Métis
Synopsis:
The life and times of the Premier from Red River
John Norquay, orphan and prodigy, was a leader among the Scots Cree peoples of western Canada. Born in the Red River Settlement, he farmed, hunted, traded, and taught school before becoming a legislator, cabinet minister, and, from 1878 to 1887, premier of Manitoba.
Once described as Louis Riel's alter ego, he skirmished with prime minister John A. Macdonald, clashed with railway baron George Stephen, and endured racist taunts while championing the interests of the Prairie West in battles with investment bankers, Ottawa politicians, and the CPR. His contributions to the development of Canada's federal system and his dealings with issues of race and racism deserve attention today.
Recounted here by Canadian historian Gerald Friesen, Norquay's life story ignites contemporary conversations around the nature of empire and Canada's own imperial past. Drawing extensively on recently opened letters and financial papers that offer new insights into his business, family, and political life, Friesen reveals Norquay to be a thoughtful statesman and generous patriarch. This masterful biography of the Premier from Red River sheds welcome light on a neglected historical figure and a tumultuous time for Canada and Manitoba.
Reviews
"The Honourable John Norquay is a magisterial biography that brings Norquay out of the historical shadows to a prominent place among the major figures of nineteenth century Canada. One of the most important historical studies of this decade, Norquay is a model of how superb historical scholarship can make us better understand both past and present." — John English
"This is a beautifully written, extremely accessible, but obviously meticulous scholarly tome. Friesen wrangles a wide variety of facts into a compelling narrative." — Chris Andersen
"The Honourable John Norquay is a magnificent book. Friesen meticulously documents Norquay's many accomplishments, larger-than-life character, and charisma. He paints a picture of a negotiator and orator who ably uses humour and personal stories to win support, especially in the midst of the racism he faced." — Gary Doer, Premier of Manitoba, 1999-2009
Educator Information
Table of Contents
Introduction
Ch 1: “A Merry Prankish Youngster,” 1841–58
Ch 2: Red River Family, 1859–70
Ch 3: “The Transfer Made Us Wise,” the 1870s
Ch 4: Public Life: An Introduction, 1871–74
Ch 5: Senior Minister, 1875–78
Ch 6: Premier, 1879
Ch 7: Boom Times and Crash, 1880–January 1883
Ch 8: “Chief,” 1883–February 1885
Ch 9: “An Unfortunate Family Difference,” 1885
Ch 10: Vindication, 1886
Ch 11: Defiance, 1887
Ch 12: Downfall, November–December 1887
Ch 13: Dénouement, 1888–89
Conclusion
Acknowledgements
Abbreviations
Keywords
A Note on Sources
Notes
Bibliography
Index
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619 pages | 6.12" x 9.25" | b&w illustrations, maps, index, bibliography | Hardcover
Synopsis:
From Tanya Talaga, the critically acclaimed and award-winning author of Seven Fallen Feathers, comes a riveting exploration of her family’s story and a retelling of the history of the country we now call Canada
For generations, Indigenous People have known that their family members disappeared, many of them after being sent to residential schools, “Indian hospitals” and asylums through a coordinated system designed to destroy who the First Nations, Métis and Inuit people are. This is one of Canada’s greatest open secrets, an unhealed wound that until recently lay hidden by shame and abandonment.
The Knowing is the unfolding of Canadian history unlike anything we have ever read before. Award-winning and bestselling Anishinaabe author Tanya Talaga retells the history of this country as only she can—through an Indigenous lens, beginning with the life of her great-great grandmother Annie Carpenter and her family as they experienced decades of government- and Church-sanctioned enfranchisement and genocide.
Deeply personal and meticulously researched, The Knowing is a seminal unravelling of the centuries-long oppression of Indigenous People that continues to reverberate in these communities today.
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480 pages | 6.12" x 9.25" | Hardcover
Synopsis:
A powerful, lyrical collection of essays from the award-winning author of Following the River, exploring the pivotal moments in her life, and how art and nature have shaped her.
Like both memory and the moon, what's written here aims to shed what light it can, bringing it home to now.
How does a woman compose a life? The Old Moon in Her Arms is a hybrid book of fragments, pivotal moments and images in the phases of a woman's life, turning points rendered in Lorri Neilsen Glenn's lyrical prose.
Like the shifting images in a kaleidoscope, these glimpses into the life of an ordinary woman lay bare the ways family, landscape, loss, and a lifelong pursuit of knowledge have forced the author in her later years to examine what really matters. Here, readers bear witness to the making of a daughter, a student, a wife, a friend, a teacher, a mother, a feminist, an award-winning scholar and writer. Neilsen Glenn's artistry weaves personal history, philosophy, pop culture, and contemporary thought to examine moments and people who've inhabited her life. "Over time and circumstance," she says, "haven't we all been various?"
Guiding her exploration are the Cree concept of wahkohtowin, the kinship in all of creation, and the elliptical path of the moon.
This hybrid collection of singular moments celebrates connection, wonder and endless curiosity.
Educator Information
Subjects/Themes: Memoir, Creativity, Aging, Literacy Collection, Prose, Poetry
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272 pages | 6.00" x 8.00"| Paperback
Synopsis:
Follow in the tradition of your ancestors as you learn how to hand sew your capote, a hand-sewn coat made from a wool blanket. Wahwaykinishoo d’en li kapot – Wrap Yourself in Tradition: A Guide to Making a Métis-Style Capote also includes the history of the capote and its connection to Métis heritage. Enjoy the experience, feel the warmth, share the feeling, and wear it with pride. Written by Suzan Lagrove Couillard and Brenda Hrycuik.
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57 Pages | 10" x 8.5" | Spiral Bound
Synopsis:
An Anthology of Monsters by Cherie Dimaline, award-winning Métis author of The Marrow Thieves, is the tale of an intricate dance with life-long anxiety. It is about how the stories we tell ourselves—both the excellent and the horrible—can help reshape the ways in which we think, cope, and ultimately survive. Using examples from her published and forthcoming books, from her mère, and from her own late-night worry sessions, Dimaline choreographs a deeply personal narrative about all the ways in which we cower and crush through stories. Witches emerge as figures of misfortune but also empowerment, and the fearsome Rougarou inspires obedience, but also belonging and responsibility. Dimaline reveals how to collect and curate these stories, how they elicit difficult and beautiful conversations, and how family and community is a place of refuge and strength.
Educator Information
Keywords / Subjects: Stories; Anxiety; Panic; Rougarou; Family; Community; Métis; Witches; Insomnia; Coping; Worries; Grandparents; Empower; Belonging; Responsibility; Mental Health; Biography; Essays; Canadian Literature
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64 pages | 5.25" x 9.00" | Paperback
Synopsis:
From acclaimed filmmaker, artist and activist Marjorie Beaucage comes a poetic memoir that reflects on seven decades of living and seeking justice as a Two Spirit Michif woman. Poems, poetic observations and thoughtful meanderings comprise this inspirational journal-memoir-poetry collection from a woman who has dedicated her life and her talent to creating social change. Unfolding the wisdom gained from experience, leave some for the birds: movements for justice offers guidance for younger activists following the author's trailblazing footsteps.
Reviews
"I have long admired Margie's tenacious ability to persevere in spite of the obstacles placed in front of her. She continues to challenge the status quo and hangs onto what is right and just. She awakens, supports and lifts the many voices who struggle to be heard. Her voice dives deep into the depth of unknown and bewildering waters. Yet, she bubbles to the surface, takes a breath and howls with a universal plea to pay attention to the injuries imposed on the land and its people. I am honored to walk with her."--Louise B. Halfe - Sky Dancer, author of The Crooked Good.
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211 pages | 6.00" x 9.00" | 7 Illustrations | Paperback
Synopsis:
An intriguing look at the connections between Alberta premier Peter Lougheed and his Métis grandmother, Isabella Clarke Hardisty Lougheed, exploring how Métis identity, political activism, and colonial institutional power shaped the lives and legacies of both.
Combining the approaches of political biography and historical narrative, The Premier and His Grandmother introduces readers to two compelling and complex public figures. Born into a prominent fur trading family, Isabella Clarke Hardisty Lougheed (1861–1936) established a distinct role for herself as an influential Métis woman in southern Alberta, at a time when racial boundaries in the province were hardening and Métis activists established a firm foundation for the Métis to be recognized as distinct Indigenous Peoples.
Isabella’s grandson Edgar Peter Lougheed (1928–2021) served as premier of Alberta at a time when some of that activism achieved both successes and losses. Drawing on Peter Lougheed’s personal papers, family interviews, and archival research, this book analyzes his political initiatives in the context of his own identity as a person of Métis ancestry. While there are several publications that refer to Peter Lougheed in the context of his role as premier, few of those publications have acknowledged his connection to an important Métis pioneer family and his connection to his Indigenous ancestors.
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320 pages | 6.00" x 9.00" | b&w photographs | Paperback
Synopsis:
For over two centuries, the Métis have fought for recognition as an Indigenous people and as a Nation. This struggle has played out on the battlefield, in the courts, and at the negotiating table, often over issues of governance, land rights, and resources. It wasn’t until 1982, when the government patriated the Constitution, that Métis rights were officially recognized by Canada. The True Canadians chronicles Métis challenges and achievements over those 40 years and well before. Focused on Alberta, the book traces the growth of the Métis Nation of Alberta, which in 2022 ratified its own Constitution, the same year as the 40th anniversary of Canada’s Constitution Act. The title refers to the fact the Métis are the people born of this land.
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11.00" x 9.00" | Hardcover
Synopsis:
Autobiography as Indigenous Intellectual Tradition critiques ways of approaching Indigenous texts that are informed by the Western academic tradition and offers instead a new way of theorizing Indigenous literature based on the Indigenous practice of life writing.
Since the 1970s non-Indigenous scholars have perpetrated the notion that Indigenous people were disinclined to talk about their lives and underscored the assumption that autobiography is a European invention. Deanna Reder challenges such long held assumptions by calling attention to longstanding autobiographical practices that are engrained in Cree and Métis, or nêhiyawak, culture and examining a series of examples of Indigenous life writing. Blended with family stories and drawing on original historical research, Reder examines censored and suppressed writing by nêhiyawak intellectuals such as Maria Campbell, Edward Ahenakew, and James Brady. Grounded in nêhiyawak ontologies and epistemologies that consider life stories to be an intergenerational conduit to pass on knowledge about a shared world, this study encourages a widespread re-evaluation of past and present engagement with Indigenous storytelling forms across scholarly disciplines
Educator Information
Table of Contents
Synopsis:
What does the phrase Métis peoples mean in constitutional terms? As lawyers and scholars dispute forms of Métis identity, and debate the nature and scope of Métis rights under the Canadian Constitution, understanding Métis experience of colonization is fundamental to achieving reconciliation.
In Bead by Bead, contributors address the historical denial – at both federal and provincial levels – of outstanding Métis concerns and Aboriginal rights claims, in particular with respect to land, resources, and governance. Tackling such themes as ongoing colonial policies, the invisibility of Métis women in court decisions, identity politics, and racist legal principles, they uncover the troubling issues that plague Métis aspirations for a just future.
This nuanced analysis of the parameters that current Indigenous legal doctrines place around Métis rights discourse moves beyond a one-size-fits-all definition of Métis or a uniform approach to Aboriginal rights. By raising critical questions about self-determination, colonization, kinship, land, and other essential aspects of Métis lived reality, these clear-eyed essays go beyond legal theorizing and create pathways to respectful, inclusive Métis-Canadian constitutional relationships.
This book is essential reading for scholars and students of Métis and Indigenous studies and Aboriginal law, as well as for lawyers, politicians, and civil servants engaged in Métis issues.
Contributors: Brodie Douglas, Karen Drake, Christopher Gall, Adam Gaudry, Sébastien Grammond, Brenda L. Gunn, Thomas Isaac, Wanda McCaslin , Darren O’Toole, Jeremy Patzer, Signa A. Daum Shanks, D’Arcy Vermette.
Reviews
“Finally, we have a source that in a single place provides material and commentary that will support informed debate and help to come to grips with the questions of Métis identity, community, and constitutional rights. . . . This book accurately addresses who we are: as a people with common values, traditions, culture, way of life, family ties, history, communities and shared territory. . . . There is no question of its value, the knowledge we gain from it and how it will augment everyone’s perspective of the issues of Métis.”—Tony Belcourt, OC, first president of the Native Council of Canada and founding president of the Métis Nation of Ontario
Educator Information
Table of Contents
Foreword / Tony Belcourt
Introduction / Yvonne Boyer, Larry Chartrand, and Wanda McCaslin
1 Métis Identity Captured by Law: Struggles over Use of the Category Métis in Canadian Law / Sébastien Grammond
2 Recognition and Reconciliation: Recent Developments in Métis Rights Law / Thomas Isaac
3 Shifting the Status Quo: The Duty to Consult and the Métis of British Columbia / Christopher Gall and Brodie Douglas
4 The Resilience of Métis Title: Rejecting Assumptions of Extinguishment / Adam Gaudry and Karen Drake
5 Where Are the Women? Analyzing the Three Métis Supreme Court of Canada Decisions / Brenda L. Gunn
6 Manitoba Metis Federation and Daniels: "Post-Legal" Reconciliation and Western Métis / Jeremy Patzer
7 Colonial Ideologies: The Denial of Métis Political Identity in Canadian Law / D’Arcy Vermette
8 Métis Aboriginal Rights: Four Legal Doctrines / Darren O’Toole
9 Suzerainty, Sovereignty, Jurisdiction: The Future of Métis Ways / Signa A. Daum Shanks
Afterword / Yvonne Boyer and Larry Chartrand
Index
Additional Information
236 pages | 6.00" x 9.00" | Paperback
Synopsis:
The Truth and Reconciliation Commission and Indigenous activism have made many non-Indigenous Canadians uncomfortably aware of how little they know about First Nations, Métis, and Inuit peoples. In Braided Learning, Susan Dion shares her approach to engaging with Indigenous histories and perspectives. Using the power of stories and artwork, Dion offers respectful ways to learn from and teach about challenging topics including settler-colonialism, treaties, the Indian Act, residential schools, and the Sixties Scoop. Informed by Indigenous pedagogy, Braided Learning draws on Indigenous knowledge to make sense of a difficult past, decode unjust conditions in the present, and work toward a more equitable future.
This book is a must-read for teachers and education students. It should also be read by students and practitioners in social work, child and youth counselling, policing, and nursing, or anyone seeking a foundational understanding of the histories of Indigenous peoples and of settler colonialism in Canada.
Reviews
“This book should be in every educator’s library. It serves as a model for educators to learn and teach about the history of Indigenous peoples and settler colonialism without fear or reservation. It is exactly what has been asked for over and over again.”— Tracey Laverty, First Nations, Inuit and Métis Education, Saskatoon Public Schools
"Braided Learning is a safe learning space for people at the start of their learning journey about Indigenous education and history. Each reader will take away the parts of the stories that are important to them, just like listeners do when we hear stories in the lodge from our elders. Nobody tells you what to do – you figure it out yourself with some subtle guidance." — Deb St. Amant, elder-in-residence, Faculty of Education, Queen’s University
"Understanding how educators can participate in reconciliation means understanding what stands in the way. Susan Dion understands both. Highly readable, engaging, and passionate, this book moves teachers from apprehension to action. Educators of all levels, read this book and take heed of Dion’s question: “So what are you going to do now?” — Amanda Gebhard, co-editor of White Benevolence: Racism and Colonial Violence in the Helping Professions
Educator Information
Table of Contents
Introduction: Indigenous Presence
1 Requisites for Reconciliation
2 Seeing Yourself in Relationship with Settler Colonialism
3 The Historical Timeline: Refusing Absence, Knowing Presence, and Being Indigenous
4 Learning from Contemporary Indigenous Artists
5 The Braiding Histories Stories / Co-written with Michael R. Dion
Conclusion: Wuleelham – Make Good Tracks
Glossary and Additional Resources: Making Connections, Extending Learning
Notes; Bibliography
Additional Information
288 pages | 6.00" x 9.00" | Paperback
Synopsis:
Horses in the Sand is a collection of stories that document a queer woman's journey from her sparse beginnings as a child to becoming a tradeswoman, teacher, and artist. With courage, humour, and frank honesty, the stories describe what it was like to grow up as a girl who was starkly different from "normal" and how "coming out" became a lifelong process of self-acceptance and changing identities. The stories also speak to the difficulties in participating in and maintaining healthy adult relationships when childhood beginnings are rooted in violence and trauma, and end with a triumphant account of fulfilling a long-time dream of buying land and building a home with her own hands. Ultimately, the memoir is a celebration of making art, telling stories, and of finding her birth father, a family of half-siblings, and an Indigenous community whose presence she had always felt, but never knew she belonged to.
Additional Information
260 pages | 5.50" x 8.25" | Paperback
Synopsis:
Métis Rising draws on a remarkable cross-section of perspectives to tell the histories, stories, and dreams of people from varied backgrounds, demonstrating that there is no single Métis experience – only a common sense of belonging and a commitment to justice.
The contributors to this unique collection, most of whom are Métis themselves, examine often-neglected aspects of Métis existence in Canada. They trace a turbulent course, illustrating how Métis leaders were born out of the need to address abhorrent social and economic disparities following the Métis–Canadian war of 1885. They talk about the long and arduous journey to rebuild the Métis nation from a once marginalized and defeated people; their accounts ranging from personal reflections on identity to tales of advocacy against poverty and poor housing. And they address the indictment of the jurisdictional gap whereby neither federal nor provincial governments would accept governance responsibility towards Métis people.
Métis Rising is an extraordinary work that exemplifies how contemporary Métis identity has been forged by social, economic, and political concerns into a force to be reckoned with.
A must-read not only for scholars and students of Métis and Indigenous studies but for lawyers, policymakers, and all Canadians who wish a broader understanding of this country’s colonial past.
Additional Information
280 pages | 6.00" x 9.00" | 3 b&w illus., 2 maps, 8 charts, 3 tables | Hardcover
Synopsis:
Nahganne: Tales of the Northern Sasquatch is about giant bipedal, forest dwelling, hirsute hominoid entities. For as long as humans have been around the North, the activities of these giants have been observed in many places, but only a few people have taken the time to share their stories of coming in contact with these forest giants. In the North they have been given many regional names; although they are commonly known as Nahganne or Sasquatch. The book presents activities occurring in the North such as sightings, strange vocals, discovery of large human-liked footprints, strange animal reaction, and weird tree events. It also contains bits of history about northern North America plus details about the First Nation Peoples and their history. In the book, Red Grossinger investigates and analyses the many reports that he has received with details about the encounters and occurrences.
Reviews
"A tale as old as the North. We’ve heard of Nahganne for many generations. The North is under-explored and we don’t know what’s out there. " —Lawrence Nayally, CBC North
"As an academic I appreciated the scientific analyses of the various Sasquatch sightings and the attention paid to details. As a First Nations person I enjoyed the storytelling qualities and humanistic approach of the book. Even though I have delved into the topic at various times myself, I have been surprised by how many sighting there have been! I have friends and family that have seen the Sasquatch, and this book assures that many of the stories won’t be lost through time. I applaud Mr. Grossinger for adding an important aspect of Yukon people’s experiences to local history." — Ukjese van Kampen PhD
"Red Grossinger has put together an enthusiastic and insightful inspection of Nahganne or the Northern Sasquatch using intriguing real-life examples, many of which he investigated himself. He believes Nahganne is scientifically “obvious” and details a history of research and encounters that date back more than a century. His only request of readers is to keep an open mind. When you finish this book, perhaps you too will believe." — John Firth, author of The Caribou Hotel: Hauntings, hospitality, a hunter and the parrot and One Mush: Jamaica's Dogsled Team
288 pages | 6.00" x 9.00" | 15 b&w illustrations | Paperback
Synopsis:
Ndè Sii Wet'aà: Northern Indigenous Voices on Land, Life, & Art is a collection of essays, interviews, short stories and poetry written by emerging and established northern Indigenous writers and artists. Centred on land, cultural practice and northern life, this ground-breaking collection shares wealth of Dene (Gwichʼin, Sahtú, Dehcho, Tłı̨chǫ, Saysi, Kaska, Dënesuiné, W?ìl?ìdeh ) Inuit, Alutiiq, Inuvialuit, Métis, Nêhiyawak (Cree), Northern Tutchone, and Tanana Athabascan creative brilliance. Ndè Sii Wet'aà holds up the voices of women and Two Spirit and Queer writers to create a chorus of voices reflecting a deep love of Indigenous cultures, languages, homelands and the north. The book includes a series of pieces and interviews from established northern artists and musicians including Leela Gilday, Randy Baillargeon (lead singer for the W?ìl?ìdeh Drummers), Inuit sisters, song-writers and throat singers Tiffany Ayalik and Inuksuk Mackay of Piqsiq, Two Spirit Vuntut Gwitchin visual artist Jeneen Frei Njootli, Nunavik singer-songwriters Elisapie and Beatrice Deere and visual artist Camille Georgeson-Usher. Ndè Sii Wet'aà also includes writing from well-known northern writers Siku Allooloo, T'áncháy Redvers (Fireweed), Antione Mountain (From Bear Rock Mountain), Glen Coulthard (Red Skin, White Masks), Catherine Lafferty (Northern Wildflower, Land-Water-Sky) and Lianne Marie Leda Charlie, in amongst the best emerging writers in the north.
Additional Information
264 pages | 6.00" x 9.00" | Paperback