Humour / Comedy

An unexpected journey can be powerful medicine.

When Tilly receives an invitation to help drive eight elders on their ultimate bucket list road trip to Albuquerque, New Mexico, for the Gathering of Nations Pow Wow, she impulsively says yes. Before she knows it, Tilly has said goodbye to her family and is behind the wheel—ready to embark on an adventure that will transform her in ways she could not predict, just as it will for each and every one of the seniors on the trip, who soon dub themselves “the Crazy Eights.”

Tilly and the Crazy Eights each choose a stop to make along the way—somewhere they’ve always wanted to go or something they’ve wanted to experience. This takes them on a route to Las Vegas and Sedona, with a final goal of reaching the Redwood Forest. Each stop becomes the inspiration for secrets and stories to be revealed. The trip proves to be powerful medicine as they laugh, heal, argue, and reveal hopes and dreams along the way. With friendships forged, love found, hearts broken and mended, Tilly and the Crazy Eights feel ready for anything by the time their bus rolls to a stop in New Mexico. But are they?

Educator Information
This is a fictional novel for adults from the author of the groundbreaking children's books Speaking Our Truth: A Journey of Reconciliation and My Heart Fills with Happiness.

Reviews
"Tilly and the Crazy Eights, [is] a sequel of sorts to Smith’s first book [Tilly: A Story of Hope and Resilience].... In Smith’s first novel, Tilly was coming of age and into sobriety; now the reader finds her at mid-life, a married mother of two who’s at a crossroads. The opportunity to spend two weeks with Elders and receive the gifts of their teachings is the medicine she needs. Ideas of medicine recur throughout the text – laughter is medicine, and so are tears and words. For everyone, this will be a journey about healing..... Most powerfully, Smith infuses her novel with joy, love, and laughter and suggests that these could be what determine the future after all."— Quill & Quire, September 2018

Educator Information
The Canadian Indigenous Books for Schools list recommends this resource for Grades 10-12 English Language Arts.

Additional Information
230 pages | 5.50" x 8.50"

Read, Listen, Tell brings together an extraordinary range of Indigenous stories from across Turtle Island (North America). From short fiction to as-told-to narratives, from illustrated stories to personal essays, these stories celebrate the strength of heritage and the liveliness of innovation. Ranging in tone from humorous to defiant to triumphant, the stories explore core concepts in Indigenous literary expression, such as the relations between land, language, and community, the variety of narrative forms, and the continuities between oral and written forms of expression. Rich in insight and bold in execution, the stories proclaim the diversity, vitality, and depth of Indigenous writing.

Building on two decades of scholarly work to centre Indigenous knowledges and perspectives, the book transforms literary method while respecting and honouring Indigenous histories and peoples of these lands. It includes stories by acclaimed writers like Thomas King, Sherman Alexie, Paula Gunn Allen, and Eden Robinson, a new generation of emergent writers, and writers and storytellers who have often been excluded from the canon, such as French- and Spanish-language Indigenous authors, Indigenous authors from Mexico, Chicana/o authors, Indigenous-language authors, works in translation, and "lost" or underappreciated texts.

In a place and time when Indigenous people often have to contend with representations that marginalize or devalue their intellectual and cultural heritage, this collection is a testament to Indigenous resilience and creativity. It shows that the ways in which we read, listen, and tell play key roles in how we establish relationships with one another, and how we might share knowledges across cultures, languages, and social spaces.

Reviews
Edited by experts in Indigenous literature and contextualised beautifully, historical writers like E. Pauline Johnson are placed alongside exciting genres like Indigenous Science Fiction — illustrating the vibrancy and innovation of Indigenous storytelling across time, space and politics. If you want a primer on Indigenous cultural expressions, this is for you. If you want deft, detailed stories in Indigenous written, oral and graphic traditions, these will expand your thinking. Read, Listen, Tell will make you laugh, dream and search for more. — Niigaanwewidam Sinclair

A unique compendium that is the direct result of outstanding and painstaking scholarship, Read, Listen, Tell: Indigenous Stories from Turtle Island is an impressively informative, deftly organized, and exceptionally well presented volume that is unreservedly recommended for both community and academic library Indigenous Cultural Studies collections and supplemental reading lists. — Midwest Book Review

Read, Listen, Tell collects a brilliant and vast array of indigenous short fiction, bolstered by insightful critical essays that prioritize indigenous voices, culture, and methodologies. — Clarissa Goldsmith, Foreword Reviews, July 2017

Educator Information
• Connects Indigenous writing across colonial settler borders (of Canada, USA, and Mexico) at a time when those borders are hardening in light of security measures.
• Truth and Reconciliation Commission report highlights focus on education, prioritizing Indigenous knowledges, pedagogies, and perspectives—this book provides that.
• Provides curriculum material for new Indigenous content mandates in some provinces (Ontario, BC).
• Includes French-, Spanish-, and Indigenous-language.
• Indigenous authors (in translation).

Additional Information
410 pages | 6.00" x 9.00"
Edited by Sophie McCall, Deanna Reder, David Gaertner, and Gabrielle L'Hirondelle Hill

A heartwarming comedy about two middle-aged First Nations seniors, Evie and Cecil, on their very first trip out of the country. Evie and Cecil reminisce and bicker as they review a lifetime together.

CECIL
So, what exactly are we going to do now that we’re here in Mexico?

EVIE
I’m so glad you asked. Supposedly there are some ancient Mayan ruins somewhere in the interior, not far from here. I thought that might be interesting.

CECIL
If you want to look at an ancient, broken-down, Indian ruin, we can go visit your cousin.

Evie and Cecil are celebrating their thirty-fifth wedding anniversary. As a gift, their grown children send them on a second honeymoon – to a fabulous resort on the Caribbean coast of Mexico. The only problem is that neither have ever been out of the country, let alone off their Cree reservation. Each reacts to their new experiences differently, and something ominous seems to be bothering Cecil. Despite the sun, sand, and sea sparkling right outside the resort window, all Cecil seems to want to do is sit alone in his hotel room, idly flipping through TV channels, the curtains pulled tight. What is he worried about? Maybe there is more behind this trip than he has been told. The past, present, and future all pay the couple a visit as they acclimatize to the pleasures of Mexico –and spicy food. Mixed up in all the fun is their hotel housekeeper, Manuela. As they form a bond with this courteous young local, they help her navigate some of the troublesome situations in which she finds herself.

Cast of 1 man and 2 women.

Review
"The play is packed with wit and humour, but also packs an emotional punch. At the heart of Crees in the Caribbean is a commentary on the universality of human experiences from culture to culture; it shows that people from all parts of the world can share similar stories and experiences." — The Argus

Additional Information
128 pages | 5.50" x 8.50"

The Best of Funny, You Don't Look Like One, first published by Theytus Books in 1998, has been a perennial bestseller. Drew Hayden Taylor's wit, humour and insightful commentaries have garnered legions of fanss and resulted in four Funny You Don't Look Like One books over the years. Infused with a trickster spirit and an ability to traverse the sometimes seemingly deep divide between the Native and non-Native worlds, Taylor is a sly commentator, often with tongue planted firmly in cheek.

Educator Information
This resource is also available in French: C'est fou comme t'as pas l'air d'en être un!

Additional Information
352 pages | 6.00" x 9.00"

Timely, Fun, Challenging and Wise!

Tomson Highway's musical cabaret, The Incredible Adventures of Mary Jane Mosquito, couldn't be more vividly presented unless you were sitting in the middle seat of the front row watching the Cree playwright, performer, musician and poet himself. The story of a wingless little mosquito from Manitoba has all the whimsy and wise humour any audience could ask for.

The ageless theme of a misfit, who finds her voice through song and who learns to make friends by communicating directly with her audience, is a timely treat for anyone who has felt like an outsider, dealt with bullying, moved to a new place, or was different from the rest of the pack.

The entire script is here, complete with song lyrics, stage directions, Cree vocabulary, and challenging tongue twisters to delight all ages. A perfect book for drama students, teachers, and theatre enthusiasts, this beautiful full—colour volume serves as an interactive read—aloud for the young, or a great way to introduce students to the joys of staging a musical production.

Additional Information
72 pages | 11.25" x 11.25"

Cerulean Blue is a comedic play about a struggling blues band invited to participate in a benefit concert for a First Nation community in conflict with governmental authorities. Upon arriving, the band discovers the entire lineup of musical acts has cancelled and they’re left trapped behind barricades. Complicating the matter, there is conflict within the band and the sudden appearance of an old girlfriend makes the event even more perilous.

This play is an homage to fast-moving farces while also addressing Aboriginal issues. Cerulean Blue deals with relationships, perceptions, politics, and what to do when you discover you’ve been dating your first cousin. Add a few spoonfuls of original blues music, and you’ve got a fun-filled evening.

The play was written for a large ensemble cast, which makes it ideal for musical theatre departments in high schools and colleges – every student can play apart.

Cast of ten women and ten men.

Additional Information
144 pages | 7.88" x 8.47" | Paperback

Someday is a powerful play by award-winning playwright Drew Hayden Taylor. The story in Someday, though told through fictional characters and full of Taylor's distinctive wit and humour, is based on the real-life tragedies suffered by many Native Canadian families.

Anne Wabung's daughter was taken away by children's aid workers when the girl was only a toddler. It is Christmastime 35 years later, and Anne's yearning to see her now-grown daughter is stronger than ever.

When the family is finally reunited, however, the dreams of neither women are fulfilled.

The setting for the play is a fictional Ojibway community, but could be any reserve in Canada, where thousands of Native children were removed from their families in what is known among Native people as the "scoop-up" of the 1950s and 1960s. Someday is an entertaining, humourous, and spirited play that packs an intense emotional wallop.

Additional Information
142 pages | 5.50" x 8.50" | Paperback 

Humour is not only the best medicine; it is also an exceptionally useful teaching tool.

So often, it is through humour that the big lessons in life are learned--about responsibility, honour, hard work, and respect. Cree people are known for their wit, so the tales in Woods Cree Stories are filled with humour. The book includes nine stories--including Boys Get Lost, Foolishness, and Animals Become Friends--and a Woods Cree-to-English glossary.

All the stories are presented in Cree syllabics, Standard Roman Orthography, and English translation and can be enjoyed by those new to the language and more advanced learners.

Educator & Series Information
Woods Cree Stories is part of the First Nations Language Readers series. With a mix of traditional and new stories, each First Nations Language Reader introduces an Indigenous language and demonstrates how each language is used today. The University of Regina Press’s long-term goal is to publish all 60+ Indigenous languages of Canada.

Additional Information
138 pages | 5.50" x 8.50" 

Acclaimed author Thomas King is in fabulous, fantastical form in this bestselling short story collection. From the surreal migrations of the title story to the misadventures of Coyote in the modern world and the chaos of a baby's unexpected arrival by airmail, King's tales are deft, hilarious and provocative. 

Reviews
"The stories in this volume cover a lot of ground. King touches on the history of displacement, racism and stereotyping, oppressive government policy, marriage and relationships, and Aboriginal-white relations, among other topics." - Dragonfly Consulting Services Canada

Educator Information
Grade 10/11 English First Peoples resource used in the unit The Trickster - A Recurring Presence.

Additional Information
256 pages | 5.31" x 8.00"

Growing up on the Six Nations native reserve, Salt Baby never quite fit in, as a “white” looking “Indian” — fair skin and curly hair made her more of a Shirley Temple type than a Pocahontas type. Salt Baby navigates the native reserve and the city while explaining herself, as well as her blood quantrum, to the world and to “Alligator”: “It’s always different for Indians.”

Reviews
“This hilarious and moving play explores the experience of being invisibly ethnic and raises questions about how we expect Aboriginal people to look.” —Toronto Arts Online

Additional Information
74 pages | 5.40" x 8.40"

Strong, sassy women and hard-luck, hard-headed men, all searching for the middle ground between Native American tradition and the modern world, perform an elaborate dance of approach and avoidance in this magical, rollicking tale by award-winning author Thomas King. Alberta, Eli, Lionel and others are coming to the Blackfoot reservation for the Sun Dance. There they will encounter four Indian elders and their companion, the trickster Coyote—and nothing in the small town of Blossom will be the same again...

Additional Information
480 pages

A story of magic, family, a mysterious stranger . . . and a band of marauding raccoons.

Otter Lake is a sleepy Anishnawbe community where little happens. Until the day a handsome stranger pulls up astride a 1953 Indian Chief motorcycle – and turns Otter Lake completely upside down. Maggie, the Reserve’s chief, is swept off her feet, but Virgil, her teenage son, is less than enchanted. Suspicious of the stranger’s intentions, he teams up with his uncle Wayne – a master of aboriginal martial arts – to drive the stranger from the Reserve. And it turns out that the raccoons are willing to lend a hand.

Reviews
“A near-perfect debut, a masterful mythic-comedy balancing contemporary issues and realities with magic and history. . . . Motorcycles & Sweetgrass is a trickster story, but it’s also a fundamentally human account of individuals and of a people struggling to find a place for themselves in the world. . . . A broad, bawdy, raucous, deeply felt and utterly involving narrative, a genuine pleasure to read. . . . Motorcycles & Sweetgrass positively crackles with life, love and magic. What more can you ask of a book?”  — Robert J. Wiersema, Edmonton Journal

“Drew Hayden Taylor’s got no qualms about poking fun at his Native roots, and that’s what makes Motorcycles & Sweetgrass such a pleasure. It’s playful yet soulful, with a narrative that keeps those pages turning. . . . A fun, rollicking book, and Taylor’s voice is fresh and unique.” — NOW (Toronto)

“Taylor brings a modern twist to ancient native folklore. Motorcycles & Sweetgrass is a charming story about the importance of balance and belief—and a little bit of magic—in everyone’s life.”— Quill & Quire

“If the great Ojibway trickster Nanabush wrote fiction, I imagine he’d write just like Drew Hayden Taylor. You will find much sadness just below the laughs, and sly humour masked by sorrow. A wisdom exists in these pages that only comes from someone who writes from his heart.” — Joseph Boyden

“Fast-paced, uproariously funny and genuinely thrilling. Drew Hayden Taylor is one of Canada’s finest and funniest writers.”— Ian Ferguson, author of Village of the Small Houses

“Funny, heartfelt, hopeful and illuminating. Motorcycles & Sweetgrass made me laugh and made me think, sometimes in the same sentence. Drew Hayden Taylor is a master storyteller.”— Terry Fallis, author of The Best Laid Plans

“Drew Hayden Taylor has woven an epic tale of magic, mystery and charm for the world to discover in Motorcycles & Sweetgrass. This is a novel to savor. A complete delight!” — Richard Van Camp, author of The Moon of Letting Go and The Lesser Blessed

Educator Information
Grades 11-12 BC English First Peoples resource for the unit What Creates Family?

Additional Information
360 pages | 5.19" x 7.99"

When Will returns to Medicine River, he thinks he is simply attending his mother's funeral. He doesn't count on Harlen Bigbear and his unique brand of community planning. Harlen tries to sell Will on the idea of returning to Medicine River to open shop as the town's only Native photographer. Somehow, that's exactly what happens.

Through Will's gentle and humorous narrative, we come to know Medicine River, a small Albertan town bordering a Blackfoot reserve. And we meet its people: the basketball team; Louise Heavyman and her daughter, South Wing; Martha Oldcrow, the marriage doctor; Joe Bigbear, Harlen's world-travelling, storytelling brother; Bertha Morley, who has a short fling with a Calgary dating service; and David Plume, who went to Wounded Knee. At the centre of it all is Harlen, advising and pestering, annoying and entertaining, gossiping and benevolently interfering in the lives of his friends and neighbours.

Educator Information
Recommended Grades: 10-11

Grade 10/11 English First Peoples resource included in the unit Relationships - Families, Friendships, Communities, and the Land.

Additional Information
320 pages | 5.31" x 8.25"

The Buz’Gem Blues is the third play in Drew Hayden Taylor’s ongoing zany, outrageous, often farcical examination of both Native and non-Native stereotypes in what is to become what he calls his “Blues Quartet.”

Marianne has talked her mother, Martha, into attending an Elders conference with her, where she is to be used as a resource person, even though Martha doesn’t believe she has anything to offer anyone. Held in a college setting, the keynote paper of the conference is a dissertation on “the courting, love, and sexual habits of contemporary First Nations people as perceived by Western Society,” delivered by none other than a “Professor Savage.” Just to keep the caricatures in balance, Savage’s nemesis throughout the action is a young Native man, replete with dark sunglasses and a Mountie coat, who goes by the name “The Warrior Who Never Sleeps.”

The Buz’Gem Blues is not a play about clichés with which we have become so familiar that we recognize them as stereotypes instantly, but rather about how our ritualized and institutionalized systems of maintaining and policing those clichés prevent us from recognizing our common humanity within each other.

Additional Information
128 pages | 5.50" x 8.50" | Paperback

Named in the University of Toronto Bookstore Review as one of the top100 Canadian books of all time

There is much more than one good story in this bestselling (over 10,000 copies sold) collection of short fiction. In fact, there are more than a few of the best examples of native storytelling ever published. Thomas King, author of the acclaimed Medicine River and Green Grass, Running Water, and Truth and Bright Water, has proven he has a magical gift, a fresh voice and a special brand of wit and comic imagination.

One Good Story, That One is steeped in native oral tradition, led off by a sly creation tale, introducing the traditional native trickster coyote. Weaving the realities of native history and contemporary life through the story, King recounts a parodic version of the Garden of Eden story, slyly pulling our leg and our funnybone.

A collection that is rich with strong characters, alive with crisp dialogue and shot through with the universal truths we are all searching for, One Good Story, That One is one great read.

Additional Information
160 pages | 5.31" x 8.00"