Fiction

The final installment in the most lauded trilogy in the history of horror novels picks up four years after Don’t Fear the Reaper as Jade returns to Proofrock, Idaho, to build a life after the years of sacrifice—only to find the Lake Witch is waiting for her in New York Times bestselling author Stephen Graham Jones’s finale.

It’s been four years in prison since Jade Daniels last saw her hometown of Proofrock, Idaho, the day she took the fall, protecting her friend Letha and her family from incrimination. Since then, her reputation, and the town, have changed dramatically. There’s a lot of unfinished business in Proofrock, from serial killer cultists to the rich trying to buy Western authenticity. But there’s one aspect of Proofrock no one wants to confront…until Jade comes back to town. The curse of the Lake Witch is waiting, and now is the time for the final stand.

New York Times bestselling author Stephen Graham Jones has crafted an epic horror trilogy of generational trauma from the Indigenous to the townies rooted in the mountains of Idaho. It is a story of the American west written in blood.

Series Information
This is the third book in The Indian Lake Trilogy.

Additional Information
464 pages | 5.50" x 8.37" | Hardcover 

Thrust into the foster care system from an early age, Apple moves from house to house on Prince Edward Island without finding a home until she's a teenager and taken in by a couple who never managed to have children themselves. When she falls pregnant, her foster parents are keen to raise the baby with Apple still in the house—to live as a family.

That opportunity is torn from Apple by members of the Catholic Church along with social workers and government officials. Their vicious practices take the babies of unwed mothers and give them to wealthy families in exchange for large "donations" to the church. Apple's beloved baby ends up with a rich couple in the U.S., and is lost to her.

The Baby Train traces her life in the aftermath of that loss, raising subsequent children, creating deep bonds of friendship with other women struggling against society's rigid norms, and carrying underneath it all an unending love for her firstborn child.

We also follow her baby's path, and watch his affluent, neglected childhood and then adulthood unfold. He never knows that his birth mother still yearns for him, still lights him birthday candles every year.

The shameful legacy of forced and coerced adoption in Eastern Canada is brought to life in this sweeping novel.

Educator Information
PEI's birth alert practice allowed hospitals or social workers to flag expectant parents whom they felt might put their newborns at risk. Generally, this practice targeted Indigenous and unwed women.

Additional Information
224 pages | 5.75" x 8.00" | Paperback 

Based on an Inuit traditional story passed down orally for generations, The Cannibal tells the horrific tale of a family experiencing starvation when the animals they rely on for survival disappear. While the wife stays alive by eating plants she gathers daily, the husband does the unthinkable, resorting to murder and cannibalism. Horrified, and terrified for her life, the wife eventually finds herself alone in camp with her husband. She knows what will happen to her if she does not find a way to escape. Hatching a plan, the exhausted wife embarks on the journey with her murderous husband in pursuit. After safely arriving at a nearby camp, she shares the story of what has become of her camp, and her own children. Soon the husband arrives, and the camp must decide how to deal with the cannibal. Both horrific and poignant, this cautionary traditional story provides a window into the at times harsh realities of traditional life.

Reviews
"The Cannibal by Solomon Awa and Louise Flaherty is a stark and compelling novel centred on an Inuit family facing extreme survival challenges in the Arctic. When the family’s father, driven by desperation, begins to resort to cannibalism to stay alive, the story delves into harrowing themes of survival, morality, and the impact of isolation on human behaviour. This topic is suitable for an older audience, not younger students." - David D., Indigenous Educator & Administrator, Indigenous Books for Schools 

Educator Information
The publisher labels this work as an "Adult Graphic Novel."

Recommended in the Indigenous Books for Schools catalogue as a valuable resource for grades 10 to 12 for English Language Arts and Social Studies.

Themes: Animals, Death, Environment, Loss, Reconciliation

Caution: Contains cannibalism

Additional Information
44 pages | 7.00" x 10.50" | Paperback

In The Dialogues: The Song of Francis Pegahmagabow, award-winning author Armand Garnet Ruffo brings to life not only the story of the famed WWI Indigenous sniper, but also the complexities of telling Indigenous stories. From Manitoulin Island to the trenches of WWI to the stage, Ruffo moves seamlessly through time in these poems, taking the reader on a captivating journey through Pegahmagabow’s story and onto the creation of Sounding Thunder, the opera based on his life. Throughout, Ruffo uses the Ojibwe concept of two-eyed seeing, which combines the strengths of western and Indigenous ways of knowing, and invites the reader to do the same, particularly through the inclusion of the Anishinaabemowin language within the collection. These are poems that challenge western conventions of thinking, that celebrate hope and that show us a new way to see the world.

Additional Information
120 pages | 6.00" x 9.00" | Paperback

The Secwépemc term le estcwicwéy̓ (the missing) was given by Secwépemc elders who dedicated their knowledge and time to guide the community through the hell they were forced to endure in May 2021. Garry Gottfriedson’s The Flesh of Ice picks up the thread of his 2021 collection, Bent Back Tongue, describing the history and relationship of Indigenous people in Canada with the Canadian government and the Catholic church. Here is the story of those who survived Kamloops Indian Residential School (KIRS), and stories of descendants of KIRS who remembered "the missing” in the wake of the discovery of unmarked graves at the KIRS. Here, in hauntingly visceral poems, are the living conditions, policies and practices of the school itself, the stories of those who lived there, and the names of practitioners of the school, called out and cursed. Lastly, personal stories are given space to reclaim the narrative, taking readers on a journey of resilience, survival, pain and joy.

Reviews
"Drawing on the work of the late legal scholar Patricia Monture-Angus, I find fitting words for this book and for the former students of KIRS: first we were victims, then we were survivors and now we are warriors. Those warriors have now become teachers—teachers for those who learn to listen to the voices in this book."—from the prologue by Celia Haig-Brown

Additional Information
126 pages | 5.50" x 8.00" | Paperback

Ela Tahoe, a runaway turned deputy sheriff, is forced to contend with a Confederate invasion of her New Mexican town three months after the conclusion of the Civil War. Ela will need to confront her heritage and past with the Apache in order to get their aid to combat this Confederate threat, leading her to look at the world from the Native American perspective once again. Conceived as a tightly paced, gut wrenching western thriller, Ela fights tooth and nail to save the lives of her townspeople and most importantly, her son.

The American Western Frontier is arguably one of the most widely misrepresented histories, rife with inaccuracies and stereotypes. Black Mi'kmaq and Anishinaabe author Tristan Jones powerfully and critically reimagines and reclaims a historical retelling of the Frontier with a focus on the historically missing Indigenous narrative. Illustrated by master sequential artist Alexander Bumbulut, The Forgotten Frontier should be on everyone's reading list.

Additional Information
140 pages | 6.00" x 9.00" | Paperback

A new edition, revised and updated by the author, of John Brady McDonald’s acclaimed debut poetry collection

John Brady McDonald, MBSFA, a Nêhiyawak-Métis multidisciplinary artist and writer from Treaty Six Territory in Saskatchewan, Canada, is an award-winning author of multiple books who has presented at literary festivals around the world. Before all this, however, he was a young, urban Indigenous youth, struggling with addictions, the streets, and the pain and turmoil of intergenerational trauma as a residential school survivor and the child of residential school survivors.

These raw, lyrical poems are a glimpse of the birth of a poet, recklessly using language and words with abandon and without restraint. It is the poetry of an individual experimenting with the language, influenced by the works of Shakespeare and Jim Morrison, mixed with the teenage goth writing style of youth—the base metals from which a lifetime of words was forged.

Originally published by Kegedonce Press in 2004, The Glass Lodge was presented across Canada and the US at esteemed festivals. Chosen for the First Nations Communities Read program, it was also nominated for the Anskohk Aboriginal Book of the Year in 2005. Since that first edition went out of print a few years ago, McDonald has re-edited and restored the work. He also rediscovered many of the original, handwritten poems, which serve as illustrations in this new edition.

Reviews
"The Glass Lodge transcends all the cliches of the angst-ridden Urban Indian. McDonald's verse is a brilliant fusion of the brutality and hope that is inherent in the Aboriginal experience. I have never read poetry that so closely resembles my own experience as a First Nations man." - Darrell Dennis, Writer, Tales of an Urban Indian, Moccasin Flats

Additional Information
74 pages | 6.00" x 8.50" | Hardcover | 2nd Edition 

Ukraine, 1944

As the world around her is ripped apart by war and infiltrated by Nazi soldiers, Savka Ivanets works as a medic for the Ukrainian resistance, stitching wounds by day, stealing supplies by night, and dodging firefights between the SS and Soviet partisans. When her husband, Marko, a reluctant member of the Waffen-SS, forces her to deliver a coded message to an underground bunker, she’s terrified. But when her mission doesn’t go as planned, and her son, Taras, is kidnapped by the KGB, Savka fears she’ll never see him again.

Salt Spring Island, 1972

For Jeanie Esterhazy, the world, with its whispers and curious eyes, is too much to bear. Ever since the horrific accident that left her badly scarred, Jeanie, unable to remember anything about that awful day, has pulled away from society, utterly isolated.

Then a mysterious stranger appears at her house, and Jeanie suddenly begins having flashbacks about the night of her wedding—flashbacks that hold answers to the questions she’s had for years; flashbacks that make her realize the world around her is not as it seems.

Weaving together Savka and Jeanie's stories with artful precision, The Last Secret is at once luminous and transporting, a brilliant and impossible-to-forget story of love, hope, and the breathtaking resilience of women.

Reviews
"An extraordinarily powerful novel cinematically weaving one gripping layer into the next. From the frozen hellscape of Eastern Europe during WW2 to the lush green of Salt Spring Island in Canada, The Last Secret delivers a thrilling story of survival and love that held me spellbound throughout. Brava, Ms. Caron! An easy five stars." —Genevieve Graham, #1 bestselling author of The Forgotten Home Child

"How delicious to discover sleepy Salt Spring Island, BC, caught up in the icy tendrils of a Cold War thriller. Sweeping from hardship to heartache, The Last Secret is a timely reminder of the improbable bonds forged, broken and recast on World War II’s Eastern Front. Here, revenge is served tundra-cold, but with a dash of sea salt and fire." —Shelley Wood

Additional Information
416 pages | 6.09" x 8.91" | Paperback 

In this stunning novel, Pulitzer Prize and National Book Award–winning author Louise Erdrich tells a story of love, natural forces, spiritual yearnings, and the tragic impact of uncontrollable circumstances on ordinary people’s lives.

History is a flood. The mighty red . . .

In Argus, North Dakota, a collection of people revolve around a fraught wedding.

Gary Geist, a terrified young man set to inherit two farms, is desperate to marry Kismet Poe, an impulsive, lapsed Goth who can't read her future but seems to resolve his.

Hugo, a gentle red-haired, home-schooled giant, is also in love with Kismet. He’s determined to steal her and is eager to be a home wrecker.

Kismet's mother, Crystal, hauls sugar beets for Gary's family, and on her nightly runs, tunes into the darkness of late-night radio, sees visions of guardian angels, and worries for the future, her daughter’s and her own.

Human time, deep time, Red River time, the half-life of herbicides and pesticides, and the elegance of time represented in fracking core samples from unimaginable depths, is set against the speed of climate change, the depletion of natural resources, and the sudden economic meltdown of 2008-2009. How much does a dress cost? A used car? A package of cinnamon rolls? Can you see the shape of your soul in the everchanging clouds? Your personal salvation in the giant expanse of sky? These are the questions the people of the Red River Valley of the North wrestle with every day.

The Mighty Red is a novel of tender humor, disturbance, and hallucinatory mourning. It is about on-the-job pains and immeasurable satisfactions, a turbulent landscape, and eating the native weeds growing in your backyard. It is about ordinary people who dream, grow up, fall in love, struggle, endure tragedy, carry bitter secrets; men and women both complicated and contradictory, flawed and decent, lonely and hopeful. It is about a starkly beautiful prairie community whose members must cope with devastating consequences as powerful forces upend them. As with every book this great modern master writes, The Mighty Red is about our tattered bond with the earth, and about love in all of its absurdity and splendor.

A new novel by Louise Erdrich is a major literary event; gorgeous and heartrending, The Mighty Red is a triumph.

Reviews
"A love triangle is at the heart of this novel, set against the backdrop of a beet farm in North Dakota during the economic meltdown of 2008-2009. It's as much about the financial crash and environmental destruction as it is about the people most impacted by and vulnerable to these devastations." — New York Times

"While the novel touches on tragedy, it also includes scenes of sheer comedic delight. No one describes a book-group meeting better than Erdrich. Pulitzer Price and National Book Award winner Erdrich (The Sentence) yet again displays her storytelling skills." — Library Journal (starred review)

"[A] finely woven tale of anguish and desire, crimes and healing. With irresistible characters, dramatic predicaments, crisp wit, gorgeously rendered settings, striking ecological facts, and a cosmic dimension, Erdrich’s latest tale of the plains reverberates with arresting revelations." — Booklist

Educator Information
The Mighty Red is a standalone novel, but it's also a sequel to Louise's 1986 novel The Beet Queen. It takes place in Argus, North Dakota, the same fictional town where many of her other novels are set. 

Additional Information
384 pages | 6.00" x 9.00" | Paperback 

Sascha Stronach’s queer, Maori-inspired Endsong trilogy reopens on a city in flames, where a magic-wielding pirate crew uncovers an age-old fight between the gods that threatens their world.

The steel city of Radovan is consumed by fire between. Stranded in its harbor is the crew of the Kopek, the survivors of a bioterror attack overseas. But they bear scars: their captain, Sibbi, has gone missing; Yat, their newest Weaver, is fighting for control of her own mind; and their Weaving powers are in a badly weakened state.

To disable the technology that prevents the group from escaping, Sen and Kiada must plot their way through the ruins of the foreign capital, which is patrolled by a hostile militia, using wits alone. But to navigate through Radovan, Kiada will have to rely on her own history with the city—one she shares with a band of misfits dubbed Fort Tomorrow and their leader, Ari, a charismatic thief.

Ari may hold the key not only to saving Radovan from complete annihilation, but the history of their world, which will come into play as the gods begin to unleash destruction on humanity and one another.

Educator & Series Information
This book is part of The Endsong series.

Additional Information
336 pages | 6.00" x 9.00" | Paperback

A Chickasaw woman who can’t catch a break serves up a little white lie that snowballs into much more in this witty and irresistible rom-com by debut author Danica Nava.

Ember Lee Cardinal has not always been a liar—well, not for anything that counted at least. But her job search is not going well and when her resumé is rejected for the thirty-seventh time, she takes matters into her own hands. She gets “creative” listing her qualifications and answers the ethnicity question on applications with a lie—a half-lie, technically. No one wanted Native American Ember, but white Ember has just landed her dream accounting job on Park Avenue (Oklahoma City, that is).

Accountant Ember thrives in corporate life—and her love life seems to be looking up too: Danuwoa Colson, the IT guy and fellow Native who caught her eye on her first day, seems to actually be interested in her too. Despite her unease over the no-dating policy at work, they start to see each other secretly, which somehow makes it even hotter? But when they're caught in a compromising position on a work trip, a scheming colleague blackmails Ember, threatening to expose their relationship. As the manipulation continues to grow, so do Ember’s lies. She must make the hard decision to either stay silent or finally tell the truth, which could cost her everything.

Reviews
“The Truth According to Ember is a truly funny and wonderfully heartfelt comedy of errors with a plucky, lovable heroine I rooted for from page one. Danica Nava is a fresh, exciting new voice in the world of romantic comedies and I can’t wait to see what she does next.”—Emily Henry, #1 New York Times bestselling author of Happy Place

"My heart was in my stomach as I watched Ember weave herself a tangled web and have to figure her way out. Danica Nava's The Truth According to Ember gives us a fresh, relatable heroine in Ember, who has been so focused on helping everyone else that she doesn't always know how to ask for help herself. And Danuwoa! No wonder Ember blushes every time the swoony IT technician tells her to unplug it and plug it back in. This book provided the perfect escape mixed with the perfect amount of grounded reality, bringing the characters to life."—Alicia Thompson, USA Today bestselling author of With Love, from Cold World

"Danica Nava has created a fantastic heroine in Ember Lee Cardinal, whose good heart and determination to do the right thing are as admirable as her occasional lies are understandable...Nava guides Ember along a compelling journey of empowerment while tackling complicated issues of identity, racism, corporate corruption, and the pain and joy that family can bring. And the book is so funny, too! The characters shine, each of them unique and interesting and so real they could step off the page. The Truth According to Ember was a delight from start to finish, and Nava delves into both heartbreaking and life-affirming topics with wit and wisdom. Danica Nava's writing is fresh, funny, and romantic, and I will read anything she writes."—Sarah Hawley, author of A Werewolf's Guide to Seducing a Vampire

“Fresh, funny, and full of heart, The Truth According to Ember delivers a romantic comedy delight. Ember is lovable and laugh-out-loud hilarious, and her journey as she learns to lean into the support of her community, discovers unconditional love, and embraces the power of telling her truth, is wonderfully touching. This is a romance I won’t soon forget.”—Chloe Liese, USA Today bestselling author of Always Only You

Additional Information
384 pages | 5.18" x 8.00" | Paperback

Threatened by encroaching colonialism, one Métis family struggles to protect their way of life.

In 1869, the arrival of surveyors from the new Dominion of Canada sends ripples of anxiety through the people of Red River. As the Métis Nation begins negotiating terms for joining Confederation, each member of the Rougeau family adapts in their own way: Clément looks outward, trying to maintain his livelihood as a carter, while his wife, Marienne, looks inward, determined to hold their fracturing family together. Julien, the eldest son, joins Louis Riel to confront the same intruders that so impress his sister, Charlotte. As the Red River Resistance unfolds, the consequences of each choice become heartbreakingly clear.

Additional Information
256 pages | 5.50" x 8.50" | Paperback 

In her debut collection of short fiction, Amanda Peters describes the Indigenous experience from an astonishingly wide spectrum in time and place—from contact with the first European settlers, to the forced removal of Indigenous children, to the present-day fight for the right to clean water.

In this intimate collection, Peters melds traditional storytelling with beautiful, spare prose to describe the dignity of the traditional way of life, the humiliations of systemic racism and the resilient power to endure. A young man returns from residential school only to realize he can no longer communicate with his own parents. A young woman finds purpose and healing on the front lines as a water protector. An old man remembers his life as he patiently waits for death. And a young girl nervously dances in her first Mawi’omi. The collection also includes the story “The Berry Pickers,” which inspired Peters’ critically acclaimed novel of the same name, as well as the Indigenous Voices Award–nominated story “Pejipug (Winter Arrives).”

At times sad, sometimes disturbing but always redemptive, the stories in Waiting for the Long Night Moon will remind you that where there is grief there is also joy, where there is trauma there is resilience and, most importantly, there is power.

Educator Information
Waiting for the Long Night Moon is a collection of short stories.

Additional Information
256 pages | 6.00" x 9.00" | Paperback

The eagerly awaited follow-up to Pulitzer Prize finalist Tommy Orange’s breakout best seller There There—winner of the PEN/Hemingway Award, the John Leonard Prize, the American Book Award, and one of the New York Times Ten Best Books of the Year—Wandering Stars traces the legacies of the Sand Creek Massacre of 1864 and the Carlisle Industrial School for Indians through to the shattering aftermath of Orvil Redfeather’s shooting in There There.

Colorado, 1864. Star, a young survivor of the Sand Creek Massacre, is brought to the Fort Marion Prison Castle, where he is forced to learn English and practice Christianity by Richard Henry Pratt, an evangelical prison guard who will go on to found the Carlisle Industrial School for Indians, an institution dedicated to the eradication of Native history, culture, and identity. A generation later, Star’s son, Charles, is sent to the school, where he is brutalized by the man who was once his father’s jailer. Under Pratt’s harsh treatment, Charles clings to moments he shares with a young fellow student, Opal Viola, as the two envision a future away from the institutional violence that follows their bloodline.

Oakland, 2018. Opal Viola Victoria Bear Shield is barely holding her family together after the shooting that nearly took the life of her nephew Orvil. From the moment he awakens in his hospital bed, Orvil begins compulsively googling school shootings on YouTube. He also becomes emotionally reliant on the prescription medications meant to ease his physical trauma. His younger brother Lony, suffering from PTSD, is struggling to make sense of the carnage he witnessed at the shooting by secretly cutting himself and enacting blood rituals which he hopes will connect him to his Cheyenne heritage. Opal is equally adrift, experimenting with Ceremony and peyote, searching for a way to heal her wounded family.

Extending his constellation of narratives into the past and future, Tommy Orange once again delivers a story that is by turns shattering and wondrous, a book piercing in its poetry, sorrow, and rage—a masterful follow-up to his already—classic first novel, and a devastating indictment of America’s war on its own people.

Additional Information
336 pages | 5.50" x 8.25" | Hardcover

In these poems, E. McGregor combines the lore of family history with personal memory, vividly parsing patterns of inheritance, particularly through the maternal line.

What Fills Your House Like Smoke begins and ends at the deathbed of the writer's Metis grandmother. In between, McGregor composes an incomplete and wildly imaginative biography of the grandmother, interrogated by family photographs, stories, and the scant paper trail she left behind.

McGregor sifts through the complexities of motherhood, daughterhood, anxiety, intimate relationships and addiction, weaving family history with memory to make sense of what is carried on. Especially affecting are poems about childhood, and the people who disappear from a child's life, and the struggle to live as a societal outsider, finding strength in self-definition and the power of narrative.

As these poems unfold, they move us toward an understanding of maternal inheritance, shifting identities, forgiveness, and finally love.

Reviews
"There is a rawness and tender vulnerability in the re-membering of a mother's mother's life in the thematic dotted lines, hardlines and blurred lines of McGregor's poetry. For bodies under duress, survival is instinctive and passed on, and a breakthrough from the trauma endured is made possible in an honest remembering to liberate oneself." -- Rita Bouvier, author of a beautiful rebellion

"What Fills Your House Like Smoke is a staggering collection . . . technically agile and thematically nuanced. McGregor's poems have the effect of flame, sucking the air out of the room; of a soothing hand on your chest, reminding you to breathe. An indelible debut." -- Hollay Ghadery, author of Rebellion Box

Additional Information
90 pages | 6.00" x 8.00" | Paperback