Fiction

Miskozi is searching for something...There's something missing. And she's not sure what it is. She goes on a search for herself and her culture, accompanied by her inner white girl, Waabishkizi, and guided by Ziibi, a manifestation of an ancestral river, both provoking her to try and find the answers. She begins the journey back before she was even born, right at the seeds of colonization when her ancestors were forced to hide their culture anywhere they could. Burying their language.Their teachings.Their bundles.Their moccasins. White Girls in Moccasins is a hilarious and poignant reclamation story that world-hops between dreams, memories, and a surreal game show. Miskozi recounts her life and is forced to grapple with her own truth, while existing in a society steeped in white supremacy. A love letter to brown kids born in the 80s, surviving in the 90s and all those continuing to deeply reclaim.

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72 pages | 5.50" x 8.50" | Paperback

Erika T. Wurth's White Horse is a gritty, vibrant debut novel about an Indigenous woman who must face her past when she discovers a bracelet haunted by her mother’s spirit.

Some people are haunted in more ways than one.

Kari James, Urban Native, is a fan of heavy metal, ripped jeans, Stephen King novels, and dive bars. She spends most of her time at her favorite spot in Denver, the White Horse. When her cousin Debby finds an old family bracelet that once belonged to Kari’s mother, it inadvertently calls up both her mother’s ghost and a monstrous entity, and her willful ignorance about her past is no longer sustainable…

Haunted by visions of her mother and hunted by this mysterious creature, Kari must search for what happened to her mother all those years ago. Her father, permanently disabled from a car crash, can’t help her. Her Auntie Squeaker seems to know something but isn’t eager to give it all up at once. Debby’s anxious to help, but her controlling husband keeps getting in the way. Kari’s journey toward a truth long denied by both her family and law enforcement forces her to confront her dysfunctional relationships, thoughts about a friend she lost in childhood, and her desire for the one thing she’s always wanted but could never have.

Reviews
“It’s metal to the end, it’s Denver to the core, it’s Native without trying, there’s ghosts, there’s blood, there’s roller coasters, and there’s about a thousand cigarettes smoked. What else can you ask for in a novel?” —Stephen Graham Jones, author of The Only Good Indians

"This ghost story is a perfect example of new wave horror that will also satisfy fans of classic Stephen King." —Silvia Moreno-Garcia, author of The Daughter of Doctor Moreau and Mexican Gothic

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320 pages | 5.48" x 8.25" | Paperback

There is one every generation, a seer who keeps the stories.

Luz “Little Light” Lopez, a tea leaf reader and laundress, is left to fend for herself after her older brother, Diego, a snake charmer and factory worker, is run out of town by a violent white mob. As Luz navigates 1930s Denver, she begins to have visions that transport her to her Indigenous homeland in the nearby Lost Territory. Luz recollects her ancestors’ origins, how her family flourished, and how they were threatened. She bears witness to the sinister forces that have devastated her people and their homelands for generations. In the end, it is up to Luz to save her family stories from disappearing into oblivion.

Written in Kali Fajardo-Anstine’s singular voice, the wildly entertaining and complex lives of the Lopez family fill the pages of this multigenerational western saga. Woman of Light is a transfixing novel about survival, family secrets, and love—filled with an unforgettable cast of characters, all of whom are just as special, memorable, and complicated as our beloved heroine, Luz.

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352 pages | 5.17" x 7.96" | Paperback

From Oklahoma to California, the heroes of A Calm & Normal Heart are modern-day adventurers—seeking out new places to call their own inside a nation to which they do not entirely belong. A member of the Osage tribe, author Chelsea T. Hicks’ stories are compelled by an overlooked diaspora happening inside America itself: that of young Native people.

In stories like “Superdrunk,” “Tsexope,” and “Wets’a,” iPhone lifestyles co-mingle with ancestral connection, strengthening relationships or pushing people apart, while generational trauma haunts individual paths. Broken partnerships and polyamorous desire signal a fraught era of modern love, even as old ways continue to influence how people assess compatibility. And in “By Alcatraz,” a Native student finds herself alone on campus over Thanksgiving break, seeking out new friendships during a national holiday she does not recognize. Leaping back in time, “A Fresh Start Ruined” inhabits the life of Florence, an Osage woman attempting to hide her origins while social climbing in midcentury Oklahoma. And in “House of RGB” a young professional settles into a new home, intent on claiming her independence after a break-up, even if her ancestors can’t seem to get out of her way.

Whether in between college semesters or jobs, on the road to tribal dances or escaping troubled homes, the characters of A Calm & Normal Heart occupy a complicated and often unreliable terrain. Chelsea T. Hicks brings sharp humor, sprawling imagination, and a profound connection to Native experience in a collection that will subvert long-held assumptions for many readers, and inspire hope along the way.

Reviews
"Chelsea T. Hicks' deadpan dexterous wit can make you laugh and cry in the space of a heartbeat. A Calm and Normal Heart is the book I've been waiting for— audacious, tender, and fiercely committed." —Louise Erdrich, author of The Sentence

"A Calm & Normal Heart is sharp, sexy, and endlessly surprising. An electric blend of playfulness and intensity in Hicks's prose ignites her characters' desires. Their stories dazzle and are to be savored. This is a gorgeous collection!" —Deesha Philyaw, National Book Award finalist and author of The Secret Lives of Church Ladies

"The stories in Chelsea Hicks's A Calm & Normal Heart are full of quiet truths and wry, soulful secrets. It is a book that doesn't at all feel like a debut story collection, but rather written with startling beauty and the flawless precision of a master storyteller. It is a genuine page-turner full of sentences so beautiful they demand re-reading." —Brandon Hobson, National Book Award finalist and author of The Removed

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Hardcover

An urgent first novel about breaching the prisons we live inside from one of Canada’s most daring literary talents.

An unnamed narrator abandons his unfinished thesis and returns to northern Alberta in search of what eludes him: the shape of the novel he yearns to write, an autobiography of his rural hometown, the answers to existential questions about family, love, and happiness.

What ensues is a series of conversations, connections, and disconnections that reveals the texture of life in a town literature has left unexplored, where the friction between possibility and constraint provides an insistent background score.

Whether he’s meeting with an auntie distraught over the imprisonment of her grandson, engaging in rez gossip with his cousin at a pow wow, or lingering in bed with a married man after a hotel room hookup, the narrator makes space for those in his orbit to divulge their private joys and miseries, testing the theory that storytelling can make us feel less lonely.

Populated by characters as alive and vast as the boreal forest, and culminating in a breathtaking crescendo, A Minor Chorus is a novel about how deeply entangled the sayable and unsayable can become—and about how ordinary life, when pressed, can produce hauntingly beautiful music.

Reviews
"No one breaks your heart as elegantly as Billy-Ray Belcourt. Innovative, intimate, and meticulous, A Minor Chorus is a thoughtful riot of intersections and juxtapositions, a congregation of keenly observed laments gently vivisecting the small, Northern Alberta community at its core."—Eden Robinson, author of Son of a Trickster

"The literary child of Rachel Cusk’s Outline trilogy and James Baldwin’s Giovanni’s Room, this novel builds on both, and is yet still something so new. It has the guts to centre Indigenous queer life as worthy of serious intellectual and artistic inquiry—which, of course, it always has been. We will be reading and re-reading and learning from A Minor Chorus for decades to come."—Alicia Elliott, author of A Mind Spread Out on the Ground

"An absolutely dazzling confluence of big ideas and raw emotions, told in Billy-Ray Belcourt’s singular poetic voice. A Minor Chorus is about loving, questioning, and fighting for your life, and it’s as compelling a debut novel as I’ve read in years."—Jami Attenberg, author of I Came All This Way to Meet You

"A truly exceptional novel about how the disregarded sometimes live the most remarkable lives, and how storytelling will redeem us somehow, make us less lonely. A Minor Chorus is like a song that’s over too soon; I want to play it on repeat, to memorize the words so that I can sing them to myself."—Katherena Vermette, author of The Strangers

Additional Information
192 pages | 5.20" x 7.78" | Hardcover

In this poetry collection, the author honours Inuit who lay in the past, and Inuit who are with us now and most importantly the Inuit who are waiting to come to us. The author believes it is not okay that Inuit children and adults died and were buried in unmarked graves, their bodies never returned to their loved ones. It is not okay that their relatives were never told of their deaths or where they were buried because keeping track of dead Inuit bodies was simply not very important to Canadian authorities. The author wants to imagine a world free of colonialism, a world without interference in Inuit lives.

Educator & Series Information
This book is part of the Modern Indigenous Voices series.

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72 pages | 8.50" x 5.50" | Paperback

An intimate yet wide-sweeping story of a marine biologist working to save ocean ecosystems from climate change.

With the world’s oceans ravaged by climate change, Émeraude, a young marine biologist, works to preserve aquatic ecosystems by recreating them for zoos. When her work earns her a spot aboard a research vessel with an extended mission in the Arctic, it is the inescapable draw of the ocean that will save her when the world she leaves behind is irrevocably changed.

Stories of Émeraude’s ancestors — a young sailor abandoned at birth, a conjuror who mixes potions for her neighbours, a violent young man who hides in the woods to escape an even more violent war, and a talented young singer born to a mother who cannot speak — weave their way through her intimate reflections on a modest life, unknowingly shaped by those who came before.

Reviews
"Aquariums is a luminous, touching and comforting book, written with great clarity. In other words, a healing read. It can be read in a single sitting, and picked up again when one’s soul needs soothing." — Solaris

"J.D. Kurtness stands out on the indigenous literary scene for her unique style, inspired by dystopian and apocalyptic writing. In Aquariums, the author delivers a fragmented novel of filiation, mixing the different (non-)stories of a lineage and of the same generation, like an aquarium housing an ecosystem, to an apocalyptic end forcing a reset of the planetary population. Kurtness’s aesthetic is characterised by a holistic cosmic writing in which a sort of Glissant’s Tout-Monde is formed: the narratives of ancestors and the living communicate with the perceived and existing elements. This cosmic writing is conveyed through the fragmentary form, which is more organic than functional, the use of nature-related metaphors, that are tied to the life story of a whale, and the hybridity of the novel, which mixes the genres of life writing and dystopia. Although the author is Ilnu, the dimension of autochthony is not central to Aquariums. It is partially present in the discourse and the constellation of characters, but is not actively addressed." - Abstract from Dystopie, Fragmentation et Filiation dans Aquariums de J.D. Kurtness by Jody Danard

"This is a small book on a huge theme, set in various places and eras, featuring different perspectives. It could be confusing, but it works – so much so that I sometimes wished Kurtness had picked up some of her loose threads and developed the stories of Émeraude’s ancestors instead of returning to her protagonist’s journey. I want to know more about the scarred sailor, the blind shark, and the travelling whale. She dips her toe into the fantastical or the romantic and then pulls back, back to the science of a dying world. Aquariums is an inventive book on a grim not-so-distant future. In the end, Kurtness chooses to believe in the resilience of humanity. Like her ancestors before her, Émeraude will fight for her people’s future." - Roxane Hudon, Montreal Review of Books

Educator Information
Translated from French to English by Pablo Strauss 

Additional Information
176 pages | 5.00" x 7.00" | Paperback

In this new edition of her powerful debut, Plains Cree writer and National Poet Laureate Louise B. Halfe - Sky Dancer reckons with personal history within cultural genocide.

Employing Indigenous spirituality, black comedy, and the memories of her own childhood as healing arts, celebrated poet Louise B. Halfe - Sky Dancer finds an irrepressible source of strength and dignity in her people. Bear Bones and Feathers offers moving portraits of Halfe's grandmother (a medicine woman whose life straddled old and new worlds), her parents (both trapped in a cycle of jealousy and abuse), and the people whose pain she witnessed on the reserve and at residential school.

Originally published by Coteau Books in 1994, Bear Bones and Feathers won the Milton Acorn People's Poet Award, and was a finalist for the Spirit of Saskatchewan Award, the Pat Lowther Award, and the Gerald Lampert Award.

Reviews
"With gentleness, old woman's humour, and a good red willow switch, Louise chases out the shadowy images that haunt our lives. She makes good medicine, she sings a beautiful song."— Maria Campbell, author of Halfbreed

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144 pages | 5.75" x 8.50" | Paperback

Bent Back Tongue is a raw examination of love, identity, politics, masculinity, and vulnerability. Through sharp honesty and revealing satire, Gottfriedson delves into Canadian colonialism and the religious political paradigms shaping experiences of a Secwépemc First Nations man. This is a book that tears through deceptions that both Canada and the church impose on their citizens. Gottfriedson tackles the darkest layers of a shared colonial history; at the same time, the poems in Bent Back Tongue are a celebration of love, land, family, and the self.

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120 pages | 5.50" x 8.00" | Paperback

Blood follows a Two-Spirit Indigenous person as they navigate urbanity, queerness, and a kaleidoscope of dreams, memory, and kinship.

Conceived in the same world as their acclaimed debut, Bones, Tyler Pennock's Blood centres around a protagonist who at first has difficulty knowing the difference between connection and pain, and we move with them as they explore what it means to want. Pennock weaves longing, intimacy, and Anishinaabe relationalities to recentre and rethink their speaker's relationship to the living--never forgetting non-human kin.

This book is a look at how deep history is represented in the everyday; it also tries to answer how one person can challenge the impacts of that history. It is a reminder that Indigenous people carry the impacts of colonial history and wrestle with them constantly. Blood explores the relationships between spring and winter, ice and water, static things and things beginning to move, and what emerges in the thaw.

Reviews
"Pennock's Blood shines on the parts of the self that defy the ruthlessness of empire. By turns inward to the still and sobering power of language, and again outward to the echoes of 'leaves and wind,' a music as sensitive as it is revelatory ushers us into his unique measure of aliveness. The poet here is engaged and unafraid to look long." — Canisia Lubrin, author of The Dyzgraphxst

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104 pages | 5.75" x 8.50" | Paperback

American Book Award–winning poet dg okpik’s collection of poems, Blood Snow, tells a continuum story of a homeland under erasure, in an ethos of erosion, in a multitude of encroaching methane, ice floe, and rising temperatures.

Here, in a true Inupiaq voice, dg okpik’s relationship to language is an access point for understanding larger kinships between animals, peoples, traditions, histories, ancestries, and identities. Through an animist process of transfiguration into a Shaman’s omniscient voice, we are greeted with a destabilizing grammar of selfhood. Okpik’s poems have a fraught relationship to her former home in Anchorage, Alaska, a place of unparalleled natural beauty and a traumatic site of devastation for Alaskan native nations and landscapes alike. In this way, okpik’s poetry speaks to the dualistic nature of reality and how one’s existence in the world simultaneously shapes and is shaped by its environs.

Reviews
"Unlike poets who adopt cultures into which they weren't born, or raised, okpik, who has fished the waters of which she writes so eloquently, has something rare these days: an authentic voice, one that nets ancient beliefs without discarding modern science or the daily news."—Poetica

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96 pages | 7.19" x 9.00" | Paperback 

Powerful stories of "Metis futurism" that envision a world without violence, capitalism, or colonization.

"Education is the new buffalo" is a metaphor widely used among Indigenous peoples in Canada to signify the importance of education to their survival and ability to support themselves, as once Plains nations supported themselves as buffalo peoples. The assumption is that many of the pre-Contact ways of living are forever gone, so adaptation is necessary. But Chelsea Vowel asks, "Instead of accepting that the buffalo, and our ancestral ways, will never come back, what if we simply ensure that they do?"

Inspired by classic and contemporary speculative fiction, Buffalo Is the New Buffalo explores science fiction tropes through a Metis lens: a Two-Spirit rougarou (shapeshifter) in the nineteenth century tries to solve a murder in her community and joins the nehiyaw-pwat (Iron Confederacy) in order to successfully stop Canadian colonial expansion into the West. A Metis man is gored by a radioactive bison, gaining super strength, but losing the ability to be remembered by anyone not related to him by blood. Nanites babble to babies in Cree, virtual reality teaches transformation, foxes take human form and wreak havoc on hearts, buffalo roam free, and beings grapple with the thorny problem of healing from colonialism.

Indigenous futurisms seek to discover the impact of colonization, remove its psychological baggage, and recover ancestral traditions. These eight short stories of "Metis futurism" explore Indigenous existence and resistance through the specific lens of being Metis. Expansive and eye-opening, Buffalo Is the New Buffalo rewrites our shared history in provocative and exciting ways.

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272 pages | 6.00" x 8.00" | Paperback

A moving and deeply engaging debut novel about a young Native American man finding strength in his familial identity, from a stellar new voice in fiction.

Told in a series of voices, Calling for a Blanket Dance takes us into the life of Ever Geimausaddle through the multigenerational perspectives of his family as they face myriad obstacles. His father’s injury at the hands of corrupt police, his mother's struggle to hold on to her job and care for her husband, the constant resettlement of the family, and the legacy of centuries of injustice all intensify Ever’s bottled-up rage. Meanwhile, all of Ever’s relatives have ideas about who he is and who he should be. His Cherokee grandmother urges the family to move across Oklahoma to find security; his grandfather hopes to reunite him with his heritage through traditional gourd dances; his Kiowa cousin reminds him that he’s connected to an ancestral past. And once an adult, Ever must take the strength given to him by his relatives to save not only himself but also the next generation of family.

How will this young man visualize a place for himself when the world hasn’t given him a place to start with? Honest, heartbreaking, and ultimately uplifting, Calling for a Blanket Dance is the story of how Ever Geimausaddle found his way to home.

Reviews
“Calling for a Blanket Dance is a stunning novel. Oscar Hokeah writes from deep inside the heart of his communities, bringing life to generations of voices who became so real to me they felt like relatives. The reader can't help but invest in each character as they navigate bitter challenges, sometimes surprising themselves with their strength, their ability to survive and love. Hokeah's prose gorgeously weaves authentic local vernacular with the lyrical notes of hard-won insight. This novel belongs on every recommended booklist for fans of literary fiction.”—Susan Power, author of The Grass Dancer 

​“With solid Tommy Orange vibes, the first novel from Oscar Hokeah is a coming-of-age tale told from a chorus of multigenerational voices . . . One to watch, for sure.”—BookPage

“Filled with astonishing immediacy, and embellished with Hokeah’s authentic voice, these epic stories soar with indelible images of a proud, but challenged, people who find strength through their blood-lines and their enduring familial love. Some characters are so broken and bitter that I was moved to tears. But most characters persevere, and thrive, through the indomitable will and pride of their heritage. Hokeah has accomplished something unique here. In his quietly brilliant depiction of his Cherokee/Kiowa/Mexican heritage he has dipped into his medicine bag and gifted us with a small but compelling masterpiece. This should be required reading for every American.”—Kiana Davenport, author of Shark Dialogues

Additional Information
272 pages | 5.50" x 8.25" | Hardcover 

A stunning debut poetry collection confronting colonialism, relationships, grief and intergenerational wounds.

Cut to Fortress considers the possibility of decolonization through a personal lens, urging for a resistance that is tied using cord and old-growth tree roots; a resistance that tethers us all together in this contemporary existence.

With an upbringing in Surrey, fraught familial conflicts, the passing of his older brother and its influence on his world view, Bige slices through the forts built overtop occupied Turtle Island to examine their origin and his own. His journey climbs into the mountains while he reconnects with his Dene and Cree cultures like a gripping hand on jagged rock. His path draws into the concrete urban streets that Wetako-medicine lurks through, especially for his people. The labour of these travels brings him to the springs where healing passed-down traumas becomes possible by drawing water through vulnerability.

Reviews
"The reinforcement of knowing the interconnectedness of all things—including the grime of (Vancouver) city and endangered forest beauty found within these lean staccato poems—ring with a desperate voice of “youth” who want to remain part of it all. Inspiration too, enacted in the listening and learning from those who have journeyed here before. Is this activism poetry, or reflections of a soul memory rife with humanity and new/old teachings of the way it could and can be?" — Janet Rogers

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96 pages | 5.50" x 8.00" | Paperback

In this haunting and groundbreaking historical novel, Danielle Daniel imagines the lives of women in the Algonquin territories of the 1600s, a story inspired by her family’s ancestral link to a young girl who was murdered by French settlers.

1657. Marie, a gifted healer of the Deer Clan, does not want to marry the green-eyed soldier from France who has asked for her hand. But her people are threatened by disease and starvation and need help against the Iroquois and their English allies if they are to survive. When her chief begs her to accept the white man’s proposal, she cannot refuse him, and sheds her deerskin tunic for a borrowed blue wedding dress to become Pierre’s bride.

1675. Jeanne, Marie’s oldest child, is seventeen, neither white nor Algonquin, caught between worlds. Caught by her own desires, too. Her heart belongs to a girl named Josephine, but soon her father will have to find her a husband or be forced to pay a hefty fine to the French crown. Among her mother’s people, Jeanne would have been considered blessed, her two-spirited nature a sign of special wisdom. To the settlers of New France, and even to her own father, Jeanne is unnatural, sinful—a woman to be shunned, beaten, and much worse.

With the poignant, unforgettable story of Marie and Jeanne, Danielle Daniel reaches back through the centuries to touch the very origin of the long history of violence against Indigenous women and the deliberate, equally violent disruption of First Nations cultures.

Reviews
“Danielle Daniel renders the stories of her ancestors vividly, poetically and with deep love and respect. Daughters of the Deer gives long overdue voices to the Indigenous women who came before. A subtle, moving demonstration of how colonization attempted to strip Indigenous women of their power and place, and a testament to the enduring strength and wisdom that no colonial power could extinguish.” —Jessica McDiarmid, author of Highway of Tears: A True Story of Racism, Indifference and the Pursuit of Justice for Missing and Murdered Indigenous Women and Girls

Additional Information
344 pages | 5.25" x 8.00" | Paperback