Indigenous Stories / Narratives

In the fall of 1850, Faye and her family begin a long, difficult journey with thousands of other Ojibwe people to receive money the U.S. government owes them. But why isn’t the money being delivered to them in Wisconsin, as usual? Why must they walk and canoe all the way to the middle of Minnesota in terrible weather? These are questions Faye asks, but the answers don’t make sense. When her family reaches their destination, Mama is sick, and there is no money as promised. Will Faye and her family make it back home? Will there be a home to return to? In this gripping story with nonfiction backmatter—including an author’s note, discussion questions, and more—readers will learn about the traumatic events of the Sandy Lake Ojibwe removal in this Girls Survive historical fiction.

Educator Information
Recommended for ages 8 to 12.

Additional Information
112 pages | 5.25" x 7.50" | Paperback

First Nations culture is living, vibrant, and evolving, and generations of Indigenous kids have grown up with pop culture creeping inexorably into our lives. From gaming to social media, pirate radio to garage bands, Star Trek to D&D, and missed connections at the pow wow, Indigenous culture is so much more than how it’s usually portrayed. Indiginerds is here to celebrate those stories!

Featuring an all-Indigenous creative team, Indiginerds is an exhilarating anthology collecting 11 stories about Indigenous people balancing traditional ways of knowing with modern pop culture. Includes work by Alina Pete, PJ Underwood, Kameron White, Rhael McGregory, and many more.

Educator Information
Recommended for ages 12 to 18.

Full Creator Listing: Tate Allen, Ida Aronson, Jordanna George, Raven John, Nipinet Landsem, Rhael McGregor, Sam “Mushki” Medlock, Alina Pete, Wren Rios, PJ Underwood, Kameron White

Additional Information
120 pages | 6.62" x 10.25" | Paperback

One day, Ullak forgets her grandma's warning about playing on the ice pans and is suddenly kidnapped by a sea monster.

Ullak is brought to Sanna, the ruler of the seas and all the mammals in it, at the bottom of the sea. Together they visit different Arctic sea animals and learn all about them. Ullak is having a lot of fun exploring underwater, but it's getting late. Will she be able to convince Sanna to help her find her way home?

Educator Information
Recommended for ages 8 to 10.

F&P Level: R

Ullak and the Creatures of the Sea features Sanna, a prominent figure in Inuit traditional stories.

Additional Information
48 pages | 6.00" x 9.00" | Paperback

A magical realistic middle-grade debut about the origin story of the Iñupiaq Messenger Feast, a Native Alaskan tradition.

As his family prepares for winter, a young, skilled hunter must travel up the mountain to collect obsidian for knapping—the same mountain where his two older brothers died.

When he reaches the mountaintop, he is immediately confronted by a terrifying eagle god named Savik. Savik gives the boy a choice: follow me or die like your brothers.

What comes next is a harrowing journey to the home of the eagle gods and unexpected lessons on the natural world, the past that shapes us, and the community that binds us.

Eagle Drums by Nasuġraq Rainey Hopson is part cultural folklore, part origin myth about the Messenger’s Feast – which is still celebrated in times of bounty among the Iñupiaq. It’s the story of how Iñupiaq people were given the gift of music, song, dance, community, and everlasting tradition.

Awards

• 2024 Newbery Honor Book
• 2024 American Indian Library Association Youth Literature Award 

Reviews
“A soaring story of family and courage, culture and community, wonder and resilience.” — Cynthia Leitich Smith, anthologist of Ancestor Approved: Intertribal Stories for Kids

“An epic journey in every sense of the word, Eagle Drums is a new classic. Pinja welcomes the reader to travel with him on this treacherous quest and by the time his voyage is complete, you will grieve, struggle, and celebrate alongside him.” —Donna Barba Higuera, author of Newbery Medal winner The Last Cuentista

“Nasuġraq Rainey Hopson has accomplished something truly monumental. Through her impressive talents as a writer and artist, Rainey shares cultural teachings and, indeed, the art of storytelling with readers of all ages. Eagle Drums is a masterpiece!” —Angeline Boulley, author of the #1 New York Times bestseller Firekeeper's Daughter

Educator Information
Recommended for ages 8 to 12. 

Additional Information
256 pages | 5.38" x 8.25" | Hardcover 

Andy has had a rough school year and is ready for summer vacation. But when Grandpa Rick tells him that he will be participating in a canoe journey instead of enjoying his usual summer activities, Andy feels he is being punished.

Join Andy as he experiences a Tribal Canoe Journey for the first time and learns what it’s like to belong to a canoe family. Follow along as Andy navigates physical and emotional challenges and finds an answer to the important question: “Who am I?”

Awards

• 2024-2025 Hackmatack Children's Choice Award Shortlisted 

Reviews
"In this graphic novel, Andy gains insight into his own heritage and identity when he joins a group of youth who are participating in a Tribal Canoe Journey. People from different communities paddle to a host Nation for cultural celebrations in this annual West Coast event. The paddlers must train and prepare for the journey, which takes several days through variable conditions. The experience is physically demanding, but Andy learns much about his people’s culture, and he gains a sense of belonging as part of a canoe family." - Canadian Teacher Magazine, Spring 2023 Issue

"This graphic novel highlights how First Peoples connect to their culture and honour their past. The first-hand perspectives of participants in the 2019 journey help showcase the human emotions and physical challenges it involves. Teachers across elementary and secondary levels can use this short graphic novel as a read-aloud in a classroom or literature circles to help students learn about tribal canoes. Students could also be invited to explore their own traditions and experiences, and the art in the book could inspire projects that are based on the illustrations in this story." - Focused Education Resources

"Andy's Tribal Canoe is a fantastic book to use for reading groups. We were able to have amazing discussions. I started with the question, "Who am I?" And had students write what they would like to say before we opened the book. Then as we went through the book we made connections to their local communities, elders, food, canoe journeys etc. We also had our school elder come in for a discussion.... We also talked about what we would do if we were the host place for the tribal canoe journey, what we would want them to know about our community and what food would we like to share. Students created their own canoe on paper with drawings to represent themselves and their communities. I love this book. It led to more than I ever expected, students loved the pictures and the story. I hope to read this with as many students as possible." - Holly Polischuk, Cayoosh Elementary School Educator

Educator Information
Recommended for grades 3 to 8.

Additional Information
72 Pages | 8" x 10" | Paperback | ISBN: 978-1-77174-600-7

An honest look at life in an Indian residential school in the 1950s, and how one indomitable young spirit survived it — 30th anniversary edition.

Seepeetza loves living on Joyaska Ranch with her family. But when she is six years old, she is driven to the town of Kalamak, in the interior of British Columbia. Seepeetza will spend the next several years of her life at an Indian residential school. The nuns call her Martha and cut her hair. Worst of all, she is forbidden to “talk Indian,” even with her sisters and cousins.

Still, Seepeetza looks for bright spots — the cookie she receives at Halloween, the dance practices. Most of all, there are her memories of holidays back at the ranch — camping trips, horseback riding, picking berries and cleaning fish with her mother, aunt and grandmother. Always, thoughts of home make school life bearable.

Based on her own experiences at the Kamloops Indian Residential School, this powerful novel by Nlaka’pamux author Shirley Sterling is a moving account of one of the most blatant expressions of racism in the history of Canada.

Includes a new afterword by acclaimed Cree author Tomson Highway of the Barren Lands First Nation in northern Manitoba.

Educator Information
Recommended for ages 9 to 12.

Key Text Features: afterword, dialogue, journal entries, maps.

Correlates to the Common Core State Standards in English Language Arts:

CCSS.ELA-LITERACY.RL.4.2
Determine a theme of a story, drama, or poem from details in the text; summarize the text.

CCSS.ELA-LITERACY.RL.5.1
Quote accurately from a text when explaining what the text says explicitly and when drawing inferences from the text.

CCSS.ELA-LITERACY.RL.6.6
Explain how an author develops the point of view of the narrator or speaker in a text.

Includes a new afterword by acclaimed Cree author Tomson Highway of the Barren Lands First Nation in northern Manitoba.

Additional Information
128 pages | 5.10" x 7.50"

In each new adventure, Putuguq and Kublu learn about an element of Inuit mythology from their Elders, sometimes using what they learn to get the best of each other!

Putuguq and Kublu are at their grandparents’ house for lunch—caribou stew, Putuguq’s favourite! Putuguq’s worn out (and stinky!) kamiik remind his grandparents of the story of the amautalik and the orphan, a traditional Inuit story about a little orphan who outsmarts a child-stealing ogress. Grandmother’s storytelling over lunch starts Putuguq’s imagination running wild . . .

After lunch, Putuguq and Kublu decide to play a game of hide-and-seek. But, for Putuguq, this is no ordinary game. The house is full of strange noises, and what is that hulking figure? Could an amautalik really be stalking him inside his grandparents’ house? Putuguq is about to find out!

Educator & Series Information
Recommended for ages 6 to 8.

This book is part of the Putuguq & Kublu series.

Additional Information
40 pages | 6.00" x 8.00" | Paperback

In Siksikaitsitapi: Stories of the Blackfoot People, seven authors share their stories that come from both from legend and from their personal experiences, with many of the stories in both Blackfoot and English languages. The book is illustrated with beautiful full-colour pictures and photos which help convey these stories from Blackfoot traditional and contemporary traditions and cultures. The Blackfoot Confederacy is made up of the Siksika, Kainai, Piikani, and Amskapi Piikuni Nations of Southern Alberta and Montana.

Payne Many Guns' story captures the ways the Blackfoot People live in harmony with the land, animals, and stars in their traditional lands.

Crystal Many Fingers tells a delightful, modern story about animals, their gifts, and why they were put on Earth.

Sheena Potts' story beautifully illustrates the many ways love is alive in Blackfoot traditions and culture.

Tim Fox tells a humerous story about mice who are having a celebration that the raven Napi and a group of dogs want to join.

Marlene Yellow Horn shares her personal story of the teachings she learned as a child about the Elders' traditional and sacred knowledge.

DerRic Starlight tells the tale of Morning Star's diverse and loving family life.

Foreword is by Alayna Many Guns.

Educator & Series Information
The publisher recommends this title for grades 6 to 12, but these stories will appeal to children of all ages. 

This book is part of the Indigenous Spirit of Nature series.

"These Blackfoot children’s book chapters share common knowledge stories which have been shared to our authors. Common knowledge includes everyday lessons and norms. The book provides us with an opportunity to reclaim our truths. In the past, sitting with an Elder and listening to traditional stories of the stars, the animals, Napi, and our purpose was a great gift. Today, this is more important than ever. Elders gift us with purpose, strength, knowledge, and love." - Alayna Many Guns, from the foreword 

Additional Information
144 pages | 6.00" x 9.00" | Colour illustrations | Paperback

“Be careful of what you accept from spirits.”

Loup Garrou, trickster rabbits, and spirits with names that can’t be spoken — the plains and forests of North America are alive with characters like these, all waiting to meet you in this collection of folklore retold in comics!

Reviews
"Enjoyable for reading aloud or sharing around a campfire." -- KIRKUS

"Explores the stories, passed down through generations, of the people who have inhabited Turtle Island since time immemorial." - Women Write About Comics 

Educator Information
Comic book recommended for ages 10 to 12.

The book features more than 100 pages of entertaining and educational stories by artists and writers from Indigenous nations across the continent, including:

•  “As It Was Told to Me”, a creation tale that shows that the world needs good and bad to exist, which is written and illustrated by Elijah Forbes, a transgender Odawa illustrator who has facilitated the creation of illustration projects such as the 2020 “Trans Awareness Week.”
   
• “Chokfi,” the story of the trickster rabbit, who is jealous of Otter's fur coat and tries to steal it, by writer Jordaan Arledge, a trans Chickasaw comic writer and the founder of Arledge Comics, and  artist Mekala Nava.
   
• “White Horse Plains”, a cautionary tale about greed that comes from the Métis settlement St. Francois Xavier, as told by Rhael McGregor, a Non-Binary/Two-Spirit Métis comic artist and animator from Winnipeg, Manitoba.
   
• “Rougarou” by Mystery Solving Lesbians writer Maija Ambrose Plamondon and Métis-based artist Milo Applejohn, about a werewolf-like creature that haunts the Métis communities.
   
• “Agonjin In the Water” by the non-binary Ojibawe artist Alice RL, about a girl whose tribe is suffering from a drought and finds a Mishipeshu while searching for water.
   
• “Woman in the Woods” by the Cuban Taíno artist and storyteller Mercedes Acosta about a curious girl who sees a mysterious figure in the woods at night.
   
• “Into Darkness” by Izzy Roberts, a Michigan-based illustrator and a member of the Navajo Nation and Kinyaa’áanii clan, about a creature so dangerous and scary that no one dares utter its name.

Additional Information
120 pages | 6.06" x 9.04" | Black and white throughout | Paperback 

Based on the true story of the author’s biological mother and aunt, this middle-grade novel traces the long and frightening journey of two Kaska Dena sisters as they are taken from their home to attend residential school.

When Maddy discovers an old photograph of two little girls in her grandmother’s belongings, she wants to know who they are. Nan reluctantly agrees to tell her the story, though she is unsure if Maddy is ready to hear it. The girls in the photo, Aggie and Mudgy, are two Kaska Dena sisters who lived many years ago in a remote village on the BC–Yukon border. Like countless Indigenous children, they were taken from their families at a young age to attend residential school, where they endured years of isolation and abuse.

As Nan tells the story, Maddy asks many questions about Aggie and Mudgy’s 1,600-kilometre journey by riverboat, mail truck, paddlewheeler, steamship, and train, from their home to Lejac Residential School in central BC. Nan patiently explains historical facts and geographical places of the story, helping Maddy understand Aggie and Mudgy’s transitional world. Unlike many books on this subject, this story focuses on the journey to residential school rather than the experience of attending the school itself. It offers a glimpse into the act of being physically uprooted and transported far away from loved ones. Aggie and Mudgy captures the breakdown of family by the forces of colonialism, but also celebrates the survival and perseverance of the descendants of residential school survivors to reestablish the bonds of family.

Awards

• City of Victoria Children’s Book Prize 2022

Educator Information
Middle-grade novel recommended for ages 9 to 12.

Additional Information
144 pages | 5.50" x 8.00" | Paperback

MOONSHOT: The Indigenous Comics Collection brings together dozens of creators from North America to contribute comic book stories showcasing the rich heritage and identity of indigenous storytelling. From traditional stories to exciting new visions of the future, this collection presents some of the finest comic book and graphic novel work on the continent.

Educator & Series Information
Inhabit Education Books is proud to distribute this important collection of Indigenous comic stories, originally published by Alternate History Comics. Moonshot has been published under Avani, an imprint featuring titles that extend beyond the Canadian North, giving readers the opportunity to explore cultures and stories from all over Canada and around the world.

Ages 12+

This is volume 1 in the series.

Additional Information
176 pages | 6.50" x 10.25" | colour illustrations

All cultures have tales of the trickster, a crafty creature or being who uses cunning to get food, steal precious possessions, or simply cause mischief. He disrupts the order of things, often humiliating others and sometimes himself. In Native American traditions, the trickster takes many forms, from coyote or rabbit to raccoon or raven. The first graphic anthology of Native American trickster tales, Trickster brings together Native American folklore and the world of comics.

In Trickster more than twenty Native American tales are cleverly adapted into comic form. Each story is written by a different Native American storyteller who worked closely with a selected illustrator, a combination that gives each tale a unique and powerful voice and look. Ranging from serious and dramatic to funny and sometimes downright fiendish, these tales bring tricksters back into popular culture in a very vivid form. From an ego-driven social misstep in "Coyote and the Pebbles" to the hijinks of"How Wildcat Caught a Turkey" and the hilarity of "Rabbit's Choctaw Tail Tale", Trickster provides entertainment for readers of all ages and backgrounds.

Additional Information
248 pages | 8.00" x 8.00" | Paperback

The beloved story of an Inuvialuit girl standing up to the bullies of residential school, updated for a new generation of readers.

Margaret Olemaun Pokiak-Fenton’s powerful story of residential school in the far North has been reissued to commemorate the memoir’s 10th anniversary with updates to the text, reflections on the book’s impact, and a bonus chapter from the acclaimed follow-up, A Stranger at Home. New content includes a foreword from Dr. Debbie Reese, noted Indigenous scholar and founder of American Indians in Children’s Literature, while Christy Jordan-Fenton, mother of Margaret’s grandchildren and a key player in helping Margaret share her stories, discusses the impact of the book in a new preface.

With important updates since it first hit the shelves a decade ago, this new edition of Fatty Legs will continue to resonate with readers young and old.

Reviews
"I highly recommend this book for the discussion it would stir with students...Makes the harrowing residential school stories accessible to youth." — Resource Links

"Presents a unique and enlightening glimpse into the residential school experience and, most importantly, one little girl's triumph over her oppressors." — Quill & Quire

Educator Information
Themes: biography; Inuit; Indigenous peoples; Indigenous; arctic; school; self-esteem; abuse; community; prejudice; Canadian content; courage/bravery; right vs. wrong; role reversal; secrets; society; history; bullying; memoir; character education.

This resource is also available in French: Les bas du pensionnat

This resource is also available in its original format: Fatty Legs: A True Story 

Additional Information

Authenticity Note
This illustrator of this book is not Indigenous; therefore, her artwork is not considered to be Authentic Indigenous Artwork according to Strong Nations Authenticity Guidelines. The archival photos from Margaret Pokiak-Fenton's personal collection, however, are considered to be authentic, which is why the book is labelled as containing Authentic Indigenous Artwork. It is up to readers to determine whether or not the images in this work are authentic for their purposes.