Teen Books

Maggie Lou's grandpa doesn't call her Firefox for nothing. She's always finding ways to make life more interesting - even if this means getting into big trouble.

"Keep taking up space," Maggie Lou's mother says. You're only making room for the girls behind you."

When her grandfather Moshôm finally agrees to teach her how to box, she decides that the rank odors, endless drills and teasing won't stop her from wearing a tutu to the gym. Joining her father's construction crew uncovers a surprising talent - besides learning how to use a broom - and a great source of scrap wood to build a canine hotel for her dogs. And when she turns thirteen, she figures out an ingenious way to make some smokin' good camouflage to wear on her first deer hunt, where she joins a long family tradition.

Through it all she is surrounded by her big extended gumbo soup of a family, pestered by annoying younger siblings, and gently guided by her strong female relatives - her mother, her kokhom and her ultra-cool cousin Jayda. "Keep taking up space," Maggie's mother says. "You're only making room for the girls behind you."

A heroine for today, Maggie Lou discovers that with hard work and perseverance she can gain valuable new skills, without losing one iota of her irrepressible spirit.

Reviews
"Métis author Bowes weaves cultural elements, including Northern Michif words, into this charming story that skillfully captures sweetly hilarious and loving everyday moments. Black-and-white illustrations enhance the text. An amusing story showcasing Métis humor at its finest." - Kirkus, STARRED REVEIW

Educator & Series Information
Recommended for ages 9 to 12.

This is the first book in the Maggie Lou series.

Key Text Features: author's note, biographical note, glossary, chapters, dialogue, epigraph, illustrations.

Includes some Northern Michif words and a glossary.

Additional Information
220 pages | 5.00" x 7.50" | b&w illustrations | Paperback

Métis writer and educator Nikki Soliman walks children through the importance of mental health and wellness in Magnificent Magnetic Me. This book examines the importance of embracing the tools needed to stay positive. It teaches about the power of thoughts and words and the energy we attract.

Educator Information
Recommended for grades 5 to 8.

Additional Information
32 Pages | Paperback

“Some children are born into the world and are home as soon as they come Earthside. Others spend their lifetimes searching for a home, a place to belong, a place where they are safe. I am one of those children.”

After running away from residential school, Bernard Andreason and his two best friends begin a harrowing 130-kilometre journey from Inuvik to Tuktoyaktuk, one which only Bernard would survive. In this heartbreaking and beautifully told graphic memoir, Bernard recounts his time in residential school and the tragic journey that took the lives of his two best friends. We then follow Bernard as he returns home, haunted by his past and struggling to find his place. Despite enduring more challenges into adulthood, Bernard never stops pursuing healing and higher learning, and he finds a support network that helps him. His story shows us that the possibility of finding a safe and loving home exists, and it is something every child deserves.

Mangilaluk is an extraordinarily affecting new addition to Qinuisaarniq ("resiliency"), a collection of books created to educate readers about the history and impacts of residential schools.

Educator Information
Recommended for ages 14 to 18.

Mangilaluk exposes readers to the experience and perspective of an Inuk residential school survivor. It also shares a powerful story of friendship, personal growth and self-forgiveness, and the value of finding a supportive community.

This book is part of the Qinuisaarniq program. Qinuisaarniq (“resiliency”) is a program created to educate Nunavummiut and all Canadians about the history and impacts of residential schools, policies of assimilation, and other colonial acts that have affected the Canadian Arctic.

Each resource has been carefully written and reviewed to include level-appropriate opportunities for students to learn about colonial acts and policies that have affected Inuit. These acts and policies created long-lasting impacts on Inuit individuals and communities, which are still being felt today.

Additional Information
100 pages | 7.25" x 11.00" | Paperback

What if a school's mascot is seen as racist, but not by everyone? In this compelling middle-grade novel in verse, two best-selling BIPOC authors tackle this hot-button issue.

Six kids. One mascot. Who wins?

In Rye, Virginia, just outside Washington, DC, people work hard, kids go to school, and football is big on Friday nights. An eighth-grade English teacher creates an assignment for her class to debate whether Rye’s mascot should stay or change. Now six middle schoolers–-all with different backgrounds and beliefs–-get involved in the contentious issue that already has the suburb turned upside down with everyone choosing sides and arguments getting ugly. 

Told from several perspectives, readers see how each student comes to new understandings about identity, tradition, and what it means to stand up for real change.

Reviews
"Waters and Sorell (Cherokee Nation) join forces to write about the power of being true to oneself.

In a middle school in Rye, a fictional town near Washington, D.C., a racist mural and offensive pep rally chants shock new student Callie Crossland, who is a citizen of the Cherokee Nation and African American. Callie shares a heartfelt poem with her seventh grade honors English class, reminding everyone that the “stupid tomahawk-chop chant” and the “cheap chicken-feather headdress” are nothing less than symbols of “white supremacy.” Afterward, Ms. Williams, her teacher, assigns a persuasive writing and oration project entitled “Pros and Cons of Indigenous Peoples as Mascots.” The small, broadly diverse group of students is assigned to work in pairs; Callie is matched with Franklin, who is Black and a proud fan of the Rye Braves football team. Franklin insists, “I wish we could Lysol racism away. / It’s a bad odor,” but he feels conflicted: “I still don’t think our mascot is racist though. It brings so much joy. / …what’s the big deal?” This clever novel unfolds in poems told in multiple voices showing the wide range of students’, families’, and community responses to the controversy; for some, initial feelings of opposition, hesitation, or indifference change and friendships are tested. The compelling, highly relevant subject matter and accessible text invite readers to understand different perspectives and witness individual growth.

A brilliant story not to be missed; deeply engaging from the first page. (glossary, additional information and resources) (Verse fiction. 10-14)" —Kirkus Reviews, starred review

"Told via seven alternating narratives, this ripped-from-the-headlines collaboration in verse by Waters (African Town) and Cherokee Nation member Sorrel (One Land, Many Nations) follows a fictional town’s division over a racist sports mascot. Callie Crossland, who is Cherokee and Black, has just transferred to a middle school in Rye, Va. She immediately expresses disgust at her school’s mascot, a “copper-toned, muscled, loincloth-clad, tomahawk-wielding” caricature of an Indigenous person. Callie’s English teacher Ms. Williams soon assigns a group writing project regarding the “Pros and Cons of Indigenous Peoples as Mascots,” and Callie is annoyed at being paired with Black classmate Franklin, who believes the mascot “brings so much joy.” Waters and Sorrel paint a complex portrait of the differing reactions toward the controversy by layering the racially diverse tweens’ perspectives and showcasing the effects the event has on their individual relationships and the community beyond their school. The creators eschew judgment to present a well-rounded discussion about classism and racism, as well as effective allyship, with compassion and understanding. A glossary and resources conclude. Ages 10–up." —Publishers Weekly, starred review

"Ms. Williams tasks her... honors English students with a persuasive writing and oral presentation assignment arguing the pros and cons of using Indige-nous peoples as mascots. Throughout the course of a school year the story unfolds in a series of poems that detail the per-spectives of six students: Callie (Cherokee African), Franklin (African American), Priya (Indian American), Luis (Salvadoran American), Tessa (white and previously homeschooled), and Sean (working-class white). Predictably, Callie, Priya, and Tessa (who sees herself as a committed antiracist) oppose Indigenous mascots, while the boys, who enjoy war paint and tomahawk chops at Rye Braves games, claim the mascot de-picts pride in the team and their school. While the discord around the mascot is a long-standing one in the Virginia community, the assignment empowers the students to take the issue to the school board. After further research, one student switches sides, losing a friend in the process. While the plot requires a fair amount of exposition detailing history and arguments on both sides, the characters are well developed and believable, and the story flows smoothly. A valuable classroom pick that demonstrates the importance of debate." —Booklist

Educator Information
Recommended for ages 10+

Includes a glossary and additional resources / information.

Subjects / Themes: Discrimination, Different Perspectives, Identity, Tradition, Standing up for Change, Social Responsibility, Verse Fiction / Poetry

Additional Information
256 pages | 5.75" x 8.56" | Hardcover

Following the bestselling success of the inspiring All the Way, pioneering Inuit NHLer Jordin Tootoo begins the process of healing in the wake of the suicide and violence that marks his family, only to discover the source of all that trauma in his father's secret past.

For some hockey players, retirement marks the moment when it’s all over. But Jordin Tootoo is not most hockey players.

Having inspired millions when he first broke into the league, Tootoo continued to influence people throughout his career—not only through his very public triumph over alcoholism, but also his natural charisma. And now, years after hanging up his skates, he is more committed to doing things the right way and speaking about it to others, whether it’s corporate executives or Indigenous youth.

But the news of unmarked graves on the grounds of residential schools brought back to life many of the demons that had haunted his family. In a moment of realization that left him rattled and saddened, Tootoo fit the pieces together. The years that were never spoken of. The heavy drinking. The all too predictable violence. His father was a survivor, marked by what he had survived.

As he travels back to Nunavut to try to speak with his father about what haunts him, he encounters the ghosts of the entire community. Still, as Tootoo says, we are continuously learning and rewriting our story at every step. He has learned from his mistakes and his victories. He has learned from examples of great courage and humility. He has learned from being a father and a husband. And he has learned from his own Inuk traditions, of perseverance and discipline in the face of hardship.

Weaving together life’s biggest themes with observations and experiences, Jordin shares the kind of wisdom he has had to specialize in—the hard-won kind.

Additional Information
208 pages | 6.20" x 9.37" | Hardcover

Twelve years after the lights go out . . .
An epic journey to a forgotten homeland

The hotly anticipated sequel to the bestselling novel Moon of the Crusted Snow

It's been over a decade since a mysterious cataclysm caused a permanent blackout that toppled infrastructure and thrust the world into anarchy. Evan Whitesky led his community in remote northern Ontario off the rez and into the bush, where they've been living off the land, rekindling their Anishinaabe traditions in total isolation from the outside world. As new generations are born, and others come of age in the world after everything, Evan’s people are in some ways stronger than ever. But resources in and around their new settlement are beginning to dry up, and the elders warn that they cannot afford to stay indefinitely.

Evan and his fifteen-year-old daughter, Nangohns, are elected to lead a small scouting party on a months-long trip to their traditional home on the north shore of Lake Huron—to seek new beginnings, and discover what kind of life—and what dangers—still exist in the lands to the south.

Moon of the Turning Leaves is Waubgeshig Rice’s exhilarating return to the world first explored in the phenomenal breakout bestseller Moon of the Crusted Snow: a brooding story of survival, resilience, Indigenous identity, and rebirth.

Reviews
"An epic journey into the future, powerfully haunting." —Silvia Moreno-Garcia, bestselling author of Mexican Gothic

“Tense, atmospheric, and ultimately hopeful, Rice masterfully delivers an unsettling, page-turning sequel." —Eden Robinson, author of Son of a Trickster

“It felt like an eternity waiting for Waubgeshig to write the sequel to Moon of the Crusted Snow and it was worth it. As we as a species ponder our own survival, this talented author walks his courageous characters through an odyssey towards hope. At times heart-racing and at times heart wrenching, Moon of the Turning Leaves allows us all to turn the page and find out what’s next in an uncertain future.” —Catherine Hernandez, award-winning author and screenwriter of Scarborough the novel and film

“[Moon of the Turning Leaves] is by turns beautiful and inspiring and bleak and violent. In other words, the perfect dystopian read. Let's hope Waubgeshig Rice doesn't make us wait too long for the next visit to this captivating world.” —Alma Katsu, author of The Fervor and The Hunger

"Novels, when brilliantly written, are passports to another place, another world. Moon of the Turning Leaves takes us to a First Nations community beset by an unbelievable fate that’s managed to survive when much of the world hasn't. Rice has given us a meaningful journey, and people to cheer for. I was in this story." —Drew Hayden Taylor, author of Motorcycles and Sweetgrass and Cold

“Waubgeshig Rice's stories are good medicine. Moon of the Turning Leaves is a restorative balm for my spirit.” —Angeline Boulley, New York Times bestselling author of Firekeeper's Daughter and Warrior Girl Unearthed

"Rice quite brilliantly weaves this sequel to Moon of the Crusted Snow such that the ongoing journey of those wonderfully drawn characters carries on seamlessly. Moon of the Turning Leaves stands on its own while simultaneously carrying the heart of the original story. Suspenseful and gripping, the great anticipation for this next installment is borne out by this artful storytelling." —Michelle Good, award-winning author of Five Little Indians and Truth Telling

Additional Information
312 pages | 5.50" x 8.25" | Paperback

Drawing on her Ojibwa roots and storytelling, Barnes shares stories that take the heart on the path to the past, nostalgic though it may be, wherein lies discovery, memories, and rhythms that ease the soul. Touching, tender but never overwrought, Barnes' poetry brings wonder to the spirit of nature and provides a sense of connection to the things most often overlooked.

Additional Information
140 pages | 7.50" x 5.00" | Paperback

A bold, clever, and sublimely sinister collection that dares to ask the question: “Are you ready to be un-settled?” Featuring stories by:

Norris Black • Amber Blaeser-Wardzala • Phoenix Boudreau • Cherie Dimaline • Carson Faust • Kelli Jo Ford • Kate Hart • Shane Hawk • Brandon Hobson • Darcie Little Badger • Conley Lyons • Nick Medina • Tiffany Morris • Tommy Orange • Mona Susan Power • Marcie R. Rendon • Waubgeshig Rice • Rebecca Roanhorse • Andrea L. Rogers • Morgan Talty • D.H. Trujillo • Theodore C. Van Alst Jr. • Richard Van Camp • David Heska Wanbli Weiden • Royce Young Wolf • Mathilda Zeller

Many Indigenous people believe that one should never whistle at night. This belief takes many forms: for instance, Native Hawaiians believe it summons the Hukai’po, the spirits of ancient warriors, and Native Mexicans say it calls Lechuza, a witch that can transform into an owl. But what all these legends hold in common is the certainty that whistling at night can cause evil spirits to appear—and even follow you home.

These wholly original and shiver-inducing tales introduce readers to ghosts, curses, hauntings, monstrous creatures, complex family legacies, desperate deeds, and chilling acts of revenge. Introduced and contextualized by bestselling author Stephen Graham Jones, these stories are a celebration of Indigenous peoples’ survival and imagination, and a glorious reveling in all the things an ill-advised whistle might summon.

Reviews
“All combined, these powerful pages use fantastical elements to create very human characters who suffer very real horrors, like oppression, poverty, abuse, mental illness and the erasure of long-existing cultures and traditions. This volume is a must for any library collection and will be devoured by speculative fiction fans who enjoy a sprinkle of social commentary within their scary books.” —Booklist

“Never Whistle at Night is all I’ve ever wanted in an Indigenous horror anthology. From doubles, to Empty People, to story theft, to zombies, this anthology explores the horror that lives in colonial violence, generational love and trauma, and our everyday lives. It’s a joy to see such a diverse representation of experience, background, and style in this carefully curated and terrifying collection.”—Jessica Johns, author of Bad Cree

“Story to story, Never Whistle at Night never failed to surprise, delight, and shock me. I’m a big fan of stories that make you feel like you’re standing at the edge of a cliff with a stranger’s fingers on the tip of your spine—and this anthology has that ungoverned, go-for-broke aesthetic that I love.”—Nick Cutter, author of Little Heaven

“An extensive collection of Indigenous stories ranging from the humorous to the terrifying, this anthology is a must-read for everyone. Your new favorite author is absolutely in this book.”—Amina Akhtar, author of Kismet

“Melodious, haunting, and visceral, Never Whistle at Night enchants from the very start with fiery confidence and merciless ghosts. These are stories that dig their fingers inside you and carve something truly special. An absolute must-read.”—Hailey Piper, Bram Stoker Award-winning author of Queen of Teeth

"Can you draw power from the spirit of a story? If the twenty-six tales in the essential Never Whistle at Night anthology are any indication, the answer is an emphatic yes. The title itself provides its own warning, but I'll go one step further: Never read this collection of spine-chilling stories alone at night. You just might not make it to morning."—Clay McLeod Chapman, author of Ghost Eaters

Additional Information
416 pages | 5.19" x 8.00" | Paperback

The first book in Isabelle Picard’s bestselling coming-of-age series about Innu twins, Léon and Éloïse.

In this acclaimed book, readers meet thirteen-year-old twins Leon and Eloise who live in Matimekush, an Innu community in Northern Quebec.

While Leon spends all his free time playing hockey, and wondering how he can prove he has the talent to make it big in a place with no competition, Eloise works on a school project that opens her mind to the history of her people — their victories and their battles lost.

But when their father gets sick and needs treatment almost 1000 km from home, and someone from their village mysteriously disappears, the twins learn lessons about the fragility of humanity and the dangers of the land they call home.

Educator & Series Information
Recommended for ages 10 to 14.

Translated by Kateri Aubin Dubois, a freelance translator and a prolific beadworker. Her beadwork can be found under her Indigenous name, Nisnipawset. Kateri is from the Wolastoqiyik Wahsipekuk First Nation. She lives with her husband, two children and a fluffy cat in Terrebonne, Quebec.

This is the first book in the Nish series.

Additional Information
304 pages | 5.00" x 7.75" | Paperback

Journey to the southernmost tip of the territories held by Canada. North of Middle Island opens with a collection of individual poems that capture the spirit of the relatively isolated, sparsely populated community of Pelee Island.

The pieces explore contemporary Indigenous experience in the natural and built environments of the island and surrounding waters. The book concludes with an epic, "rarely true" narrative of modern-day warriors, told in traditional Anglo-Saxon style-a new Lenape myth of how Deerwoman (Ahtuhxkwe) comes to Pelee Island. The events of this epic tale are loosely based on the infamous professional wrestler and actor Rowdy Roddy Piper's time on the island and Wrestlemania XII, Piper's notorious "Backlot Brawl" with fellow wrestler Goldust (Nkuli Punkw). Follow acclaimed Moravian of the Thames First Nation poet D.A. Lockhart on this lyrical, epic journey into the unique culture and landscapes that lie just North of Middle Island.

Additional Information
93 pages | 5.50" x 8.50"

Métis Ukrainian writer Conor Kerr’s sharp and incisive poems move restlessly across landscapes and time.

Conor Kerr’s poetry is in constant motion. 4Runners streak through the night, racing with coyotes and roving across the land. Buses travel from town to town, from one memory to another, from past to present. Friends and lovers search for each other on Instagram and find nothing. And always the natural world travels alongside: the watching magpies, woodpeckers and cedar waxwings, the coyotes and porcupines. Family is the crisp wings of mallard ducks flying at dawn, just as it is a game of crib, a Mario Kart race, a dance party.

Old Gods defies colonialism on the Prairies. Kerr situates his reader in the Métis mindset: the old gods of the land are alive within the rivers, the birds, the hills and the prairies that surround us, and they’ll always be here.

Additional Information
96 pages | 5.50" x 8.00" | Paperback

A special abridged version of the award-winning book Orange Shirt Day: September 30th.

Orange Shirt Day, observed annually on September 30th, is also known as the National Day for Truth and Reconciliation. It is an official day to honour Residential School Survivors and their families, and to remember the children who did not come home. What was initially envisioned as a way to keep the conversations going about all aspects of Residential Schools in Williams Lake and the Cariboo Region of British Columbia, Canada, has now expanded into a movement across Turtle Island and beyond.

Orange Shirt Day: Every Child Matters aims to create champions who will walk a path of reconciliation and promote the message that 'Every Child Matters'. This version also explores a number of important topics including the historical, generational, and continual impacts of Residential Schools on Indigenous Peoples, the journey of the Orange Shirt Day movement, and how you can effectively participate in the National Day for Truth and Reconciliation. With end-of-chapter reflection questions and a series of student art submissions, readers are guided to explore how they, and others, view and participate in Residential School reconciliation.

Educator Information
Recommended for Young Adults (ages 10+)

This is an abridged version (condensed version) of Orange Shirt Day: September 30th.

This book is available in French: La journee du chandail orange: Chaque enfant compte

Additional Information
108 pages | 8.50" x 11.00" | Paperback

Orange Shirt Day, observed annually on September 30th, is also known as the National Day for Truth and Reconciliation. It is an official day to honour Residential School Survivors and their families, and to remember the children who did not come home. What was initially envisioned as a way to keep the conversations going about all aspects of Residential Schools in Williams Lake and the Cariboo Region of British Columbia, Canada, has now expanded into a movement across Turtle Island and beyond. Orange Shirt Day: September 30th aims to create champions who will walk a path of reconciliation and promote the message that 'Every Child Matters'. This award-winning book explores a number of important topics including the historical, generational, and continual impacts of Residential Schools on Indigenous Peoples, the journey of the Orange Shirt Day movement, and how you can effectively participate in the National Day for Truth and Reconciliation. With end of chapter reflection questions and a series of student art submissions, readers are guided to explore how they, and others, view and participate in Residential School reconciliation.

Awards

• 2021 First Nation Communities Read 2021 Winner 

Educator Information
Recommended Ages: 10+

Orange Shirt Day was inspired by the story of a survivor named Phyllis Webstad. When Phyllis was 6 years old she went to residential school for the first time wearing a brand new shiny orange shirt. When she arrived at the school her shirt was taken away and never to be seen again. To Phyllis the colour orange was a symbol that she did not matter. Today she has learned to accept the colour and even have fun with it and now the orange shirt has become a symbol of hope and reconciliation. By wearing an orange shirt on Orange Shirt Day, you make a powerful statement that residential schools were wrong and commit to the concept that EVERY CHILD MATTERS.

The Orange Shirt Society is a non-profit organization with its home in Williams Lake, BC where Orange Shirt Day began in 2013. The society has both Indigenous and non-Indigenous board members, and one of the editors of this book, Phyllis Webstad, is Indigenous.  Therefore, the Authentic Indigenous Text label has been applied. It is up to readers to determine if this book is authentic for their purposes.

This is the Revised 2023, 2nd Edition

Additional Information
156 pages | 8.23" x 11.06" | Revised, 2nd Edition

Throughout this beautiful hardcover book, readers will find Indigenous teachings as well as information on cultural heritage, sacred meanings, designs, legends and more. Raven has drawn inspiration from her Mi’kmaq identity, as well as from other Indigenous cultures. This book aims to celebrate the beauty and creativity of these cultures through the artistic medium of makeup.

Educator Information
Recommended by the publisher for Young Adults.

Additional Information
80 pages | 7.25" x 9.25" | Hardcover

Description of work from author: "This is a snapshot of how the Methodist Church of Canada upon invitation by Kitamaat’s Wahouksgamalayou (Charlie Amos). It is about the key players and their role: Wahouksgamalayou, Thomas Crosby and his Lax Kwala’ams catechists, George Raley, and the Women’s Missinay Society of the Methodist Church."

Educator Information
Senior secondary, Post-secondary, Indigenous history