Teen Books

In this final book of the hi-lo Sydney's Journey series, Sydney has at last come to terms with the anguish of being a bully and being bullied herself. But when her boyfriend reveals that he is looking forward to going away to college, another issue arises: Sydney finds herself dealing with deep separation anxiety. She believes he is deserting her--just like her father did. Sydney retreats into herself and pushes her boyfriend and others away. When her best friend points out that her response is not healthy, Sydney decides to attend a Native women's sharing circle with her mother. Here Sydney realizes that the quiet storm troubling her heart can finally be healed.

Reviews
"A well-grounded reluctant reader title exploring the power of relationships." - Kirkus Reviews

Educator & Series Information
The publisher recommends this book for ages 12 to 18.

This book is part of the PathFinders Collection of Indigenous Hi-Lo- novels. Interest level is pre-teen on up. 

The PathFinders series of Hi-Lo (high interest, low readability) novels offers the following features:

• Indigenous teen protagonists
• Age-appropriate plots
• 2.5 – 4.5 Reading Level
• Contemporary and historical fiction
• Indigenous authors

The PathFinders series is from an American publisher. Therefore, Indigenous terminology in the PathFinders books is not the same as Canadian Indigenous terminology. This prompts a useful teaching moment for educators in discussing appropriate terminology use in Canada.

This book is Book 3 in the Sydney's Journey series.

Additional Information
110 pages | 4.70" x 7.20" | Paperback

A subversive novel by acclaimed Cree author Darrel J. McLeod, infused with the contradictory triumph and pain of finding conventional success in a world that feels alien.

James, a talented and conflicted Cree man from a tiny settlement in Northern Alberta, has settled into a comfortable middle-class life in Kitsilano, a trendy neighbourhood of Vancouver. He is living the life he had once dreamed of—travel, a charming circle of sophisticated friends, a promising career and a loving relationship with a caring man—but he chafes at being assimilated into mainstream society, removed from his people and culture.

The untimely death of James’s mother, his only link to his extended family and community, propels him into a quest to reconnect with his roots. He secures a job as a principal in a remote northern Dakelh community but quickly learns that life there isn’t the fix he’d hoped it would be: His encounters with poverty, cultural disruption and abuse conjure ghosts from his past that drive him toward self-destruction. During the single year he spends in northern BC, James takes solace in the richness of the Dakelh culture—the indomitable spirit of the people, and the splendour of nature—all the while fighting to keep his dark side from destroying his life.

Reviews
“MacLeod offers the reader a thought-provoking and immersive portrait of a remote Dakelh community and of James, the driven Indigiqueer educator who chooses to work there—a man who must struggle with structural injustices, conflicting demands, prejudice, and his own divided self. A deeply authentic novel, and one that is both educative and heartfelt.” — Kathy Page, author of Alphabet and Dear Evelyn

“A Season in Chezgh’un is about the search for meaning and for love, about grappling with history and loss, about creating a future out of quiet daring. I love the elegance of languages and cultures intermingling in this story, Cree, Dene, Nehiyaw, French, Spanish. Beautifully crafted, this novel is alive with dialogue that takes us into the hearts of characters too often left voiceless. Let this book sweep you away.” — Kim Echlin, author of Speak, Silence

Additional Information
320 pages | 6.00" x 9.00" | Paperback

The highly anticipated second installment of the new adult fantasy saga that took BookTok by storm picks up where A Broken Blade left off…

To the kingdom, Keera is the king’s Blade, his most feared and trusted spy and assassin. But in the shadows, she works with Prince Killian and his Shadow—the dark, brooding Fae, Riven, who sets her blood on fire. Together, they plot to kill a tyrant king.

In Myrelinth, the lush, secret city of trees, Fae, Elves, and Halflings like Keera live in harmony. But Keera cannot escape her past: her crimes against her own people have followed her all the way to the Faeland. There is a traitor in their midst, and Keera is the top suspect.

Keera finds comfort in the allies that have become her family. She swore she would never open her heart again after a loss she barely survived. But she will soon find she has more to lose than she ever imagined . . .

Perfect for fans of Sarah J. Maas’s Throne of Glass series, A Shadow Crown is a tour-de-force high fantasy novel with stunning world building and a slow burn enemies to lovers romance. Readers seeking more LGBTQ+ and BIPOC representation in the fantasy realm will fall in love with the unforgettable cast of characters introduced in A Broken Blade, whose sagas are only beginning…

Reviews
"The second installment in Melissa Blair’s Halfling Saga will undoubtedly take BookTok by storm all over again with its political intrigue and plotting.” —Paste Magazine

“If you’re a particular fan of spies in fantasy realms—like our beloved Inej in Six of Crows—then The Halfling Saga should be your next read.” —The Everygirl

Educator & Series Information
Young adult/new adult fantasy series recommended for ages 18+.

This book is the second title in the Halfing Saga.

Additional Information
480 pages | 6.00" x 9.00" | Paperback

A fifty-year-old mystery converges with a present-day struggle over family, land, and history.

When a rock is dislodged from its slope by mischievous ancestors, the past rises to meet the present, and Half-Dime Hill gives up a gruesome secret it has kept for half a century. Some people of Mozhay Point have theories about what happened; others know—and the discovery stirs memories long buried, reviving a terrible story yet to be told.

Returning to the fictional Ojibwe reservation in northern Minnesota she has so deftly mapped in her award-winning books, Linda LeGarde Grover reveals traumas old and new as Margie Robineau, in the midst of a fight to keep her family’s long-held allotment land, uncovers events connected to a long-ago escape plan across the Canadian border, and the burial—at once figurative and painfully real—of not one crime but two. While Margie is piecing the facts together, Dale Ann is confronted by her own long-held secrets and the truth that the long ago and the now, the vital and the departed are all indelibly linked, no matter how much we try to forget.

As the past returns to haunt those involved, Margie prepares her statement for the tribal government, defending her family’s land from a casino development and sorting the truths of Half-Dime Hill from the facts that remain there. Throughout the narrative, a chorus of spirit women gather in lawn chairs with coffee and cookies to reminisce, reflect, and speculate, spinning the threads of family, myth, history, and humor—much as Grover spins another tale of Mozhay Point, weaving together an intimate and complex novel of a place and its people.

Reviews
"A sprawling, poignant chronicle of struggle and survivance."—Kirkus Reviews

"With its powerful, atmospheric descriptions of the natural world, A Song over Miskwaa Rapids resembles an Indigenous family saga in miniature, couching memory and mystery in a potent spirit world."—Foreword Reviews

Additional Information
128 pages | 5.50" x 8.25" | Hardcover

Aided by Grandmother Spider, Star Woman discovers the Hole-in-the-Sky, opening a pathway for the Star People to experience the wonder of life on earth. But the world falls into the hands of the Paper People, jeopardizing the sacred harmony between nature and the cosmos. And so Little Spirit, a young boy, must search for meaning and find redemption in the care of Grandmother Moon.

An epic narrative, The Star Poems explores the black hole of colonial history—Residential Schools, the loss of the father, youth suicide—and the vital role of women in reclaiming our traditional knowledge, the teachings that stitch together the fabric of the universe.

The Star Poems creatively engages Cree oral tradition in a new way, connecting Indigenous spirituality and quantum physics to honour and adapt some of our most ancient stories about the origins of life and our place in the universe. Presented in both English and Cree, The Star Poems is a timely contribution to the revitalization of the Cree language—and the fascinating world of star stories.

Educator Information
Recommended for ages 15+

Additional Information
132 pages | 6.00" x 9.00" | Paperback

An Anthology of Monsters by Cherie Dimaline, award-winning Métis author of The Marrow Thieves, is the tale of an intricate dance with life-long anxiety. It is about how the stories we tell ourselves—both the excellent and the horrible—can help reshape the ways in which we think, cope, and ultimately survive. Using examples from her published and forthcoming books, from her mère, and from her own late-night worry sessions, Dimaline choreographs a deeply personal narrative about all the ways in which we cower and crush through stories. Witches emerge as figures of misfortune but also empowerment, and the fearsome Rougarou inspires obedience, but also belonging and responsibility. Dimaline reveals how to collect and curate these stories, how they elicit difficult and beautiful conversations, and how family and community is a place of refuge and strength.

Educator Information
Keywords / Subjects: Stories; Anxiety; Panic; Rougarou; Family; Community; Métis; Witches; Insomnia; Coping; Worries; Grandparents; Empower; Belonging; Responsibility; Mental Health; Biography; Essays; Canadian Literature

Additional Information
64 pages | 5.25" x 9.00" | Paperback

A monumental gathering of more than 60 contemporary artists, photographers, musicians, writers and more, showcasing diverse approaches to Indigenous concepts, forms and mediums

This landmark volume is a gathering of Native North American contemporary artists, musicians, filmmakers, choreographers, architects, writers, photographers, designers and more. Conceived by Jeffrey Gibson, a renowned artist of Mississippi Choctaw and Cherokee descent, An Indigenous Present presents an increasingly visible and expanding field of Indigenous creative practice. It centers individual practices, while acknowledging shared histories, to create a visual experience that foregrounds diverse approaches to concept, form and medium as well as connection, influence, conversation and collaboration. An Indigenous Present foregrounds transculturalism over affiliation and contemporaneity over outmoded categories.

Artists include: Neal Ambrose-Smith, Teresa Baker, Natalie Ball, Laakkuluk Williamson Bathory, Rebecca Belmore, Andrea Carlson, Nani Chacon, Raven Chacon, Dana Claxton, Melissa Cody, Chris T. Cornelius, Lewis deSoto, Beau Dick, Demian DineYazhi’, Wally Dion, Divide and Dissolve, Korina Emmerich, Ka’ila Farrell-Smith, Yatika Starr Fields, Nicholas Galanin, Raven Halfmoon, Elisa Harkins, Luzene Hill, Anna Hoover, Sky Hopinka, Chaz John, Emily Johnson, Brian Jungen, Brad Kahlhamer, Sonya Kelliher-Combs, Adam Khalil, Zack Kahlil, Kite, Layli Long Soldier, Erica Lord, Cannupa Hanska Luger, Tanya Lukin Linklater, James Luna, Dylan McLaughlin, Meryl McMaster, Caroline Monnet, Audie Murray, New Red Order, Jamie Okuma, Laura Ortman, Katherine "KP" Paul/Black Belt Eagle Scout, Postcommodity, Wendy Red Star, Eric-Paul Riege, Cara Romero, Sara Siestreem, Rose B. Simpson, Jaune Quick-to-See Smith, Hulleah J. Tsinhnahjinnie, Anna Tsouhlarakis, Arielle Twist, Marie Watt, Dyani White Hawk and Zoon a.k.a. Daniel Glen Monkman.

Additional Information
448 pages | 9.75" x 12.25" | 387 Illustrations | Hardcover

A chilling horror novel about a young Indigenous woman haunted by the oppressive legacies of colonization.

Dawn hasn't spoken to her brother, Cody, since he was sent to prison for a violent crime seven years ago. Now living in a shiny new Toronto condo, Dawn is haunted by uncanny occurrences, including cryptic messages from her dead mother, that have followed her most of her life. When the life Dawn thought she wanted implodes, she is forced to return to her childhood home and the prairie city that hold so much pain for her and her fractured family.

Cody is unexpectedly released from prison with a mysterious new friend by his side, who seems to be the charismatic leader of a dangerous supernatural network. Trying to uncover their plans, Dawn follows increasingly sinister leads until the lines between this world and the next, now and then, and right and wrong begin to blur and dissolve.

What unfolds is an eerie, incisive, and at times darkly funny horror novel about a young Indigenous woman reckoning with trauma and violence, loss and reclamation in an unsettling world where spirit realms entwine with the living-and where it is humans who carry out the truly monstrous acts.

Reviews
"Well written, creepy, frustrating, and puzzling. There may be violence in this novel, but there's nothing ordinary about it." — Drew Hayden Taylor, author of Take Us to Your Chief

"What a book! It's utterly enthralling and unsettling to your bones. A wonderful haunt that creeps into your psyche in the best possible way. I feel like I know Dawn, which only makes the story creepier. A tremendous debut, and I can't wait to read more."— Jesse Wente, author of Unreconciled: Family, Truth, and Indigenous Resistance

"An Ordinary Violence by Adriana Chartrand is a compelling read that rockets off the page. From the first chapter, I was hooked and gleefully followed Dawn as she moved around the spaces she used to call home to figure out her new reality. The writing is poetic, truthful, and you can tell that Adriana has written a story from her heart. This book will be sure to surprise its readers!" — Francine Cunningham, author of God Isn't Here Today

"An Ordinary Violence is surely a gripping and haunting novel, one that will hold you from the first word to the last, but what makes it so potent and memorable is the way Adriana Chartrand tells this story with such grace and humility. There is horror, and then there is horror-An Ordinary Violence has both. This is an unforgettable novel." — Morgan Talty, author of Night of the Living Rez

"Adriana Chartrand's An Ordinary Violence is a hallucinatory slow-burn chiller, sharply observed and heartfelt in its depiction of family ties that bind like strips of wet rawhide. Dawn returns to her hometown to find it is in the grip of something uncanny and malevolent. As she visits old friends and familiar places, she grapples with ghosts from the past and demons on the rise to save her struggling father, her wayward brother, and herself. With this fresh and fearsome look at the contemporary Indigenous experience, Chartrand emerges at the forefront of our newest literary voices." — David Demchuk, author of The Bone Mother and RED X

"An Ordinary Violence is a gripping debut novel that bewilders in the best way possible. Adriana Chartrand sparks a fire on the first page that steadily burns into a tremendous literary spectacle that transcends genre. I was riveted by the story and thoroughly impressed by the writing. This novel will stay with me for a long time." — Waubgeshig Rice, author of Moon of the Turning Leaves

"An unsettling, lyrical, slow-burn of a novel that combines the best elements of atmosphere and horror. Weaving together a history of violence with spirituality and the supernatural, Chartrand has achieved something special here, a cacophony of style and genre that displays the immeasurable potential of Indigenous storytelling." — David A. Robertson, author of The Theory of Crows

Additional Information
256 pages | 5.25" x 8.00"| Paperback

A mind-bending, gripping novel about Native life, motherhood and mental health that follows a young Mohawk woman who discovers that the picture-perfect life she always hoped for may have horrifying consequences

On the surface, Alice is exactly where she should be: She’s just given birth to a beautiful baby girl, Dawn; her charming husband, Steve is nothing but supportive; and they’ve recently moved into a new home in a wealthy neighborhood in Toronto. But Alice could not feel like more of an imposter. She isn’t connecting with Dawn, a struggle made even more difficult by the recent loss of her own mother, and every waking moment is spent hiding her despair from their white, watchful neighbors. Even when she does have a minute to herself, her perpetual self-doubt hinders the one vestige of her old life she has left: her goal of writing a modern retelling of the Haudenosaunee creation story.

At first, Alice is convinced her discomfort is of her own making. She has gotten everything she always dreamed of, after all. But then strange things start happening. She finds herself losing bits of time, hearing voices she can’t explain, and speaking with things that should not be talking back to her, all while her neighbors’ passive-aggressive behavior begins to morph into something far more threatening. Though Steve assures her this is all in her head, Alice cannot fight the feeling that something is very, very wrong, and that in her creation story lies the key to her and Dawn’s survival. . . . She just has to finish it before it’s too late.

Told in Alice’s raw and darkly funny voice, And Then She Fell is an urgent and unflinching look at inherited trauma, womanhood, denial, and false allyship, which speeds to an unpredictable—and surreal—climax.

Reviews
"Familiar and ethereal. Brutal and beautiful. And Then She Fell is the fulfilment of the promise of Alicia Elliott ‘s storytelling prowess. . . . A soundtrack for the gorgeous nightmare that is both motherhood and belonging in and of itself, stitched together by the depths only grief and love can hook together. The Naked Lunch meets Rosemary’s Baby . . . and shot together with the golden humour and philosophy of Haudenosaunee story like an intimate lifeline, And Then She Fell is remarkable, and a world unto itself. What an accomplishment. What a gift.” —Cherie Dimaline, author of The Marrow Thieves and VenCo

"Alice and her husband have woven a lattice pattern of silence and secrets that slowly implodes in this fierce, remarkable debut. Elliott’s meticulous prose is an agile portal through the narrator’s complex inner life, the tensions, and fractures that surface when the trappings of success hide the weight of intergenerational trauma, racism, sexism, and the unwieldy expectations of Motherhood. And Then She Fell saves us from devastation by the grace it shows its characters and, ultimately, by the strength of their connections." —Eden Robinson, author of Monkey Beach and the Trickster trilogy

"And Then She Fell is an incredible and indelible novel. It's full of wonder and surprise, full of life and heart. This book is a gift that breathes life into the reader. Alicia Elliott has given us a knockout—a book so good you can't put it down." —Morgan Talty, author of Night of the Living Rez

"And Then She Fell is an unblinking look at the complex and often terrifying journey of new motherhood and what we're told we should want, with moving insights into connecting with our ancestors and our own identity. Alicia Elliott is a powerful storyteller, and this book is both suspenseful and heartfelt, with haunting elements that linger long after the final page is turned." —Vanessa Lillie, author of Little Voices and Blood Sisters

Awards

• Indigenous Voices Award winner
• Amazon First Novel Award winner

Educator Information
Psychological fiction

Additional Information
352 pages | 6.00" x 9.00" | Hardcover

Arctic/Amazon: Networks of Global Indigeneity offers a conversation between Indigenous Peoples of two regions in this time of political and environmental upheaval. Both regions are environmentally sensitive areas that have become hot spots in the debates circling around climate change and have long been contact zones between Indigenous Peoples and outsiders — zones of meeting and clashing, of contradictions and entanglement.

Opening with an Epistolary Exchange between the editors, Arctic/Amazon then widens to include essays by 12 Indigenous artists, curators, and knowledge-keepers about the integration of spirituality, ancestral respect, traditional knowledges, and political critique in artistic practice and more than 100 image reproductions and installation shots. The result is an extraordinary conversation about life, artistic practise, and geopolitical realities faced by Indigenous peoples in regions at risk.

Additional Information
256 pages | 8.87" x 12.12" | Hardcover

Newly sober, Curtis searches for healing in the ancient cultural practices of his Tłıcho Dene grandfather. But will the Little People answer his call?

Curtis has returned to Fort Smith, six weeks sober. He doesn’t have any sober friends, his mom’s still drinking, and his best friend (and secret crush) Lacey probably is too. Still, he’s determined to abstain from alcohol and help his people. Along the way, he might just be able to help himself.

Louis, Curtis’s late grandfather, was a healer. Legend has it, Louis made a deal with the Little People that gave him the power to heal. No one has heard from the Little People since Louis’s death, but his cabin may hold the key for them to return. There’s only one problem: Benny the Bank stands in the way.

An infamous bootlegger, Benny has profited off Fort Smith’s pain for decades. After being critically wounded in an attempt on his life, Benny knows he doesn’t have much time before the poison in his blood takes him. He also happens to own Louis’s cabin.

Can Curtis convince Benny to return the home that once belonged to Louis? Will the Little People answer Curtis’s call? And can Benny find a way to make amends and leave a legacy he can be proud of?

A stunning, fast-paced graphic novel, As I Enfold You in Petals will keep readers riveted until the last page.

Reviews
"It is a delight to have such a positive depiction of Dene spirituality and the people in this superb story of hope, strength of spirit, and redemption. The story celebrates family connections, memories, and stories through the text and the stunningly illustrated and colored illustrations." — No Flying No Tights blog

Educator & Series Information
This book is part of the The Spirit of Denendeh series.

The publisher recommends this title for ages 12+ 

Caution: Substance Abuse, Drugs, Alcohol 

Additional Information
72 pages | 6.50" x 10.00" | Paperback 

In this gripping, horror-laced debut, a young Cree woman’s dreams lead her on a perilous journey of self-discovery that ultimately forces her to confront the toll of a legacy of violence on her family, her community and the land they call home.

Mackenzie, a Cree millennial, wakes up in her one-bedroom Vancouver apartment clutching a pine bough she had been holding in her dream just moments earlier. When she blinks, it disappears. But she can still smell the sharp pine scent in the air, the nearest pine tree a thousand kilometres away in the far reaches of Treaty 8.

Mackenzie continues to accidentally bring back items from her dreams, dreams that are eerily similar to real memories of her older sister and Kokum before their untimely deaths. As Mackenzie’s life spirals into a living nightmare—crows are following her around and she’s getting texts from her dead sister on the other side—it becomes clear that these dreams have terrifying, real-life consequences. Desperate for help, Mackenzie returns to her mother, sister, cousin, and aunties in her small Alberta hometown. Together, they try to uncover what is haunting Mackenzie before something irrevocable happens to anyone else around her.

Haunting, fierce, an ode to female relations and the strength found in kinship, Bad Cree is a gripping, arresting debut by an unforgettable voice.

Reviews
"With creeps that are ever-creepy and love flowing like beer at a bush party, Bad Cree is a book about the power of dreams, home and family. It reads like a tribute to the ones who came before us Lee Maracle, Jeanette Armstrong, Eden Robinson. This book is tough iskwew in flannel shirts with long unbrushed hair, just looking good. It’s tea rings on Formica tables, cigarette smoke wafting through windows, and an eerie magical realism that only belongs to the bush. Full of Auntie power, Jessica Johns is really coming into her own immense storytelling ways." — Katherena Vermette, author of The Break and The Strangers

"Bad Cree is a masterwork of creeping tension. Wry, moody and subversive, Johns explores the power of connections, both the harm and the healing, with characters rich and warm, tangled in each other, to the land and to the supernatural. Couldn't put it down." — Eden Robinson, author of the Trickster trilogy

Additional Information
304 pages | 6.00" x 9.00" | Paperback

A group of Cree teens gather around a fire to share stories of spirits and shapeshifters in this chilling debut graphic novel.

After wandering out to the river near their homes, five teens decide to build a fire and exchange horror stories. Chad begins by telling the group about an unfortunate fisher who encountered a cluster of small, malevolent creatures while navigating the river in his canoe. Attempting to defend himself, Carl lashed out with an oar. . . and his world changed forever. One by one, the teens try to outdo each other, and the evening evolves into an impromptu storytelling competition.

On certain nights, if you walk along Loon River and peer under the bridge, you might spot a fire. You might hear a laugh. You might hear a scream. If you edge closer - and the conditions are just right - your view of the river will melt away, into the inky black beyond the firelight. Not to worry - the echoes of rushing water will help you find your way back. Or will they?

Inspired by Cree folklore and modern Cree life, Bad Medicine will transport readers to terrifying new worlds that only exist at the edges of human imagination.

Reviews
"Bad Medicine's about as good as medicine can get - stories with blood on the ground, sure, but a lot left in the heart, too." - Stephen Graham Jones, author of The Only Good Indians

"Like a peyote-stitch medallion, the interlaced pattern of stories found within Twin's graphic novel, Bad Medicine, remind me of belonging, remind me of cold nights around a warm fire with friends - sharing chilling stories, some all too real and close to home. This Indigenous horror debut is a medallion I'd wear proudly on my chest. And? I have a clawing hunger for more." - Shane Hawk, author of Anoka and co-editor of Never Whistle At Night

"This graphic novel is the rare sort of work that can be read and digested easily but that also provides the cautionary tales and allegory that elevate horror to something that remains long after one has finished reading." - Kirkus

Educator Information
Recommended for ages 14+

Additional Information
116 pages | 6.57" x 8.53" | Paperback

Imbued with passion, creativity and insight, Brandon Reid’s debut novel is a wonderfully creative coming-of-age story exploring indigeneity, masculinity and cultural tradition.

Twelve-year-old Derik Mormin travels with his father and a family friend to Bella Bella for his grandfather’s funeral. Along the way, he uncovers the traumatic history of his ancestors, considers his relationship to masculinity and explores the contrast between rural and urban lifestyles in hopes of reconciling the seemingly unreconcilable, the beauty of each the Indigenous and “Western” way of life—hence beautiful beautiful.

He travails a storm, meets long-lost relatives, discovers his ancestral homeland; he suffers through catching fish, gains and loses companions, learns to heal trauma. In Beautiful Beautiful we delve into the mind of a gifted boy who struggles to find his role and persona through elusive circumstance, and—

All right, that’s quite enough third-person pandering; you’re not fooling anyone. Redbird here, Derik’s babysitter, and narrator of this here story. Make sure to smash that like button. We’re here to bring light to an otherwise grave subject, friends. It’s only natural to laugh while crying. I bring story to life. One minute I’m a songbird singing from a bough, the next, I’m rapture. I connect you to the realm of spirit… Well, as best I can, given your mundane allocation.

Follow us through primordial visions, dance with a cannibal (don’t worry, they’re friendly once tamed) and discover what it takes to be united. Together, we’ll have fun. Together, we are one. So tuck in, and believe what you’ll believe, for who knows what yesterday brings. Amen and all my relations, all my relations and amen.

Reviews
“Beautiful Beautiful is a fitting title for Brandon Reid's novel, for it describes the work itself—it's simply beautiful. Reid manages to capture hypnotic traditional storytelling in written form—by stretching, manipulating and breaking traditional rules and conventions of the English language. Reid draws us into the tormentous but stunning world of a boy who, while young in years, is an ancient soul. Through brilliant description, mind-blowing shifting of perspective and a brilliant use of the boy's internal voice, we join the daily toils of a Heiltsuk family as they struggle to live off the capricious bounty of the Pacific Ocean. Like Omar El Akkad’s What Strange Paradise, Beautiful Beautiful stakes out new ground in the literary scene.”— Darrel J. McLeod, author of A Season in Chezgh’un

Additional Information
336 pages | 5.50" x 8.50" | Paperback

It's the summer of 1914. Eight-year-old Bernice lives with her family in a lighthouse on Georgian Bay. One day Bernice wakes up to find a stranger named Tom Thomson sleeping in their living room. When she overhears him talk about gold on a nearby island, Bernice is determined to find it. Inspired by her beloved Mémèr’s stories of their Métis family’s adventures and hardships, Bernice takes the treasure map the stranger left behind and sets out in a rowboat with nothing more than her two dogs for company and the dream of changing her family’s fortunes forever.

Educator Information
Ages 9 to 12.

Additional Information
190 pages | 7.50" x 5.25" | Paperback