Adult Book

An urgent, informed, intimate condemnation of the Canadian state and its failure to deliver justice to Indigenous people by national bestselling author and former Crown prosecutor Harold R. Johnson. Now with a brand new foreward.

"The night of the decision in the Gerald Stanley trial for the murder of Colten Boushie, I received a text message from a retired provincial court judge. He was feeling ashamed for his time in a system that was so badly tilted. I too feel this way about my time as both defence counsel and as a Crown prosecutor; that I didn't have the courage to stand up in the courtroom and shout 'Enough is enough.' This book is my act of taking responsibility for what I did, for my actions and inactions." -- Harold R. Johnson

In early 2018, the failures of Canada's justice system were sharply and painfully revealed in the verdicts issued in the deaths of Colten Boushie and Tina Fontaine. The outrage and confusion that followed those verdicts inspired former Crown prosecutor and bestselling author Harold R. Johnson to make the case against Canada for its failure to fulfill its duty under Treaty to effectively deliver justice to Indigenous people, worsening the situation and ensuring long-term damage to Indigenous communities.

In this direct, concise, and essential volume, Harold R. Johnson examines the justice system's failures to deliver "peace and good order" to Indigenous people. He explores the part that he understands himself to have played in that mismanagement, drawing on insights he has gained from the experience; insights into the roots and immediate effects of how the justice system has failed Indigenous people, in all the communities in which they live; and insights into the struggle for peace and good order for Indigenous people now.

Additional Information
272 pages | 5.00" x 7.51" | B&W photo spread in text | Paperback

The manufacturing of a chronic food crisis.

Food insecurity in the North is one of Canada’s most shameful public health and human rights crises. In Plundering the North, Kristin Burnett and Travis Hay examine the disturbing mechanics behind the origins of this crisis: state and corporate intervention in northern Indigenous foodways.

Despite claims to the contrary by governments, the Hudson’s Bay Company (HBC), and the contemporary North West Company (NWC), the exorbitant cost of food in the North is neither a naturally occurring phenomenon nor the result of free-market forces. Rather, inflated food prices are the direct result of government policies and corporate monopolies. Using food as a lens to track the institutional presence of the Canadian state in the North, Burnett and Hay chart the social, economic, and political changes that have taken place in northern Ontario since the 1950s. They explore the roles of state food policy and the HBC and NWC in setting up, perpetuating, and profiting from food insecurity while undermining Indigenous food sovereignties and self-determination.

Plundering the North provides fresh insight into Canada’s settler colonial project by re-evaluating northern food policy and laying bare the governmental and corporate processes behind the chronic food insecurity experienced by northern Indigenous communities.

Reviews
“Spanning the late nineteenth century to the current day, Plundering the North provides meticulous detail about the ways in which HBC and NWC operated as agents of the state’s settler-colonial ambitions while the state subsidized the processes and profits of those private corporations. This is a valuable, unique, and timely contribution.”— Elaine Power

Additional Information
232 pages | 6.00" x 9.00" | Index, Bibliography | Paperback

Realizing a good life is almost always defined in material terms, typified by individuals (usually men) who have considerable wealth. But classed, gendered, and racialized social supports enable the “self-made man.” Instead, this book turns to Indigenous knowledge about realizing a good life to explore how marginalized men endeavour to overcome systemic inequalities in their efforts to achieve wholeness, balance, connection, harmony, and healing.

Twenty-three men, most of whom are Indigenous, share their stories of this journey. For most, the pathway started in challenging circumstances — intergenerational trauma, disrupted families and child welfare interventions, racism and bullying, and physical and sexual abuse. Most coped with the pain through drugging and drinking or joining a street gang, setting many on a trajectory to jail. Caught in the criminal justice net, realizing a good life was even more daunting as their identities and life chances became barriers.

Some of the men, however, have made great strides to realize a good life. They tell us how they got out of “the problem,” with insights on how to maintain sobriety, navigate systemic barriers, and forge connections and circles of support. Ultimately, it comes down to social supports — and caring. As one man put it, change happened when he “had to care for somebody else” in a way he wanted to be cared for.

Educator Information
Chapter 1. Realizing a Good Life
Chapter 2. Getting into The Problem
Chapter 3. Being in The Problem
Chapter 4. Getting Out of The Problem
Chapter 5. Bringing It to a Close

The Indigenous Text label is applied because of the Indigenous contributions to this work. Its up to readers to determine if this works as an authentic text for their purposes.

Additional Information
256 pages | 6.00" x 9.00" | Paperback

A manifesto for the future of Indigenous Education in Canada

In Reclaiming Anishinaabe Law Leo Baskatawang traces the history of the neglected treaty relationship between the Crown and the Anishinaabe Nation in Treaty #3, and the Canadian government’s egregious failings to administer effective education policy for Indigenous youth—failures epitomized by, but not limited to, the horrors of the residential school system.

Rooted in the belief that Indigenous education should be governed and administered by Indigenous peoples, Baskatawang envisions a hopeful future for Indigenous nations where their traditional laws are formally recognized and affirmed by the governments of Canada. Baskatawang thereby details the efforts being made in Treaty #3 territory to revitalize and codify the Anishinaabe education law, kinamaadiwin inaakonigewin. Kinamaadiwin inaakonigewin considers education wholistically, such that it describes ways of knowing, being, doing, relating, and connecting to the land that are grounded in tradition, while also positioning its learners for success in life, both on and off the reserve.

As the backbone of an Indigenous-led education system, kinamaadiwin inaakonigewin enacts Anishinaabe self-determination, and has the potential to bring about cultural resurgence, language revitalization, and a new era of Crown-Indigenous relations in Canada. Reclaiming Anishinaabe Law challenges policy makers to push beyond apologies and performative politics, and to engage in meaningful reconciliation practices by recognizing and affirming the laws that the Anishinaabeg have always used to govern themselves.

Reviews
"Leo Baskatawang offers a passionate call for Indigenous self-determination and a reclamation of Anishinaabe education law and practice in raising up the next generation. This book can be used to envision a future that uses Indigenous treaties to drive systemic change in education."— Brittany Luby

Additional Information
240 pages | 6.00" x 9.00" | b&w illustrations, maps, index, bibliography | Paperback | 

A sweeping history of Indigenous traditions of gender, sexuality, and resistance that reveals how, despite centuries of colonialism, Two-Spirit people are reclaiming their place in Native nations.

Reclaiming Two-Spirits decolonizes the history of gender and sexuality in Native North America. It honors the generations of Indigenous people who had the foresight to take essential aspects of their cultural life and spiritual beliefs underground in order to save them.

Before 1492, hundreds of Indigenous communities across North America included people who identified as neither male nor female, but both. They went by aakíí’skassi, miati, okitcitakwe, or one of hundreds of other tribally specific identities. After European colonizers invaded Indian Country, centuries of violence and systematic persecution followed, imperiling the existence of people who today call themselves Two-Spirits, an umbrella term denoting feminine and masculine qualities in one person.

Drawing on written sources, archaeological evidence, art, and oral storytelling, Reclaiming Two-Spirits spans the centuries from Spanish invasion to the present, tracing massacres and inquisitions and revealing how the authors of colonialism’s written archives used language to both denigrate and erase Two-Spirit people from history. But as Gregory Smithers shows, the colonizers failed—and Indigenous resistance is core to this story. Reclaiming Two-Spirits amplifies their voices, reconnecting their history to Native nations in the 21st century.

Reviews
“Reclaiming Two-Spirits is by far the most compelling study to date of an evolving tradition and way of life that has always operated according to a cultural logic of its own and that we can appreciate fully only by taking that cultural logic seriously. Setting aside Anglo-American assumptions and categories, Smithers has listened closely to Two-Spirit people in the present and to traces of their voices in historical sources. This book is a major contribution to our understanding of Native American cultures and to an authentically diverse history of gender and sexuality.” —Richard Godbeer, author of Sexual Revolution in Early America

“From the onset of colonization until well into the present, the discourse and histories of Two-Spirit Indigenous peoples remains a puzzle for Indigenous and non-Indigenous people alike. Reclaiming Two-Spirits will help you solve that puzzle. Using familiar and obscure stories, Smithers skillfully reveals the centrality of Two-Spirit struggles within the matrix of settler colonial domination and the Indigenous struggle for freedom. He reveals the destructive nature of colonial violence and the possibilities of a Two-Spirit future. An original contribution to Indigenous cultural and intellectual histories, an understanding of the links between language and power, and Indigenous futures, this book will not only educate your mind, but will also touch your spirit.” —Kyle T. Mays (Black/Saginaw Chippewa), author of An Afro-Indigenous History of the United States

Awards

• Winner of the 2023 Prose Award in Cultural Anthropology and Sociology
  

Additional Information
368 pages | 5.97" x 9.01" | Paperback

An Indigenous artist blends the aesthetics of punk rock with the traditional spiritual practices of the women in her lineage in this bold, contemporary journey to reclaim her heritage and unleash her power and voice while searching for a permanent home.

Sasha taqʷšəblu LaPointe has always longed for a sense of home. When she was a child, her family moved around frequently, often staying in barely habitable church attics and trailers, dangerous places for young Sasha.

With little more to guide her than a passion for the thriving punk scene of the Pacific Northwest and a desire to live up to the responsibility of being the namesake of her beloved great-grandmother—a linguist who helped preserve her Indigenous language of Lushootseed—Sasha throws herself headlong into the world, determined to build a better future for herself and her people.

Set against a backdrop of the breathtaking beauty of Coast Salish ancestral land and imbued with the universal spirit of punk, Red Paint is ultimately a story of the ways we learn to find our true selves while fighting for our right to claim a place of our own.

Examining what it means to be vulnerable in love and in art, Sasha offers up an unblinking reckoning with personal traumas amplified by the collective historical traumas of colonialism and genocide that continue to haunt native peoples. Red Paint is an intersectional autobiography of lineage, resilience, and, above all, the ability to heal.

Awards

• Winner of the 2023 Pacific Northwest Book Award 

Reviews
"Red Paint is a miraculous book. Sasha LaPointe walks us through the sites of her evisceration while rebuilding a home within her body using sturdy materials: rose quartz, cedar bark, red clay, and the words of her ancestors. With each potent sentence, she shows us what access to power looks like. She shows us how to become whole.” —Elissa Washuta, author of White Magic

"As luminous as the morning sun over the fir forests, Red Paint is a story of where strength takes us. Sasha taqwšəblu LaPointe goes looking to the past to help heal from terrible traumas, finding inspiration in her ancestors, the Salish people. This is a book destined to be a classic. Read it." —Rene Denfeld, bestselling author of The Child Finder

Additional Information
240 pages | 5.01" x 8.00" | Paperback

From award-winning author Deborah J Ledford comes a thrilling new series featuring a Native American sheriff’s deputy who risks it all to find a friend who’s gone missing.

After four women disappear from the Taos Pueblo reservation, Deputy Eva “Lightning Dance” Duran dives into the case. For her, it’s personal. Among the missing is her best friend, Paloma, a heroin addict who left behind an eighteen-year-old son.

Eva senses a lack of interest from the department as she embarks on the investigation. But their reluctance only fuels her fire. Eva teams up with tribal police officer and longtime friend Cruz “Wolf Song” Romero to tackle a mystery that could both ruin her reputation and threaten her standing in the tribe.

And when the missing women start turning up dead, Eva uncovers clues that take her deeper into the reservation’s protected secrets. As Eva races to find Paloma before it’s too late, she will face several tests of loyalty—to her friend, her culture, and her tribe.

Reviews
“Deborah J. Ledford has artfully woven the voices of multiple characters connected to the Taos Pueblo to create a pattern of stories that illuminate the challenges as well as the enduring power of Native American women. The rhythm of daily life is evident in Ledford’s lovely, intimate prose. I eagerly await the new adventures of Eva Duran, who will, no doubt, unearth more mysteries in the buried layers of New Mexico.” —Naomi Hirahara, the Mary Higgins Clark Award–winning author of Clark and Division

“Redemption is a page-turner! I loved reading about sheriff’s deputy Eva Duran and her battle against dark forces on the reservation. Sharp characters, a great setting, and a plot that keeps you guessing. A riveting thriller that hits hard and keeps you hooked.” —David Heska Wanbli Weiden, Anthony and Thriller Award–winning author of Winter Counts

“A riveting tale of murder and intrigue on a Native American reservation from an immensely talented voice in crime fiction. Deborah J. Ledford has created a page-turner featuring an unforgettable hero in Eva ‘Lightning Dance’ Duran.” —Isabella Maldonado, Wall Street Journal bestselling author

Series Information
This book is part of the Eva "Lightning Dance" Duran series.

Additional Information
366 pages | 5.50" x 8.50" | Paperback 

A revolutionary collaboration about the world we're living in now, between two of our most important contemporary thinkers, writers and activists.

When the world entered pandemic lockdown in spring 2020, Robyn Maynard, influential author of Policing Black Lives, and Leanne Betasamosake Simpson, renowned artist, musician, and author of Noopiming: The Cure for White Ladies, began writing each other letters—a gesture sparked by a desire for kinship and connection in a world shattering under the intersecting crises of pandemic, police killings, and climate catastrophe. These letters soon grew into a powerful exchange about where we go from here.
 
Rehearsals for Living is a captivating and visionary work—part debate, part dialogue, part lively and detailed familial correspondence between two razor-sharp writers. By articulating to each other Black and Indigenous perspectives on our unprecedented here and now, and reiterating the long-disavowed histories of slavery and colonization that have brought us to this moment, Maynard and Simpson create something new: an urgent demand for a different way forward, and a poetic call to dream up other ways of ordering earthly life.

Reviews
“This book must be read for its future vocabularies, its political intimacies, its careful assemblage of the materials of our activisms, and its generous and fulsome thinking.”—Dionne Brand, poet, novelist, and essayist

“Using the age-old practice of letter writing and the land itself as a palimpsest, Robyn Maynard and Leanne Betasamosake Simpson find common ground to challenge the moral legitimacy of the settler nation state, and reinscribe new ways of what it means to be beings who are human in the forensic landscapes of Canada. In Rehearsals for Living, two women, one Indigenous, the other Black and African-descended confront their shared yet different experiences of colonialism, provide new and subversive meanings to the colonial trope of being landed, the mechanism by which the land was (un)settled. Unflinchingly, and in long-overdue and profoundly-needed “reasonings” that reverberate with shared breath, Simpson and Maynard weave their ideas, thoughts and reflections and their deep caring for community and society through the network of issues that impact us today—the pandemic and the differentials in treatment for Black and Indigenous people, the role of BLM, abolition, the necessity of Nibi and homespace for the Nishnaabeg, the joys of living on the land, and parenting in the face of ecological and racial disasters are but a few of the challenges they grapple with. Rehearsals for Living is fundamental to understanding the interlocking, founding crimes of the Americas; necessary for remembering the many erased histories of the on-going struggle for justice, and altogether indispensable to those wanting to create possible solutions.”—M. NourbeSe Philip, author of Zong!

Additional Information
336 pages | 5.17" x 7.99" | Paperback 

Elders and leaders remind us that telling and amplifying histories is key for healing. Remembering Our Relations is an ambitious collaborative oral history project that shares the story of Wood Buffalo National Park and the Dënesųłıné peoples it displaced.

Wood Buffalo National Park is located in the heart of Dënesųłıné homelands, where Dené people have lived from time immemorial. Central to the creation, expansion, and management of this park, Canada’s largest at nearly 45, 000 square kilometers, was the eviction of Dënesųłıné people from their home, the forced separation of Dene families, and restriction of their Treaty rights.

Remembering Our Relations tells the history of Wood Buffalo National Park from a Dene perspective and within the context of Treaty 8. Oral history and testimony from Dene Elders, knowledge-holders, leaders, and community members place Dënesųłıné voices first. With supporting archival research, this book demonstrates how the founding, expansion, and management of Wood Buffalo National Park fits into a wider pattern of promises broken by settler colonial governments managing land use throughout the twentieth and twenty-first centuries.

By prioritizing Dënesųłıné histories Remembering Our Relations deliberately challenges how Dene experiences have been erased, and how this erasure has been used to justify violence against Dënesųłıné homelands and people. Amplifying the voices and lives of the past, present, and future, Remembering Our Relations is a crucial step in the journey for healing and justice Dënesųłıné peoples have been pursuing for over a century.

Additional Information
352 pages | 6.00" x 9.00" | Paperback

Music historian Craig Harris explores more than five hundred years of Indigenous history, religion, and cultural evolution in Rise Up! Indigenous Music in North America. More than powwow drums and wooden flutes, Indigenous music intersects with rock, blues, jazz, folk music, reggae, hip-hop, classical music, and more. Combining deep research with personal stories by nearly four dozen award-winning Indigenous musicians, Harris offers an eye-opening look at the growth of Indigenous music.

Among a host of North America’s most vital Indigenous musicians, the biographical narratives include new and well-established figures such as Mildred Bailey, Louis W. Ballard, Cody Blackbird, Donna Coane (Spirit of Thunderheart), Theresa “Bear” Fox, Robbie Robertson, Buffy Sainte-Marie, Joanne Shenandoah, DJ Shub (Dan General), Maria Tallchief, John Trudell, and Fawn Wood.

Reviews

Additional Information
344 pages | 6.00" x 9.00" | 40 Photos, Index | Paperback

A spellbinding, spirited tale of two men exploring masculinity, race, and belonging in a desperate search to feel at home in their own skins.

An enthralling nautical epic, River Meets the Sea traces the dual timelines of a white-passing Indigenous foster child in 1940s Vancouver and a teenage immigrant in the suburbs of Nanaimo in the 1970s.

A natural-born storyteller, Ronny is a left-handed "alley mutt" without a birth certificate who searches for his mother everywhere - most powerfully, he hears her voice in the surging Stó:lo River. Born in the middle of the ocean on a merchant ship departing Sri Lanka, Chandra is a Tamil boy with "skin like a charred eggplant" who finds his haven from the pressure to assimilate by swimming and surfing in the Salish Sea.

Moving gracefully between these parallel stories like a wave, the novel traces the seemingly separate lives of these sensitive young men and their everlasting connections to water. When their troubled paths inevitably cross, they form a sacred bond based on the mutual understanding of what it means to be othered, illuminating the interconnectedness of humanity and our innate relationship with the natural world.

Reviews

Additional Information
400 pages | 5.25" x 8.00" | Paperback

There are worse places to live than the rez. Still, family distractions make it almost impossible for Ray Smith and his three bandmates to rehearse every day. So, fresh from high school, the four move to Wakeville, Manitoba to pursue their passion for music.

A half-year later, gigs come fast and thick, with the group touring the northern province. However, too much partying and fighting leads to a bitter split between the band and their volatile bass player, Butch. Bad luck and sabotage from Butch causes gigs to dwindle, and with encouragement from his best friend and guitarist, Ray decides to join a new, well-known band, where his music career takes off. Soon he’s recognized on the street, has spots on TV, and back home he’s hailed a hero.

But success has a dark underbelly. A girl goes missing, and Ray’s loved ones are terrorized by a faceless, vengeful stalker. The question isn’t the culprit’s identity—Ray’s almost positive he knows who’s responsible. But stopping the killer before someone else is murdered…that’s a whole other story.

Additional Information
234 pages | 5.25" x 8.00"

A wild, seductive debut collection that presents a powerful journey of struggle and healing—and a spellbinding brew of folklore, movies, music, and ritual.

“Draw me encircled // in something // other than gasoline.” The poems of Rose Quartz hum with the naked energy of one who has found her way home after a journey rife with difficulty and who has the scars to show for it. In them, Sasha taqwšəblu LaPointe moves from intimate scenes of peril—a car accident, an unwelcome advance at a party, a miscarriage—to the salvific, exhilarating punk scene of the Pacific Northwest and the centering shores of her Coast Salish ancestors. Along the way, she peers into the darker corners of her own search for belonging, and finds there glittering stones dense with meaning and the power to move forward.

As game to follow a beckoning Laura Palmer into the burning woods as she is to step into the shoes of Little Red Riding Hood as she lays waste to her wolf, LaPointe explores the sublime space between beauty and danger through lush, almost baroque, use of folktale and color. Red, white, blue, and an amalgam that is none of the above—rose—vie for the speaker’s embrace as a mixed-race woman. Here, poems become offerings, rituals, incantations conjured in the name of healing and power.

Like the stones and cards laid on an altar, Rose Quartz offers a reading at the intersection of identity and myth, trauma and truth, telling the story of past, present, and future.

Reviews
“From the author of Red Paint, LaPointe’s long-awaited debut poetry collection Rose Quartz pulls no punches. Accompanied by rustic and witchy atmospheres that ooze Pacific Northwest, LaPointe’s poems often center around the hardships she’s survived and growth she has accomplished in relationships, a miscarriage, and her Coast Salish identity. Gorgeous, vulnerable, and shimmering with strength.”—Andrew King, Secret Garden, Seattle, WA

“In Rose Quartz—a tapestry of stone and tarot, story and dream—the luxury of fairy-tale is disrupted by the beautiful and scarring velocity of our reality, resulting in poems that sing and haunt, dance and tackle the heart, that glow like fire but at times are the dangerous blaze itself. Sasha taqwšəblu LaPointe’s book of protection spells and unfairied-tales is the jewel anyone who knows the turbulent roads of life will want to hold close for the rest of the journey.”—Danez Smith

Additional Information
136 pages | 5.59" x 8.48" | Paperback

Step into a fascinating world of nature and art. These scenes of Mother Nature provide the opportunity to explore colours and creativity. The accompanying cultural teachings will inspire as you colour and in your life.

Educator Information
The publisher of this colouring book for adults has noted that it can be enjoyed by all ages.

Additional Information
21 x 0.3 x 21 cm 

This enriching cookbook celebrates eight important plants Native Americans introduced to the rest of the world: corn, beans, squash, chile, tomato, potato, vanilla, and cacao—with more than 100 recipes. When these eight Native American plants crossed the ocean after 1492, the world’s cuisines were changed forever. In Seed to Plate, Soil to Sky, James Beard Award-winning author and chef Lois Ellen Frank introduces the splendor and importance of this Native culinary history and pairs it with delicious, modern, plant-based recipes using Native American ingredients. Along with Native American culinary advisor Walter Whitewater, Seed to Plate, Soil to Sky shares more than 100 nutritious, plant‑based recipes organized by each of the foundational ingredients in Native American cuisine as well as a necessary discussion of food sovereignty and sustainability.

A delicious, enlightening celebration of Indigenous foods and Southwestern flavors, Seed to Plate, Soil to Sky shares recipes for dishes such as Blue Corn Hotcakes with Prickly Pear Syrup, Three Sisters Stew, and Green Chile Enchilada Lasagna, as well as essential basics like Corn Masa, Red and Green Chile Sauces, and Cacao Spice Rub. The “Magic 8” ingredients share the page—and plate—to create recipes that will transform your world.

Reviews
"Seed to Plate honors the practical side of growing Indigenous heirloom seeds to fruition. Lois demonstrates how to respect the whole life cycle of these foods by processing and cooking them with reverence, so when they end up on our plate and in our bellies, they are true medicine. This book honors Native American food wisdom and transforms the way we think about daily nourishment.” —from the foreword by Melissa K. Nelson, (Anishinaabe/Métis [Turtle Mountain Chippewa]), Professor of Indigenous Sustainability, Arizona State University; President of the Cultural Conservancy"

"Seed to Plate, Soil to Sky is more than a beautiful and empowering book. It is a landmark in the culinary world, helping us remember timeless traditions and put them to use at a time when healthful traditions are needed most. It is a treasury of historical context, key botanical information, and practical tips for the kitchen that will allow us to use the bounty of nature for health and vitality."—Neal D. Barnard, MD, FACC, adjunct professor of medicine, George Washington Univ. School of Medicine & Health Sciences, president, Physicians Committee for Responsible Medicine

Additional Information
320 pages | 7.60" x 9.40" | 75 full colour photos | Hardcover