Communities

This is an Honour Song is a collection of narratives, poetry, and essays exploring the broad impact of the 1990 resistance at Kanehsatà:ke, otherwise known as the "Oka Crisis." The book is written by leading Indigenous and non-Indigenous artists, scholars, activists and traditional people, and is sung as an Honour Song celebrating the commitment, sacrifices, and achievements of the Kanien'kehaka individuals and communities involved.

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366 pages | 5.50" x 8.50"

Chiwid was a Tsilhqot'in woman, said to have shamanistic powers, who spent most of her adult life "living out" in the hills and forests around Williams Lake, BC. Chiwid is the story of this remarkable woman told in the vibrant voices of Chilcotin oldtimers, both native and non-native.

Reviews
"Chiwid was a Chilcotin woman who lived outside, self-sufficiently for most of her life and moving camps with the seasons. Chiwid is a collection of oral histories about the woman, her family and what life was like in the Chilcotin area of British Columbia in the early to mid-1900s." - The Association of Book Publishers of BC. BC Books for BC Schools. 2009-2010.

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128 pages | 8.00" x 9.00" 

Authenticity Note: This book's author is not Indigenous; however, the book has the Authentic Indigenous Text label because it contains stories collected by the author from Indigenous and non-Indigenous peoples. It is up to readers to determine if this book will work as an authentic text for their purposes.

Throughout American history, people of combined African and Native American descent have often struggled for acceptance, not only from dominant cultures but also from their own communities. In this collection of twenty-seven groundbreaking essays, authors from across the Americas explore the complex personal histories and contemporary lives of people wth a dual heritage that has rarely received attention as part of the multicultural landscape.

Illustrated with seventy-five paintings, photographs, and drawings, the book brings to light an epic but little-known part of American history that speaks to present-day struggles for racial identity and understanding.

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256 pages | 7.00" x 9.75"

First Nations peoples believe the eagle flies with a female wing and a male wing, showing the importance of balance between the feminine and the masculine in all aspects of individual and community experiences. Centuries of colonization, however, have devalued the traditional roles of First Nations women, causing a great gender imbalance that limits the abilities of men, women, and their communities in achieving self-actualization.

Restoring the Balance brings to light the work First Nations women have performed, and continue to perform, in cultural continuity and community development. It illustrates the challenges and successes they have had in the areas of law, politics, education, community healing, language, and art, while suggesting significant options for sustained improvement of individual, family, and community well-being.

Written by fifteen Aboriginal scholars, activists, and community leaders, Restoring the Balance combines life histories and biographical accounts with historical and critical analyses grounded in traditional thought and approaches. It is a powerful and important book.

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384 pages | 6.00" x 9.00" | Paperback

From the earliest settler policies to deal with the “Indian problem,” to contemporary government-run programs ostensibly designed to help Indigenous people, public policy has played a major role in creating the historical trauma that so greatly impacts the lives of Canada’s Aboriginal peoples. Taking Back Our Spirits traces the link between Canadian public policies, the injuries they have inflicted on Indigenous people, and Indigenous literature’s ability to heal individuals and communities. Episkenew examines contemporary autobiography, fiction, and drama to reveal how these texts respond to and critique public policy, and how literature functions as “medicine” to help cure the colonial contagion.

As a Crown Attorney working with First Nations in remote northwestern Ontario, Rupert Ross learned that he was routinely misinterpreting the behaviour of Aboriginal victims, witnesses, and offenders, both in and out of court. He discovered that he regularly drew wrong conclusions when he encountered witnesses who wouldn’t make eye contact, victims who wouldn’t testify in the presence of the accused, and parents who showed great reluctance to interfere in their children’s offending behaviour. With the assistance of Aboriginal teachers, he began to see that behind such behaviour lay a complex web of coherent cultural commandments that he had never suspected, much less understood.

As his awareness of traditional Native teachings grew, he found that the areas of miscommunication extended well beyond the courtroom, causing cross-cultural misunderstanding—and ill-informed condemnation.

Dancing with a Ghost is Ross’s attempt to give some definition to the cultural gap that bedevils the relationships and distorts the communications between Native peoples and the dominant white Canadian society—and to encourage others to begin their own respectful cross-cultural explorations. As Ross discovered, traditional perspectives have a great deal to offer modern-day Canada, not only in the context of justice but also in terms of the broader concepts of peaceful social organization and personal fulfilment.

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THE BLOOD RESERVE (Canada's largest native reserve) is a land of wind, prairie, mountains, and rivers, a land of dramatic physical beauty. It is the setting for George Webber's stunning collection of black-and-white photographs, People of the Blood. From the spring of 1992 until the late summer of 2005, Webber journeyed to the reserve from his home in Calgary, documenting his experiences on film and with pen and paper.

People of the Blood is an intimate and compelling story of the reserve's people and stark, sweeping landscape told in black and white. In his quest to photograph and document hope and darkness in the western Canadian landscape, Webber has ceaselessly photographed the people, small communities, and the land for a quarter century. People of the Blood documents a photographic journey spanning over a decade, one that put Webber in contact with the strong people of the Blood, their spiritual practices, their hopes, their challenges, wins and losses.

With grace and compassion, Webber shows us the sweat lodge and the sun dance, the faces of hope and despair, rodeos and funerals, quiet kitchen conversations and heartbreaking devastation.

Never an interloper, Webber's quiet presence is that of a documentary photographer of the first order, which seeks to tell the stories of the people and the land in which they live. As it moves between the realms of the spiritual world and harsh reality, interspersed with the incredible beauty of the landscape, People of the Blood captures the light in the darkness, the hope that exists in the Blood people, who live in unforgiving landscapes and social circumstances. In his grainy, dark imagery, Webber continues to capture these sparks in what might seem to be barren surroundings.

Following on two previous collections— Write It on Your Heart: The Epic World of an Okanagan Storyteller (1989) and Nature Power: In the Spirit of an Okanagan Storyteller (2004)—Living by Stories is the third volume of oral narratives by Okanagan storyteller Harry Robinson. This third collection documents how the arrival of whites forever altered the Salish cultural landscape.

Living by Stories includes a number of classic stories set in the “mythological age” about the trickster/transformer, Coyote, and his efforts to rid the world of bad people— spatla or “monsters,” but this new volume is more important for its presentation of historical narratives set in the more recent past. As with the mythological accounts, there is much chaos and conflict in these stories, mainly due to the arrival of new quasi-monsters—“SHAmas” (Whites)—who dispossess “Indians” of their lands and rights, impose new political and legal systems, and erect roads, rail lines, mines, farms, ranches and towns on the landscape.

With permission from Harry Robinson, Wendy Wickwire began recording Robinson's oral stories in 1977. Robinson took his role as a storyteller very seriously and worried about the survival of the oral tradition and his stories. “I’m going to disappear”, he told one reporter, “and there’ll be no more telling stories.”

Review
Whenever I need to be reminded that language is magic and that stories can change the world, I go to Robinson.
- Thomas King

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288 pages | 6.00" x 9.00"

Stories from Harry Robinson
Edited and compiled by Wendy Wickwire

The search for a Métis identity and what constitutes that identity is a key issue facing many Aboriginals of mixed ancestry today.

The People Who Own Themselves: Aboriginal Ethnogenesis in a Canadian Family, 1660-1900 reconstructs 250 years of Desjarlais family history across a substantial area of North America, from colonial Louisiana, the St. Louis, Missouri, region, and the American Southwest to Red River and Central Alberta. In the course of tracing the Desjarlais family, social, economic, and political factors influencing the development of various Aboriginal ethnic identities are discussed. With intriguing details about Desjarlais family members, this book offers new, original insights into the 1885 Northwest Rebellion, focusing on kinship as a motivating factor in the outcome of events. With a unique how-to appendix for Métis genealogical reconstruction, this book will be of interest to Métis wanting to research their own genealogy and to scholars engaged in the reconstruction of Métis ethnic identity.

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358 pages | 6.00" x 9.00" | Paperback

For over 1500 years, the Sayisi Dene, ‘The Dene from the East’, led an independent life, following the caribou herds and having little contact with white society. In 1956, an arbitrary government decision to relocate them catapulted the Sayisi Dene into the 20th century. It replaced their traditional nomadic life of hunting and fishing with a slum settlement on the outskirts of Churchill, Manitoba. Inadequately housed, without jobs, unfamiliar with the language or the culture, their independence and self-determination deteriorated into a tragic cycle of discrimination, poverty, alcoholism and violent death.

By the early 1970s, the band realized they had to take their future into their own hands again. After searching for a suitable location, they set up a new community at Tadoule Lake, 250 miles north of Churchill. Today they run their own health, education and community programs. But the scars of the relocation will take years to heal, and Tadoule Lake is grappling with the problems of a people whose ties to the land, and to one another, have been tragically severed.

In Night Spirits, the survivors, including those who were children at the time of the move, as well as the few remaining elders, recount their stories. They offer a stark and brutally honest account of the near-destruction of the Sayisi Dene, and their struggle to reclaim their lives. It is a dark story, told in hope.

When buffalo were many on the western plains, when Cree and Blackfoot warred in unrelenting enmity, when the Sun Dance and the shaking tent were still a way of life these were the days of Chief Thundershild (1849-1927). His stories of a fierce and vanished freedom are reprinted here, exactly as he told them to Edward Ahenakew in 1923. His voice, simple and poetic, resonates with the wide expanse of sky, the song of the wind, the sound of water.

The other voice in this volume is equally moving, but in a very different way. It is the voice of Old Keyam, pained and angry, raised in protest against the Indians' lethargy and the white man's insensitivity. A fictional character, semi-autobiographical, he is very much the voice of Edward Ahenakew, telling of life on the reservations in the new white world of the early twentieth century.

The button blanket is eye-catching, prestigious and treasured -- one of the most spectacular embellishments to the Indian culture of the Northwest Coast and a unique form of graphic and narrative art. The traditional crest-style robe is the sister of the totem pole and, like the pole, proclaims hereditary rights, obligations and powers. Unlike the pole, about which countless books and papers have been written, the button blanket has had no chroniclers. This is not only the first major publication to focus on button blankets but also the first oral history about them and their place in the culture of the Northwest Coast. Those interviewed include speakers from six of the seven major Northwest Coast Indian groups. Elders, designers, blanket makers, and historians, each has a voice, but all do not conform to any one theory about the ceremonial robe. Rather, the book is a search for the truth about the historical and contemporary role and traditions of the blanket, as those relate to the past and present Indian way of life on the Pacific Northwest Coast.