Indigenous Peoples in the United States

Immerse yourself in Indigenous Voices, an inspiring volume of quotations by Indigenous thought leaders, activists, politicians, and scholars illustrated with stunning artwork by Indigenous artists.

This captivating book weaves together the timeless wisdom of Indigenous people from various nations and regions through a mosaic of more than 60 quotes, words, and stories by elders, leaders, activists, scholars, and influential contemporaries spanning all walks of life. Discover the diverse and unique heritage of extraordinary people like:

• Shina Novalinga – A member of the Inuk living in Montreal, Canada, Shina Novalinga is a content creator, singer, and activist who shares her Inuk culture across social media, of which an important aspect is traditional throat singing with her mother.
• Natali Segovia – A member of the Quechua, Natali Segovia is the Executive Director of the Water Protector Legal Collective and a human rights attorney. Her advocacy focuses on defending Water Protectors and human rights defenders facing repression for their activism.
• Corrina Gould – Of the Ohlone, Corrina Gould is the chair and spokesperson for the Confederated Villages of Lisjan, the Co-Director for the Sogorea Te' Land Trust, and the lead organizer for Indian People Organizing for Change.
• Elias Not Afraid – A member of the Apsáalooke (Crow), Elias Not Afraid is a mega-award-winning queer beader and fashion designer. He says, “When people think of native beadwork, they think trinkets and good luck charms and dream catchers but it’s far from it. I create wearable art that is durable and can be used daily and last over a lifetime and be used as a family heirloom.”
• Lily Gladstone – An American actress from the Blackfeet Reservation, Gladstone is of Piegan Blackfeet, Nez Perce, and European heritage. They earned critical acclaim for portraying Mollie Kyle, an Osage woman who survived the Osage Indian murders in Martin Scorsese’s film Killers of the Flower Moon, among other important roles in film and television.
• Kola Shippentower – A member of the Umatilla, Shippentower is the first Native American player for the Oregon Ravens, a tackle football team for women and non-binary players.
• Shiloh Maples – Of the Odawa, Maples is a citizen of the Little River Band of Indians based in Michigan. Through her interest in Indigenous food systems and her own Ojibwe and Odawa heritage, she developed the program Sacred Roots for the American Indian Health and Family Services in Detroit, where she taught cooking classes and promoted dishes using traditional, seasonal, and local ingredients in a way that improved participants’ health while connecting them with their culture.
• Alvera Sargent – Sargent, of the Akwesasne Mohawk, worked with the Akwesasne Freedom School, one of the oldest Indigenous language schools in North America. “My hope for our tribal community at large is that more of our people come back to our traditional space. I am grateful that our time has come as Indigenous people are being recognized for their traditional knowledge systems. The community is recognizing that Indigenous people do have the wisdom of our ancestors to share, which helps all areas of our society.”
• And more!

Indigenous Voices offers a unique opportunity to connect with ancient traditions, refresh your perspective with modern insight, and gain awareness and understanding that resonate across cultures and generations.

Additional Information
192 pages | 7.5" x 8.6" | Hardcover 

An Indigenous Origin – The Maskoki Cheraw Connection unveils a deeply researched and long-overlooked history of the Lumbee Tribe’s ancestral connection to the Cheraw people. Drawing on fourteen years of meticulous research, LK Oxendine uncovers historical records, maps, treaties, and cultural narratives that restore a suppressed identity erased by centuries of denial, displacement, and political marginalization.

From the ancient Maskoki territories to the arrival of Spanish, French, and British forces, this compelling account traces the Lumbee Cheraw’s journey through survival, cultural preservation, and the ongoing struggle for recognition. Oxendine’s work honors the voices of ancestors, the strength of matrilineal societies, and the unbreakable ties between people and land.

Part memoir, part ethnographic history, this book invites readers to witness the truth long hidden in archives and oral traditions, truth that affirms an honorable Indigenous heritage and demands acknowledgment in the twenty-first century.

If you are drawn to Indigenous history, identity reclamation, and the untold stories of the American Southeast, An Indigenous Origin – The Maskoki Cheraw Connection is an essential read.

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416 pages | 6.00" x 9.00" | Paperback 

An investigation into how Native American identity became a commodity, from cultural appropriation to ethnic fraud to disenrollment

Settler capitalism has been so effective that the very identities of Indigenous people have been usurped, misconstrued, and weaponized. In Who Gets to Be Indian?, scholar and writer Dina Gilio-Whitaker (Colville Confederated Tribes) explores how ethnic fraud and the commodification of Indianness has resulted in mass confusion about what it means to be Indigenous in the United States.

As an entry point to the seemingly intractable problem of ethnic fraud, Gilio-Whitaker critically looks to the film industry, including a case study of Sacheen Littlefeather, who is most known as the Native American woman that rejected an Oscar on behalf of Marlon Brando in 1973—though later revealed, she was not who she said she was. Gilio-Whitaker argues that this pretendian phenomenon originated in Southern California when the United States was forcing assimilation of Indians into white America culturally, but also into its capitalist economic system. With Indianness becoming a marketized commodity in the Hollywood film business, the field became open to anyone who could convincingly adopt an Indian persona.

Deeply researched using socio-historical analysis, Gilio-Whitaker offers insights from her own experiences grappling with identity to provide clarity and help readers understand how the commodification of Indianness have ultimately left many people of legitimate American Indian heritage to be disconnected from their tribes. Personal and compelling, Gilio-Whitaker takes settler capitalism to task and helps us better understand how we got here in order to counteract the abuses of pretendianism and disenrollment.

Reviews
“This incendiary j’accuse isn’t afraid to name names.”—Publishers Weekly, Starred Review

“With clarity and conviction, Dina Gilio-Whitaker exposes what’s at stake for Native people when Indianness becomes a commodity. A sharp, personal, and urgent look at the high cost for actual Native people in a system built to exploit them at every turn.”—Kim TallBear, author of Native American DNA: Tribal Belonging and the False Promise of Genetic Science

“Indigeneity is caught between truth tellers and tricksters. With abiding concern for tribal nationhood, Dina Gilio-Whitaker boldly espouses our truths while confronting the tricksters among us. Indigenous America needs more truth tellers like her and books like this.”—Gabe Galanda, Indigenous rights attorney

“Dina Gilio-Whitaker’s Who Gets to Be Indian? tackles the problem of the commodification of Native identity at a crucial moment in American history. With incisive analysis, Gilio-Whitaker reveals how settler capitalism has distorted and exploited Indigenous identities and exposes the roots of folks pretending to be Native and its harms to Native communities. This book is a call to action and a vital tool for understanding how we can protect Indigenous people. A must-read for anyone seeking to confront the complexities of Native identity, sovereignty, and power in America.”—Liza Black, author of Picturing Indians: Native Americans in Film, 1941–1960

“A fresh and unflinching look into the rise of pretendianism—when it became normalized for Hollywood to grant Native American identities to various grifters. Dina Gilio-Whitaker’s courageous and original analysis will challenge readers, Indigenous or not, to think deeply about the nature of settler colonialism today.”—Darryl Leroux, author of Distorted Descent: White Claims to Indigenous Identity

Additional Information
280 pages | 6.22" x 9.30" | Hardcover 

A moving multigenerational memoir of Indigenous resistance, environmental justice, and a Yurok family's fight to protect their legacy and the Klamath River.

For the members of a Northern California tribe, salmon are the lifeblood of the people—a vital source of food, income, and cultural identity. When a catastrophic fish kill devastates the river, Amy Bowers Cordalis is propelled into action, reigniting her family's 170-year battle against the U.S. government.

In a moving and engrossing blend of memoir and history, Cordalis propels readers through generations of her family’s struggle, where she learns that the fight for survival is not only about fishing—it’s about protecting a way of life and the right of a species and river to exist. Her great-uncle's landmark Supreme Court case reaffirming her Nation’s rights to land, water, fish, and sovereignty, her great-grandmother’s defiant resistance during the Salmon Wars, and her family's ongoing battles against government overreach shape the deep commitment to justice that drives Cordalis forward.

When the source of the fish kill is revealed, Cordalis steps up as General Counsel for the Yurok Tribe to hold powerful corporate interests accountable, and to spearhead the largest river restoration project in history. The Water Remembers is a testament to the enduring power of Indigenous knowledge, family legacy, and the determination to ensure that future generations remember what it means to live in balance with the earth.

Reviews
"A powerful interweaving of memory, history, and activism, The Water Remembers is a lyrical and uncompromising account of Amy Bowers Cordalis’s fight to protect the Klamath River and the sovereignty of the Yurok Nation. Told through a Yurok storytelling lens, this book traverses ancestral knowledge, ecological devastation, and legal resistance, revealing the sacred bond between people and river. Bowers Cordalis, an attorney and lifelong fisherwoman, writes with the clarity of lived experience and the heart of a riverkeeper. This is a vital work of Indigenous resurgence and environmental justice, brimming with spirit, truth, and unstoppable resolve."—Terese Marie Mailhot, author of Heart Berries

"The Water Remembers is a powerful, poetic testament to Indigenous resilience and reverence for the natural world. Amy Bowers Cordalis weaves history, activism, and sacred connection into a compelling narrative of communities fighting to protect what is most vital. This book is not just a call to action; it’s a song of survival and restoration."—Leah Thomas, environmental educator and author of The Intersectional Environmentalist

Additional Information
288 pages | 6.00" x 9.25" | Hardcover 

A landmark photography collection featuring work exclusively by Indigenous Americans, shedding new light on the understanding of Indigenous America.

The history of photography–and the Americas–is incomplete without the critical work and perspectives of Indigenous American photographers. Since the 1800s, cameras have been in the hands of Indigenous people and they have incorporated photography into their lives as creators, patrons, and collectors.

Five years ago, photographers Brian Adams and Sarah Stacke set off on a mission to assemble a groundbreaking, digital library of Indigenous photographers from the 19th century to the present. With In Light and Shadow: A Photographic History from Indigenous America, Adams and Stacke expand on that work, creating a one-of-a-kind collection of photographs that offers a first-hand look at the people, cultures, and evolving traditions of Indigenous America while providing a counterhistory to settler-colonial narratives.

From Jennie Fields Ross Cobb, the earliest known Indigenous American woman photographer, to Arhuaco documentarian Amado Villafaña Chaparro, through Kapuleiikealoonalani Flores, a Native Hawaiian who was born in 2000, the photographers span many generations as well as multiple Indigenous societies and nations. Each entry includes a biographical sketch of the artist, along with their inspirations and contributions to the photographic medium.

With profiles of 80 photographers and more than 250 photographs, this unique book brings to light the canon of Indigenous American photography that has been developing on its own terms for decades.

Additional Information
304 pages | 8.50" x 10.30" | 250 black-and-white and color photographs | Hardcover 

 
Essays and short stories from a celebrated Cupeño/Cahuilla journalist.

"Johnson is by turns tender and hilarious—as ever. This book is a welcome addition to his loving history of the world as he knows it." —Susan Straight, author of Sacrament

In this moving collection of short stories and essays, Gordon Lee Johnson (Cupeño/Cahuilla) cements his voice not only as a commentator on American Indian reservation life but also as a master of fiction writing. From the noir-tinged mystery of "Unholy Wine" to the gripping intensity of "Tukwut," Johnson effortlessly switches genre and perspective, vividly evoking people and places that are fictional but profoundly true to life. Johnson’s nonfiction is equally revelatory in its exploration of connections between past and present. Whether examining his own conflicted feelings toward the missions as a source of both cultural damage and identity or sharing advice on cooking for eight dozen cowboys and -girls, Johnson plumbs the comedy, catastrophe, and beauty of his life on the Pala Reservation to thunderous effect.

Reviews
"Gordon Johnson's voice is like no other, and he continues in this new book to send out missives from his place in the world—the beating-strong heart of southern California's first peoples and the land they've loved for generations. Johnson is by turns tender and hilarious—as ever. This book is a welcome addition to his loving history of the world as he knows it." —Susan Straight, author of Sacrament

"A delicious communal feast of memory and imagination for California Indians or for anyone who has spent time living among us; on every page, there is a sensory connection to people, places, and events to delight the senses, evoke a smile, and trigger more stories about traditional gatherings, summer softball tournaments, elders who have passed on, or the bone-rattling comfort from hearing bird songs wafting through the summer air all night long." —Dr. Theresa Gregor (Iipay Nation of Santa Ysabel), CSU Long Beach

Additional Information
240 pages | 5.50" x 8.00" | Paperback 

A bundle of letters to activists and organizers on the frontlines in catastrophic times from Let This Radicalize You co-author Kelly Hayes.

In social movements, some heartbreaks are all but inevitable. Campaigns will be lost. Mental health crises will occur. Social ills, like gender-based violence, will manifest themselves in movement spaces. People will experience profound personal losses. Grief, alienation, and despair can grind us under. Sometimes, we need accompaniment. Sometimes, we need to be met where we’re at by a caring voice of experience. Read This When Things Fall Apart is a care package for activists and organizers building power under fascistic, demoralizing conditions. It’s an outstretched hand, offering history lessons, personal anecdotes, and practical advice about how to navigate the woes of justice work. A survival guide for the heart, this is a book for activists to keep close, and to share with co-strugglers in need.

Personal, reflective, and hopeful, Read This When Things Fall Apart harnesses the writers' individual moments of despair into living, breathing wisdom that chips away at the supposed inevitability of fascist life. Restorative like a letter from a trusted friend and invigorating like a story from a mentor, the book is an indispensable companion for all of us navigating challenging times. Featuring letters from Mariame Kaba, Ashon Crawley, Leanne Betasamosake Simpson, Leah Lakshmi Piepzna-Samarasinha, Eman Abdelhadi, Brian Merchant, and more.

Reviews
"This marvelous book is essential reading for the times we find ourselves in."—Chanda Prescod-Weinstein, author of The Disordered Cosmos: A Journey into Dark Matter, Spacetime, and Dreams Deferred

"What a gift! We all need these letters, not just in times of crisis or defeat. It is the only book you’ll hold that will hold you, free you, permit you to fail, rest, retreat, grieve, live, laugh, fight, and heal—to be human. This book must never go out of print." —Robin D. G. Kelley, author of Freedom Dreams: The Black Radical Imagination

"Read this When Things Fall Apart is a balm of these dark times. This is the book I wish I'd had as a young organizer. It is a necessary text that sent me through the full kaleidoscope of emotions—spanning rage, laughter, and sadness—but more importantly, helped ground me in times of crisis and unrelenting brutality." —Robyn Maynard, co-author of Rehearsals for Living

“If you need an antidote to despair, this book is for you. It’s a repository of fortifying collective wisdom, a tonic for our troubled times. The letters Kelly Hayes has collected offer vital insights amid the darkness, shrewd strategic advice for aspiring change-makers, and a reminder none of us are in the fight alone.” —Astra Taylor, co-author of Solidarity: The Past, Present, and Future of a World-Changing Idea

“For years I've had a saying: resist the pleasures of doom. It can feel perversely good to tell ourselves that the situation is so bad we simply can't do anything, to throw up our hands and give up. This book is an antidote to the pleasures of doom—it offers the deeper, more sustaining pleasure of solidarity, in beautiful specificity, from committed organizers in a variety of movements. They have felt despair, stared into the void of defeat, and they share concrete advice about the ways we can keep going when all feels hopeless. This book is a profound act of care.” —Sarah Jaffe, author of From the Ashes: Grief and Revolution in a World on Fire

“Read this When Things Fall Apart: Letters to Activists in Crisis is a signpost for activists who feel unsettled about themselves and the future. The contributors offer their truths and wisdom with raw vulnerability. Read this When Things Fall Apart is a resource for anyone who believes hope will guide us through the darkest of times.” —Alice Wong, editor of Disability Intimacy: Essays on Love, Care, and Desire

"These letters are like seeds in a pomegranate—gorgeous gems full of nourishment, nestled together, shaped by one another, juicy, sweet and alive. The intimacy and urgency of these wise messages, written by people who have given so much to our movements and seen so much, is just what we need right now, in harrowing times, to help new people cross the threshold to collective action and to bolster the spirits of all who continue to press on, against difficult odds. I cannot wait to give this book to my students and the people I've been working with for decades. We all need what is in here." —Dean Spade, author of Mutual Aid: Building Solidarity During This Crisis (and the Next)

“In this time of monsters burying us in grief and despair, this extraordinary collection is a steady hand with advice, analysis and affirmation. Each generous and generative letter centers our love for ourselves and our people as methodology. This book is a compelling reminder that we need each other as comrades and community, that we all have gifts to contribute to movements, and that—through uncertainty and one million experiments—we will win.” —Harsha Walia, author of Border and Rule: Global Migration, Capitalism, and the Rise of Racist Nationalism

Additional Information
172 pages | 5.50" x 8.50" | Paperback 

Next Level Chef winner Pyet De Spain celebrates her Mexican and Native American heritage in this collection of mouthwatering recipes, a vibrant fusion that ties us to the land and to one another.

Star chef Pyet DeSpain rose to prominence as the first winner of Gordon Ramsey’s Fox television show Next Level Chef. Now, in her debut cookbook, she shares the joy of cooking fueled by her burning passion for Native American and Mexican American cuisine. Rooted in Fire: A Celebration of Native American and Mexican Cooking is a tribute to her dual heritage—a gorgeously crafted celebration of the diversity of food and the stories, traditions, culture, and profound philosophies of Indigenous people that season each meal.

Pyet shows you how to incorporate a delicious range of key ingredients—from venison, dandelion greens, to sunchokes, bison, and native berries—into more than sixty fusion dishes. Family and friends will be excited to gather around the table to enjoy sweet and savory food such as:

• Three Sisters Salad
• Bison and Sweet Corn Soup
• Fry Bread
• Mexican Chocolate & Mezcal Cake
• Corn Silk and Honey Tea
• Wojapi BBQ Sauce

In addition to her inventive and palate pleasing recipes, Pyet invites home cooks to honor the seasons on our beautiful Earth and connect with essential foodways. “This is more than just a cookbook,” Pyet writes. “It’s giving a voice to Indigenous people, while also highlighting the fusion of my two cultures with fire and purpose.”

Reviews
"Pyet's talent is evident in every recipe in this book. The way she weaves her heritage into her dishes is extraordinary and I've seen it every day since the first time I tasted her work on Next Level Chef. Trust me, you're in for an absolute treat." — Gordon Ramsay

Pyet’s Rooted in Fire beautifully honors her Prairie Band of Potawatomi and Mexican heritage through food storytelling that is both personal and powerful. Her voice is heartfelt, her vision and dedication are clear, and her talent within the Indigenous food movement is undeniable. I’m so proud to see her shining as a modern-day Indigenous food warrior—this book marks an important chapter in her growing legacy." — Sean Sherman, Founder of The Sioux Chef/NATIFS.org and Author of The Sioux Chef’s Indigenous Kitchen and Turtle Island

Additional Information
288 pages | 7.38" x 9.12" | 128 four color food photographs | Hardcover 

“To know ourselves is the most profound and difficult endeavor. Though we are all made of the same questions, we have individual routes to the answers, or to reframing the questions. Why is there evil in the world? Why do people suffer, and some more than others? Why are we here? What are we doing here? What happens after death? Does anything mean anything at all? Who am I and what does it matter?” writes Joy Harjo, renowned poet and activist, in this profound work about the struggles, challenges, and joys of coming of age.

In her best-selling memoir Poet Warrior, Harjo led readers through her lifelong process of artistic evolution. In Girl Warrior, she speaks directly to Native girls and women, sharing stories about her own coming of age to bring renewed attention to the pivotal moments of becoming including forgiveness, failure, falling, rising up, and honoring our vast family of beings.

Informed by her own experiences and those of her ancestors, Harjo offers inspiration and insight for navigating the many challenges of maturation. She grapples with parents, friendships, love, and loss. She guides young readers toward painting, poetry, and music as powerful tools for developing their own ethical sensibility. As Harjo demonstrates, the act of making is an essential part of who we are, a means of inviting the past into the present and a critical tool young women can use to shape a more just future. Lyrical and compassionate, Harjo’s call for creativity and empathy is an urgent and necessary work.

Reviews
"Joy Harjo combines the wisdom that was here long before Europeans showed up with the challenges of a woman’s life in the present. The result is inspired by the past and a personal preparation for the future."— Gloria Steinem, feminist activist and author

"What a beautiful and brilliant call to arms. I wish I had Joy Harjo’s words when I was young. This book is a lovely ode to her own bravery and by extension, all of ours. Girl Warrior gives possibility to young people (and all people) through Joy Harjo’s own coming-of-age narrative. More than about having waded through tumultuous waters and survived to not only tell the story but thrive inside the people we become on the other side. This book is simply a balm."— Jacqueline Woodson, National Book Award winner

Additional Information
176 pages | 5.37" x 8.00" | Hardcover

Join the dance of North American Indigenous interpretations of Christian Scripture

In Reading the Bible on Turtle Island, Indigenous scholars Chris Hoklotubbe and Danny Zacharias explore what it means to read the Bible from the lens of Indigenous peoples in North America. Exploring the intersection of Scripture, Cultural Traditions, Hearts and Minds, and Creation, they affirm Creator's presence with Indigenous people since the beginning. By recovering these rich histories, this book offers a fresh reading of Scripture that celebrates the assets, blessings, and insights of Indigenous interpretation.

Indigenous culture has often been dismissed or deemed problematic within Western Christian circles, and historical practices have often communicated that Indigenous worldviews have little to offer the church or its understanding of Scripture. Hoklotubbe and Zacharias challenge this perspective, reasserting the dignity of these cultures that were condemned through colonial practices and showing how Indigenous interpretations bring invaluable insights to all of God’s people.

In Reading the Bible on Turtle Island, Hoklotubbe and Zacharias

• Affirm the dignity and value of Indigenous cultures and their contributions to hermeneutics.
• Explore the intersection of the Bible with Indigenous traditions.
• Delve deeply into the stories of Scripture alongside the complex histories of Indigenous communities in North America.
• Celebrate the unique blessings and insights of Indigenous interpretation.
• Offer a fresh, transformative reading of the Bible that speaks to all of God’s people.

Reading the Bible on Turtle Island is a vital resource for scholars who are interested in the intersection of biblical studies and social location, who are seeking to explore Scripture through an Indigenous hermeneutic, or who desire to learn more about the contributions of Indigenous worldviews to Biblical interpretation. 

Reviews
"We have been waiting for a book like this—one that presents indigenous biblical interpretation. T. Christopher Hoklotubbe and Daniel Zacharias call their approach to biblical interpretation Turtle Island Hermeneutics. I call it groundbreaking, urgent, and necessary at this present moment. Now students studying the Bible in seminary or college will have a text that will help them do what few books on interpretation can do—take the dirt, the water, the air, our animal kin, and of course, indigenous thought and life seriously. We are now in a new day for biblical scholarship." — William James Jennings, Andrew W. Mellon Professor of Systematic Theology and Africana Studies at Yale University Divinity School

"Some years ago, I was told that Indigenous contributions to biblical scholarship would, at best, be superficial. The real work, after all, had already been done by European scholars. Reading the Bible on Turtle Island justifies my contention that this was not so. T. Christopher Hoklotubbe and Daniel Zacharias unpack Indigenous understandings of the biblical narrative for us in profoundly earthy and culturally complex ways. For the first time ever, many Indigenous people have read themselves into the biblical story and, together with the authors, have answered Lamin Sanneh's 2003 question, 'Whose religion is Christianity?' 'It's ours,' they have said!"— Terry LeBlanc, director emeritus and elder in residence of NAIITS: An Indigenous Learning Community

"Reading the Bible on Turtle Island introduces us to the riches of Indigenous interpretation of Scripture and invites us to gather around the council fire and learn from the ongoing discussion Indigenous disciples of Jesus are having about how to 'seek Creator in the Good Medicine Way of Jesus.' T. Christopher Hoklotubbe and H. Daniel Zacharias not only create a dialogue between biblical scholarship, Indigenous history and wisdom, and ongoing debates about how to relate the gospel to culture, they do so in a way that is simultaneously accessible, deeply moving, gracious enough to create room for disagreement and ongoing debate, and occasionally laugh-out-loud funny. Yet the book also offers a challenge, that the path to the healing of the nations and the Western church includes learning from Indigenous disciples who bear witness to the good word of Creator-made-flesh."— Michael J. Rhodes, author of Just Discipleship and lecturer in Old Testament at Carey Baptist College

"How we read ourselves into the Bible shapes the theology we develop. This book offers all Christians another reading, a reading that takes our stories seriously and provides an opportunity to develop an Indigenous theology rather than simply reconciling ourselves to a theology rooted in European priorities." — Patty Krawec, author of Becoming Kin: An Indigenous Call to Unforgetting the Past and Reimagining Our Future and Bad Indians Book Club: Reading at the Edge of a Thousand Worlds

Additional Information
240 pages | 6.00" x 9.00" | Paperback

Discover the rich tapestry of human emotion and divine wisdom with the First Nations Version Psalms and Proverbs. The latest volume from the critically acclaimed First Nations Version translation brings the ancient Sacred Songs and Wise Sayings of the Hebrew Scriptures to life through the vibrant, poetic imagery of Native American oral storytelling.

Discover Psalms and Proverbs Reimagined Through the Poetic Language of Native Storytellers:

Father Sky is telling us the story of the shining-greatness of the One Above Us All. The starry tent above us shows the beauty that Creator’s hands have made. Day after day, the story is told, and night after night, their wisdom fills the sky. Even though the skies above have no spoken words, all creation has heard their message.Psalm 19:1-3

From the strength of your heart, put all your trust in Grandfather, and do not hold yourself up with weak human thinking. As you walk the road of life, make every step a prayer. Grandfather will then make your eyes straight and your paths safe.Proverbs 3:5-6

Whether you're seeking solace, strength, or spiritual insight, the First Nations Version Psalms and Proverbs will guide you with its profound expressions of praise and trust in the Creator. Step into the harmonious blend of ancient wisdom and indigenous tradition to discover a spiritual experience that speaks directly to your heart.

Reviews
"The First Nations Version is far and away the most creative Bible translation I've ever read. It's an exciting alternative to the boring, stodgy renderings that have dominated the English market for centuries. All readers can open the FNV and experience old passages in new lights. Talk about it with your kids. Study it in churches and classrooms. Use it in worship. The Bible becomes alive!"— Matthew Schlimm, professor of Old Testament at the University of Dubuque Theological Seminary

Additional Information
192 pages | 6.00" x 9.00" | Paperback 

Explore Native American culture and learn Hand Talk, also known as Plains Indian Sign Language, Plains Sign Talk, and First Nation Sign Language.

In Talking with Hands, professional Native American dancer, storyteller, and educator Mike Pahsetopah reveals the beauty of Plains Indian Sign Language, which was once used as a common language between the Indigenous peoples of the region now generally known as the Great Plains of North America. The language was used for trade, but also for storytelling and by the Deaf community, making it a very common and useful tool in society. Today, only a few native speakers remain.

This beautifully designed book makes practicing Plains Indian Sign Language easy and engaging. Learn the proper positions and motions of this now-rare language with photos and descriptions throughout the pages. Follow along with diagrams to perfect your abilities.

Learn how to use your hands to convey the meanings of over 200 common words. In this detailed guide, you will learn to sign words like:

• Hungry
• Camp
• Evening
• Angry
• Fire
• Owl
• Together
• Brave
• And more

Honor and carry on the culture of the Plains peoples by learning the sign language they shared.

Additional Information
168 pages | 8.30" x 10.35" | 100+ color photos | Paperback

Mary Siisip Geniusz has spent more than thirty years working with, living with, and using the Anishinaabe teachings, recipes, and botanical information she shares in Plants Have So Much to Give Us, All We Have to Do Is Ask. Geniusz gained much of the knowledge she writes about from her years as an oshkaabewis, a traditionally trained apprentice, and as friend to the late Keewaydinoquay, an Anishinaabe medicine woman from the Leelanau Peninsula in Michigan and a scholar, teacher, and practitioner in the field of native ethnobotany. Keewaydinoquay published little in her lifetime, yet Geniusz has carried on her legacy by making this body of knowledge accessible to a broader audience.

Geniusz teaches the ways she was taught—through stories. Sharing the traditional stories she learned at Keewaydinoquay’s side as well as stories from other American Indian traditions and her own experiences, Geniusz brings the plants to life with narratives that explain their uses, meaning, and history. Stories such as “Naanabozho and the Squeaky-Voice Plant” place the plants in cultural context and illustrate the belief in plants as cognizant beings. Covering a wide range of plants, from conifers to cattails to medicinal uses of yarrow, mullein, and dandelion, she explains how we can work with those beings to create food, simple medicines, and practical botanical tools.

Plants Have So Much to Give Us, All We Have to Do Is Ask makes this botanical information useful to native and nonnative healers and educators and places it in the context of the Anishinaabe culture that developed the knowledge and practice.

Additional Information
344 pages | 7.00" x 10.00" | Paperback

For more than three decades, bestselling author Louise Erdrich has enthralled readers with dazzling novels that paint an evocative portrait of Native American life. From her dazzling first novel, Love Medicine, to the National Book Award-winning The Round House, Erdrich’s lyrical skill and emotional assurance have earned her a place alongside William Faulkner and Willa Cather as an author deeply rooted in the American landscape.

In Books and Islands in Ojibwe Country, Erdrich takes us on an illuminating tour through the terrain her ancestors have inhabited for centuries: the lakes and islands of southern Ontario. Summoning to life the Ojibwe's sacred spirits and songs, their language and sorrows, she considers the many ways in which her tribe—whose name derives from the word ozhibii'ige, "to write"—have influenced her. Her journey links ancient stone paintings with a magical island where a bookish recluse built an extraordinary library, and she reveals how both have transformed her.

A blend of history, mythology, and memoir, Books and Islands in Ojibwe Country is an enchanting meditation on modern life, natural splendor, and the ancient spirituality and creativity of Erdrich's native homeland—a long, elemental tradition of storytelling that is in her blood.

Additional Information
160 pages | 5.31" x 8.00" | 15 Illustrations, 1 Map | Paperback

The pelt of a dog named “Mutton” languished in a drawer at the Smithsonian for 150 years until it was discovered, almost accidentally, by an amateur archivist. This book tells Mutton's story and explores what it can teach us about Coast Salish Woolly Dogs and their cultural significance.

Until now, there has been very little written about the enigmatic Coast Salish Woolly Dog, or sqʷəmey̓ in the Hul'q'umi'num language. According to Indigenous Oral Histories of the Pacific Northwest, this small dog was bred for thousands of years for its woolly fibres, which were woven into traditional blankets, robes and regalia. Although the dogs were carefully protected by Coast Salish peoples, by the 1900s, the Woolly Dog had become so rare it is now considered extinct.

Co-authored with weavers, Knowledge Keepers, and Elders, The Teachings of Mutton interweaves perspectives from Musqueam, Squamish, Stó:lō, Suquamish, Cowichan, Katzie, Snuneymuxw, and Skokomish cultures with narratives of science, post-contact history, and the lasting and devastating impacts of colonization. Binding it all together is Mutton's story—a tale of research, reawakening, and resurgence.

Reviews
“What a compelling story, reflecting a way of life, practical knowledge, artistry and change in the Pacific Northwest! Mutton, the domesticated woolly dog, represents so much more than a museum collection or a source of weaving material. Generations of breeding, learning and sharing, caring and trading are mirrored in the discovery of his pelt in a drawer at the Smithsonian. Liz Hammond-Kaarremaa and her respected Salishan co-authors and Knowledge Keepers have brought Mutton into the present, and in doing so, have given us a new and unique perspective on the complex history of this region and on the meaning of Truth and Reconciliation. The book is clearly and thoughtfully written, and supplemented with excellent illustrations. It is a ‘must read’ for anyone wishing to know more about weaving arts, dog breeds, Indigenous cultures and/or history in northwestern North America.” — Nancy J. Turner, Distinguished Professor Emerita, University of Victoria

“Conscientious and accessible, The Teachings of Mutton weaves a charming and informative history, walking through the discovery of his pelt in a museum drawer to the modern science that reveals the shape of this dog’s life. Highlighting and correcting generations of non-Indigenous misinterpretation, the intertwined histories provided by Salish knowledge keepers reveal the nuanced Indigenous sciences of dog husbandry, spinning, weaving, and the cultural significance of Woolly Dogs while telling a lively story.” — Kathryn Bunn-Marcuse, PhD, curator of Northwest Native art and director of the Bill Holm Center for

Additional Information
264 pages | 8.00" x 10.00"

For the first time, over a dozen respected Indigenous elders from around the world have united to share their timeless wisdom beyond their lands and lineages.

Aniwa’s Council of Elders includes some of the globe’s most renowned Indigenous Wisdom Keepers. In a time fraught with ecological, social, political, and mental health crises, they share a mission to unite people of all races, colors, and creeds to promote healing and a deeper reciprocal relationship with our planet. Sacred Ceremony for a Sacred Earth brings together their profound teachings, stories, sacred ceremonies, and healing practices, amplifying the voices of Indigenous healers from diverse traditions.

In their worldview, we are all children of Mother Earth, destined to return to her embrace. This extraordinary book serves as a guiding light, beckoning humanity back to ancestral wisdom and restoring forgotten bonds with nature and self through ceremonies and practices.

Embark on a journey of self-discovery, unveiling the purpose of your soul and reclaiming your intrinsic relationship with Mother Earth, through ancient practices such as:

• Use of Feathers to Bless Yourself and Relieve Pain
• Pagamento for Trees
• Hopi Message of Comfort to Say Good-Bye to Loved Ones Who Have Passed
• Practices for Conscious Conception
• Create a Spiritual House for Your Inner Child
• The Feagaiga (Sacred Promise or Covenant) with Mother Earth
• Connect with Your Ancestors

Sacred Ceremony for a Sacred Earth calls upon us to awaken and rekindle the flame of connection with our roots and the natural world. Let the eternal wisdom of elders guide you toward healing, growth, and a profound reconnection with nature.

Reviews
"An essential guide to begin understanding culture, nature, and yourself."—Oona Chaplin, actress

"Beautifully and profusely illustrated throughout with full color photography of indigenous people, rituals, events, Sacred Ceremony for a Sacred Earth is informative, fascinating, insightful, and unreservedly recommended."—Midwest Book Review

Educator Information
Discover rituals and wisdom from Indigenous communities across the globe that, until now, have only been passed down orally and taught within closed circles.

Additional Information
224 pages | 8.30" x 10.25" | Hardcover 

A sweeping and trenchant exploration of the history of Native American boarding schools in the United States, and the legacy of abuse wrought by them in an attempt to destroy Native culture and life.

From the mid-nineteenth century to the late 1930s, tens of thousands of Native children were pulled from their tribal communities to attend boarding schools whose stated aim was to "save the Indian" by way of assimilation. In reality, these boarding schools—sponsored by the U.S. government, but often run by various religious orders with little to no regulation—were a calculated attempt to dismantle tribes by pulling apart Native families. Children were beaten for speaking their Native languages; denied food, clothing, and comfort; and forced to work menial jobs in terrible conditions, all while utterly deprived of love and affection.

Amongst those thousands of children was Ojibwe journalist Mary Pember's mother, who was was sent to a boarding school in northern Wisconsin at age five. The trauma of her experience cast a pall over Pember's own childhood and her relationship with her mother. Highlighting both her mother's experience and the experiences of countless other students at such schools, their families, and their children, Medicine River paints a stark but hopeful portrait of communities still reckoning with the trauma of acculturation, religion, and abuse caused by the state. Through searing interviews and careful reporting, Pember traces the evolution and continued rebirth of Native cultures and nations in relation to the country that has been intent on eradicating them.

Reviews
“A devastating history. . . . Weaving into her narrative her own mother’s experiences . . . Pember explores the psychological ramifications the schools had on subsequent generations. She comes to many quietly ruinous insights about the emotional neglect she herself suffered at the hands of her wounded mother. . . . Concluding with a searing call for accountability, this strikes a chord.” —Publishers Weekly, starred review

“[Pember’s] extensive research illuminates the attempted cultural erasure by government and religious institutions. Her mother’s story provides a heartbreaking, personal focus.” —Booklist

“Elegantly weaving together her mother’s stories, those of other boarding school students, and concise accounts of federal assimilationist policies and common institutional practices, [Pember] provides an informed and unsettling perspective on the schools’ individual and collective impact. . . . A gripping, often harrowing account of the personal and communal toll of cultural genocide.”—Kirkus

"Mary Annette Pember has left it all on the line. Through her, her Ojibwe ancestors speak boldly about how the US government has treated them and every Indigenous nation in these so-called-United States. I have never read a book that has changed me so profoundly. Pember not only points to what has been done, but also offers a way forward. Everyone, absolutely everyone, should read this book." —Javier Zamora, author of Solito

“So much writing about historical trauma casts a vague, impenetrable cloud over its subjects’ lives. But with electric precision and rigorous care, Mary Annette Pember pierces through, illuminating the real mechanisms by which pain has accumulated and reverberated through generations of boarding school survivors and their descendants, as well all the beauty, love, and humor these same lives contain. In showing us how trauma is made, Pember helps us see that it can be unmade. ‘History flows through us,’ she writes, and nowhere has this idea been so well rendered as here, in this stunning, essential book.”—Sierra Crane Murdoch, author of Yellow Bird: Oil, Murder, and a Woman's Search for Justice in Indian Country

“Pember has written a searing exploration of the multi-generational trauma visited upon Native people by the boarding school experience, as well as a brilliant account of Indigenous survivance.” —Michael Witgen, Red Cliff Band of Lake Superior Ojibwe, author of Seeing Red

"I have a shelf full of books on the Indian boarding schools, but nothing quite like this one. Anyone who questions why the U.S. government has finally apologized for these schools and for its brutal assaults on Native children and their families should read Medicine River." —Colin G. Calloway, Professor of History and Native American Studies, Dartmouth College

"Mary Annette Pember reveals that the trauma and rage of surviving the St. Mary’s Catholic Indian Boarding School permeates through the generations. Pember has chronicled a deeply personal and first-person account of the dark legacy of incarceration at a ‘civilized’ boarding school and how the trauma of those youngsters impact their living descendants. Pember tells us that resistance and accountability is attainable, and I believe her. This is an essential read."—Devon Mihesuah, Choctaw Nation of Oklahoma, author of The Bone Picker

"A dauntless and visceral excavation of one family’s residential boarding school legacy. In Medicine River, we can see pain ripple through generations, eclipsed only by Mary Annette Pember's courage and her conviction that, in the search for answers, we can heal."—Anton Treuer, author of Where Wolves Don't Die

Additional Information
304 pages | 6.42" x 9.55" | Hardcover

How Indigenous currencies—including wampum and dentalium shells, beads, and the cryptocurrency MazaCoin—have long constituted a form of resistance to settler colonialism.

Indigenous Currencies follows dynamic stories of currency as a meaning-making communication technology. Settler economies regard currency as their own invention, casting Indigenous systems of value, exchange, and data stewardship as incompatible with contemporary markets. In this book, Ashley Cordes refutes such claims and describes a long history of Indigenous innovation in currencies, including wampum, dentalium, beads, and, more recently, the cryptocurrency MazaCoin. By looking closely at how currencies developed over time through intercultural communication, Cordes argues that Indigenous currencies transcend the scope of economic value, revealing the cultural, social, and political context of what it means to exchange.

The book’s two main case studies, the gold rush and the code rush, frame a deep dive into how Indigenous ways of being have shaped the use and significance of currency and vice versa. Settler currencies, which have developed in the wake of wars and through massively scaled forms of material extraction, offer a very different story of the place of currencies within settler economies of dispossession. The second part of the study asks how contemporary cryptocurrencies may play a critical role in cultivating Tribal sovereignty. The author analyzes structural properties of the polymorphic blockchain to provide key insights into how emergent digital spaces, with their attendant forms of meaning and value represented by code, NFTs, and Web 3.0, are inextricably connected to Indigenous knowledges. The book cultivates a vision of currency in which the principle of leaving some for the rest establishes a way of imagining relationships of exchange beyond their enclosure within settler-capitalist parameters of extraction and into currents of deep reciprocity.

Reviews
"Brilliantly written in the best of Coquille Nation practices, wisdom of ancestors, and traditional technologies, Indigenous Currencies is a gift guiding us through deep insights for the digital realm."—Tiara R. Na’puti, University of California, Irvine

"Indigenous Currencies is an unparalleled study of cryptocurrency's colonialism and Indigenous decolonial possibilities in this powerful space. Cordes takes Indigenous epistemologies to places previously unexamined, and she does so by grounding case studies in practices of Indigenous digital agency."—Jason Edward Black, University of North Carolina at Charlotte; author of Mascot Nation

Educator Information
226 pages | 6.06" x 9.00" | 22 b&w illustrations | Paperback

This guide:

• Highlights 70-plus edible species including seaweeds, beach vegetables, shellfish, mushrooms, berries, trees, ferns, and wild and weedy greens
• Includes more than 60 recipes, plus tips for enjoying this natural abundance
• Includes key sections describe sustainable harvesting practices

Pacific Harvest, written by expert forager and guide Jennifer Hahn, introduces both novice and more experienced foragers to the Pacific Coast’s ample and diverse edible species. Recognizing your local edible berries, flowers, greens, roots, tree parts, mushrooms, seaweeds, beach vegetables, and shellfish is a passport to a comforting sense of place. Hahn shares immersive descriptions of her foraging adventures as well as full-color photos to make identifying these species easy and enjoyable. Each featured food listing includes common names, taxonomy, primary location, description, harvesting details, and culinary tips for transition from the wild to the kitchen table. Select listings call out notable nutrition and wellness benefits, along with contemporary research on conservation status.

This coastal foraging guide highlights authentic Indigenous harvesting practices including profiles of Indigenous leaders in the traditional foods movement. Hahn emphasizes a sustainable approach to foraging, reminding readers what other beings also depend on these plants and animals as food and shelter sources.

Pacific Harvest includes dozens of recipes featuring foraged foods, ranging from no-fuss delights like Salal Berry Scones and Kelp-Wrapped Salmon to comfort foods like Fiddlehead Quiche and Horse Clam Stir-Fry.

Additional Information
360 pages | 6.00" x 8.50" | 175 Color Photos | Paperback 

 

From award-winning journalist Joseph Lee, a sweeping, personal exploration of Indigenous identity and the challenges facing Indigenous people around the world.

Before Martha’s Vineyard became one of the most iconic vacation destinations in the country, it was home to the Wampanoag people. Today, as tourists flock to the idyllic beaches, the island has become increasingly unaffordable for tribal members, with nearly three-quarters now living off-island. Growing up Aquinnah Wampanoag, journalist Joseph Lee grappled with what this situation meant for his tribe, how the community can continue to grow, and more broadly, what it means to be Indigenous.

In Nothing More of This Land, Lee weaves his own story and that of his family into a panoramic narrative of Indigenous life around the world. He takes us from the beaches of Martha’s Vineyard to the icy Alaskan tundra, the smoky forests of Northern California to the halls of the United Nations, and beyond. Along the way he meets activists fighting to protect their land, families clashing with their own tribal leaders, and communities working to reclaim tradition.

Together, these stories reject stereotypes to show the diversity of Indigenous people today and chart a way past the stubborn legacy of colonialism.

Reviews
"Nothing More Of This Land is a stark, beautifully rendered reminder of all that had to occur for the happening of our existences to take place, and all who lived and fought against their own erasure to maintain a semblance of a legacy. This is a profound, and moving book, a powerful indictment of the colonial mindset that firmly balances an ode to people, to place, to remaining."—Hanif Abdurraqib, author of There's Always This Year

"A forcefully illuminating and utterly compelling blend of personal narrative and vivid reportage, Joseph Lee’s Nothing More of this Land is a triumph of complexity and insight. We follow Lee from the red clay cliffs of Aquinnah to the halls of the UN, from the Klamath River basin to a feast of muktuk and tundra greens in Bethel, Alaska; and very early on I realized I’d follow him anywhere. Lee has given us a timely reckoning with Native sovereignty and community that is adroitly committed to the mess and nuance of lived experience, rather than sentimentalized accounts of victimhood or resilience. Nothing More of this Land is tender, ferocious, surprising, and tenaciously thoughtful; its existence makes the world a bigger and truer place."—Leslie Jamison, bestselling author of The Empathy Exams

Additional Information
256 pages | 6.00" x 9.00" | Hardcover 

Discover the profound wisdom of the Anishinaabe/Ojibwe people in The Seven Generations and The Seven Grandfather Teachings. In this captivating journey, you will immerse yourself in timeless teachings that illuminate the way to interconnectedness and interdependence. As the spiritual translation of the sacred laws, the Seven Grandfather teachings guide us towards Mino-bimaadiziwin, 'the good life' - a life of harmony, free from contradiction or conflict. Prepare to embark on a transformative path of peace and balance, where ancestral knowledge offers invaluable lessons for a fulfilling existence.

Additional Information
90 pages | 5.00" x 8.00" | Paperback

A transformational guide to getting yourself right in order to accomplish the work you were meant to do, from speaker, former U.S. Air Force officer, and member of the Ottawa tribe D.J. Vanas.

When faced with an important job, and people depending on you to do it, most of us will give and give until there’s nothing left. But running on empty, even for a worthy cause, only sets you up for failure in the long run. To persevere on the path to success requires more than sheer fearlessness and willpower. It requires what D.J. Vanas calls the warrior spirit, the kind of strength that looks outward but comes from deep within.

Drawing inspiration from Native American philosophy and tradition, The Warrior Within outlines a new model for personal power in the face of overwhelming chaos. A true warrior is not the toughest or bravest person in the room. A true warrior is committed to self-mastery, knows how to navigate change and disruption, transforms setbacks into opportunities for achievement, refuses to quit, and most importantly, always fights for something bigger than the self. With a vast array of stories and examples, from vision quests to treacherous hikes to veterans and service providers at the front lines, Vanas shows how to apply these principles to transform how you show up both for yourself and those around you.

More than an empowerment manual, The Warrior Within is a call to accomplish the world-changing work you were meant for by tapping into the power of the warrior spirit.

Reviews
"The powerful lessons imparted in these chapters will inspire strength, confidence and motivation, so that you can deliver your best in the worst of circumstances—while keeping your sanity and health! I encourage every healthcare giver to read The Warrior Within, for they truly serve, fight, protect and heal every day, often at their own expense."--LeAnn Thieman, author of the Chicken Soup for Nurse’s Soul series and founder of SelfCare for HealthCare®

"I highly recommend The Warrior Within! Through great storytelling, D.J. Vanas shares an often overlooked element of leadership ... taking care of yourself. Our beautiful Anishinaabe teachings emphasize balance in all things. Being a warrior means recognizing your needs and honoring your gifts. Way to go, D.J.!"--Angeline Boulley (Sault Ste. Marie Tribe of Chippewa Indians) New York Times bestselling author of Firekeeper's Daughter

"D.J. Vanas inspires us to find our ‘warrior spirit’ of courage, perseverance, resilience, and teamwork in life’s most fearful times. Your heart will soar like an eagle as you read how ordinary heroes use this inner strength to serve others—and how we can learn to do the same.”--Joseph Pfeifer, FDNY Assistant Chief, retired, author of Ordinary Heroes

“This is it: the book I’ve been waiting for! There isn’t another on the market that applies indigenous principles and ideas in order to expose the warrior in you. A comprehensive, compelling, emotional and amazingly insightful book. I couldn’t put it down. I wish I had this book years ago!"--Juanita Mullen (Seneca), AI/AN Veterans Liaison, Department of Veterans Affairs

“DJ Vanas describes a life of leading and doing through Indigenous identity and values. Combining his personal story with advice, The Warrior Within is more than a leadership book. It is a story of living a life of abundance and rich relationships, with DJ as your terrific guide.”-Cheryl Crazy Bull, President & CEO, American Indian College Fund

Additional Information
256 pages | 5.72" x 8.57" | Hardcover 

We clothed the royals. We fed the worker. We guided the traveler. We abetted the soldier. We are not afraid to love. So begins Carl Gawboy's groundbreaking graphic history of the Fur Trade Era. From 1650 to 1850, the Ojibwe Nation was the epicenter of the first global trading network. Trade goods from Africa, Asia, Europe, and South America flowed into the Great Lakes region, floating along Ojibwe waterways in birchbark canoes paddled by mixed-race Voyageurs. Gawboy offers a fresh perspective on the fur trade era, placing Ojibwe technology, kinship systems, cultural paradigms, and women at the heart of this remarkable era, where they have always belonged.

Additional Information
202 pages | 8.25" x 11.00" | Hardcover 

An exploration of Indigenous cosmology and history in North America

• Examines the complexities of Indigenous legends and creation myths and reveals common oral traditions across much of North America

• Explores the history of Cahokia, the Mississippian Mound Builder Empire of 1050-1300 CE, told through the voice of Honga, a Native leader of the time

• Presents an Indigenous revisionist history regarding Thomas Jefferson, expansionist doctrine, and Manifest Destiny

While Western accounts of North American history traditionally start with European colonization, Indigenous histories of North America—or Turtle Island—stretch back millennia. Drawing on comparative analysis, firsthand Indigenous accounts, extensive historical writings, and his own experience, Omaha Tribal member, Cherokee citizen, and teacher Taylor Keen presents a comprehensive re-imagining of the ancient and more recent history of this continent’s oldest cultures. Keen reveals shared oral traditions across much of North America, including among the Algonquin, Athabascan, Sioux, Omaha, Ponca, Osage, Quapaw, and Kaw tribes. He explores the history of Cahokia, the Mississippian Mound Builder Empire of 1050–1300 CE. And he examines ancient earthen works and ceremonial sites of Turtle Island, revealing the Indigenous cosmology, sacred mathematics, and archaeoastronomy encoded in these places that artfully blend the movements of the sun, moon, and stars into the physical landscape.

Challenging the mainstream historical consensus, Keen presents an Indigenous revisionist history regarding Thomas Jefferson, expansionist doctrine, and Manifest Destiny. He reveals how, despite being displaced as the United States colonized westward, the Native peoples maintained their vision of an intrinsically shared humanity and the environmental responsibility found at the core of Indigenous mythology.

Building off a deep personal connection to the history and mythology of the First Peoples of the Americas, Taylor Keen gives renewed voice to the cultures of Turtle Island, revealing an alternative vision of the significance of our past and future presence here.

Reviews
“Brother Keen, with his infinite Indigenous and academic knowledge, brings forth amazing truths about ancient North American cultures the modern world was unaware of. Not only are the ancient earthworks extensive and scientifically and astronomically complex but Keen unveils they are all connected across the entire continent, mirroring the heavens. Simply incredible research.” — Scott Wolter, host of History 2 (H2) Channel’s America Unearthed, world-renowned forensic geol

“Careful analysis by Taylor Keen of the placement and designs of earthworks of the Indigenous people of North America reveals far more complex planning and design was involved than just random location selection of mounds for burials, as we were taught to think. His geographical analysis reveals the sacred earthworks designs were far more advanced and esoteric in nature, something he is uniquely qualified to understand as Indigenous himself and a member of several esoteric orders. He proves definitively the intricate level of knowledge of astronomy, heavenly body movements, mathematics, and cosmology involved in the creation of these earthworks, not only at a local level, but incredibly as long-range alignments as well. This revelation, Keen explains, was something that was dismissed and suppressed by early nineteenth-century archaeologists who breached and destroyed the sacred earthworks and burial mounds as part of the promotion of ‘manifest destiny,’ with the intent being justification of taking tribal lands for settlement. Keen’s incredibly important work gives a whole new perspective on the history of North America.” — Janet Wolter, coauthor of America: Nation of the Goddess

“The official history of the United States begins with Spanish contact in the late fifteenth century. The oral traditions and legends of the various Native peoples of North America, however, stretch back much earlier, into the opaque mists of preliterate times. With a member of the Earthen Bison Clan of the Omaha Tribe to serve as our guide, Rediscovering Turtle Island leads the reader along near-forgotten, overgrown paths that twist and turn throughout a resacralized landscape, decorated with ancient landmarks, populated with whispering ghosts and supernatural beings. The sacred geography of America will never again appear the same.” — P. D. Newman, author of Native American Shamanism and the Afterlife Journey in the Mississippi Valle

“What could be more fascinating than the origin of mankind itself? The premise is staggering and the consequences far-reaching. Keen’s hard work pays off immensely in Rediscovering Turtle Island, and readers will be gripped by that experience on every page.” — Sidian M.S. Jones, coauthor of The Voice of Rolling Thunder

Additional Information
208 pages | 6.00" x 9.00" | 70 b&w illustrations | Paperback 

A moving collection of twenty powerful essays, poems, and more that capture and celebrate the modern Native American experience, featuring entries by Angeline Boulley, Madison Hammond, Kara Roselle Smith, and many more.

With heart, pathos, humor, and insight, twenty renowned writers, performers, athletes, and activists explore what it means to be Native American today. Through a series of essays and poems, these luminaries give voice to their individual experiences while shedding light on the depth and complexity of modern Native American identity, resiliency, and joy.

The topics are as fascinating and diverse as the creators. From Mato Wayuhi, award-winning composer of Reservation Dogs, honoring a friend who believed in his talent to New York Times bestselling author Angeline Boulley exploring what it means to feel Native enough, these entries are not only an exploration of community, they are also a call for a more just and equitable world, and a road map toward a brighter future.

Edited by IllumiNative, an organization dedicated to amplifying contemporary Native voices, My Life: Growing Up Native in America features contributions from Angeline Boulley, Philip J. Deloria, Eric Gansworth, Kimberly Guerrero, Somah Haaland, Madison Hammond, Nasugraq Rainey Hopson, Trudie Jackson, Princess Daazhraii Johnson, Lady Shug, Ahsaki Baa LaFrance-Chachere, Tai Leclaire, Cece Meadows, Sherri Mitchell, Charlie Amaya Scott, Kara Roselle Smith, Vera Starbard, Dash Turner, Crystal Wahpepah, and Mato Wayuhi.

Additional Information
224 pages | 5.50" x 8.37" | 16-pg b&w insert | Hardcover

A groundbreaking and deeply personal exploration of Tribal enrollment, and what it means to be Native American in the United States

Who is Indian enough?

To be Native American is to live in a world of contradictions. At the same time that the number of people in the US who claim Native identity has exploded—increasing 85 percent in just ten years—the number of people formally enrolled in Tribes has not. While the federal government recognizes Tribal sovereignty, being a member of a Tribe requires navigating blood quantum laws and rolls that the federal government created with the intention of wiping out Native people altogether. Over two million Native people are tribally enrolled, yet there are Native people who will never be. Native people who, for a variety of reasons ranging from displacement to disconnection, cannot be card-carrying members of their Tribe.

In The Indian Card, Carrie Lowry Schuettpelz grapples with these contradictions. Through in-depth interviews, she shares the stories of people caught in the mire of identity-formation, trying to define themselves outside of bureaucratic processes. With archival research, she pieces together the history of blood quantum and tribal rolls and federal government intrusion on Native identity-making. Reckoning with her own identity—the story of her enrollment and the enrollment of her children—she investigates the cultural, racial, and political dynamics of today’s Tribal identity policing. With this intimate perspective of the ongoing fight for Native sovereignty, The Indian Card sheds light on what it looks like to find a deeper sense of belonging.

Reviews
“The Indian Card is a candid, unflinching look at the sometimes subtle, sometimes ruthless ways federal policies undermine Indigenous culture and society. Carrie Schuettpelz understands first-hand how official tribal membership rations not only access to benefits such as healthcare and housing stipends, but also an ineffable sense of belonging. Her thorough excavation of the painful history that gave rise to rigid enrollment policies is a courageous gift to our understanding of contemporary Native life.”– The Whiting Foundation Jury's Note

"The Indian Card is all at once an intimate portrait, a sweeping history and a thoughtful examination of tribal identity, Native sovereignty and the quest for belonging."—WBUR

"Carrie’s book is so dang good you need to get two copies: one for you and then the other for a friend. Schuettpelz, with so much research and interviews, shares the stories of people caught in the mire of identity-formation with such ease. The voice is pitch perfect, there is not one wrong word and the content is written with so much grace and elegance and honesty you can’t help but finish Schuettpelz’s work knowing it will live on for as long as it takes to unravel the many, many contradictions surrounding what it means to Native American today." - Morgan Talty, author of Fire Exit

"A well researched book for readers who are curious or confused about complex kinship relationships in Native America. Armed with personal experience, interviews, and scholarly data, Carrie Lowry Schuettpelz tackles the political nature of Indigenous identity with clarity and concision."—Deborah Taffa, author of Whiskey Tender

"Illuminating...An innovative exploration of a thorny issue." —Publishers Weekly, starred review

"A clear and frank analysis of the challenges that define Native selfhood." —Kirkus Reviews

Additional Information
304 pages | 6.12" x 9.25" | includes 10-12 charts/figures and captions throughout | Hardcover 

Debunks the pervasive and self-congratulatory myth that our country is proudly founded by and for immigrants, and urges readers to embrace a more complex and honest history of the United States

Whether in political debates or discussions about immigration around the kitchen table, many Americans, regardless of party affiliation, will say proudly that we are a nation of immigrants. In this bold new book, historian Roxanne Dunbar-Ortiz asserts this ideology is harmful and dishonest because it serves to mask and diminish the US’s history of settler colonialism, genocide, white supremacy, slavery, and structural inequality, all of which we still grapple with today.

She explains that the idea that we are living in a land of opportunity—founded and built by immigrants—was a convenient response by the ruling class and its brain trust to the 1960s demands for decolonialization, justice, reparations, and social equality. Moreover, Dunbar-Ortiz charges that this feel good—but inaccurate—story promotes a benign narrative of progress, obscuring that the country was founded in violence as a settler state, and imperialist since its inception.

While some of us are immigrants or descendants of immigrants, others are descendants of white settlers who arrived as colonizers to displace those who were here since time immemorial, and still others are descendants of those who were kidnapped and forced here against their will. This paradigm shifting new book from the highly acclaimed author of An Indigenous Peoples’ History of the United States charges that we need to stop believing and perpetuating this simplistic and a historical idea and embrace the real (and often horrific) history of the United States.

Additional Information
392 pages | 5.56" x 8.58" | Paperback 

In stunning full color and accessible text, a graphic adaptation of the American Book Award winning history of the United States as told from the perspective of Indigenous peoples—perfect for readers of all ages

Roxanne Dunbar-Ortiz’s influential New York Times bestseller exposed the brutality of this nation’s founding and its legacy of settler-colonialism and genocide. Through evocative full color artwork, renowned cartoonist Paul Peart-Smith brings this watershed book to life, centering the perspective of the peoples displaced by Europeans and their white descendants to trace Indigenous perseverance over four centuries against policies intended to obliterate them.

Recognized for his adaptation of W.E.B. DuBois’ The Souls of Black Folk and his extensive expertise in the comics industry, Peart-Smith collaborates with experienced graphic novel editor Paul Buhle to provide an accessible introduction to a complex history that will attract new generations of readers of all ages. This striking graphic adaptation will rekindle crucial conversations about the centuries-long genocidal program of the US settler-colonial regime that has largely been omitted from history.

Reviews
“Adapting a work of history as dense and as vital as Dunbar-Ortiz’s An Indigenous Peoples’ History of the United States (2014) to comics form is no easy feat, but Peart-Smith is up for the task . . . A thoughtful, radically hopeful work that is sure to resonate with readers of all ages.” - Booklist

Educator Information
The publisher does not provide a recommended age range, but notes in the description that this graphic interpretation "will attract new generations of readers of all ages".

Table of Contents 

Additional Information
120 pages | 8.22" x 10.28" | Hardcover 

A Navajo Ranger’s chilling and clear-eyed memoir of his investigations into bizarre cases of the paranormal and unexplained in Navajoland

As a Native American with parents of both Navajo and Cherokee descent, Stanley Milford Jr. grew up in a world where the supernatural was both expected and taboo, where shapeshifters roamed, witchcraft was a thing to be feared, and children were taught not to whistle at night.

In his youth, Milford never went looking for the paranormal, but it always seemed to find him. When he joined the fabled Navajo Rangers—a law enforcement branch of the Navajo Nation who are equal parts police officers, archeological conservationists, and historians—the paranormal became part of his job. Alongside addressing the mundane duties of overseeing the massive 27,000-square-mile reservation, Milford was assigned to utterly bizarre and shockingly frequent cases involving mysterious livestock mutilations, skinwalker and Bigfoot sightings, UFOs, and malicious hauntings.

In The Paranormal Ranger, Milford recounts the stories of these cases from the clinical and deductive perspective of a law enforcement officer. Milford’s Native American worldview and investigative training collide to provide an eerie account of what logic dictates should not be possible.

Reviews
“Stanley Milford Jr. masterfully intertwines memoir, Diné creation stories, and true encounters with otherworldly phenomena. As a Navajo Ranger, Milford’s path is shadowed by eerie cryptids, mysterious UFOs, and the ever-present trials of his demanding role. His unwavering dedication, bravery, and deep cultural insight transform this narrative into a mesmerizing journey. Bridging the realms of legend and reality, each spine-chilling investigation illuminates the enduring spirit and wisdom of the Navajo people, offering readers a profound and unforgettable cultural experience.”— Shane Hawk, co-editor of Never Whistle at Night: An Indigenous Dark Fiction Anthology

“Stan’s life story is a true testament to the reverence that Native American culture has for the paranormal. His passion for investigating the otherworldly really shines. A fascinating read, and highly recommended!”  — Steve Gonsalves, star of Ghost Hunters and bestselling author of A Life with Ghosts

“Many of Stan’s experiences recounted in this book parallel what we’ve seen on Skinwalker Ranch, with an eerie degree of similarity. Getting to learn more about Stan’s life and his Navajo-Cherokee heritage alongside these incredible stories is a meaningful bonus.” — Jim Morse, ranch manager and cast member of The Secret of Skinwalker Ranch

"Milford interweaves colorful stories from Navajo mythology that illuminate cultural beliefs about the origins of life, monsters, and the spirit world. . . . Engaging reading for adventurous minds." — Kirkus Reviews

"Equal parts memoir and supernatural record, Milford's book shares how these occurrences enlightened him. He leaves the reader with a unified theory of how paranormal phenomena are connected and what this means for us as human beings. And he demonstrates how experience and open-mindedness can, over a lifetime, build up to unparalleled expertise." — Booklist

Additional Information
256 pages | 6.00" x 9.00" | Hardcover 

Nourish your body and mind through food with these 60 recipes celebrating Navajo culinary traditions.

The Modern Navajo Kitchen​ takes you on an exhilarating journey for your taste buds. This beautifully photographed cookbook ties together traditional Navajo recipes as well as global recipes with a Navajo spin, creating a truly unique culinary experience! Choose from a plethora of drinks, breads, breakfasts, soups, mains, sides, and desserts—the sky’s the limit.

Incorporating traditional and modern ingredients, some of the deliciously nourishing and comforting recipes include:

• Navajo Boba Milk Tea (Abe’ Boba Dééhk’azí)
• Fry Bread (Dah Díníilghaazh)
• Navajo Burgers (Atsį’ Yik’ą́ Náneeskadí Bił Ałch’į’ Át’éhí)
• Sumac and Strawberry Greek Yogurt Ice Pops (Chiiłchin Yogurt Tiní)
• and more!

This comprehensive cookbook also includes instructions for how to make such things as juniper ash, roasted cornmeal, and roasted chiles that will bring your Navajo cooking skills to the next level. A short history of Navajo culinary traditions is provided to provide cultural context behind your new culinary experiences, and sample meal plans will help you put together the perfect menus for the week ahead or for those special occasions with family and friends.

Reconnect to your cultural heritage or treat your palate (or both!) with The Modern Navajo Kitchen.

Additional Information
192 pages | 8.00" x 9.50" | Colour Photos | Hardcover 

Growing up in Montana, Chris La Tray always identified as Indian. Despite the fact that his father fiercely denied any connection, he found Indigenous people alluring, often recalling his grandmother’s consistent mention of their Chippewa heritage.

When La Tray attended his grandfather’s funeral as a young man, he finally found himself surrounded by relatives who obviously were Indigenous. “Who were they?” he wondered, and “Why was I never allowed to know them?” Combining diligent research and compelling conversations with authors, activists, elders, and historians, La Tray embarks on a journey into his family’s past, discovering along the way a larger story of the complicated history of Indigenous communities—as well as the devastating effects of colonialism that continue to ripple through surviving generations. And as he comes to embrace his full identity, he eventually seeks enrollment with the Little Shell Tribe of Chippewa Indians, joining their 158-year-long struggle for federal recognition.

Both personal and historical, Becoming Little Shell is a testament to the power of storytelling, to family and legacy, and to finding home. Infused with candor, heart, wisdom, and an abiding love for a place and a people, Chris La Tray’s remarkable journey is both revelatory and redemptive.

Reviews
“La Tray’s pride and conviction will have readers eager not only to learn more, but to take action. A brilliant contribution to the canon of Native American literature.”—Kirkus Reviews, starred review

“[A] gripping debut memoir. [. . .]  La Tray’s crystalline prose and palpable passion for spreading Indigenous history bolster his account. Readers will be fascinated.”—Publishers Weekly

"Heartbreaking, infuriating, and remarkable, Becoming Little Shell is a memoir that’s packed with historical details,transcending and amplifying a personal quest to understand a family’s past."—Foreword Reviews, starred review 

“Smart, emotional, and bracingly honest, La Tray is a powerful storyteller who should have significant appeal.”—Booklist

“I’m in awe of Chris La Tray’s storytelling. Becoming Little Shell creates a multilayered narrative from threads of personal, family, community, tribal, and national histories. Together they make a story as strong and beautiful as a Metis sash—a story of identity, kinship, and the journey toward justice.”—Robin Wall Kimmerer, author of Braiding Sweetgrass

“Chris La Tray is a powerful voice—a force of nature, really—to guide us through the swirling confluence of Native and white worlds, both past and present. Becoming Little Shell is the American story of our era—tracing the arc of its author brought up in the white world before discovering his roots as an original inhabitant of this continent.”—Peter Stark, author of Gallop Toward the Sun

“Indigenous identity can be complicated, and Becoming Little Shell compels us into the thick of it—Native people dispossessed of not just land but recognition; blood quantum laws originally crafted to complete a genocide and still wreaking havoc in identity debates today; racism that drove many Native people to disassociate from their families; and descendants, like La Tray, who have found their way back, fighting for the reconnection of their communities and for the observance of their very existence. La Tray is a loving, discerning, curious, funny, and generous guide. This is a beautiful, big-hearted book.”—Sierra Crane Murdoch, author of Yellow Bird

“Becoming Little Shell is a moving, deeply felt, and incredibly detailed account of Chris La Tray’s search for his origins among the Métis, Pembina, and Little Shell Tribe of Chippewa Indians. Combining memoir, history, interviews, and travel, La Tray gives us nothing less than the history of a people in the form of an absorbing and emotionally searing memoir. This book will, without a doubt, become a classic in Native American literature. Must read.”—David Treuer, author of The Heartbeat of Wounded Knee

“What I appreciate so much about Chris La Tray’s writing on Indigenous identity and history is the wit, clarity, and integrity embodied in every word. Becoming Little Shell beautifully encompasses a journey that we can all learn from, a journey toward asking better questions about land, belonging, and connection, and through this book La Tray epitomizes historian, poet, and teacher. Full of Indigenous history, personal stories, and the complex dance between the two, La Tray reminds us that the journey of finding ourselves and making sense of the way colonialism plays out around us is an essential part of being human. Please read this book. You’ll be so glad you did.”—Kaitlin B. Curtice, author of Living Resistance

Additional Information
320 pages | 6.00" x 9.00" | Hardcover

Rooted in ten Indigenous values, this thoughtful, holistic book-written by Randy Woodley, a Cherokee descendant recognized by the Keetoowah Band, and Edith Woodley, an Eastern Shoshone tribal member-helps readers learn lifeways that lead to true wholeness, well-being, justice, and harmony.

The pursuit of happiness, as defined by settlers and enshrined in the American Dream, has brought us to the brink: emotionally, spiritually, socially, and as a species. We stand on a precipice, the future unknown. But Indigenous people carry forward the values that humans need to survive and thrive. In Journey to Eloheh, Randy and Edith Woodley help readers transform their worldviews and lifestyles by learning the ten values of the Harmony Way. These ten values, held in common across at least forty-five Indigenous tribes and nations, can lead us toward true well-being: harmony, respect, accountability, history, humor, authenticity, equality, friendship, generosity, and balance. By learning, converting to, and cultivating everyday practices of Eloheh--a Cherokee word meaning harmony and peace--we have a chance at building well-being and a sustainable culture.

In this riveting account of their own journeys toward deepening their indigeneity and embodying harmony, Edith, an activist-farmer, and Randy, a scholar, author, teacher, and wisdom-keeper, help readers learn the lifeways of the Harmony Way. The journey to Eloheh holds promise for all of us, Indigenous or not.

We know the Western worldview is at odds with a sustainable Earth, a just common life, and personal well-being. Together we can convert to another way of living--one that recognizes the Earth as sacred, sees all creation as related, and offers ancestral values as the way forward to a shared future.

Reviews
"Edith and Randy Woodley's passion and persistence to create spaces of community and care are inspiring. A blend of storytelling, theology, and guidance harvested directly through Indigenous wisdom, Journey to Eloheh reminds us to stay true to the path of kinship and belonging, and to never give up on justice and peacemaking in the world. I highly recommend this book for anyone who is searching for a way to be a better relative on this earth or to fight for a better reality for future generations. This book will help you get there." --Kaitlin B. Curtice, award-winning author of Native and Living Resistance

"Spiritual journey as autobiography: like a Navajo weaver, Journey to Eloheh skillfully connects Native American theology and personal experience into a way of life. If you are looking for your own path, Edith and Randy Woodley's story is a good place to begin." --Steven Charleston, author of Ladder to the Light, Spirit Wheel, and We Survived the End of the World

"There is so much we can all learn from the wisdom of Indigenous culture. In this book, Randy and Edith Woodley invite us to join them on a journey of learning a different way of living that leads to wholeness, abundance, and peace. They generously share their life experience and spiritual insights to show us a better path toward harmony with the whole of creation. I highly recommend it!" --Dr. Brenda Salter McNeil, author of Becoming Brave and Roadmap to Reconciliation 2.0

"A practical antidote to despair, hopelessness, and aimless consumption, this book offers a robust and healing path to well-being for all of us. The Woodleys are wise and trustworthy guides for restoration and embodied goodness within the community of creation." --Sarah Bessey, author of Field Notes for the Wilderness: Practices for an Evolving Faith

"Randy and Edith Woodley write with insight and wisdom from their years of experience. They have prophetic voices that draw attention to the needs of all of our relatives. Their voices rise out of difficult situations in which they have done more than survive; they are showing how to flourish in an ever-changing world." --Ray Aldred, director of the Indigenous Studies Program, Vancouver School of Theology

"For many years, I have considered Randy Woodley one of my teachers. His books, lectures, and personal conversations--together with his humble, yet bold, spirit as a teacher--have enriched and challenged me. His new book, co-written with his wise and eloquent wife, Edith, is a masterpiece, a book I would recommend to anyone and everyone. It beautifully combines the sharing of their life-story with the essence of their lifeway, articulated in ten powerful Indigenous values that are as deeply spiritual as they are deeply practical." --Brian McLaren, author, teacher, and activist

Educator Information
Keywords / Themes: Well-Being; the Harmony Way (Eloheh); Ten Eloheh Values; Indigenous Knowledge, Indigenous Values; Personal Growth.

Additional Information
264 pages | 5.75" x 8.75" | Hardcover 

A powerful work of reportage and American history that braids the story of the forced removal of Native Americans onto treaty lands in the nation’s earliest days, and a small-town murder in the ‘90s that led to a Supreme Court ruling reaffirming Native rights to that land over a century later.

Before 2020, American Indian reservations made up roughly 55 million acres of land in the United States. Nearly 200 million acres are reserved for National Forests—in the emergence of this great nation, our government set aside more land for trees than for Indigenous peoples. That changed on July 9, 2020, when a high-profile Supreme Court case—which originated with a small-town murder two decades earlier—affirmed the reservation of Muscogee Nation. The ruling resulted in the largest restoration of tribal land in U.S. history, merely because the Court chose to follow the law.

In the 1830s Muscogee people were rounded by the US military at gunpoint and forced into exile halfway across the continent. At the time, they were promised this new land would be theirs for as long as the grass grew and the waters ran. But that promise was not kept. When Oklahoma was create on top of their land, the new state claimed their reservation no longer existed. Over a century later, when a Muscogee citizen was sentenced to death for murdering another Muscogee citizen, his defense attorneys argued the murder occurred on the reservation of his tribe, and therefore Oklahoma didn’t have the jurisdiction to execute him. Oklahoma argued that reservation no longer existed. In the summer of 2020, the Supreme Court said: no more; a ruling that would ultimately underpin multiple reservations covering half the land in Oklahoma, including Nagle’s own Cherokee Nation.

Here Rebecca Nagle tells the story of the generations-long fight for tribal land and sovereignty in Eastern Oklahoma. By chronicling both the contemporary legal battle and historic acts of Indigenous resistance, By the Fire We Carry stands as a landmark work of American history. The story it tells exposes both the wrongs that our nation has committed in its long history of greed, corruption and lawlessness, and the Native battle for the right to be here that has shaped our country.

Educator Information
By the Fire We Carry is hard-hitting American history that expands on the nation's story. It tells of the treatment of Native Americans, their removal and displacement, and the genocide committed against them by the US government from their viewpoint. 

Additional Information
352 pages | 6.00" x 9.00" | 23 b/w photographs and maps | Hardcover

From the #1 New York Times bestselling author of Braiding Sweetgrass, a bold and inspiring vision for how to orient our lives around gratitude, reciprocity, and community, based on the lessons of the natural world.

As Indigenous scientist and author of Braiding Sweetgrass Robin Wall Kimmerer harvests serviceberries alongside the birds, she considers the ethic of reciprocity that lies at the heart of the gift economy. How, she asks, can we learn from Indigenous wisdom and the plant world to reimagine what we value most? Our economy is rooted in scarcity, competition, and the hoarding of resources, and we have surrendered our values to a system that actively harms what we love. Meanwhile, the serviceberry’s relationship with the natural world is an embodiment of reciprocity, interconnectedness, and gratitude. The tree distributes its wealth—its abundance of sweet, juicy berries—to meet the needs of its natural community. And this distribution insures its own survival. As Kimmerer explains, “Serviceberries show us another model, one based upon reciprocity, where wealth comes from the quality of your relationships, not from the illusion of self-sufficiency.”

As Elizabeth Gilbert writes, Robin Wall Kimmerer is “a great teacher, and her words are a hymn of love to the world.” The Serviceberry is an antidote to the broken relationships and misguided goals of our times, and a reminder that “hoarding won’t save us, all flourishing is mutual.”

Reviews
“Robin Wall Kimmerer is writer of rare grace. She writes about the natural world from a place of such abundant passion that one can never quite see the world the same way after having seen it through Kimmerer’s eyes. In Braiding Sweetgrass, she takes us on a journey that is every bit as mythic as it is scientific, as sacred as it is historical, as clever as it is wise. She is a great teacher, and her words are a hymn of love to the world.” —Elizabeth Gilbert

“Robin Wall Kimmerer has written an extraordinary book, showing how the factual, objective approach of science can be enriched by the ancient knowledge of the indigenous people. It is the way she captures beauty that I love the most—the images of giant cedars and wild strawberries, a forest in the rain and a meadow of fragrant sweetgrass will stay with you long after you read the last page.” —Jane Goodall

“I give daily thanks for Robin Wall Kimmerer for being a font of endless knowledge, both mental and spiritual.”—Richard Powers, The New York Times

“Robin Wall Kimmerer opens a sense of wonder and humility for the intelligence in all kinds of life we are used to naming and imagining as inanimate.” —Krista Tippett, host of On Being

Additional Information
112 pages | 5.00" x 7.00" | Hardcover 

The only book on award-winning Indigenous basket maker Jeremy Frey, accompanying his first major traveling exhibition.

Frey (Passamaquoddy) is one of the most respected Indigenous basket makers working today. Descended from a long line of basket makers, his work is known for its intricate design and exquisite artistry, which reflect both traditional techniques and his own creative vision.

This catalogue considers his work from a variety of perspectives. Secord, whom Frey credits for guiding his career as the founder of Maine Indian Basketmakers Alliance, contributes a detailed biographical essay. DeSimone situates Frey’s work in the broader field of contemporary art, with a specific focus on the new video work he is making for the exhibition. Hoska focuses on Frey’s art in the broader context of Native basket and fiber arts. And Mize considers the ways in which his expanding practice registers ecological knowledge, time, and the impact of climate change.

Additional Information
160 pages | 8.85" x 11.91" | Hardcover  

Of Living Stone: Perspectives on Continuous Knowledge and the Work of Vine Deloria, Jr. is a collection of new essays on the legacy of Vine Deloria, Jr., one of the most influential thinkers of our time. This insightful collection features more than thirty original pieces, bringing together Tribal leaders, artists, scientists, activists, scholars, legal experts, and humorists. A group of French scholars offers surprising perspectives on Deloria’s continuing global influence. Readers will find thoughtful and creative views on his wide-ranging and world-changing body of work. Some build upon his ideas while others offer important criticisms. In addition to its content, this volume is unique in that it was designed to center the traditional exercise of continuous knowledge whereby information is routinely shared, considered, and pragmatically adapted as it flows between generations. In this way, people, ideas and traditions remain alive and relevant—not set in stone —as the past is honored by those living in the present as they prepare for the future.

The book includes contributions from a number of remarkable individuals, including:
- Climate expert Margaret Redsteer (Crow)
- Melanie Yazzie (Diné), host of The Red Power Hour podcast
- Cheryl Crazy Bull (Sicangu Lakota), president of the American Indian College Fund
- Activists Faith Spotted Eagle (Yankton Dakota) and Lauren Schad (Cheyenne River Lakota)
- Writer and producer Migizi Pensoneau (Ponca/Ojibwe)
- Environmental scientists Kyle Whyte (Citizen Potawatomi) and Ryan Emanuel (Lumbee)
- Experts on Tribal Governance Deron Marquez (Yuhaaviatam of San Manuel), Frank Ettawageshik (Little Traverse Bay), Norbert Hill (Oneida), Megan Hill (Oneida), and Marty Case.
- Artists Cannupa Hanska Luger (MHA-Three Affiliated Tribes) and James Johnson (Tlingit)
- Legal Scholars Sarah Deer (Muscogee), Rebecca Tsosie (Yaqui descent), and Gabe Galanda (Round Valley)
- Archaeologist Paulette Steeves (Cree-Metis)
- Scholars of Indigenous Traditions Noenoe Silva (Kānaka Maoli), Natalie Avalos (Chicana of Mexican Indigenous descent), Tom Holm (Cherokee), and Greg Cajete (Tewa-Santa Clara Pueblo).

Time magazine named Vine Deloria, Jr. as one of the greatest thinkers of the twentieth century, and his research, writings, and teachings on history, law, religion, and science continue to influence generations of Indigenous peoples and their allies across the world. 

Reviews
“For me as a young person in the 1980s and 1990s, Vine was the only stranger I thought of as family. He was funny and heart-stabbingly blunt. So we have Vine Deloria to thank for revitalizing Indigenous knowledge gathering. Inspired by Vine’s life work, Anishinaabe people now understand that we learn by listening (bzindamowin), observing (gnawaaminjigewin), and ceremony (manidookewin). We also know it’s important to have a LOT of fun (miiziiwapine). Of Living Stone is both a somber memorial and a raucous celebration of Vine’s work.”—Matthew Fletcher (Grand Traverse Band of Ottawa and Chippewa Indians), University of Michigan, and author of The Ghost Road

Additional Information
528 pages | 6.00" x 9.00" | Paperback

Improve your well-being with Native American herbal medicine

Native American herbal medicine offers a powerful way to connect with the earth and heal naturally—and with this handbook of Native American herbs, you can learn all about herb uses and their restorative effects. Written by an Indigenous herbalist, this guide shows you how to responsibly use traditional plants to treat anxiety, colds, inflammation, and more.

This standout among books about herbs and healing will help you:
- Learn about a time-honored practice—Discover the origins and healing secrets of Native American herbalism, its traditional and modern uses, and how tools like the medicine wheel teach us about our relationship with the natural world.

- Identify the essential herbs—Explore the healing properties of medicinal herbs for wellness, from anise hyssop to yerba santa.

- Make 75 natural remedies—Ease physical and emotional ailments with Native American remedies, like Memory Support Tea, Stress-Induced Headache Tincture, and Antibacterial Healing Herb Liniment.

Tap into traditional wisdom with this Native American herbal medicine book for health and well-being.

Reviews
"A beautiful jumping-off point for anyone who is interested in practical herbalism. Angela organizes the wisdom of Native American herbalism in a way that is accessible for anyone to pick up and fold into their everyday life." —Kathleen Lee, acupuncturist, herbalist, and spiritual business mentor

"Angela is a wise and fierce protector of plant medicine and traditions of healing. Her first book, A Beginner's Guide to Native American Herbal Medicine, is a meaningful, accessible resource for readers who seek to ground themselves in understanding and build an herbal practice of integrity." —Graham Wesley

Additional Information
165 pages | 7.50" x 9.25" | full-colour photographs throughout | Paperback

Restoring Relations Through Stories introduces, synthesizes, and analyzes traditional stories by Diné and Dene storytellers in orature and film. The book conceptualizes narrative autonomy as hane’tonomy and visual storytelling from a Diné perspective, offering a map for re-storying that resists inauthentic and misappropriated stories. Watchman centres Indigenous narratives and examines how these narratives are tied to land and relations.

In the book’s final movement, the author explores the power of story to forge ancestral and kinship ties between the Diné and Dene, across time and space, through re-storying of relations.

Reviews
“Watchman shows how the old stories, maintained over centuries . . . tie together the Diné and Dene through ancestral and linguistic connections. The works that are surveyed herein reinforce the import of remembering, retelling, and revising the old stories so that they are germane today.” —Luci Tapahonso, inaugural Poet Laureat of the Navajo Nation

“Restoring Relations Through Stories shows how land-based storying among Diné and Dene peoples is strong and continues in the twenty-first century and beyond. It demonstrates how Indigenous peoples continue to remain connected to the land and sustain distinctive ways of life through their narratives, lands, and filmmaking.” —Lloyd L. Lee, author of Diné Identity in a Twenty-First Century World

“Renae Watchman’s Restoring Relations Through Stories introduces readers to the powerful force of ‘Hane’tonomy’ and the work of Diné creatives who refuse misappropriated and inauthentic views by advancing decisive versions of their world. Hane’tonomy provides us all with a new framework for understanding complex works such as Sydney Freeland’s Drunktown’s Finest, Blackhorse Lowe’s 5th World, or Hollywood’s deracinating obsession with the Navajo Nation and Shiprock as a backdrop. It moves toward a meaningful, though potentially daunting, provocation in forging new connections through restorying with ancestral kin of the Diné in present-day Canada.” —Jeff Berglund, co-editor of The Diné Reader: An Anthology of Navajo Literature

“An affirmation of our continued connections to the Mother Earth through prayers, songs, and stories. The connections to each other as Diné and Dene are remembered in Watchman’s stories of placemaking.” —Jennifer Nez Denetdale, professor and Chair of American Studies, University of New Mexico

Additional Information
356 pages | 5.00" x 8.00"| Paperback 

The author of the award-winning memoir Red Paint returns with a razor-sharp, clear-eyed collection of essays on what it means to be a proudly queer indigenous woman in the United States today

Drawing on a rich family archive as well as the anthropological work of her late great-grandmother, Sasha taqʷšəblu LaPointe explores themes ranging from indigenous identity and stereotypes to cultural displacement and environmental degradation to understand what our experiences teach us about the power of community, commitment, and conscientious honesty.

Unapologetically punk, the essays in Thunder Song segue from the miraculous to the mundane, from the spiritual to the physical, as they examine the role of art—in particular music—and community in helping a new generation of indigenous people claim the strength of their heritage while defining their own path in the contemporary world.

Reviews
"Blending beautiful family history with her own personal memories, LaPointe’s writing is a ballad against amnesia, and a call to action for healing, for decolonization, for hope." —Lauren Puckett-Pope, Elle

“It’s a provocative and wonderfully crafted collection exploring cultural legacies, colonialism, and finding your own path forward.” —Susie Dumond, BookRiot

"Lyrical prose elevates LaPointe’s incisive and heartfelt personal reflections. The result is a beautifully rendered snapshot of contemporary American Indigenous life." —Publishers Weekly

"These passionate essays, adamant in their activist pleas, reflect hard-won wisdom, as well as the representative significance of the author’s experiences. Probing and poignant reflections on Indigenous America." —Kirkus Reviews

“Sasha taqʷšəblu LaPointe’s essays in Thunder Song are loud, bold, and startlingly majestic. None of Sasha’s examinations fail to find truth: page after page, the intersections of family, heritage, history, and music build to countless transcendental moments for the reader, which is not only the magic of this book but a clear testament to Sasha’s immense storytelling power. She is a major talent. Thunder Song is masterful and wise, and it will not be forgotten.” ––Morgan Talty, National Bestselling author of Night of the Living Rez

Additional Information
256 pages | 5.36" x 8.30" | Hardcover

Reminiscent of the works of Mary Karr and Terese Marie Mailhot, a memoir of family and survival, coming-of-age on and off the reservation, and of the frictions between mainstream American culture and Native inheritance; assimilation and reverence for tradition.

Deborah Jackson Taffa was raised to believe that some sacrifices were necessary to achieve a better life. Her grandparents—citizens of the Quechan Nation and Laguna Pueblo tribe—were sent to Indian boarding schools run by white missionaries, while her parents were encouraged to take part in governmental job training off the reservation. Assimilation meant relocation, but as Taffa matured into adulthood, she began to question the promise handed down by her elders and by American society: that if she gave up her culture, her land, and her traditions, she would not only be accepted, but would be able to achieve the “American Dream.”

Whiskey Tender traces how a mixed tribe native girl—born on the California Yuma reservation and raised in Navajo territory in New Mexico—comes to her own interpretation of identity, despite her parent’s desires for her to transcend the class and “Indian” status of her birth through education, and despite the Quechan tribe’s particular traditions and beliefs regarding oral and recorded histories. Taffa’s childhood memories unspool into meditations on tribal identity, the rampant criminalization of Native men, governmental assimilation policies, the Red Power movement, and the negotiation between belonging and resisting systemic oppression. Pan-Indian, as well as specific tribal histories and myths, blend with stories of a 1970s and 1980s childhood spent on and off the reservation.

Taffa offers a sharp and thought-provoking historical analysis laced with humor and heart. As she reflects on her past and present—the promise of assimilation and the many betrayals her family has suffered, both personal and historical; trauma passed down through generations—she reminds us of how the cultural narratives of her ancestors have been excluded from the central mythologies and structures of the “melting pot” of America, revealing all that is sacrificed for the promise of acceptance.

Reviews
“We have more Native stories now, but we have not heard one like this. Whiskey Tender is unexpected and propulsive, indeed tender, but also bold, and beautifully told, like a drink you didn’t know you were thirsty for. This book, never anything less than mesmerizing, is full of family stories and vital Native history. It pulses and it aches, and it lifts, consistently. It threads together so much truth by the time we are done, what has been woven together equals a kind of completeness from brokenness, and a hope from knowing love and loss and love again by naming it so.” — Tommy Orange, National Bestselling Author of There There 

"What makes Taffa’s version exceptional is her visceral prose and sharp attunement to the tragedies of assimilation. This is a must-read."— Publishers Weekly (starred review)

"A warm and propulsive personal history that lucidly traces its Native and colonial legacies to draw a complex and humane portrait of a family and a pivotal political time in U.S. history. Taffa is a gifted raconteur and her memoir should be required reading for everyone in this country." — Melissa Febos, author of Body Work and Girlhood, winner of the National Book Critics Circle Award

Additional Information
304 pages | 6.00" x 9.00" | 6 Photographs | Hardcover 

More than seventy delectable recipes that bring California’s Indigenous cuisines into kitchens today.

In this sumptuous cookbook, Sara Calvosa Olson (Karuk) reimagines some of the oldest foods in California for home cooks today. Meaning “Let’s eat!” in the Karuk language, Chími Nu’am shares the author’s delicious and inventive takes on Native food styles from across California. Over seventy seasonal recipes centered on a rich array of Indigenous ingredients follow the year from Fall (elk chili beans, acorn crepes) to Winter (wild boar pozole, huckleberry hand pies) to Spring (wildflower spring rolls, peppernut mole chicken) to Summer (blackberry braised smoked salmon, acorn milk freezer pops). Special sections offer guidance on acorn preparation, traditional uses of proteins, and mindful ingredient sourcing. Calvosa Olson has spent many years connecting her family’s foodways with a growing community, and these recipes, techniques, and insights invite everyone to Calvosa Olson’s table. Designed as an accessible entry for people beginning their journey toward a decolonized diet, Chími Nu’am welcomes readers in with Calvosa Olson’s politically attuned and irresistibly funny writing. With more than 100 photographs, this cookbook is a culinary gift that will add warmth and mouthwatering aromas to any kitchen.

Reviews
"This cookbook designed to uplift Indigenous California foods will delight foragers, adventurous home cooks, and those looking to connect with Native roots. It's a valuable addition to library shelves that will connect Native and non-Native Americans to the earth and its abundant gift of ingredients." —Library Journal

"With Chími Nu'am, Olson looks to encourage people to start thinking about a decolonized diet, connecting to the land and native ingredients prior to European colonization [... and] aims to make Indigenous ingredients and traditional Karuk recipes accessible to a whole range of home cooks." —Nina Friend, BBC World's Table

"Chími Nu’am is serious about taking a holistic view of reintegrating the healthfulness of traditional diets into modern lives, benefiting both personal well-being and the greater good." —Naomi Tomky, Atlas Obscura

"Calvosa Olson has written a book that will speak to multiple audiences. But whether she's guiding Indigenous readers to embrace more of their cultural foods or making recommendations for non-Indigenous readers interested in decolonizing their diets in an ethical way (hint: it's about reciprocity), her voice and philosophy come through clearly on the page." —Twilight Greenaway, Civil Eats

"To say that Chími Nu'am is just a cookbook is inaccurate. What took Calvosa Olson more than two years to write and publish is an expression of her life and an act of stewardship for the earth. [...] The author was raised to believe that if you take care of the land, the land will take care of you." —Prism

"Calvosa Olson invites readers to forage for and become more attuned to Indigenous and seasonal ingredients—nurturing a deeper connection to place and enhancing one’s role as an environmental steward." —Uprooted

"Connecting with nature is an approach to cooking that is often overlooked—but not for Sara Calvosa Olson. A native Californian raised by a Karuk mother, she is leading people on a path to decolonize their diets, one cup of manzanita flour at a time." —KCRW Good Food

"Connection to people and planet is central to both Calvosa Olson's personal approach to food as well as the message of Chími Nu'am." —Rachel Askinasi, The Messenger

"Besides being a creative, accessible cookbook, Calvosa Olson's work is a call for stewardship of the environment and an introduction to some local foods that have long been part of Native diets. It’s a terrific resource for foragers, teachers, libraries, classrooms, cooks, and anyone looking to learn more about the foodways of California's Indigenous peoples." —Edible East Bay

Additional Information
288 pages | 7.50" x 10.00" | Hardcover

A New Testament in English by Native North Americans for Native North Americans and All English-Speaking Peoples

Many First Nations tribes communicate with the cultural and linguistic thought patterns found in their original tongues. The First Nations Version (FNV) recounts the Creator's Story—the Christian Scriptures—following the tradition of Native storytellers' oral cultures. This way of speaking, with its simple yet profound beauty and rich cultural idioms, still resonates in the hearts of First Nations people.

The FNV is a dynamic equivalence translation of the New Testament that captures the simplicity, clarity, and beauty of Native storytellers in English, while remaining faithful to the original language of the Bible. The culmination of a rigorous five-year translation process, this new Bible translation is a collaboration between organizations like OneBook and Wycliffe Associates, Indigenous North Americans from over twenty-five different tribes, and a translation council that consisted of twelve Native North American elders, pastors, young adults, and men and women from different tribes and diverse geographic locations. Whether you are Native or not, you will experience the Scriptures in a fresh and new way.

Read these sample passages to get a taste of what you'll find inside:

"The Great Spirit loves this world of human beings so deeply he gave us his Son—the only Son who fully represents him. All who trust in him and his way will not come to a bad end, but will have the life of the world to come that never fades—full of beauty and harmony. Creator did not send his Son to decide against the people of this world, but to set them free from the worthless ways of the world." John 3:16-17

"Love is patient and kind. Love is never jealous. It does not brag or boast. It is not puffed up or big-headed. Love does not act in shameful ways, nor does it care only about itself. It is not hot-headed, nor does it keep track of wrongs done to it. Love is not happy with lies and injustice, but truth makes its heart glad. Love keeps walking even when carrying a heavy load. Love keeps trusting, never loses hope, and stands firm in hard times. The road of love has no end." 1 Corinthians 13:4-8

Reviews
"While Wildman recasts the New Testament in a distinctly Indigenous image, he remains faithful to evangelical interpretations of Christian scripture, typified in the many italicized explanations that appear throughout and are meant to add 'reasonably implied' clarifications and cultural notes, such as explication on ancient festivals like the Pentecost. This remarkable retelling offers plenty of rewards and will especially pique those open to a novel interpretation of the religious text." — Publishers Weekly starred review, August 2021

"Reading the First Nations Version of the New Testament is like listening to a wise elder pass down ancient teachings. Its oral cadences give the Scriptures new room to breathe. While contemporary translations focus on updating language in a modern mode, the FNV recaptures the sense of tradition that binds faithful readers to our past and to the story that tells us who we are. It is a good gift to everyone who walks the Jesus Way." — L. Daniel Hawk, professor of Old Testament and Hebrew at Ashland Theological Seminary

"From the beginning, the story of Jesus has been a translated story. Jesus spoke in Aramaic, but Matthew, Mark, Luke, and John wrote their Gospels in Greek. The story of Jesus is intended to be translated to every tribe, tongue, people, and nation. That translation is intended, not just permitted, serves to show how we must resist any cultural domination of the gospel. Terry Wildman has done a masterful job of rendering the New Testament into the storytelling motif characteristic of Native Americans. It should tell us something important when we realize how beautifully the story of Jesus can be adapted to the style and vocabulary of indigenous people. I deeply appreciate Terry Wildman's retelling of the story of Jesus for First Nations people. I believe the Great Spirit is pleased." — Brian Zahnd, pastor of Word of Life Church in St. Joseph, Missouri, and author of Beauty Will Save the World

"I've often wondered what it might look like if Jesus incarnated within another culture. Jesus, a first-century Jewish teacher in a corner of Rome's empire, lived, died, and rose as a human being within a specific time and place. What I love about the First Nations Version is how it translates this gospel story into a language of another context: First Nations! So get swept away into the story of the Great Spirit as he invites us to the blessing way of the good road. Read this beautiful retelling of the Scriptures that is not only beneficial for First Nations communities but for all who desire to allow the Great Spirit to transform their imaginations!" — Kurt Willems, pastor and auth

Educator Information
The First Nations Version (FNV) Translation Council consists of twelve First Nations individuals representing a cross-section of Native North Americans—elders, pastors, young adults, and men and women from differing tribes and diverse geographic locations. This council also represents a diversity of church and denominational traditions to minimize bias. The council determined the style and method of translation to be used and continues to be involved in ongoing translation, review, and cultural consultation. The FNV is a dynamic equivalence translation produced in partnership with Rain Ministries and OneBook Canada, with help from Wycliffe Associates.

AdditionalInformation
512 pages | 6.00" x 9.00" | Paperback

This enriching cookbook celebrates eight important plants Native Americans introduced to the rest of the world: corn, beans, squash, chile, tomato, potato, vanilla, and cacao—with more than 100 recipes. When these eight Native American plants crossed the ocean after 1492, the world’s cuisines were changed forever. In Seed to Plate, Soil to Sky, James Beard Award-winning author and chef Lois Ellen Frank introduces the splendor and importance of this Native culinary history and pairs it with delicious, modern, plant-based recipes using Native American ingredients. Along with Native American culinary advisor Walter Whitewater, Seed to Plate, Soil to Sky shares more than 100 nutritious, plant‑based recipes organized by each of the foundational ingredients in Native American cuisine as well as a necessary discussion of food sovereignty and sustainability.

A delicious, enlightening celebration of Indigenous foods and Southwestern flavors, Seed to Plate, Soil to Sky shares recipes for dishes such as Blue Corn Hotcakes with Prickly Pear Syrup, Three Sisters Stew, and Green Chile Enchilada Lasagna, as well as essential basics like Corn Masa, Red and Green Chile Sauces, and Cacao Spice Rub. The “Magic 8” ingredients share the page—and plate—to create recipes that will transform your world.

Reviews
"Seed to Plate honors the practical side of growing Indigenous heirloom seeds to fruition. Lois demonstrates how to respect the whole life cycle of these foods by processing and cooking them with reverence, so when they end up on our plate and in our bellies, they are true medicine. This book honors Native American food wisdom and transforms the way we think about daily nourishment.” —from the foreword by Melissa K. Nelson, (Anishinaabe/Métis [Turtle Mountain Chippewa]), Professor of Indigenous Sustainability, Arizona State University; President of the Cultural Conservancy"

"Seed to Plate, Soil to Sky is more than a beautiful and empowering book. It is a landmark in the culinary world, helping us remember timeless traditions and put them to use at a time when healthful traditions are needed most. It is a treasury of historical context, key botanical information, and practical tips for the kitchen that will allow us to use the bounty of nature for health and vitality."—Neal D. Barnard, MD, FACC, adjunct professor of medicine, George Washington Univ. School of Medicine & Health Sciences, president, Physicians Committee for Responsible Medicine

Additional Information
320 pages | 7.60" x 9.40" | 75 full colour photos | Hardcover

Music historian Craig Harris explores more than five hundred years of Indigenous history, religion, and cultural evolution in Rise Up! Indigenous Music in North America. More than powwow drums and wooden flutes, Indigenous music intersects with rock, blues, jazz, folk music, reggae, hip-hop, classical music, and more. Combining deep research with personal stories by nearly four dozen award-winning Indigenous musicians, Harris offers an eye-opening look at the growth of Indigenous music.

Among a host of North America’s most vital Indigenous musicians, the biographical narratives include new and well-established figures such as Mildred Bailey, Louis W. Ballard, Cody Blackbird, Donna Coane (Spirit of Thunderheart), Theresa “Bear” Fox, Robbie Robertson, Buffy Sainte-Marie, Joanne Shenandoah, DJ Shub (Dan General), Maria Tallchief, John Trudell, and Fawn Wood.

Reviews

Additional Information
344 pages | 6.00" x 9.00" | 40 Photos, Index | Paperback

Indigenous Peoples have taken physical recreational activity – sport – back from the colonizers. One of very few books to show the two edges of sport: it colonized but is now decolonizing.

Decolonizing Sport tells the stories of sport colonizing Indigenous Peoples and of Indigenous Peoples using sport to decolonize. Spanning several lands — Turtle Island, the US, Australia, Aotearoa/New Zealand and Kenya — the authors demonstrate the two sharp edges of sport in the history of colonialism. Colonizers used sport, their own and Indigenous recreational activities they appropriated, as part of the process of dispossession of land and culture. Indigenous mascots and team names, hockey at residential schools, lacrosse and many other examples show the subjugating force of sport. Yet, Indigenous Peoples used sport, playing their own games and those of the colonizers, including hockey, horse racing and fishing, and subverting colonial sport rules as liberation from colonialism. This collection stands apart from recent publications in the area of sport with its focus on Indigenous Peoples, sport and decolonization, as well as in imagining a new way forward.

Educator Information
Table of Contents
Sport, Colonialism and Decolonization (Janice Forsyth, Christine O’Bonsawin, Murray G. Phillips and Russell Field)

Section 1: Storytelling Beyond Competition: An Indigenous Perspective on Organized Sport (Brian Rice)

More Than a Mascot: How the Mascot Debate Erases Indigenous People in Sport (Natalie Welch)

Section 2: Interrogating the Archive Witnessing Painful Pasts: Understanding Images of Sports at Canadian Indian Residential Schools (Taylor McKee and Janice Forsyth)

On the Absence of Indigenous Moving Bodies: Whiteness, Decolonization and Indigenous/Indigenizing Sport History (Malcolm MacLean)

Section 3: Rights and Reconciliation # 87: Reconciliation, Sport History and Indigenous Peoples in Canada (Victoria Paraschak)

Taken at Face Value: The Legal Feasibility of Indigenous-Led Olympic Games (Christine O’Bonsawin)

Section 4: Settler Colonialism Canoe Races to Fishing Guides: Sport and Settler Colonialism in Mi’kma’ki (John Reid)

Moments of Transcending Colonialism? Rodeos and Races in Lethbridge (Robert Kossuth)

“Men Pride Themselves on Feats of Endurance”: Masculinities and Movement Cultures in Kenyan Running History (Michelle M. Sikes)

Section 5: Resistance and Activism Stealing, Drinking and Non-Cooperation: Sport, Everyday Resistance in Aboriginal Settlements in Australia (Gary Osmond)

Let’s Make Baseball! Practices of Unsettling on the Recreational Ball Diamonds of Tkaronto/Toronto (Craig Fortier and Colin Hastings)

Subjugating and Liberating at Once: Indigenous Sport History as a Double Edged Sword (Brendan Hokowhitu)

Additional Information
256 pages | 6.00" x 9.00" | Paperback

The first history of the United States told from the perspective of indigenous peoples

Today in the United States, there are more than five hundred federally recognized Indigenous nations comprising nearly three million people, descendants of the fifteen million Native people who once inhabited this land. The centuries-long genocidal program of the US settler-colonial regimen has largely been omitted from history. Now, for the first time, acclaimed historian and activist Roxanne Dunbar-Ortiz offers a history of the United States told from the perspective of Indigenous peoples and reveals how Native Americans, for centuries, actively resisted expansion of the US empire.

With growing support for movements such as the campaign to abolish Columbus Day and replace it with Indigenous Peoples’ Day and the Dakota Access Pipeline protest led by the Standing Rock Sioux Tribe, An Indigenous Peoples’ History of the United States is an essential resource providing historical threads that are crucial for understanding the present. In An Indigenous Peoples’ History of the United States, Dunbar-Ortiz adroitly challenges the founding myth of the United States and shows how policy against the Indigenous peoples was colonialist and designed to seize the territories of the original inhabitants, displacing or eliminating them. And as Dunbar-Ortiz reveals, this policy was praised in popular culture, through writers like James Fenimore Cooper and Walt Whitman, and in the highest offices of government and the military. Shockingly, as the genocidal policy reached its zenith under President Andrew Jackson, its ruthlessness was best articulated by US Army general Thomas S. Jesup, who, in 1836, wrote of the Seminoles: “The country can be rid of them only by exterminating them.”

Spanning more than four hundred years, this classic bottom-up peoples’ history radically reframes US history and explodes the silences that have haunted our national narrative.

An Indigenous Peoples' History of the United States is a 2015 PEN Oakland-Josephine Miles Award for Excellence in Literature.

Reviews
“Meticulously documented, this thought-provoking treatise is sure to generate discussion.”—Booklist

“What is fresh about the book is its comprehensiveness. Dunbar-Ortiz brings together every indictment of white Americans that has been cast upon them over time, and she does so by raising intelligent new questions about many of the current trends of academia, such as multiculturalism. Dunbar-Ortiz’s material succeeds, but will be eye-opening to those who have not previously encountered such a perspective.”—Publishers Weekly

"Roxanne Dunbar-Ortiz’s An Indigenous Peoples' History of the United States helped me clarify my place in this country. It confirmed what had been told to me by my ancestors: that Indigenous peoples, from the North Pole to the South, have been here since before the world was known as round. As a conquering nation, the United States has rewritten history to make people of the U.S. forget our past as natives to this land. This is especially apparent in the Mexi-phobic, immigrant-phobic policies of our time.

An Indigenous Peoples’ History of the United States (2014) helped me clarify my place in this country...This book is necessary reading if we are to move into a more humane future."—Sandra Cisneros, author of The House on Mango Street

“A must-read for anyone interested in the truth behind this nation’s founding.” —Veronica E. Velarde Tiller, PhD, Jicarilla Apache author, historian, and publisher of Tiller’s Guide to Indian Country

“This may well be the most important US history book you will read in your lifetime. . . . Dunbar-Ortiz radically reframes US history, destroying all foundation myths to reveal a brutal settler-colonial structure and ideology designed to cover its bloody tracks. Here, rendered in honest, often poetic words, is the story of those tracks and the people who survived—bloodied but unbowed. Spoiler alert: the colonial era is still here, and so are the Indians.”—Robin D. G. Kelley, author of Freedom Dreams

“Dunbar Ortiz’s . . . assessment and conclusions are necessary tools for all Indigenous peoples seeking to address and remedy the legacy of US colonial domination that continues to subvert Indigenous human rights in today’s globalized world.”—Mililani B. Trask, Native Hawai‘ian international law expert on Indigenous peoples’ rights and former Kia Aina (prime minister) of Ka La Hui Hawai‘i

Additional Information
328 pages | 6.38" x 9.30" | Hardcover

Raised by his grandparents in the tiny village of Metlakatla, Alaska, David A. Boxley left a secure teaching job in his hometown to pursue an uncharted path as a full-time Tsimshian artist, ultimately leading a revival of traditional culture, art, dance, and song. Tsimshian Eagle: A Culture Bearer's Journey chronicles Boxley's life and art through images and interviews. What emerges is a boundlessly creative, restless man who has dedicated his life to keeping Tsimshian culture alive.

Additional Information
240 pages | 8.25" x 10.25" | Hardcover 

In myriad ways, each narrator's life has been shaped by loss, injustice, and resilience--and by the struggle of how to share space with settler nations whose essential aim is to take all that is Indigenous.

Hear from Jasilyn Charger, one of the first five people to set up camp at Standing Rock, which kickstarted a movement of Water Protectors that roused the world; Gladys Radek, a survivor of sexual violence whose niece disappeared along Canada's Highway of Tears, who became a family advocate for the National Inquiry into Missing and Murdered Indigenous Women and Girls; and Marian Naranjo, herself the subject of a secret radiation test while in high school, who went on to drive Santa Clara Pueblo toward compiling an environmental impact statement on the consequences of living next to Los Alamos National Laboratory. Theirs are stories among many of the ongoing contemporary struggles to preserve Indigenous lands and lives--and of how we go home.

Reviews
“How We Go Home is a testament to modern-day Indigenous revitalization, often in the face of the direst of circumstances. Told as firsthand accounts on the frontlines of resistance and resurgence, these life stories inspire and remind that Indigenous life is all about building a community through the gifts we offer and the stories we tell.”— Niigaan Sinclair, associate professor, Department of Native Studies at the University of Manitoba and columnist, Winnipeg Free Press

“The voices of How We Go Home are singing a chorus of love and belonging alongside the heat of resistance, and the sound of Indigenous life joyfully dances off these pages.”—Leanne Betasamosake Simpson, author of As We Have Always Done

“How We Go Home confirms that we all have stories. These stories teach us history, morality, identity, connection, empathy, understanding, and self-awareness. We hear the stories of our ancestors and they tell us who we are. We hear the stories of our heroes and they tell us what we can be." —Honourable Senator Murray Sinclair

Educator Information
Table of Contents
Editor’s Notes
Introduction (Sara Sinclair)
Executive Director’s Note (Mimi Lok)
Map
Gladys Radek, Terrace, Gitxsan / Wet’suwet’en First Nations—“When Tamara went missing, it took the breath out of me.”
Jasilyn Charger, Cheyenne River Sioux—“My son’s buried by the river. . . . I vowed to him that he’s gonna be safe, that no oil was gonna touch him.”
Wizipan Little Elk, Rosebud Lakota Tribe—“On the reservation, you have the beauty of the culture and our traditional knowledge contrasted with the reality of poverty.”
Geraldine Manson, Snuneymuxw First Nation—The nurse was trying to get me to sign a paper to put our baby, Derrick, up for adoption.”
Robert Ornelas, New York City, Lipan Apache / Ysleta del Sur Pueblo—“A part of the soul sickness for me was being ashamed . . . what we were being taught about Indians was so minimal and so negative.”
Ashley Hemmers, Fort Mojave Indian Tribe—“I didn’t work my ass off to get to Yale to be called a squaw.”
Ervin Chartrand, Selkirk, Métís/Salteaux—“They said I fit the description because I looked like six other kids with leather vests and long hair who looked Indian.”
James Favel, Winnipeg, Peguis First Nation “You’re a stakeholder because you’ve got to walk these streets every day.”
Marian Naranjo, Santa Clara Pueblo—“Indigenous peoples’ reason for being is to be the caretakers of Creator’s gifts—of the air, the water, the land.”
Blaine Wilson, Tsartlip First Nation “When I was twenty-five, thirty, there was more salmon and I was fishing every other day. Now I’m lucky to go once a week.”
Althea Guiboche, Winnipeg, Métis/Ojibwe/Salteaux “I had three babies under three years old and I was homeless.”
Vera Styres, Six Nations of the Grand River, Mohawk/Tuscarora“I was a ‘scabby, dirty little Indian.’”
Glossary
Historical Timeline of Indigenous North America
Essay: 1. The Trail of Broken Promises: US and Canadian Treaties with First Nations
Essay 2: “Indigenous Perspectives on Intergenerational Trauma”: An Interview with Johnna James
Essay 3: Indigenous Resurgence
Ten Things You Can Do
Further Reading
Acknowledgements

Additional Information
331 pages | 6.00" x 9.00" | Paperback

A monumental gathering of more than 60 contemporary artists, photographers, musicians, writers and more, showcasing diverse approaches to Indigenous concepts, forms and mediums

This landmark volume is a gathering of Native North American contemporary artists, musicians, filmmakers, choreographers, architects, writers, photographers, designers and more. Conceived by Jeffrey Gibson, a renowned artist of Mississippi Choctaw and Cherokee descent, An Indigenous Present presents an increasingly visible and expanding field of Indigenous creative practice. It centers individual practices, while acknowledging shared histories, to create a visual experience that foregrounds diverse approaches to concept, form and medium as well as connection, influence, conversation and collaboration. An Indigenous Present foregrounds transculturalism over affiliation and contemporaneity over outmoded categories.

Artists include: Neal Ambrose-Smith, Teresa Baker, Natalie Ball, Laakkuluk Williamson Bathory, Rebecca Belmore, Andrea Carlson, Nani Chacon, Raven Chacon, Dana Claxton, Melissa Cody, Chris T. Cornelius, Lewis deSoto, Beau Dick, Demian DineYazhi’, Wally Dion, Divide and Dissolve, Korina Emmerich, Ka’ila Farrell-Smith, Yatika Starr Fields, Nicholas Galanin, Raven Halfmoon, Elisa Harkins, Luzene Hill, Anna Hoover, Sky Hopinka, Chaz John, Emily Johnson, Brian Jungen, Brad Kahlhamer, Sonya Kelliher-Combs, Adam Khalil, Zack Kahlil, Kite, Layli Long Soldier, Erica Lord, Cannupa Hanska Luger, Tanya Lukin Linklater, James Luna, Dylan McLaughlin, Meryl McMaster, Caroline Monnet, Audie Murray, New Red Order, Jamie Okuma, Laura Ortman, Katherine "KP" Paul/Black Belt Eagle Scout, Postcommodity, Wendy Red Star, Eric-Paul Riege, Cara Romero, Sara Siestreem, Rose B. Simpson, Jaune Quick-to-See Smith, Hulleah J. Tsinhnahjinnie, Anna Tsouhlarakis, Arielle Twist, Marie Watt, Dyani White Hawk and Zoon a.k.a. Daniel Glen Monkman.

Additional Information
448 pages | 9.75" x 12.25" | 387 Illustrations | Hardcover

The gripping, forgotten tale of Ira Hayes—a Native American icon and World War II legend who famously helped raise the flag at Iwo Jima but spent the latter half of his life haunted by being a war hero.

IRA HAYES tells the story of Ira Hamilton Hayes from the perspective of a Native American combat veteran of the Vietnam generation. Hayes, along with five other Marines, was captured in Joe Rosenthal’s iconic photograph of raising the stars and stripes on Mount Suribachi during the battle for the Japanese Island of Iwo Jima. The photograph was the inspiration and model for the U.S. Marine Corps War Memorial in Arlington.

Between the time he helped raise that flag and his death—and beyond—he was the subject of more newspaper columns than any other Native person. He was hailed as a hero and maligned as a chronic alcoholic unable to take care of himself. IRA HAYES explores these fluctuating views of Ira Hayes. It reveals that they were primarily the product of American misconceptions about Native people, the nature of combat, and even alcoholism. Like most surviving veterans of combat, Ira did not think of himself as a heroic figure. There can be no doubt that Ira suffered from PTSD, which is a compound of survivor’s guilt, the shock of seeing death, especially of one’s friends, and the isolation brought on by feeling that no one could understand what he had been through. Ira’s life has been a subject of two motion pictures and a television drama. All these dramas sympathize with him, but ultimately fail to see his binge drinking as his way of temporarily escaping the melancholy, the rage he felt, his sense of betrayal, and the sheer boredom of peacetime.

IRA HAYES breaks apart the complexities of Ira’s short life in honor of all Native veterans who have been to war in the service of the United States. This is equally their story.

Reviews
"Written with page-turning excitement, Tom Holm, a Native scholar and veteran of Vietnam, offers an Indigenous realism through the heroic life of Ira Hayes, an Akimel O’odam marine in World War II. You will re-live the life of Ira Hayes who helped to raise the American flag at Iwo Jima after the bloodiest battle in Pacific during the war and became a legend. A gifted storyteller, Holm writes with an engaging insight making the reader feel right beside Ira Hayes in boarding school, combat, and struggling with PTSD."—Donald L. Fixico (Muscogee, Seminole, Shawnee and Sac and Fox), Regents’ and Distinguished Foundation Professor of History, Arizona State University

“WWII hero Ira Hayes would have appreciated this book. Author Tom Holm uses Ira’s courage and humility as tools to dissect the historic and current fate of his Native American people. And Ira’s challenges focus light upon the tragedy of war and the horrors of PTSD. A meaningful and beautifully-researched read.”—Judy Avila, bestselling author of Code Talker: The First and Only Memoir by One of the Original Navajo Code Talkers of WWII

“Tom Holm brilliantly and respectfully offers readers a rich and long overdue account of the life and tragic death of Ira Hayes that pierces through the stereotypes and misconceptions that plagued his during his life and long after his passing. It is a sensitive work that reminds us of the enormous emotional, psychological, and cultural difficulties Hayes had to cope with throughout his life. It is a splendid and timely contribution.” —Dr. David Wilkins, E. Claiborne Robins Distinguished Professor in Leadership Studies and citizen of the Lumbee Nation of North Carolina

“As a historian and a veteran, Tom Holm is uniquely positioned to write this important story, the first scholarly treatment of Hayes' life and times. Holm examines Hayes' struggles with fame and illness after World War II while offering insights into a post-war America hostile to Native identity and sovereignty despite the sacrifices made by Hayes and thousands of other Native Americans.”—Paul C. Rosier, Ph.D., Professor of History at Villanova University and author of Serving Their Country: American Indian Politics and Patriotism in the Twentieth Century

"An excellent piece of scholarship; the definitive work on this Native American veteran. Carefully nuanced and rich in context, Holm transcends and dispels the stereotypes of Ira Haye’s life to show the complexity of the Akimel O’odham experience, the impacts of World War II, the social use of alcohol in 1940s America, and his personal experiences from poverty, racism, and the unwanted and unending attention following the flag raising on Mount Suribachi. As Holm concludes, 'He should be remembered for who he was rather that for what the dominant society has been led to believe about him.'"—William C. Meadows, Missouri State University

"Tom Holm deservedly looms large in the history of Indigenous peoples’ military service in the wars of the twentieth century. In his new book, IRA HAYES, Holm reintroduces us to the iconic individual in ‘The Photograph’ of the flag-raising on Mount Suribachi. Holm extricates Hayes from the trope of tragedy and the racist stereotype of the ‘drunken Indian’ into which his story was confined during his lifetime and in which it remained trapped since his death. Instead, a complex Ira Hayes comes to life in the long context of his Akimel O’odham culture and community, American colonialism and racism, his military service, and his likely suffering from Post-Traumatic Stress Disorder. This tour de force is, by turns, compelling, devastating, and intensely humanizing."—R. Scott Sheffield, Professor of History at University of the Fraser Valley and co-author of Indigenous Peoples and the Second World War: The Politics, Experiences and Legacies of War in the US, Canada, Australia and New Zealand

“A strong contribution to the literature of World War II, Native American warriors, and the unseen wounds of war.”—Kirkus Reviews

Additional Information
320 pages | 6.35" x 9.25" | Hardcover