This evocative new poetry collection speaks with a fierce tenderness of many aspects of the poet’s life: a childhood spent on the banks of the Churchill River, the death of a beloved one, the struggle to try to find forgiveness for wrongs done and the weariness of trying to redress those wrongs. And, most poignantly, a beautiful rebellion reaches one hand back to Louis Riel and one hand forward to future Métis generations.

The poems navigate losses that we all suffer when the world of our childhoods has altered irrevocably; they reveal the pain caused by residential schools and share despair at the lack of progress in social justice and self-determination. Rita Bouvier’s work is intimate and insightful, written in inviting, open-hearted language that includes many Cree and Michif phrases and their translation.

There is a quiet power--riverine, deep, unstoppable--that flows through these words.

Additional Information
72 pages | 6.00" x 9.00" | Paperback

Métis teenager Echo Desjardins is struggling to adjust to a new school and a new home. When an ordinary history class turns extraordinary, Echo is pulled into a time-travelling adventure. Follow Echo as she experiences pivotal events from Métis history and imagines what the future might hold. This omnibus edition includes all four volumes in the A Girl Called Echo series:

In Pemmican Wars, Echo finds herself transported to the prairies of 1814. She witnesses a bison hunt, visits a Métis camp, and travels the fur-trade routes. Experience the perilous era of the Pemmican Wars and the events that lead to the Battle of Seven Oaks.

In Red River Resistance, we join Echo on the banks of the Red River in the summer of 1869. Canadian surveyors have arrived and Métis families, who have lived there for generations, are losing their land. As the Resistance takes hold, Echo fears for the future of her people in Red River.

In Northwest Resistance, Echo travels to 1885. The bison are gone and settlers from the East are arriving in droves. The Métis face starvation and uncertainty as both their survival and traditional way of life are threatened. The Canadian government has ignored their petitions, but hope rises with the return of Louis Riel.

In Road Allowance Era, Echo returns to 1885. Louis Riel is standing trial, and the government has not fulfilled its promise of land for the Métis. Burnt out of their home in Ste. Madeleine, Echo’s people make their way to Rooster Town, a shanty community on the southwest edges of Winnipeg. In this final instalment, Echo is reminded of the strength and perseverance of the Métis.

This special omnibus edition of Katherena Vermette’s best-selling series features an all-new foreword by Chantal Fiola (Returning to Ceremony: Spirituality in Manitoba Métis Communities), a historical timeline, and an essay about Métis being and belonging by Brenda Macdougall (Contours of a People: Métis Family, Mobility, and History).

Educator & Series Information
Recommended for ages 12 to 18.

This omnibus edition includes all four volumes in the A Girl Called Echo series:

• Pemmican Wars
• Red River Resistance
• Northwest Resistance 
• Road Allowance Era 

This special omnibus edition also includes an all-new foreword by Chantal Fiola, a historical timeline, and an essay about Métis being and belonging by Brenda Macdougall 

Additional Information
224 pages | 6.50" x 10.00" | Full colour throughout | Paperback

Five generations of Métis women argue, dance, struggle, laugh, love, and tell the stories that will sing their family, and perhaps the land itself, into healing in this brilliantly original debut novel.

Carter is a young mother, recently separated. She is curious, angry, and on a quest to find out what the heritage she only learned of in her teens truly means.

Allie is trying to make up for the lost years with her first born, and to protect Carter from the hurt she herself suffered from her own mother.

Lucie wants the granddaughter she's never met to help her join her ancestors in the Afterlife.

Geneviève is determined to conquer her demons before the fire inside burns her up, with the help of the sister she lost but has never been without.

And Mamé, in the Afterlife, knows that all their stories began with her; she must find a way to loose herself from the last threads that keep her tethered to the living, just as they must find their own paths forward.

This extraordinary novel, told by a chorus of vividly realized, funny, wise, confused, struggling characters—including descendants of the bison that once freely roamed the land—heralds the arrival of a stunning new voice in literary fiction.

Additional Information
336 pages | 5.18" x 8.00" | Paperback

A visual and cultural celebration of a traditional Haida wedding ceremony, exploring its roots, rituals, symbolism, joyfulness, and contemporary significance for a thriving Indigenous Nation.

In 1996, Terri-Lynn Williams and Robert Davidson celebrated their wedding with a traditional ceremony, the first in over a century that was legalized under Haida law. This book provides an intimate photographic window into that momentous day and marks the resurgence of a tradition that was nearly lost to colonial forces.

Relying on recorded knowledge their ancestors had shared with ethnographers and anthropologists, and the few details living Elders could recall about the tradition of guud ‘iina Gihl (“becoming married”) in the time before the arrival of Christian missionaries, the couple carefully planned out a seven-part celebration. It involved a canoe procession, ceremony, feast, dancing, and dowry payment, signifying the coming together of two people, two families, and two clans. The occasion is lovingly and painstakingly recounted through imagery and text in this fascinating tribute to a resilient culture and the unbreakable bonds of love and family.

Additional Information
128 pages | 8.75" x 10.50"| Hardcover 

A subversive novel by acclaimed Cree author Darrel J. McLeod, infused with the contradictory triumph and pain of finding conventional success in a world that feels alien.

James, a talented and conflicted Cree man from a tiny settlement in Northern Alberta, has settled into a comfortable middle-class life in Kitsilano, a trendy neighbourhood of Vancouver. He is living the life he had once dreamed of—travel, a charming circle of sophisticated friends, a promising career and a loving relationship with a caring man—but he chafes at being assimilated into mainstream society, removed from his people and culture.

The untimely death of James’s mother, his only link to his extended family and community, propels him into a quest to reconnect with his roots. He secures a job as a principal in a remote northern Dakelh community but quickly learns that life there isn’t the fix he’d hoped it would be: His encounters with poverty, cultural disruption and abuse conjure ghosts from his past that drive him toward self-destruction. During the single year he spends in northern BC, James takes solace in the richness of the Dakelh culture—the indomitable spirit of the people, and the splendour of nature—all the while fighting to keep his dark side from destroying his life.

Reviews
“MacLeod offers the reader a thought-provoking and immersive portrait of a remote Dakelh community and of James, the driven Indigiqueer educator who chooses to work there—a man who must struggle with structural injustices, conflicting demands, prejudice, and his own divided self. A deeply authentic novel, and one that is both educative and heartfelt.” — Kathy Page, author of Alphabet and Dear Evelyn

“A Season in Chezgh’un is about the search for meaning and for love, about grappling with history and loss, about creating a future out of quiet daring. I love the elegance of languages and cultures intermingling in this story, Cree, Dene, Nehiyaw, French, Spanish. Beautifully crafted, this novel is alive with dialogue that takes us into the hearts of characters too often left voiceless. Let this book sweep you away.” — Kim Echlin, author of Speak, Silence

Additional Information
320 pages | 6.00" x 9.00" | Paperback

Aided by Grandmother Spider, Star Woman discovers the Hole-in-the-Sky, opening a pathway for the Star People to experience the wonder of life on earth. But the world falls into the hands of the Paper People, jeopardizing the sacred harmony between nature and the cosmos. And so Little Spirit, a young boy, must search for meaning and find redemption in the care of Grandmother Moon.

An epic narrative, The Star Poems explores the black hole of colonial history—Residential Schools, the loss of the father, youth suicide—and the vital role of women in reclaiming our traditional knowledge, the teachings that stitch together the fabric of the universe.

The Star Poems creatively engages Cree oral tradition in a new way, connecting Indigenous spirituality and quantum physics to honour and adapt some of our most ancient stories about the origins of life and our place in the universe. Presented in both English and Cree, The Star Poems is a timely contribution to the revitalization of the Cree language—and the fascinating world of star stories.

Educator Information
Recommended for ages 15+

Additional Information
132 pages | 6.00" x 9.00" | Paperback

A chilling horror novel about a young Indigenous woman haunted by the oppressive legacies of colonization.

Dawn hasn't spoken to her brother, Cody, since he was sent to prison for a violent crime seven years ago. Now living in a shiny new Toronto condo, Dawn is haunted by uncanny occurrences, including cryptic messages from her dead mother, that have followed her most of her life. When the life Dawn thought she wanted implodes, she is forced to return to her childhood home and the prairie city that hold so much pain for her and her fractured family.

Cody is unexpectedly released from prison with a mysterious new friend by his side, who seems to be the charismatic leader of a dangerous supernatural network. Trying to uncover their plans, Dawn follows increasingly sinister leads until the lines between this world and the next, now and then, and right and wrong begin to blur and dissolve.

What unfolds is an eerie, incisive, and at times darkly funny horror novel about a young Indigenous woman reckoning with trauma and violence, loss and reclamation in an unsettling world where spirit realms entwine with the living-and where it is humans who carry out the truly monstrous acts.

Reviews
"Well written, creepy, frustrating, and puzzling. There may be violence in this novel, but there's nothing ordinary about it." — Drew Hayden Taylor, author of Take Us to Your Chief

"What a book! It's utterly enthralling and unsettling to your bones. A wonderful haunt that creeps into your psyche in the best possible way. I feel like I know Dawn, which only makes the story creepier. A tremendous debut, and I can't wait to read more."— Jesse Wente, author of Unreconciled: Family, Truth, and Indigenous Resistance

"An Ordinary Violence by Adriana Chartrand is a compelling read that rockets off the page. From the first chapter, I was hooked and gleefully followed Dawn as she moved around the spaces she used to call home to figure out her new reality. The writing is poetic, truthful, and you can tell that Adriana has written a story from her heart. This book will be sure to surprise its readers!" — Francine Cunningham, author of God Isn't Here Today

"An Ordinary Violence is surely a gripping and haunting novel, one that will hold you from the first word to the last, but what makes it so potent and memorable is the way Adriana Chartrand tells this story with such grace and humility. There is horror, and then there is horror-An Ordinary Violence has both. This is an unforgettable novel." — Morgan Talty, author of Night of the Living Rez

"Adriana Chartrand's An Ordinary Violence is a hallucinatory slow-burn chiller, sharply observed and heartfelt in its depiction of family ties that bind like strips of wet rawhide. Dawn returns to her hometown to find it is in the grip of something uncanny and malevolent. As she visits old friends and familiar places, she grapples with ghosts from the past and demons on the rise to save her struggling father, her wayward brother, and herself. With this fresh and fearsome look at the contemporary Indigenous experience, Chartrand emerges at the forefront of our newest literary voices." — David Demchuk, author of The Bone Mother and RED X

"An Ordinary Violence is a gripping debut novel that bewilders in the best way possible. Adriana Chartrand sparks a fire on the first page that steadily burns into a tremendous literary spectacle that transcends genre. I was riveted by the story and thoroughly impressed by the writing. This novel will stay with me for a long time." — Waubgeshig Rice, author of Moon of the Turning Leaves

"An unsettling, lyrical, slow-burn of a novel that combines the best elements of atmosphere and horror. Weaving together a history of violence with spirituality and the supernatural, Chartrand has achieved something special here, a cacophony of style and genre that displays the immeasurable potential of Indigenous storytelling." — David A. Robertson, author of The Theory of Crows

Additional Information
256 pages | 5.25" x 8.00"| Paperback

A mind-bending, gripping novel about Native life, motherhood and mental health that follows a young Mohawk woman who discovers that the picture-perfect life she always hoped for may have horrifying consequences

On the surface, Alice is exactly where she should be: She’s just given birth to a beautiful baby girl, Dawn; her charming husband, Steve is nothing but supportive; and they’ve recently moved into a new home in a wealthy neighborhood in Toronto. But Alice could not feel like more of an imposter. She isn’t connecting with Dawn, a struggle made even more difficult by the recent loss of her own mother, and every waking moment is spent hiding her despair from their white, watchful neighbors. Even when she does have a minute to herself, her perpetual self-doubt hinders the one vestige of her old life she has left: her goal of writing a modern retelling of the Haudenosaunee creation story.

At first, Alice is convinced her discomfort is of her own making. She has gotten everything she always dreamed of, after all. But then strange things start happening. She finds herself losing bits of time, hearing voices she can’t explain, and speaking with things that should not be talking back to her, all while her neighbors’ passive-aggressive behavior begins to morph into something far more threatening. Though Steve assures her this is all in her head, Alice cannot fight the feeling that something is very, very wrong, and that in her creation story lies the key to her and Dawn’s survival. . . . She just has to finish it before it’s too late.

Told in Alice’s raw and darkly funny voice, And Then She Fell is an urgent and unflinching look at inherited trauma, womanhood, denial, and false allyship, which speeds to an unpredictable—and surreal—climax.

Reviews
"Familiar and ethereal. Brutal and beautiful. And Then She Fell is the fulfilment of the promise of Alicia Elliott ‘s storytelling prowess. . . . A soundtrack for the gorgeous nightmare that is both motherhood and belonging in and of itself, stitched together by the depths only grief and love can hook together. The Naked Lunch meets Rosemary’s Baby . . . and shot together with the golden humour and philosophy of Haudenosaunee story like an intimate lifeline, And Then She Fell is remarkable, and a world unto itself. What an accomplishment. What a gift.” —Cherie Dimaline, author of The Marrow Thieves and VenCo

"Alice and her husband have woven a lattice pattern of silence and secrets that slowly implodes in this fierce, remarkable debut. Elliott’s meticulous prose is an agile portal through the narrator’s complex inner life, the tensions, and fractures that surface when the trappings of success hide the weight of intergenerational trauma, racism, sexism, and the unwieldy expectations of Motherhood. And Then She Fell saves us from devastation by the grace it shows its characters and, ultimately, by the strength of their connections." —Eden Robinson, author of Monkey Beach and the Trickster trilogy

"And Then She Fell is an incredible and indelible novel. It's full of wonder and surprise, full of life and heart. This book is a gift that breathes life into the reader. Alicia Elliott has given us a knockout—a book so good you can't put it down." —Morgan Talty, author of Night of the Living Rez

"And Then She Fell is an unblinking look at the complex and often terrifying journey of new motherhood and what we're told we should want, with moving insights into connecting with our ancestors and our own identity. Alicia Elliott is a powerful storyteller, and this book is both suspenseful and heartfelt, with haunting elements that linger long after the final page is turned." —Vanessa Lillie, author of Little Voices and Blood Sisters

Awards

• Indigenous Voices Award winner
• Amazon First Novel Award winner

Educator Information
Psychological fiction

Additional Information
352 pages | 6.00" x 9.00" | Hardcover

Arctic/Amazon: Networks of Global Indigeneity offers a conversation between Indigenous Peoples of two regions in this time of political and environmental upheaval. Both regions are environmentally sensitive areas that have become hot spots in the debates circling around climate change and have long been contact zones between Indigenous Peoples and outsiders — zones of meeting and clashing, of contradictions and entanglement.

Opening with an Epistolary Exchange between the editors, Arctic/Amazon then widens to include essays by 12 Indigenous artists, curators, and knowledge-keepers about the integration of spirituality, ancestral respect, traditional knowledges, and political critique in artistic practice and more than 100 image reproductions and installation shots. The result is an extraordinary conversation about life, artistic practise, and geopolitical realities faced by Indigenous peoples in regions at risk.

Additional Information
256 pages | 8.87" x 12.12" | Hardcover

Newly sober, Curtis searches for healing in the ancient cultural practices of his Tłıcho Dene grandfather. But will the Little People answer his call?

Curtis has returned to Fort Smith, six weeks sober. He doesn’t have any sober friends, his mom’s still drinking, and his best friend (and secret crush) Lacey probably is too. Still, he’s determined to abstain from alcohol and help his people. Along the way, he might just be able to help himself.

Louis, Curtis’s late grandfather, was a healer. Legend has it, Louis made a deal with the Little People that gave him the power to heal. No one has heard from the Little People since Louis’s death, but his cabin may hold the key for them to return. There’s only one problem: Benny the Bank stands in the way.

An infamous bootlegger, Benny has profited off Fort Smith’s pain for decades. After being critically wounded in an attempt on his life, Benny knows he doesn’t have much time before the poison in his blood takes him. He also happens to own Louis’s cabin.

Can Curtis convince Benny to return the home that once belonged to Louis? Will the Little People answer Curtis’s call? And can Benny find a way to make amends and leave a legacy he can be proud of?

A stunning, fast-paced graphic novel, As I Enfold You in Petals will keep readers riveted until the last page.

Reviews
"It is a delight to have such a positive depiction of Dene spirituality and the people in this superb story of hope, strength of spirit, and redemption. The story celebrates family connections, memories, and stories through the text and the stunningly illustrated and colored illustrations." — No Flying No Tights blog

Educator & Series Information
This book is part of the The Spirit of Denendeh series.

The publisher recommends this title for ages 12+ 

Caution: Substance Abuse, Drugs, Alcohol 

Additional Information
72 pages | 6.50" x 10.00" | Paperback 

In this gripping, horror-laced debut, a young Cree woman’s dreams lead her on a perilous journey of self-discovery that ultimately forces her to confront the toll of a legacy of violence on her family, her community and the land they call home.

Mackenzie, a Cree millennial, wakes up in her one-bedroom Vancouver apartment clutching a pine bough she had been holding in her dream just moments earlier. When she blinks, it disappears. But she can still smell the sharp pine scent in the air, the nearest pine tree a thousand kilometres away in the far reaches of Treaty 8.

Mackenzie continues to accidentally bring back items from her dreams, dreams that are eerily similar to real memories of her older sister and Kokum before their untimely deaths. As Mackenzie’s life spirals into a living nightmare—crows are following her around and she’s getting texts from her dead sister on the other side—it becomes clear that these dreams have terrifying, real-life consequences. Desperate for help, Mackenzie returns to her mother, sister, cousin, and aunties in her small Alberta hometown. Together, they try to uncover what is haunting Mackenzie before something irrevocable happens to anyone else around her.

Haunting, fierce, an ode to female relations and the strength found in kinship, Bad Cree is a gripping, arresting debut by an unforgettable voice.

Reviews
"With creeps that are ever-creepy and love flowing like beer at a bush party, Bad Cree is a book about the power of dreams, home and family. It reads like a tribute to the ones who came before us Lee Maracle, Jeanette Armstrong, Eden Robinson. This book is tough iskwew in flannel shirts with long unbrushed hair, just looking good. It’s tea rings on Formica tables, cigarette smoke wafting through windows, and an eerie magical realism that only belongs to the bush. Full of Auntie power, Jessica Johns is really coming into her own immense storytelling ways." — Katherena Vermette, author of The Break and The Strangers

"Bad Cree is a masterwork of creeping tension. Wry, moody and subversive, Johns explores the power of connections, both the harm and the healing, with characters rich and warm, tangled in each other, to the land and to the supernatural. Couldn't put it down." — Eden Robinson, author of the Trickster trilogy

Additional Information
304 pages | 6.00" x 9.00" | Paperback

Imbued with passion, creativity and insight, Brandon Reid’s debut novel is a wonderfully creative coming-of-age story exploring indigeneity, masculinity and cultural tradition.

Twelve-year-old Derik Mormin travels with his father and a family friend to Bella Bella for his grandfather’s funeral. Along the way, he uncovers the traumatic history of his ancestors, considers his relationship to masculinity and explores the contrast between rural and urban lifestyles in hopes of reconciling the seemingly unreconcilable, the beauty of each the Indigenous and “Western” way of life—hence beautiful beautiful.

He travails a storm, meets long-lost relatives, discovers his ancestral homeland; he suffers through catching fish, gains and loses companions, learns to heal trauma. In Beautiful Beautiful we delve into the mind of a gifted boy who struggles to find his role and persona through elusive circumstance, and—

All right, that’s quite enough third-person pandering; you’re not fooling anyone. Redbird here, Derik’s babysitter, and narrator of this here story. Make sure to smash that like button. We’re here to bring light to an otherwise grave subject, friends. It’s only natural to laugh while crying. I bring story to life. One minute I’m a songbird singing from a bough, the next, I’m rapture. I connect you to the realm of spirit… Well, as best I can, given your mundane allocation.

Follow us through primordial visions, dance with a cannibal (don’t worry, they’re friendly once tamed) and discover what it takes to be united. Together, we’ll have fun. Together, we are one. So tuck in, and believe what you’ll believe, for who knows what yesterday brings. Amen and all my relations, all my relations and amen.

Reviews
“Beautiful Beautiful is a fitting title for Brandon Reid's novel, for it describes the work itself—it's simply beautiful. Reid manages to capture hypnotic traditional storytelling in written form—by stretching, manipulating and breaking traditional rules and conventions of the English language. Reid draws us into the tormentous but stunning world of a boy who, while young in years, is an ancient soul. Through brilliant description, mind-blowing shifting of perspective and a brilliant use of the boy's internal voice, we join the daily toils of a Heiltsuk family as they struggle to live off the capricious bounty of the Pacific Ocean. Like Omar El Akkad’s What Strange Paradise, Beautiful Beautiful stakes out new ground in the literary scene.”— Darrel J. McLeod, author of A Season in Chezgh’un

Additional Information
336 pages | 5.50" x 8.50" | Paperback

When matriarchs begin to disappear, there is a choice to either step into the places they left behind, or to craft a new space.

Helen Knott’s bestselling debut memoir, In My Own Moccasins, wowed reviewers, award juries, and readers alike with its profoundly honest and moving account of addiction, intergenerational trauma, resilience, and survival. Now, with her highly anticipated second book, Knott exceeds the highest of expectations with a chronicle of grief, love, and legacy. Having lost both her mom and grandmother in just over six months, forced to navigate the fine lines between matriarchy, martyrdom, and codependency, Knott realizes she must let go, not just of them, but of who she thought she was.

Woven into the pages are themes of mourning, sobriety through loss, and generational dreaming. Becoming a Matriarch is charted with poetic insights, sass, humour, and heart, taking the reader over the rivers and mountains of Dane Zaa territory in Northeastern British Columbia, along the cobbled streets of Antigua, Guatemala, and straight to the heart of what matriarchy truly means. This is a journey through pain, on the way to becoming.

Through writing, reflecting, and dreaming I found my way to the real lessons.
I found permission to become whoever I needed to be.
I found permission to live a life and not just endure it.
I found permission to belong deeply to myself.
I found permission to lay to rest the sorrow of the women before me and to cultivate joy for us in its place.

Awards

• 2024 BC Book Awards - The George Ryga Award for Social Awareness in Literature winner

Reviews
“In enchantingly vivid language and with a compelling narrative arc, Helen Knott’s new masterpiece is a memoir of grief and joy, loss and rediscovery, flight and return and, above all, a paean to the beautiful, eternal, soothing and all-encompassing power of matriarchy.” —Gabor Maté MD, author of The Myth of Normal: Trauma, Illness and Healing in a Toxic Culture

“Knott lays out that which all Indigenous women know and feel on a cellular level—we are only here because of the women, the matriarchs, the warriors, the survivors, the courageous ones, the fierce ones, the loving ones who came before us. Beautifully, tenderly Knott maps out for the reader the intrinsic way Indigenous women lift up, celebrate and support one another. Even when no one else does. We always have each other. We see each other. We are each other’s medicine. And there is no greater gift. These are the stories Indigenous women must tell—the journeys, reclamation and place of matriarchs. Present in Knott’s words are paths to reconciliation for everyone.” —Nahanni Fontaine, Member of the Legislative Assembly of Manitoba

“Becoming a Matriarch is a vivid, lyrical exploration of womanhood, loss, grief, and eventually, self-love, braided together with radiance and wisdom. Knott brilliantly uses memory as a tool for self-exploration and growth. The land, dreams and body are in constant communication: ‘My body knows the mountains and rivers and berry bushes that it comes from.’ Throughout the book you can’t help but ask yourself, what does it mean to come from strong women and still allow yourself space to be loved? Becoming a Matriarch teaches us that joy can exist inside the cracks of the most tumultuous times in our lives and love can still bloom if we let it.” —Chelene Knight, author of Dear Current Occupant and Junie

“Becoming a Matriarch is a feast of remarkable, colourful, deep and profoundly raw storytelling. Helen Knott is one of the greatest Indigenous literary artists of our time.” —Brandi Morin, author of Our Voice of Fire: A Memoir of a Warrior Rising

Additional Information
224 pages | 5.18" x 8.00" | Paperback

It's the summer of 1914. Eight-year-old Bernice lives with her family in a lighthouse on Georgian Bay. One day Bernice wakes up to find a stranger named Tom Thomson sleeping in their living room. When she overhears him talk about gold on a nearby island, Bernice is determined to find it. Inspired by her beloved Mémèr’s stories of their Métis family’s adventures and hardships, Bernice takes the treasure map the stranger left behind and sets out in a rowboat with nothing more than her two dogs for company and the dream of changing her family’s fortunes forever.

Educator Information
Ages 9 to 12.

Additional Information
190 pages | 7.50" x 5.25" | Paperback

Motherhood, trauma, and familial history are woven together into a powerful collection from the award-winning author of What Became My Grieving Ceremony. Beginning with a revelation of familial sexual abuse, Building a Nest from the Bones of My People charts the impact of this revelation on the speaker. From the pain of estrangement to navigating first-time motherhood in the midst of a family crisis, Morgan explores the complexities of generational and secondary abuse, intertwined as they are with the impacts of colonization.

Reviews
"Cara-Lyn Morgan offers not only loss, grief, and anger in this powerful collection, but also resolve, resistance, and reckoning—with the past, with what we bequeath our children, and the intentionality of those decisions. A brilliant and resonant meditation on becoming a mother and what it takes to build a new nest from the salvage of what’s been given to us. 'Burn the sage. / we’re done.'"—Lisa Bird-Wilson, author of Probably Ruby

"With her new collection, Cara-Lyn Morgan, demonstrates the lyrical alchemy of transforming ancestral pain into poetic gold through the unflinching art of truth-telling. These poems are raw as nerve endings, encapsulating wisdom enduring as teeth and bones. They are tender, well-crafted, and fearless—reminding us how speaking out into stifling silence can create muscle strong enough to move a woman from fearful mourning to courageous motherhood. Through Building a Nest from the Bones of My People, the pain of the past is excavated like an aching, crooked bone—rebroken to set the future on firm footing. Smoldering embers of generational trauma are doused, ghosts are set to rest and the seeds of hope begin to blossom. We can all heal. With this hauntingly beautiful collection, Morgan shows us how."—Andrea Thompson, author of A Selected History of Soul Speak

Additional Information
80 pages | 5.13" x 8.03" | Paperback

In this quietly powerful and deeply human book, Ruth DyckFehderau and twenty-one James Bay Cree storytellers put a face to Canada’s Indian Residential School cultural genocide.

Through intimate personal stories of trauma, loss, recovery, and joy, they tell of experiences in the residential schools themselves, in the homes when the children were taken, and on the territory after survivors returned and worked to recover from their experiences and to live with dignity. The prose is clear and accessible, the stories remarkably individual, the detail vivid but not sensational.

Together they reveal the astonishing courage and strength of children along with the complexity and myriad methods of their oppressors. A tough, often funny, and ultimately uplifting book that’s not quite like anything else out there.

This book is published by Cree Board of Health and Social Services of James Bay and distributed by WLU Press.

Reviews
“These previously unwritten stories of lived, traumatized experiences are testament to the storytellers’ courage and strength and resilience. When the rich Cree traditional and spiritual relationship with land and with family is harmed by separation, hatred, and fear - a harm resulting in anger and loss of values, identity, and self-worth - these storytellers find ways to heal. Through their stories, you learn about culture as treatment, about the power of forgiveness and love, and about peaceful co-existence in community as essential to healing, belief, and advancing true reconciliation.” —Chief Willie Littlechild, Ermineskin Cree Nation, Former Truth and Reconciliation Commissioner, Former residential school student athlete, Order of Canada; Order of Sport, Member of Sports Halls of Fame, Canada and North America

“These Cree stories, told with utmost respect and a feeling of safety, are gifts. They are medicine.” —Joanna Campiou, Woodland/Plains Cree Knowledge Keeper

“This is a difficult but necessary book. There’s a power to truth and to the realities of the Indian Residential School system, but for those wanting to see strength and movement toward hope, this is the book for you. These stories hold that hope close to the heart. What shines through is a love of the land, a love of community, a love of the Cree language, a love of family – exactly what colonial forces like the IRS system tried to destroy but couldn’t.” —Conor Kerr, Metis/Ukrainian author, Avenue of Champions, Giller Prize longlist

Additional Information
320 pages | 7.00" x 9.00" | Paperback

A landmark publication bringing together more than seventy voices illuminating the rich array of Indigenous art held by the McMichael Canadian Art Collection.

Under the editorial direction of Anishinaabe artist and scholar Bonnie Devine, Early Days gathers the insights of myriad Indigenous cultural stakeholders, informing us on everything from goose hunting techniques, to the history of Northwest Coast mask-making, to the emergence of the Woodland style of painting and printmaking, to the challenges of art making in the Arctic, to the latest developments in contemporary art by Indigenous peoples from across Turtle Island.

Splendidly illustrated, Early Days not only tells the story of a leading collection but also traces the emergence and increasing participation of many Indigenous artists in the contemporary art world. This publication will be the largest in the history of the McMichael, and represents a vital acknowledgment of the place of Indigenous art and ways of knowing in global art history.

Featured contributors: Barry Ace, Leland Bell, Dempsey Bob, Christian Chapman, Violet Chum, Hannah Claus, Dana Claxton, Jisgang Nika Collison, Alan Corbiere, Marcia Crosby, Ruth Cuthand, Mique'l Dangeli, Joe David, Sarah Davidson, Robert Davidson, Bonnie Devine, Tarralik Duffy, Norma Dunning, David Garneau, John Geoghegan, Janice Grey, Haay'uups (Ron Hamilton), Jim Hart, Emma Hassencahl-Perley, Emily Henderson, Lynn A. Hill, Richard Hill, Maria Hupfield, Jaimie Isaac, Heather Igoliorte, Luis Jacob, Gayle Kabloona, William Kingfisher, Jessica Kotierk, Robin Laurence, Duane Linklater, Ange Loft, Tanya Lukin Linklater, Jean Marshal, Michael Massie, Gerald McMaster, Ossie Michelin, Sarah Milroy, Antoine Mountain, Nadia Myre, Jeneen Frei Njootli, Ruth Phillips, Jocelyn Piirainen, Ryan Rice, Carmen Robertson, Paul Seesequasis, Leanne Betasamosake Simpson, Wedlidi Speck, Clyde Tallio, Drew Hayden Taylor, Nakkita Trimble-Wilson, Jesse Tungilik, Camille Georgeson Usher, William Wasden Jr., Jordan Wilson, Jessica Winters.

Additional Information
400 pages | 11.00" x 10.00" | 200 Colour Photographs | Hardcover

In this complex, at times dark, poetry collection from Inuk author Jamesie Fournier, readers are taken through the recesses of a character struggling with inner demons whispering into his mind.

As he attempts to overcome his inner turmoil within a Colonial and contemporary system that oppresses him, the speaker guides readers through verse both ethereal and imagistic. Echoing artists as varied as Margaret Laurence and The Velvet Underground, this sweeping collection of bilingual verse deals with erasure, resilience, and—above all—resistance through the voice of one complex protagonist.

Educator Information
Bilingual Verse in English and Inuktitut 

Additional Information
132 pages | 7.00" x 9.25" | 10 b&w Photos | Paperback

From the acclaimed, boundary-breaking author of NISHGA comes a hypnotic and mystifying exploration of land and legacy.

Reimagining James Fenimore Cooper’s nineteenth-century text The Last of the Mohicans from the contemporary perspective of an urban Nisga’a person whose relationship to land and traditional knowledge was severed by colonial violence, Jordan Abel explores what it means to be Indigenous without access to familial territory and complicates popular understandings about Indigenous storytelling. Engaging the land through fiction and metaphor, the successive chapters of Empty Spaces move toward an eerie, looping, and atmospheric rendering of place that evolves despite the violent and reckless histories of North America. The result is a bold and profound new vision of history that decenters human perception and forgoes Westernized ways of seeing.

Jordan Abel’s extraordinary debut work of fiction grows out of his groundbreaking visual compositions in NISHGA, which integrated descriptions of the landscape from Cooper’s settler classic into his father's traditional Nisga'a artwork. In Empty Spaces, Abel reinscribes those words on the page itself, subjecting them to bold rewritings and inviting us to come to a crucial understanding: that the land knows everything that can and will happen, even as our world lurches toward uncertainty.

Additional Information
224 pages | 6.24" x 8.27" | B&W illustrations throughout | Hardcover

Upon learning his great-uncle Alfred has suffered a stroke, Richard sets out for Ste. Anne, in southeastern Manitoba, to find his father and tell him the news. Waylaid by memories of his stalled romance, tales of run-ins with local Mennonites, his job working a honey wagon, and struck by visions of Métis history and secrets of his family's past, Richard confronts his desires to leave town, even as he learns to embrace his heritage.

Evoking an oral storytelling epic that weaves together one family's complex history, Hold Your Tongue asks what it means to be Métis and francophone. Recalling the work of Katherena Vermette and Joshua Whitehead, Matthew Tétreault's debut novel shines with a poignant, but playful character-driven meditation on the struggles of holding onto "la langue," and marks the emergence of an important new voice.

Reviews
"Inspired by deep knowledge of his French-Métis homeland, Matthew Tétreault has given us a rich, beautifully written novel. In this story you'll meet unforgettable characters who "sprang from the soil." This intricate yarn is an evocative detective story, a search for the first betrayals and deviations, a glorious patchwork of vision and memory, buoyed by love as tough and vulnerable as the land that nurtured it. The past is palpable, vibrant in these pages, full of promise, like 'seedlings.'"--Margaret Sweatman, author of The Gunsmith's Daughter

"The wonderful thing about Hold Your Tongue is that it definitely does not hold its tongue. English, French, and Michif gallop across its pages, mingling and colliding like the fractious history of the Canadian West echoing into the present. What James Joyce did for the voices of the Irish Matthew Tétreault has done for those of his own people. This earthy, wise, big-hearted novel about a Métis community's tangled past and uncertain future shouts, gossips, mourns, jokes, confesses, and sings. Before you reach the end you'll be singing along with it."--Thomas Wharton, award-winning author of Icefields and The Book of Rain

"Witty, down-to-earth, and yet transformative, Matt Tétreault's Hold Your Tongue sets a new benchmark for literature in Canada, folding in francophone and Métis voice and culture and navigating the tensions of family, history, self, and place. Marked both by verisimilitude and contemplation, Hold Your Tongue is a journey through the geography of identity that emerges speaking with a fresh, assured voice."--Conrad Scott, author of Water Immersion

"With cutting language, Matthew Tétreault weaves a narrative that runs us through history and love of land while simultaneously questioning a modern prairie existence. His distinctive voice brings a reader along with the narrator as he navigates the passing of his great-uncle Alfred and, with that, the loss of generations worth of knowledge. At the same time, the narrator questions a future and what it really means to lose the land you love, the question of leaving, and what coming back home really looks like. From brawls with the neighbouring small towns to being buried in your favourite camo ball cap to figuring out a future that may never really exist, this is a read that will keep you sucked into the pages like a hose pumping out the honey bucket."--Conor Kerr, author of Avenue of Champions

Additional Information
272 pages | 5.50" x 8.50" | Paperback

We live in a hopeless old house on an almost-deserted dead-end street in a middle-of-nowhere town named Hope. This is the oldest part of Hope; eventually it will all be torn down and rebuilt into perfect homes for perfect people. Until then, we live here: imperfect people on an imperfect street that everyone forgets about.

For Eva Brown, life feels lonely and small. Her mother, Shirley, drinks and yells all the time. She’s the target of the popular mean girl, and her only friend doesn’t want to talk to her anymore. All of it would be unbearable if it weren’t for her cat, Toofie, her beloved nohkum, and her writing, which no one will ever see.

When Nohkum is hospitalized, Shirley struggles to keep things together for Eva and her younger brother, Marcus. After Marcus is found wandering the neighbourhood alone, he is sent to live with a foster family, and Eva finds herself in a group home.

Furious at her mother, Eva struggles to adjust—and being reunited with her family seems less and less likely. During a visit to the hospital, Nohkum gives Eva Shirley’s diary. Will the truths it holds help Eva understand her mother?

Heartbreaking and humorous, Hopeless in Hope is a compelling story of family and forgiveness.

Reviews

Educator Information
Recommended for ages 12+

Additional Information
216 pages | 5.50" x 8.25" | Paperback

Memories. Some memories are elusive, fleeting, like a butterfly that touches down and is free until it is caught. Others are haunting. You'd rather forget them, but they won't be forgotten. And some are always there. No matter where you are, they are there, too.

In this moving story of legacy and reclamation, two young sisters are taken from their home and family. Powerless in a broken system, April and Cheryl are separated and placed in different foster homes. Despite the distance, they remain close, even as their decisions threaten to divide them emotionally, culturally, and geographically. As one sister embraces her Métis identity, the other tries to leave it behind.

Will the sisters’ bond survive as they struggle to make their way in a society that is often indifferent, hostile, and violent?

Beloved for more than 40 years, In Search of April Raintree is a timeless story that lingers long after the final page. This anniversary edition features a foreword by Governor General’s Award–winning author Katherena Vermette, and an afterword by University of Regina professor, Dr. Raven Sinclair (Ôtiskewâpit), an expert on Indigenous child welfare.

Educator Information
This 40th anniversary edition features a foreword by Governor General’s Award–winning author Katherena Vermette, and an afterword by University of Regina professor, Dr. Raven Sinclair (Ôtiskewâpit), an expert on Indigenous child welfare.

A critical edition of this work, which includes ten critical essays accompanying the text, is available here: In Search of April Raintree: Critical Edition 

A version written specifically for students in grades 9-12 that does not contain the graphic scene that is contained in this original version is available here: April Raintree

Find a teacher guide for In Search of April Raintree and April Raintree here: Teacher Guide for In Search of April Raintree and April Raintree: A Trauma-Informed Approach to Teaching Stories of Indigenous Survivance, Family Separation, and the Child Welfare System

Additional Information
343 pages | 5.50" x 8.50" | Paperback | Critical Edition

A multi-generational story of loss, war, community, survival, perseverance, and renewal.

Joe Pete and her cousin Simon will find more than they anticipated buried beneath the snow as they search for her missing father. Their journey will unlock the ancestors and spirits embedded in the present who call back to a past marked by war and kinship, by conflict and wisdom that continue to contour their trajectory towards the future.

Additional Information
300 pages | 5.50" x 8.50" | Paperback 

An unflinching reimagining of Legacy: Trauma, Story, and Indigenous Healing for young adults.

Written specifically for young adults, reluctant readers, and literacy learners, Killing the Wittigo explains the traumatic effects of colonization on Indigenous people and communities and how trauma alters an individual’s brain, body, and behavior. It explores how learned patterns of behavior — the ways people adapt to trauma to survive — are passed down within family systems, thereby affecting the functioning of entire communities. The book foregrounds Indigenous resilience through song lyrics and as-told-to stories by young people who have started their own journeys of decolonization, healing, and change. It also details the transformative work being done in urban and on-reserve communities through community-led projects and Indigenous-run institutions and community agencies. These stories offer concrete examples of the ways in which Indigenous peoples and communities are capable of healing in small and big ways — and they challenge readers to consider what the dominant society must do to create systemic change. Full of bold graphics and illustration, Killing the Wittigo is a much-needed resource for Indigenous kids and the people who love them and work with them.

Educator Information
Recommended for ages 12 to 17.

The adult version of this book can be found here: Legacy: Trauma, Story, and Indigenous Healing

Additional Information
160 pages | 5.50" x 8.50" | Paperback

A Quebec bestseller based on the life of Michel Jean's great-grandmother that delivers an empathetic portrait of drastic change in an Innu community.

Kukum recounts the story of Almanda Siméon, an orphan raised by her aunt and uncle, who falls in love with a young Innu man despite their cultural differences and goes on to share her life with the Pekuakami Innu community. They accept her as one of their own: Almanda learns their language, how to live a nomadic existence, and begins to break down the barriers imposed on Indigenous women. Unfolding over the course of a century, the novel details the end of traditional ways of life for the Innu, as Almanda and her family face the loss of their land and confinement to reserves, and the enduring violence of residential schools.

Kukum intimately expresses the importance of Innu ancestral values and the need for freedom nomadic peoples feel to this day.

Educator Information
Translated by Susan Ouriou.

Additional Information
224 pages | 5.50" x 8.50" | Paperback

In this poignant display of the resilience of language, culture, and community in the face of the profound changes brought by settlers, Kluane First Nation Elders share stories from their lives, knowledge of their traditional territory (A si Keyi, "my grandfather's country"), and insights on the building of their self-governing First Nation.

With generosity, diligence and deep commitment to their community, Elders from Lhu'aan Man Keyi (Kluane First Nation) recorded oral histories about their lives in the southwest Yukon. They shared wisdom, stories and songs passed down from grandparents, aunties and uncles, in Dan k'e (Southern Tutchone, Kluane dialect) and English. This years-long project arose from the Elders' desire for their children and future generations to know the foundations of language, culture, skills and beliefs that will keep them proud, healthy and strong. The Elders speak of life before the Alaska Highway, when their grandparents drew on thousands of years of traditional knowledge to live on the land through seasonal rounds of hunting and gathering; the dark years after the building of the Alaska Highway, when children were taken away to residential schools and hunting grounds were removed to form the Kluane Game Preserve and National Park; and the decades since, when the community worked through the Yukon land claims process to establish today's self-governing First Nation.

Inclusivity is a key community value. The Elders' stories are accompanied by the voices of youth and citizens of all ages, along with a history of the Kluane region. The book is beautifully illustrated with Elders' photographs, historical images and art work, and photos showing breathtaking views of Kluane mountains, lakes, sites, trails, and activities in the community today. With passionate and deeply informed voices, this is a stirring portrait created by a community that has shown resilience through massive changes and remains dedicated to preserving their culture, language and lands for the generations to come.

Awards

• 2024 Indigenous History Book Prize 

Educator Information
Some of the wisdom, stories, and songs are in Dan k'e (Southern Tutchone, Kluane dialect).

Additional Information
384 pages | 11.25" x 9.00"| 150 colour and b&w photos | Hardcover 

Maggie Lou's grandpa doesn't call her Firefox for nothing. She's always finding ways to make life more interesting - even if this means getting into big trouble.

"Keep taking up space," Maggie Lou's mother says. You're only making room for the girls behind you."

When her grandfather Moshôm finally agrees to teach her how to box, she decides that the rank odors, endless drills and teasing won't stop her from wearing a tutu to the gym. Joining her father's construction crew uncovers a surprising talent - besides learning how to use a broom - and a great source of scrap wood to build a canine hotel for her dogs. And when she turns thirteen, she figures out an ingenious way to make some smokin' good camouflage to wear on her first deer hunt, where she joins a long family tradition.

Through it all she is surrounded by her big extended gumbo soup of a family, pestered by annoying younger siblings, and gently guided by her strong female relatives - her mother, her kokhom and her ultra-cool cousin Jayda. "Keep taking up space," Maggie's mother says. "You're only making room for the girls behind you."

A heroine for today, Maggie Lou discovers that with hard work and perseverance she can gain valuable new skills, without losing one iota of her irrepressible spirit.

Reviews
"Métis author Bowes weaves cultural elements, including Northern Michif words, into this charming story that skillfully captures sweetly hilarious and loving everyday moments. Black-and-white illustrations enhance the text. An amusing story showcasing Métis humor at its finest." - Kirkus, STARRED REVEIW

Educator & Series Information
Recommended for ages 9 to 12.

This is the first book in the Maggie Lou series.

Key Text Features: author's note, biographical note, glossary, chapters, dialogue, epigraph, illustrations.

Includes some Northern Michif words and a glossary.

Additional Information
220 pages | 5.00" x 7.50" | b&w illustrations | Paperback

Following the bestselling success of the inspiring All the Way, pioneering Inuit NHLer Jordin Tootoo begins the process of healing in the wake of the suicide and violence that marks his family, only to discover the source of all that trauma in his father's secret past.

For some hockey players, retirement marks the moment when it’s all over. But Jordin Tootoo is not most hockey players.

Having inspired millions when he first broke into the league, Tootoo continued to influence people throughout his career—not only through his very public triumph over alcoholism, but also his natural charisma. And now, years after hanging up his skates, he is more committed to doing things the right way and speaking about it to others, whether it’s corporate executives or Indigenous youth.

But the news of unmarked graves on the grounds of residential schools brought back to life many of the demons that had haunted his family. In a moment of realization that left him rattled and saddened, Tootoo fit the pieces together. The years that were never spoken of. The heavy drinking. The all too predictable violence. His father was a survivor, marked by what he had survived.

As he travels back to Nunavut to try to speak with his father about what haunts him, he encounters the ghosts of the entire community. Still, as Tootoo says, we are continuously learning and rewriting our story at every step. He has learned from his mistakes and his victories. He has learned from examples of great courage and humility. He has learned from being a father and a husband. And he has learned from his own Inuk traditions, of perseverance and discipline in the face of hardship.

Weaving together life’s biggest themes with observations and experiences, Jordin shares the kind of wisdom he has had to specialize in—the hard-won kind.

Additional Information
208 pages | 6.20" x 9.37" | Hardcover

Twelve years after the lights go out . . .
An epic journey to a forgotten homeland

The hotly anticipated sequel to the bestselling novel Moon of the Crusted Snow

It's been over a decade since a mysterious cataclysm caused a permanent blackout that toppled infrastructure and thrust the world into anarchy. Evan Whitesky led his community in remote northern Ontario off the rez and into the bush, where they've been living off the land, rekindling their Anishinaabe traditions in total isolation from the outside world. As new generations are born, and others come of age in the world after everything, Evan’s people are in some ways stronger than ever. But resources in and around their new settlement are beginning to dry up, and the elders warn that they cannot afford to stay indefinitely.

Evan and his fifteen-year-old daughter, Nangohns, are elected to lead a small scouting party on a months-long trip to their traditional home on the north shore of Lake Huron—to seek new beginnings, and discover what kind of life—and what dangers—still exist in the lands to the south.

Moon of the Turning Leaves is Waubgeshig Rice’s exhilarating return to the world first explored in the phenomenal breakout bestseller Moon of the Crusted Snow: a brooding story of survival, resilience, Indigenous identity, and rebirth.

Reviews
"An epic journey into the future, powerfully haunting." —Silvia Moreno-Garcia, bestselling author of Mexican Gothic

“Tense, atmospheric, and ultimately hopeful, Rice masterfully delivers an unsettling, page-turning sequel." —Eden Robinson, author of Son of a Trickster

“It felt like an eternity waiting for Waubgeshig to write the sequel to Moon of the Crusted Snow and it was worth it. As we as a species ponder our own survival, this talented author walks his courageous characters through an odyssey towards hope. At times heart-racing and at times heart wrenching, Moon of the Turning Leaves allows us all to turn the page and find out what’s next in an uncertain future.” —Catherine Hernandez, award-winning author and screenwriter of Scarborough the novel and film

“[Moon of the Turning Leaves] is by turns beautiful and inspiring and bleak and violent. In other words, the perfect dystopian read. Let's hope Waubgeshig Rice doesn't make us wait too long for the next visit to this captivating world.” —Alma Katsu, author of The Fervor and The Hunger

"Novels, when brilliantly written, are passports to another place, another world. Moon of the Turning Leaves takes us to a First Nations community beset by an unbelievable fate that’s managed to survive when much of the world hasn't. Rice has given us a meaningful journey, and people to cheer for. I was in this story." —Drew Hayden Taylor, author of Motorcycles and Sweetgrass and Cold

“Waubgeshig Rice's stories are good medicine. Moon of the Turning Leaves is a restorative balm for my spirit.” —Angeline Boulley, New York Times bestselling author of Firekeeper's Daughter and Warrior Girl Unearthed

"Rice quite brilliantly weaves this sequel to Moon of the Crusted Snow such that the ongoing journey of those wonderfully drawn characters carries on seamlessly. Moon of the Turning Leaves stands on its own while simultaneously carrying the heart of the original story. Suspenseful and gripping, the great anticipation for this next installment is borne out by this artful storytelling." —Michelle Good, award-winning author of Five Little Indians and Truth Telling

Additional Information
312 pages | 5.50" x 8.25" | Paperback

Drawing on her Ojibwa roots and storytelling, Barnes shares stories that take the heart on the path to the past, nostalgic though it may be, wherein lies discovery, memories, and rhythms that ease the soul. Touching, tender but never overwrought, Barnes' poetry brings wonder to the spirit of nature and provides a sense of connection to the things most often overlooked.

Additional Information
140 pages | 7.50" x 5.00" | Paperback

The first book in Isabelle Picard’s bestselling coming-of-age series about Innu twins, Léon and Éloïse.

In this acclaimed book, readers meet thirteen-year-old twins Leon and Eloise who live in Matimekush, an Innu community in Northern Quebec.

While Leon spends all his free time playing hockey, and wondering how he can prove he has the talent to make it big in a place with no competition, Eloise works on a school project that opens her mind to the history of her people — their victories and their battles lost.

But when their father gets sick and needs treatment almost 1000 km from home, and someone from their village mysteriously disappears, the twins learn lessons about the fragility of humanity and the dangers of the land they call home.

Educator & Series Information
Recommended for ages 10 to 14.

Translated by Kateri Aubin Dubois, a freelance translator and a prolific beadworker. Her beadwork can be found under her Indigenous name, Nisnipawset. Kateri is from the Wolastoqiyik Wahsipekuk First Nation. She lives with her husband, two children and a fluffy cat in Terrebonne, Quebec.

This is the first book in the Nish series.

Additional Information
304 pages | 5.00" x 7.75" | Paperback

Journey to the southernmost tip of the territories held by Canada. North of Middle Island opens with a collection of individual poems that capture the spirit of the relatively isolated, sparsely populated community of Pelee Island.

The pieces explore contemporary Indigenous experience in the natural and built environments of the island and surrounding waters. The book concludes with an epic, "rarely true" narrative of modern-day warriors, told in traditional Anglo-Saxon style-a new Lenape myth of how Deerwoman (Ahtuhxkwe) comes to Pelee Island. The events of this epic tale are loosely based on the infamous professional wrestler and actor Rowdy Roddy Piper's time on the island and Wrestlemania XII, Piper's notorious "Backlot Brawl" with fellow wrestler Goldust (Nkuli Punkw). Follow acclaimed Moravian of the Thames First Nation poet D.A. Lockhart on this lyrical, epic journey into the unique culture and landscapes that lie just North of Middle Island.

Additional Information
93 pages | 5.50" x 8.50"

Ceremony, community and connection - the poems of Once the Smudge is Lit carry the reader into deeply spiritual elements of Nishnaabe/Ojibwe culture. Co-written by Cole Forrest and Kelsey Borgford, the poetry of Once the Smudge is Lit highlights the Indigenous experience in post-colonial times through explorations of themes ranging from love to community. Bogford's and Forrest's verses seek to open a multidimensional window into the experience of being a contemporary Nishaabe. A profound sense of movement, connection, and continuity is emphasized by Tessa Pizzale's beautifully evocative illustrations, which include a line of smudge smoke that flows from page to page from beginning to end.

Additional Information
50 pages | 5.50" x 8.50" | 50 Illustrations | Paperback

In a highly visual and appealing format for young readers, this book explores the many forced relocation of Inuit families and communities in the Canadian Arctic from the 1950s to the 1990s. Governments promoted and forced relocation based on misinformation and racist attitudes. These actions changed Inuit lives forever. This book documents the Inuit experience and the resilience and strength they displayed in the face of these measures. Years afterwards, there have been multiple apologies by the Canadian government for its actions, and some measure of restitution for the harms caused.

Included in the book are accounts of a community forced to move to the High Arctic where they found themselves with little food and almost no shelter, of children suddenly taken away from their families and communities to be transported to hospitals for treatment for tuberculosis, and of the notorious slaughter by RCMP officers of hundreds of sled dogs in Arctic settlements.

Though apologies have been made, Inuit in northern Canada still face conditions of inadequate housing, schools that fail to teach their language, and epidemics of infectious diseases like TB. Yet still, the Inuit have achieved a measure of self-government, control over resource development, while they enrich cultural life through music, film, art and literature.

This book enables readers to understand the colonialism and racism that remain embedded in Canadian society today, and the successful resistance of Inuit to assimilation and loss of cultural identity.

Like other volumes in the Righting Canada’s Wrongs series, this book uses a variety of visuals, first-person accounts, short texts and extracts from documents to appeal to a wide range of young readers.

Educator & Series Information
This book is part of the Righting Canada's Wrongs series.

Recommended for ages 13 to 18.

This book is available in French: Réinstallation d'Inuit: Politiques et pratiques coloniales, résilience et résistance d'un peuple.

Additional Information
144 pages | 9.01" x 11.02" | Hardcover 

There are worse places to live than the rez. Still, family distractions make it almost impossible for Ray Smith and his three bandmates to rehearse every day. So, fresh from high school, the four move to Wakeville, Manitoba to pursue their passion for music.

A half-year later, gigs come fast and thick, with the group touring the northern province. However, too much partying and fighting leads to a bitter split between the band and their volatile bass player, Butch. Bad luck and sabotage from Butch causes gigs to dwindle, and with encouragement from his best friend and guitarist, Ray decides to join a new, well-known band, where his music career takes off. Soon he’s recognized on the street, has spots on TV, and back home he’s hailed a hero.

But success has a dark underbelly. A girl goes missing, and Ray’s loved ones are terrorized by a faceless, vengeful stalker. The question isn’t the culprit’s identity—Ray’s almost positive he knows who’s responsible. But stopping the killer before someone else is murdered…that’s a whole other story.

Additional Information
234 pages | 5.25" x 8.00"

Curious, uncanny tales blending Indigenous oral storytelling and meticulous style, from an electric voice in Canadian fiction.

These are stories that are a little bit larger than life, or maybe they really happened. Tales that could be told 'round the campfire, each one-upping the next. Tales about a car that drives herself, ever loyal to her owner. Tales about an impossible moose hunt. Tales about the Real Santa(TM) mashed up with the book of Genesis, alongside SPAM stew and bedroom sets from IKEA.

G.A. Grisenthwaite's writing is electric and inimitable, blending meticulous literary style with oral storytelling and coming away with a voice that is entirely his own. Tales for Late Night Bonfires is truly one of a kind, and not to be missed.

Reviews
"Tales for Late Night Bonfires is funny, dark, and rich all at once; each story is immense and alive. Grisenthwaite shows us what fiction can be when story leads the way." - QUILL & QUIRE starred review

"With his first book, Home Waltz, G.A. Grisenthwaite had arrived. With Tales for Late Night Bonfires, he has fully moved in. His writing is so vivid and fresh that the reader inhabits his characters, in their homes, on the land, in their talking cars. Gord has a great gift for dialogue and he writes with flinty humour and such love. I felt more completely human when I finished this book." - SHELAGH ROGERS founding host and co-creator, The Next Chapter, CBC Radio

"Grisenthwaite is a master storyteller, with a voice capable of roasting us and all the other ‘two-leggeds’ while keeping us at the bonfire, hungry for more. The lives of these unforgettable characters are at once comic and heart-crushing, precarious and buoyed by the undying embrace of interlaced dimensions, imbricate worlds." - SUSAN HOLBROOK author of Throaty Wipes and Ink Earl

"Gordon has a voice that is authentic campfire. I felt like I was holding a mug of tea in one hand, and enjoying a fish fry with the other - while waiting for his words to paint a vibrant canvas of characters. Sitting around the campfire, and ingesting memory with stories that need to be told, and retold. These stories visit places in the heart, where we each share, words that need to be said, words that beg to be read." - CAROL ROSE GOLDENEAGLE author of Bearskin Diary and Essential Ingredients

Additional Information
232 pages | 5.25" x 8.00" | Paperback 

Dear grandmother, I am writing this song, over and over again, for you. I am a stranger in this place, he tauhou ahau, reintroducing myself to your land.

Tauhou is an inventive exploration of Indigenous families, womanhood, and alternate post-colonial realities by Kotuku Titihuia Nuttall, a writer of Maori and Coast Salish descent. This innovative hybrid novel envisions a shared past between two Indigenous cultures, set on reimagined versions of Vancouver Island and Aotearoa New Zealand that sit side by side in the ocean.

Each chapter is a fable, an autobiographical memory, a poem. A monster guards cultural objects in a museum, a woman uncovers her own grave, another woman remembers her estranged father. On rainforest beaches and grassy dunes, sisters and cousins contend with the ghosts of the past - all the way back to when the first foreign ships arrived on their shores.

In a testament to the resilience of Indigenous women, the two sides of this family, Coast Salish and Maori, must work together in understanding and forgiveness to heal that which has been forced upon them by colonialism. Tauhou is an ardent search for answers, for ways to live with truth. It is a longing for home, to return to the land and sea.

Reviews
"Tauhou is a search for answers, of finding ways to live with the truth. Some of the stories are like fables, others like poetry, and all are a sheer joy to read. A longing for home resonates, a gift for those of us searching for our island also."— Kete Books

"This one's for the lovers of language, lean prose-poetry you can dip in and out of and think about for hours. Best read beside a large body of water."— Woman Magazine

"Brilliantly written in the best of Maori and Coast Salish practices of story, Tauhou is teeming with possibility, love, and dreaming otherwise." — Leanne Betasamosake Simpson, author of Noopiming: The Cure for White Ladies

"Kotuku Titihuia Nuttall takes threads made from all the colours of the Indigenous experience and crosses them over oceans, cultures, and time." — Tayi Tibble, author of Poukahangatus and Rangikura

"Kotuku Titihuia Nuttall's Tauhou is a brilliant example of what language can do when forged with intentional hands and a fantastic mind. Nuttall's work binds words in a way that doesn't hold too tightly but steadfastly contains the many Ancestors present in Nuttall's life and work, weaving together a tapestry of nuance and witnessing. Masterful dialogue and rich scenes move emotions like the currents around Aotearoa and the Salish Seas, a beautiful display of lyricism that loudly proclaims that Kotuku Titihuia Nuttall belongs in the crescendo of rising voices in CanLit. Tauhou is not a collection to miss!" — jaye simpson, author of it was never going to be okay

"The stories in this collection move like the waves of the ocean that divide Vancouver Island and Aotearoa. Once you emerge from Tauhou's narrative depths, you'll miss its imagination, its rhythms, its heart." — Alicia Elliott, author of A Mind Spread Out on the Ground

Educator Information
Includes a SENĆOŦEN glossary, a Te Reo Māori glossary, an Author's Notes and Acknowledgements.

Curriculum Connections: Indigenous Studies 

Additional Information
224 pages | 5.00" x 7.75" | Hardcover

Brandi Bird's frank, transcendent poetry explores the concepts of health, language, place, and memory in this long-anticipated debut collection.

Brandi Bird's long-anticipated debut poetry collection, The All + Flesh, explores the concepts of health, language, place, and memory that connect its author to their chosen kin, blood relatives, and ancestral lands. By examining kinship in broader contexts, these frank, transcendent poems expose binaries that exist inside those relationships, then inspect and tease them apart in the hope of moving toward decolonial future(s). Bird's work is highly concerned with how outer and inner landscapes move and change within the confines of the English language, particularly the "I" of the self, a tradition of movement that has been lost for many who don't speak their Indigenous languages or live on their homelands. By exploring the landscapes the poet does inhabit, both internally and externally, Bird's poems seek to delve into and reflect their cultural lineages-specifically Saulteaux, Cree, and Métis-and how these transformative identities shape the person they are today.

I am made of centuries & carbohydrates
the development of my molars
the hunger the teeth grew
has been with me since childhood
I can't escape the mouths of others

Awards

• 2024 Poetry in English, Indigenous Voices Awards 

Reviews
"Since hearing Brandi Bird at a reading in a park in summertime recite the lines, "I know / then that there is hope / until I die & then / there is other / people's hope," I have thought about them many times, they have merged with my own consciousness. That's the power of Bird's poems-they resonate at such a visceral and cerebral level that they become a part of you. The All + Flesh marks the arrival of an endlessly moving and astounding voice in Indigenous poetry. I, for one, will be reading these poems for the rest of my life." — Billy-Ray Belcourt, author of A MINOR CHORUS

"In The All + Flesh, Brandi Bird maps the psychic space between 'NDN compartmentalization' and split prairies, from bus depots to 'endocrine storms,' from LiveJournal to a living history of relocation under land theft. 'My body is not an empire but first contact happened at / birth' and 'I eat / until my mouth needles / the dark.' With exacting lucidity, Bird's lyrics chart the body as a reservoir for colonial malice, a site of resistance, and a conduit for a voice that is visceral, immediate, and uncompromising. An absolute triumph of a debut."— Liz Howard, author of Letters in a Bruised Cosmos

Additional Information
96 pages | 6.00" x 8.00" | Paperback

A four-year-old girl goes missing from the blueberry fields of Maine, sparking a tragic mystery that will remain unsolved for nearly fifty years

July 1962. A Mi’kmaq family from Nova Scotia arrives in Maine to pick blueberries for the summer. Weeks later, four-year-old Ruthie, the family’s youngest child, vanishes mysteriously. She is last seen by her six-year-old brother, Joe, sitting on her favourite rock at the edge of a berry field. Joe will remain deeply affected by his sister’s disappearance for years to come.

In Boston, a young girl named Norma grows up as the only child of an affluent family. Her father is emotionally distant, her mother frustratingly overprotective. Norma is often troubled by recurring dreams and visions that seem more like memories than imagination. As she grows older, Norma slowly comes to realize there is something her parents aren’t telling her. Unwilling to abandon her intuition, she will spend decades trying to uncover this family secret.

A stunning debut by a vibrant new voice in fiction, The Berry Pickers is a riveting novel about the search for truth, the shadow of trauma and the persistence of love across time.

Reviews
“Amanda Peters manages to take you home to the East Coast in the very best ways – through family love and personal grief and the precious accounting of minutes and memories. You cannot help but love these characters from the first chapter. They stay with you long after the last page.” — Cherie Dimaline, bestselling author of The Marrow Thieves

“The Berry Pickers is an intimate story about the destruction wreaked on a family when their youngest child goes missing. Peters brilliantly crafts a multi-layered tale about how one irrational act creates irrevocable harm that ripples through multiple lives, including the lives of the perpetrators. This is an emotional novel that is beautifully rendered. An amazing read from a talented new voice.” — Michelle Good, bestselling author of Five Little Indians

“A marvelous debut. The Berry Pickers has all the passion of a first book but also the finely developed skill of a well-practiced storyteller. The Berry Pickers is a triumph.” — Katherena Vermette, bestselling author of The Break

Additional Information
320 pages | 6.00" x 9.00" | Paperback

The First Few Feet in a World of Wolves chronicles the fictionalization of the year the author spent teaching in Aupaluk (a remote Inuit community on the Ungava Coast of Nunavik). The story outlines, and explores, the history of oppression experienced by the more than five hundred Indigenous nations across northern Turtle Island at the hands of the Canadian government since the Royal Proclamation.

Told through the voice of Nomad, who finds himself very much at odds with the land itself. Nomad slowly learns how to reconnect with his fractured history as he embraces and is embraced by the Elders and his own students. Told is crisp, spare prose, this debut novel brings forward a powerful new Indigenous voice to the literary landscape.

Reviews
"Speaking in a voice that is both powerful and playful, Scott Mainprize weaves a thoughtful investigation into the Indigenous Peoples' oppression through the eyes of his fictional character, Nomad. And we discover as Nomad discovers that the art of storytelling is a way towards healing and reconciliation." - Mary Barnes, author of Moving Upstream

Additional Information
350 pages | 8.00" x 5.00"| Paperback

Misty Lake tells the story of a young Metis journalist from Winnipeg who travels to a Dene reserve in Northern Manitoba to conduct an interview with a former residential school student. What Mary imparts in her interview will change Patty's life profoundly, allowing the journalist to make the connections to her own troubled life in the city. Patty knows that her Metis grandmother went to residential school when she was a girl. But Patty hasn't understood until now that she's inherited the traumatic legacy of residential school that was passed down to her mother from her grandmother. With this new understanding, Patty embarks on a healing journey. It will take her to the Dene fishing camp at Misty Lake, a place of healing, where, with Mary, she will learn that healing begins when you can talk about your life.

Additional Information
80 pages | 5.50" x 8.50" | Paperback

Eli and Morgan experience life-changing revelations in this new adventure in the award-winning, Narnia-inspired Indigenous middle-grade fantasy series.

While exploring World’s End, an area in Aski they've just discovered, Morgan and Emily delight in their developing relationship, while Eli struggles to understand his new-found power: the ability to locate a portal. A shocking turn of events leads them to a new village, Ministik, where the animal beings who live there are going missing. Horrified to discover who is responsible, the children vow to help and turn to friends, old and new. But it's getting harder and harder to keep the two worlds separate, especially when details of a traditional legend change everything. Forever.

Reviews
"Delivers what series fans have come to expect: fast-paced adventure, humorous banter, and tender explorations of Indigenous experiences." —Kirkus Reviews 

"David A. Robertson’s novel The Portal Keeper, a remix of The Chronicles of Narnia set in Winnipeg, is an exciting new instalment that adds its distinct touch on the world that Robertson has been building on for the past four years." —Northern News Service

"The Portal Keeper is another excellent instalment in the Misewa Saga. Robertson’s increasingly masterful prose keeps readers engaged, curious, and on the edge of their seats."—The Anishinabek News

Educator & Series Information
Recommended for ages 10+.

This is the fourth book in the Misewa Saga. Narnia meets traditional Indigenous stories of the sky and constellations in this epic middle-grade fantasy series from award-winning author David Robertson.

Additional Information
256 pages | 5.50" x 8.25" | Paperback

The book contains four Dene stories, as told by Raymond Yakeleya. "Flight Through the Rainbow" is about flying through a rainbow in a small plane and experiencing multi-sensations of colour. It also tells the legend of the spider and how its web catches raindrops that create the rainbow. "The Midwife and the Spirit of Life," dedicated to Raymond's Granny Harriet Gladue, is about the birth of babies and bringing their spirits into the world. "The Slingshot and the Songbird" is about a boy's sadness over killing a friendly songbird. "The Medicine Brothers and the Giant Birds" is a tale told to Raymond by his uncle George Blondin about the hazards of giant animals when the world was new.

The book also contains Dene language translation of terms from the book.

Educator & Series Information
This book is recommended for ages 8 to 12.

This book is part of the Indigenous Spirit of Nature series.

Additional Information
48 pages | 8.50" x 8.50" | Paperback

A bold, provocative collection of essays exploring the historical and contemporary Indigenous experience in Canada.

With authority and insight, Truth Telling examines a wide range of Indigenous issues framed by Michelle Good’s personal experience and knowledge.

From racism, broken treaties, and cultural pillaging, to the value of Indigenous lives and the importance of Indigenous literature, this collection reveals facts about Indigenous life in Canada that are both devastating and enlightening. Truth Telling also demonstrates the myths underlying Canadian history and the human cost of colonialism, showing how it continues to underpin modern social institutions in Canada.

Passionate and uncompromising, Michelle Good affirms that meaningful and substantive reconciliation hinges on recognition of Indigenous self-determination, the return of lands, and a just redistribution of the wealth that has been taken from those lands without regard for Indigenous peoples.

Truth Telling is essential reading for those looking to acknowledge the past and understand the way forward.

Reviews
“With blistering clarity, Michelle Good exposes the contradictions at the heart of Canada, but also imagines beyond them, setting out a specific vision for an Indigenous future governed by us. Good’s essays, woven with personal testimony, are deeply researched and traverse great swaths of history and policy; they are also very rousing and moving. No Canadian can feign ignorance of the Indigenous struggle when this book is within arm’s reach.” — Billy-Ray Belcourt, author of A Minor Chorus

"Good reminds us what the truth in Truth and Reconciliation actually requires of all of us: Indigenous peoples and Canadians. Addressing storytelling and historical myth-making, this book would have changed my nineteen-year-old world had it been available and rendered normative for my teachers. Good’s work is formidable, elemental and reminiscent of Cardinal’s Unjust Society. This work, should be required reading for every Canadian. Smart, generous and insightful. 'There is no such thing as Crown Land. It is all Indigenous land.' Good writes. This truth resonates. Serves notice: it is time." — Dr. Tracey Lindberg, Law Professor, author of Birdie

“Truth Telling is at once heartfelt, instructive, and authentic, expertly exploring the key issues that have shaped the Indigenous reality in Canada.… This collection is an indispensable resource.” — Waubgeshig Rice, author of Moon of the Crusted Snow

“As Canadians search for a national approach to reconciliation... this book reminds us of how we arrived at this moment.…[and] is the kind of reference that will help us navigate our fraught journey.” — Dr. Eldon Yellowhorn, Professor of Indigenous Studies, Simon Fraser University

“Truth Telling is a powerful, urgent, and necessary book that gets to the heart of true reconciliation and maps a course for achieving it. Bridging personal stories and lived experiences with sharp historical analysis, Michelle Good’s writing is both beautiful and heartbreaking. Honest, forthright, and powerful, Truth Telling offers insights and analysis that every policymaker and politician—indeed, any person who calls Canada “home”— can and must read. Urgently.” — 2023 Balsillie Prize for Public Policy Jury

Educator Information
Truth Telling is a collection of essays about the contemporary Indigenous experience in Canada.

Additional Information
232 pages | 5.00" x 7.50" | Paperback

Unbroken is an extraordinary work of memoir and investigative journalism focusing on missing and murdered Indigenous women and girls, written by an award-winning Gitxsan journalist who survived life on the streets against all odds.

As a Gitxsan teenager navigating life on the streets, Angela Sterritt wrote in her journal to help her survive and find her place in the world. Now an acclaimed journalist, she writes for major news outlets to push for justice and to light a path for Indigenous women, girls, and survivors. In her brilliant debut, Sterritt shares her memoir alongside investigative reporting into cases of missing and murdered Indigenous women in Canada, showing how colonialism and racism led to a society where Sterritt struggled to survive as a young person, and where the lives of Indigenous women and girls are ignored and devalued.

Growing up, Sterritt was steeped in the stories of her ancestors: grandparents who carried bentwood boxes of berries, hunted and trapped, and later fought for rights and title to that land. But as a vulnerable young woman, kicked out of the family home and living on the street, Sterritt inhabited places that, today, are infamous for being communities where women have gone missing or been murdered: Vancouver's Downtown Eastside, and, later on, Northern BC's Highway of Tears. Sterritt faced darkness: she experienced violence from partners and strangers and saw friends and community members die or go missing. But she navigated the street, group homes, and SROs to finally find her place in journalism and academic excellence at university, relying entirely on her own strength, resilience, and creativity along with the support of her ancestors and community to find her way.

"She could have been me," Sterritt acknowledges today, and her empathy for victims, survivors, and families drives her present-day investigations into the lives of missing and murdered Indigenous women. In the end, Sterritt steps into a place of power, demanding accountability from the media and the public, exposing racism, and showing that there is much work to do on the path towards understanding the truth. But most importantly, she proves that the strength and brilliance of Indigenous women is unbroken, and that together, they can build lives of joy and abundance.

Reviews
"Sterritt's story is living proof of how courageous Indigenous women are. Listen to her voice and hear the sound of the land, hear the sound of our women weeping but also raging—refusing to be neglected or ignored any longer."—Tanya Talaga, author of Seven Fallen Feathers and All Our Relations

"A fierce, necessary, deeply moving book. Sterritt uses her difficult personal journey to frame the terrible history of missing and murdered Indigenous women in Canada. Haunting and illuminating."— Eden Robinson, author of Son of a Trickster

"Angela Sterritt takes on Canada's deeply flawed justice system, deftly exposing systemic racism and the continuing impacts of colonialism. This book is a compelling read and a well-researched and powerful heart-centered memoir."—Lorimer Shenher, author of That Lonely Section of Hell

"With facts and humanity, Angela Sterritt effortlessly draws us into this emotional and important read. A courageous Indigenous voice who uses her personal journey to educate all of us about critical and urgent issues we must address, including Missing and Murdered Indigenous Women and Girls."— Jody Wilson-Raybould

"A new clear, compelling, and urgent voice illuminates a critical topic of our times with the passion and profound caring of a devoted sister. A tour de force."—Darrel McLeod, author of Mamaskatch and Peyakow

"A remarkable life story. . . Angela Sterritt is a formidable storyteller and a passionate advocate."—Cherie Dimaline, author of The Marrow Thieves

"[A] thought-provoking memoir. . . Beginning with a haunting list of names of Indigenous women and girls who were either murdered or missing along the Highway of Tears, the book tells the stories of such ignored and abused victims. . . The final product is eyeopening, making use of tragic firsthand accounts from grieving families and Sterritt's personal memories, all raw and rich with detail. . . [P]owerful."—Foreword Reviews

Additional Information
6.00" x 9.00" | Paperback

“Your ancestors have called us to help you.”

“I think you have the wrong number.”

Damon Quinn just wants to get through his senior year unscathed. His mom struggles with alcohol and is barely coping with the day-to-day. Marcus and his cronies at school are forever causing him trouble. The new girl, Journey, won’t mind her own business. To make matters worse, now a mysterious crow is following him everywhere. After he is seized by a waking dream in the middle of a busy street, he’s forced to confront his mom with some hard questions: Why haven’t I met my dad? Where did we come from? Who am I?

Damon must look within himself, mend the bond with his mother, and rely on new friends to find the answers he so desperately needs. Travelling through time and space, Damon will have to go back before he can move forward.

Reviews
“Tight prose links Wanda John-Kehewin’s poetry background to [this] graphic novel for young people. It is a powerful story that proves knowing ourselves means understanding where we came from. burton’s illustrations transport the reader into Damon’s world. The contrast between the dull, dreary colours of Damon’s everyday life and the vivid, colourful realm of his dreams in particular, highlight the healing power of learning from history.” — Prairie Books Now

Educator & Series Information
Recommended for ages 15 to 18.

This is the first book in the Dreams series.

Recommended in the Canadian Indigenous Books for Schools resource collection for grades 9 to 12 for English Language Arts, Art, and Social Studies.

Content Warnings: Addictions, alcoholism, trauma.

Additional Information
80 pages | 6.50" x 10.00" | Paperback

"The Owl Song" by Alan Syliboy & the Thundermakers is now a gorgeously illustrated book for all ages, exploring Mi'kmaw spirituality, life and death.

They say when the Owl calls your name
that the Creator is calling you home.

And when the owl comes to you,
he sits and waits until your final breath.
Then your journey begins.

From bestselling author Alan Syliboy (Mi'kmaw Daily Drum, Wolverine and Little Thunder, The Thundermaker) comes a beautiful new book exploring spirituality, mortality and grieving. An illustrated extended version of his popular song "The Owl Song," it features imagery inspired by his band Alan Syliboy & The Thundermakers' performance material and an author's note on Mi'kmaw tradition and Syliboy's own personal experiences with death. This book for all ages is a poignant depiction of what might happen when the Owl calls your name, and you begin your journey home to the ancestors.

Educator Information
The publisher recommends this picture book for all ages.

Subjects: death, grief, afterlife, spiritual, Mi'kmaw tradition

Additional Information
32 pages | 8.00" x 8.00" | Hardcover

In this followup to his hugely popular Midnight Storm Moonless Sky: Indigenous Horror Stories, Blackfoot storyteller Alex Soop plunges us again into enthralling tales that mix reality with dark terror. Within its stories, Whisper at Night and They Will Come reveals ancient theories of the paranormal, post apocalyptic scenarios, impossible wells of grief, and monstrous phobias. Soop scares the wits out of readers, all the while uncovering overlooked social anxieties and racism affecting Indigenous Peoples across North America.

Educator & Series Information
This is the second volume in the Indigenous Horror series.

Additional Information
276 pages | 5.50" x 8.50" | Paperback

Miskozi is searching for something...There's something missing. And she's not sure what it is. She goes on a search for herself and her culture, accompanied by her inner white girl, Waabishkizi, and guided by Ziibi, a manifestation of an ancestral river, both provoking her to try and find the answers. She begins the journey back before she was even born, right at the seeds of colonization when her ancestors were forced to hide their culture anywhere they could. Burying their language.Their teachings.Their bundles.Their moccasins. White Girls in Moccasins is a hilarious and poignant reclamation story that world-hops between dreams, memories, and a surreal game show. Miskozi recounts her life and is forced to grapple with her own truth, while existing in a society steeped in white supremacy. A love letter to brown kids born in the 80s, surviving in the 90s and all those continuing to deeply reclaim.

Additional Information
72 pages | 5.50" x 8.50" | Paperback