Social and Cultural Studies

In recent years, Indigenous peoples have lead a number of high profile movements fighting for social and environmental justice in Canada. From land struggles to struggles against resource extraction, pipeline development and fracking, land and water defenders have created a national discussion about these issues and successfully slowed the rate of resource extraction.

But their success has also meant an increase in the surveillance and policing of Indigenous peoples and their movements. In Policing Indigenous Movements, Crosby and Monaghan use the Access to Information Act to interrogate how policing and other security agencies have been monitoring, cataloguing and working to silence Indigenous land defenders and other opponents of extractive capitalism. Through an examination of four prominent movements — the long-standing conflict involving the Algonquins of Barriere Lake, the struggle against the Northern Gateway Pipeline, the Idle No More movement and the anti-fracking protests surrounding the Elsipogtog First Nation — this important book raises critical questions regarding the expansion of the security apparatus, the normalization of police surveillance targeting social movements, the relationship between police and energy corporations, the criminalization of dissent and threats to civil liberties and collective action in an era of extractive capitalism and hyper surveillance.

In one of the most comprehensive accounts of contemporary government surveillance, the authors vividly demonstrate that it is the norms of settler colonialism that allow these movements to be classified as national security threats and the growing network of policing, governmental, and private agencies that comprise what they call the security state.

Reviews
“An accessible must-read for all Canadians concerned about respectful relations with indigenous people and the decline of civil rights in the war-on-terror era.” — Publishers Weekly

Additional Information
192 pages | 6.00" x 9.00"

This gorgeous book offers an incomparable glimpse into the experiences and history of more than one hundred First Nations and Métis elders from Canada’s North —“the last generation born on the land.” These stunning graphite pencil portraits are rendered with love, respect, and painstaking detail, along with gripping intimate profiles assembled from oral accounts and anecdotes. Their poignant facial features, lines, and creases, weathered by the harsh outdoors and a lifetime of challenges, are like badges of their remarkable achievements, sustained resolve, inspired patience, and deep-set defiance to the hardships their people have endured for generations. The masterful realism of Kuehl’s work helps uncover the tales of these seasoned individuals—their many triumphs and trials revealing in turn a greater portrait of life in the communities of Northern Canada, a compelling homage, and an enduring historical legacy. The portraits capture images of Cree, Ojibway, Oji-Cree, Dene and Métis peoples.

Additional Information
236 pages | 10.03" x 10.03"

Facing the monumental issues of our time.

In a 2012 performance piece, Rebecca Belmore transformed an oak tree surrounded by monuments to colonialism in Toronto's Queens Park into a temporary "non-monument" to the Earth.

For more than 30 years, she has given voice in her art to social and political issues, making her one of the most important contemporary artists working today. Employing a language that is both poetic and provocative, Belmore's art has tackled subjects such as water and land rights, women's lives and dignity, and state violence against Indigenous people. Writes Wanda Nanibush, "by capturing the universal truths of empathy, hope and transformation, her work positions the viewer as a witness and encourages us all to face what is monumental."

Rebecca Belmore: Facing the Monumental presents 28 of her most famous works, including Fountain, her entry to the 2005 Venice Biennale, and At Pelican Falls, her moving tribute to residential school survivors, as well as numerous new and in-progress works. The book also includes an essay by Wanda Nanibush, Curator of Indigenous Art at the AGO, that examines the intersection of art and politics. 

Rebecca Belmore is one of Canada's most distinguished artists. She has won the Hnatyshyn Award (2009), the Governor General's Award in Visual and Media Arts (2013), and the Gershon Iskowitz Prize (2016). A member of Lac Seul First Nation, she was the first Aboriginal woman to represent Canada at the Venice Biennale. She has also participated in more than 60 one-person and group exhibitions around the world.

Additional Information
132 pages | 10.25" x 10.25" | 198 Illustrations

The two major schools of thought in Indigenous-Settler relations on the ground, in the courts, in public policy, and in research are resurgence and reconciliation. Resurgence refers to practices of Indigenous self-determination and cultural renewal whereas reconciliation refers to practices of reconciliation between Indigenous and Settler nations, such as nation-with-nation treaty negotiations. Reconciliation also refers to the sustainable reconciliation of both Indigenous and Settler peoples with the living earth as the grounds for both resurgence and Indigenous-Settler reconciliation.

Critically and constructively analyzing these two schools from a wide variety of perspectives and lived experiences, this volume connects both discourses to the ecosystem dynamics that animate the living earth. Resurgence and Reconciliation is multi-disciplinary, blending law, political science, political economy, women's studies, ecology, history, anthropology, sustainability, and climate change. Its dialogic approach strives to put these fields in conversation and draw out the connections and tensions between them.

By using “earth-teachings” to inform social practices, the editors and contributors offer a rich, innovative, and holistic way forward in response to the world’s most profound natural and social challenges. This timely volume shows how the complexities and interconnections of resurgence and reconciliation and the living earth are often overlooked in contemporary discourse and debate.

Reviews
"Resurgence and Reconciliation provides a broader critical framework from which readers may begin to reset the charged political landscape of reconciliation. In the quickly expanding literature, law, and activism, some of the urgency of reconciliation has been unnecessarily lost. This book calls for quiet contemplation and a peaceful reframing of discussion and negotiations in what has become a noisy, busy field of Canada’s national reconciliation project." - Jeffery G. Hewitt, Faculty of Law, University of Windsor

"This collection represents a sustained and engaged dialogue between eminent and emerging scholars of Indigenous rights as they attempt to conceptualize, critique, collaborate, and document relationships of reconciliation and resurgence. The editors and contributors take on the complex debates, challenges, intersections, and fractions facing Canadians, both Indigenous and non-Indigenous, making this a profoundly important counter-colonial work." - Jane McMillan, Department of Anthropology, St Francis Xavier University

Additional Information
384 pages | 6.00" x 9.00"

Melonville. Smokey Hollow. Bannock Town. Fort Tuyau. Little Chicago. Mud Flats. Pumpville. Tintown. La Coulee. These were some of the names given to Métis communities at the edges of urban areas in Manitoba. Rooster Town, which was on the outskirts of southwest Winnipeg, endured from 1901 to 1961.

Those years in Winnipeg were characterized by the twin pressures of depression and inflation, chronic housing shortages, and a spotty social support network. At the city’s edge, Rooster Town grew without city services as rural Métis arrived to participate in the urban economy and build their own houses while keeping Métis culture and community as a central part of their lives.

In other growing settler cities, the Indigenous experience was largely characterized by removal and confinement. But the continuing presence of Métis living and working in the city, and the establishment of Rooster Town itself, made the Winnipeg experience unique.

Rooster Town documents the story of a community rooted in kinship, culture, and historical circumstance, whose residents existed unofficially in the cracks of municipal bureaucracy, while navigating the legacy of settler colonialism and the demands of modernity and urbanization.

Ancient indigenous wisdom to light the way toward a contemporary path for everyone seeking a more loving and balanced world.

Drawing from ancestral knowledge, as well as her experience as an attorney and activist, Sherri Mitchell addresses some of the most crucial issues of our day—including indigenous land rights, environmental justice, and our collective human survival. Sharing the gifts she has received from the elders of her tribe, the Penobscot Nation, she asks us to look deeply into the illusions we have labeled as truth and which separate us from our higher mind and from one another. Sacred Instructions explains how our traditional stories set the framework for our belief systems and urges us to decolonize our language and our stories. It reveals how the removal of women from our stories has impacted our thinking and disrupted the natural balance within our communities.

For all those who seek to create change, this book lays out an ancient worldview and set of cultural values that provide a way of life that is balanced and humane, that can heal Mother Earth, and that will preserve our communities for future generations.

Additional Information
256 pages | 5.50" x 8.48" | Paperback

In Solemn Words and Foundational Documents, Jean-Pierre Morin unpacks the complicated history of Indigenous treaties in Canada. By including the full text of eight significant treaties from across the country—each accompanied by a cast of characters, related sources, discussion questions, and an essay by the author—he teaches readers how to analyze and understand treaties as living documents. 

The book begins by examining treaties concluded during the height of colonial competition, when France and Britain each sought to solidify their alliances with Indigenous peoples. It then goes on to tell the stories of treaty negotiations from across the country: the miscommunication of ideas and words from Crown representatives to treaty text; the varying ranges of rights and promises; treaty negotiations for which we have a rich oral history but limited written records; multiple phases of post-Confederation treaty-making; and the unique case of competing treaties with radically different interpretations.

Educator Information

TABLE OF CONTENTS
Timeline
Introduction: Reading a Treaty and Overview of Treaties Addressed by Chapter
1. 1752 Peace and Friendship Treaty
2. 1760 Huron-British Treaty
3. 1805 Treaty 13 (Toronto Purchase)
4. 1850 Robinson-Huron Treaty
5. 1852 Saanich Treaty
6. 1871 Treaty 1
7. 1899 Treaty 8
8. 1923 Williams Treaty
Appendix 1: Cast of Characters
Appendix 2: Glossary of Terms

Reviews
"Solemn Words and Foundational Documents heeds the Truth and Reconciliation Commission’s call for a better understanding of treaties in what is now Canada. Using a case-study approach, Morin provides students with important and accessible information about the treaties themselves, their continued significance, and the relationship between oral and written historical sources. Aimed at senior undergraduate students, the discussion questions, format, and perspectives included in the text make for a valuable pedagogical tool." - Lianne C. Leddy, Wilfrid Laurier University

"In order for reconciliation to occur, Canadians need to better understand how we came to live on Indigenous land, and Morin’s important new book helps to do just that. Historical documents related to treaty history are often scattered across archives and hard to access. This book brings together the treaties themselves, along with related documents and a sharp analysis. The result is a valuable book that will be read by students, scholars, and the general public who are increasingly coming to realize that still today, we are living in treaty relationships with First Nations." - Alison Norman, Trent University

Additional Information
280 pages | 6.00" x 9.00"

A stunning retrospective highlighting the playfulness, power, and subversive spirit of Northwest Coast Indigenous artist Sonny Assu.

Through large-scale installation, sculpture, photography, printmaking, and painting, Sonny Assu merges the aesthetics of Indigenous iconography with a pop-art sensibility. This stunning retrospective spans over a decade of Assu’s career, highlighting more than 120 full-colour works, including several never-before-exhibited pieces.

Through analytical essays and personal narratives, Richard Van Camp, Marianne Nicolson, Candice Hopkins, and Ellyn Walker provide brilliant commentary on Assu’s practice, its meaning in the context of contemporary art, and its wider significance in the struggle for Indigenous cultural and political autonomy. Exploring themes of Indigenous rights, consumerism, branding, humour, and the ways in which history informs contemporary ideas and identities, Sonny Assu: A Selective History is the first major full-scale book to pay tribute to this important, prolific, and vibrant figure in the Canadian contemporary art world.

Reviews
"Educators and students will find numerous access points and opportunities to examine our nation's beliefs, actions, words, and legislation. [This book] also invites readers to knowledgeably and compassionately consider how we can reconcile all that has been with all that can be"—Canadian Indigenous Books for Schools 2018-2019

"Framed by contributions from some of our brightest Indigenous intellectuals, Sonny Assu’s canvas is more than an examination of how Indigenous Peoples respond to the Canadian experience. His witty and gentle hand offers Canada a mirror to consider its own scarred identity."—Michael Nicoll Yahgulanaas

“This brilliant book not only provides readers with an overview of the career of one of Canada’s most important artists but also links his development to the contemporary creative practices of First Nations artists in BC politics and history—the intersection of stories with visual expression. All this unveils historical truths and artistic insights that elevate Sonny Assu to greatness." —Dr. Ron Burnett, Order of Canada, Order of BC. President and vice-chancellor, Emily Carr University of Art and Design

Educator Information
Recommended for Grades 9-12 for these subjects: Art Education, Social Justice, Social Studies.

Additional Information
224 pages | 8.50" x 10.00"

The tragic consequences of systemic racism.

Structures of Indifference examines an Indigenous life and death in a Canadian city and what it reveals about the ongoing history of colonialism. At the heart of this story is a thirty-four-hour period in September 2008. During that day and a half Brian Sinclair, a middle-aged, non-Status Anishinaabeg resident of Manitoba’s capital city, arrived in the emergency room of the Health Sciences Centre, Winnipeg’s major downtown hospital, was left untreated and unattended to, and ultimately died from an easily treatable infection. His death reflects a particular structure of indifference born of and maintained by colonialism.

McCallum and Perry present the ways in which Sinclair, once erased and ignored, came to represent diffuse, yet singular and largely dehumanized ideas about Indigenous people, modernity, and decline in cities. This story tells us about ordinary indigeneity in the city of Winnipeg through Sinclair’s experience and restores the complex humanity denied him in his interactions with Canadian health and legal systems, both before and after his death.

Structures of Indifference completes the story left untold by the inquiry into Sinclair’s death, the 2014 report of which omitted any consideration of underlying factors, including racism and systemic discrimination.

Contents

Introduction: Thirty-Four Hours
Ch. 1: The City
Ch. 2: The Hospital
Ch. 3: Brian Sinclair
Conclusion

Reviews
“You can’t really sugarcoat the colonial genealogy that killed Brian Sinclair. Structures of Indifference is a necessary book. It offers a short, direct framing of the death of Brian Sinclair as a clear instance of racism, a racism that is the basis of Canadian settler colonialism.” – Sherene H. Razack, UCLA, author of Dying from Improvement: Inquests and Inquiries into Indigenous Deaths in Custody

Additional Information
192 pages | 4.25" x 7.12"

From Timbits to totem poles, Canada is boiled down to its syrupy core in symbolic forms that are reproduced not only on t-shirts, television ads, and tattoos but in classrooms, museums, and courtrooms too. They can be found in every home and in every public space. They come in many forms, from objects—like the red-uniformed Mountie, the maple leaf, and the beaver—to concepts— like free healthcare, peacekeeping, and saying "eh?".

But where did these symbols come from, what do they mean, and how have their meanings changed over time? Symbols of Canada gives us the real and surprising truth behind the most iconic Canadian symbols revealing their contentious and often contested histories.

With over 100 images, this book thoroughly explores Canada's true self while highlighting the unexpected twists and turns that have marked each symbol's history.

Reviews
“What do timbits, the beaver and the blue beret all have in common? They are all iconic symbols of Canadian identity and they are all subjects of this amusing, insightful book. Along with poutine, totem poles, roll up the rim and plenty more. Pop culture meets serious history. What better way to understand the origins of our national dreams, eh?” —Daniel Francis, author of Selling Canada: Three Propaganda Campaigns that Shaped the Nation

"Sharp, insightful and deeply funny: At once celebrating and critiquing symbols within Canadian identity, contributors are invariably witty and sometimes barbed, creating a rich, quick and satisfying reading experience." – Ottawa Life Magazine

"The beaver may be a rodent, the north merely a compass point, and the paternity of poutine still undecided but these, among many, signs and symbols define, sometimes divide, and frequently distinguish Canadians. While worthy of any library, this insightful, informative and entertaining collection proves that Canadiana, demystified, de-mythed and de-kitsched, can go “coffee table”. Solid and original scholarship, superb illustrations, concise and punchy writing combine with (sometimes self-deprecating) humour." – Jane Koustas, professor of modern languages, Brock University

"Symbols of Canada is a path-breaking book. It unravels the real origins and cultural significance of national symbols such as the “Mountie” or the Maple Leaf that are widely popular but little understood. This book will prove informative not only for Canadians but for anyone interested in the issue of national identity." – John Bodnar, Department of History, Indiana University

"Symbols of Canada challenges us to think about why particular stories, activities, landscapes, and events are invested with national meaning. From colonialism to consumerism, the contributors to this collection deftly connect the past with the present, and demonstrate how national symbols are made, re-made, and sometimes forgotten." – James Opp, professor of history, Carleton University and co-editor of Placing Memory and Remembering Place in Canada

"Nations exist through their symbols. Dawson, Gidney, and Wright have drawn together an impressive array of scholars to reveal – with insight, flair, shrewd judgement, humour, and unexpected serendipity – how Canadian national symbols do their work." – Richard White, Department of History, University of Sydney

Educator Information
Table of Contents
Introduction - Michael Dawson, Catherine Gidney, and Donald Wright
1. Beaver - Colin M. Coates
2. Canoe - Jess Dunkin
3.Totem Pole - John Sutton Lutz
4. North - Donald Wright
5. Lacrosse - Gillian Poulter
6. Hockey - Kristi Allain
7. National Anthem - Michael Dawson and Catherine Gidney
8. Flag - Donald Wright
9. Fleur-de-lys - Alan Gordon
10. Maple Syrup - Elizabeth L. Jewett
11. Canadian Pacific Railway - Bill Waiser
12. Mountie - Michael Dawson
13 .Dollard des Ormeaux - Patrice Groulx
14. Laura Secord - Cecilia Morgan
15. Vimy Ridge - Ian McKay and Jamie Swift
16. Peacekeeper - Kelly Ferguson
17. Anne of Green Gables - Michael Dawson and Catherine Gidney
18. Niagara Falls - Karen Dubinsky
19. Universal Healthcare - Cheryl Krasnick Warsh
20. Eh? - Steven High
21. Poutine - Caroline Durand
22. Tim Hortons - Michael Dawson and Catherine Gidney
Acknowledgements
Photo Credits

This work is both a "coffee table" type of book but also a collection of essays on various motifs that are often used to represent Canada.

Additional Information
256 pages | 9.25" x 8.75"

Text Content Note: While Indigenous content is found in this work, it is not the sole focus and is limited.

Talking Back to the Indian Act is a comprehensive "how-to" guide for engaging with primary source documents. The intent of the book is to encourage readers to develop the skills necessary to converse with primary sources in more refined and profound ways. As a piece of legislation that is central to Canada’s relationship with Indigenous peoples and communities, and one that has undergone many amendments, the Indian Act is uniquely positioned to act as a vehicle for this kind of focused reading.

Through an analysis of thirty-five sources pertaining to the Indian Act—addressing governance, gender, enfranchisement, and land—the authors provide readers with a much better understanding of this pivotal piece of legislation, as well as insight into the dynamics involved in its creation and maintenance.

Educator Information
Recommended in the Canadian Indigenous Books for Schools 2019-2020 resource list for grades 11 and 12 for English Language Arts, Law, and Social Studies.

Additional Information
248 pages | 6.00" x 9.00"

The shocking images of neo-Nazis marching in Charlottesville, Virginia, in the summer of 2017 linger, but so do those of the passionate anti-fascist protestors who risked their lives to do the right thing. In this stirring graphic non-fiction book by the author of The 500 Years of Resistance Comic Book, Gord Hill looks at the history of fascism over the last 100 years, and the concurrent antifa movements that have worked fastidiously to topple it. 

Fascism is a relatively new political ideology, yet in its short history some of the greatest atrocities against humanity have been carried out in its name. Its poisonous roots have taken hold in every region of the world, from its beginnings in post-World War I Italy, through Nazi Germany, Franco's Spain, and the KKK in America. And today, emboldened by the American president, fascism is alive and well again. At the same time, antifa activists have proven, throughout history and again today, that the spirit of resistance is alive and well, and necessary. 

In The Antifa Comic Book, Gord Hill documents these powerful moments of conflict and confrontation with a perceptive eye and a powerful sense of resolve. 

Full-colour throughout. Includes a foreword by Mark Bray, author of Antifa: The Anti-Fascist Handbook.

Additional Information
112 pages | 8.00" x 10.00"

Lacrosse has been a central element of Indigenous cultures for centuries, but once non-Indigenous players entered the sport, it became a site of appropriation – then reclamation – of Indigenous identities. The Creator’s Game focuses on the history of lacrosse in Indigenous communities from the 1860s to the 1990s, exploring Indigenous-non-Indigenous relations and Indigenous identity formation. While the game was being appropriated in the process of constructing a new identity for the nation-state of Canada, it was also being used by Indigenous peoples to resist residential school experiences, initiate pan-Indigenous political mobilization, and articulate Indigenous sovereignty. This engaging and innovative book provides a unique view of Indigenous self-determination and nationhood in the face of settler-colonialism.

Additional Information
364 pages | 6.00" x 9.00" | 56 photos

In The Four Sacred Gifts, visionary international business consultant Anita Sanchez, PhD, reveals the timely prophecy entrusted to her by a global collective of indigenous elders—four guiding gifts that “will allow you to set yourself free to live your most successful life…learn how to forgive, to heal, to unite with all life, and to revitalize hope” (Jack Canfield, co-author of Chicken Soup for the Soul).

As we ride the powerful waves of change occurring in our economic, social, political, and physical environment, indigenous wisdom is needed—now more than ever—to guide us to inhabit the fullest and healthiest lives possible.

The Four Sacred Gifts opens your mind and heart to an indigenous worldview that will ultimately free you from fear and empower you to find peace even in the conflicts of our tumultuous world. Based on a prophecy that is now coming true, this book reveals how our world depends on each of us discovering a interconnectedness to people, earth, and animals, in the awareness that we are “all one relation.”

Within these pages, you will find deep wisdom of elders from all continents as they come together to give you four sacred gifts: the power to forgive the unforgivable, the power of unity, the power of healing, and the power of hope. These gifts will guide you to transformation, and support your journey to wholeness.

By following the powerful principles, lessons, and tools found in this book, you will experience personal breakthroughs, become a force for conscious, societal evolution, and learn to live in deeper harmony with all of humanity.

Reviews
"No remedy is more needed in today’s confusing and seemingly chaotic times than the power of simple wisdom. In this beautifully written book, Anita Sanchez draws on her own moving and revealing life experiences to present four gifts of indigenous wisdom that can help us heal ourselves, our communities and our broken world.” — William Ury, co-author of Getting to Yes and author of Getting to Yes with Yourself

"The Four Sacred Gifts is a beautiful answer to why so many people feel separate, alone, and afraid, and how to get back naturally and easily into harmony, connection and love with ourselves, nature and each other. I highly recommend reading and processing all the wisdom of The Four Sacred Gifts." — Christy Whitman, New York Times bestselling author

"In her exquisite book, Anita Sanchez makes an offering to us of the Four Sacred gifts that were given to her by her Elders. Though her own insights and personal stories, she brings to life the power and critical relevance of indigenous wisdom to our times. If you care about the state of the planet, if you are moved by injustice and the all the ways we humans cause suffering to ourselves and others,The Four Sacred Gifts offers the message and good medicine we need to lead a life in balance and help leave a better world for the coming generations." — Robert Gass, co-founder the Rockwood Leadership Institute

Additional Information
224 pages | 5.50" x 8.37" | Paperback

Can literary criticism help transform entrenched Settler Canadian understandings of history and place? How are nationalist historiographies, insular regionalisms, established knowledge systems, state borders, and narrow definitions continuing to hinder the transfer of information across epistemological divides in the twenty-first century? What might nation-to-nation literary relations look like? Through readings of a wide range of northeastern texts – including Puritan captivity narratives, Wabanaki wampum belts, and contemporary Innu poetry – Rachel Bryant explores how colonized and Indigenous environments occupy the same given geographical coordinates even while existing in distinct epistemological worlds. Her analyses call for a vital and unprecedented process of listening to the stories that Indigenous peoples have been telling about this continent for centuries. At the same time, she performs this process herself, creating a model for listening and for incorporating those stories throughout.

This commitment to listening is analogous to homing – the sophisticated skill that turtles, insects, lobsters, birds, and countless other beings use to return to sites of familiarity. Bryant adopts the homing process as a reading strategy that continuously seeks to transcend the distortions and distractions that were intentionally built into Settler Canadian culture across centuries.

Reviews
"The Homing Place enacts and advocates for a paradigm shift in ‘literary relations’ in North America, revealing the ’invisible wall ’ in colonial perceptions that may at first seem as impermeable as the nation-state borders that divide the continent. Yet just as Indigenous people and homelands have always traversed those borders, so may our readings transcend that wall. Rachel Bryant foregrounds and leads us to acknowledge the active ways our embodied minds evade or engage Indigenous contexts and communities, producing greater awareness of the impacts of our activities as readers and writers, Native people and settlers, those who make policy, and those who are most impacted by it.”—  Lisa Brooks

“Bryant’s excavation of US and Canadian exceptionalisms could not be timelier. She shows how Anglo-Atlantic writing has built a ‘system of self-protection’ that has sought to contain Indigenous geographies and indeed Indigenous agency. At the same time, she shows how First Nations have always effectively written back against this system. This book shines new light on settler colonialism and Indigenous resurgence, historic and contemporary, through sharp analyses of some influential but lesser-discussed writers. It belongs on the shelf of every scholar in Indigenous Studies, Canadian Studies, American Studies, Atlantic and Maritime Studies, Material Culture Studies, Cultural Geography, and Literary Criticism, for it creates fresh new dialogues among all of these fields and interests.”— Siobhan Senier

"If you are interested in Indigenous affairs, the history of how the eastern tribes came to be in such dire straits today, and how literature has reflected these changes – and even attempts to embrace and effect change for the better – then The Homing Place will certainly appeal to you."— The Miramichi Reader

Awards

• 2017 Writers’ Federation of New Brunswick Book Award for Non-Fiction winner
• 2018 AUP Book Jacket and Journal Show Selected Entry joint winner

Additional Information
256 pages | 6.00" x 9.00"