Ojibway (Ojibwe)

From Tanya Talaga, the critically acclaimed and award-winning author of Seven Fallen Feathers, comes a riveting exploration of her family’s story and a retelling of the history of the country we now call Canada

For generations, Indigenous People have known that their family members disappeared, many of them after being sent to residential schools, “Indian hospitals” and asylums through a coordinated system designed to destroy who the First Nations, Métis and Inuit people are. This is one of Canada’s greatest open secrets, an unhealed wound that until recently lay hidden by shame and abandonment.

The Knowing is the unfolding of Canadian history unlike anything we have ever read before. Award-winning and bestselling Anishinaabe author Tanya Talaga retells the history of this country as only she can—through an Indigenous lens, beginning with the life of her great-great grandmother Annie Carpenter and her family as they experienced decades of government- and Church-sanctioned enfranchisement and genocide.

Deeply personal and meticulously researched, The Knowing is a seminal unravelling of the centuries-long oppression of Indigenous People that continues to reverberate in these communities today.

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480 pages | 6.12" x 9.25" | Hardcover 

Judge, senator, and activist. Father, grandfather, and friend. This is Murray Sinclair’s story—and the story of a nation—in his own words, an oral history that forgoes the trappings of the traditional written memoir to center Indigenous ways of knowledge and storytelling. As Canada moves forward into the future of reconciliation, one of its greatest leaders guides us to ask the most important and difficult question we can ask of ourselves: Who are we?

For decades, Senator Sinclair has fearlessly educated Canadians about the painful truths of our history. He was the first Indigenous judge in Manitoba, and only the second Indigenous judge in Canadian history. He was the Chair of the Truth and Reconciliation Commission, and remains one of the foremost voices on Reconciliation. And now, for the first time, he will share his full story—and his full vision for our nation—with readers across Canada.

Drawing on Senator Sinclair’s unique experiences, and his perspectives regarding Indigenous identity, human rights, and justice in Canada, Who We Are will examine the roles of history, resistance, and resilience in the pursuit of finding that path forward, and healing the damaged relationship between Indigenous Peoples and non-Indigenous peoples in Canada. And in doing so, it will reveal Senator Sinclair’s life in a new and direct way, exploring how all of these experiences shaped him as an Anishinaabe man, father, and grandfather.

Structured around the four questions that have long shaped Senator Sinclair’s thinking and worldview—Where do I come from? Where am I going? Why am I here? Who am I?—Who We Are will take readers into the story of his remarkable life as never before, while challenging them to embrace an inclusive vision for our shared future.

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480 pages | 6.00" x 9.00" | Hardcover 

In eighteen hundred and something something, somewhere upon the banks of a Reddish River in Treaty One Territory, three very different women with a preference for twenty-first century slang sit in a fort sharing their views on life, love, and the hot nerd Louis Riel.

Marie-Angelique, a Metis Taurus, is determined to woo Louis (a Metis Libra)—who will be arriving soon—by sending him boldly flirtatious letters. Eugenia, an Ojibwe Sagittarius, brings news of rebellion back to the fort after trading, but isn’t impressed by Louis’s true mediocre nature. And Cecilia, a pregnant British Virgo, is anxiously waiting on her husband’s return from an expedition, but can’t resist pining over the heartthrob Thomas Scott (Irish Capricorn), who is actually the one secretly responding to Marie-Angelique’s letters. This will all go smoothly, right?

This lively historical satire of survival and cultural inheritance shifts perspectives from the male gaze onto women’s power in the past and present through the lens of the rapidly changing world of the Canadian fur trade.

Awards

• 2023 Indigenous Voices Award for Published Prose in English
• 2018 Toronto Fringe Best New Play Contest winner
• 2024 Dora Mavor Moore Award for Outstanding New Play

Reviews
“Not only is the play a fun and clever look at the province’s history, but by weaving in modern slang and references, Koncan (who is of Anishinaabe and Slovene descent) highlights how many Indigenous issues from our past are still relevant today.” — Stephanie Cram, CBC News

“A timely, provocative piece of theatre written from a perspective and voice we need to hear.”— Ian Ross, Winnipeg Free Press

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120 pages | 5.32" x 8.35" | 2nd Edition | Paperback 

A brand-new, spine-chilling collection of horror/thriller fiction, Zegaajimo, Anishinaabemowin for "to tell a scary story," includes stories from eleven leading First Nations and Metis authors from across the territories of Canada: Nathan Niigan Noodin Adler, Dawn Dumont, Daniel Heath Justice, D.A. Lockhart, Karen McBride, Tyler Pennock, Waubgeshig Rice, David A. Robertson, Drew Hayden Taylor, and Richard Van Camp.

Many of the stories draw on Traditional Stories. These stories of supernatural settings and deadful dees are more than speculative fiction, they are also reminders that monsters are already in our midst, that the known can be just as frightening as the unknown, and that the slightest mistakes can have dire consequences.

The collection is co-edited by Nathan Niigan Noodin Adler and Kateri Akiwenzie-Damm. Thrilling horror, Indigenous-style, perfect for Halloween!

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230 pages | 5.50" x 8.50" | Paperback 

Krie Redsky is an extraordinary Indigenous child who has both a curse and blessing that allows him to walk between this world and the Spirit Realm. He is also at an age where he is learning to cope with the twists and turns of friendships, the awkwardness of first love, and the self-doubt that must be overcome following loss and betrayal. But, nurtured by Knowledge Keepers as “one who is without fear, and with the ability to cross realities,” he is soon recognized as an individual who can – and will – battle the terrifying ancient spirit stealers known as Bonewalkers. But is he strong enough for what is to come?

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236 pages | 5.50" x 8.50" | Paperback

A landmark publication bringing together more than seventy voices illuminating the rich array of Indigenous art held by the McMichael Canadian Art Collection.

Under the editorial direction of Anishinaabe artist and scholar Bonnie Devine, Early Days gathers the insights of myriad Indigenous cultural stakeholders, informing us on everything from goose hunting techniques, to the history of Northwest Coast mask-making, to the emergence of the Woodland style of painting and printmaking, to the challenges of art making in the Arctic, to the latest developments in contemporary art by Indigenous peoples from across Turtle Island.

Splendidly illustrated, Early Days not only tells the story of a leading collection but also traces the emergence and increasing participation of many Indigenous artists in the contemporary art world. This publication will be the largest in the history of the McMichael, and represents a vital acknowledgment of the place of Indigenous art and ways of knowing in global art history.

Featured contributors: Barry Ace, Leland Bell, Dempsey Bob, Christian Chapman, Violet Chum, Hannah Claus, Dana Claxton, Jisgang Nika Collison, Alan Corbiere, Marcia Crosby, Ruth Cuthand, Mique'l Dangeli, Joe David, Sarah Davidson, Robert Davidson, Bonnie Devine, Tarralik Duffy, Norma Dunning, David Garneau, John Geoghegan, Janice Grey, Haay'uups (Ron Hamilton), Jim Hart, Emma Hassencahl-Perley, Emily Henderson, Lynn A. Hill, Richard Hill, Maria Hupfield, Jaimie Isaac, Heather Igoliorte, Luis Jacob, Gayle Kabloona, William Kingfisher, Jessica Kotierk, Robin Laurence, Duane Linklater, Ange Loft, Tanya Lukin Linklater, Jean Marshal, Michael Massie, Gerald McMaster, Ossie Michelin, Sarah Milroy, Antoine Mountain, Nadia Myre, Jeneen Frei Njootli, Ruth Phillips, Jocelyn Piirainen, Ryan Rice, Carmen Robertson, Paul Seesequasis, Leanne Betasamosake Simpson, Wedlidi Speck, Clyde Tallio, Drew Hayden Taylor, Nakkita Trimble-Wilson, Jesse Tungilik, Camille Georgeson Usher, William Wasden Jr., Jordan Wilson, Jessica Winters.

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400 pages | 11.00" x 10.00" | 200 Colour Photographs | Hardcover

Drawing on her Ojibwa roots and storytelling, Barnes shares stories that take the heart on the path to the past, nostalgic though it may be, wherein lies discovery, memories, and rhythms that ease the soul. Touching, tender but never overwrought, Barnes' poetry brings wonder to the spirit of nature and provides a sense of connection to the things most often overlooked.

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140 pages | 7.50" x 5.00" | Paperback

Journey to the southernmost tip of the territories held by Canada. North of Middle Island opens with a collection of individual poems that capture the spirit of the relatively isolated, sparsely populated community of Pelee Island.

The pieces explore contemporary Indigenous experience in the natural and built environments of the island and surrounding waters. The book concludes with an epic, "rarely true" narrative of modern-day warriors, told in traditional Anglo-Saxon style-a new Lenape myth of how Deerwoman (Ahtuhxkwe) comes to Pelee Island. The events of this epic tale are loosely based on the infamous professional wrestler and actor Rowdy Roddy Piper's time on the island and Wrestlemania XII, Piper's notorious "Backlot Brawl" with fellow wrestler Goldust (Nkuli Punkw). Follow acclaimed Moravian of the Thames First Nation poet D.A. Lockhart on this lyrical, epic journey into the unique culture and landscapes that lie just North of Middle Island.

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93 pages | 5.50" x 8.50"

A manifesto for the future of Indigenous Education in Canada

In Reclaiming Anishinaabe Law Leo Baskatawang traces the history of the neglected treaty relationship between the Crown and the Anishinaabe Nation in Treaty #3, and the Canadian government’s egregious failings to administer effective education policy for Indigenous youth—failures epitomized by, but not limited to, the horrors of the residential school system.

Rooted in the belief that Indigenous education should be governed and administered by Indigenous peoples, Baskatawang envisions a hopeful future for Indigenous nations where their traditional laws are formally recognized and affirmed by the governments of Canada. Baskatawang thereby details the efforts being made in Treaty #3 territory to revitalize and codify the Anishinaabe education law, kinamaadiwin inaakonigewin. Kinamaadiwin inaakonigewin considers education wholistically, such that it describes ways of knowing, being, doing, relating, and connecting to the land that are grounded in tradition, while also positioning its learners for success in life, both on and off the reserve.

As the backbone of an Indigenous-led education system, kinamaadiwin inaakonigewin enacts Anishinaabe self-determination, and has the potential to bring about cultural resurgence, language revitalization, and a new era of Crown-Indigenous relations in Canada. Reclaiming Anishinaabe Law challenges policy makers to push beyond apologies and performative politics, and to engage in meaningful reconciliation practices by recognizing and affirming the laws that the Anishinaabeg have always used to govern themselves.

Reviews
"Leo Baskatawang offers a passionate call for Indigenous self-determination and a reclamation of Anishinaabe education law and practice in raising up the next generation. This book can be used to envision a future that uses Indigenous treaties to drive systemic change in education."— Brittany Luby

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240 pages | 6.00" x 9.00" | b&w illustrations, maps, index, bibliography | Paperback | 

A revolutionary collaboration about the world we're living in now, between two of our most important contemporary thinkers, writers and activists.

When the world entered pandemic lockdown in spring 2020, Robyn Maynard, influential author of Policing Black Lives, and Leanne Betasamosake Simpson, renowned artist, musician, and author of Noopiming: The Cure for White Ladies, began writing each other letters—a gesture sparked by a desire for kinship and connection in a world shattering under the intersecting crises of pandemic, police killings, and climate catastrophe. These letters soon grew into a powerful exchange about where we go from here.
 
Rehearsals for Living is a captivating and visionary work—part debate, part dialogue, part lively and detailed familial correspondence between two razor-sharp writers. By articulating to each other Black and Indigenous perspectives on our unprecedented here and now, and reiterating the long-disavowed histories of slavery and colonization that have brought us to this moment, Maynard and Simpson create something new: an urgent demand for a different way forward, and a poetic call to dream up other ways of ordering earthly life.

Reviews
“This book must be read for its future vocabularies, its political intimacies, its careful assemblage of the materials of our activisms, and its generous and fulsome thinking.”—Dionne Brand, poet, novelist, and essayist

“Using the age-old practice of letter writing and the land itself as a palimpsest, Robyn Maynard and Leanne Betasamosake Simpson find common ground to challenge the moral legitimacy of the settler nation state, and reinscribe new ways of what it means to be beings who are human in the forensic landscapes of Canada. In Rehearsals for Living, two women, one Indigenous, the other Black and African-descended confront their shared yet different experiences of colonialism, provide new and subversive meanings to the colonial trope of being landed, the mechanism by which the land was (un)settled. Unflinchingly, and in long-overdue and profoundly-needed “reasonings” that reverberate with shared breath, Simpson and Maynard weave their ideas, thoughts and reflections and their deep caring for community and society through the network of issues that impact us today—the pandemic and the differentials in treatment for Black and Indigenous people, the role of BLM, abolition, the necessity of Nibi and homespace for the Nishnaabeg, the joys of living on the land, and parenting in the face of ecological and racial disasters are but a few of the challenges they grapple with. Rehearsals for Living is fundamental to understanding the interlocking, founding crimes of the Americas; necessary for remembering the many erased histories of the on-going struggle for justice, and altogether indispensable to those wanting to create possible solutions.”—M. NourbeSe Philip, author of Zong!

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336 pages | 5.17" x 7.99" | Paperback 

Brandi Bird's frank, transcendent poetry explores the concepts of health, language, place, and memory in this long-anticipated debut collection.

Brandi Bird's long-anticipated debut poetry collection, The All + Flesh, explores the concepts of health, language, place, and memory that connect its author to their chosen kin, blood relatives, and ancestral lands. By examining kinship in broader contexts, these frank, transcendent poems expose binaries that exist inside those relationships, then inspect and tease them apart in the hope of moving toward decolonial future(s). Bird's work is highly concerned with how outer and inner landscapes move and change within the confines of the English language, particularly the "I" of the self, a tradition of movement that has been lost for many who don't speak their Indigenous languages or live on their homelands. By exploring the landscapes the poet does inhabit, both internally and externally, Bird's poems seek to delve into and reflect their cultural lineages-specifically Saulteaux, Cree, and Métis-and how these transformative identities shape the person they are today.

I am made of centuries & carbohydrates
the development of my molars
the hunger the teeth grew
has been with me since childhood
I can't escape the mouths of others

Awards

• 2024 Poetry in English, Indigenous Voices Awards 

Reviews
"Since hearing Brandi Bird at a reading in a park in summertime recite the lines, "I know / then that there is hope / until I die & then / there is other / people's hope," I have thought about them many times, they have merged with my own consciousness. That's the power of Bird's poems-they resonate at such a visceral and cerebral level that they become a part of you. The All + Flesh marks the arrival of an endlessly moving and astounding voice in Indigenous poetry. I, for one, will be reading these poems for the rest of my life." — Billy-Ray Belcourt, author of A MINOR CHORUS

"In The All + Flesh, Brandi Bird maps the psychic space between 'NDN compartmentalization' and split prairies, from bus depots to 'endocrine storms,' from LiveJournal to a living history of relocation under land theft. 'My body is not an empire but first contact happened at / birth' and 'I eat / until my mouth needles / the dark.' With exacting lucidity, Bird's lyrics chart the body as a reservoir for colonial malice, a site of resistance, and a conduit for a voice that is visceral, immediate, and uncompromising. An absolute triumph of a debut."— Liz Howard, author of Letters in a Bruised Cosmos

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96 pages | 6.00" x 8.00" | Paperback

Connect with healing traditions, stories, ancestral wisdom, and animal guidance through this 56-card deck and guidebook from Indigenous Medicine Woman and author of You Are the Medicine, Asha Frost.

Indigenous people know the power of earth and spirit medicine. Everything in our natural world is interconnected and sacred. The plants, animals, rocks, waters, stars, moon are our relations, our kin. Every aspect of creation has a spirit. This spirit lives in all things and informs us how to walk in a good way or, in Anishinaabemowin, Mino-bimaadiziwin.

The Sacred Medicine Oracle was birthed to invite readers into a conscious and respectful relationship with medicine teachings, awakening a daily connection to your own inner divinity, power, and wisdom. From the powerful remembering of "Past Life Medicine" to the promise of miracles with "Jingle Dress," each of the 56 cards depicts ceremony, traditions, moon phases, animal guides, and plant allies, all of them alive with energy and blessed with healing intentions from the ancestors.

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144 pages | 4.88" x 5.38" | 56 Cards and Guidebook 

Miskozi is searching for something...There's something missing. And she's not sure what it is. She goes on a search for herself and her culture, accompanied by her inner white girl, Waabishkizi, and guided by Ziibi, a manifestation of an ancestral river, both provoking her to try and find the answers. She begins the journey back before she was even born, right at the seeds of colonization when her ancestors were forced to hide their culture anywhere they could. Burying their language.Their teachings.Their bundles.Their moccasins. White Girls in Moccasins is a hilarious and poignant reclamation story that world-hops between dreams, memories, and a surreal game show. Miskozi recounts her life and is forced to grapple with her own truth, while existing in a society steeped in white supremacy. A love letter to brown kids born in the 80s, surviving in the 90s and all those continuing to deeply reclaim.

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72 pages | 5.50" x 8.50" | Paperback

We find our way forward by going back.

The invented history of the Western world is crumbling fast, Anishinaabe writer Patty Krawec says, but we can still honor the bonds between us. Settlers dominated and divided, but Indigenous peoples won't just send them all "home."

Weaving her own story with the story of her ancestors and with the broader themes of creation, replacement, and disappearance, Krawec helps readers see settler colonialism through the eyes of an Indigenous writer. Settler colonialism tried to force us into one particular way of living, but the old ways of kinship can help us imagine a different future. Krawec asks, What would it look like to remember that we are all related? How might we become better relatives to the land, to one another, and to Indigenous movements for solidarity? Braiding together historical, scientific, and cultural analysis, Indigenous ways of knowing, and the vivid threads of communal memory, Krawec crafts a stunning, forceful call to "unforget" our history.

This remarkable sojourn through Native and settler history, myth, identity, and spirituality helps us retrace our steps and pick up what was lost along the way: chances to honor rather than violate treaties, to see the land as a relative rather than a resource, and to unravel the history we have been taught.

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224 pages | 5.81" x 8.53" | Hardcover

A collaboration exploring the importance of the Ojibway-Anishinabe worldview, use of ceremony, and language in living a good life, attaining true reconciliation, and resisting the notions of indigenization and colonialization inherent in Western institutions.

Indigenization within the academy and the idea of truth and reconciliation within Canada have been seen as the remedy to correct the relationship between Indigenous Peoples and Canadian society. While honourable, these actions are difficult to achieve given the Western nature of institutions in Canada and the collective memory of its citizens, and the burden of proof has always been the responsibility of Anishinabeg.

Authors Makwa Ogimaa (Jerry Fontaine) and Ka-pi-ta-aht (Don McCaskill) tell their di-bah-ji-mo-wi-nan (Stories of personal experience) to provide insight into the cultural, political, social, and academic events of the past fifty years of Ojibway-Anishinabe resistance in Canada. They suggest that Ojibway-Anishinabe i-zhi-chi-gay-win zhigo kayn-dah-so-win (Ways of doing and knowing) can provide an alternative way of living and thriving in the world. This distinctive worldview — as well as Ojibway-Anishinabe values, language, and ceremonial practices — can provide an alternative to Western political and academic institutions and peel away the layers of colonialism, violence, and injustice, speaking truth and leading to true reconciliation.

Reviews
"Fontaine and McCaskill write in a way our own Indigenous People can understand and feel; their passion is tangible." — Graham Hingangaroa Smith, Distinguished Professor, Massey University - NZ

"There are multiple ways to inhabit our deepest principles. There are also many ways to honor land and our elders by embodying the teachings of both. Here is life found in kindness, loving, and truth. How do we access healing and how do we share this healing with others? Reading this book is one way. Tears of gratitude are for you both, Jerry Fontaine and Don McCaskill. Mahalo nui no ko ?ike nahenahe. Thank you for this mutual emergence shaped as much by friendship as it is by ?ike kupuna - elder knowledge. What is within these pages are ceremonial gifts offered to all who will take the time to connect with what is inevitable about our collective evolution." — Manulani Aluli Meyer, University of Hawai‘i

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328 pages | 6.00" x 9.00" | Paperback