Award-Winning

Brian Young’s powerful debut novel tells of a seemingly ordinary Navajo boy who must save the life of a Water Monster—and comes to realize he’s a hero at heart.

When Nathan goes to visit his grandma, Nali, at her mobile summer home on the Navajo reservation, he knows he’s in for a pretty uneventful summer, with no electricity or cell service. Still, he loves spending time with Nali and with his uncle Jet, though it’s clear when Jet arrives that he brings his problems with him.

One night, while lost in the nearby desert, Nathan finds someone extraordinary: a Holy Being from the Navajo Creation Story—a Water Monster—in need of help.

Now Nathan must summon all his courage to save his new friend. With the help of other Navajo Holy Beings, Nathan is determined to save the Water Monster, and to support Uncle Jet in healing from his own pain.

Awards

• American Indian Youth Literature Award Winner: Best Middle-Grade Book

Reviews
"Gentle, complex characters and flawed, loving human relationships lend depth to Young’s worlds-spanning novel." — Publishers Weekly (starred review)

"The deeply grounded and original perspective of this story brings readers into both the worlds of Navajo blessing songs, rain songs, and traditional healing and everyday family relationships. Hands readers a meaningful new take on family love." — Kirkus Reviews (starred review)

"Young’s narrative weaves traditional folklore, language, and mythos with modern emotion to craft a poignant tale of family, friendship, and protecting what you love most." — Booklist

Educator Information
Recommended for ages 8 to 12.

Additional Information
368 pages | 5.12" x 7.62" | Paperback

An honest look at life in an Indian residential school in the 1950s, and how one indomitable young spirit survived it — 30th anniversary edition.

Seepeetza loves living on Joyaska Ranch with her family. But when she is six years old, she is driven to the town of Kalamak, in the interior of British Columbia. Seepeetza will spend the next several years of her life at an Indian residential school. The nuns call her Martha and cut her hair. Worst of all, she is forbidden to “talk Indian,” even with her sisters and cousins.

Still, Seepeetza looks for bright spots — the cookie she receives at Halloween, the dance practices. Most of all, there are her memories of holidays back at the ranch — camping trips, horseback riding, picking berries and cleaning fish with her mother, aunt and grandmother. Always, thoughts of home make school life bearable.

Based on her own experiences at the Kamloops Indian Residential School, this powerful novel by Nlaka’pamux author Shirley Sterling is a moving account of one of the most blatant expressions of racism in the history of Canada.

Includes a new afterword by acclaimed Cree author Tomson Highway of the Barren Lands First Nation in northern Manitoba.

Educator Information
Recommended for ages 9 to 12.

Key Text Features: afterword, dialogue, journal entries, maps.

Correlates to the Common Core State Standards in English Language Arts:

CCSS.ELA-LITERACY.RL.4.2
Determine a theme of a story, drama, or poem from details in the text; summarize the text.

CCSS.ELA-LITERACY.RL.5.1
Quote accurately from a text when explaining what the text says explicitly and when drawing inferences from the text.

CCSS.ELA-LITERACY.RL.6.6
Explain how an author develops the point of view of the narrator or speaker in a text.

Includes a new afterword by acclaimed Cree author Tomson Highway of the Barren Lands First Nation in northern Manitoba.

Additional Information
128 pages | 5.10" x 7.50"

Oolichan Moon is a beautifully illustrated children’s book about passing down traditional knowledge from Nisga'a Elders and the sacredness of traditional foods, particularly the oolichan fish.

Together, author Samantha Beynon and illustrator Lucy Trimble have created a children’s book rich with cultural knowledge and tradition that relates to their Nisga'a ancestry surrounding the oolichan fish.

With playful text and vibrant illustrations, young readers can learn alongside the two Nisga'a sisters as they are gifted with sacred knowledge from their Elders, passed down for many generations in the oral tradition.

A gorgeous celebration of Nisga'a language, history and culture, Oolichan Moon also includes historical and cultural information about the oolichan fish and related Nisga'a vocabulary.

Awards

• 2023 Indigenous Voices Awards Winner: Published Graphic Novels, Comics and Illustrated Books

Reviews
"Oolichan Moon is a wonderful story with such simple teachings for all of us. The oolichan were so important for many people of the rivers. The long winter is over, and Spring is here and so too the oolichans return to feed and provide for the people. Today, we still fish for the Oolichan but like most fish of the river their numbers are low. This story teaches all of us that we must only take what is needed and that we should always give something back. This is survival. This is the teaching." — Joseph Dandurand, storyteller and author of A Magical Sturgeon and The Sasquatch, the Fire

"Samantha Beynon and Lucy Trimble have created a beautiful, heart-warming story featuring a nutritious and iconic little fish of the Northwest Coast. Since time immemorial, oulachens have served as a food and esteemed condiment for the Nisga’a Peoples of the Nass Valley and for many other coastal First Nations from Alaska to the Columbia River. Through the delightful teachings of wise and kind grandparents, the granddaughters—and we, as readers—are able to learn about oulachens and their immense cultural value. We learn how and when they are caught, and how they are prepared, and especially how they are rendered into a nutrient-rich and highly valued oil. At the same time, we experience “history, laughter, and love,” and gain insights into the deep and lasting relationships that Indigenous Peoples have developed with the fish and other species of their homelands and how children and youth are taught about these profound connections. The illustrations are stunning." — Nancy Turner, Professor Emeritus, University of Victoria, and author of Plants of Haida Gwaii

“I had a little tear welling up in my eye as I thought how cool it will be for kids to be reading about part of their culture. This kind of story is long overdue and badly needed. I hope it is the first of many.” — Edward Desson, fisheries manager, Nisga’a Fisheries and Wildlife, Nisga’a Lisims Government

"Packed with traditional knowledge, family values and deep wisdom, this story instantly transports you to a timeless place! Like visiting with family, you can feel strength and warmth beaming from each page." — Lucky Budd, author of Peace Dancer and One Eagle Soaring

Educator Information
Recommended for ages 3 to 6.

This is the first book in the Sisters Learn Foods of the Elders series.

Additional Information
32 pages | 11.00" x 8.50" | Hardcover

In this uplifting, contemporary Native American story, River is recovering from illness and can't dance at the powwow this year. Will she ever dance again?

River wants so badly to dance at powwow day as she does every year. In this uplifting and contemporary picture book perfect for beginning readers, follow River's journey from feeling isolated after an illness to learning the healing power of community.

Additional information explains the history and functions of powwows, which are commonplace across the United States and Canada and are open to both Native Americans and non-Native visitors.

Awards

• 2023 Wyoming Buckaroo Award

Reviews
"A heartwarming picture book about the roles of courage, culture, and community in the journey of personal healing." —Kirkus Reviews

"A resonant, hopeful tale about the healing power of community and tradition" —Publishers Weekly

Educator Information
Recommended for ages 4 to 8.

Additional Information
32 pages | 9.44" x 9.31" | Hardcover

In this beautifully reimagined story by NSK Neustadt Laureate and New York Times bestselling author Cynthia Leitich Smith (Muscogee Creek), Native American Lily and English Wendy embark on a high-flying journey of magic, adventure, and courage to a fairy-tale island known as Neverland…

Lily and Wendy have been best friends since they became stepsisters. But with their feuding parents planning to spend the summer apart, what will become of their family—and their friendship?

Little do they know that a mysterious boy has been watching them from the oak tree outside their window. A boy who intends to take them away from home for good, to an island of wild animals, Merfolk, Fairies, and kidnapped children, to a sea of merfolk, pirates, and a giant crocodile.

A boy who calls himself Peter Pan.

Awards

• Publishers Weekly Best Book
• Bank STreet Children's Best Books of the Year
• Kirkus Reviews Best Children's Book

Reviews
"While Smith wields Barrie’s storyteller voice, writing from a head-hopping omniscient voice that addresses readers directly, this is less a retelling and more a rebuttal, critiquing the problematic aspects of the classic—often quite overtly—and the consequences of such harmful influences are explored over the course of many actions, adventure, and magical island exploration. An exciting journey in its own right and a necessary “recommend-along” for patrons seeking Barrie’s original." — Booklist (starred review)

"Full of fantastic storytelling, thrills, and humor, this book is a recommended purchase for all upper elementary and early middle school collections." — School Library Journal 

Educator Information
Recommended for ages 8 to 12.

Sisters of the Neversea offers a modern, Indigenous take on J. M. Barrie's Peter and Wendy.

Additional Information
336 pages | 5.12" x 7.62" | Paperback

What does it mean to be Mi’kmaq? And if Swift Fox can’t find the answer, will she ever feel like part of her family?

When Swift Fox’s father picks her up to go visit her aunties, uncles, and cousins, her belly is already full of butterflies. And when he tells her that today is the day that she’ll learn how to be Mi’kmaq, the butterflies grow even bigger. Though her father reassures her that Mi’kmaq is who she is from her eyes to her toes, Swift Fox doesn’t understand what that means. Her family welcomes her with smiles and hugs, but when it’s time to smudge and everyone else knows how, Swift Fox feels even more like she doesn’t belong.

Then she meets her cousin Sully and realizes that she’s not the only one who’s unsure—and she may even be the one to teach him something about what being Mi’kmaq means. Based on the author’s own experience, with striking illustrations by Maya McKibbin, Swift Fox All Along is a poignant story about identity and belonging that is at once personal and universally resonant.

Reviews
“A touching and universal narrative . . . This title should definitely be added to any list of recommended children’s books focused on Indigenous life, family, tradition, feelings, anxiety, fear and self-regulation. Swift Fox All Along is also brimming with cross-curricular applications for school use, including incorporation with science, social studies, history, language, and mental health. Highly Recommended.” — CM Reviews

“Highlights the importance of connections to culture and self.”  — Kirkus Reviews, 07/28/20

"This is a straightforward tale of a girl finding her way into a culture that is her heritage, yet new to her. As such, it works effectively. This may suit libraries in need of more modern ­Native picture books with child appeal.” — School Library Journal, 08/20

Educator Information
Recommended for ages 4 to 7.

Own voices: Illustrator Maya McKibbin is a two-spirited Yaqui, Ojibwe and Irish. Author Rebecca Thomas is an award-winning Mi’kmaw poet. The story is deeply personal. Rebecca is of mixed heritage and grew up off-reserve and was 6 years old before she began getting to know her father. Her dad himself attended a residential school and had lost connection with his culture and language. This was something regained later with wider visits to his home community and wanted to share with his children. 

Important themes: the Indigenous story is full of universal themes including family, connection, identity and self-acceptance.

This book is available in French: Wowgwis de la tête aux pieds

Additional Information
36 pages | 9.00" x 10.25" | Paperback

In this second book in the Narnia-inspired Indigenous middle-grade fantasy series, Eli and Morgan journey once more to Misewa, travelling back in time.

Back at home after their first adventure in the Barren Grounds, Eli and Morgan each struggle with personal issues: Eli is being bullied at school, and tries to hide it from Morgan, while Morgan has to make an important decision about her birth mother. They turn to the place where they know they can learn the most, and make the journey to Misewa to visit their animal friends. This time they travel back in time and meet a young fisher that might just be their lost friend. But they discover that the village is once again in peril, and they must dig deep within themselves to find the strength to protect their beloved friends. Can they carry this strength back home to face their own challenges?

Awards

• 2022 Silver Birch Award for Fiction

Educator & Series Information
Recommended for ages 10+. 

This is the second book in the Misewa Saga.

This book is available in French: Le grand ours.

Additional Information
240 pages | 5.62" x 8.25" | Paperback

An Indigenous teen girl is caught between two worlds, both real and virtual, in the YA fantasy debut from bestselling Indigenous author Wab Kinew. Perfect for fans of Ready Player One and the Otherworld series.

Bugz is caught between two worlds. In the real world, she's a shy and self-conscious Indigenous teen who faces the stresses of teenage angst and life on the Rez. But in the virtual world, her alter ego is not just confident but dominant in a massively multiplayer video game universe.

Feng is a teen boy who has been sent from China to live with his aunt, a doctor on the Rez, after his online activity suggests he may be developing extremist sympathies. Meeting each other in real life, as well as in the virtual world, Bugz and Feng immediately relate to each other as outsiders and as avid gamers. And as their connection is strengthened through their virtual adventures, they find that they have much in common in the real world, too: both must decide what to do in the face of temptations and pitfalls, and both must grapple with the impacts of family challenges and community trauma.

But betrayal threatens everything Bugz has built in the virtual world, as well as her relationships in the real world, and it will take all her newfound strength to restore her friendship with Feng and reconcile the parallel aspects of her life: the traditional and the mainstream, the east and the west, the real and the virtual.

Reviews
"This smart, entertaining speculative novel gives readers a unique and moving portrait of young life — and the possibilities for gaming life — from a tribally specific corner of the world." —Publishers Weekly

"A thrilling, high-tech page-turner with deep roots." —Kirkus Reviews

Educator & Series Information
Recommended for ages 12+.

This book is part of the Floraverse series.

This book is available in French: Un pied dans chaque monde

Additional Information
304 pages | 5.50" x 8.20" | Paperback

Based on the true story of the author’s biological mother and aunt, this middle-grade novel traces the long and frightening journey of two Kaska Dena sisters as they are taken from their home to attend residential school.

When Maddy discovers an old photograph of two little girls in her grandmother’s belongings, she wants to know who they are. Nan reluctantly agrees to tell her the story, though she is unsure if Maddy is ready to hear it. The girls in the photo, Aggie and Mudgy, are two Kaska Dena sisters who lived many years ago in a remote village on the BC–Yukon border. Like countless Indigenous children, they were taken from their families at a young age to attend residential school, where they endured years of isolation and abuse.

As Nan tells the story, Maddy asks many questions about Aggie and Mudgy’s 1,600-kilometre journey by riverboat, mail truck, paddlewheeler, steamship, and train, from their home to Lejac Residential School in central BC. Nan patiently explains historical facts and geographical places of the story, helping Maddy understand Aggie and Mudgy’s transitional world. Unlike many books on this subject, this story focuses on the journey to residential school rather than the experience of attending the school itself. It offers a glimpse into the act of being physically uprooted and transported far away from loved ones. Aggie and Mudgy captures the breakdown of family by the forces of colonialism, but also celebrates the survival and perseverance of the descendants of residential school survivors to reestablish the bonds of family.

Awards

• City of Victoria Children’s Book Prize 2022

Educator Information
Middle-grade novel recommended for ages 9 to 12.

Additional Information
144 pages | 5.50" x 8.00" | Paperback

Mary Golda Ross designed classified airplanes and spacecraft as Lockheed Aircraft Corporation's first female engineer. Find out how her passion for math and the Cherokee values she was raised with shaped her life and work.

Cherokee author Traci Sorell and Métis illustrator Natasha Donovan trace Ross's journey from being the only girl in a high school math class to becoming a teacher to pursuing an engineering degree, joining the top-secret Skunk Works division of Lockheed, and being a mentor for Native Americans and young women interested in engineering. In addition, the narrative highlights Cherokee values including education, working cooperatively, remaining humble, and helping ensure equal opportunity and education for all.

Awards

• 2021 Junior Library Guild Selection winner
• 2021 Eureka! Children's Book Award Winner
• 2021 A Mighty Girl's Book fo the Year winner
• 2022 Rise: A Feminist Book Project List winner
• 2022 Cooperative Children's Book Centre Choices winner

Reviews
"Highlights the life and secret work of Cherokee aerospace engineer Mary Golda Ross.

As a teen in the 1920s, Mary Golda Ross loves 'puzzling out math equations' despite expectations of the times. At 16, she finds being the only girl in a college math class means working extra hard to prove herself to the boys who 'refused to sit next to' her. Guided by her Cherokee belief that 'gaining life skills in all areas' is important, Ross not only strives for better grades, she aims for loftier goals. Each step of the way—whether teaching high school, working for the Bureau of Indian Affairs, or helping solve aircraft design flaws during World War II— Ross is fueled by other Cherokee principles as well. Ultimately, her passion for math and her commitment to those deeply rooted values result in her selection to a 'supersecret work team' that promises to take her career, and the world, farther than ever before. Meticulously researched and subtly framed according to the Cherokee beliefs that piloted Ross, page-turning prose elevates this Indigenous hidden figure to her rightful place in history. In addition, bold, classic-comics–like illustrations and colors reminiscent of 1950s advertisements give an appropriately retro vibe. A stellar addition to the genre that will launch careers and inspire for generations, it deserves space alongside stories of other world leaders and innovators.

Liftoff. A biography that lands beyond the stars!"—starred, Kirkus Reviews

"Mary Golda Ross, born to Cherokee Nation–citizen parents, always excelled at math. Graduating from high school at 16 and college at 20, she became a math and science teacher. When WWII began, she was hired by Lockheed Aircraft, where she worked with engineers correcting a design flaw in P-381 fighter planes. Later, she was chosen as the only female in Lockheed's Skunk Works group (a top-secret program whose efforts are still mostly classified), designing spacecraft for NASA. Sorell's (Indian No More, 2019) succinct text emphasizes Ross' reliance on Cherokee values (gaining skills, working cooperatively, remaining humble, and ensuring equal opportunity for all), which played a defining role in her successes and influenced the mentoring work she chose in her retirement. Donovan's illustrations employ rich earth-tone colors and bold outlines, and often incorporate sequential storytelling techniques, enabling multiple scenes to appear in one spread. Appended with a time line, author's note, and resources, this biography makes a valuable addition to units on Indigenous individuals or women in STEM."—Booklist

Educator Information
Recommended for ages 7 to 11.

Lexile 940
Guided Reading Level: R

Keywords / Subjects: Narrative Nonfiction, Diverse Books, Feminism, #OwnVoices, Race & Ethnicity, Social Justice, Diversity, STEM, Space Science

Additional Information
32 pages | 9.25" x 11.00"

It’s the summer of 1978 and most people think Elvis Presley has been dead for a year. But not eleven-year-old Truly Bateman – because she knows Elvis is alive and well and living in the Eagle Shores Trailer Park. Maybe no one ever thought to look for him on an Indigenous reserve on Vancouver Island.

It’s a busy summer for Truly. Though her mother is less of a mother than she ought to be, and spends her time drinking and smoking and working her way through new boyfriends, Truly is determined to raise as much money for herself as she can through her lemonade stand … and to prove that her cool new neighbour is the one and only King of Rock ‘n’ Roll. And when she can’t find motherly support in her own home, she finds sanctuary with Andy El, the Salish woman who runs the trailer park.

Awards

• Winner of the 2021 City of Victoria Children's Book Prize

Educator & Series Information
Recommended for ages 9-12 (middle-grade read).

Content Warning: Use of a term from the era of the book, "Indian," is used occasionally.

DCB Young Readers has created a teacher's guide for this work, which can be downloaded here: Teachers Guide - Elvis, Me and the Lemonade Stand Summer

This is the first book in the Elvis, Me, and the Eagle Shores Trailer Park series.

Additional Information
192 pages | 5.37" x 8.00"

On a journey to uncover her family’s story, Spotted Fawn travels through time and space to reclaim connection to ancestors, language, and the land in this essential graphic novel.  

In the dreamworld, she bears witness to a mountain of buffalo skulls, a ghostly monument to the slaughter of the buffalo—a key tactic to starve and contain the Indigenous People onto reservations.

Spotted Fawn must travel through her own family history to confront the harsh realities of the past and reignite her connection to her people and the land. Her darkroom becomes a portal, allowing her glimpses into the lives of her relatives. Guided by her ancestors, Spotted Fawn’s travels through the past allow her to come into full face—like the moon itself.

Adapted from the acclaimed stop-motion animated film of the same name, also by Strong, Four Faces of the Moon brings the history of the Michif, Cree, Nakoda, and Anishinaabe Peoples alive on the page.

Backmatter by Dr. Sherry Farrell Racette (Michif), an associate professor of Native Studies and Women’s and Gender Studies at the University of Manitoba, provides information on Michif culture and history.

Awards

• 2023 Snow Willow Award, Saskatchewan, Young Readers' Choice Award
• 2022 Great Graphic Novels for Teens, YALSA

Reviews
“Worthwhile . . . and offers interesting perspectives on the search for Indigenous identity.” — CM Reviews, 03/05/21

“This is magnificent storytelling. This is Spotted Fawn magic.” —Richard Van Camp, author of Little You, and We Sang You Home

“Moving and intense . . . the graphic novel effectively portrays how Indigenous youth can reconnect to their ancestors through art, language, and cultural knowledge.”  — School Library Journal, 04/30/21

Educator Information
Recommended for ages 12+

Unique visuals: This is a groundbreaking project with stunning spreads adapted from award-winning stop-motion animation film of same name. Art is all manipulated and modified stills from the film, that itself uses elaborate sets and puppetry.

This is an #ownvoices story.  Amanda Strong is a member of the Michif Nation.

The book includes a note from the author. Strong did a lot of research about family and their involvement in historical events like the Red River Rebellion, discovering connections to personal and political history later in life. Additional resources at the end of the book by Dr. Sherry Farrell-Racette (Michif), an associate professor of Native Studies and Women’s and Gender Studies at the University of Manitoba, provides information on Michif culture and history and the injustices of colonialism. Includes information on:
1. Moon – cycles, symbols, cultural ties
2. What is a Michif? What is a Métis
3. Historical events
4. Timeline

Additional Information
208 pages | 7.10" x 10.10" | Hardcover 

I'm finding my talk
And it may take some time,
But I'm learning to speak
In a language that's mine.

A response to Rita Joe's iconic poem "I Lost My Talk," and published simultaneously with the new children's book edition illustrated by Pauline Young, comes a companion picture book by award-winning spoken-word artist and Mi'kmaw activist Rebecca Thomas. A second-generation residential school survivor, Thomas writes this response poem openly and honestly, reflecting on the process of working through the destructive effects of colonialism.

From sewing regalia to dancing at powow to learning traditional language, I'm Finding My Talk is about rediscovering her community, and finding culture. Features stunning, vibrant illustrations by Mi'kmaw artist Pauline Young.

Reviews
"Published as a companion to the picture book I Lost My Talk, featuring the famous poem by Rita Joe, both volumes explore the legacy of Canada’s residential schools. They feature vibrant illustrations by Pauline Young that bring the words alive with emotional nuance. This remarkable pair of books possesses the rare ability of being suited to readers of all ages: three to six-year-olds, the traditional intended audience of picture books, will be captivated by the bright, lively illustrations; elementary and middle school children will find their Social Studies curriculum enriched by experiencing these important concepts rendered creatively; teens and adults will gain insight and empathy by enjoying these beautiful poems." - CM Reviews

"[A]n honest reflection on the process of working through the destructive effects of colonialism by participating in cultural connections. This book offers the opportunity to show the journey one takes when rediscovering their community and culture." - The Dalai Lama Center

Educator Information
Recommended for ages 4 to 9.

Recommended in the Canadian Indigenous Books for Schools 2020/2021 resource list for grades 1-3 in the areas of Social Studies and Language Arts.

Former Halifax Poet Laureate and second-generation residential school survivor Rebecca Thomas writes honestly and powerfully in this companion piece to Rita Joe's I Lost My Talk. Includes vibrant illustrations from Mi'kmaw artist Pauline Young.

Additional Information
32 pages | 8.00" x 10.00"

Indigenous Peoples' Day is about celebrating! The second Monday in October is a day to honor Native American people, their histories, and cultures. People mark the day with food, dancing, and songs. Readers will discover how a shared holiday can have multiple traditions and be celebrated in all sorts of ways.

Awards

• 2022 American Indian Library Association winner

Educator Information
Recommended for ages 5 to 8.

This book is about Indigenous Peoples' Day in the United States.

Additional Information
32 pages | 7.00" x 9.00" | Paperback

The affirming story of how a contemporary Native American girl turns to her family and community to help her dance find a voice.

Jenna, a contemporary Muscogee (Creek) girl, loves the tradition of jingle dancing that has been shared by generations of women in her family, and she hopes to dance at the next powwow. But she has a problem—how will her dress sing if it has no jingles?

The cone-shaped jingles sewn to Grandma Wolfe's dress sing tink, tink, tink, tink.

Jenna's heart beats to the brum, brum, brum, brum of the powwow drum as she daydreams about the clinking song of her grandma's jingle dancing.

The warm, evocative watercolors of Cornelius Van Wright and Ying-Hwa Hu complement author Cynthia Leitich Smith's lyrical text in this picture book. Perfect for classroom and library sharing.

Educator Information
Suggested Ages: 4-8.

Additional Information
32 pages | 9.25" x 11.00" | Paperback