Novels

With four starred reviews, Angeline Boulley's debut novel, Firekeeper's Daughter, is a groundbreaking YA thriller about a Native teen who must root out the corruption in her community, perfect for readers of Angie Thomas and Tommy Orange.

Eighteen-year-old Daunis Fontaine has never quite fit in, both in her hometown and on the nearby Ojibwe reservation. She dreams of a fresh start at college, but when family tragedy strikes, Daunis puts her future on hold to look after her fragile mother. The only bright spot is meeting Jamie, the charming new recruit on her brother Levi’s hockey team.

Yet even as Daunis falls for Jamie, she senses the dashing hockey star is hiding something. Everything comes to light when Daunis witnesses a shocking murder, thrusting her into an FBI investigation of a lethal new drug.

Reluctantly, Daunis agrees to go undercover, drawing on her knowledge of chemistry and Ojibwe traditional medicine to track down the source. But the search for truth is more complicated than Daunis imagined, exposing secrets and old scars. At the same time, she grows concerned with an investigation that seems more focused on punishing the offenders than protecting the victims.

Now, as the deceptions—and deaths—keep growing, Daunis must learn what it means to be a strong Anishinaabe kwe (Ojibwe woman) and how far she’ll go for her community, even if it tears apart the only world she’s ever known.

Awards

• 2021 Goodreads Choice Awards winner
• 2022 YALSA William C. Morris finalist winner

Reviews
"Firekeeper's Daughter is a gripping and unforgettable story of family, community and identity told through the eyes of a protagonist so powerfully realized on the page, you'll swear you can hear her heart beat. Daunis Fontaine is a force to be reckoned with—and so is Angeline Boulley. This is one bold, uncompromising and elegantly crafted debut." —Courtney Summers, New York Times-bestselling author of Sadie

"Intricate and moving. Boulley takes the reader on an incredible journey with the assurance of a veteran novelist." —Tochi Onyebuchi, award-winning author of Beasts Made of Night and Riot Baby

“A rare and mesmerizing work that blends the power of a vibrant tradition with the aches and energy of today’s America. This book will leave you breathless!” —Francisco X. Stork, acclaimed author of Marcelo in the Real World and Illegal

Educator Information
Recommended for ages 14 to 18.

This book is available in French: Une dose de rage

If you enjoyed this book, you can return to Sugar Island in Warrior Girl Unearthed.

Additional Information
512 pages | 5.77" x 8.27" | Paperback 

Godly Heathens is the first book in H.E. Edgmon's YA contemporary fantasy duology The Ouroboros, in which a teen, Gem, finds out they’re a reincarnated god from another world.

Maybe I have always just been bad at being human because I’m not one.

Gem Echols is a nonbinary Seminole teen living in the tiny town of Gracie, Georgia. Known for being their peers’ queer awakening, Gem leans hard on charm to disguise the anxious mess they are beneath. The only person privy to their authentic self is another trans kid, Enzo, who’s a thousand long, painful miles away in Brooklyn.

But even Enzo doesn’t know about Gem’s dreams, haunting visions of magic and violence that have always felt too real. So how the hell does Willa Mae Hardy? The strange new girl in town acts like she and Gem are old companions, and seems to know things about them they’ve never told anyone else.

When Gem is attacked by a stranger claiming to be the Goddess of Death, Willa Mae saves their life and finally offers some answers. She and Gem are reincarnated gods who’ve known and loved each other across lifetimes. But Gem – or at least who Gem used to be - hasn’t always been the most benevolent deity. They’ve made a lot of enemies in the pantheon—enemies who, like the Goddess of Death, will keep coming.

It’s a good thing they’ve still got Enzo. But as worlds collide and the past catches up with the present, Gem will discover that everyone has something to hide.

Reviews
"Sharp as a blade, twice as vicious, and an outstretched hand all at once; a reminder to messy, angry kids that they can find their power no matter what they must do to survive. Absolutely unhinged and utterly unforgettable." - Andrew Joseph White, New York Times bestselling author of Hell Followed with Us

"This is the kind of book that changes young lives. The kind readers will force into their friends' hands and shout, 'Read this now!'. The kind where readers will fall in love with every character who is messy and sexy and terrible in their own way. The worldbuilding is fun and creative, the twists are satisfying, and it is super queer in the best way. There is plenty here to love. If only all the villain stories in YA could be this good!" - Rebecca Roanhorse, New York Times bestselling author of Black Sun

“Vile, nasty, ill-behaved queerness—and I LOVED it. Godly Heathens takes the evil stereotype of queers as monsters—particularly ones in trans bodies—and embraces monstrosity with power and agency. A country-fried horror extravaganza you cannot miss!” - Adam Sass, award-winning author of Surrender Your Sons and The 99 Boyfriends of Micah Summers

"Godly Heathens is as whip-smart as it is delightfully unhinged, oscillating between heart-pounding action, laugh-out-loud humor, and poignant discussions of identity. Paired with its baked-in layers of queer teen messiness, it's safe to say this series is off to an explosive start. Edgmon does not miss." - Kayla Cottingham, New York Times bestselling author of My Dearest Darkest

Educator & Series Information
Recommended for ages 14 to 19.

This book is the first in the YA contemporary fantasy duology The Ouroboros.

Subjects / Themes: Romance, LGBTQ+, Nonbinary, Seminole, Fantasy, Contemporary 

Additional Information
400 pages | 5.38" x 8.25" | Hardcover 

After the death of her estranged father, artist Rita struggles with grief and regret. There was so much she wanted to ask him – about his childhood, their family, and the Mi'kmaq language and culture from which Rita feels disconnected. But when Rita's girlfriend Molly forges an artist's residency application on her behalf, winning Rita a week to paint at an isolated cabin, Rita is both furious and intrigued. The residency is located where her father grew up.

On the first night at the cabin, Rita wakes to strange sounds. Was that a body being dragged through the woods? When she questions the locals about the cabin's history, they are suspicious and unhelpful. Ignoring her unease, Rita gives in to dark visions that emanate from the forest's lake and the surrounding swamp. She feels its pull, channelling that energy into art like she's never painted before. But the uncanny visions become more insistent, more intrusive, and Rita discovers that in the swamp's decay the end of one life is sometimes the beginning of another.

Reviews
"Green Fuse Burning is an impressively vigorous fiction debut from a truly dynamic storyteller. Tiffany Morris has laid out a concise and creepy tale that mesmerizes as it weaves through several realms, from the tangible to the spiritual. I was captivated by the looming mystery and the striking imagery that carried me like a current to the story's monumental resolution. This book is a must-read in new speculative fiction!" - Waubgeshig Rice, author of Moon of the Turning Leaves

"Morris quietly dazzles and disquiets in this weird horror novella . . . Poetic and grotesque imagery drives the novella's horror, with fluid narration fostering a sense of disconnect and dread . . . This is a subtle and refreshing twist on the cabin in the woods trope." - Publishers Weekly starred review

"A verdant alienation seeps through every page as Morris reimagines the possibilities of decay, a desperate isolation scouring the mind to reveal a torrid, seething strangeness beneath, the inevitable reckoning gathering its strength below the calm surface of the pond." - Andrew F. Sullivan, author of The Marigold and The Handyman Method

Additional Information
112 pages | 6.12" x 9.03" | Paperback

NSK Neustadt Laureate and New York Times best-selling author Cynthia Leitich Smith delivers a thrilling cross-genre follow-up to the acclaimed Hearts Unbroken.

Deftly leading readers to the literary crossroads of contemporary realism and haunting mystery, Cynthia Leitich Smith revisits the world of her American Indian Youth Literature Award winner Hearts Unbroken. Halloween is near, and Hughie Wolfe is volunteering at a new rural attraction: Harvest House. He’s excited to take part in the fun, spooky show—until he learns that an actor playing the vengeful spirit of an “Indian maiden,” a ghost inspired by local legend, will headline. Folklore aside, unusual things have been happening at night at the crossroads near Harvest House. A creepy man is stalking teenage girls and young women, particularly Indigenous women; dogs are fretful and on edge; and wild animals are behaving strangely. While Hughie weighs how and when to speak up about the bigoted legend, he and his friends begin to investigate the crossroads and whether it might be haunted after all. As Moon rises on All Hallow’s Eve, will they be able to protect themselves and their community? Gripping and evocative, Harvest House showcases a versatile storyteller at her spooky, unsettling best.

Reviews
"Using short, propulsive chapters, Smith (Hearts Unbroken), a member of the Muscogee Nation, intertwines thoughtful conversation surrounding the racism faced by Indigenous teenagers with a convincing ghost story to craft a spine-tingling, edge-of-the-seat chiller." —Publishers Weekly (starred review)

"Part coming-of-age tale, part social justice story, and part paranormal thriller. . . . Smith knows what appeals to teens and what makes them tick, and so includes plenty of current teen slang and occasional curse words to keep this story relevant and engaging for them. This is one heckuva roller coaster ride that ratchets up the tension the closer the story comes to Halloween."—School Library Connection (starred review)

"Smith’s companion novel to Hearts Unbroken (2018) is well-paced and suspenseful, raising thoughtful questions about the intersections of urban legend, cultural trauma, and genre tropes."—Booklist

"Superbly highlights and discusses key topics facing contemporary Indigenous youths, including redface and the plights of missing and murdered Indigenous women and two-spirit people. Hughie’s encounters with different types of racism are recognizably authentic, handled with delicacy and distinct realism. . . . An atmospheric novel compellingly interweaving chills and contemporary themes."—Kirkus Reviews

Additional Information
320 pages | 5.81" x 8.56" | Hardcover 

Upon learning his great-uncle Alfred has suffered a stroke, Richard sets out for Ste. Anne, in southeastern Manitoba, to find his father and tell him the news. Waylaid by memories of his stalled romance, tales of run-ins with local Mennonites, his job working a honey wagon, and struck by visions of Métis history and secrets of his family's past, Richard confronts his desires to leave town, even as he learns to embrace his heritage.

Evoking an oral storytelling epic that weaves together one family's complex history, Hold Your Tongue asks what it means to be Métis and francophone. Recalling the work of Katherena Vermette and Joshua Whitehead, Matthew Tétreault's debut novel shines with a poignant, but playful character-driven meditation on the struggles of holding onto "la langue," and marks the emergence of an important new voice.

Reviews
"Inspired by deep knowledge of his French-Métis homeland, Matthew Tétreault has given us a rich, beautifully written novel. In this story you'll meet unforgettable characters who "sprang from the soil." This intricate yarn is an evocative detective story, a search for the first betrayals and deviations, a glorious patchwork of vision and memory, buoyed by love as tough and vulnerable as the land that nurtured it. The past is palpable, vibrant in these pages, full of promise, like 'seedlings.'"--Margaret Sweatman, author of The Gunsmith's Daughter

"The wonderful thing about Hold Your Tongue is that it definitely does not hold its tongue. English, French, and Michif gallop across its pages, mingling and colliding like the fractious history of the Canadian West echoing into the present. What James Joyce did for the voices of the Irish Matthew Tétreault has done for those of his own people. This earthy, wise, big-hearted novel about a Métis community's tangled past and uncertain future shouts, gossips, mourns, jokes, confesses, and sings. Before you reach the end you'll be singing along with it."--Thomas Wharton, award-winning author of Icefields and The Book of Rain

"Witty, down-to-earth, and yet transformative, Matt Tétreault's Hold Your Tongue sets a new benchmark for literature in Canada, folding in francophone and Métis voice and culture and navigating the tensions of family, history, self, and place. Marked both by verisimilitude and contemplation, Hold Your Tongue is a journey through the geography of identity that emerges speaking with a fresh, assured voice."--Conrad Scott, author of Water Immersion

"With cutting language, Matthew Tétreault weaves a narrative that runs us through history and love of land while simultaneously questioning a modern prairie existence. His distinctive voice brings a reader along with the narrator as he navigates the passing of his great-uncle Alfred and, with that, the loss of generations worth of knowledge. At the same time, the narrator questions a future and what it really means to lose the land you love, the question of leaving, and what coming back home really looks like. From brawls with the neighbouring small towns to being buried in your favourite camo ball cap to figuring out a future that may never really exist, this is a read that will keep you sucked into the pages like a hose pumping out the honey bucket."--Conor Kerr, author of Avenue of Champions

Additional Information
272 pages | 5.50" x 8.50" | Paperback

We live in a hopeless old house on an almost-deserted dead-end street in a middle-of-nowhere town named Hope. This is the oldest part of Hope; eventually it will all be torn down and rebuilt into perfect homes for perfect people. Until then, we live here: imperfect people on an imperfect street that everyone forgets about.

For Eva Brown, life feels lonely and small. Her mother, Shirley, drinks and yells all the time. She’s the target of the popular mean girl, and her only friend doesn’t want to talk to her anymore. All of it would be unbearable if it weren’t for her cat, Toofie, her beloved nohkum, and her writing, which no one will ever see.

When Nohkum is hospitalized, Shirley struggles to keep things together for Eva and her younger brother, Marcus. After Marcus is found wandering the neighbourhood alone, he is sent to live with a foster family, and Eva finds herself in a group home.

Furious at her mother, Eva struggles to adjust—and being reunited with her family seems less and less likely. During a visit to the hospital, Nohkum gives Eva Shirley’s diary. Will the truths it holds help Eva understand her mother?

Heartbreaking and humorous, Hopeless in Hope is a compelling story of family and forgiveness.

Reviews

Educator Information
Recommended for ages 12+

Additional Information
216 pages | 5.50" x 8.25" | Paperback

In the Remixed Classics series, authors from marginalized backgrounds reinterpret classic works through their own cultural lens to subvert the overwhelming cishet, white, and male canon. This queer YA reimagining of The Secret Garden subverts the cishet and white status quo of the original in a tale of family secrets wonderful and horrifying.

Mary Lennox didn’t think about death until the day it knocked politely on her bedroom door and invited itself in. When a terrible accident leaves her orphaned at fifteen, she is sent to the wilderness of the Georgian Bay to live with an uncle she's never met.

At first the impassive, calculating girl believes this new manor will be just like the one she left in Toronto: cold, isolating, and anything but cheerful, where staff is treated as staff and never like family. But as she slowly allows her heart to open like the first blooms of spring, Mary comes to find that this strange place and its strange people—most of whom are Indigenous—may be what she can finally call home.

Then one night Mary discovers Olive, her cousin who has been hidden away in an attic room for years due to a "nervous condition." The girls become fast friends, and Mary wonders why this big-hearted girl is being kept out of sight and fed medicine that only makes her feel sicker. When Olive's domineering stepmother returns to the manor, it soon becomes clear that something sinister is going on.

With the help of a charming, intoxicatingly vivacious Metis girl named Sophie, Mary begins digging further into family secrets both wonderful and horrifying to figure out how to free Olive. And some of the answers may lie within the walls of a hidden, overgrown and long-forgotten garden the girls stumble upon while wandering the wilds...

Reviews
"Racism, colonization, and a love of nature are central themes gracefully woven into the story. An aching and emotionally immersive queer romance, unhampered by homophobia, unfolds through lush imagery blended with poignant and elegant prose. A rich and verdant revival of a classic." —Kirkus Reviews, starred review

Educator & Series Information
This book is recommended for ages 13 to 18.

This book is part of the Remixed Classics series.

Additional Information
288 pages | 5.38" x 8.25" | Hardcover

A fierce voice longs to break free. A spark ignites inside fourteen-year-old Iz Beaufort when she hears school music group Manifesto perform. Even though she hasn’t written a song since That Place, she recognizes herself in the moving performance and longs to be part of the group, certain that they might actually understand her. But Manifesto is based at the prestigious Métier School, and Iz has bounced through twenty-six foster homes. Plus, there’s no way Dominion Children’s Care would ever send a foster kid to a private school when a public option is available. So Iz does what any passionate, broken, off-the-chart wunderkind might and takes matters into her own hands. Iz fakes her way in only to face a new set of challenges: tuition fees, tough classwork, and new classmates she can’t immediately identify as friends or foes. And if she can’t handle all this while keeping how she got into Métier a secret, she could get kicked out of both school and her current home. But a life with music—a life where Iz gets to have a voice—might be worth risking everything.

Reviews
"A compassionate, character-driven story that will particularly resonate with music lovers." - Kirkus

Educator Information
Recommended for ages 12 to 18.

Additional Information
230 pages | 9.00" x 6.00" | Paperback

With gorgeous imagery, visual artist Michael Nicoll Yahgulanaas brings to life the tumultuous history of first contact between Europeans and Indigenous peoples and the early colonization by the Europeans of the northern West Coast.

Yahgulanaas uses a blend of traditional and modern art, eschewing the traditional boxes of comic books for the flowing shapes of North Pacific iconography. The panels are filled with colourful and expressive watercolour paintings. The panels of each page, if removed and assembled into one whole image, form a large image reminiscent of a woven robe.

The story follows several historical figures, including Johan Adrian Jacobsen (JAJ), who comes to the Haida village of Masset to collect specimens for a German museum, through a time span that includes first contact, the devastation of the smallpox epidemic, and the mass resettlement of disenfranchised peoples, both Indigenous and European.

Reviews
“This book is a necessary tale told by the perfect voice at the right time. It also uses graphic imagery in a way I've not seen before, and it feels ground-breaking.” — Douglas Coupland

Additional Information
132 pages | 8.00" x 10.00" | Hardcover

A multi-generational story of loss, war, community, survival, perseverance, and renewal.

Joe Pete and her cousin Simon will find more than they anticipated buried beneath the snow as they search for her missing father. Their journey will unlock the ancestors and spirits embedded in the present who call back to a past marked by war and kinship, by conflict and wisdom that continue to contour their trajectory towards the future.

Additional Information
300 pages | 5.50" x 8.50" | Paperback 

A Quebec bestseller based on the life of Michel Jean's great-grandmother that delivers an empathetic portrait of drastic change in an Innu community.

Kukum recounts the story of Almanda Siméon, an orphan raised by her aunt and uncle, who falls in love with a young Innu man despite their cultural differences and goes on to share her life with the Pekuakami Innu community. They accept her as one of their own: Almanda learns their language, how to live a nomadic existence, and begins to break down the barriers imposed on Indigenous women. Unfolding over the course of a century, the novel details the end of traditional ways of life for the Innu, as Almanda and her family face the loss of their land and confinement to reserves, and the enduring violence of residential schools.

Kukum intimately expresses the importance of Innu ancestral values and the need for freedom nomadic peoples feel to this day.

Educator Information
Translated by Susan Ouriou.

Additional Information
224 pages | 5.50" x 8.50" | Paperback

Hopeful, irreverent, and deeply moving, Winona LaDuke’s Last Standing Woman chronicles the stories and struggles of an Anishinaabe community across seven generations.

Born at the turn of the 21st century, The Storyteller, also known as Ishkwegaabawiikwe (Last Standing Woman), carries her people’s past within her memories. The White Earth Anishinaabe people have lived on the same land since time immemorial. Among the towering white pines and rolling hills, each generation is born, lives out their lives, and is buried.

The arrival of European missionaries changes the community forever. Piece by piece, government policies rob the people of their land. Missionaries and Indian agents work to outlaw ceremonies the Anishinaabeg have practised for centuries. Grave-robbing anthropologists dig up ancestors and whisk them away to museums as artifacts. Logging operations destroy traditional sources of food, pushing the White Earth people to the brink of starvation.

Battling addiction, violence, and corruption, each member of White Earth must find their own path of resistance as they struggle to reclaim stewardship of their land, bring their ancestors home, and stay connected to their culture and to each other.

In this highly anticipated 25th anniversary edition of her debut novel, Winona LaDuke weaves a nonlinear narrative of struggle and triumph, resistance and resilience, spanning seven generations from the 1800s to the early 2000s.

Reviews
"Humor and compassion are ever present, and at its best, Last Standing Woman is a dignified and powerful retelling of one reservation's struggle for survival."— Booklist, quote from review of previous edition

"Rooted in LaDuke's own Anishinaabe heritage, the novel skillfully intertwines social history, oral myth and character study in ways reminiscent of Leslie Marmon Silko and Louise Erdrich." — Publishers Weekly, quote from review of previous edition

"LaDuke's characters are as vital and fully realized as any in a Louise Erdrich novel...Recommended for both public and academic libraries." — Library Journal, quote from review of previous edition

"The Anishinaabe culture leaps off the page and you can practically smell the fry bread cooking on the stove and hear the drums beating in the distance."— Book Snob, quote from review of previous edition

Additional Information
360 pages | 5.50" x 8.50" | Paperback | 25th Anniversary Edition

“Some children are born into the world and are home as soon as they come Earthside. Others spend their lifetimes searching for a home, a place to belong, a place where they are safe. I am one of those children.”

After running away from residential school, Bernard Andreason and his two best friends begin a harrowing 130-kilometre journey from Inuvik to Tuktoyaktuk, one which only Bernard would survive. In this heartbreaking and beautifully told graphic memoir, Bernard recounts his time in residential school and the tragic journey that took the lives of his two best friends. We then follow Bernard as he returns home, haunted by his past and struggling to find his place. Despite enduring more challenges into adulthood, Bernard never stops pursuing healing and higher learning, and he finds a support network that helps him. His story shows us that the possibility of finding a safe and loving home exists, and it is something every child deserves.

Mangilaluk is an extraordinarily affecting new addition to Qinuisaarniq ("resiliency"), a collection of books created to educate readers about the history and impacts of residential schools.

Educator Information
Recommended for ages 14 to 18.

Mangilaluk exposes readers to the experience and perspective of an Inuk residential school survivor. It also shares a powerful story of friendship, personal growth and self-forgiveness, and the value of finding a supportive community.

This book is part of the Qinuisaarniq program. Qinuisaarniq (“resiliency”) is a program created to educate Nunavummiut and all Canadians about the history and impacts of residential schools, policies of assimilation, and other colonial acts that have affected the Canadian Arctic.

Each resource has been carefully written and reviewed to include level-appropriate opportunities for students to learn about colonial acts and policies that have affected Inuit. These acts and policies created long-lasting impacts on Inuit individuals and communities, which are still being felt today.

Additional Information
100 pages | 7.25" x 11.00" | Paperback

What if a school's mascot is seen as racist, but not by everyone? In this compelling middle-grade novel in verse, two best-selling BIPOC authors tackle this hot-button issue.

Six kids. One mascot. Who wins?

In Rye, Virginia, just outside Washington, DC, people work hard, kids go to school, and football is big on Friday nights. An eighth-grade English teacher creates an assignment for her class to debate whether Rye’s mascot should stay or change. Now six middle schoolers–-all with different backgrounds and beliefs–-get involved in the contentious issue that already has the suburb turned upside down with everyone choosing sides and arguments getting ugly. 

Told from several perspectives, readers see how each student comes to new understandings about identity, tradition, and what it means to stand up for real change.

Reviews
"Waters and Sorell (Cherokee Nation) join forces to write about the power of being true to oneself.

In a middle school in Rye, a fictional town near Washington, D.C., a racist mural and offensive pep rally chants shock new student Callie Crossland, who is a citizen of the Cherokee Nation and African American. Callie shares a heartfelt poem with her seventh grade honors English class, reminding everyone that the “stupid tomahawk-chop chant” and the “cheap chicken-feather headdress” are nothing less than symbols of “white supremacy.” Afterward, Ms. Williams, her teacher, assigns a persuasive writing and oration project entitled “Pros and Cons of Indigenous Peoples as Mascots.” The small, broadly diverse group of students is assigned to work in pairs; Callie is matched with Franklin, who is Black and a proud fan of the Rye Braves football team. Franklin insists, “I wish we could Lysol racism away. / It’s a bad odor,” but he feels conflicted: “I still don’t think our mascot is racist though. It brings so much joy. / …what’s the big deal?” This clever novel unfolds in poems told in multiple voices showing the wide range of students’, families’, and community responses to the controversy; for some, initial feelings of opposition, hesitation, or indifference change and friendships are tested. The compelling, highly relevant subject matter and accessible text invite readers to understand different perspectives and witness individual growth.

A brilliant story not to be missed; deeply engaging from the first page. (glossary, additional information and resources) (Verse fiction. 10-14)" —Kirkus Reviews, starred review

"Told via seven alternating narratives, this ripped-from-the-headlines collaboration in verse by Waters (African Town) and Cherokee Nation member Sorrel (One Land, Many Nations) follows a fictional town’s division over a racist sports mascot. Callie Crossland, who is Cherokee and Black, has just transferred to a middle school in Rye, Va. She immediately expresses disgust at her school’s mascot, a “copper-toned, muscled, loincloth-clad, tomahawk-wielding” caricature of an Indigenous person. Callie’s English teacher Ms. Williams soon assigns a group writing project regarding the “Pros and Cons of Indigenous Peoples as Mascots,” and Callie is annoyed at being paired with Black classmate Franklin, who believes the mascot “brings so much joy.” Waters and Sorrel paint a complex portrait of the differing reactions toward the controversy by layering the racially diverse tweens’ perspectives and showcasing the effects the event has on their individual relationships and the community beyond their school. The creators eschew judgment to present a well-rounded discussion about classism and racism, as well as effective allyship, with compassion and understanding. A glossary and resources conclude. Ages 10–up." —Publishers Weekly, starred review

"Ms. Williams tasks her... honors English students with a persuasive writing and oral presentation assignment arguing the pros and cons of using Indige-nous peoples as mascots. Throughout the course of a school year the story unfolds in a series of poems that detail the per-spectives of six students: Callie (Cherokee African), Franklin (African American), Priya (Indian American), Luis (Salvadoran American), Tessa (white and previously homeschooled), and Sean (working-class white). Predictably, Callie, Priya, and Tessa (who sees herself as a committed antiracist) oppose Indigenous mascots, while the boys, who enjoy war paint and tomahawk chops at Rye Braves games, claim the mascot de-picts pride in the team and their school. While the discord around the mascot is a long-standing one in the Virginia community, the assignment empowers the students to take the issue to the school board. After further research, one student switches sides, losing a friend in the process. While the plot requires a fair amount of exposition detailing history and arguments on both sides, the characters are well developed and believable, and the story flows smoothly. A valuable classroom pick that demonstrates the importance of debate." —Booklist

Educator Information
Recommended for ages 10+

Includes a glossary and additional resources / information.

Subjects / Themes: Discrimination, Different Perspectives, Identity, Tradition, Standing up for Change, Social Responsibility, Verse Fiction / Poetry

Additional Information
256 pages | 5.75" x 8.56" | Hardcover

Twelve years after the lights go out . . .
An epic journey to a forgotten homeland

The hotly anticipated sequel to the bestselling novel Moon of the Crusted Snow

It's been over a decade since a mysterious cataclysm caused a permanent blackout that toppled infrastructure and thrust the world into anarchy. Evan Whitesky led his community in remote northern Ontario off the rez and into the bush, where they've been living off the land, rekindling their Anishinaabe traditions in total isolation from the outside world. As new generations are born, and others come of age in the world after everything, Evan’s people are in some ways stronger than ever. But resources in and around their new settlement are beginning to dry up, and the elders warn that they cannot afford to stay indefinitely.

Evan and his fifteen-year-old daughter, Nangohns, are elected to lead a small scouting party on a months-long trip to their traditional home on the north shore of Lake Huron—to seek new beginnings, and discover what kind of life—and what dangers—still exist in the lands to the south.

Moon of the Turning Leaves is Waubgeshig Rice’s exhilarating return to the world first explored in the phenomenal breakout bestseller Moon of the Crusted Snow: a brooding story of survival, resilience, Indigenous identity, and rebirth.

Reviews
"An epic journey into the future, powerfully haunting." —Silvia Moreno-Garcia, bestselling author of Mexican Gothic

“Tense, atmospheric, and ultimately hopeful, Rice masterfully delivers an unsettling, page-turning sequel." —Eden Robinson, author of Son of a Trickster

“It felt like an eternity waiting for Waubgeshig to write the sequel to Moon of the Crusted Snow and it was worth it. As we as a species ponder our own survival, this talented author walks his courageous characters through an odyssey towards hope. At times heart-racing and at times heart wrenching, Moon of the Turning Leaves allows us all to turn the page and find out what’s next in an uncertain future.” —Catherine Hernandez, award-winning author and screenwriter of Scarborough the novel and film

“[Moon of the Turning Leaves] is by turns beautiful and inspiring and bleak and violent. In other words, the perfect dystopian read. Let's hope Waubgeshig Rice doesn't make us wait too long for the next visit to this captivating world.” —Alma Katsu, author of The Fervor and The Hunger

"Novels, when brilliantly written, are passports to another place, another world. Moon of the Turning Leaves takes us to a First Nations community beset by an unbelievable fate that’s managed to survive when much of the world hasn't. Rice has given us a meaningful journey, and people to cheer for. I was in this story." —Drew Hayden Taylor, author of Motorcycles and Sweetgrass and Cold

“Waubgeshig Rice's stories are good medicine. Moon of the Turning Leaves is a restorative balm for my spirit.” —Angeline Boulley, New York Times bestselling author of Firekeeper's Daughter and Warrior Girl Unearthed

"Rice quite brilliantly weaves this sequel to Moon of the Crusted Snow such that the ongoing journey of those wonderfully drawn characters carries on seamlessly. Moon of the Turning Leaves stands on its own while simultaneously carrying the heart of the original story. Suspenseful and gripping, the great anticipation for this next installment is borne out by this artful storytelling." —Michelle Good, award-winning author of Five Little Indians and Truth Telling

Additional Information
312 pages | 5.50" x 8.25" | Paperback