Teen Books

In her powerful debut novel, Looking for Smoke, author K. A. Cobell (Blackfeet) weaves loss, betrayal, and complex characters into a thriller that will illuminate, surprise, and engage readers until the final word. A must-pick for readers who enjoy books by Angeline Boulley and Karen McManus!

When local girl Loren includes Mara in a traditional Blackfeet Giveaway to honor Loren’s missing sister, Mara thinks she’ll finally make some friends on the Blackfeet reservation.

Instead, a girl from the Giveaway, Samantha White Tail, is found murdered.

Because the four members of the Giveaway group were the last to see Samantha alive, each becomes a person of interest in the investigation. And all of them—Mara, Loren, Brody, and Eli—have a complicated history with Samantha.

Despite deep mistrust, the four must now take matters into their own hands and clear their names. Even though one of them may be the murderer.

Reviews
"A stunning debut, as beautiful as it is bold. Cobell has woven an aching examination of grief in an Indigenous community with a thriller brimming with so many secrets and twists, it’ll leave you breathless." — Diana Urban, award-winning author of All Your Twisted Secrets

"A gripping debut thriller with dynamic characters who leap off the page and demand to be heard."  — Jessica Goodman, New York Times bestselling author of The Counselors and The Legacies

"With a complex and beautifully drawn cast of characters and a world that comes to life in vivid color, Looking for Smoke will draw you deep into a mystery that's steeped in grief and shrouded in secrets. This is a story that moves with the relentless beat of the drums, and its echoes reverberate long after you've read the final page." — Ginny Myers Sain, New York Times bestselling author of Dark and Shallow Lies

"An absolute thrilling mystery, that's beautifully told! Looking For Smoke completely blew me away."  — Nick Brooks, author of Promise Boys

"Looking for Smoke opens a heartbreaking window onto the ongoing plague of Missing and Murdered Indigenous Women and Girls, exploring its real world costs. These unforgettable young characters give voice to this ever-growing trauma. Their stories will leave you with a richer understanding of what it means just to survive, as a young Indigenous person today.” — Eric Gansworth, author of Printz Honor Book Apple (Skin to the Core)

"A breathtaking debut thriller filled with raw emotions, life-like characters, and a vivid setting that centers on the all-too-real epidemic of Missing and Murdered Indigenous Women. KA Cobell is a talent to watch, and I can't wait to see what she does next." — Liz Lawson, New York Times bestselling author of the Agathas series and The Lucky Ones

Educator Information
Recommended for ages 13+

Additional Information
416 pages | 5.50" x 8.25" | Hardcover 

Iskwew Pithasew nitisithikason. My name is Lady of the Thunderbird, and this is my story.

It takes courage and bravery to survive in the barrens.

In 1944, thirteen-year-old Ilse Schweder got lost in a snowstorm while checking her family's trapline in northern Canada. This is the harrowing story of how a young Indigenous girl defies the odds and endures nine days alone in the unforgiving barrens. Ilse faces many challenges, including freezing temperatures, wild animals, snow blindness and frostbite. With no food or supplies, she relies on Traditional Indigenous Knowledge passed down from her family. Ilse uses her connection to the land and animals, wilderness skills and resilience to find her way home.

This powerful tale of survival is written by Ilse Schweder's granddaughter.

Reviews
“Colorful illustrations in classic comic-book style help readers explore the challenging landscape. An excellent choice for a book report and good addition to a children’s nonfiction collection.”- School Library Journal (SLJ), starred review

Educator Information
Recommended for ages 9 to 12.

Fountas & Pinnell Text Level Gradient: T 

Lexile measure: GN700L 

Guided Reading Level: T

Additional Information
96 pages | 6.00" x 9.00" | Paperback

“We should not have to change to fit into society the world should adapt to embrace our uniqueness.” -- Chief Stacey Laforme

Chief Stacey Laforme breathes life into every poem and story he shares, drawing from his own experiences. Rich with the essence of his soul, the poems in this book capture the moments and emotions that have shaped him. His desire is for readers to not just read, but to truly feel the humour and pain intertwined in these poems. Much like in Living in the Tall Grass, this latest poetry collection invites non-Indigenous people to see through the eyes of Indigenous people with topics of peace and humanity, as well as grief, trauma ... and hope.

Reviews
"Thought provoking, healing meditations. Giima Laforme writes from his perspective as a son, father, husband, community leader, but most of all as a human being. He invites us to walk with him, and to see the world as he sees it. Not only is this an invitation we should accept, but it is also a beautiful and generous gift." — Kevin Hearn, musician

"Chief Stacey Laforme writes with the motive of love, and poetry is his instrument. When considering the unmarked graves at residential schools, Chief Laforme’s poem ‘Debwewin—Truth’ freezes you with the line, “She felt the shovels enter her body.” But as you will see, there is always hope. Chief has both the scalpel and the suture. He cuts, then he cures." —Ron MacLean, broadcaster

Additional Information
160 pages | 8.50" x 5.50" | Paperback | 3 b&w illustrations 

From bestselling true-crime author Peter Edwards and Governor General's Award-winning playwright Kevin Loring, two sons of Lytton, BC, the town that burned to the ground in 2021, comes a meditation on hometown―when hometown is gone.

Before it made global headlines as the small town that burned down during a record-breaking heat wave in June 2021, while briefly the hottest place on Earth, Lytton, British Columbia, had a curious past. Named for the author of the infamous line, “It was a dark and stormy night,” Lytton was also where Peter Edwards, organized-crime journalist and author of seventeen non-fiction books, spent his childhood. Although only about 500 people lived in Lytton, Peter liked to joke that he was only the second-best writer to come from his tiny hometown. His grade-school classmate’s nephew Kevin Loring, Nlaka’pamux from Lytton First Nation, had grown up to be a Governor General's Award-winning playwright.

The Nlaka’pamux called Lytton “The Centre of the World,” a view Buddhists would share in the late twentieth century, as they set up a temple just outside town. In modern times, many outsiders would seek shelter there, often people who just didn’t fit anywhere else and were hoping for a little anonymity in the mountains. You’ll meet a whole cast of them in this book.

A gold rush in 1858 saw conflict with a wave of Californians come to a head with the Canyon War at the junction of the mighty Fraser and Thompson rivers, one that would have changed the map of what was soon to become Canada had the locals lost. The Nlaka’pamux lost over thirty lives in that conflict, as did the American gold seekers. A century later, Lytton hadn’t changed much. It was always a place where the troubles of the world seemed to land, even if very few people knew where it was.

This book is the story of Lytton, told from a shared perspective, of an Indigenous playwright and the journalist son of a settler doctor who quietly but sternly pushed back against the divisions that existed between populations (Dr. Edwards gladly took a lot of salmon as payment for his services back in the 1960s). Portrayed with all the warmth, humour and sincerity of small-town life, the colourful little town that burned to the ground could be every town’s warning if we don’t take seriously what this unique place has to teach us.

Additional Information
376 pages | 6.00" x 9.00" | Hardcover 

The boundary- and genre-bending non-fiction collection from the Giller-longlisted, GG-shortlisted and Canada Reads– winning author of Jonny Appleseed.

“The land and its elements are my aunties calling me home, into that centre point which is a nowhere, by which I mean a place that English has no words for, is an everywhere, is a bingo hall, is a fourth plane, is an ocean.”

Making Love with the Land is a startling, challenging, uncompromising look at what it means to live as an Indigenous person “in the rupture” between identities. In these ten unique, heart-piercing non-fiction pieces, award-winning writer Joshua Whitehead illuminates the com­plex moment we’re living through now, in which Indigenous and non-Indigenous peoples are navigating new and old ideas about “the land.” He asks: What is our relationship and responsi­bility towards it? And how has the land shaped ideas, histories, words, our very bodies?

Intellectually thrilling and emotionally captivat­ing, this book is a love song for the world—and for the library of stories to be found where body meets land, waiting to be unearthed and summoned into word.

Reviews
"[Making Love With the Land] defies categorization . . . mov[ing] between genres and languages in a series of essays that open up a whole new window on the meaning of Canadian literature.” —Maclean’s

“Joshua Whitehead is one of those rare writers: he can turn his hand to any form and make it his own. . . . Making Love with the Land is a series of essays with a fluidity, as you might expect from Whitehead, between form and subject.” —Toronto Star

“Defiantly artful . . . alert to so much of the beauty and theterror of the world . . . While reading, I was entirely overcomewith gratitude . . . A truly dazzling feat of heart, analysis,and sentence-making.” —Billy-Ray Belcourt, author of A History of My Brief Body

“In this essay collection, Joshua Whitehead pushes at the possibilities of form, and the results are consistently a mix of the revelatory and the sublime. A chiaroscuro of self-questioning directed inward as a way to go outward—affectionate, resolute, playful, and wise. Brilliant lessons learned are on offer here, but more as an invitation to re-experience what you might not know you know.” —Alexander Chee, author of How to Write an Autobiographical Novel: Essays

“In his latest “wonderwork,” Whitehead continues his signature and significant mission to undo colonial notions of genre, pushing the boundaries of memoir and cultural commentary into a wholly new, otherworldly terrain. Here, he makes love with body, kin, queerness, and music, demonstrating how making love isn’t just an act of pleasure, but also one of grief, pain and sometimes even solitude. A voice to listen to, learn from, cherish.” —Vivek Shraya, Author of People Change and I’m Afraid of Men

Additional Information
240 pages | 5.19" x 7.98" | Paperback

The third edition of the iconic collection Making Space for Indigenous Feminism features feminist, queer and two-spirit voices from across generations and locations.

Feminism has much to offer Indigenous women, and all Indigenous Peoples, in their struggles against oppression. Indigenous feminists in the first edition fought for feminism to be considered a valid and essential intellectual and activist position. The second edition animated Indigenous feminisms through real-world applications. This third edition, curated by award-wining scholar Gina Starblanket, reflects and celebrates Indigenous feminism’s intergenerational longevity through the changing landscape of anti-colonial struggle and theory. Diverse contributors examine Indigenous feminism’s ongoing relevance to contemporary contexts and debates, including queer and two-spirit approaches to decolonization, gendered and sexualized violence, storytelling and narrative, digital and land-based presence, Black and Indigenous relationalities and more. This book bridges generations of powerful Indigenous feminist thinking to demonstrate the movement’s cruciality for today.

Reviews
“This collection is all feast, no fluff. It covers foundational elements of Indigenous feminism with depth and breadth and engages issues of national and international importance with considerable insight. Due to its readability and smart use of theory, this book is eminently teachable. I haven't highlighted this much in a long time.”— Margaret Robinson, Canada Research Chair in Reconciliation, Gender, and Identity

“This volume offers a view of the development and expansion of Indigenous feminisms as theory and praxis, reaffirming the validity of our respective Indigenous epistemologies to guide us into the future.”— Jennifer Nez Denetdale (Diné), University of New Mexico

“Multiplying are the calls for transformative healing issued by Indigenous feminism which is, at its core, about Indigenous sovereignty, solidarity, and liberatory justice for all. The diverse and incisive essays in Making Space for Indigenous Feminism (3rd ed) expose ongoing cis-heteropatriarchal settler colonialism, anti-Indigenous racism, and the erasure of gender and sexual diversity (including by Indigenous people ourselves), and their impacts upon minds, bodies, lived experiences, and relationships. Resistance and hope abound in the re-centring of (queer) Indigenous feminist futurisms: world-building that honours the self-determination of Indigenous women, girls, Two-Spirit, and trans folks, and promotes wellbeing for all of Creation.”— Chantal Fiola, author and associate professor, University of Manitoba

“This third edition continues to fulfill the promise of the title to make space for feminist interventions in Canadian Indigenous studies. Each author is committed to relational ethics and transformative praxis in addressing the most pressing issues that create epistemic and material injustices. From the heart rendering an intimate state-of-the-field assessment from pillars in the field, the politics of gender, policy, and violence manifested in Canada currently, to its latter chapters that open up new spaces by continuing to press for just Indigenous futures, of which decentering binaries of gender and sexuality is necessary, we see the importance of Indigenous feminist theorizing and praxis. Confronting gendered violence, heterosexism, disciplinary regimes, and colonialism with honesty and truth telling, Making Space generously offers us new paths to materialize a decolonial world.”— Mishuana Goeman, author of Mark My Words and Settler Aesthetics: Visualizing the Spectacle of Originary Moments in The New World

“Making Space for Indigenous Feminism provides us with powerful voices emerging from and incorporating past, present, and future. Each chapter continues to make space for the power of Indigenous feminisms, as women, femme, Queer, LGBTQS+ and Mad think together in a powerful analysis of our now. This latest edition of a classic, newly edited by Gina Starblanket, includes Elders and youth and brings us back to why Indigenous feminisms are the embodied, lived and felt knowledges that will inform our struggles going forward.”— Dian Million, University of Washington, American IndianStudies

Educator Information
Table of Contents
Extending Our Accounts of Indigenous Feminism—Joyce Green and Gina Starblanket

Section I: Home | Identity | Legacies
- Always Coming Home: Indigenous Identity, Indigenous Feminism, Scholarship and Life—Joyce Green
- Why Am I a Feminist?—Emma LaRocque
- Settler Colonialism in Canada: Making “Indian” Women Disappear—Mary Eberts, Shelagh Day, Sharon McIvor

Section II: Institutions | Representation | Resistance
- Red Ticket Women: Revisiting the Political Contributions of the Indian Rights for Indian Women’s Movement—Gina Starblanket
- Perpetual State of Violence: An Indigenous Feminist Anti-Oppression Inquiry into Missing and Murdered Indigenous Women and Girls—Robyn Bourgeois
- Gender Reveals that Matter: Cis-Heteropatriarchy, Settler Colonialism, and Child Welfare—Megan Scribe

Section III: Land | Relationality | Love
- Towards an Anti-Colonial Feminist Care Ethic—Eva Jewell
- Our Movements Need some Love as Well: Indigenous Land Defense and Relationality—Isabel Altamirano-Jimenez
- Mana Wahine and Mothering at the Loʻi: A Two-Spirit/Queer Analysis—Hōkūlani K. Aikau

Section IV: Decoloniality | Movement | Futurities
- Decolonization is a Queer Desire: Poetics, Politics, Negativity—Billy-Ray Belcourt
- Mad Indigenous Womanhood and the Psycho-Politics of Settler Colonialism—Cara Peacock
- On Black and Indigenous Relationality: A Conversation—Gina Starblanket, Robyn Maynard, Leanne Betasamosake Simpson
- Decolonization is Also Metaphorical: Indigenous Feminist and Queer-Two-Spirit Storywork Matters—Kelly Aguirre

Additional Information
320 pages | 6.00" x 9.00" | Paperback

Uncover the Terrifying Intersection of History and Horror

Imagine a chilling horror collection that weaves classic monsters like werewolves and vampires with the true horrors of colonialism, domestic violence, and displacement. Man Made Monsters, by acclaimed Cherokee writer Andrea Rogers, delivers.

Follow a Cherokee family across centuries, from their ancestral lands in 1830s Georgia to the battlefields of World War I and Vietnam, and beyond. Each story offers a chilling glimpse into a different era, revealing how history's monsters intertwine with the supernatural.

Man Made Monsters is a powerful exploration of identity and the enduring legacy of colonization. Rogers masterfully blends Cherokee legends with chilling horror, creating unforgettable characters and monsters.

Each story is accompanied by haunting illustrations from Cherokee artist Jeff Edwards, incorporating the Cherokee syllabary for a truly immersive experience.

Don't miss out on this masterpiece! Man Made Monsters will stay with you long after the last page.

Reviews
“Man Made Monsters is a brilliant and expansive journey across time, seen through a Cherokee lens, written by the brilliant and essential voice of Andrea Rogers. This collection is full to the brim with voice and breadth, including but not limited to magic, horror, and fantasy. The book is fun, funny, and dead-serious. It is beautifully written, and it is full of monsters.” - Tommy Orange

"Although each of Cherokee author Rogers’ stories could stand alone (and versions of some were previously published individually), placing them in chronological order and thus in dialogue with each other results in a thematically richer read and allows readers the delight of tracing the family trees in the frontmatter to situate the characters in relation to other protagonists. " - Kirkus Reviews

Educator Information
Recommended for ages 12 to 18 by the publisher.

Additional Information
336 pages | 6.02" x 9.00" | Paperback 

Reclaiming crops and culture on Turtle Island

Manomin, more commonly known by its English misnomer "wild rice," is the only cereal grain native to Turtle Island (North America). Long central to Indigenous societies and diets, this complex carbohydrate is seen by the Anishinaabeg as a gift from Creator, a "spirit berry" that has allowed the Nation to flourish for generations. Manomin: Caring for Ecosystems and Each Other offers a community-engaged analysis of the under-studied grain, weaving together the voices of scholars, chefs, harvesters, engineers, poets, and artists to share the plant's many lessons about the living relationships between all forms of creation.

Grounded in Indigenous methodologies and rendered in full colour, Manomin reveals and examines our interconnectedness through a variety of disciplines-history, food studies, ethnobotany, ecology-and forms of expression, including recipes, stories, and photos. A powerful contribution to conversations on Indigenous food security and food sovereignty, the collection explores historic uses of Manomin, contemporary challenges to Indigenous aquaculture, and future possibilities for restoring the sacred crop as a staple.

In our time of ecological crisis, Manomin teaches us how to live well in the world, sustaining our relations with each other, our food, and our waterways.

Reviews
"This book is absolutely amazing and one of the most original collections that I have read in many years. Intended for everyone who inhabits Turtle Island-Indigenous and settler alike-Manomin encourages readers to develop deeper relationships and understandings by listening to Elders and the land. I believe Manomin will transform Indigenous scholarship." — Michael Dockry, University of Minnesota

"Manomin teaches us much; how to observe, the need for biodiversity, and the understanding that there will be rice somewhere else, on different years, based on water levels. Manomin has provided food during the harshest of times. We were told that we should care for our water and there would be rice. There are lakes where Manomin has been drowned by the state and provincial authorities, raising water levels for recreational boats. For many years the Mille Lacs band of Anishinaabe tried to get the water levels corrected for the rice to flourish on Onamia and Omeme Lakes. At one of those lakes, the water levels went down in a drought, and the Manomin returned, seventeen years later. At another lake it was fifty years later. The Manomin returned when the conditions were right. That reminds us, like this book, of the resilience of seeds, the resilience of life, and our agreement to care for all. This book is a blessing of teachings and acknowledgment for the great gift of Manomin." — Winona LaDuke, To Be a Water Protector: Rise of the Wiindigoo Slayers

Educator Information
Topics: Environmental Studies, History, Indigenous Studies, Decolonization, Agriculture and Food, Ethnobotany, History, Food Studies.

Table of Contents
List of Illustrations

A Note on Language by Brittany Luby and Margaret Lehman

Introduction by Brittany Luby, Samantha Mehltretter, and Margaret Lehman with Niisaachewan Anishinaabe Nation

Ch.1 Manitou Gitaggan, the Great Spirit’s Garden by Kezhii’aanakwat Ron Kelly, Giizhiigokwe Sandra Indian, Patees Dorothy Copenace, and Kathi Avery Kinew

Ch.2 Migration by Edward Benton-Banai

Ch.3 Seeds and Soils by Victoria Jackson

Manomin and Bergamot by Sean Sherman

Ch.4 Manomin as Teacher by Brittany Luby with Niisaachewan Anishinaabe Nation

Images from Anishinaabe-Aki: Harvest

Ch.5 Relational Vocabularies by Joseph Pitawanakwat

Manomin, Berries, and Love by Michelle Johnson-Jennings, PhD

Ch.6 Environmental Change, Environmental Care by Samantha Mehltretter and Andrea Bradford with Niisaachewan Anishinaabe Nation

Images from Anishinaabe-Aki: The Seasons by Andrea Bradford

Ch.7 Disconnection by Hannah Tait Neufeld

Manomin and Mushrooms by Shane Chartrand

Ch.8 Treaty and Mushkiki by Jana-Rae Yerxa and Pikanagegaabo, William Yerxa

Ch.9 Promise by Kristi Leora Gansworth

Epilogue by Andrea Bradford and Brittany Luby

Appendix 1: A Recipe for Corn Soup

Appendix 2: A Note on Indigenous Language Rights

Glossary by Jane Mariotti

Contributors

Notes

Selected Bibliography

Additional Information
240 pages | 6.00" x 8.50" | 40 colour illustrations, 2 maps, index, bibliography | Paperback 

Mark Kalluak was a respected community leader and Inuktitut specialist who was passionate about sharing Inuit culture. This book is a compilation of Kalluak’s works on traditional Inuit stories and beliefs from his home community of Arviat, Nunavut. These tales and cultural outlooks were thoughtfully collected, written in Inuktitut and English, and illustrated by Kalluak. From the origins of darkness and light, to cautionary tales of how to treat others, to explanations of taboos, this book is a noteworthy collection of traditional Inuit stories and beliefs.

Additional Information
216 pages | 8.00" x 10.00" | Hardcover

The stunning conclusion to the Ouroboros series, a contemporary fantasy duology in which a teen, Gem, finds out they’re a reincarnated god from another world.

That day at the First Church of Gracie changed everything for Gem Echols, and not just because Marian and Poppy betrayed them. Forced to use the Ouroboros knife on Zephyr, who had kidnapped their parents, Gem now has the power of the God of Air.

While for any other god things might work out okay, the Magician—whose role within the pantheon is to keep the balance—having the power of another god has thrown everything into chaos. The Goddess of Death can now reanimate corpses; the God of Art’s powers are now corrupted and twisted, giving life to his macabre creations; and, while the God of Land has always been able to communicate with creatures of the Earth, now everyone can hear their cries.

As Gem, Rory, and Enzo search for a way to restore the balance without sacrificing themselves, new horrors make them question how far they're willing to go. In the end, Gem may be forced to fully embrace their merciless nature and kill off their own humanity—if it ever really existed in the first place.

Educator & Series Information
Recommended for ages 14 to 19.

This book is the second in the YA contemporary fantasy duology The Ouroboros.

Additional Information
400 pages | 5.38" x 8.25" | Hardcover

Explores the integral roles that Métis women assumed to ensure the survival of their communities during the fur trade era and onward

Métis Matriarchs examines the roles of prominent Métis women from across Western Canada from the late 19th to the mid-20th century, providing a rare glimpse into the everyday lives of these remarkable women who were recognized as Matriarchs and respected for their knowledge, expertise, and authority within their families and communities.

This edited collection provides an opportunity to learn about the significant contributions made by Métis women during a transitional period in Western Canadian history as the fur trade gave way to a more sedentary, industrialized, and agrarian economy. Challenging how we think about Western Canadian settlement processes that removed Indigenous peoples from the land, this collection of stories examines the ways Métis matriarchs responded to colonial and settler colonial interventions into their lives and livelihoods and ultimately ensured the cultural survival of their communities.

Awards

• 2025 Canadian Historical Association Indigenous History Book Prize

Reviews
“A nuanced account of the lives of Métis women and their vital roles as they helped guide their families and communities through generations of transitions.” —Michel Hogue, author of Metis and the Medicine Line

Additional Information
336 pages | 5.00" x 8.00"| Paperback

The interwoven destinies of the people of Meridian will finally be determined in this stunning conclusion to New York Times bestselling author Rebecca Roanhorse’s Between Earth and Sky trilogy.

Even the sea cannot stay calm before the storm. —Teek saying

Serapio, avatar of the Crow God Reborn and the newly crowned Carrion King, rules Tova. But his enemies gather both on distant shores and within his own city as the matrons of the clans scheme to destroy him. And deep in the alleys of the Maw, a new prophecy is whispered, this one from the Coyote God. It promises Serapio certain doom if its terrible dictates are not fulfilled.

Meanwhile, Xiala is thrust back amongst her people as war comes first to the island of Teek. With their way of life and their magic under threat, she is their last best hope. But the sea won’t talk to her the way it used to, and doubts riddle her mind. She will have to sacrifice the things that matter most to unleash her powers and become the queen they were promised.

And in the far northern wastelands, Naranpa, avatar of the Sun God, seeks a way to save Tova from the visions of fire that engulf her dreams. But another presence has begun stalking her nightmares, and the Jaguar God is on the hunt.

Nominated for the Nebula, Lambda, Locus, and Hugo Awards, winner of the Alex Award from the American Library Association and the Ignyte Award from Fiyah magazine, the Between Earth and Sky trilogy is amongst our most lauded modern fantasy series from The New York Times, Los Angeles Times, and USA TODAY bestselling author Rebecca Roanhorse.

Reviews
“Rebecca Roanhorse… [is one] of the Indigenous novelists reshaping North American science fiction, horror and fantasy — genres in which Native writers have long been overlooked.”— The New York Times

Educator & Series Information
This is the third book in the Between Earth and Sky Series.

Additional Information
608 pages | 6.00" x 9.00" | Hardcover

An intergenerational source of wisdom and knowledge, Mitji combines a cultural history of Mi'kmaw cuisine with a practical cookbook.

The welcome call of "Mitji" can be heard by Mi'kmaw children, hungry workers, family, and friends when dinner is ready. This book, too, is an invitation to celebrate and practice Mi'kmaq foodways: the recipes passed down from one generation to the next; the way traditional foods and medicines are gathered, hunted, and cooked; and the lived experience of ancestors and Elders about how to nourish the spirit and body through Mi'kmaw culture and knowledge.

Mitji – Let's Eat! Mi'kmaq Recipes from Sikniktuk offers over 30 traditional and popular Mi'kmaq recipes, arranged seasonally — like Fish Cakes and Eel Stew in spring; Blueberry "Poor Man's Cake" and Stuffed Salmon in summer; Swiss Steak with Moose Meat and Apple Pie in fall; and Molasses Cake and Wiusey Petaqn in winter.

Each recipe is contextualized with its origins, contributor information, food stories, and detailed preparation instructions, and throughout the book are short essays on Mi'kmaw cuisine, drawing a picture of how Mi'kmaq foodways were influenced by colonization, on the one hand, and how food became and remains a significant vehicle of resistance, on the other. Whether a novice or well-seasoned cook, Mitji is a feast for the reader: a bountiful introduction to, and celebration of, Mi'kmaw cuisine.

Educator Information
Subjects & Curriculum Links: Indigenous Cooking, Seasons, Indigenous History, Mi'kmaw Culture and Cuisine

This book has received the Authentic Indigenous Text label because of the Indigenous contributions to this work. It is up to readers to determine if it's an authentic resource for their purposes.

Additional Information
240 pages | 7.50" x 9.25" | Photos by Patricia Bourque, 50+ Coloured Images 

Tom Wilson Tehoháhake is a modern Mohawk artist, Juno Award winner, best-selling author, and newly appointed member of the Order of Canada. In his 2017 memoir, Beautiful Scars, Wilson revealed the astonishing story of how he discovered he is Mohawk. In Mohawk Warriors, Hunters & Chiefs, Wilson further explores his identity through a stunning collection of paintings that explore what it means to be removed and reconnected with your cultural heritage.

Featuring over 35 full-colour images of Wilson’s work, from guitars decorated with iconography drawn from beadwork to multimedia reflections on his upbringing in Hamilton, Mohawk Warriors, Hunters & Chiefs explores how Wilson began painting when all he knew of his identity were hints and dreams, and how his art has developed and grown over the past few years. An interview on his artistic process with Ryan McMahon and essays by Wilson and curator David Liss round out Wilson’s stunning visual exploration of his Mohawk identity.

Additional Information
88 pages | 9.00" x 10.00" | Colour Images | Hardcover 

A sweet novel about facing your fears.

It’s nothing short of a catastrophe when someone secretly signs up Belinda Houle, the school’s shyest kid, to audition for a play.

Belinda turns to Sally—her unflappable best friend and resident witch—for help. Belinda doesn’t believe in magic, but if Sally says she has a spell for confidence...well, it couldn’t hurt to try it. Could it?

What follows the spell is a series of disasters so disastrous they would have been funny—if only they weren’t happening to Belinda! From eating dog food, to losing her hair in a straightening mishap, to wrecking a mural and ending up with globs of paint on her head, things get worse and worse for Belinda until she must face the facts: One piece of bad luck can be explained away, but this? This is a straight-up curse!

Can she break the curse before the dreamy Ricky Daniels takes notice of her crooked wig?

More importantly, can Belinda battle the very thing she hoped the spell would take away: her embarrassment?

Educator Information 
Recommended for ages 8 to 12.

Many of the moments in this book are based on the author's own experiences.

Additional Information
320 pages | 5.50" x 8.25" | Hardcover