Literary Studies

A gripping, gut-punch of a novel about a Cherokee child removed from her family and sent to a Christian boarding school in the 1950s—an ambitious, eye-opening reckoning of history and small-town prejudices from Pulitzer Prize finalist Margaret Verble.

Since her mother’s death, Kit Crockett has lived with her grief-stricken father, spending lonely days far out in the country tending the garden, fishing in a local stream, and reading Nancy Drew mysteries from the library bookmobile. One day when Kit discovers a mysterious and beautiful woman has moved in just down the road, she is intrigued.

Kit and her new neighbor Bella become fast friends. Both outsiders, they take comfort in each other’s company. But malice lurks near their quiet bayou and Kit suddenly finds herself at the center of tragic, fatal crime. Soon, Kit is ripped from her home and Cherokee family and sent to Ashley Lordard, a religious boarding school. Along with the other Native students, Kit is stripped of her heritage, force-fed Christian indoctrination, and is sexually abused by the director. But Kit, as strong-willed and shrewd as ever, secretly keeps a journal recounting what she remembers—and revealing just what she has forgotten. Over the course of Stealing, she slowly unravels the truth of how she ended up at the school—and plots a way out.

In swift, sharp, and stunning prose, Margaret Verble spins a powerful coming-of age tale and reaffirms her place as an indelible storyteller and chronicler of history.

Reviews
"Verble tells a memorable and sobering story about injustice, hypocrisy, and resilience. Verble upholds her legacy of indelible Cherokee characters—and weaves a dynamic mystery, too.”— Kirkus Reviews

Additional Information
256 pages | 5.31" x 8" | Paperback

“Swim Home to the Vanished is a lush and fantastic journey through strange lands and minds from an incandescent new voice full of my kind of melancholic brilliance and unromantic magic.”—Tommy Orange, author of There, There

After the death of his brother, a grief-stricken young man seeks refuge and oblivion in a secluded fishing village dominated by a family of brujas in this haunting debut novel, inspired, in part, by the ramifications of Diné history and thought—a mesmerizing, original tale in the tradition of works by Toni Morrison, Haruki Murakami, and Gabriel García Márquez.

When the river swallowed Kai, Damien’s little brother didn’t die so much as vanish. As the unbearable loss settles deeper into his bones, Damien, a small-town line cook, walks away from everything he has ever known. Driving as far south as his old truck and his legs allow, he lands in a fishing village beyond the reach of his past where he hopes he can finally forget.

But the village has grief of its own. The same day that Damien arrives, a young woman from the community’s most powerful family is being laid to rest. A stranger in town, Damien is the object of gossip and suspicion, ignored by all except the dead girl’s mother, Ana Maria, who offers Damien a room and a job.

Grateful for her kindness, Damien soon begins to fall under Ana Maria's charismatic spell. But how long can he resist the rumors swirling through town suggesting she might have had something to do with her daughter’s death? Or deny his strange kinship with one of Ana Maria's surviving daughters, Marta, who knows too well the grief that follows the loss of a sibling—and who is driven by a fierce need for revenge? Swiftly, Damien finds himself caught in a power struggle between the brujas, a whirlwind battle that threatens to sweep the whole village out to sea.

Resonant with the Diné creation story and the unshakeable weight of the Long Walk—the forced removal of the Navajo from their land—Swim Home to the Vanished explores the human capacity for grief and redemption, and the lasting effects it has on the soul.

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240 pages | 5.31" x 8.00" | Paperback

In The Dialogues: The Song of Francis Pegahmagabow, award-winning author Armand Garnet Ruffo brings to life not only the story of the famed WWI Indigenous sniper, but also the complexities of telling Indigenous stories. From Manitoulin Island to the trenches of WWI to the stage, Ruffo moves seamlessly through time in these poems, taking the reader on a captivating journey through Pegahmagabow’s story and onto the creation of Sounding Thunder, the opera based on his life. Throughout, Ruffo uses the Ojibwe concept of two-eyed seeing, which combines the strengths of western and Indigenous ways of knowing, and invites the reader to do the same, particularly through the inclusion of the Anishinaabemowin language within the collection. These are poems that challenge western conventions of thinking, that celebrate hope and that show us a new way to see the world.

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120 pages | 6.00" x 9.00" | Paperback

In this stunning novel, Pulitzer Prize and National Book Award–winning author Louise Erdrich tells a story of love, natural forces, spiritual yearnings, and the tragic impact of uncontrollable circumstances on ordinary people’s lives.

History is a flood. The mighty red . . .

In Argus, North Dakota, a collection of people revolve around a fraught wedding.

Gary Geist, a terrified young man set to inherit two farms, is desperate to marry Kismet Poe, an impulsive, lapsed Goth who can't read her future but seems to resolve his.

Hugo, a gentle red-haired, home-schooled giant, is also in love with Kismet. He’s determined to steal her and is eager to be a home wrecker.

Kismet's mother, Crystal, hauls sugar beets for Gary's family, and on her nightly runs, tunes into the darkness of late-night radio, sees visions of guardian angels, and worries for the future, her daughter’s and her own.

Human time, deep time, Red River time, the half-life of herbicides and pesticides, and the elegance of time represented in fracking core samples from unimaginable depths, is set against the speed of climate change, the depletion of natural resources, and the sudden economic meltdown of 2008-2009. How much does a dress cost? A used car? A package of cinnamon rolls? Can you see the shape of your soul in the everchanging clouds? Your personal salvation in the giant expanse of sky? These are the questions the people of the Red River Valley of the North wrestle with every day.

The Mighty Red is a novel of tender humor, disturbance, and hallucinatory mourning. It is about on-the-job pains and immeasurable satisfactions, a turbulent landscape, and eating the native weeds growing in your backyard. It is about ordinary people who dream, grow up, fall in love, struggle, endure tragedy, carry bitter secrets; men and women both complicated and contradictory, flawed and decent, lonely and hopeful. It is about a starkly beautiful prairie community whose members must cope with devastating consequences as powerful forces upend them. As with every book this great modern master writes, The Mighty Red is about our tattered bond with the earth, and about love in all of its absurdity and splendor.

A new novel by Louise Erdrich is a major literary event; gorgeous and heartrending, The Mighty Red is a triumph.

Reviews
"A love triangle is at the heart of this novel, set against the backdrop of a beet farm in North Dakota during the economic meltdown of 2008-2009. It's as much about the financial crash and environmental destruction as it is about the people most impacted by and vulnerable to these devastations." — New York Times

"While the novel touches on tragedy, it also includes scenes of sheer comedic delight. No one describes a book-group meeting better than Erdrich. Pulitzer Price and National Book Award winner Erdrich (The Sentence) yet again displays her storytelling skills." — Library Journal (starred review)

"[A] finely woven tale of anguish and desire, crimes and healing. With irresistible characters, dramatic predicaments, crisp wit, gorgeously rendered settings, striking ecological facts, and a cosmic dimension, Erdrich’s latest tale of the plains reverberates with arresting revelations." — Booklist

Educator Information
The Mighty Red is a standalone novel, but it's also a sequel to Louise's 1986 novel The Beet Queen. It takes place in Argus, North Dakota, the same fictional town where many of her other novels are set. 

Additional Information
384 pages | 6.00" x 9.00" | Paperback 

A powerful, lyrical collection of essays from the award-winning author of Following the River, exploring the pivotal moments in her life, and how art and nature have shaped her.

Like both memory and the moon, what's written here aims to shed what light it can, bringing it home to now.

How does a woman compose a life? The Old Moon in Her Arms is a hybrid book of fragments, pivotal moments and images in the phases of a woman's life, turning points rendered in Lorri Neilsen Glenn's lyrical prose.

Like the shifting images in a kaleidoscope, these glimpses into the life of an ordinary woman lay bare the ways family, landscape, loss, and a lifelong pursuit of knowledge have forced the author in her later years to examine what really matters. Here, readers bear witness to the making of a daughter, a student, a wife, a friend, a teacher, a mother, a feminist, an award-winning scholar and writer. Neilsen Glenn's artistry weaves personal history, philosophy, pop culture, and contemporary thought to examine moments and people who've inhabited her life. "Over time and circumstance," she says, "haven't we all been various?"

Guiding her exploration are the Cree concept of wahkohtowin, the kinship in all of creation, and the elliptical path of the moon.

This hybrid collection of singular moments celebrates connection, wonder and endless curiosity.

Educator Information
Subjects/Themes: Memoir, Creativity, Aging, Literacy Collection, Prose, Poetry

Additional Information
272 pages | 6.00" x 8.00"| Paperback

Threatened by encroaching colonialism, one Métis family struggles to protect their way of life.

In 1869, the arrival of surveyors from the new Dominion of Canada sends ripples of anxiety through the people of Red River. As the Métis Nation begins negotiating terms for joining Confederation, each member of the Rougeau family adapts in their own way: Clément looks outward, trying to maintain his livelihood as a carter, while his wife, Marienne, looks inward, determined to hold their fracturing family together. Julien, the eldest son, joins Louis Riel to confront the same intruders that so impress his sister, Charlotte. As the Red River Resistance unfolds, the consequences of each choice become heartbreakingly clear.

Additional Information
256 pages | 5.50" x 8.50" | Paperback 

A bold, provocative collection of essays exploring the historical and contemporary Indigenous experience in Canada.

With authority and insight, Truth Telling examines a wide range of Indigenous issues framed by Michelle Good’s personal experience and knowledge.

From racism, broken treaties, and cultural pillaging, to the value of Indigenous lives and the importance of Indigenous literature, this collection reveals facts about Indigenous life in Canada that are both devastating and enlightening. Truth Telling also demonstrates the myths underlying Canadian history and the human cost of colonialism, showing how it continues to underpin modern social institutions in Canada.

Passionate and uncompromising, Michelle Good affirms that meaningful and substantive reconciliation hinges on recognition of Indigenous self-determination, the return of lands, and a just redistribution of the wealth that has been taken from those lands without regard for Indigenous peoples.

Truth Telling is essential reading for those looking to acknowledge the past and understand the way forward.

Reviews
“With blistering clarity, Michelle Good exposes the contradictions at the heart of Canada, but also imagines beyond them, setting out a specific vision for an Indigenous future governed by us. Good’s essays, woven with personal testimony, are deeply researched and traverse great swaths of history and policy; they are also very rousing and moving. No Canadian can feign ignorance of the Indigenous struggle when this book is within arm’s reach.” — Billy-Ray Belcourt, author of A Minor Chorus

"Good reminds us what the truth in Truth and Reconciliation actually requires of all of us: Indigenous peoples and Canadians. Addressing storytelling and historical myth-making, this book would have changed my nineteen-year-old world had it been available and rendered normative for my teachers. Good’s work is formidable, elemental and reminiscent of Cardinal’s Unjust Society. This work, should be required reading for every Canadian. Smart, generous and insightful. 'There is no such thing as Crown Land. It is all Indigenous land.' Good writes. This truth resonates. Serves notice: it is time." — Dr. Tracey Lindberg, Law Professor, author of Birdie

“Truth Telling is at once heartfelt, instructive, and authentic, expertly exploring the key issues that have shaped the Indigenous reality in Canada.… This collection is an indispensable resource.” — Waubgeshig Rice, author of Moon of the Crusted Snow

“As Canadians search for a national approach to reconciliation... this book reminds us of how we arrived at this moment.…[and] is the kind of reference that will help us navigate our fraught journey.” — Dr. Eldon Yellowhorn, Professor of Indigenous Studies, Simon Fraser University

“Truth Telling is a powerful, urgent, and necessary book that gets to the heart of true reconciliation and maps a course for achieving it. Bridging personal stories and lived experiences with sharp historical analysis, Michelle Good’s writing is both beautiful and heartbreaking. Honest, forthright, and powerful, Truth Telling offers insights and analysis that every policymaker and politician—indeed, any person who calls Canada “home”— can and must read. Urgently.” — 2023 Balsillie Prize for Public Policy Jury

Educator Information
Truth Telling is a collection of essays about the contemporary Indigenous experience in Canada.

Additional Information
232 pages | 5.00" x 7.50" | Paperback

In her debut collection of short fiction, Amanda Peters describes the Indigenous experience from an astonishingly wide spectrum in time and place—from contact with the first European settlers, to the forced removal of Indigenous children, to the present-day fight for the right to clean water.

In this intimate collection, Peters melds traditional storytelling with beautiful, spare prose to describe the dignity of the traditional way of life, the humiliations of systemic racism and the resilient power to endure. A young man returns from residential school only to realize he can no longer communicate with his own parents. A young woman finds purpose and healing on the front lines as a water protector. An old man remembers his life as he patiently waits for death. And a young girl nervously dances in her first Mawi’omi. The collection also includes the story “The Berry Pickers,” which inspired Peters’ critically acclaimed novel of the same name, as well as the Indigenous Voices Award–nominated story “Pejipug (Winter Arrives).”

At times sad, sometimes disturbing but always redemptive, the stories in Waiting for the Long Night Moon will remind you that where there is grief there is also joy, where there is trauma there is resilience and, most importantly, there is power.

Educator Information
Waiting for the Long Night Moon is a collection of short stories.

Additional Information
256 pages | 6.00" x 9.00" | Paperback

The eagerly awaited follow-up to Pulitzer Prize finalist Tommy Orange’s breakout best seller There There—winner of the PEN/Hemingway Award, the John Leonard Prize, the American Book Award, and one of the New York Times Ten Best Books of the Year—Wandering Stars traces the legacies of the Sand Creek Massacre of 1864 and the Carlisle Industrial School for Indians through to the shattering aftermath of Orvil Redfeather’s shooting in There There.

Colorado, 1864. Star, a young survivor of the Sand Creek Massacre, is brought to the Fort Marion Prison Castle, where he is forced to learn English and practice Christianity by Richard Henry Pratt, an evangelical prison guard who will go on to found the Carlisle Industrial School for Indians, an institution dedicated to the eradication of Native history, culture, and identity. A generation later, Star’s son, Charles, is sent to the school, where he is brutalized by the man who was once his father’s jailer. Under Pratt’s harsh treatment, Charles clings to moments he shares with a young fellow student, Opal Viola, as the two envision a future away from the institutional violence that follows their bloodline.

Oakland, 2018. Opal Viola Victoria Bear Shield is barely holding her family together after the shooting that nearly took the life of her nephew Orvil. From the moment he awakens in his hospital bed, Orvil begins compulsively googling school shootings on YouTube. He also becomes emotionally reliant on the prescription medications meant to ease his physical trauma. His younger brother Lony, suffering from PTSD, is struggling to make sense of the carnage he witnessed at the shooting by secretly cutting himself and enacting blood rituals which he hopes will connect him to his Cheyenne heritage. Opal is equally adrift, experimenting with Ceremony and peyote, searching for a way to heal her wounded family.

Extending his constellation of narratives into the past and future, Tommy Orange once again delivers a story that is by turns shattering and wondrous, a book piercing in its poetry, sorrow, and rage—a masterful follow-up to his already—classic first novel, and a devastating indictment of America’s war on its own people.

Additional Information
336 pages | 5.50" x 8.25" | Hardcover

In eighteen hundred and something something, somewhere upon the banks of a Reddish River in Treaty One Territory, three very different women with a preference for twenty-first century slang sit in a fort sharing their views on life, love, and the hot nerd Louis Riel.

Marie-Angelique, a Metis Taurus, is determined to woo Louis (a Metis Libra)—who will be arriving soon—by sending him boldly flirtatious letters. Eugenia, an Ojibwe Sagittarius, brings news of rebellion back to the fort after trading, but isn’t impressed by Louis’s true mediocre nature. And Cecilia, a pregnant British Virgo, is anxiously waiting on her husband’s return from an expedition, but can’t resist pining over the heartthrob Thomas Scott (Irish Capricorn), who is actually the one secretly responding to Marie-Angelique’s letters. This will all go smoothly, right?

This lively historical satire of survival and cultural inheritance shifts perspectives from the male gaze onto women’s power in the past and present through the lens of the rapidly changing world of the Canadian fur trade.

Awards

• 2023 Indigenous Voices Award for Published Prose in English
• 2018 Toronto Fringe Best New Play Contest winner
• 2024 Dora Mavor Moore Award for Outstanding New Play

Reviews
“Not only is the play a fun and clever look at the province’s history, but by weaving in modern slang and references, Koncan (who is of Anishinaabe and Slovene descent) highlights how many Indigenous issues from our past are still relevant today.” — Stephanie Cram, CBC News

“A timely, provocative piece of theatre written from a perspective and voice we need to hear.”— Ian Ross, Winnipeg Free Press

Additional Information
120 pages | 5.32" x 8.35" | 2nd Edition | Paperback 

This evocative new poetry collection speaks with a fierce tenderness of many aspects of the poet’s life: a childhood spent on the banks of the Churchill River, the death of a beloved one, the struggle to try to find forgiveness for wrongs done and the weariness of trying to redress those wrongs. And, most poignantly, a beautiful rebellion reaches one hand back to Louis Riel and one hand forward to future Métis generations.

The poems navigate losses that we all suffer when the world of our childhoods has altered irrevocably; they reveal the pain caused by residential schools and share despair at the lack of progress in social justice and self-determination. Rita Bouvier’s work is intimate and insightful, written in inviting, open-hearted language that includes many Cree and Michif phrases and their translation.

There is a quiet power--riverine, deep, unstoppable--that flows through these words.

Additional Information
72 pages | 6.00" x 9.00" | Paperback

The long-awaited, profoundly moving, and unforgettable new novel from PEN Award–winning Native American author Mona Susan Power, spanning three generations of Yanktonai Dakota women from the 19th century to the present day.

From the mid-century metropolis of Chicago to the windswept ancestral lands of the Dakota people, to the bleak and brutal Indian boarding schools, A Council of Dolls is the story of three women, told in part through the stories of the dolls they carried….

Sissy, born 1961: Sissy’s relationship with her beautiful and volatile mother is difficult, even dangerous, but her life is also filled with beautiful things, including a new Christmas present, a doll called Ethel. Ethel whispers advice and kindness in Sissy’s ear, and in one especially terrifying moment, maybe even saves Sissy’s life.

Lillian, born 1925: Born in her ancestral lands in a time of terrible change, Lillian clings to her sister, Blanche, and her doll, Mae. When the sisters are forced to attend an “Indian school” far from their home, Blanche refuses to be cowed by the school’s abusive nuns. But when tragedy strikes the sisters, the doll Mae finds her way to defend the girls.

Cora, born 1888: Though she was born into the brutal legacy of the “Indian Wars,” Cora isn’t afraid of the white men who remove her to a school across the country to be “civilized.” When teachers burn her beloved buckskin and beaded doll Winona, Cora discovers that the spirit of Winona may not be entirely lost…

A modern masterpiece, A Council of Dolls is gorgeous, quietly devastating, and ultimately hopeful, shining a light on the echoing damage wrought by Indian boarding schools, and the historical massacres of Indigenous people. With stunning prose, Mona Susan Power weaves a spell of love and healing that comes alive on the page.

Reviews
“A Council of Dolls reached out, grabbed me and did not let go. Power’s ability to make language sing, cry, scream, and laugh illuminates this heartstopper of a book that shines a light into the dark corners of America’s history. I wanted the generational journey I was taking with these unforgettable characters—and their dolls—to never end. Read it--and be healed." — Marie Myung-Ok Lee, author of The Evening Hero

“A Council of Dolls absorbs through the skin, enters the bone, and disperses through the psyche—it perfectly captures the internal roots of the Native experience. Through the lives of three Dakota women, we grapple with the emotional, psychological, and spiritual toll on Indigenous peoples enduring an often brutal system and, moreover, how strength, healing, and love reverberate down each passing generation to dispense hope and resiliency. I cannot more highly recommend Power’s newest masterpiece.” — Oscar Hokeah, PEN/Hemingway award-winning author of Calling for a Blanket Dance

"Mona Susan Power’s new novel is an honor song to the love and strength of Native families and our stories, to our brilliant selves. I couldn’t have known how much I needed the wisdom and offerings of these pages." — Kelli Jo Ford, author of Crooked Hallelujah

“This tender and magical novel will stay with me for a long time. Mona Susan Power writes with dazzling empathy. The result is a heart-rending and many-layered narrative, a captivating story which is also a thrilling testimonial to the power of stories.” — Margot Livesey, author of The Boy in the Field

"A resplendent novel about the spirited lives of three inspiring women who endure significant change and hardship. Each story so deeply compelling I wanted to read quickly but was magnetized by the transformative power of each voice. A mighty, dazzling whirlwind of storytelling. These stories lift from the page. Prepare to stay up all night. A Council of Dolls is mesmerizing. Take a deep breath! Mona Susan Power can peer into darkness and transform it." — Debra Magpie Earling — Debra Magpie Earling

“A work of exquisite beauty and courageous truth-telling, and an unforgettable homage to ancestral suffering and strength.”
— Sheila O’Connor, author of Evidence of V

“A talent like Susan Power comes along once in a lifetime, and lucky for us she's arrived. Here is a debut so stunning, so extraordinary in its depth and passion, you will swear there's a miracle on every page.” — Alice Hoffman, on The Grass Dancer

"This book is well-written. It includes elements of historical fiction and a bit of real life horror. The role of the dolls in these women's lives was the most thought-provoking aspect of the novel. It added a bit of a fantasy element to the story. I wondered what the author's intention was. The dolls seem to be symbolic in addition to invisible friends for the girls. They were also silent, supposedly inanimate witnesses to what the young women experienced. The parts of the story told from the dolls' POV were especially intriguing. I enjoyed the section about how the Shirley Temple doll was made, and the doll was presented as self-aware. The author wove mystery and symbolism around the dolls without being blatant. She left readers room to make their own interpretations. I really enjoyed and appreciated that. The book is also full of interesting philosophical statements." - Claudia, Goodreads Review 

Additional Information
304 pages | 6.00" x 9.00" | Hardcover 

In this debut poetry collection, Samantha Nock redefines where and what “home” is.

A Family of Dreamers delves into the complexities of growing up in rural northeast British Columbia and the love and grief that blooms there. In this debut collection, Samantha Nock weaves together threads of fat liberation, desirability politics, and heartbreak while working through her existence as a young Indigenous woman coming of age in the city. The result is a love song to northern cuzzins, dive bars, and growing up.

Additional Information
101 pages | 5.98" x 9.01" | Paperback

A fifty-year-old mystery converges with a present-day struggle over family, land, and history.

When a rock is dislodged from its slope by mischievous ancestors, the past rises to meet the present, and Half-Dime Hill gives up a gruesome secret it has kept for half a century. Some people of Mozhay Point have theories about what happened; others know—and the discovery stirs memories long buried, reviving a terrible story yet to be told.

Returning to the fictional Ojibwe reservation in northern Minnesota she has so deftly mapped in her award-winning books, Linda LeGarde Grover reveals traumas old and new as Margie Robineau, in the midst of a fight to keep her family’s long-held allotment land, uncovers events connected to a long-ago escape plan across the Canadian border, and the burial—at once figurative and painfully real—of not one crime but two. While Margie is piecing the facts together, Dale Ann is confronted by her own long-held secrets and the truth that the long ago and the now, the vital and the departed are all indelibly linked, no matter how much we try to forget.

As the past returns to haunt those involved, Margie prepares her statement for the tribal government, defending her family’s land from a casino development and sorting the truths of Half-Dime Hill from the facts that remain there. Throughout the narrative, a chorus of spirit women gather in lawn chairs with coffee and cookies to reminisce, reflect, and speculate, spinning the threads of family, myth, history, and humor—much as Grover spins another tale of Mozhay Point, weaving together an intimate and complex novel of a place and its people.

Reviews
"A sprawling, poignant chronicle of struggle and survivance."—Kirkus Reviews

"With its powerful, atmospheric descriptions of the natural world, A Song over Miskwaa Rapids resembles an Indigenous family saga in miniature, couching memory and mystery in a potent spirit world."—Foreword Reviews

Additional Information
128 pages | 5.50" x 8.25" | Hardcover

Aided by Grandmother Spider, Star Woman discovers the Hole-in-the-Sky, opening a pathway for the Star People to experience the wonder of life on earth. But the world falls into the hands of the Paper People, jeopardizing the sacred harmony between nature and the cosmos. And so Little Spirit, a young boy, must search for meaning and find redemption in the care of Grandmother Moon.

An epic narrative, The Star Poems explores the black hole of colonial history—Residential Schools, the loss of the father, youth suicide—and the vital role of women in reclaiming our traditional knowledge, the teachings that stitch together the fabric of the universe.

The Star Poems creatively engages Cree oral tradition in a new way, connecting Indigenous spirituality and quantum physics to honour and adapt some of our most ancient stories about the origins of life and our place in the universe. Presented in both English and Cree, The Star Poems is a timely contribution to the revitalization of the Cree language—and the fascinating world of star stories.

Educator Information
Recommended for ages 15+

Additional Information
132 pages | 6.00" x 9.00" | Paperback