childhood, Place-Conscious Learning, and Family.

Additional Information
256 pages | 5.50" x 8.25" | Paperback 

Le récit inspirant d’une chercheuse et écologiste autochtone qui a cherché à réconcilier sa tête (science occidentale) et son cœur (vision du monde indigène) pour trouver une voie plus juste vers la guérison écologique.La roue de médecine raconte le voyage de réconciliation personnelle et écologique vécu par la chercheuse autochtone Jennifer Grenz dans son travail sur la restauration écologique. Elle montre qu’il est possible de créer des ponts entre les savoirs autochtones et occidentaux sans tomber, pour les populations autochtones elles-mêmes, dans le piège de l’assimilation par l’inclusion. Un récit qui démontre qu’il n’est pas nécessaire de se couper de ses valeurs, de sa spiritualité, de sa vie relationnelle et de son engagement envers la communauté, mais qu’on gagne au contraire à les placer au cœur de son métier. Éloquent, inspirant et dérangeant, ce bestseller enfin traduit en français jette les bases d’une écologie autochtone et nous rappelle qu’une multiplicité de visions du monde est nécessaire pour sauvegarder notre planète.

Educator Information
This book is available in English: Medicine Wheel for the Planet: A Journey toward Personal and Ecological Healing 

Additional Information
Paperback 

The pelt of a dog named “Mutton” languished in a drawer at the Smithsonian for 150 years until it was discovered, almost accidentally, by an amateur archivist. This book tells Mutton's story and explores what it can teach us about Coast Salish Woolly Dogs and their cultural significance.

Until now, there has been very little written about the enigmatic Coast Salish Woolly Dog, or sqʷəmey̓ in the Hul'q'umi'num language. According to Indigenous Oral Histories of the Pacific Northwest, this small dog was bred for thousands of years for its woolly fibres, which were woven into traditional blankets, robes and regalia. Although the dogs were carefully protected by Coast Salish peoples, by the 1900s, the Woolly Dog had become so rare it is now considered extinct.

Co-authored with weavers, Knowledge Keepers, and Elders, The Teachings of Mutton interweaves perspectives from Musqueam, Squamish, Stó:lō, Suquamish, Cowichan, Katzie, Snuneymuxw, and Skokomish cultures with narratives of science, post-contact history, and the lasting and devastating impacts of colonization. Binding it all together is Mutton's story—a tale of research, reawakening, and resurgence.

Reviews
“What a compelling story, reflecting a way of life, practical knowledge, artistry and change in the Pacific Northwest! Mutton, the domesticated woolly dog, represents so much more than a museum collection or a source of weaving material. Generations of breeding, learning and sharing, caring and trading are mirrored in the discovery of his pelt in a drawer at the Smithsonian. Liz Hammond-Kaarremaa and her respected Salishan co-authors and Knowledge Keepers have brought Mutton into the present, and in doing so, have given us a new and unique perspective on the complex history of this region and on the meaning of Truth and Reconciliation. The book is clearly and thoughtfully written, and supplemented with excellent illustrations. It is a ‘must read’ for anyone wishing to know more about weaving arts, dog breeds, Indigenous cultures and/or history in northwestern North America.” — Nancy J. Turner, Distinguished Professor Emerita, University of Victoria

“Conscientious and accessible, The Teachings of Mutton weaves a charming and informative history, walking through the discovery of his pelt in a museum drawer to the modern science that reveals the shape of this dog’s life. Highlighting and correcting generations of non-Indigenous misinterpretation, the intertwined histories provided by Salish knowledge keepers reveal the nuanced Indigenous sciences of dog husbandry, spinning, weaving, and the cultural significance of Woolly Dogs while telling a lively story.” — Kathryn Bunn-Marcuse, PhD, curator of Northwest Native art and director of the Bill Holm Center for

Additional Information
264 pages | 8.00" x 10.00"

Lights. Cameras. Hockey!

The school year is finally over and Eloise and Leon are back in Matimekush for the summer. But this school break will not be like any other, thanks to a hockey movie being filmed in the community! Is it possible that Leon will be in the movie? Will Eloise, who is interested in directing, participate in the project? Summer will be busy with twists and turns of all kinds for Leon, Eloise and their friends. It's the summer of possibilities!

Educator & Series Information
Recommended for ages 10 to 14.

Translated by Kateria Aubin Dubois, a freelance translator and a prolific beadworker. Her beadwork can be found under her Indigenous name, Nisnipawset. Kateri is from the Wolastoqiyik Wahsipekuk First Nation. She lives with her husband, two children and a fluffy cat in Terrebonne, Quebec.

This is the third book in the Nish series.

Additional Information
240 pages | 5.00" x 7.75" | Paperback

From the bestselling author of 21 Things™ You May Not Know About the Indian Act comes a powerful new book on dismantling the Indian Act and advancing Indigenous self-governance.

Bob Joseph’s 21 Things™You May Not Know About the Indian Act captured the attention of hundreds of thousands of Canadians by shining a light on the Indian Act and the problems associated with it. In that book, readers learned that the Consolidated Indian Act of 1876 has controlled the lives of Indigenous Peoples in Canada for generations, and despite its objective to assimilate Indians into the economic and political mainstream, it has had the opposite effect: segregation. They live under different laws and on different lands.

People came away from that book with questions such as "Can we get rid of the Indian Act?" and "What would that look like? Would self-government work?" These are timely questions, given that 2026 will mark 150 years since the Consolidated Indian Act of 1876. The short answer to these questions is, yes, we can dismantle the Act, and there are current examples of self-government arrangements that are working.

With his trademark wisdom, humility, and deep understanding, Bob Joseph shows us the path forward in 21 Things™ You Need to Know About Indigenous Self-Government: A Conversation About Dismantling the Indian Act, in which Indigenous self-governance is already happening and not to be feared—and negotiating more such arrangements, sooner rather than later, is an absolute necessity.

21 Things™ You Need to Know About Indigenous Self-Government: A Conversation About Dismantling the Indian Act is a call to action. Join the conversation now.

Additional Information
200 pages | 5.00" x 8.00" | Paperback

Teachings from the stars

Much more than stories about the sky, Indigenous astronomies provide powerful, centuries-old models of knowing, being, and relating to the world. Through collaboration with more than sixty-five Dene Elders and culture bearers across thirty-four communities in Alaska and Canada, In the Footsteps of the Traveller reveals the significance of the stars to Northern Dene life, language, and culture.

At the centre of these knowledge systems is the Traveller, a being who journeyed around the world in Ancient Time before incarnating among the stars. The Traveller constellation is a teacher, a gamekeeper, a guardian, and a practical guide for wayfinding. The Traveller, together with a host of other celestial and atmospheric phenomena like thunder and the northern lights, bridges the divide between earth and sky, instilling balance and instructing people on how to live with each other and their environments.

This study combines interviews, stunning photographs and detailed illustrations of the northern night sky, author Chris M. Cannon's own experiential learning, and a foreword from Chief Fred Sangris of Yellowknives Dene First Nation. Rooted in years of collaborative fieldwork, In the Footsteps of the Traveller leads the way to deeper understandings of Northern Dene astronomical knowledge.

Reviews
"In the Footsteps of the Traveller is a ground-breaking book. Cannon's authoritative treatise of Dene knowledge of the stars is unique and exemplary, redefining the field by linking the basic ethos of Dene life to a meticulously documented body of shared but threatened knowledge. Detailed and precise, the book innovates by showing how knowledge-of how to live with other people, with animals, with nature-is encoded in astronomical and aerial phenomena."— Guy Lanoue

"Chris Cannon's contribution to the subject of Dene astronomy stands alone. Many authors have referred to Dene knowledge of the stars but no one has gone into such detail or pulled the topic together in such a comprehensive manner."— William Simeone

"Impressive and thorough in both its astronomical and linguistic dimensions, Cannon's solid scholarship illuminates Northern Dene cosmology while promoting a greater appreciation of Dene history, traditions, and knowledge systems. Germinal studies of this breadth are only made possible through lengthy and respectful cooperation between the researcher and Indigenous knowledge holders. The author's engaging story of his travels and collaborations with his Dene teachers-an immersive process lasting some fourteen years-convincingly demonstrates this point, infusing the narrative with a vital personal component."— John MacDonald

Educator Information
Table of Contents

List of Illustrations
Foreword by Chief Fred Sangris
Acknowledgements

Introduction
The Northern Dene
A Note on Dene Orthographies

1. The Traveller Constellation Part I
The Gwich’in Constellation Yahdii
The Ahtna Constellation Nek'eltaeni
The Lower Tanana Constellation Nogheyoli
The Sahtúot’ı̨nę Constellation Yíhda or Yámǫréya

2. The Traveller Constellation Part II
The Tanacross Constellation Neek'e'elteen
The Upper Tanana Constellation Yihda or Nek'e'eltiin
The Yellowknives Dene Constellation Yèhdaa or Yı̀da
The Koyukon Constellation Ghededzuyhdle or Naagheltaale
The Upper Kuskokwim Constellation Noghiltale
The Dëne Sułiné Constellation Yéhda or Yeda
The Dena’ina Constellation Yuq'eltaeni or Naq'eltaeni
Supporting Evidence from the Literature

3. Stellar Time-Reckoning, Weather Forecasting, and Wayfinding
Divisions of Time
Stellar Time-Reckoning
Introduction to Northern Dene Stellar Wayfinding
Yellowknives Dene Stellar Wayfinding
Gwich'in Stellar Wayfinding
Stellar Wayfinding Discussion
Stars and Planets in Weather Forecasting

4. The Sun, Moon, and Eclipses
The Sun
The Moon
Eclipses

5. Beings of the Atmosphere Part I
Northern Lights
Meteors
Halo Phenomena

6. Beings of the Atmosphere Part II
Rainbows
Thunderbirds
Deterring Unfavourable Weather
Colours of the Sky

7. Knowing, Being, and Relating

Appendix A: Northern Dene Names for the Traveller
Appendix B: The Cosmic Hunt in Northern Dene Cultures
Notes
Bibliography
Index

Additional Information
448 pages | 6.00" x 9.00" | 57 colour illustrations, 4 maps, index, bibliography | Paperback 

A high-quality colouring book for adults and children alike, featuring forty iconic West Coast scenes and motifs based on the works of Tsimshian artist Roy Henry Vickers.

Roy Henry Vickers is celebrated for his vibrant fusion of traditional motifs with contemporary style. His art reflects the stories and spirit of the natural world, from soaring eagles to tranquil rivers and majestic landscapes. Relax, unwind and explore your creative side while enjoying the beauty of the Northwest Coast with Inspired: A Roy Henry Vickers Colouring Book, featuring 40 pages to colour, adapted from the renowned artist’s most iconic works.

With high quality paper and perforated pages, Inspired is perfect as a gift or personal escape—and an engaging way to explore art, culture and creativity.

Additional Information
88 pages | 12.00" x 9.00" | 40 b&w illustrations | Paperback 

"This beautiful book can completely change how we approach science, using both Indigenous and Western perspectives, and how we can work collaboratively to help foster balance in nature." —Suzanne Simard, bestselling author of Finding the Mother Tree

For readers of Braiding Sweetgrass: Future-saving insights and approaches to science and ecology using both Indigenous and Western perspectives.

A farm kid at heart, and a Nlaka'pamux woman of mixed ancestry, Dr. Jennifer Grenz always felt a deep connection to the land. However, after nearly two decades of working as a restoration ecologist in the Pacific Northwest, she became frustrated that despite the best efforts of her colleagues and numerous volunteers, they weren't making the meaningful change needed for plant, animal and human communities to adapt to a warming climate. Restoration ecology is grounded in an idea that we must return the natural world to an untouched, pristine state, placing humans in a godlike role—a notion at odds with Indigenous histories of purposeful, reciprocal interaction with the environment. This disconnect sent Dr. Grenz on a personal journey of joining her head (Western science) and her heart (Indigenous worldview) to find a truer path toward ecological healing.

In Medicine Wheel for the Planet, building on sacred stories, field observations and her own journey, Dr. Grenz invites readers to share in the teachings of the four directions of the medicine wheel: the North, which draws upon the knowledge and wisdom of elders; the East, where we let go of colonial narratives and see with fresh eyes; the South, where we apply new-old worldviews to envision a way forward; and the West, where a relational approach to land reconciliation is realized.

Eloquent, inspiring and disruptive, Medicine Wheel for the Planet circles toward an argument that we need more than a singular worldview to protect the planet and make the significant changes we are running out of time for.

Reviews
"Grenz shares her ancestral Nlaka'pamux wisdom that respect, relationship and reciprocity with all life is essential in healing the land. In telling her stories, she demonstrates how these fundamental principles underlie the good work. She also teaches us that our ability to understand nature and our success at stewardship requires that we lead with our hearts and keep our beginner’s curiosity open. When we do this, we have unlimited capacity to heal. This beautiful book can completely change how we approach science, using both Indigenous and Western perspectives, and how we can work collaboratively to help foster balance in nature.” —Suzanne Simard, author of Finding the Mother Tree: Discovering the Wisdom of the Forest

“Rooted in both Indigenous and Western ways of understanding and doing science, Medicine Wheel for the Planet challenges the simplistic, dichotomous thinking that has led well-meaning environmentalists astray for too long. In a book that is part primer in ecology, part memoir, and part manifesto, Jennifer Grenz movingly shares her own process of learning and unlearning, of connecting with traditional knowledge and practices to help unearth future-saving insights and approaches — and by doing so, generously invites the reader to undertake a similar transformation. Wise, humble, provocative, brave, and beautifully written, this book is a triumph. Read it and let it alter and expand how you see the world and your place and role within it." —Astra Taylor, author of The Age of Insecurity: Coming Together as Things Fall Apart

“Deeply moving and compelling, Medicine Wheel for the Planet weaves a powerful story about the limitations of restoration ecology and a Western lens, and illuminates a path forward using the power of Indigenous and reciprocal ways of being. An imperative read for all Canadians.” —Angela Sterritt, author of Unbroken: My Fight for Survival, Hope, and Justice for Indigenous Women and Girls

“In this thoughtful and heartfelt book, Dr. Grenz challenges us to reflect on how – despite the massive contributions of Western science – we humans are impacting the Earth and all life on our planet in problematic ways, most recently evident in the ongoing global climate crisis. Guiding us through the medicine wheel concept, she illuminates the deep experiences of the First Peoples, often conveyed through stories, that can inspire us to be better relatives, reminding us to focus our time and energy on healing the Earth. This is a revelatory, immersive work that illustrates, with respect and gratitude, the meaningful role that all systems of knowledge play in connecting ‘our heads and our hearts’ for a healthier planet.” —Nancy J. Turner, Distinguished Emeritus Professor in Environmental Studies, University of Victoria, author/editor of many books including The Earth’s Blanket, Member of the Order of Canada, the Order of British Columbia and winner of Canadian Botanical Association Lawson Medal

“Medicine Wheel for the Planet transported me gently into the dynamic world of plants and trees and offers a powerful viewing lens—one derived from Indigenous storytelling as well as from Western science. Dr. Grenz helped me to see research methods through a more holistic perspective, and skilfully shows what science could accomplish if untangled from the rigid rules of our dominant culture. With patience and humility, she convinced me that if we take the time to look and listen differently, the land will offer us crucial lessons in healing that would otherwise be left unseen and unheard.” —Dr. Jane Philpott, author of Health for All: A Doctor's Prescription for a Healthier Canada

Educator Information
This book is available in French: La roue de médecine: Un nouveau récit pour guérir la planète

Additional Information
280 pages | 5.18" x 8.00" | Paperback

Spirit Rider is an enchanting mystery for young readers, blending friendship, Indigenous storytelling, and the supernatural. In this third book in the Lillian Mystery series, Lillian and her friends once again find themselves at the crossroads of spirits and secrets. When a mysterious boy on a bicycle appears outside Lillian’s window, his mischievous antics hide a deeper, more haunting purpose. With her gift of communicating with spirits, and the support of her friends Chloe and Grace, as well as her wise Kokum and Auntie, Lillian embarks on a journey to uncover the truth. Can they unravel the mystery of the Spirit Rider? Or will this spirit’s secrets lead them somewhere they never expected?

Reviews
"[Lillian stories are] from the spirit and are messages for all of our First Nations relatives that it is now time to rise up and take this responsibility back to being natural helpers, and to nurture our children who are struggling.”— Robin Decontie, MSW, Director, Kitigan Zibi Health and Social Services

"Spirit Rider was captivating. I was excited to read the more adventures of Lillian. The caregivers were very kind understanding and patient with Lillian. The book is a perfect example of the seven grandfather teachings; love honesty respect bravery humility wisdom and truth. My emotions as the reader was crying and laughing. Thinking of how the spirit rider was feeling through his young life and Lillians jokes she loved sharing even if they didn’t really want to hear. As a retired Aboriginal Indigenous social service worker it was heart warming and I embraced the book whole heartedly of our First Nation children who perhaps have the same story, With Kindness to the Author Miigwech for allowing me to read this it was an honour."- Stephanie Sandy, Nimki Beneshiinh Kwe . Nookmis of Chippewas of Rama First Nation

"Lynda Partridge books have a way of drawing you in. I couldn't put it down. Her latest book Spirit Rider has you from the first page. Her characters and character development are amazing and so relateable to both young and old, indigenous and non indigenous. Her ability to reach the reader both spiritually and culturally is so strong it's almost tangible. Her best to date." —Sandra Herkimer, Mississaugas of the Credit First Nation Elder

Educator Information
Recommended for ages 8 to 13.

This book is part of the Indigenous Spirit of Nature series.

This book is also the third book in the Lillian Mystery series. 

Additional Information
194 pages | 5.50" x 8.50" | 6 Black and White Illustrations | Paperback 

Teammates, champions, Survivors

In 1951, after winning the Thunder Bay district championship, the Sioux Lookout Black Hawks hockey team from Pelican Lake Indian Residential School embarked on a whirlwind promotional tour through Ottawa and Toronto. They were accompanied by a professional photographer from the National Film Board who documented the experience. The tour was intended to demonstrate the success of the residential school system and introduce the Black Hawks to "civilizing" activities and the "benefits" of assimilating into Canadian society. For some of the boys, it was the beginning of a lifelong love of hockey; for others, it was an escape from the brutal living conditions and abuse at the residential school. 

In Beyond the Rink, Alexandra Giancarlo, Janice Forsyth, and Braden Te Hiwi collaborate with three surviving team members-Kelly Bull, Chris Cromarty, and David Wesley-to share the complex legacy behind the 1951 tour photos. This book reveals the complicated role of sports in residential school histories, commemorating the team's stellar hockey record and athletic prowess while exposing important truths about "Canada's Game" and how it shaped ideas about the nation. By considering their past, these Survivors imagine a better way forward not just for themselves, their families, and their communities, but for Canada as a whole.

Reviews
"These three survivors-Kelly, David, and Chris-inspire us not only for what they have done for their communities in the aftermath of the residential school system but also for how crucial hockey and sports are in bringing Indigenous communities together, like we see in the Little NHL Tournament. Our history and the lessons we've learned are vital, and Beyond the Rink does an excellent job of highlighting this." — Ted Nolan, former NHL Player & Coach, Olympic Coach, and author of Life in Two Worlds: A Coach's Journey from the Reserve to the NHL and Back

"On its face, Beyond the Rink is a compelling story of a residential school hockey team from northern Ontario touring Ottawa and Toronto in the 1950s. But it is much more than that: with a National Film Board photographer accompanying them every step of the way, the players are props in a public relations exercise meant to obscure the true conditions in residential schools.

This is an unflinching and nuanced look behind the PR veil, a story of loss, triumph, perseverance, tragedy, and memory. It is also a detailed account of the machinery of residential schools and the trauma they inflicted. And it is a revealing look at the power of photographs, which can be used to both illuminate and mislead.

At its heart, Beyond the Rink is the story of twelve Indigenous hockey players, who, like their white counterparts, loved the game for the thrill of competition, but also as an escape from the relentless control and exploitation they faced on a daily basis, even if they were being exploited while doing it. This is the story of twelve boys, told through the lens of three of them, trapped in a world they barely understood, a world that was not the least bit interested in understanding them, and in many ways still isn't." — Gord Miller

"The authors have spent decades working with the Survivors whose stories they share and centre in this book. Beyond the Rink, Behind the Image does not simply tell the story of a hockey team; it demonstrates how sport within the context of residential schools was a tool of colonization." — Karen Froman

"It is difficult to overstate the significance of this book. The scholarship is sound as well as original in context and content, and Survivor testimony is respected and communicated in a theoretically sophisticated way." — Travis Hay

Additional Information
184 pages | 6.00" x 8.50" | 36 b&w illustrations, bibliography | Paperback 

Secwépemc elder, matriarch and knowledge-keeper Cecilia DeRose presents her powerful, heartfelt and inspiring memoir of overcoming racism and adversity—One Arrow Left is a celebration of Secwépemc culture, language and the importance of passing on this knowledge to future generations.

Born in 1935 in the village of Esket, Cecilia DeRose was welcomed into a loving, supportive Secwepemc family. Growing up in an isolated meadow, Cecilia was the fourth of ten children, spending much of her early years caring for younger siblings. Ranch life was in their blood; Cecilia’s mother, Amelia Joe, was the progeny of a white ranch hand, Joe Smith, and her Secwepemc mother, Martha Williams; her father, Matthew Dick, was well-known in the Williams Lake rodeo circuit and played for the famous Alkali Braves hockey team. Navigating the complexities of being a mixed-race family, both within and outside of the Secwepemc community, would be a lifelong source of tension, which Cecilia handles with grace, tenacity and humour.

Like their parents before them, Cecilia and her siblings were sent to St. Joseph’s Mission residential school near Williams Lake. At seven years old she eagerly awaited her turn to join her older sister and brother at the mission, where she could escape the drudgery of washing diapers and caring for her younger siblings at home. Nothing could have prepared her for the cruelty of institutionalized life. Dreams of an education that might lead to a career as a teacher, lawyer, or journalist were dashed. Residential school was hell, and Cecilia was left with the scars to prove it.

In 1956, Cecilia married non-Indigenous ranch hand Lenny DeRose and lost her Indigenous status. Nevertheless, on the insistence of her father Matthew Dick, Cecilia remained true to her Secwepemc roots and traditions. She eventually regained her status and became an ambassador of Secwepemc language and cultural practices. As she raised her own six children, she took great care to bestow in them the cultural teachings of the Secwepemc identity. She eventually taught the Secwepemcstin language in the public-school system, fulfilling her dream of teaching and reinforcing her belief that “we have one arrow left in our quiver and that’s education—we must use it wisely.”

Today, Cecilia is recognized nationally as an Indigenous knowledge keeper. She has provided cross-cultural training for hospitals, courts, and law enforcement institutions, and shared her knowledge on projects ranging from ethnobotany research to culturally safe elder care. In 2018, she received the Indspire Award for Culture, Heritage and Spirituality. In 2024, she was honoured by Thompson Rivers University with a Doctor of Letter, honoris causa, for her indispensable contributions to language revitalization.

Additional Information
224 pages | 6.00" x 9.00" | Paperback 

The Indigenous intercultural theology proposed in this groundbreaking work by Dr. Carmen Lansdowne seeks to reframe many of the (often unspoken) assumptions about the field of Christian mission. Dr. Lansdowne searches out answers to the question: If Indigenous hearts are broken by Christianity, what is it in Christian theology that is life giving at all? This book will be essential reading for lay and professional theologians and church leaders; it is also a key contribution to the field of Indigenous Studies, especially as a study of Indigenous-Christian encounter.

Additional Information
256 pages | 6.00" x 9.00" | Paperback 

Mother, Can I Say it Now? is a compelling collection of poems that delve into the beauty and depth of Indigenous poetry. It reflects the essence of everyday life and captures the spirit of belonging. The poems in this collection explore themes of identity, culture, and connection to the land. They offer a unique perspective that resonates with readers from all walks of life. From The Next Pretend-Indian to Things Abandoned in the Night, each poem tells a story that is both compelling and thought-provoking. These captivating verses are a tribute to the resilience and creativity of Indigenous voices.

Educator & Series Information
This book is part of the Modern Indigenous Voices series.

Additional Information
88 pages | 5.50" x 8.50" | Paperback 

High Noon Neptune is a powerful poetry collection that delves into important issues of loss, love, class, and capitalism. Throughout this book, the reader is taken on a journey of survival, where the intersections of identity and oppression are explored with clarity and reverence. The poems shed light on the complexities of living in a society that is rife with discrimination and inequality, and the battles that individuals face to survive within these intersecting systems. This book fearlessly navigates through societal and personal struggles with a sharp wit and bold defiance. With each poem, David Groulx confronts and challenges the societal norms and structures that perpetuate injustice and inequality. High Noon Neptune offers a raw and unapologetic perspective on the realities of navigating life as a marginalized individual. This poetry collection is a powerful testament to the resilience and strength of those who refuse to be silenced and continue to fight for survival.

Educator & Series Information
This book is part of the Modern Indigenous Voices series.

Additional Information
88 pages | 5.50" x 8.50" | Paperback