Indigenous Stories

From adventures in Indigenous futurism to tales of first love, the stories and poems of Beyond the Glittering World proclaim and celebrate a rising generation of Native American storytellers.

Beyond the Glittering World brings together twenty emerging and established Native women writers and writers of marginalized genders, including Moniquill Blackgoose, Heid E. Erdrich, A.J. Eversole, Chelesa Hicks, and D. Daye Hunter. Immersing readers in worlds as varied as their authors, this collection presents an array of singular voices at their genre-bending, boundary-breaking, devastating, and joyous best.

Reviews
"An evocative compilation of voices pondering Indigenous futures and the shape of Indigenous love. Beyond the Glittering World holds a healthy dose of gender-bending, genre-challenging, future-hoping might. This anthology is a welcome addition to the field of Indigenous anthologies.”—DEBORAH JACKSON TAFFA, Whiskey Tender

Additional Information
240 pages | 5.25" x 8.00" | Paperback

A tenth anniversary bilingual edition in English and Cree of Rosanna Deerchild’s stunning collection about the intergenerational impacts of the Canadian residential school system.

you want me to
share my story

ok then
here it is
here in the unwritten
here in the broken lines
of my body that can never forget

In Calling Down the Sky, poet Rosanna Deerchild viscerally evokes her mother’s experience within the residential school system, the Canadian government’s system of violently removing Indigenous children from their homes, families, and languages in an explicit attempt to destroy Indigenous cultures and identities. With precise and intricate poetry, Deerchild weaves together the story of her mother’s childhood and Deerchild’s memories of her mother: her love of country music, her attempts to talk about what happened to her, how tightly she braided her daughter’s hair on the first day of school. In doing so, Deerchild illustrates the disruptive and devastating impacts of the residential school system on generations of families while also celebrating the life and culture of her mother and other survivors.

Published for the first time in a bilingual edition of Cree and English, in time for the tenth anniversary of the original publication, Calling Down the Sky is an intimate and gorgeously evoked reckoning with a horrifying part of North American history.

Reviews
“Rosanna Deerchild’s poems roll off the tongue as easy as old country songs. With her deft hand, Deerchild finely tunes every word and weaves them together as intimately as she braids her girls’ hair. Together, these poems create a story that sings with beautiful tension, amazing resilience, and love as big as the sky." - Katherena Vermette, Métis Writer

"The poetry collection, called calling down the sky, describes personal experiences with the residential school system in the 1950s and the generational effects it had." - CBC 

"This poetry collection is fierce, raw and candid. It is also visceral, intricate and, above all, illuminating. By recounting her mother’s residential school experience in a powerfully poetic narrative, Deerchild expertly illustrates the heartbreaking trauma of that tragic saga and how it complicates relationships over generations. By beautifully and elaborately exploring those relationships and that devastating history, she finds and celebrates the resilient and hopeful spirit that many residential school survivors, like her mother, have managed to retain in the face of horror and torment. As a result, calling down the sky is an essential read in understanding the true modern history of this land and in honouring the people who survived it.” - Waubgeshig Rice

Educator Information
Bilingual: English and Cree

Additional Information
96 pages | 5.50" x 8.50"

Featuring the voices of both new and acclaimed Indigenous writers and edited by bestselling Muscogee author Cynthia Leitich Smith, this collection of interconnected stories serves up laughter, love, Native pride, and the world’s best frybread.

The road to Sandy June's Legendary Frybread Drive-In slips through every rez and alongside every urban Native hangout. The menu offers a rotating feast, including traditional eats and tasty snacks. But Sandy June's serves up more than food: it hosts live music, movie nights, unexpected family reunions, love long lost, and love found again.

That big green-and-gold neon sign beckons to teens of every tribal Nation, often when they need it most.

Featuring stories and poems by: Kaua Mahoe Adams, Marcella Bell, Angeline Boulley, K. A. Cobell, A. J. Eversole, Jen Ferguson, Eric Gansworth, Byron Graves, Kate Hart, Christine Hartman Derr, Karina Iceberg, Cheryl Isaacs, Darcie Little Badger, David A. Robertson, Andrea L. Rogers, Cynthia Leitich Smith, and Brian Young.

Reviews
"There's a lot of warmth and gratitude to revel in...Various characters thread through each other’s stories, allowing many of the players more depth and nuance had they only been in one tale, and encouraging the readers to make the thematic connections in cultural identities that are both individually specific and community-wide." — Bulletin of the Center for Children’s Books

"17 Indigenous writers create a web of entertaining, intertwined stories in this uplifting and unusual anthology, ideal for the YA reader who longs for connection and authenticity. Themes of displacement and loneliness, as well as the importance of connection to family, friends, and tribe, permeate the entries, making the collection relevant and accessible for teen readers of any background. As Cheryl Isaacs says in "Heart Berry," "One way or another, Sandy June's never fail[s]." — Shelf Awareness

"The literary conceit that unifies these stories is a magical “NDN Country” frybread drive-in that serves up Native comfort food and wisdom, a “collective dream” where young people in need of connection or healing find themselves among an intertribal community of all ages...many stories mention historical events and all of them touch on family heritage, they also feel quite of-the-moment." — Horn Book Magazine

Educator Information
Recommended for ages 13+.

This collection of interconnected stories features voices of new and acclaimed Indigenous writers.

Additional Information
352 pages | 5.50" x 8.25" | Hardcover 

Residential school life through the eyes of a child.

Enos Montour's Brown Tom's Schooldays, self-published in 1985, tells the story of a young boy's life at residential school. Drawn from Montour's first-hand experiences at Mount Elgin Indian Residential School between 1910 and 1915, the book is an ironic play on "the school novel," namely 1857's Tom Brown's Schooldays by Thomas Hughes.

An accomplished literary text and uncommon chronicle of federal Indian schooling in the early twentieth century, Brown Tom's Schooldays positions Brown Tom and his schoolmates as citizens of three worlds: the reserve, the "white man's world," and the school in between. It follows Tom leaving his family home, making friends, witnessing ill health and death, and enduring constant hunger.

Born at Six Nations of the Grand River in 1899, Montour earned degrees in Arts and Divinity at McGill University and served as a United Church minister for more than thirty years, honing his writing in newspapers and magazines and publishing two books of family history. Brown Tom's Schooldays reflects Montour's intelligence and skill as well as his love of history, parody, and literature.

This critical edition includes a foreword by the book's original editor, Elizabeth Graham, and an afterword by Montour's granddaughters, Mary Anderson and Margaret McKenzie. In her introduction, historian Mary Jane Logan McCallum documents Montour's life and work, details Brown Tom's Schooldays's publication history, and offers further insight into the operations of Mount Elgin. Entertaining and emotionally riveting, Montour's book opens a unique window into a key period in Canada's residential school history.

Reviews
"A fantastic read. People need more books like this, which are directly related to the TRC but are also a testament to the strength and creativity of Indigenous literature." — Crystal Fraser, University of Alberta

"Brown Tom's Schooldays is a literary artifact from the residential school era. In this fictionalized coming of age account, Enos Montour captures the youthful hopes, dreams, and disappointments of his real life upbringing at Mount Elgin, one of Canada's earliest and longest running residential schools. Unique in style, tone, and perspective, Schooldays is an important read for anyone interested in understanding the residential school system and for all of us who call the lower Great Lakes home." — Thomas Peace, Huron at Western University

Educator Information
This book is part of the First Voices, First Texts series.

Table of Contents

Foreword: On A Personal Note, The Making of Brown Tom’s Schooldays, 1982–1984 by Elizabeth Graham

Introduction: Enos Montour, Brown Tom, and “Ontario Indian” Literature by Mary Jane Logan McCallum

Brown Tom’s Schooldays by Enos Montour

Chapter 1: Salad Days

Chapter 2: Brown Tom Arrives

Chapter 3: Brown Tom's Three Worlds

Chapter 4: The Milling Herd

Chapter 5: Loaf 'n' Lard

Chapter 6: Brown Tom Makes a Deal

Chapter 7: Too Big for Santa Claus

Chapter 8: Brown Tom's Happy Days

Chapter 9: Trial By Fire

Chapter 10: Brown Tom "Has It Bad"

Chapter 11: Brown Tom Gets Religion

Chapter 12: The Roar of Mighty Waters

Chapter 13: Happy Hunting Ground for Noah

Chapter 14: War Clouds Over Mt. Elgin

Chapter 15: Brown Tom "Arrives"

Afterword by Mary Anderson and Margaret McKenzie

Appendix 1: Glossary of Idioms and References in Brown Tom’s Schooldays

Appendix 2: Bibliography of Works by Enos Montour

Endnotes

Bibliography

Additional Information
216 pages | 5.50" x 8.50" | 20 b&w illustrations, 3 maps | Paperback

Based on an Inuit traditional story passed down orally for generations, The Cannibal tells the horrific tale of a family experiencing starvation when the animals they rely on for survival disappear. While the wife stays alive by eating plants she gathers daily, the husband does the unthinkable, resorting to murder and cannibalism. Horrified, and terrified for her life, the wife eventually finds herself alone in camp with her husband. She knows what will happen to her if she does not find a way to escape. Hatching a plan, the exhausted wife embarks on the journey with her murderous husband in pursuit. After safely arriving at a nearby camp, she shares the story of what has become of her camp, and her own children. Soon the husband arrives, and the camp must decide how to deal with the cannibal. Both horrific and poignant, this cautionary traditional story provides a window into the at times harsh realities of traditional life.

Reviews
"The Cannibal by Solomon Awa and Louise Flaherty is a stark and compelling novel centred on an Inuit family facing extreme survival challenges in the Arctic. When the family’s father, driven by desperation, begins to resort to cannibalism to stay alive, the story delves into harrowing themes of survival, morality, and the impact of isolation on human behaviour. This topic is suitable for an older audience, not younger students." - David D., Indigenous Educator & Administrator, Indigenous Books for Schools 

Educator Information
The publisher labels this work as an "Adult Graphic Novel."

Recommended in the Indigenous Books for Schools catalogue as a valuable resource for grades 10 to 12 for English Language Arts and Social Studies.

Themes: Animals, Death, Environment, Loss, Reconciliation

Caution: Contains cannibalism

Additional Information
44 pages | 7.00" x 10.50" | Paperback

Journey to the depths of the Arctic and beyond in this unique collection of stories from the award-winning volumes of Moonshot: The Indigenous Comics Collection.

Burning Cold is a captivating volume of Indigenous graphic stories written by acclaimed authors Sean and Rachel Qitsualik-Tinsley and Richard Van Camp. Time travel on the back of a wolverine, swim with shapeshifters beneath the ice, and travel through the skies with aliens. From traditional stories to reimagined futures, this collection showcases some of the finest comic book and graphic novel work from the North.

Educator Information
Recommended for Young Adults.

Additional Information
100 pages | 6.50" x 10.25" | Colour Illustrations | Paperback

To celebrate the fifth anniversary of the Indigenous Voices Awards, an anthology consisting of selected works by finalists over the past five years, edited by Jordan Abel, Carleigh Baker, and Madeleine Reddon.

For five years, the Indigenous Voices Awards have nurtured the work of Indigenous writers in lands claimed by Canada. Established in 2017 initially through a crowd-funded campaign by lawyer Robin Parker and author Silvia Moreno-Garcia that set an initial fundraising goal of $10,000, the initiative raised over $116,000 in just four months.

Through generous support from organizations such as Penguin Random House Canada, CELA, and others, the award has grown and have helped usher in a new and dynamic generation of Indigenous writers. Past IVA recipients include Billy-Ray Belcourt, Tanya Tagaq, and Jesse Thistle. The IVAs also help promote the works of unpublished writers, helping launch the careers of Smokii Sumac, Cody Caetano, and Samantha Martin-Bird.

For the first time, a selection of standout works over the past five years of the Indigenous Voices Award will be collected in an anthology that will highlight some of the most groundbreaking Indigenous writing across poetry, prose, and theatre in English, French, and in an Indigenous language. Curated by award-winning and critically acclaimed writers Carleigh Baker, Jordan Abel, and Indigenous scholar Madeleine Reddon, this anthology will be a true celebration of Indigenous storytelling that will both introduce readers to emerging luminaries as well as return them to treasured favourites.

Educator Information
Carving Space: The Indigenous Voices Awards Anthology: A collection of prose and poetry from emerging Indigenous writers in lands claimed by Canada includes a selection of standout work from the first five years of the Indigenous Voices Awards.

Additional Information
400 pages | 5.50" x 8.25" | Paperback

Bringing the Legends home

Legends of the Capilano updates E. Pauline Johnson’s 1911 classic Legends of Vancouver, restoring Johnson’s intended title for the first time. This new edition celebrates the storytelling abilities of Johnson’s Skwxwú7mesh (Squamish) collaborators, Joe and Mary Capilano, and supplements the original fifteen legends with five additional stories narrated solely or in part by Mary Capilano, highlighting her previously overlooked contributions to the book.

Alongside photographs and biographical entries for E. Pauline Johnson, Joe Capilano, and Mary Capilano, editor Alix Shield provides a detailed publishing history of Legends since its first appearance in 1911. Interviews with literary scholar Rick Monture (Mohawk) and archaeologist Rudy Reimer (Skwxwú7mesh) further considers the legacy of Legends in both scholars’ home communities. Compiled in consultation with the Mathias family, the direct descendants of Joe and Mary Capilano and members of the Skwxwú7mesh Nation, this edition reframes, reconnects, and reclaims the stewardship of these stories.

Reviews
"Shield has skilfully opened up a new avenue to the past with potentially wide-ranging appeal both to scholars and students and to general readers."— Jean Barman

Educator Information
This book is part of the First Voices, First Texts series.

Additional Information
256 pages | 5.50" x 8.50" | Paperback

A bold, clever, and sublimely sinister collection that dares to ask the question: “Are you ready to be un-settled?” Featuring stories by:

Norris Black • Amber Blaeser-Wardzala • Phoenix Boudreau • Cherie Dimaline • Carson Faust • Kelli Jo Ford • Kate Hart • Shane Hawk • Brandon Hobson • Darcie Little Badger • Conley Lyons • Nick Medina • Tiffany Morris • Tommy Orange • Mona Susan Power • Marcie R. Rendon • Waubgeshig Rice • Rebecca Roanhorse • Andrea L. Rogers • Morgan Talty • D.H. Trujillo • Theodore C. Van Alst Jr. • Richard Van Camp • David Heska Wanbli Weiden • Royce Young Wolf • Mathilda Zeller

Many Indigenous people believe that one should never whistle at night. This belief takes many forms: for instance, Native Hawaiians believe it summons the Hukai’po, the spirits of ancient warriors, and Native Mexicans say it calls Lechuza, a witch that can transform into an owl. But what all these legends hold in common is the certainty that whistling at night can cause evil spirits to appear—and even follow you home.

These wholly original and shiver-inducing tales introduce readers to ghosts, curses, hauntings, monstrous creatures, complex family legacies, desperate deeds, and chilling acts of revenge. Introduced and contextualized by bestselling author Stephen Graham Jones, these stories are a celebration of Indigenous peoples’ survival and imagination, and a glorious reveling in all the things an ill-advised whistle might summon.

Reviews
“All combined, these powerful pages use fantastical elements to create very human characters who suffer very real horrors, like oppression, poverty, abuse, mental illness and the erasure of long-existing cultures and traditions. This volume is a must for any library collection and will be devoured by speculative fiction fans who enjoy a sprinkle of social commentary within their scary books.” —Booklist

“Never Whistle at Night is all I’ve ever wanted in an Indigenous horror anthology. From doubles, to Empty People, to story theft, to zombies, this anthology explores the horror that lives in colonial violence, generational love and trauma, and our everyday lives. It’s a joy to see such a diverse representation of experience, background, and style in this carefully curated and terrifying collection.”—Jessica Johns, author of Bad Cree

“Story to story, Never Whistle at Night never failed to surprise, delight, and shock me. I’m a big fan of stories that make you feel like you’re standing at the edge of a cliff with a stranger’s fingers on the tip of your spine—and this anthology has that ungoverned, go-for-broke aesthetic that I love.”—Nick Cutter, author of Little Heaven

“An extensive collection of Indigenous stories ranging from the humorous to the terrifying, this anthology is a must-read for everyone. Your new favorite author is absolutely in this book.”—Amina Akhtar, author of Kismet

“Melodious, haunting, and visceral, Never Whistle at Night enchants from the very start with fiery confidence and merciless ghosts. These are stories that dig their fingers inside you and carve something truly special. An absolute must-read.”—Hailey Piper, Bram Stoker Award-winning author of Queen of Teeth

"Can you draw power from the spirit of a story? If the twenty-six tales in the essential Never Whistle at Night anthology are any indication, the answer is an emphatic yes. The title itself provides its own warning, but I'll go one step further: Never read this collection of spine-chilling stories alone at night. You just might not make it to morning."—Clay McLeod Chapman, author of Ghost Eaters

Additional Information
416 pages | 5.19" x 8.00" | Paperback

Dear grandmother, I am writing this song, over and over again, for you. I am a stranger in this place, he tauhou ahau, reintroducing myself to your land.

Tauhou is an inventive exploration of Indigenous families, womanhood, and alternate post-colonial realities by Kotuku Titihuia Nuttall, a writer of Maori and Coast Salish descent. This innovative hybrid novel envisions a shared past between two Indigenous cultures, set on reimagined versions of Vancouver Island and Aotearoa New Zealand that sit side by side in the ocean.

Each chapter is a fable, an autobiographical memory, a poem. A monster guards cultural objects in a museum, a woman uncovers her own grave, another woman remembers her estranged father. On rainforest beaches and grassy dunes, sisters and cousins contend with the ghosts of the past - all the way back to when the first foreign ships arrived on their shores.

In a testament to the resilience of Indigenous women, the two sides of this family, Coast Salish and Maori, must work together in understanding and forgiveness to heal that which has been forced upon them by colonialism. Tauhou is an ardent search for answers, for ways to live with truth. It is a longing for home, to return to the land and sea.

Reviews
"Tauhou is a search for answers, of finding ways to live with the truth. Some of the stories are like fables, others like poetry, and all are a sheer joy to read. A longing for home resonates, a gift for those of us searching for our island also."— Kete Books

"This one's for the lovers of language, lean prose-poetry you can dip in and out of and think about for hours. Best read beside a large body of water."— Woman Magazine

"Brilliantly written in the best of Maori and Coast Salish practices of story, Tauhou is teeming with possibility, love, and dreaming otherwise." — Leanne Betasamosake Simpson, author of Noopiming: The Cure for White Ladies

"Kotuku Titihuia Nuttall takes threads made from all the colours of the Indigenous experience and crosses them over oceans, cultures, and time." — Tayi Tibble, author of Poukahangatus and Rangikura

"Kotuku Titihuia Nuttall's Tauhou is a brilliant example of what language can do when forged with intentional hands and a fantastic mind. Nuttall's work binds words in a way that doesn't hold too tightly but steadfastly contains the many Ancestors present in Nuttall's life and work, weaving together a tapestry of nuance and witnessing. Masterful dialogue and rich scenes move emotions like the currents around Aotearoa and the Salish Seas, a beautiful display of lyricism that loudly proclaims that Kotuku Titihuia Nuttall belongs in the crescendo of rising voices in CanLit. Tauhou is not a collection to miss!" — jaye simpson, author of it was never going to be okay

"The stories in this collection move like the waves of the ocean that divide Vancouver Island and Aotearoa. Once you emerge from Tauhou's narrative depths, you'll miss its imagination, its rhythms, its heart." — Alicia Elliott, author of A Mind Spread Out on the Ground

Educator Information
Includes a SENĆOŦEN glossary, a Te Reo Māori glossary, an Author's Notes and Acknowledgements.

Curriculum Connections: Indigenous Studies 

Additional Information
224 pages | 5.00" x 7.75" | Hardcover

Unikkaaqtuat is the Inuktitut word meaning "to tell stories."

This definitive collection of Inuit legends is thoughtfully introduced and carefully annotated to provide the historical and cultural context in which to understand this rich oral tradition. Fascinating and educational, this little-known part of Canada's heritage will captivate readers of all ages. As a work of historical and cultural preservation, this textbook will be invaluable to those studying Inuit.

Additional Information
320 pages | 8.00" x 10.00" | 100 b&w line drawings | Hardcover | 2nd Edition

After his parents are brutally murdered, Ahiahia is raised by his grandmother in a camp surrounded by enemies. His grandmother knows that eventually the camp will turn on Ahiahia, just as it did his parents, so she chants a protection chant over the clothing that she lovingly sews for him, over the amulet and necklace she gives him, even over the dog that is his companion. When he is attacked, Ahiahia must use his agility, hunting skills, and the protection imparted by his grandmother to stay alive. This traditional story is retold by Kugaaruk Elder Levi Illuitok, and illustrated in a comic book style by Nate Wells, giving life to an ancient story for new generations to enjoy.

Educator Information
Recommended for ages 12+

This traditional story is retold by Kugaaruk Elder Levi Illuitok, and illustrated in a comic book style by Nate Wells, giving life to an ancient story for new generations to enjoy.

Mature content (death, fighting).

Additional Information
36 pages | 7.00" x 10.50" | Hardcover 

Andy has had a rough school year and is ready for summer vacation. But when Grandpa Rick tells him that he will be participating in a canoe journey instead of enjoying his usual summer activities, Andy feels he is being punished.

Join Andy as he experiences a Tribal Canoe Journey for the first time and learns what it’s like to belong to a canoe family. Follow along as Andy navigates physical and emotional challenges and finds an answer to the important question: “Who am I?”

Awards

• 2024-2025 Hackmatack Children's Choice Award Shortlisted 

Reviews
"In this graphic novel, Andy gains insight into his own heritage and identity when he joins a group of youth who are participating in a Tribal Canoe Journey. People from different communities paddle to a host Nation for cultural celebrations in this annual West Coast event. The paddlers must train and prepare for the journey, which takes several days through variable conditions. The experience is physically demanding, but Andy learns much about his people’s culture, and he gains a sense of belonging as part of a canoe family." - Canadian Teacher Magazine, Spring 2023 Issue

"This graphic novel highlights how First Peoples connect to their culture and honour their past. The first-hand perspectives of participants in the 2019 journey help showcase the human emotions and physical challenges it involves. Teachers across elementary and secondary levels can use this short graphic novel as a read-aloud in a classroom or literature circles to help students learn about tribal canoes. Students could also be invited to explore their own traditions and experiences, and the art in the book could inspire projects that are based on the illustrations in this story." - Focused Education Resources

"Andy's Tribal Canoe is a fantastic book to use for reading groups. We were able to have amazing discussions. I started with the question, "Who am I?" And had students write what they would like to say before we opened the book. Then as we went through the book we made connections to their local communities, elders, food, canoe journeys etc. We also had our school elder come in for a discussion.... We also talked about what we would do if we were the host place for the tribal canoe journey, what we would want them to know about our community and what food would we like to share. Students created their own canoe on paper with drawings to represent themselves and their communities. I love this book. It led to more than I ever expected, students loved the pictures and the story. I hope to read this with as many students as possible." - Holly Polischuk, Cayoosh Elementary School Educator

Educator Information
Recommended for grades 3 to 8.

Additional Information
72 Pages | 8" x 10" | Paperback | ISBN: 978-1-77174-600-7

Leonard Moose and Mary Moose tell us our Aadizookaanan or Sacred Stories were passed down for thousands of years, filling the long winter nights with Anishinaabeg Oral Histories, Philosophies, and Ceremonies. Maang, or the Loon, is one of these ancient stories that our Anishinaabeg Ancestors have gifted us. 

There are many stories of the Loon. In this Aadizookaan, we will learn about Maang and the story of how Maang came to look the way this magnificent bird does today. The story of Maang is about how, through good deeds, we are rewarded. Maang is recognized by the good deeds with a necklace around Maang's neck and stars on Maang’s back. These markings on Maang are for all to see from generation to generation. “Maang” means “Grandmother, Keeper of the Lake”. We will also learn why Maang has a special place in the night sky as Giiwedinang, (North Star).

Educator Information
The publisher of this work recommends it for all grade levels.

In Anishinabemowin and English. Includes glossary.

Additional Information
48 Pages | Paperback